Podcast appearances and mentions of Alexander Scriabin

In 2007, Yevgeny Sudbin released an album of music by Alexander Scriabin. Reviewing it in Gramophone, Bryce Morrison described it as a 'disc in a million'. Now, Sudbin has returned to the composer for his 25th recording for BIS, and offers a wide-ranging survey of music that includes two more of the piano sonatas. James Jolly caught up with Yevgeny Sudbin recently to talk about his relationship with the composer and his unique musical world.

Renowned for his interpretations of the music of Russian composer and mystic, Alexander Scriabin, celebrated pianist Yevgeny Sudbin is host John Pitman's latest guest for this Arts Blog interview. Keep reading on the All Classical Radio Arts Blog: https://www.allclassical.org/pitman-reviews-sudbins-flamme/

En este fascinante episodio, Luis Antonio Muñoz, autor de "Historia Oculta de la Música", nos sumerge en la sorprendente conexión entre la teosofía y la música del siglo XX. Desde las ideas revolucionarias de Helena Blavatsky sobre el poder oculto del sonido hasta las composiciones visionarias de Alexander Scriabin, descubrimos cómo el pensamiento esotérico transformó radicalmente la estética musical. Exploraremos audiciones veladas en el París bohemio, el nacimiento de la música atonal, y cómo estos conceptos de vibración, color y sonido trascendieron hasta llegar a influenciar incluso la música contemporánea. Un viaje apasionante por la cara oculta de la música que cambió nuestra percepción sonora para siempre. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Carlos Iribarren | El quinto episodio de primeras sinfonías rusas incluye 4 movimientos de sendos autores que aún no habían sonado en esta serie orquestal de Hoy Toca. Los responsables de la música tan interesante que ilumina esta entrega son Alexander Borodin, Mikhail Ippolitov-Ivanov, Anton Arensky y Alexander Scriabin, cuyos primeros intentos sinfónicos oscilan entre finales del siglo XIX y comienzos del XX. Es música de mucho nivel que Carlos Iribarren y Mario Mora quieren que disfrutes en un viaje lleno de matices y sonidos emocionantes; así de apasionante es la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

El descanso, como actividad necesaria para las personas, se puede presentar de diferentes formas y sirve para que el cuerpo se recupere y se repare. En este episodio, Paola Famitzaí nos recomienda algunos títulos para disfrutar el descanso, entender su importancia y acompañarnos en esta temporada invernal.

O Poema do Êxtase, do maluco Alexander Scriabin , seria chamado originalmente de Poème Orgiaque (Poema Orgiástico). A partitura de Scriabin contém muitas marcações de expressão não convencionais, incluindo "muito perfumado", "com uma sensação de intoxicação crescente" e "com um prazer sensual se tornando cada vez mais extático". Uma obra bizarramente espetacular! Apresentado por Aroldo Glomb Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata.

Das Quartett des jungen Trompeters Jakob Bänsch wird beim 55. Deutschen Jazzfestival Frankfurt 2024 Ende Oktober im hr-Sendesaal auftreten. Die Band spielt zum Großteil die Musik des Bandleaders und diese ist unter anderem inspiriert von Komponist*innen wie Wayne Shorter, Maria Schneider, Maurice Ravel, Alexander Scriabin oder Gustav Mahler. Sie kombiniert dabei lyrische Melodien, virtuosen Jazz, sphärische Klangwelten und sinfonische, klassische Elemente. Das komplette Programm des diesjährigen Deutschen Jazzfestivals Frankfurt wird am 5. Juni veröffentlicht und dann beginnt auch der Vorverkauf der Eintrittskarten. (Sendung vom 29.5.)

So excited to present

Tom Service meets French pianist Jean-Yves Thibaudet during his recital tour where he performs both books of Debussy's Préludes. His 1996 recording of the pieces has just been re-released on vinyl with artwork created by his friend Vivienne Westwood, shortly before she died. Jean-Yves talks to Tom about the need to collaborate, his love of Debussy, Gershwin and Bill Evans, and why challenging conventions and being yourself as an artist are the keys to success and happiness. He also shares his excitement about an upcoming multisensory performance of Alexander Scriabin's 1910 tone poem 'Prometheus, The Poem of Fire' - a collaboration with Cartier in-house perfumer Mathilde Laurent, conductor Esa-Pekka Salonen and San Francisco Symphony which involves not only light and colour in addition to the music, but scent too.Tom talks to pianist Alice Sara Ott and composer Bryce Dessner about a new piano concerto he's written for her, which receives its UK premiere in February. Inspired by Alice's playing, the piece is also dedicated to Bryce's sister Jessica, a dancer and choreographer who has shaped his musical life. Alice talks about her love of Bryce's music and the challenges of getting inside a new piece. Bryce discusses his approach to the concerto, the power of acoustic music and how his work as a composer for the concert hall relates to his life as guitarist and writer in the band The National.

In Spring 1918 a massive German offensive made significant territorial gains, but ultimately not the intended breakthrough, and the Allied forces stood firm. Exhausted and demoralised at the scale of casualties, the Germans were pushed back in a major counter-attack in the late Summer and Autumn. And on 26 September, the Allies launched a general offensive along the entire Western Front.Meanwhile, the Habsburg empire was fast falling apart as various nationalities declared independence. www.patreon.com/historyeuropewww.historyeurope.netMusic composed by Alexander Scriabin, Etude in C sharp minor. Courtesy of musopen.orgPicture - US 64th regiment celebrate the ArmisticeTheme tune for the podcast by Nico Vettese, www.wetalkofdreams.com Hosted on Acast. See acast.com/privacy for more information.

Here is the trailer for The Piano Pod's upcoming episode with Concert Pianist, Recording Artist, and Educator, Dr. Michael Kaykov. The entire episode will be available on Sept 5, 2023, at 8:00pm ET as a video format on YouTube.The audio episode will be divided into two segments, with Part 1 launching simultaneously on your preferred podcast platform during the video premiere. Our conversation began with his extensive research on Alexander Scriabin, delving into his admiration for Franz Liszt. We also discussed practical topics like self-funding and career management for independent artists, leading to deeper philosophical discussions about classical music's role in society, innovative ways to connect with audiences, and more.

"I found this piece that I'd like to learn," one of my high school students said to me in a lesson earlier this summer. He carefully laid out the pages of the score of Alexander Scriabin's Prelude in C Major, Op. 11, No. 1 that he'd downloaded from IMSLP. "I have a question about it, though," he said turning toward the score. "How do you count this?"He pointed at the first line written in flowing quintuplets straddling the barlines. I leaned in to take a closer look. My student is very mathematically-minded, so we talked about how the beats are organized and divided into groups of 2+3. The way that it's notated in cut time creates tension—a feeling of pushing or transcending the boundaries to create something free and expressive.Next, we studied the tonal structure, the repeated use of 4ths, moments of tension and resolution, the way the hands sweep in toward the center in contrary motion. We talked about the formal structure, the technical challenges inherent in the left-hand octave leaps and open arpeggios.The more we analyzed the score together, the more intrigued I was to take it home and learn it myself. So I pulled up a copy of the same edition on my iPad that day and saved it to my forScore library for later.Scott Price once said, "The teacher is always and forever the student and the student is the teacher.” What does this look like in practice? In this episode, I'm sharing a glimpse into a project I've been working on this summer and what it looks like to be a student again.For show notes, click here.Resources Mentioned*Disclosure: I get commissions for purchases made through links in this post.Scriabin's 24 Préludes, Op. 11IMSLPforScoreSchoenberg's Drei Klavierstücke (1894)Ep. 060 - How Do We Approach Mistakes in Music Teaching & Learning?A Piano Teacher's Legacy (Richard Chronister)

SynopsisToday a tip of the hat to a much-beleaguered and frequently unacknowledged species: the piano teacher. Do you, for example, remember the name of your first piano teacher?In the case of Duke Ellington, it was not a name one could easily forget. She was a certain Mrs. Clinkscales, and Ellington always gave her credit for her persistence. “Because of my enthusiasm for playing ball and racing through the street, I missed more lessons than I took,” wrote Ellington. “When she had her piano recital with all her pupils, I was the only one who could not play his part. So Mrs. Clinkscales had to play the treble, and I just played the umpy-dump bottom!”The avant-garde American composer Morton Feldman immortalized the name of HIS piano teacher in an elegiac chamber piece titled Madame Press Died Last Week at Ninety. This music was premiered in France on today's date in 1970. Madame Maurina Press had taught the children of the Czar and knew the Russian composer Alexander Scriabin. She started teaching Morton Feldman when he was twelve, and his tribute to her is scored for 12 instruments—with the piano conspicuous by its absence!Music Played in Today's ProgramMorton Feldman (1926 - 1987) Madame Press died last week at 90 Orchestra of St. Luke's; John Adams, conductor. Nonesuch 79249

This week we learn about a famous composer, Alexander Scriabin, who had seriously tiny hands. Here we discover the lost artistic phenomenom that would have been "The Mysterium" and its many sensory wonders. Was this famous Piano player secretly commiting to ancient satanic rituals? perhaps bringing upon the apocalypse. Tune in to find out. Thanks for listening and remember to like, rate, review, and email us at: cultscryptidsconspiracies@gmail.com or tweet us at @C3Podcast. Also check out our Patreon: www.patreon.com/cultscryptidsconspiracies. Thank you to T.J. Shirley for our theme.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4145155/advertisement

Alexander Scriabin - Valse Xiayin Wang, piano More info about today's track: Naxos 8.570412 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Synopsis A question: do you see colors when you hear music? No, we're not going psychedelic on you and absolutely no controlled substances are involved in preparing today's edition of Composers Datebook. It's just that many composers do—see colors, that is. The late Romantic Russian composer Alexander Scriabin would describe the key of F-sharp Major as very definitely being “bright blue.” His colleague Nicolai Rimsky Korsakov, however, thought F-sharp Major more a greyish-green hue. While many composers confess to seeing certain musical keys as certain colors, the fact is they don't always agree on which color matches which key. Which brings us to the American composer Michael Torke, who gave the title “Bright Blue Music” to an orchestral piece that premiered on today's date at Carnegie Hall at a concert of the New York Youth Symphony. In 1985, when this music premiered, Torke was just 24 years old, but had already been composing music for most of his young life. In addition to a string of other “colorful” scores, with titles like “The Yellow Pages” and “Ecstatic Orange,” Torke has also gone on to write a number of ballet scores and vocal works, including a TV opera and, in 1999, a big choral symphony for the Disney Corporation to celebrate the Millennium. Music Played in Today's Program Alexander Scriabin (1872-1915) Etude in F#, Op. 42, no. 4 Piers Lane, piano Hyperion 66607 Michael Torke (b. 1961) Bright Blue Music Baltimore Symphony; David Zinman, conductor.

Two friends and academics recap classic literature and take it off its pedestal. In our thirty-first episode and the second of two Halloween specials, we get properly scary with a ghost story full of ambiguous trauma, creepy children, and isolated country mansions: Henry James's The Turn of the Screw (1898). We also investigate the 'obscure hurt' a young Henry James did to his balls, speculate about hasty office sex, and introduce some weird factoids about the Aztecs.Cover art © Catherine Wu.Episode theme: Alexander Scriabin, 'Prelude No.1, Op. 67' Hosted on Acast. See acast.com/privacy for more information.

Ecos de la Otra Música - El Poema del Éxtasis de Alexander Scriabin by Radiotelevisión de Veracruz

La batalla definitiva entre los grandes compositores de la historia se cita en la compleja transición al siglo XX con dos grandes. A un lado: desde Moscú, Rusia, con 2 sinfonías, 1 concierto para piano y otra mucha música para este instrumento. 10 impromptus, cerca de 100 preludios, 20 poemas o sus 10 laureadas sonatas. “El teosófico”, Alexander Scriabin. Al otro lado, desde París, Francia, con 1 sinfonía dramática, 1 ópera cómica, 1 concertino para flauta, 2 tríos con piano, varias piezas para violín y piano y más de 200 piezas para piano, “La estrella”, Cécile Chaminade ¿Quién es tu ganador? Escucha sus músicas en estos tres asaltos y sal de dudas. Y recuerda que todavía puedes conseguir nuestra Tote Bag antes del 31 de agosto apoyándonos aquí: https://clasicafmradio.es/hazte-mecenas/

A Musical America Artist of the Year, Grammy-winning pianist Daniil Trifonov is known for his intense yet thoughtful performances, especially of the Russian masterworks. In his latest album Silver Age, Trifonov teams up with the Mariinsky Orchestra and conductor Valery Gergiev for piano concertos by Sergei Prokofiev and Alexander Scriabin. The young, dynamic pianist joins us for a conversation about the music on this disc, which also includes fabulous solo piano works by Prokofiev and Igor Stravinsky.

Alexander Scriabin: Prelude No. 2 by Carlos Márquez

Alexander Scriabin: Prelude No. 4 by Carlos Márquez

Born in Moscow 150 years ago this year, Alexander Scriabin's music for solo piano has been recorded by many of the great pianists over the last century. But where to start if you're not familiar with this late-Romantic, sometimes elusive repertoire? David Owen Norris is on hand to navigate through some key pieces and makes some recommendations.

FRANCK: Psyche (selec de Parte I y Parte II) (Sommeil de Psyche, Psyche enlevée par les Zephirs, Les jardins d’Eros y Psyche et Eros) (22.37). Orq. Real del Concertgebouw de Amsterdam. Dir.: E. Van Beinum. Variaciones sinfónicas para piano y orquesta (17.05). A. Ciccolini (p.), Orq. de Lieja. Dir.: P. Strauss. SCRIABIN: Preludio nº 21 en Si sostenido mayor. Andante (24 Preludios, Op. 11) (1.33). L. Berlinskaya (p.). Escuchar audio

Alexander Scriabin: Prelude Op. 11 No. 1 by Carlos Márquez

Alexander Scriabin: Prelude Op. 11 No. 6 by Carlos Márquez

Synopsis Few of us today really know–or care–very much about the War of Austrian Succession, a conflict that troubled Europe in the 18th century. For music lovers, it’s enough to know that to celebrate the end of that war, George Frideric Handel was commissioned to compose music for a fireworks concert in London’s Green Park, an event that took place on today’s date in the year 1749. Back then there were no such things as microphones and loudspeakers, so Handel’s score called for a huge military band of 24 oboes, 9 horns, 9 trumpets, 3 sets of timpani, 12 bassoons, 2 contrabassoons—and strings. When King George II was told about it, he balked a little at the expense: “Well, at least I hope there won’t be any fiddles,” he commented, and so Handel was informed the strings were definitely off. A public rehearsal was held at the Vauxhall Gardens and a London newspaper reported that 100 musicians performed for an audience of more than 12,000, causing a 3-hour traffic jam of carriages and pedestrians on London Bridge. The official event with fireworks went off with a bang–as well as a few fires breaking out. Music Played in Today's Program George Frederic Handel (1685 - 1759) — Music for the Royal Fireworks (Academy of St Martin in the Fields; Neville Marriner, cond.) Argo 414596 On This Day Births 1812 - German opera composer Friedrich von Flotow, in Toitendorf (Teutendorf) estate, near Neu-Sanitz, Mecklenburg-Schwerin; 1894 - Russian-born America composer and famous musical lexicographer Nicolas Slonimsky, in St. Petersburg (Julian date: April 15); Deaths 1871 - German composer and piano virtuoso Sigismond Thalberg, age 59, in Posillipo, Italy; 1915 - Russian composer and pianist Alexander Scriabin, age 43, in Moscow (Julian date: April 14); 1992 - French composer, organist and teacher Olivier Messiaen, age 83, in Paris; Premieres 1720 - Handel: opera "Radamisto" (1st version), in London at the King's Theater in the Haymarket, during the first season of operas presented by the Royal Academy of Music (Gregorian date: May 8); The performance is attended by King George I and the Prince of Wales (Handel dedicates the score to the King); The singer Margherita Dursastanti appears in a Handel work for the first time in London; 1735 - Handel: opera "Alcina" (Julian date: April 16); 1736 - Handel: anthem "Sing unto God," in London at the German Chapel of St. James's Palace, during the wedding of Frederick, Prince of Wales, and Augusta, Princess of Saxe-Gotha (Gregorian date: May 8); 1749 - Handel: "Music for the Royal Fireworks" performed during fireworks display in London (Gregorian date: May 8); 1867 - Gounod: opera "Romeo and Juliet," in Paris at the Théatre-Lyrique; 1877 - Massenet: opera "Le Roi de Lahore" (The King of Lahore"), in Paris; 1893 - Rachmaninoff: opera "Aleko," in Moscow (Gregorian date: May 9); 1907 - Stravinsky: Symphony in Eb, at a private performance in St. Petersburg (Gregorian date: May 10); The first public performance took place in St. Petersburg on January 23, 1908, conducted by F. Blumenfield (Gregorian date: Feb 5); 1927 - Weinberger: opera "Schwanda the Bagpiper," in Prague at the National Theater; 1928 - Stravinsky: ballet, "Apollon musagète," in Washington, D.C., choreographed by Adolf Bohm; The European premiere of this ballet occurred on June 12 in Paris, choreographed by Georges Balanchine; 1937 - Stravinsky: ballet, "Jeu de cartes" (Card Game), by the American Ballet at the Metropolitan Opera in New York, with the composer conducting; This work was part of a Stravinsky-Balanchine matinée consisting of "Apollon musagète," "Le Baiser de la fée," and the premiere of "Jeu de cartes"; 1987 - Daniel Pinkham: Sonata No. 3 for Organ and Strings, at St. Peter's Church in Osterville, Mass., by organist Richard Benefield, with a string quartet conducted by the composer; 1992 - George Tsontakis: "Perpertual Angelus" (No. 2 of "Four Symphonic Quartets" after poems by T.S. Eliot), by the Tuscaloosa Symphony, Ransom Wilson conducting;

Alexander Scriabin: Prelude Op. 11 No. 8 by Carlos Márquez

Alexander Scriabin: Prelude Op. 11 No. 9 by Carlos Márquez

A Musical America Artist of the Year, Grammy-winning pianist Daniil Trifonov is known for his intense yet thoughtful performances, especially of the Russian masterworks. In his latest album Silver Age, Trifonov teams up with the Mariinsky Orchestra and conductor Valery Gergiev for piano concertos by Sergei Prokofiev and Alexander Scriabin. The young, dynamic pianist joins us for a conversation about the music on this disc, which also includes fabulous solo piano works by Prokofiev and Igor Stravinsky.

Boris Pasternak, My Sister Life, The Second Birth, Doctor ZhivagoLeonid Pasternak, Rosa KaufmanLev Tolstoy, Sergei Rachmaninoff, Alexander Scriabin, Rainer Maria RilkeMoscow Conservatory, German University MarburgOlga Freidenberg, Ida Wissotzkaya, Olga IvinskayaCentrifuge, LirikaLermontov, PushkinSergio D'Angelo, FeltrinelliTranslators Max Hayward and Manya HarariThe Literary Institute in Moscow Ushttp://www.thebibliophiledailypodcast.carrd.cohttps://twitter.com/thebibliodailythebibliophiledailypodcast@gmail.comRoxiehttps://www.youtube.com/channel/UCyAfdi8Qagiiu8uYaop7Qvwhttp://www.chaoticbibliophile.comhttp://instagram.com/chaoticbibliophilehttps://twitter.com/NewAllegroBeat

During his most active years as a member of the Theosophical Society, Alexander Scriabin aimed to follow a spirit on it journey to the Time of Ecstasy via a three-hundred line poem that would eventually be set to music, Le Poème de l'extase (Symphony No. 4). Excerpt from Le Poème de l'extase was read by Brian Edwards. Become a member of The Composer Chronicles on Patreon to get ad-free versions of all the episodes, early access to those ad-free versions, access to the member-only podcast Unscripted, and other things podcast related! https://www.patreon.com/thecomposerchronicles Join me and an incredible, growing community living healthier lifestyles in a body positive space with Roy Belzer Fitness: https://roybelzerfitness.com/signup and use offer code chronpodcast at checkout! Alexandrian Media Teespring: https://teespring.com/stores/alexandrianmedia Theme music is by Daryl Banner: https://darylbanner.bandcamp.com/ Music used in this episode: Étude in D-sharp minor, Op. 8, No. 12 by Alexander Scriabin Prelude, Op. 67, No. 1 by Alexander Scriabin Sources used for this episode: Faubion Bowers, Scriabin: A Biography, Second, Revised Edition (Mineola: Dover Publications, Inc., 1996). Alexander Scriabin, Le Poème de l'extase (Symphony No. 4), Op. 54 (Leipzig: M. P. Belaieff, 1922). --- Send in a voice message: https://anchor.fm/thecomposerchronicles/message

Pianiste Helena Basilova, live in de studio van Radio 4. Ze speelt een deel van haar onlangs verschenen album met werk van Morton Feldman: Triadic Memories. 23:04:37 CD Now Make We merthe (Argo ZRG 526) Mateo Flecha: Ríu Ríu Chíu Purcell Consort olv Grayston Burgess 3'32” CD A Collective Brass Christmas (Owens Music B08CCJJ76W) Mateo Flecha: Ríu Ríu Chíu Collective Brass 2'07” 23.15 Live Morton Feldman: Triadic Memories (delen) Helena Basilova [piano] ca. 20'00” 23.40 CD Picturing Scriabin (QuintOne Q 15003) Alexander Scriabin: 4 Preludes opus 37 nr 1 bes-kl Helena Basilova [piano] 2'08” CD Picturing Scriabin (QuintOne Q 15003) Alexander Scriabin: 2 Pièces opus 57 (1. Désir, 2. Caresse Dansée) Helena Basilova [piano] 3'49” 23.47 CD Piano and String Quartet (Nonesuch 79504-2) Morton Feldman: Piano and String Quartet Kronos Quartet & Aki Takahashi [piano] ca. 8'00”

Musiktipp

con Luca Damiani

piano: Carlos Marquez Background image: www.flickr.com/photos/14821912@N00/2574427997

A Theosophical choir sings in the Gaming Hut as beloved Patreon backer Brad McClain asks for Trail of Cthulhu scenario seeds inspired by Alexander Scriabin’s unfinished, Armageddon-inducing composition Mysterium. Thanks to discerning Patreon backer Daniel Gill, we find the Tradecraft Hut knee-deep in documents as we try to find the interesting side of the boring […]

piano: Carlos Marquez image background: www.flickr.com/photos/14821912@N00/2574427997

Alexander Scriabin: Etude Op. 8 No. 3 by Carlos Márquez

Alexander Scriabin: Etude Op. 8 No. 4 by Carlos Márquez

Alexander Scriabin: Etude Op. 8 No. 5 by Carlos Márquez

The Romantic Period – Part II This week we hear works by Frédéric Chopin, Robert Schumann, Louis Moreau Gottschalk, Modest Mussorgsky, Leoš Janáček, and Alexander Scriabin. 157 Minutes – Week of September 28, 2020

Alexander Scriabin: Etude Op. 8 No. 6 by Carlos Márquez

Alexander Scriabin: Etude Op. 8 No. 7 by Carlos Márquez

con Paola De Angelis

MOZART, BEETHOVEN Y MAS explores the 20th century in Russia withthe music of composer ALEXANDER SCRIABIN

MOZART, BEETHOVEN Y MAS explores the 20th century in Russia with the music of composer ALEXANDER SCRIABIN

Today a tip of the hat to a much-beleaguered and frequently unacknowledged species: the piano teacher. All the great pianists had one—as did the not so great... Do you, for example, remember the name of YOUR first piano teacher? In the case of Duke Ellington, it was not a name one could easily forget. She was a certain Mrs. Clinkscales, and Ellington always gave her credit for her persistence. "Because of my enthusiasm for playing ball and running and racing through the street, I missed more lessons than I took," wrote Ellington. "When she had her piano recital with all her pupils, I was the only one who could not play his part. So Mrs. Clinkscales had to play the treble, and I just played the umpy-dump bottom! The umpy-dump bottom, was, of course, the foundation and understanding of that part of piano-playing I later learned to like." The avant-garde American composer Morton Feldman immortalized the name of HIS piano teacher in an elegiac chamber piece titled "Madame Press Died Last Week at Ninety." This music was premiered in France on today's date in 1970. Steeped in the great Russian tradition, Madame Maurina Press said she had taught the children of the Czar and knew the Russian composer Alexander Scriabin. She started teaching Morton Feldman when he was twelve, and his tribute to her is scored for 12 instruments—with the piano conspicuous by its absence!

An stylized, intense and delicate, waltz by Scriabin. A piece to enjoy over and over! Background image by Angeli Laura De https://flic.kr/p/4s6FUc

For most of his life, Russian composer Alexander Scriabin (1871 – 1915) was obsessed with the occult and religious symbolism. He is often linked as being a part of the Russian symbolist movement and with having been a follower of Theosophy, a movement in…

Pianist Henrik Kilhamn presents one of Alexander Scriabin's relatively well known pieces: Etude in C# minor, Op. 2 no. 1. Written by a young composer in a highly romantic style, this short piece is filled with intense emotion throughout.

Riccardo Muti opens his 10th season as music director with two dramatic Russian works—Alexander Scriabin's haunting first orchestral composition and Shostakovich's pensive Sixth Symphony, written during a time of prewar tension. The brilliant Norwegian pianist Leif Ove Andsnes, hailed by the Wall Street Journal as "one of the most gifted musicians of his generation," performs Edvard Grieg's treasured Piano Concerto.

Tom Klaassen verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Met nieuwe releases, concerttips, reportages, actuele ontwikkelingen in de muziekwereld, een vaste plek voor jong talent, en natuurlijk: adembenemende muziek! Gemaakt in nauwe samenwerking met het televisieprogramma Vrije Geluiden. Met vandaag muziek van Richard Strauss door Arabella Steinbacher, Jeppe Moulijn door Peter Gijsbertsen, Camille Saint-Saëns door Pieter Wispelwey, Johann Bach door Voces Suave & Cafebaum Ensemble, Alexander Scriabin door Anna Fedorova, en Wilbert Bulsink door het Asko|Schonberg Ensemble.

This week, we discuss kidnappings & gunpoint attacks demanding cryptocurrency. We often say that cryptocurrency is unseizable. But in one sense, it’s more seizable than dollars in your account: Kidnappers’ crypto accounts, unlike bank accounts, are unfreezable and are themselves unseizable – making stolen funds completely unrecoverable. What can we do to be safe from ransom and wrench attacks? *** Next week I have an exciting guest interview with Manuel Martin, who worked at CERN's Large Hadron Collider for many years and is now teaming up with other experts to fix many problems with the scientific publishing industry. *** Original theme song, as usual, by Joseph Dickinson (audiojungle.net/user/jdmusic). Besides one nocturne (in C minor) by Polish composer Frederic Chopin, all other piano songs – Prelude for the Left Hand Alone, Nocturne for the Left Hand Alone, and Etude in C sharp minor – are by Russian composer Alexander Scriabin. --- Support this podcast: https://anchor.fm/bitgenstein/support

ALEXANDER SCRIABIN e FREDDIE MERCURY

ALEXANDER SCRIABIN e FREDDIE MERCURY

ALEXANDER SCRIABIN e FREDDIE MERCURY

Celebrating the release of her latest music on Steinway & Sons Record Label, Internationally renowned classical pianist, Klara Min chats with me about her life, her upcoming concert at Symphony Square, and her attachment to the composer Alexander Scriabin. About Klara Min: http://www.Klaramin.com Symphony Square: https://www.symphonyspace.org/events/klara-min-album-release-concert-steinway-sons

Described by Pitchfork as a "musical polymath," composer/violist Eyvind Kang has created and collaborated on hundreds of recordings and countless tours, from his own solo masterpieces to his work with Laurie Anderson, Bill Frisell, Animal Collective, Sun O))), The Decemberists, and Blonde Redhead. On this episode, he tells us about his early inspirations, his favorite project, and the music his teacher thought was garbage.   Playlist Here is a Spotify playlist to pair with Underscore Episode 5 with Eyvind Kang. It features hand--picked selections from Chrysanthe and Thomas to encapsulate the conversations and recommendations from the episode.   Music Featured in Interview: "Marriage of Days" by Eyvind Kang (iTunes / Spotify) "The Island" by The Decemberists (iTunes / Spotify) "Partita No. 3 in E Major: Preludio" by J.S. Bach (iTunes / Spotify) "Straight Outta Compton" by N.W.A. (iTunes / Spotify) "Giant Steps" by John Coltrane (iTunes / Spotify) "Dhun" by Ravi Shankar (iTunes / Spotify) "Gimme Shelter" by The Rolling Stones (iTunes / Spotify) "It’s a Man’s, Man’s, Man’s World" by James Brown (iTunes / Spotify) "Automatism" by Group Ongaku (YouTube) "Seva" by Jessika Kenney and Eyvind Kang (unreleased) "Cyclades" by Anne Carson, Robert Currie, and Eyvind Kang (unreleased) "Side 1" from Plainlight by Eyvind Kang (LP) Lightning Round Questions What genre is your music? Non--music Performance ritual? Quigong and tai chi A modern/technological tool that’s extremely helpful to your practice? Recording and playback A failure that turned out for the best? He tried to adapt a kacapi (Sudanese zither) technique for the viola but ended up creating a new pizzicato technique for himself instead. Something besides music that you’re obsessed with right now? Agriculture, philosophy, questions of justice and human rights A piece of art that changed your life? The Large Glass by Marcel Duchamp Something Old: Einstein on the Beach -- "Scene 3: Spaceship" by Phillip Glass. (iTunes / Spotify) Something New: Music by Black Composers made a Living Composers Directory. Recommended track: "Starburst" by Jessie Montgomery (iTunes / Spotify) Something Borrowed: "Iron" by Woodkid (iTunes / Spotify) Something Blue: "Prometheus, The Poem of Fire" by Alexander Scriabin (iTunes / Spotify) Credits: Hosts: Thomas Kotcheff and Chrysanthe Tan Script: Chrysanthe Tan Guest: Eyvind Kang Recording engineer: Mark Hatwan Produced by: Chrysanthe Tan Editing: Mark Hatwan Underscore is an extension of the Classical KUSC family Podcast theme: "Playground Day" by Chrysanthe Tan (iTunes / Spotify)   Social Media Facebook: /underscorefm Twitter: @underscorefm Instagram: @underscorefm Thomas is @thomaskotcheff on Twitter and Instagram. Chrysanthe is @chrysanthetan on Facebook, Twitter, and Instagram. Facebook group: Join our Facebook group, Underscore Society, to give us your thoughts, request future topics, and connect with other podcast listeners! Newsletter: Sign up for our mailing list to receive Underscore updates, offers, and opportunities to connect with other music aficionados. Email: Thoughts, questions, suggestions? We’re at info@underscore.fm

J Diaz, a composer and fellow graduate of DePauw University, joins Zach to talk about form and art, and how usage of form can overtake traditional notions of melody and sound. Thinking about form in a larger context can shape the creative process and ultimately the end result of your creative work. Alexander Scriabin - 24 Preludes, Op. 11: https://www.youtube.com/watch?v=ry5L3_0XVuk Pamela Z - "Breathing": https://www.youtube.com/watch?v=j7AZsQoD630 J Diaz's home page: http://www.diazsounds.com/

In this episode we talk about a composer that tried to usher in the apocalypse, but then died in the most random and unintimidating way. Listen in as we try to keep it together long enough to get through the life of this forgotten composer.

piano: Carlos Márquez

Cortinilla de entrada al XIX Festival Internacional de Piano En Blanco y Negro, que presentó Un viaje de transformación: una drástica evolución en la composición Recital conmemorativo por el centenario luctuoso de Alexander Scriabin (1872-1915), con el pianista Misha Dacić (Serbia), el 03 de octubre de 2015, el presente concierto en el Auditorio Blas Galindo de la Escuela Nacional de Música del Centro Nacional de las Artes (CENART), Ciudad de México.

piano: Carlos Márquez

piano: Carlos Márquez

Twintig jaar geleden overleed de extravagante pianist Shura Cherkassky, die er trots op was dat hij een stuk nooit precies hetzelfde speelde maar juist iedere keer een nieuwe interpretatie liet horen. We laten een van zijn versies horen van de laatste sonate van Alexander Scriabin, in de BuitenBocht - het ìs 20e-eeuws, maar eigenlijk nog heel erg ouderwets romantisch. En natuurlijk blikken we vooruit op de volgende aflevering van Het Weeshuis Van De Nederlandse Muziek, op 9 januari in Splendor in Amsterdam. Met een slechts één keer ooit gespeeld stuk van Calliope Tsoupaki.

con Emanuele Torquati

con Emanuele Torquati

Donald Macleod explores the life and career of the virtuoso pianist and composer Alexander Scriabin, described as 'one of the most enigmatic and controversial and artistic personalities of all time'

100 years after the death of Alexander Scriabin, his music lives on in a form he would never have expected. A week ago, I announced the Patchwork Scriabin quest along with UniqueSound, and 49 people contributed to our Scriabin sound quilt by recording a measure of his Prelude in A minor, Op. 11 No. 2. I’m excited to present our final mashup, with 68 uniquely-produced measures. You’ll hear trombones, bells, accordions, chiptune synths, wine glasses, dog growls, dance beats, and much more.

In honor of the 100th anniversary of Alexander Scriabin’s death, Composer Quest and UniqueSound are teaming up to bring you a collaborative music production quest. We’ll be creating an “audio quilt” based on Scriabin’s Prelude in A minor, Op. 11 No. 2. Your goal is to record one measure from the score using whatever instruments or synthesizers you want (sign-up form below). I’ll unveil our stitched-together masterpiece on the Composer Quest podcast on April 27th.

Karol Szymanowski: "Masques" op. 34 | Alexander Scriabin: "Masque" op. 63/1 | Claude Debussy: "Masques" | Franz Schubert: Drei Klavierstücke D. 946 | Franz Liszt: "Après une lecture de Dante" | Jiang Yi Lin (Klavier)

piano: Carlos Márquez

piano: Carlos Márquez

piano: Carlos Márquez

Tom Service uncovers a world of startling sounds and heightened feeling in Alexander Scriabin’s final composition, the Five Preludes Op.74. Written in 1914 in St Petersburg, months before Scriabin died, here is music riddled with the ambiguities of the time.

Signal Podcast 004 Part 1: Juice Tracklist: Eric Ericksson “Factory” Petar Dundov & Gregor Tresher “Geist” By Psycatron & Detroit Grand Pubahs “NvrSayNvr” (SMD Remix)  George FitzGerald “Feel Like” Boddika “Up And Dance” Throwing Snow “Sanctum” Æon “Different Quotes” Matt-U “Mindgame” Desto & Jimi Tenor “Eightfold Path” J:Kenzo “Therapy” Sleeper “Scanners” Sam KDC Feat. Eveson “Chalice” Krytikal “Selfish Ways” Skream “Phatty Drummer” Oneohtrix Point Never “Alexander Scriabin” (Edit)

J.C. and S.R. discuss the music, mind, and life of composer Alexander Scriabin.

The music of pianist/composer Armando Anthony "Chick" Corea needs no introduction to most of you. He is a musician extraordinaire who has covered every musical base possible. From "free" avant-guarde Jazz to classical music, it's all the same to Corea. Tonight's Feature is called "Trio Music" and it is mostly that. This is a re-union of three musicians with special chemistry and they are: bassist Miroslav Vitous and drummer Roy Haynes. The selections were recorded during a European tour in September 1984. The set opens with a Corea composition called "The Loop" then we move to two standards woven together: "Summer Night" by Dubin and Warren segueing to Cole Porter's "Night and Day". Solo piano follows this and it's Mr Corea playing Alexander Scriabin's "Prelude #2" and segueing to a Corea creation called "Mock Up". Finally back to the trio with Vitous' composition "Mirovisions". All in all totally inspiring music by three masters. Corea, Vitous and Haynes. Enjoy!

This is my first recording of a work by Scriabin. Scriabin's music has a very unique and recognizable style to it. He was a talented pianist and lived an interesting "mystic" life with music at the center. This particular Etude was composed in 1887. The haunting melody is quite simple in that it merely ascends up the minor scale, with a short jump from the fifth to the octave with a quick descent to the sixth. This phrase then repeats throughout the work beginning on a variety of intervals and keys. As each phrase ends with a feeling of incompleteness, it provides the piece with a longing feeling - a need to return to "home" or the tonic. As the larger phrase finally makes its way back to the tonic, the journey there is through a descent back through the minor scale adding to the somber feelings that are stirred through this work. This piece has become a favorite of mine to play during times of reflection and "longing". Sometimes in life we find ourselves simply feeling an incompleteness even we cannot fully understand why. This piece is particularly reflective of that emotional state. I hope you enjoy my interpretation and recording of Scriabin's Etude in C-sharp Minor. This recording was made at my home on my studio upright piano.

Alexander Scriabin stirbt.