Podcasts about casio cz

In this podcast episode, I was lucky to interview Oliver Larkin: an audio programming legend from the UK.Starting with a passion for music, going through Max, SynthEdit, PureData, then C++ to JavaScript and others, there is no audio technology that's not known to him. He has worked on projects with Arturia and Focusrite (among many more) and nowadays works for Ableton. He has conducted research in spatial audio, and has created successful plugins, like the Casio CZ-101 synthesizer emulation.He is most widely known as the co-author of Web Audio Modules and iPlug2: an C++ framework for creating audio plugins and web-hosted audio apps. It allows you to have a single codebase that builds various plugin formats out of the box, e.g., VST, AAX, and AU. Sounds familiar? That's because it is an alternative to the JUCE framework.With 20 years of experience in audio programming, he can be a role model for aspiring audio programmers.All this and more, including Oli's learning path is discussed in this podcast episode!Note: If you like the podcast so far, please, go to Apple Podcasts and leave me a review there. It will benefit both sides: more reviews mean a broader reach on Apple Podcasts and feedback can help me to improve the show and provide better quality content to you. Thank you for doing this

The Crystal Method co-founder Scott Kirkland discusses the music, vinyl records and rare remixes of the band, as well as the upcoming tour of Australia and memories of the synthesizers of yesteryear. Topics include: Australian tour delayed 3 years Scott loves his vinyl Ability for The Crystal Method to repress vinyl The recent vinyl boxset Scott's vinyl and music early in life 1st record: Soundtrack to Star Wars Passing out at a record store Records are a communal experience Multiple masters for digital and vinyl Scott is very hands-on the vinyl design Discovering “Black Celebration” by Depeche Mode Scott's 1st keyboard – Casio CZ-1 Chasing used synthesizers in classified ads The recent passing of Dave Smith of Sequential Circuits Ensoniq, Emu and various synth nerd-talk The Roland Boutique series synths Care and maintenance of vintage keyboards The Crystal Method's response to Napster How does a remix project start? Working with The Doors on “Roadhouse Blues” remix Clearing samples from early recordings Collaborating with Justin Chancellor of Tool – Bandwidth Project More reminiscing about synths and old storage options Wrapping up the interview Australians get tickets for The Crystal Method here. High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Blake Murray and Marty Gray host the Tune Shed Podcast. Their show covers similar ground to this show, music making, creativity, philosophy, theory, and gear. Blake and Marty are childhood friends that have reconnected over their discussions about music. Blake and Marty came on the show to talk about their work on the podcast. We had a great conversation about the challenges of making music and how we've found ways to overcome them. They share their musical backgrounds and how they've learned from each other and their guests. This is part one of a two-part series. The other half can be found on the Tune Shed Podcast. In that episode, I breakdown one of my band, Some Good Evil's tracks "Being with You." Head over to the Tune Shed Podcast to hear the second half! Listen on Apple, Spotify, Stitcher, Google, or watch on YouTube Show Notes: Tune Shed Podcast - https://anchor.fm/thetuneshedpodcast/ Brian Funk on Tune Shed Podcast - https://anchor.fm/thetuneshedpodcast/episodes/Brian-Funk-e1rkkv8/a-a8vja0j DX-7 Ableton Live Pack - https://brianfunk.com/blog/2014/04/29/yamaha-dx7-digi-struments-ableton-live-pack LoFi FX Ableton Live Pack - https://brianfunk.com/blog/lofifx Guitar Feedback Pack - https://brianfunk.com/blog/guitar-feedback Brian Funk Website - https://brianfunk.com Intro Music Made with Casio CZ-1 Ableton Live Pack - https://brianfunk.com/blog/casio Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/blog/5minute Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Julian Fulco Perron is a musician and filmmaker from Denver, Colorado. His music and art harken back to the late 60s and early 70s psychedelic rock. Julian goes to great lengths to capture the feeling of the era by using many of the same tools of the time. He films his videos on Super 8 and experiments with various mediums to achieve a sound full of character and unique charm. Julian and I spoke about the challenges presented by using vintage workflows and how those obstacles have enhanced his creativity. Julian explains his process for creating his work and how the adventurous spirit of artists such as The Beatles and The Beach Boys influences how he produces his art. Listen on Apple, Spotify, Stitcher, Google, or watch on YouTube Show Notes: Julian Fulco Perron Official Site - https://www.julianfulcoperron.com/ In My Garden by Julian Fulco Perron - https://distrokid.com/hyperfollow/julianfulcoperron/in-my-garden "Lost at Sea" Painted Film Video - https://youtu.be/hrqAqlzdF0I "Not So Fast" Video (Filmed on Super 8) - https://www.youtube.com/watch?v=NpZj5lgocwk Julian's Instagram - https://www.instagram.com/julianfulcoperron/ Brian Funk Website - https://brianfunk.com Intro Music Made with Casio CZ-1 Ableton Live Pack - https://brianfunk.com/blog/casio Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/blog/5minute Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Sam Gribben is the CEO of Melodics, a music education platform helping users master electronic drums, MIDI keyboards, and pad controllers. Melodics has just released a new feature called Songs which allows users to learn by playing popular songs. Sam and I spoke about the development and evolution of Melodics, and how they've managed to maintain a useful and intuitive educational experience over the years. Sam shared wisdom about education and how we best learn. Melodics is offering listeners of this podcast some free bonus content, including 30 lessons for keys, pads, or drums: MUSICPODCAST-MELODICS Listen on Apple, Spotify, Stitcher, Google, or watch on YouTube Show Notes: Melodics (use code MUSICPODCAST-MELODICS for free content) - https://melodics.com/ Sam's First Appearance on Music Production Podcast #42 - https://brianfunk.com/blog/2017/12/5/42-sam-gribben-melodics-founder-and-ceo Brian Funk Website - https://brianfunk.com Intro Music Made with Casio CZ-1 Ableton Live Pack - https://brianfunk.com/blog/casio Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/blog/5minute Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Mike Gallagher and Anthony Vanchure are, respectively, the sound designer and supervising sound editor for the new bio pic Weird: The Al Yankovic Story. The duo have worked together on many projects, including Netflix's Song Exploder and Amazon's Lucy and Desi. Both have been nominated for Emmy awards.  Mike and Anthony spoke about their work on the Weird Al biopic. They went into great detail about how sound can be used to tell a story and set a mood. We discussed the choices they made to support the film's tone and how feedback from the directors and Weird Al himself helped guide their work. Listen on Apple, Spotify, Stitcher, Google, or watch on YouTube Show Notes: Stream Weird: The Al Yankovic Story - https://www.roku.com/ Song Exploder on Netflix - https://songexploder.net/netflix Song Exploder Podcast - https://songexploder.net/ In Depth Sound Design YouTube - https://www.youtube.com/c/IndepthSoundDesign/videos Brian Funk Website - https://brianfunk.com Intro Music Made with Casio CZ-1 Ableton Live Pack - https://brianfunk.com/casio Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/blog/5minute Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Episode 69 More Symphonic Music with Synthesizers   Playlist Tomita, “Gardens In The Rain (Estampes, 3)” from Snowflakes Are Dancing (1974 RCA Red Seal). "Electronic performances of Debussy's tone paintings." Performed, arranged, and electronically created by Isao Tomita, composed by Claude Debussy. Modular Moog synthesizer by Isao Tomita, with equipment listed as: Moog synthesizer; One 914 extended range fixed filter bank; Two 904-A voltage-controlled low-pass filters;  One 904-B voltage-controlled high-pass filter;  One 904-C filter coupler;  One 901 Voltage-controlled oscillator;  Three 901-A oscillator controllers;  Nine 901-B oscillators;  Four 911 envelope generators;  One 911-A dual-trigger delay;  Five 902 voltage-controlled amplifiers;  One 912 envelope follower;  One 984 four-channel mixer;  One 960 sequential controller;  Two 961 interfaces;  One 962 sequential switch;  Two 950 keyboard controllers;  One 6401 Bode ring modulator;  Tape recorders,  One Ampex MM-1100 16-track,  One Ampex AG-440 4-track, One Sony TC-9040 4-track,  One Teac A-3340S 4-track,  One Teac 7030GSL 2-track;  Mixers,  Two Sony MX-16 8-channel mixers,  Two Sony MX-12 6-channel mixers;  Accessories,  One AKG BX20E Echo unit;  One Eventide Clockworks "Instant Phaser";  Two Binson Echorec "2" units ; One Fender "Dimension IV;"  One Mellotron.    3:41 Tomita, “The Old Castle” from Pictures At An Exhibition (1975 RCA Red Seal). “Electronic interpretations of works by classical composer Modest Mussorgsky.” Performed, arranged, and electronically created by Isao Tomita, composed by Modest Mussorgsky. Modular Moog synthesizer by Isao Tomita. Assume same instrumentation as above. 5:16 Pulsar, “Strands of the Future” from Strands of the Future (1976 Kingdom Records). Recorded in Switzerland, released in France. Drums, Percussion, Victor Bosch; Electric Guitar, Acoustic Guitar, Vocals, Gilbert Gandil; Flute, Solina Synthesizer, Roland Richard; Lyrics By François Artaud; Organ, Moog Synthesizer, Mellotron, Bass Guitar, Jacques Roman. 22:13 Vangelis Papathanassiou, “Flamants Roses” from Opéra Sauvage (1979 Polydor). "Original Music For Frédéric Rossif's Television Series.” Recorded in London, 1979. Composed, Arranged, Produced, synthesizers, piano, Fender Rhodes electric piano, drums, percussion, xylophone, Vangelis Papathanassiou; harp, Jon Anderson. 11:48 Rick Wakeman, “Overtures, Part 1 and 2” from 1984 (1981 Charisma). Part 1: Piano, Prophet Synthesizer, Rick Wakeman. Part 2: Organ, Piano, Prophet Synthesizer, RMI Synthesizer, Rick Wakeman. Bass, Runswick D., McGee R.; Bassoon, Sheen G., Hammond H. Cello, Truman B., Robinson M., Willison P.; Cello [Lead], Daziel A.; Clarinet, Weinberg T., Puddy K.; Drums, Tony Fernandez;  Drums, Frank Ricotti;  Fender Bass, Boghead, Steve Barnacle; Flute, Sandeman D., Gregory J.; Guitar, Beaky, Tim Stone; Horn, Thomson M., Easthope P.; Keyboards, Dave Crombie; Oboe, Theodore D., Whiting J.; Producer, Rick Wakeman Saxophone [Selmer] Gary Barnacle; Trombone, Hardie, Wilson; Trumpet, Miller J., Wallis J.; Tuba, Jenkins J. Viola, Newlands D., Robertson G., Andrade L.; Viola [Lead], Cookson M.; Violin, McGee A., Dukov B., Katz D., Bradles D., Clay L., Good T.; Violin, Leader, Rothstein J.. 5:12 Keith Emerson, “Tramway” from Nighthawks (Original Soundtrack) (1981 Backstreet Records). Keith played a Fairlight CMI on this track. The Fairlight was programmed by Kevin Crossley. Keyboards, Performed, Produced, Composed by Keith Emerson; Drums, Neil Symonette; Percussion, Frank Scully; Orchestral Percussion, Tristen Fry; Saxophone, Jerome Richardson; Trumpet [Lead], Greg Bowen. 3:25 Jean Michel Jarre, “Fourth Rendez-Vous” from Rendez-Vous (1986 Polydor). ARP 2600 synthesizer, Eminent organ, Matrisequencer, Roland TR 808 drum machine, Michel Geiss; Elka Synthex, EMS Synthi AKS, Oberheim OBX, Yamaha DX100 synthesizers, Matrisequencer, Roland TR 808 drum machine, Linn 9000 Electronic Drums, Jean-Michel Jarre. 3:59 Jean Michel Jarre, “Fifth Rendez-Vous” from Rendez-Vous (1986 Polydor). “Baby Korg” synthesizer, David Jarre; ARP 2600 synthesizer, Matrisequencer, Michel Geiss; Emulator II sampler/synthesizer, Dave Smith Prophet-5 synthesizer, Casio CZ 5000, ARP 2600, Fairlight CMI, Roland JX 8P, synthesizers, Matrisequencer, Jean-Michel Jarre. 7:56 Jean Michel Jarre, “Last Rendez-Vous: "Ron's Piece" from Rendez-Vous (1986 Polydor). Saxophone, Pierre Gossez; Elka Synthex, Seiko DS 250, Fairlight CMI synthesizers, Matrisequencer, Eminent organ, Jean-Michel Jarre. 5:45 William Ørbit, “Ogive Number 1” from Pieces In A Modern Style (2000 WEA Records). Recorded in England. Written by Erik Satie. Arranged, Programmed, Produced, Performed by William Ørbit. I think this piece is more likely Orbit's arrangement of "Ogive Number 2", not Number 1. But who cares? It's lovely to hear the French musician electrified like this. 6:45 Steve Jansen, Richard Barbieri, Nobukazu Takemura, “Empty Orchestra” from Changing Hands (1997 Medium Productions Limited). UK album of downtempo electronic music with a classical flavor. Recorded in Kyoto and London. Composed, Performed, Produced by Nobukazu Takemura, Richard Barbieri, Steve Jansen. 14:11 Sarah Davachi, “Magdalena” from Antiphonals (2021 Late Music). Canadian electro-acoustical composer and musician who blends classical instruments with electronics. Mellotron (English Horn, Bass Flute, Clarinet, Recorder, Oboe, French Horn, Chamber Organ, Nylon String Guitar), Tape Echo, Korg CX-3 Electric Organ, Pipe Organ, Harpsichord, Piano, ARP Odyssey Synthesizer, Acoustic Guitar, Violin, Voice, Sarah Davachi. 10:12   Background music: James Newton Howard, “Margaret I'm Home” from ‎James Newton Howard (1974 Kama Sutra). Performed, Composed, Arranged by, James Newton Howard.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

I've been a synth-head for a very long time. As a result, I have these little personal dropping-off points of favorite bits of gear: Ensoniq ESQ-1, Roland JD-800, E-mu Proteus and Morpheus. So imagine my surprise when a recent parcel of Facebook paraded all of my favorite synths. And it was put out there by today's guest – Drew Schlesinger – who was deeply involved in sound design for synth preset for all these devices! Starting with the Casio CZ-101, making patch sheets and patch carts, Drew ended up as a working sound designer throughout the digital MIDI synth golden years. In our discussion, we talk about how he got started, the kind of machines that he found himself working on, highlights and lowlights of sound design, and how he moved on from there. We also talk a bit about his work with David Torn in a little apartment studio. You can follow the discussion/history on Facebook by following Drew on Facebook (https://www.facebook.com/drewschlesinger1), and you can also hear the Torn album (Summer Synthesis 1978) here: https://drewschlesinger-davidtorn.bandcamp.com/releases Enjoy! Transcription available at http://www.darwingrosse.com/AMT/transcript-0357.html Exclusive extra content on the Patron page: https://www.patreon.com/darwingrosse

Episode 33 of The Ambient Vault features my special guest Panic Girl.  Panic Girl is a modular downtempo artist based in Munich, Germany.  She was gracious to share a mix of tracks from her discography, including a track from her latest album, “BLUE”.BLUE is Panic Girl's third studio album and her most versatile yet. After years of exploring experimental instruments, new and old technologies and trying out different musical paths, she now combines her knowledge to compose intimate and mesmerizing songs with many hidden layers and little details for the listener to explore. Be prepared to discover field recordings from all over the world, lofi bits from cassette recorders and 8bit loopers, heavy bass sounds from vintage synthesizers among many other gems and oddities from her studio. BLUE is a journey into Panic Girl's magic sonic realm, that she hopes will be the soundtrack to your next daydream.Panic Girl is a modular downtempo artist based in Munich, Germany. She dedicated her life to music from an early age. After receiving classical training in piano, guitar, and singing she got deep into the production of electronic music. If you visit her place, it is hard to not fall over a big mess of cables and different production gear like a Eurorack System, the Marxophone, ARP2600, Jomox XBase 09,  Cocoquantus or Casio CZ 5000 synthesizer. Influenced by a wide range of music Panic Girl delivers a deep mixture of electronica and experimental sounds. Besides writing her own lyrics, she writes and produces all recordings on her own. Her current studio album is called “BLUE” and was released on “i u we records”,  a label that focusses on the beauty of female diversity in electronic music.Track list for this episode:1.  You Owe Me Nothing2.  Unconscious Stream3.  Morning Coffee in Tokyo4.  Cherry Blossom Drama5.  Himalayan TeaYou can follow all things Panic Girl using the links below:https://www.panic-girl.com/https://panic-girl.bandcamp.com/https://instagram.com/panic.girl.666?utm_medium=copy_linkhttps://www.facebook.com/panicgirlofficial/https://mobile.twitter.com/panicgirlprohttps://linktr.ee/iuwe.records/If you enjoy this content, you can help support future episodes by subscribing to the podcast and leaving a review, following Brian on Instagram @heldbymachines, and subscribing to his YouTube channel.  Email: brianeverettmiller@yahoo.com.  Thanks!

About: Panic Girl dedicated her life to music from an early age. After receiving classical training in piano, guitar, and singing she got deep into the production of electronic music. If you visit her place, it is hard to not fall over a big mess of cables and different production gear like the Marxophone, a Eurorack System, ARP2600, Casio CZ 5000 or Juno 60 synthesizer. Influenced by a wide range of music Panic Girl delivers a deep mixture of electronica and experimental sounds. Besides writing her own lyrics, she writes and produces all recordings on her own. In 2017 she performed her first modular live gig at Superbooth with Jericho. Together with Anatol Locker she forms Lucid Grain, a modular project having released their first album on the label Modularfield. Links: https://www.panic-girl.com/ https://www.facebook.com/pg/panicgirlofficial https://www.instagram.com/panic.girl.666/ https://soundcloud.com/panicgirl https://twitter.com/panicgirlpro

Among a certain set of music-makers, Oli Larkin's work is critical for making things happen. He's an audio programming guru, and has created systems as diverse as a virtual Casio CZ synth, an automatic plug-in parameter-scrambler and he is involved with the development of a new web audio plug-in format. He is also deep into the Faust programming language, Max/MSP and the iPlug plug-in development system. His work is simultaneously inspiring and workmanlike, and it always delivers what is expected - and then some! Where does that level of sophistication and programming talent come from? Even Oli doesn't seem to know - but he's put his whole career behind the effort and really enjoys sharing. In addition to programming, he's also been experimenting with immersive audio experience (something we didn't get a chance to talk about - this time), and continues to dive into the depths of the Faust language and the iPlug system. You can check out his work at his personal site: http://www.olilarkin.co.uk/, and try out the web audio synthesizers at https://www.webaudiomodules.org/. This was a great chat, and left me with even more respect for Oli and his work. Enjoy!

Bitwig has released the Bitwig Studio 2.3 digital audio workstation update. Additions include time-signature markers on the timeline, improved time-stretching for audio, new sounds and device presets for the content library, and more. However, the biggest news for Bitwig Studio 2.3 is the new Phase-4 four-oscillator synthesizer. Phase-4 uses phase manipulation synthesis, similar to the classic Casio CZ phase distortion synthesizers from the 1980s. However, Bitwig’s Phase-4 goes even further with extensive modulation control and a highly visual interface. Bitwig Studio 2.3 is a free update to licensed users with an active upgrade plan, and anyone can try the free demo at Bitwig.com. Two large musical artist communities joined together when Splice acquired Indaba Music. Both companies actively present remixing, production, and songwriting contests, and will collaborate on new projects like the weekly Firestarter series, now available at the Splice.com blog. The Firestarter challenges give producers a creative spark, such as a set of samples, a MIDI pattern, or a project file for them to build off of and share their results. Digital DJs can finally try out Serato DJ Pro 2.0, which is a free upgrade for Serato DJ users. The update adds an offline Practice Mode that lets you prepare tracks with loops and cue point and practice mixes without any hardware connected. The new Performance Pad View shows the DJ decks with cue points laid out in two rows of four, mimicking the layout of many Serato DJ controllers. Serato DJ Pro is now optimized for high-resolution displays and has 64-bit support for greater reliability and unlimited DJ library sizes. That’s it for this week’s Audio Tech News Flash, brought to you by Accusonus.  If you like this podcast, please subscribe and also leave us a 5-star review. That way, you can help spread the Audio Tech News. LINKS: Bitwig Studio 2.3 update: https://www.bitwig.com/en/bitwig-studio/bitwig-studio-2.html Splice.com & Indaba Music Firestarter Series:  https://splice.com/blog/ Serato DJ Pro 2.0 https://serato.com/campaign/dj-pro

Tom Hades (BEL) - NightVision Techno PODCAST 73 pt.2 3RD ANNIVERSARY! Bio: Tom Hades started to discover and experiment with electronic music when listening to DAF, Kraftwerk, Front 242, ... At the age of 15, he bought his first keyboard, the famous Casio CZ-101 and transformed his game-computer, Amiga 500, into his first DAW. Quickly he got experienced with MIDI-integration and sampling functions, which gave him even more urge for buying/selling new material as addition to his current setup. During the same period, his old schoolfriend, RedHead, was co-producing with Marco Bailey. He got in contact with Marco too which led them in 2000 to their first co-release. And this was the start of a big period of releases, included the anthem of "I Love Techno" in 2001. Have a look at the discography for the complete overview ... In the same year as I Love Techno, Tom started to do live performances. He got more & more experienced and started to play all over the world. His live performance was fully appreciated in countries like Spain, Colombia, Brazil, France, Poland, Sweden, Mexico, Japan, Austria, Italy, Norway, Ireland, ... and on many known festivals like Nature One, I Love Techno, City Parade, ... In the first period of 2002, Tom also produced his first solo release. In the next 3-4 years he continued to produce tracks on his own as well as his co-production with Marco on respected labels like MB Elektronics, Pornographic Recordings, Rhythm Convert, Northwest Dynamics, Invasion, Fine Audio, Patterns, Lupp, ... In 2004, they decided it was time to take the next step, start a label. And so Rhythm Convert was born. Initially, the purpose of the label was to give an opportunity to new talents to release their stuff. Guys like Axel Karakasis, Spiros Kaloumenos, Veztax, ... did a very good job to show the people what is was all about. Nowadays, the label is more aimed to produce electro-techno tracks and less oriented towards loopy techno sounds. End 2004, they released their full album, Rude Boy, caused a stirr all over the world. The best proof was their live performance during Nature One @ Pydna were they literally "blew the place to kingdom come" ! His current releases on labels like MB Elektronics & Rhythm Convert are oriented in the same way his musical taste changes, more melodic and even sometimes more dramatic music with flavors of techno, minimal, tekhouse and electro. Nowadays, Tom is busy at concentrating in his next step, to develop his "dj-career". In the near future, you can expect dj-sets with dedication and filled with energy, as known from his live-sets, to give his fans the pleasure of clubbing ! But as every self-respected artist, he will never forget his roots, so live-sets will still be part of his main occupation ! In the means of productions, future releases will certainly be done, as well as a second album together with Marco. So keep your eyes open on some new productions, because they will certainly surprise lots of people !!! Tracklist: 01. Sasha Carassi - Black Propaganda 02. Jel Ford - Backyard 03. Etai Tarazi - Lock And Loaded 04. Mark Henning - Roots 05. Roman Poncet - Lunacy 06. Electric Rescue - Nania (Developer Remix) 07. Maxime Dangles - Conductor 08. Flug & Hans Bouffmyhre - Cerebral 09. Gary Beck - Grounded 10. S-File - Bliss 11. Tom Hades & Kostas Maskalides - Break Up 12. Randomer - Stupid Things I Do (Old School Mix) 13. Jonas Kopp - Go! 14. Tom Hades - Yeeahh 15. Spiros Kaloumenos - Logotype (Cari Lekebusch Remix) 16. Bas Mooy - Bleeds 17. Tom Hades - Tubular 18. Recondite - DRGN2 Total Time: 1:01:45 More info: Tom Hades Official Website: http://www.tomhades.com Tom Hades on SoundCloud: https://soundcloud.com/tomhades Tom Hades on Discogs: http://www.discogs.com/artist/11382-Tom-Hades Tom Hades on Facebook: https://www.facebook.com/tomhades.official Tom Hades on Resident Advisor: http://www.residentadvisor.net/dj/tomhades NightVision Techno PODCAST on SoundCloud: https://soundcloud.com/nightvisiontechnopodcast NightVision Techno PODCAST on Digitally Imported: http://www.di.fm/undergroundtechno NightVision Techno PODCAST on Art Style Techno: http://artstyletechno.hu/nightvision-techno-podcast/ NightVision Techno PODCAST on MixLR: http://mixlr.com/nightvision-techno-podcast/ NightVision Techno PODCAST on iTunes: http://itunes.apple.com/hu/podcast/nightvision-techno-podcast/id472942249 NightVision Techno PODCAST on TuneIn: http://tunein.com/radio/NightVision-Techno-Podcast-p534346/ NightVision Techno PODCAST on MIXCLOUD and DIRECT LINK: http://www.mixcloud.com/nightvision_techno_podcast/ NightVision Techno PODCAST on FB: http://www.facebook.com/nightvisiontechno NightVision Techno PODCAST on YOUTUBE: http://www.youtube.com/nightvisiontechno E-mail: nightvisiontechnopodcast@t-online.hu

Tom Hades (BEL) - NightVision Techno PODCAST 29 Pt. 3 Bio: Tom Hades started to discover and experiment with electronic music when listening to DAF, Kraftwerk, Front 242, ... At the age of 15, he bought his first keyboard, the famous Casio CZ-101 and transformed his game-computer, Amiga 500, into his first DAW. Quickly he got experienced with MIDI-integration and sampling functions, which gave him even more urge for buying/selling new material as addition to his current setup. During the same period, his old schoolfriend, RedHead, was co-producing with Marco Bailey. He got in contact with Marco too which led them in 2000 to their first co-release. And this was the start of a big period of releases, included the anthem of "I Love Techno" in 2001. Have a look at the discography for the complete overview ... In the same year as I Love Techno, Tom started to do live performances. He got more & more experienced and started to play all over the world. His live performance was fully appreciated in countries like Spain, Colombia, Brazil, France, Poland, Sweden, Mexico, Japan, Austria, Italy, Norway, Ireland, ... and on many known festivals like Nature One, I Love Techno, City Parade, ... In the first period of 2002, Tom also produced his first solo release. In the next 3-4 years he continued to produce tracks on his own as well as his co-production with Marco on respected labels like MB Elektronics, Pornographic Recordings, Rhythm Convert, Northwest Dynamics, Invasion, Fine Audio, Patterns, Lupp, ... In 2004, they decided it was time to take the next step, start a label. And so Rhythm Convert was born. Initially, the purpose of the label was to give an opportunity to new talents to release their stuff. Guys like Axel Karakasis, Spiros Kaloumenos, Veztax, ... did a very good job to show the people what is was all about. Nowadays, the label is more aimed to produce electro-techno tracks and less oriented towards loopy techno sounds. End 2004, they released their full album, Rude Boy, caused a stirr all over the world. The best proof was their live performance during Nature One @ Pydna were they literally "blew the place to kingdom come" ! His current releases on labels like MB Elektronics & Rhythm Convert are oriented in the same way his musical taste changes, more melodic and even sometimes more dramatic music with flavors of techno, minimal, tekhouse and electro. Nowadays, Tom is busy at concentrating in his next step, to develop his "dj-career". In the near future, you can expect dj-sets with dedication and filled with energy, as known from his live-sets, to give his fans the pleasure of clubbing ! But as every self-respected artist, he will never forget his roots, so live-sets will still be part of his main occupation ! In the means of productions, future releases will certainly be done, as well as a second album together with Marco. So keep your eyes open on some new productions, because they will certainly surprise lots of people !!! Tracklist: 01. Cowboy Rhythmbox - Shake - 02. Margot - Liuff Settanta (Florian Meindl Remix) - 03. Dema & Axel - Voxal (Hollen Remix) - 04. Roel Salemink - Strong - Deeperfect 05. Secret Cinema & Max D-Loved - Wow Cat (The Junkies Remix) - Octopus 06. Spektre & Tom Hades - Scintillate - Analytic Trail 07. Frankyeffe - Smell The Countryside (Roberto Capuano Remix) - Spark 08. Tom Hades - Vocalismo (Kalden Bess Remix) - Rhythm Converted 09. Tom Hades - Champagne - unsigned 10. Luigi Madonna - Loverdose - Analytic Trail 11. Nicole Moudaber - Sonic Language - Drumcode 12. Tracy - Bonk - Total Time: 1:00:22 More info: Tom Hades Homepage: http://www.tomhades.com/ Tom Hades on Myspace: http://www.myspace.com/tomhades Tom Hades on SoundCloud: http://soundcloud.com/tomhades Tom Hades on Beatport: http://www.beatport.com/en-US/html/content/artist/detail/6757/tom_hades Tom Hades on Facebook: http://www.facebook.com/tomhades.official?ref=ts NightVision Techno PODCAST on iTunes: http://itunes.apple.com/hu/podcast/nightvision-techno-podcast/id472942249 NightVision Techno PODCAST on MIXCLOUD and DIRECT LINK: http://www.mixcloud.com/nightvision_techno_podcast/ NightVision Techno PODCAST on FB: http://www.facebook.com/nightvisiontechno NightVision Techno PODCAST on YOUTUBE: http://www.youtube.com/nightvisiontechno E-mail: nightvisiontechnopodcast@t-online.hu