Podcasts about Roadhouse Blues

John Sebastian joins me on episode 135. John had considerable chart success in the 1960s as part of the folk rock band, The Lovin' Spoonful, who were inducted into the Rock and Roll Hall of Fame in the year 2000. John was also inducted into the songwriters Hall Of Fame. Probably better known as a singer songwriter and guitar player, harmonica was John's first instrument, inspired by his father, also called John Sebastian, who was a renowned classical harmonica player. And we discuss some of his father's music and how this inspired his son to take up the harmonica.John started out playing harmonica in a jug band before his success with The Loving Spoonful, before he then enjoyed a solo career and some notable recording sessions, not least as the harmonica player on The Doors song, Roadhouse Blues.Links:John's website: https://www.johnbsebastian.com/John's children's book: https://www.amazon.co.uk/Jbs-Harmonica-John-Sebastian/dp/0152400915Videos:John Sebastian senior live performance of Villas Lobos Harmonica Concerto: https://www.youtube.com/watch?v=Z2EO0SUraGQPlaying ‘Thedy' on chromatic with the New Rhythm Blues Quartet: https://www.youtube.com/watch?v=1f9IGhcGiQQHarmonica duet with Annie Raines: https://www.youtube.com/watch?v=kmPOnRUDZAEJohn's Homespun Blues Harmonica course: https://www.youtube.com/watch?v=NIVWaVSOoLEJohn's appearance at Woodstock in 1969: https://www.youtube.com/watch?v=rBXL7FaPod4Liam Ward interview with John and a lesson from Liam on how to play Roadhouse Blues: https://www.learntheharmonica.com/post/roadhouse-blues-harmonica-john-sebastianPodcast website:https://www.harmonicahappyhour.comDonations:If you want to make a voluntary donation to help support the running costs of the podcast then please use this link (or visit the podcast website link above):https://paypal.me/harmonicahappyhour?locale.x=en_GBSpotify Playlist: Also check out the Spotify Playlist, which contains most of the songs discussed in the podcast:https://open.spotify.com/playlist/5QC6RF2VTfs4iPuasJBqwT?si=M-j3IkiISeefhR7ybm9qIQPodcast sponsors:This podcast is sponsored by SEYDEL harmonicas - visit the oldest harmonica factory in the world at www.seydel1847.com  or on Facebook or Instagram at SEYDEL HARMONICAS--------------------------------Blue Moon Harmonicas: https://bluemoonharmonicas.comSupport the show

The Canyons have long called to the bohemians and artists of Los Angeles. While Laurel Canyon is renowned for its role as a hub of rock history in the 1960s and '70s, Topanga Canyon has its own rich tapestry of stories. In this episode of My Rock Moment, we welcome Emmeline Summerton from the Instagram account Lost Canyons LA, a historian of the LA Canyons and former writer for the New Topanga Times. Together, we explore Topanga's iconic rock legends and the songs inspired by this enchanting area. Was there truly a roadhouse that sparked Jim Morrison's lyrics in “Roadhouse Blues”? Did a fateful house party in Topanga Canyon contribute to the breakup of one of the most successful bands of the late '60s? Which famous Topanga musician got his start with Frank Zappa's Mothers of Invention before forming his own band? And did Ronald Reagan's daughter really co-write a classic Eagles song? In light of the recent devastating fires, this episode pays tribute to the unique beauty of Topanga Canyon, nestled in the Santa Monica Mountains. Despite the challenges, this iconic area endures, and My Rock Moment is proud to celebrate its lasting rock 'n' roll legacy. Playlist: “Ain't That A Lot of Love' Taj Mahal “Mr. Soul” Buffalo Springfield “Going Up The Country” Canned Heat “Roadhouse Blues” The Doors “I Wasn't Born to Follow” The Byrds “Willin” Little Feat - Linda Ronstadt cover “Already Gone” Eagles “From Boulder to Birmingham” Emmylou Harris “On the Way Home” Buffalo Springfield “Long May You Run” CSNY You can find Emmeline Summerton at @lostcanyonsla on Instagram. And follow My Rock Moment at @la_woman_rocks Learn more about your ad choices. Visit megaphone.fm/adchoices

Rejoignez-nous pour découvrir l'histoire fascinante derrière l'album mythique Morrison Hotel, le cinquième opus des légendaires Doors. Alors que la carrière du groupe semblait en perte de vitesse après les controverses entourant leur album précédent, The Soft Parade, les Doors ont su rebondir avec ce disque qui marque un retour aux sources, un son plus authentique et roots. Sous la direction de notre experte Ombline Roche, plongeons dans les coulisses de l'enregistrement de Morrison Hotel, un album qui a su traverser les décennies pour devenir un incontournable du rock. Vous découvrirez les tensions palpables qui régnaient au sein du groupe, avec les démêlés judiciaires de Jim Morrison et les querelles de crédits de chansons. Mais malgré ces défis, les Doors ont su puiser dans le blues pour se réinventer et offrir à leurs fans un disque qui a marqué l'histoire du rock.Vous en apprendrez davantage sur l'origine du titre de l'album, qui n'a en réalité aucun lien avec le nom du chanteur Jim Morrison. Vous découvrirez également comment la pochette emblématique du disque a été créée, au prix de quelques péripéties avec le propriétaire du célèbre établissement qui y figure. Et cerise sur le gâteau, vous apprendrez comment cette pochette a inspiré la création de la chaîne de restaurants Hard Rock Café, un an après la sortie de l'album.Alors préparez-vous à plonger dans les coulisses d'un album qui a su traverser les années et rester une référence incontournable du rock. Avec Ombline Roche, découvrez tous les secrets de Morrison Hotel

Join Tamara for an interview with Jason Bible, an Americana and rock singer-songwriter and instrumentalist who was born in Fort Worth, Texas. He began performing and recording music in the 90s - singing and playing guitar and harmonica. He left Texas and moved to Savannah in 2001 (due to a "banking issue"), and immediately began playing multiple shows a night, focusing on bars on River Street, and eventually out on the islands. In 2005 he formed the band The Train Wrecks, who are still going strong today. Nowadays you can catch Jason playing solo, with The Train Wrecks, *and*, recently, out playing Nirvana covers with his teenage son Jack.   Check out Jason's music and follow him here for concert and album news: https://www.instagram.com/jasonbiblemusic/ https://open.spotify.com/artist/1UXKMDrq24J2TJIJi4DJAN  https://www.youtube.com/channel/UC-7NvBK95xe8bPrdmvtW_IA   Topics in their chat include: How Jason started learning guitar and harmonica in HS, through private lessons focusing on early Dylan songs; playing solo both in indie coffee shops and in various Barnes & Nobles in Denton, TX during the heydey of the coffeehouse era; his recent gig opening for BB King's daughter and Stevie Ray Vaughan's nephew at Tybee Post Theatre; what does he mean by "leave sawdust on the stage?;" how his longtime band The Trainwrecks started, playing 3 gigs a night running around out on Tybee and Wilmington Island; how he and a co-writer have written 2 books, with a corresponding song per chapter, named for principles/tenets of Buddhism (contact Jason for these books); how difficult it is to find left-handed guitars and Jason's recommendations for where to buy them; the "Quarantine Concerts" Jason played during the pandemic; Jason's recent musical endeavor with his drummer son Jack, performing Nirvana covers around town for the past year, and the challenge of reenacting Kurt Cobain's screams; his karaoke song is "Roadhouse Blues;" and his upcoming projects: keep an eye on his IG about a new record and book coming out hopefully fall 2025, and about all of his upcoming gigs.   Tune in and get all the details!

All about Deadpool & Wolverine, crabs, drug raid, Wine Bar with Flash, deers, Sarah Birthday, lobsters, Ron n' Ron Spelling Pee, toads, Nashville living and more. WIP 157 Videocast https://www.patreon.com/posts/wayning-interest-109370097   www.paypal.me/waynerobertsvo  www.twitter.com/interestwayning www.instagram.com/wayninginterestpodcast www.instagram.com/wayneroberts811 www.joecruise.com

Nos situamos en "Macondo" junto a Juan Carlos Iragorri para abordar la actualidad en Argentina, cuando Javier Milei cumple siete meses como presidente. Nos acompaña la periodista Paz Rodríguez Niell. En "Antropoturismo", con Paula Ginés, trazamos el perfil biográfico de la pedagoga italiana Maria Montessori (1870-1952). Y ya es jueves y, en "Las mil y una músicas", con Pancho Varona, escuchamos "Música para los pájaros". Esta noche, más canciones que Pancho ha utilizado como sintonía a lo largo de estos años: My Generation (The Who), Duquesne Whistle (Bob Dylan), Roadhouse Blues (The Doors), Charlie's Girl (Lou Reed), Love For Sale (Talking Heads) y Synchronocity (The Police).Escuchar audio

Y ya es jueves y, en "Las mil y una músicas", con Pancho Varona, escuchamos "Música para los pájaros". Esta noche, más canciones que Pancho ha utilizado como sintonía a lo largo de estos años: My Generation (The Who), Duquesne Whistle (Bob Dylan), Roadhouse Blues (The Doors), Charlie's Girl (Lou Reed), Love For Sale (Talking Heads) y Synchronocity (The Police).Escuchar audio

Antonio Brown endorses Donald Trump, Comedian Craig Gass zooms in, the Michigan tornado damage, Mazawey checks in during softball practice, Stuttering John emcees a Tonight Show reunion, and Jim's Top 10 Songs with Counting. Steve Albini, esteemed 90s rock producer, died at the age of 61. Gone too soon. The perfect eulogy comes from Wesley Willis. Jim lies to Drew about Baby Reindeer on Netflix. Joy Mode brings you the Bonerline! Use promo code DREW. Call or text 209-66-Boner to communicate with the show. Drew proclaims Halle Berry the unsexiest sexy woman ever. Who else belongs on that list? Comedian Craig Gass will be at One Night Stan's Comedy Club in Waterford Twp this weekend. He wows us with his Gene Simmons, Paul Stanley, Sam Kinison, and Sebastian Bach impressions and stories. Go check him out this weekend. It'll be a gas(s). Huh huh huh. Channel 4 WDIV's Rod Meloni covered the tornado damage in Portage, MI and found a victim that caught our eye. Drake & Kendrick Lamar's "beef" has been all over the news lately. Good thing Good Morning America broke it all down for us. There's a lot to unpack. Antonio Brown sat in with Jason Whitlock and he didn't disappoint. He even went out on a limb to say he prefers Donald Trump over Joe Biden as President.  Maz joins the show right before a very important softball practice. Stuttering John made a fool of himself at The Tonight Show Reunion. Great video inside the club of John commanding the mic and even singing a brutal version of Roadhouse Blues by The Doors. Jim's Picks - The Top 10 Songs with Countdowns. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Deep Purple mijote quelque chose, à en croire la vidéo de 16 secondes partagée par le groupe qui met en scène la batterie de Ian Paice et le clavier de Don Airey, en plus d'une équation algébrique animée qui apparaît en arrière-plan. Joe Walsh a rejoint un groupe d'étudiants en musique samedi à Otatara Pa, une colline historique Maori en Nouvelle-Zélande, où il s'est produit sur scène avec eux devant une foule d'environ 300 personnes. Tous les artistes qui s'étaient mobilisés pour l'intronisation de Foreigner au Rock and Roll Hall of Fame ont eu gain de cause, le groupe fait partie des lauréats de cette édition 2024. Hozier a atteint le sommet du Billboard Hot 100 pour la 1re fois de son histoire avec son nouveau titre "Too Sweet", c'est aussi la 1er fois qu'un artiste irlandais décroche la première place du Hot 100 depuis que Sinead O'Connor en 1990 avec "Nothing Compares 2 U". Shirley Manson de Garbage est revenue sur ce jour où elle a appris que leur label allait investir dans No Doubt plutôt que dans Garbage. Thom Yorke a dévoilé tous les détails de la future bande originale du film ‘'Confidenza'' et le premier extrait de l'album "Knife Edge", avec le London Contemporary Orchestra et un ensemble de jazz incluant le batteur de The Smile et de Sons Of Kemet, Tom Skinner. Mots-Clés : single, album, infos, indice, enchaînement, images, guitariste, Simon McBride, scène, cœur, révélation, alcool, drogue, reggae, néo-zélandais, Ukettes, joueur, ukulélé, école, Greenmeadows, Hotel California, Eagles, reprise, Roadhouse Blues, Doors, piano, solo, Desperado, guitariste, Mick Jones, honoré, Ozzy Osbourne, Billboard, humilité, sensation, Black Sabbath, U2, Gilbert O'Sullivan, origine, hasard, vol, Los Angeles, Londres, rockstar, célèbre, Interscope, priorité, Gwen Stefani, maison de disques, situation, sentiment, industrie, travail, bande son, version numérique, vinyle, CD. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Singles Going Around- Saturday Comes In Colors The Beatles- "Drive My Car"Van Morrison- "Jackie Wilson Said"The Standells-"Sometimes Good Guys Don't Wear White"The Grateful Dead- "Cumberland Blues"The Monkees- "Let's Dance On"The Sex Pistols- "C'mon Everybody"Otis Redding- "Love Man"Plastic Ono Band- "Remember"Simon & Garfunkel- "The Big Bright Green Pleasure Machine"Lightnin' Slim- "Rooster Blues"The Yardirds- "Heart Full Of Soul"Nirvana- "Molly's Lips"Led Zeppelin- "Hey, Hey What Can I Do"Love- "Hey Joe"Captain Beefheart & The Magic Band- "Lick My Decals Off Baby"The White Stripes- "Lafayette Blues"The Doors- "Roadhouse Blues"13th Floor Elevators- "You Gonna Miss Me"Cream- "I'm So Glad"*all selections taken from the original records.

The Bandwagon went ultra old school this week. With Patrick on assignment, Dave and PC Tunney went deep into the playbook to bring back one of the OGs from the early days of BWN, the one and only DPP. On this Episode, Dave, DPP, and Tunney recap Season 2, Episode 3 of Invincible, with the guys feeling this was the best Episode of the season so far. We also got news about when Part 2 of Season 2 will finally air. The Trailer Park looked at the final season for The Bad Batch, the tremendous trailer for Monkey Man, and a rather uninspiring trailer for the Roadhouse remake no one asked for. The guys also discuss Daredevil: Born Again resuming filming, Deadpool 3 bringing a close to filming, and they break down the Oscar Nominations for the 2024 Academy Awards....and even engage in some true guesswork as to who might prevail.@wrestlngrealist@AttitudeAgg@itsReyCash@PCTunney@TheMindlessPod@ChairshotMedia@BandwagonNerdsAbout Bandwagon NerdsJoin Patrick O'Dowd, David Ungar, PC Tunney and Rey Cash as they keep everyone up on all things nerd, and maybe add some new nerds along the way. It's the Bandwagon Nerds Podcast!About the Chairshot Radio NetworkLaunched in 2017, the Chairshot Radio Network presents you with the best in sports, entertainment, and sports entertainment. Wrestling and wrestling crossover podcasts + the most interesting content + the most engaging hosts = the most entertaining podcasts you'll find!Featuring shows such as POD is WAR (sports, entertainment & sports entertainment) Bandwagon Nerds (entertainment & popular culture), The DWI Podcast (Drunk Wrestling Intellect), The Greg DeMarco Show (wrestling), The #Miranda Show (wrestling and entertainment), Hockey Talk (sports), Patrick O'Dowd's 5×5 (pop culture), The Outsider's Edge (wrestling), Down The Wire (Sports), Talk The Keki (Anime), The Mindless Wrestling Podcast, Attitude Of Aggression/The Big Four (wrestling), and more!Support this podcast at — https://redcircle.com/chairshot-radio-network/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"Morrison Hotel" von The Doors erschien im Februar 1970. Es war das fünfte Album der Doors und ist – wie es sich für einen richtigen Meilensteine-Klassiker gehört – kaum gealtert. Die Erstsendung des Meilensteins zu "Morrison Hotel" lief Ende Januar 2020 zum damaligen 50. Jubiläum des Albums. Das Album verkaufte sich in weniger als drei Tagen bereits mehr als eine Million Mal und gilt als eines der größten Rockalben aller Zeiten. "Blues, Hard Rock, Psychedelic und Seemannslieder, eine verrückte und wilde Mischung, depressiv, mystisch oder albern verrückt – so wie die Doors halt waren." (SWR1 Musikredakteur Frank König) Wer sich als Doors-Fan vor 50 Jahren diese Scheibe gekauft und aufgelegt hat, der war womöglich erleichtert über den bluesigen Sound. Das war ein echtes Comeback, was da passiert ist! Das Vorgängeralbum "The Soft Parade" fiel unter anderem durch sehr viele orchestrale Einsätze aus dem normalen Door-Sound raus – und das kam bei den Fans und Presse nicht so gut an. Mit "Morrison Hotel" sind sie zurückgegangen zu ihren Wurzeln, zu richtigem Blues. Man könnte denken, es wäre ein Blues Klassiker, ist es aber nicht. "Ich glaube, es ist das Erfolgsgeheimnis dieses Albums, dass die Fans wieder gespürt haben, sie sind zurück bei ihren Blues-Wurzeln gelandet." (SWR1 Musikredakteurin Katharina Heinius über "Morrison Hotel" von The Doors) Der besondere Doors-Sound auf "Morrison Hotel" Die Doors machen mit ihrer Musik musikalisch Räume auf. Sie erweitern den Blues in dem Sinn, dass sie für große Instrumentalflächen in ihren Songs Platz lassen. Der Hörer muss sich nicht zwangsläufig immer mit dem Text beschäftigen, er kann sich auch einfach in die Musik fallen nd sich von ihr treiben lassen. Für ihre Vorgängeralben haben sich The Doors immer wieder Session-Musiker mit ins Studio geholt, da war immer viel los. Das haben sie jetzt für dieses Album tatsächlich weniger gemacht. Sie haben die Songs vor allem mit Jim Morrisons Gesang, Gitarre, Bass und Orgel aufgenommen. Bei manchen Songs sind dennoch Session-Musiker reingekommen, wie beispielsweise bei "Roadhouse Blues". The Doors sind eine der wenigen Bands, die keinen Bassisten haben, so haben sie sich für diesen Song Lonnie Mack zum jammen eingeladen, er war einer der großen Bassisten in dieser Zeit in Hollywood. Im November 1969 haben The Doors im Elektra Sound Recording Studio, einem Studio in West Hollywood, angefangen "Morrison Hotel" aufzunehmen. Letztlich wurde "You Make Me Real" dann die erste Single-Auskopplung von "Morrison Hotel" – und war nicht besonders erfolgreich. Jim Morrison hat in einem Interview mal gesagt, dass sie sich fast immer für die vermeintlich falsche Single auf ihren Alben entschieden haben, wenn es darum geht, wie erfolgreich der Song im Anschluss wurde. Die Entstehungsgeschichte der Doors Ray Manzarek und Jim Morrison haben sich im Studium kennengelernt und sich später irgendwann wiedergetroffen. Manzarek, der selbst Keyboard spielte, war sofort begeistert von Morrisons Stimme und seinen Texten, am Strand haben die beiden The Doors gegründet. Sie machten sich auf die Suche nach passenden Musikern und fanden Robby Krieger und John Densmore, die Gitarre und Schlagzeug spielten. Jim Morrison – Versoffener Poet & "Rock-Schamane" Morrison war bekannt dafür, dass er sehr gerne auf Blues-Nummern gesungen hat, wenn er alkoholisiert war – und das war in dieser Zeit bei diesen Aufnahmen ein großes Problem, denn sein Alkoholkonsum war erheblich. "Ja, er war schlicht und ergreifend ein versoffener Poet, oder? Ja, das kann man so sagen. Es war ja auch Teil seiner Kunst (…) diese Provokation alles zu zerstören oder dieses selbstzerstörerische Element. Er war so ein Grenzgänger, der wollte das auch ausprobieren." (SWR1 Musikredakteur Frank König über Jim Morrison) Morrison hatte reichlich Probleme dadurch, viele Prozesse am Hals und auch die öffentliche Stimmung kippte dadurch bei den Doors. Sie durften in manchen Bundesstaaten nicht mehr öffentlich auftreten. Morrison war auf der Bühne unter Alkoholeinfluss unkalkulierbar. Als die Polizei auf die Bühne kam und ihn mitgenommen hat, sind die Fans völlig ausgerastet und wenn er auf der Bühne die Besinnung verloren hat, hat er sich auch mal nackig gemacht. Jim Morrison war nicht von vornherein so auf der Bühne. Als die Doors 1965 angefangen haben Gigs zu spielen, stand er zunächst mit dem Rücken zum Publikum auf der Bühne. Erst später hat er sich eine künstlerische Figur zugelegt und seine düstere Seite kam mit dazu. Ray Manzarek hat diese Seite an ihm immer "Jimbo" genannt. Diese exzentrische, düstere Seite war dann auch jene, die auf der Bühne ausgebrochen ist – und das hat er irgendwann nicht mehr abschalten können. Irgendwann war diese Figur größer als er selbst. Morrison hat sich viel mit Literatur beschäftigt und wollte ein authentischer Poet sein. Für sein Verständnis, musste ein Poet leiden oder Leid erlebt haben. Auf diesem Selbstverständnis basierend hat er viele Gedichte geschrieben. Außerdem war Morrison sehr interessiert an indianischer Kultur, hat auch länger bei Indianern gelebt. Der Mann, der sich selber einen "Rock-Schamanen" nannte, hat in seiner Kindheit eine starke traumatische Erfahrung mit Indianern gemacht. Er wurde als kleiner 4-jähriger Junge Zeuge eines schweren Verkehrsunfalls, bei dem etliche indianische Wanderarbeiter ums Leben gekommen sind und hat dieses Trauma in seinen Songs und Gedichten verarbeitet. Zum Beispiel auch in dem Gedichtband "An American Prayer“. Er wurde 78 auf dem gleichnamigen Doors Album veröffentlicht. In "Dawn's Highway" erzählt Jim Morrison sehr detailliert von diesem grauenhaften Ereignis und beschreibt, wie die Seelen der toten Indianer seine Seele besetzen, die Zeit seines Lebens in ihm wirken sollen. Doch Morrisons Vater soll ihm gesagt haben, dass er das alles so nicht erlebt habe, ja nur geträumt hätte. Für ein Kind unverständlich – die Ebenen der Realität und des Traums können so durcheinandergeraten sein. Im Song "Peace Frog" thematisiert er diese traumatische Kindheitserinnerung. "Für mein Gefühl hat diese Geschichte sein Lebensthema ausgelöst, dass er immer wieder betrachtet. Es gibt ganz viele Songs der Doors oder Gedichte, die Jim Morrison geschrieben hat, die sich mit diesem Thema beschäftigen und immer ist der Grundtenor Leid." (SWR1 Musikredakteurin Katharina Heinius über Jim Morrisons Kindheitstrauma) Morrisons früher Tod Morrison stirbt mit 27 Jahren in Paris im Jahr 1971, seine damalige Freundin Pamela Courson findet ihn in der Badewanne. Er ist auf dem Friedhof Père Lachaise beigesetzt worden. Es gab nie eine Obduktion, letztlich ist demnach nicht bekannt, was die tatsächliche Todesursache ist. Der Arzt hat damals den Herzstillstand als Todesursache vermerkt. Doch Courson und Morrison unterliegen beide einem exzessiven Drogenkonsum. Auch sie stirbt 3 Jahre später in Kalifornien im Alter von 27 Jahren an einer Überdosis Heroin. "Morrison Hotel" – Ein Meilenstein der Musikgeschichte Was 1969 zum Streit zwischen John Lennon und den Doors geführt hat, die Entstehungsgeschichte der Band und ihres dazugehörigen Bandnamens, was es damit auf sich hat, dass die Doors für das Platten-Cover von "Morrison Hotel" verklagt wurden und $1000 Strafe zahlen mussten – darüber und mehr, wird in dieser Epidsode gesprochen. __________ Über diese Songs vom Album "Morrison Hotel" wird im Podcast gesprochen (03:24) – "Roadhouse Blues"(16:14) – "Waiting for the Sun"(22:27) – "Peace Frog"(26:30) – "You Make Me Real"(32:02) – "Queen of the Highway"(37:15) – "Land Ho!"__________ Über diese Songs wird außerdem im Podcast gesprochen (13:55) – "Roadhouse Blues"-Cover von Status Quo (Klaus Doldinger) von Udo Lindenberg __________ Shownotes The Doors - Live at the Isle of Wight Festival 1970: https://www.arte.tv/de/videos/100950-000-A/the-doors-live-at-the-isle-of-wight-festival-1970/ Jim Morrison: Die letzten Tage in Paris: https://www.arte.tv/de/videos/100171-000-A/jim-morrison-die-letzten-tage-in-paris/ Trailer zu Classic Albums "Morrison Hotel" auf dem YouTube-Kanal der Doors: https://www.youtube.com/watch?v=SxSTucTLo8w __________ Buchtipps "Die Doors, Jim Morrison und ich" von Ray Manzarek, Kirsten Borchardt (Übersetzung): http://www.hannibal-verlag.de/cgi-bin/WebObjects/TXTSVHannibal2.woa/640/wo/CULgQtJHNIi32bw00RW1A2yJwkg/2.0.SuperPage.11.1.5.1.1.11.1.1.1.0.BoxArticleSmall.1.13.0 "Mein Leben mit Jim Morrison und den Doors" von John Densmore, Rainer Moddemann (Übersetzung): http://www.hannibal-verlag.de/cgi-bin/WebObjects/TXTSVHannibal2.woa/640/wo/CULgQtJHNIi32bw00RW1A2yJwkg/5.0.SuperPage.11.1.5.1.1.11.1.1.1.0.BoxArticleSmall.1.1.0 __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de

  How do you turn a lifelong passion for music, radio, and video games into a successful career in voice acting? Join me as I chat with Jim Fronk, a seasoned radio veteran who transitioned into voice acting, entertaining people with his dynamic performances and engaging characters.  But that's not all, Jim's talents extend beyond the microphone. He's also a whizz in website development, skills he's utilized to build successful websites for fellow voice actors. He delves deep into the magic of website creation, including the critical elements of a voiceover website and how you can create a one-page website in record time. Get ready to be inspired, entertained, and better yet, educated by Jim's wealth of knowledge and experience in the voice acting industry. Don't miss out! About Jim Jim has always been creative and secretively a tech geek. While working at radio stations, he gravitated towards graphic arts and webmaster duties. Through the years he created websites, not only for some of his ventures but for other radio friends and their DJ/entertainment side hustles. When Jim entered the VO world, he was amazed at how much it cost to have a basic cookie-cutter website built for a voice actor. So Jim created his 3-Hour Learn-By-Doing Website Creation Class. For a fraction of the cost, he teaches you how to create, update, and expand your own VO website as your business expands. Check out www.WebsitesForVO.com for more details. 00:01 - Intro (Other) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a V-O boss. Now let's welcome your host, Anne Ganguzza.  00:20 - Anne Ganguzza (Host) Hey everyone, welcome to the V-O Boss podcast. I'm your host, Anne Ganguzza, and today I am very excited to be here with a very special guest, our 20-plus year radio vet turned voice actor, Jim Fronk. Oh, thanks for having me. Oh, jim, jim, jim, let me just tell the listeners a little bit about you, oh by all means.  00:40 I'm glad that you were so excited. Thank you for being here, jim. Let me tell our listeners a little bit about you. You've been behind the microphone in your happy place since you were 10, the tender age of 10. And since then, jim has been acting and singing his way into our hearts, doing improv, stand-up comedy, live, announcing, djing on air, and now he's in his very own 5x8 padded closet capturing our hearts. So, jim, thank you, thank you, thank you for being here with us today.  01:10 - Jim Fronk (Guest) Well, thank you, I'm glad that I'm padded, because the funny thing is I got out of radio because it got so impersonal. I started voice tracking and I was on nine different stations, six different states, at the same time, and I was just in a 10x10 room recording and I'm sick of that, so I ended up in a 5x8 room.  01:28 - Anne Ganguzza (Host) Now a 5x8. Yeah, somehow that's smaller, so okay, but it's padded, so that's better.  01:33 - Jim Fronk (Guest) And this is my happy place. I love being here, I love playing behind the microphone. So I started at 10 years old singing. My dad always said that I would either be a politician or a radio disc jockey. Because of my gift of gab and the way that I like to spin the truth now and then, what would you sing?  01:50 - Anne Ganguzza (Host) That's my question. What genre would you sing? Jazz, you sing in classic rock.  01:54 - Jim Fronk (Guest) Classic rock for the most part.  01:56 - Anne Ganguzza (Host) Classic rock yeah.  01:58 - Jim Fronk (Guest) Actually back in 2000,. I was Ed McMahon's nextbigstarcom winner of the rock category. What did you sing? I sang Better Roses by Bon Jovi.  02:07 - Anne Ganguzza (Host) Oh, my God. Of course, at least she sang Bon Jovi. I was just going to say I'm thinking, bob Seeger, I don't know why. I've done some Bob. Yeah, I've done some Bob Seeger, I like the doors, yeah.  02:16 - Jim Fronk (Guest) I like the doors, my go-to when the bands are playing and they're like hey, come on up and sing. My go-to is Roadhouse Blues.  02:22 - Anne Ganguzza (Host) Oh God, if we are lucky bosses, we might get to hear, I don't know, a bar or two.  02:27 - Jim Fronk (Guest) Maybe if you go to Uncle Roy's this year or maybe actually if you went to Uncle. Roy's next year. I'll talk to them.  02:33 - Anne Ganguzza (Host) Next year. Oh yeah, hey, I personally have never heard you sing and I would absolutely love to hear you sing.  02:39 - Jim Fronk (Guest) You might be able to YouTube something Just saying there might be some poison out there.  02:44 - Anne Ganguzza (Host) Before we talk a little bit more about your journey into voiceover, because you've had such a long history behind the mic, I need to ask you about the 7.36 pounds of shelled blue peanut M&Ms that you requested from me in my little inquiry into hey, you want to be a podcast guest? What do you require? And so you asked me for shelled blue peanut M&Ms, and I could only find the brown ones.  03:08 - Jim Fronk (Guest) And yet they're still not here.  03:10 - Anne Ganguzza (Host) Somehow, oh, but they're virtually here.  03:11 - Jim Fronk (Guest) Oh, virtually Okay, great, I don't know. I was just trying to think of something weird to put on there that I need, because I really don't need anything.  03:20 - Anne Ganguzza (Host) I'm actually kind of hungry for some M&Ms. But, Jim, it's already been a wonderful five minutes chatting with you. I can't wait to dive deeper into your journey. So share with our listeners how your journey kind of got to be 20 plus years behind the mic doing radio. How did you get there? As a small child you were singing, right. Were you singing classic rock at the age of 10?  03:43 - Jim Fronk (Guest) Well, I was singing what was considered just normal pop music, I guess, yeah, and then classic rock was just music, but I did that. But when I got into school I really got into mixing things and I was making mixtapes before mixtapes were a thing.  03:59 - Anne Ganguzza (Host) I made mixtapes. I remember them.  04:01 - Jim Fronk (Guest) I was scratching records so things would skip at a certain point and you put a quarter on top, make a knot skip. No-transcript, Mr Jaws, Dr Demento.  04:11 - Anne Ganguzza (Host) Oh God, yes, I might be dating myself here, but I listen to Dr Demento every Sunday evening. Love Dr.  04:16 - Jim Fronk (Guest) Demento oh my God my favorite show. But they always had Mr Jaws. It was kind of like Mr Jaws, so why are you here? Right now, and then it'd be a song, so I used to try to do those myself.  04:27 - Anne Ganguzza (Host) And Delilah. I listened to Delilah too. Delilah yes, yeah, delilah's on the air forever. But then I got into radio.  04:33 - Jim Fronk (Guest) When I was in high school, I was at a party.  04:35 - Anne Ganguzza (Host) Okay.  04:36 - Jim Fronk (Guest) I was a senior, it was a junior's party. He was trying to be class president and I was just there being me. I mean, I am your extrovert, you know I talk to everybody, I say hi to everybody. It gets me in trouble sometimes, but whatever. But I was just being me and this guy walked up and said hey, listen, I'm the lawyer of this small little cable radio station downtown Woburn, which is my hometown. He goes do you want to try out? Okay, so I went home the next day. I got my Peter Brady tape recorder. We have to hold down the record and you know what I'm talking about.  05:04 - Anne Ganguzza (Host) I know exactly. I used one of those in college when I was recording textbooks on tape. Oh, there you go. I know the realistic. Or it was a Panasonic, I can't remember.  05:13 - Jim Fronk (Guest) I think it was realistic because I did have a radio shack within walking distance and my transistor was in there. Everybody did.  05:19 - Anne Ganguzza (Host) Wait, I'm sorry, but we're just going all over the place. So my brothers are very much into Heath Kits, heath Kits, heath Kits. Yeah, building electronics Like we did that from Radio Show. Oh my God, they would just build their own little like transistor radios and stuff.  05:29 - Jim Fronk (Guest) I never got into that but I mean, as I got into radio I did get my engineering junior engineering badge from the engineering people, but whatever. So I went home the next day I had my Peter Brady tape recorder and I had my Precorp eight track player, my stereo system at home, and yes, I'm name dropping here. With Precorp I put in Led Zeppelin and you know I talked out of a Led Zeppelin song and I had to wait because you couldn't rewind eight tracks so you only had one take. Well, you had to wait for the next song. It took me all afternoon to get like three intros and three outros and I ended up getting the gig, which was kind of cool. They made me change my name. They didn't want anybody to know that a high school kid was working at school, but yet they gave me like one of those shiny, flashy 80s type of radio jackets with my name on it and the call letters and I did J at all the high school functions and things. So everybody knew.  06:21 - Anne Ganguzza (Host) Can I ask what name they gave you? I was Jumping.  06:23 - Jim Fronk (Guest) Jim Jacobs.  06:25 - Anne Ganguzza (Host) All right, Jumping Jim. This just came to me. Jumping Jim.  06:27 - Jim Fronk (Guest) Jacobs, 935-3378, wlhg. Wow, larry Habar Enterprises. I love it. Larry lives two towns away from me right now. We had lunch about a month ago. The owner of the station.  06:39 - Anne Ganguzza (Host) Now explain to me. So you just were fascinated. Did you listen to the radio all the time? I loved radio. And then you were just mimicking all the DJs because the DJs got all the chicks. Apparently that's what it was back in the 80s anyways.  06:51 - Jim Fronk (Guest) Yeah, have you heard of Dale Dorman? He's a Boston guy from KISS, but Dale Dorman and one other guy I forget his name, but they invented top 40 radio. They were at a bar one night and they watched people put quarters in to hear the same 15, 20 songs all night long Sure.  07:05 - Anne Ganguzza (Host) That makes sense, so they made that format.  07:07 - Jim Fronk (Guest) And Dale Dorman was also on the local TV station as hey, kiddies, that after school type of thing, and I just loved the guy and I just wanted to be him, I wanted to do what he did and I just set focus on it and I ended up doing it. I met Dale Dorman. The program director of the small station I worked for was the assistant PD of KISS 108 Boston and that's where Dale Dorman was, and she brought us in for a program meeting and God, my mind was just blown at that point and I said this is what I need to do. Got out of high school, I went to college for it, went to school for it, interned, did many, many years, and it was like here.  07:43 I am learning from these people that I think are phenomenal but, they're teaching because they can't make ends meet. So I got out of radio for about 10 years 15 years, and I did stand up comedy and I always talked about getting on the air again, because if I'm doing morning radio, I can't hear them not laughing when. I tell jokes, I just play a soundtrack. So I turned 35 and I said, you know, what Everybody laughs then yeah, exactly.  08:08 I turned 35 and said I have to do this, so I just put everything else aside and I did it.  08:14 - Anne Ganguzza (Host) Now let me ask you, because you said most of the people couldn't afford working in radio, so they were teachers. Is that always been the case in radio? Is it always been? Maybe not the best paying gig, but the people in radio love radio. I mean, it's just.  08:27 - Jim Fronk (Guest) It's like being in an abusive relationship. It really is.  08:31 - Anne Ganguzza (Host) It slaps you around and I'll tell you. It's like podcasting I'm gonna say because for me, I'm gonna tell you that podcasting is my radio show. In a way it really is.  08:41 - Jim Fronk (Guest) The only difference is I was waking up at 2.30 quarter of 3 every morning to get my butt whipped every day.  08:46 - Intro (Other) But yeah, it's definitely a passion.  08:48 - Jim Fronk (Guest) You hear that word passion with VO. It's the same thing with radio. It was just something that I needed to do. I needed to have that live interaction and as far as the money goes, it's kind of like VO.  08:58 - Intro (Other) It depends what market that you're being planned in.  09:01 - Jim Fronk (Guest) I was doing mornings in Nashua, new Hampshire, which is about 30 miles away from Boston, as the crow flies, about a 40 minute trip. My salary compared to somebody doing the exact same thing on the exact same type of station, they probably were about five or six times more than I was making Just the average guy. Now if you became a star then you're up in the quarter of a million dollars in Boston market but not in Nashua. But I loved it and you got the perks I mean I'd go to concerts, I'd be backstage, at concerts.  09:30 My favorite thing was going on stage and throwing t-shirts out at people and saying, hey, I'm frog from Frank 106 or from 104.9 the Hawk, and people scream and they know me and I just love that. I really love that.  09:43 Just being a part of the community. I was very fortunate that the morning show I did for 106, 3 Frank FM I was part of the community. I would announce football games. My daughter did cheerleading but I would announce the popcorn of football games and I would go and people would know who I was. But I was very active in the community and I'd love that. I love being known.  10:01 - Anne Ganguzza (Host) You were like a local celebrity.  10:03 - Jim Fronk (Guest) Yeah, but I was able to take that celebrityism and put it to good work as opposed to evil Like I did back in the 90s. Oh sorry.  10:12 - Anne Ganguzza (Host) And that's another podcast.  10:14 - Jim Fronk (Guest) Yeah, I don't think the ever straining owners are up yet for that one, so we really can't talk about it.  10:18 - Anne Ganguzza (Host) Well, now 20 years in radio, 20 years 20 plus, yeah Now did you say you were doing synonyms, that you were doing radio, and then you went into comedy, or how did that work?  10:28 - Jim Fronk (Guest) I was doing comedy. First I was a wedding DJ, function DJ, when karaoke was all the buzz. I got my own karaoke company. I had like 35 shows.  10:38 - Anne Ganguzza (Host) Look at you being a boss entrepreneur at a young age. I mean bosses, and why you to listen to this? All of the people that come on the show, I mean they're entrepreneurs in so many ways, and that was so creative. I mean, jim, first of all, just being in high school right, and going after your dreams and having the bravery to go try out for the radio station and get the gig right At such a young age. And then you've got to be brave. Did you stand up comedy? That's for sure.  11:03 - Jim Fronk (Guest) You know stand up comedy. Five minutes can seem like 20 minutes. Yes, 20 minutes can seem like five minutes. It all depends on the energy of the crowd. But I tell you that first time I got up on stage, the very first time I was hosting a pretty big deal. It was at Berkeley, 5,000 seats. I was hosting it Not really hosting telling jokes, just kind of introducing people.  11:24 - Anne Ganguzza (Host) But I had a couple of jokes. I'm seeing kind of, yeah, I had a couple of jokes.  11:26 - Jim Fronk (Guest) That first joke I told, and when they laughed, that wave that hit me, that became my drug.  11:33 - Intro (Other) That became what I craved.  11:35 - Jim Fronk (Guest) That became what I had to accomplish on a Monday night up in Vermont for a slice of pizza, or a Tuesday doing an open mic night at the KFC in Volrica Mass. I mean, it's just, you did what you had to do, but it was again a passion for it.  11:49 - Anne Ganguzza (Host) Now okay. So, passion aside, I'm sure there were some jokes that probably didn't make it, and so did you experience like imposter syndrome. I mean I can only imagine Like I think stand up comedy's got to be one of the hardest skills. I mean it's like improv too. I feel like we all need it and it just really builds our character, because there's just so many things we have to be quick on our feet about. I'm sure that all of this is leading up to a really fabulous career in voiceover, because all of those skills have led up to who you are as an actor today.  12:21 - Jim Fronk (Guest) And as far as jokes bombing, I'm looking for a reaction. You can oh or boo or yeah. Hey, I got a reaction, and if something just didn't work, I really didn't care you laughed at it.  12:31 - Anne Ganguzza (Host) Oh well, that didn't work.  12:32 - Jim Fronk (Guest) Pretty much, yeah, I mean sometimes I'd make a joke about it and take a paper out of my pocket and say our fake paper and say okay, scratch that one off the list.  12:40 Yeah, that didn't work, whatever, yeah, okay, that doesn't work in Poughkeepsie, all right, fine. But yes, everything I've done coming up to this has helped me in VO. You know, the radio, yeah, has contributed the live stuff, the comedy, the improv and all that. I got out of radio back in 2018 because it was just impersonal to me. I wasn't doing mornings, I wasn't doing a talk show. I craved that interaction. I didn't like just talking up 15 seconds of a song coming out, absolutely. I mean, I'm great at trivia, music trivia. You know, you give me 10 seconds of any song from 1960 to 1992 and I can probably tell you what it is, but it just wasn't fulfilling. It wasn't satisfying. I did get into flying drones for a bit believe it or not, a friend of mine, that's random, it really is, but it was a passion, I flew a drone.  13:28 - Anne Ganguzza (Host) Radio VO drones.  13:29 - Jim Fronk (Guest) Yeah, well, I flew the drones and I loved it. I got a passion for it. I was making some great money doing cell tower inspections and infrared. At one point I had more money invested in drones than I did in Harley-Davidson's.  13:42 Or in your microphone maybe, or in my microphones. I'm even close. I'm completely. You know how many U87s Like. I sold one of my drones in two cameras and I bought my daughter a brand new Jeep. They were up there but it just wasn't what I wanted to do. I wanted to be behind the microphone. Okay, and a buddy of mine, AJ Duquette Actually I think you were on the show, a buddy of mine, aj Duquette, a radio guy. He's doing VO, and he told me about J Michael Collins and I was driving home year ago, april. I was driving home from New York City on Clubhouse and I think you were on it, j Michael, and I want to say Liz Atherton.  14:18 - Anne Ganguzza (Host) Oh, we've done yeah, we've done a bunch of yeah. And I asked the question.  14:21 - Jim Fronk (Guest) I just got my demos back and I was like, well, how do I know if I have a good demo? Yeah, and J Michael we talked afterwards and he went over it and gave me the good, the bad and the ugly and that just got me on the path of okay. So I'm going to talk to these people. I'm not going to be afraid to approach anybody. I'm very approachable and I'm going to approach as many people in this business that are where I want to be and it's been great. And that's my advice to everybody Don't be afraid to approach anybody, because if somebody's not approachable to you or if somebody doesn't want you to approach them, you don't want them in your circle. Why would you want them in your circle? You know, I like going to Dallas and seeing Ann Ganguza from down the hall and going Ann, and she's like jam. I mean, that's what it's all about Making connections, having some fun.  15:09 - Anne Ganguzza (Host) It's all about the relationships, really Absolutely about the relationships. So let's kind of continue on with the voice acting. So you got into voice acting around. You're saying around 2018?.  15:21 - Jim Fronk (Guest) Oh, no, no, no, I got into drones in 2018. Oh okay, excuse me, I actually celebrated two years in VO from when I started in September this past September. So it's been about two years, a month or two, but I got into it. I got some training. I did about five or six months with the training with a great coach, tim Powers, you've met.  15:38 - Anne Ganguzza (Host) Tim, actually I know Tim absolutely.  15:40 - Jim Fronk (Guest) Tim has become a great mentor and even a better friend. But from there I got my demos and, like I said, how do I know they're good? And I just started doing the marketing thing. I've since redone my demos. I'm a different animal now, different everything. I kind of went feet first and I thank my wife so much for that. We talk about not making money in radio.  16:01 - Anne Ganguzza (Host) We all know the struggles that actors have, and we are actors Not making money in voiceover.  16:06 - Jim Fronk (Guest) Yeah, I mean just acting alone.  16:08 God bless my wife. She's very successful in the pharmaceutical business. So when the time came, we sat down and talked and she said, when we first met, I was making $5,000 a year less than you and you were in radio. And I'm like I know, but we have flipped the switch. She's gone so far. So she said do what you want to do. Invest what you need to invest. Get the right equipment. You know what you need. You've been in the business. You can build radio stations. Get what you need. So I did. And here I am two years later and I'm getting clients, I'm booking gigs, I'm doing animation, video games, e-learning. It's been great.  16:42 - Anne Ganguzza (Host) What would you say your favorite genre to work in is Because I'm always a big proponent of people bring their experience to behind the mic and I feel like maybe your stand-up comedy, your DJing, your networking I feel like that all works for you in specific genres Well, animation, I love.  17:01 - Jim Fronk (Guest) I love playing in animation. Right now I've got the allergies going on so my voice is kind of right now, but I love being able to just pop into a character and be like my mind is now melted, I'm with 3.0 and I will reveal the world. I mean, just have some fun. Word, of course I will. I am the evil. I am Ludo the evil one. I just love having fun with that. Video games I love the acting.  17:23 - Anne Ganguzza (Host) I love the cinematography and the acting.  17:26 - Jim Fronk (Guest) I trained with Dave.  17:27 - Anne Ganguzza (Host) Fornoy yes he's amazing.  17:29 - Jim Fronk (Guest) Yes, and once again people say how'd you train with Dave Fornoy? Yeah, I asked, I asked, I went to his website and I booked some sessions. And there we are. Dave's a great friend now, I mean he's become such a great mentor.  17:43 So I love video games. You know what I really love doing and I hate to say it because I have spent, I'm gonna say, $10,000 in training, maybe over the past couple of years, maybe even more. I hate to look at the numbers, but to beat the DJ out of me Every time that I step back into that DJ voice, my coach would say and now up here's the dealbies, just to snap me back. But I love doing tier three automotive.  18:03 - Anne Ganguzza (Host) Well, yeah, tier three, automotive, yeah, and tier of DJ, it's radio DJ delivery.  18:07 - Jim Fronk (Guest) It's what I do in my sleep, so I'm really loving doing that. Absolutely. I've been training with Chris Zellman. He's been great.  18:15 - Anne Ganguzza (Host) Yeah, tier three, automotive. I do a little bit of that myself, and it's not as easy as we want it to be, because they're really trying to cram a lot of words.  18:22 - Jim Fronk (Guest) But I was also production director of a six station cluster for many years. I was given the commercials away, so you know, so I know, and most of those were that type of delivery, yeah absolutely that sales delivery that hype. You know, no money down and you can. You know it's. Which is so 80s DJ. It's just ingrained in me so I do love that.  18:43 - Anne Ganguzza (Host) And so now we all have to be authentic, and maybe not for tier three auto still. However, talk to me about authenticity and how. Maybe your background having a radio show I feel like having a radio show, you know, maybe not by just announcing commercials or announcing what the next song is, but I think if you're doing like talk radio and you're really getting down in personal with your listeners, I feel like that helps you to be authentic and you can kind of call upon that experience to really help you be authentic in your commercial delivery or even narration delivery or e-learning delivery.  19:16 - Jim Fronk (Guest) Before I was doing morning radio it was just that hype. Morning radio was kind of hype but it was a lot more comedy. We did bits. It was always like Frank's place with Jim and so-and-so or you know the Jim and so-and-so morning show. So it was always my animal to drive my vehicle and just to have that interaction was very conversational. And I did talk radio for the last three or four years of my career with radio and that became very conversational. That's just raw me. So when I was able to unlock that again, because we all know talking conversational and just talking like we're talking now is natural.  19:54 You should be able to do that. It's easy. Yeah, it's easy.  19:57 - Anne Ganguzza (Host) But it's not easy when there's a piece of paper.  19:59 - Jim Fronk (Guest) Yeah, when it's a piece of paper in front of you and it's somebody else's words. You have to learn how to do that Absolutely. One of the things that helped and hindered me was my ability for live read. I love being the first guy in workshops. I love reading stuff cold. I can't tell you how many times I'd be on the air and somebody would give me a piece of paper and say, read this.  20:18 And I have the ability to read about five or six seconds ahead of what I'm saying, which was good for that, but I was disconnected from my words. I was on autopilot.  20:28 - Anne Ganguzza (Host) Any cold read is you're executing from left to right and you don't know what the story is.  20:33 - Jim Fronk (Guest) But even after I read it once or twice, I would still be reading ahead which hindered me to get that connectivity with the listener, with the client, with the audience. So when I learned to put that behind me and I'm gonna say live in the moment but read in the moment, be in the moment, my conversational game went up considerably and I think that I have a very conversational read when it is asked for that.  20:59 - Anne Ganguzza (Host) No sales, no announcers. That's right, no announcers. And that's getting the DJ and getting the radio beaten out of you.  21:05 - Jim Fronk (Guest) Yeah, but then I get to go back to tier three and have some fun with it. Yeah, and have your fun. Then, exactly, come on down. The price is really.  21:12 - Anne Ganguzza (Host) And I have roles in telephony that I can be as. Thank you for calling your call's important to us. I can be that fun, smooth, promo-y sound.  21:22 - Jim Fronk (Guest) That's a lot of fun, sometimes absolutely.  21:24 - Anne Ganguzza (Host) Yeah, for the most part, we're all about the authenticity. Speaking of authenticity, from a few of the things that you've already talked about, you were so into drones, you were into, like, video games I get this feeling, and from talking to you previously, that you are kind of a geek. You are a tech geek, and so that kind of leads you into yet another talent of yours, which is websites, and I wanna make sure that we have time to get into websites for voice actors and talk to us a little bit about your expertise number one and what got you into web development first of all. Then let's talk about what's important in a voice actor website.  22:02 - Jim Fronk (Guest) Well, for the most part with the radio stations. You wear many hats and I was brand manager and web guru and graphic artist. I know enough about Photoshop to get you and I in a lot of trouble, but not enough to really make any money at it. As far as-.  22:16 - Anne Ganguzza (Host) Except nobody uses Photoshop anymore. It's all Canva, Both yes. But yeah, no, I get it Photoshop was definitely a skill, I mean for sure, and when I was deciding.  22:26 - Jim Fronk (Guest) When I was getting out of the drones, I was actually going back and forth between VO and maybe going to school for graphic arts.  22:33 I really enjoy that. But I was thinking to myself you know, it's a three-year program, $36,000. I'll be 58 when I graduate. Do I really want to enter that type of field where I'm so far behind technology wise than the kids are these days? I said, you know, my happy place is behind the microphone. So that's what I did. Gotcha, every business that I've had, I've designed my own websites. I've used Wix my whole life. So when I say I'm a website builder, I'm a Wix master, is what I go by. There's just so much that's come along with website development. It's actually very user-friendly, but people need to be taught how to use it.  23:10 - Intro (Other) So when you say I'm a website developer.  23:12 - Jim Fronk (Guest) I'm more of a website instructor.  23:15 - Anne Ganguzza (Host) What.  23:15 - Jim Fronk (Guest) I like to do is I have something. It's a three-hour website. Do it yourself, learn by doing creation class, where we'll sit down together, you'll watch me on the screen and you'll mimic what I'm doing. I'll show you where I'm getting things. I'll teach you how to do things. So by the end of the three hours you should have a one-page voiceover specific website ready to go, ready to be hosted, and I'll go in there afterwards, because I'm always like an admin and I'll go in and I'll tighten things up and I'll put a little couple extra spinny effects and different things to make them happy. But I found that so many people didn't have the crucial items for a website, for a VO website and other people are charging 15, 16, $1,700 to build a website.  24:01 We're in a business. We're not making any money, but you have to have your online you know.  24:05 - Anne Ganguzza (Host) so Sure, absolutely, that's who you're marketing to.  24:07 - Jim Fronk (Guest) Exactly so. I try to help people learn how to do that so that they don't come back to me and say, hey, can you upload my new demos? No, they're gonna know how to upload their own demos. If they have a problem, I'm always here. I will build a website for somebody. It's twice the money, and when I'm done, if you need help, there'll be an hourly stipend to be your web guy.  24:30 I'd rather give you something that's cheaper, that takes me more time, but to teach you something. So that's what I'm doing. You can find that at websitesforvocom. It's very easy. I've designed other sites and gotten really deep, like Dave Fanoy, for instance. Dave has become a great friend, but his website was terrible no downloadable demos granted, he's Dave Fanoy, but still links that went to things that were expired event page that the latest event was 2019, it just wasn't conducive for somebody that's in the business. So I kind of owed him a favor. Dave became a really good friend. He helped me out. We started off by coaching. He helped me out directing my demo. He's helped me out with a lot of coaching. That was unexpected. So instead of sending him a bottle, what's a friend of mine said? Just send him a bottle and say thank you. I decided to a deep dive into his website and I completely revamped it. On Wix all of his scheduling You're a Wix person, I am a Wix person.  25:26 - Intro (Other) I've seen your schedule.  25:28 - Jim Fronk (Guest) I see, don't you love how it's all in the back?  25:30 - Anne Ganguzza (Host) door there. I love my Wix website your scheduling your payments, your tickets your events everything.  25:35 - Jim Fronk (Guest) So, Dave being a techie guy, a web guy, when I went to book my first gig with Dave it took me about 20 minutes to figure out and it was like email me.  25:44 - Anne Ganguzza (Host) There are some coaches out there that like well, email me for pricing or email me to get set up, and that to me is like why would you do that?  25:51 - Jim Fronk (Guest) Go to Venmo and do this here, and then I'll send you my Calendly link.  25:54 - Anne Ganguzza (Host) Yeah, exactly.  25:56 - Jim Fronk (Guest) So I went in, I took care of Dave's and I taught him how to do it. He's now putting on his own events and he's doing all the ticketing and all the ticket sales and all the marketing, all the social marketing, all in the back door of Wix. So I taught him that. I try to teach everybody that, because there are things you need of your website.  26:12 - Anne Ganguzza (Host) Yes, what are those things? Let's talk about those critical things.  26:16 - Jim Fronk (Guest) Number one downloadable demos Above the fold. Everything I'm talking about right now is above the fold. I've talked to a lot of agents, casting directors. They don't want to click, they don't want to scroll.  26:29 They don't want to look so right there, front and center, downloadable demos, ready to go. Your name, obviously, something that shows your personality. It's a logo, a picture, something that shows who you are and if we have some fun with it, have some fun with it. Your contact info should always be in the header so when they scroll, if they scroll, your contact info is always there.  26:52 - Anne Ganguzza (Host) It stays there it stays there.  26:54 - Jim Fronk (Guest) One of the main things that a lot of people don't have is a call to action button. Okay, I'm on your website, I'm the customer. Look at your website as a customer. I'm a customer, I found your website. I like your demos. What do I do? Now? There's a button there that says request a free audition. What's that all about? I mean, you and I, we all know auditions are free, of course. Well, all audition. You know we're not paying to audition. We're not getting paid to audition, but they don't know that.  27:21 - Anne Ganguzza (Host) Well, sometimes we do, sometimes we do, but they don't know that.  27:23 - Jim Fronk (Guest) But they're getting a complimentary free audition. Send me a 30-second snippet of your script and I'll send you back an audio sample of what it will sound like, performed by me, and I can't tell you six. I've gotten six jobs off of that, so far.  27:39 Contact me is not a call to action. Maybe you offer some other service. I think it was Mark Scott said something about. These are six ways to book me. You know, give them something, something that has some information, whether it's directly related to booking you or VO related, but have that call to action button. Those are the basic things. Everything else after that is fluff. You go to my website. I probably have 15, 16 pages.  28:05 - Intro (Other) I have some people actually write the SEO for me.  28:07 - Anne Ganguzza (Host) It's all fluff. It really is. There's nothing there. Let's talk about SEO.  28:12 - Jim Fronk (Guest) It's for SEO. What about SEO lately?  28:14 - Anne Ganguzza (Host) Is SEO worth anything at this point? Still, because of, let's say, generative AI, which is generating content in seconds. Now, all of a sudden, it used to mean something with our websites. Right, that we had identifying words and words that could be found, but I feel like that whole SEO pony might be changing a little bit as things start to evolve.  28:35 - Jim Fronk (Guest) It is changing, it's getting simpler for people.  28:38 - Intro (Other) And with a program like Wix.  28:39 - Jim Fronk (Guest) They actually have an SEO and, by the way, I don't get paid by Wix. I'm not endorsed by Wix, it's just what I know. I've tried Squarespace play buttons, a play button, rewinds, rewind, pictures, picture, but I just didn't like how the whole system worked together. Wix was very user friendly. If you can do Canva, you can create a website.  29:00 - Anne Ganguzza (Host) Canva changed the game.  29:01 - Jim Fronk (Guest) They really did. They made it.  29:03 - Anne Ganguzza (Host) Wix is changing the game and some people might say well, what in VO is changing the game? I mean, we could talk about that if we wanted to.  29:11 - Jim Fronk (Guest) How about that? So much in VO has changed the game.  29:13 - Anne Ganguzza (Host) Tell me about a VO actor. How can they change the game to make it successfully in voiceover and what can they do to change their game to make it and not be so afraid of all this technology that people are just, oh my God, the robots are gonna take our jobs away. Let's talk about-.  29:30 - Jim Fronk (Guest) No, they're not. The robots can't act, the robots can't change. What can we do there?  29:34 - Anne Ganguzza (Host) you go. We need to act right. They can't improv, they can't crack a good joke. Well, sometimes they crack dad jokes.  29:40 - Jim Fronk (Guest) Yeah, well.  29:41 - Anne Ganguzza (Host) But yeah.  29:43 - Jim Fronk (Guest) All right, so I got a lot of my dad jokes from chat. No, I'm just kidding.  29:46 What you can do is be authentic. Be human, show your range, show your emotion when you show up for a gig. Be the person that they wanna work with. Don't be the person that they're waiting on. Be fun, be happy. Don't be a nuisance to anybody that is hiring you or that you're working with, because you never know who's going to say, hey, Jim was here two months ago, He'd be great for this spot. You know, it could be the engineer you never know.  30:11 You have to have your online inline, which I try to help people do, because your website may not generate any business for you right off the bat, but you have to have that presence.  30:20 - Anne Ganguzza (Host) Yes, you absolutely have. It has to be something that's not wixitecom.  30:24 - Jim Fronk (Guest) Backslash, jimfrong55, it has to be Jimfrongcom. Jimfrongvocom, your name vocom. Sure and keep it simple. Keep those domain names simple so you're easily found Exactly.  30:36 I was gonna be Frank the voice. I had all these domain names that I was going to do. Jimfrong was available for the first time in a long time, cause I looked for it back when I was doing standup comedy. Jimfrong was available and I said you know what that's it? That's it. So I'm Jim and Jimfrong, so it's so easy to remember. You're double branding your name Absolutely. And as far as changing the game, talk to people, make friends, go to conferences. A lot of people in this business are introverts, but a lot are extroverts. You know, you get your naked gents, your Anganguza's, you get your Jim Fronks. We're out there saying hi to people. You know, kissing babies, shaking hands, whatever the case is. Get out there and say hi to people and if you're not that type of person, find someone that is, find me, make friends with me. I'm very approachable. You hate me or love me, but hopefully you love me and I'll introduce you to people, I don't care.  31:27 - Anne Ganguzza (Host) There you go, it's absolutely fun. Words of wisdom. Jim, Thank you for that. And actually, Jim, you have offered the bosses a little deal for your website creation class that you have.  31:40 - Jim Fronk (Guest) Oh, I have.  31:40 - Anne Ganguzza (Host) Yes, you have. Remember you wrote it down.  31:43 - Jim Fronk (Guest) Well, I was kind of upset about the PNNM's not being made.  31:46 - Anne Ganguzza (Host) But you're going to give our bosses 10% off the website creation class.  31:50 - Jim Fronk (Guest) I am absolutely without a doubt. What kind of coupon do you want to get?  31:53 - Anne Ganguzza (Host) We've got that promo called, called VEOBOSS10 at Chicago VEOBOSS10,. Okay, and we'll be putting that on our show notes pages, guys, so when you look up this episode, we will have that code available. Jim, thank you so much. It's been so exciting talking to you. I mean, you have such an amazing history. Yeah, I mean we're actually kind of 10 minutes over. See how time flies when you just have so much fun.  32:15 - Intro (Other) We're going to have to have you come back.  32:17 - Anne Ganguzza (Host) We're going to have to have you come back, jim. It's really been amazing and thank you for sharing your wisdom, your wonderful personality, your fun, amazing, just the fun. Amazing who you are.  32:28 - Intro (Other) Jim Fong with us.  32:30 - Anne Ganguzza (Host) Yes bosses, I want you to take a moment and imagine a world full of passionate, empowered, diverse individuals that are giving collectively and intentionally to create the world that they want to see. You can make a difference. Visit 100voiceswhocareorg to learn more. And a big shout out to our sponsor, ipdtl. You too can network and connect like bosses like Jim and myself, just like Jim has been talking about all episode. Find out more at IPDTLcom. Jim, thanks again. You've been amazing Bosses, have an amazing week and we'll see you next week.  33:05 - Jim Fronk (Guest) Bye, guys, bye, thanks Ann.  33:07 - Intro (Other) Thank you so much Thank you Join us next week for another edition of VO Boss with your host, Ann Gangusa, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to Coast connectivity via IPDTL.   

The Black Moods join Ralph Sutton and James Mattern and discuss bad interviews and mistakes interviewers have made with the band in the past, The Black Moods touring with White Snake and how David Coverdale manages to smell so good, the choice to leave Sony, sending cupcakes to radio stations to get their attention, choosing the name The Black Moods, singing with Alice Cooper, the band's bourbon, wine and beers, touring with Gin Blossoms, a live performance of Roadhouse Blues, Josh, Chico and Jordan of The Black Moods' first concert, first drug and first sexual experience and so much more!(Air Date: November 8th, 2023)Support our sponsors!YoKratom.com - Check out Yo Kratom (the home of the $60 kilo) for all your kratom needs!To advertise your product or service on GaS Digital podcasts please go to TheADSide.comand click on "Advertisers" for more information!The SDR Show merchandise is available at https://podcastmerch.com/collections/the-sdr-showYou can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for a 7-day FREE trial with access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!The Black MoodsTwitter: https://twitter.com/TheBlackMoodsInstagram: https://instagram.com/TheBlackMoodsWebsite: https://TheBlackMoods.comJames L. MatternTwitter: https://twitter.com/jameslmatternInstagram: https://instagram.com/thejamesmatternRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/GaS Digital NetworkTwitter: https://twitter.com/gasdigitalInstagram: https://www.instagram.com/gasdigital/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mit gut 60 Jahren Bandgeschichte sind Status Quo eine der beständigsten Rockbands des Vereinigten Königreiches. Alleine das ist schon Grund genug, dass wir zumindest eines ihrer Werke in unseren SWR1 Meilensteinen besprechen. Bei 33 veröffentlichten Alben stellt sich die Frage: Über welches Album von Status Quo sprechen wir zuerst in unseren SWR1 Meilensteinen. Wir haben uns für das mit der Begrüßung entschieden: "Hello!" Nicht nur, weil die Band uns auf dem Plattencover scheinbar so freundlich winkt, sondern weil "Hello!" das Album ist, mit dem die Band es vor ziemlich genau 50 Jahren zu ersten Mal an die Spitze der britischen Albumcharts geschafft hat. Und das in einem Jahr, in dem mit "Dark Side of the Moon" von Pink Floyd, "Quadrophenia" von The Who und "Goodbye Yellow Brick Road" von Elton John auch musikalisch richtig starke Konkurrenz auf dem Plattenmarkt unterwegs war. Wie so viele Bands haben auch die Anfänge von Status Quo zu Schulzeiten stattgefunden. Dort haben sich Francis Rossi und Alan Lancaster kennengelernt – im Schulorchester. Bis der Rest der Band dann fest dazu gekommen ist, hat es aber noch eine Weile gedauert, bis alle Mitglieder gefunden wurden. Und erst nach verschiedensten Bandnamen und gefloppten Singles sind sie dann zum ersten Mal als "Status Quo" aufgetreten. Bis die Band endgültig in ihrer passenden Konstellation beieinander war, hat es also eine ganze Weile gedauert. Und auch dann war die Band noch nicht die groovige Rockgruppe, als die wir sie heute kennen. Es hat noch eine ganze Weile gedauert, bis Status Quo ihren Sound gefunden hatten. Anfangs waren Status Quo eher eine rockige Popband. "Irgendwann hat Francis Rossi [...] gesagt, das mit diesen Popsingles, das ist irgendwie so kurzlebig. Da ist immer die Gefahr, dass man wieder relativ schnell weg vom Fenster ist und wir wollen aber längerfristig erfolgreich sein. Und deshalb haben sie sich irgendwann von diesem Popsound ganz bewusst abgewendet", erklärt SWR Redakteur Christian Rönspies im Meilensteine Podcast zu "Hello!" __________ Über diese Songs vom Album “Hello!” wird im Podcast gesprochen (13:25) – “Roll Over Lay Down” (30:10) – “Caroline” (42:51) – “Softer Ride” (44:57) – “It's Better Now” (01:00:38) – “Forty Five Hundred Times” __________ Über diese Songs wird außerdem im Podcast gesprochen (04:06) – “You're So Vain” von Carly Simon (04:15) – “Live And Let Die” von Wings (04:19) – “Angie” von The Rolling Stones (07:46) – “Pictures of Matchstick Man” von Status Quo (56:12) – “I Who Have Nothing” von Shirley Bassey (57:29) – “Roadhouse Blues” von The Doors __________ Shownotes: Status Quo bei ZDF Rock Pop in Concert (1982): https://www.youtube.com/@StatusQuoAsItWas/videos Dokumentation “Rock `til You Drop”: https://www.youtube.com/watch?v=Oo8xXZAy1TA Youtube-Kanal von Status Quo: https://www.youtube.com/@StatusQuoAsItWas/videos Überblick zu Status Quo Dokus bei Musikwoche: https://www.musikwoche.de/search?tab=searchProjects&q=Status%20Quo&filter=people_Status%20Quo Status Quo im Musikladen:  https://www.youtube.com/watch?v=kF0TRTj6feM Status Quo im Beat Club:  https://www.youtube.com/watch?v=_BViiEiHyD4  Album Review auf Allmusic.com:  https://www.allmusic.com/album/hello%21-mw0000473649 Die Doku zu “Rockin‘ All Over The World”: https://www.youtube.com/watch?v=gEFHaowlUpo __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de

Ouvia-a pela primeira vez no LP póstumo, An American Prayer. É a música mais conhecida dos Doors, chama-se Roadhouse blues. Foi uma questão de tempo até comprar o LP Morrison Hotel, o disco onde esta música foi editada em 1970, é o tema de abertura. Doors | Morrison Hotel (LP) | Roadhouse blues | 1970

The L.A. band the Doors continue to inspire strong opinions, even in 2023, and Beave and Len talk through the band's music in detail. Will their popularity come roaring back yet again, or has their time passed at last? Was Jim Morrison the first art rock poet, or was he a drunken fraud? Does the music hold up 50 years later? What was the secret of the band's appeal (make no mistake, at their zenith they were as big as anyone)? Tune in for some strange days.

Episode 596 Hour 1: Summer Monroe, triathlete and fetish model joins the show out of the gate for an interview, follow her on Twitter, @trisdmonroe. The host plays an excerpt from his gig on Classic 100 on Audilous, Stewie makes fun of him for getting a team name wrong. Sports - Jim Rome gets dumb emails about golf, leaves after getting frustrated. The host talks about the PGA and LIV golf merger, followed by George Carlin's idea of golf courses for the homeless, followed by "Tiger's Bad Legs" from "The Blind Man Cometh", track 18. A clip of NBA comitioner Adam Silver talking about Ja Morant on The Dan Patrick Show followed by "Ja Morant Song" which closes out the first hour. Hour 2: Blind justice - bionic eyes not working, the company that makes them is no longer offering help. The host talks about the documentary about Jared Fogle, then plays "My Name Is Jared Fogle" from "The Blind Man Cometh", track 10. Apple has a virtual reality headset coming out, the host thinks Tim Cook sounds like South Park's parody of Al Gore. pat Robertson has died, followed by "Pat Robertson Talking Doll". This is followed by "John McCaine Disease" from "The Blind Man Cometh" track 16, as it was a bit where the host used real clips from the targeted figure he was making fun of. A dam has broken in Ukraine, followed by a clip from the Beavis and Butthead movie about dams, then "Vladimir Putin's Olympic Letter" from "The Starving Artist", trak 21. The host briefly talks about the fires in Canada, then plays a clip about football games invaded by fog, the show closes with "The Planet Is Fine" from George Carlin Break music - "Space Oddity" by David Bowie Rejoiner music - "Roadhouse Blues" by The Doors --- Send in a voice message: https://podcasters.spotify.com/pod/show/lawrence-ross9/message

#musicofthe60s #bobdylan #johnsebastianJohn Sebastian saying No to Dylan and Yes to The Lovin' Spoonful! Bob Dylan! *Greenwich Village native John Sebastian's contribution to modern music is unparalleled. The multi-instrumentalist singer-songwriter has graced a wide spectrum of styles through his 60 years in music. Sebastian's performances on records for Bob Dylan (Bringing It All Back Home) and The Doors (harmonica on “Roadhouse Blues”) are the stuff of legend.John was the co-founder of the Lovin' Spoonful, often referred to as the American Beatles, who scored an incredible seven huge hits from 1965 to 1969, including “Daydream,” “Summer in the City,” and “Do You Believe in Magic.”After the Lovin' Spoonful disbanded in early 1969, Sebastian went solo and, by August of that year, was immortalized for his performance at the Woodstock Music and Art Fair and in the Warner Bros. movie Woodstock. The film chronicled his impromptu performance before an audience of 400,000 on August 16, 1969.He just released a new album with Arlen Roth : Explore The Spoonful Songbook.* https://www.johnbsebastian.com/*********************************************************************** The New Website ➜ https://www.adikalive.com/ARTISTS ON RECORD STORE➜https://adika-live.creator-spring.com/The Ultimate VIP ALL ACCESS BACKSTAGE PASSFull episodes can be seen in Patreon! Get exclusive content and entry into the vinyl games on Patreon: ➜ https://www.patreon.com/The_adika_group?fan_landing=trueYour Donation Helps Support your Favorite Show & Channel ➜ https://www.paypal.me/stephenadika1AMAZON WISHLIST ➜ https://www.amazon.com/hz/wishlist/ls/30GQNR69L9048?ref_=wl_shareCLICK TO SUBSCRIBE To Our 2nd Channel ( ADIKA Live)➜  https://www.youtube.com/c/TheAdikaGroup?sub_confirmation=1Artists on Record |  ADIKA Live The PodcastApple ➜ https://podcasts.apple.com/us/podcast/coffee-talk-with-adika-live/id1529816802?uo=4Spotify ➜ https://open.spotify.com/show/2lXgg3NVdnU3LmXgCrgHwk iHeartRadio ➜ https://www.iheart.com/podcast/269-coffee-talk-with-adika-liv-71566693/*Follow ADIKA Live on Tik Tok: ➜https://vm.tiktok.com/TTPdMmEfFm/Talking Wax on Instagram ➜ https://www.instagram.com/talking_wax/ADIKA Live on Twitter➜ https://twitter.com/TalkAdikaThank you for your support!_____________________________________________Talking Wax Fan Page: https://m.facebook.com/profile.php?id=868952540607953&ref=content_filterTalking Wax Theme Song - Mark SlaughterWebsite:   https://www.markslaughter.com/Support the show

The Crystal Method co-founder Scott Kirkland discusses the music, vinyl records and rare remixes of the band, as well as the upcoming tour of Australia and memories of the synthesizers of yesteryear. Topics include: Australian tour delayed 3 years Scott loves his vinyl Ability for The Crystal Method to repress vinyl The recent vinyl boxset Scott's vinyl and music early in life 1st record: Soundtrack to Star Wars Passing out at a record store Records are a communal experience Multiple masters for digital and vinyl Scott is very hands-on the vinyl design Discovering “Black Celebration” by Depeche Mode Scott's 1st keyboard – Casio CZ-1 Chasing used synthesizers in classified ads The recent passing of Dave Smith of Sequential Circuits Ensoniq, Emu and various synth nerd-talk The Roland Boutique series synths Care and maintenance of vintage keyboards The Crystal Method's response to Napster How does a remix project start? Working with The Doors on “Roadhouse Blues” remix Clearing samples from early recordings Collaborating with Justin Chancellor of Tool – Bandwidth Project More reminiscing about synths and old storage options Wrapping up the interview Australians get tickets for The Crystal Method here. High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Esse é o AutoRadio Podcast. Radio Auto #10 - F1 GP de Sao Paulo 2022 Powered by Wisdomtech http://www.wisdomtech.com.br

O DEEP PURPLE é uma banda de incrível longevidade, a impressão é que vão continuar produzindo infinitamente. No ano de 2017, já beirando os 50 anos de carreira, o Purple lança o InFinite, segundo em parceria com o renomado produtor Bob Ezrin. As músicas do álbum são: "Time for Bedlam", "Hip Boots", "All I Got Is You", "One Night in Vegas", "Get Me Outta Here", "The Surprising", "Johnny's Band", "On Top of the World", "Birds of Prey" e "Roadhouse Blues". A banda é formada por: Ian Paice (bateria), Ian Gillan (vocal), Roger Glover (baixo), Steve Morse (guitarra) e Don Airey (teclado). Então, convidamos Aroldo Glomb, do podcast Antigas Novidades, para tomar uma e falar sobre todas as faixas do InFinite, do DEEP PURPLE! ******************************************** SEJA MEMBRO DO CLUBE TUPFS E TENHA ACESSO A UMA SÉRIE DE VANTAGENS! Você pode escolher um dos planos abaixo: HEADBANGER (R$ 1,99 por mês) Seu nome divulgado durante os vídeos, selo de fidelidade ao lado do seu nome sempre que deixar um comentário e emojis exclusivos! ROCKSTAR (R$ 7,99 por mês) Além dos benefícios anteriores, você terá acesso ao nosso ao grupo exclusivo no WhatsApp, pode dar nota nas resenhas e participar das listening parties, que viram podcast! METAL GOD (R$ 24,99 por mês) Além de todos os benefícios anteriores e dar uma grande ajuda financeira para a nossa criação de conteúdo, você terá acesso antecipado aos vídeos do canal, vídeos exclusivos, vai poder escolher tema de episódio, deixar perguntas para as entrevistas e participar de vídeos e lives. Também terá prioridade em brindes e descontos no merchandising do canal, quando disponíveis! SEJA MEMBRO: https://www.youtube.com/channel/UCo1lgalkCBW9Uv3GyrzhhkA/join ******************************************** Nos siga nas redes sociais: Twitter: @iurimoreira / @rafael2099 Instagram: @iurimoreira / rafaelaraujo2099

Música

So I was singin' Lee Lo with Henry Diltz in Creque Alley and having a Conversation with Sweet Baby James. I Ain't Scared Of Your Jail, I told him. Then he asked me, Who Are the Brain Police? Well, I said I was Born Under a Bad Sign with the Roadhouse Blues, and I'm helplessly hoping that there's a Place in the World for a Gambler. Confused, he said, I'm gonna Go Back Home For What It's Worth.

Barry and Abigail discuss Shake Your Money Maker by The Black Crowes and sample Nefarious Nebulas, Norwegian Wizard Crisis, I Ain't Afraid of No Roast, Sourmanjaro, and The Desert Spoon from Deviant Wolfe Brewing in Sanford, Florida. This album reminds Barry of 70s Rolling Stones albums such as Exile on Main Street (you might know Happy), Beggars Banquet, and Let It Bleed, as well as the single Bitch. Barry introduced Abigail to a new genre term, roadhouse blues, encapsulated by The Doors' song Roadhouse Blues. The Black Crowes originated as Mr. Crowe's Garden, a name based on Johnny Crow's Garden, a children's book written and illustrated by Leonard Leslie Brooke. Ageusia is the loss of the sense of taste. Thick N' Thin has some piano elements that remind Barry of Great Balls of Fire by Jerry Lee Lewis. Read about sotol. Up next… Make Yourself by Incubus, submitted to our Virtual Jukebox by Derek Hummel, Sr. Jingles are by our friend Pete Coe. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Facebook | Instagram | Twitter | YouTube | Website | Email us | Virtual Jukebox --- Send in a voice message: https://anchor.fm/pops-on-hops-podcast/message

Episode 552 Broadcasting from a new apartment. Personal recap. Replay of the R. Kelly Jeffersons parody for those who missed it. Official rules for the Jayhawks shirt contest. Sports - Jim Rome leaves after two e-mails and having to work in a heat box. What was it like on the Oregon trail? 100 year-old lamenting about the current state of America. Homosexuality in America. Blind Justice - descriptions of any and all pictures posted on my social media are now mandatory! Tampa murderer wants her medicine and a new trial. A doubleshot of bits mocking snowflakes from "The Blind Man cometh". James Caan RIP. UK PM resigns. Teens kill drug dealer. Eleven year-old lives through lightning strike. The show closes with George Carlin's "A Place For My Stuff" monologue. Break music - "Roadhouse Blues" by The Doors Rejoiner music - "Daisy Jane" by America --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/lawrence-ross9/message

Leaders are not impervious to suffering the blues. Like everyone else, our natural inclination/response to stress is fight, flight, or freeze. But those 3 options rarely serve us well, nor those we lead. So how can we utilize stress to our advantage and FLOURISH under stress? Tune in as Jon Weirauch (J-Dub) and Joe McCarthy MoJOE) share insights and ideas for how to Re:FOCUS and Re:FRAME during stress and crisis, which can overcome inertia, accelerate our waning momentum, and accelerate our recovery.Pay it FORWARD! If you know of someone who might benefit from this episode, take a few seconds to SHARE! To be notified whenever new episodes are released, click on the SUBSCRIBE button. Also available on Apple Podcasts, Google Podcasts, Spotify, Deezer, Amazon Music, Audacy, Player FM, and wherever you prefer to get your podcasts!Connect with us:JON WEIRAUCH:: (989) 942-0123:: jdweirauch.com:: jon@jdweirauch.com:: LinkedINMoJOE STUDIO:: 657.246.2236:: joe@mojoe.studio:: facebook.com/moJOEmac:: podomatic.com/podcasts/mojoestudio:: YouTube: bit.ly/JoeTuber:: LinkedIN.com/in/designerjoe/GET YOUR MOJOE ON! MoJOE.studio GEAR is available for purchase at https://mojoestudio.secure-decoration.com/ -- net proceeds support this podcast as well as several amazing charities around the planet.Your DONATIONS make this podcast possible. To support MoJOE and keep the content flowing, click on the PayPal or Patreon button. THANK YOU!(c) MoJOEmac: "Accelerate Your Impact" Get full access to Cup o' MoJOE at mojoe.substack.com/subscribe

The Crystal Method on the "Virtual Sessions" presented by The DJ Sessions 12/09/21   About The Crystal Method -   During their mid-'90s ascent, the Crystal Method were referred to as America's answer to the Chemical Brothers. A dance-based electronic duo with a definite rock-band feel, the comparison seemed appropriate, although it tended to erase what made Ken Jordan and Scott Kirkland's output distinct: a solid base in American hip-hop, rock, soul, and pop. Unwitting participants in the commercial rise of big beat, the Crystal Method broke through with "Keep Hope Alive" (1995), a Top 15 U.S. club hit, and continued upward with Vegas (1997), their platinum debut album. By distancing themselves from big beat and selecting collaborators from across a broad stylistic spectrum, they continued to thrive with studio albums such as Legion of Boom (2004) and Divided by Night (2009), both of which were nominated for dance/electronic Grammy awards. At the same time, they diversified with soundtracks for video games and films. Jordan eventually left the music industry, but Kirkland continued the Crystal Method as a solo act with The Trip Home (2018).   Formed in 1993 by Ken Jordan and Scott Kirkland, the Crystal Method became the longest-running stop in a string of projects that led the producers from their native Las Vegas -- where they had made some four-track stabs at vocal house music -- to the early-'90s Los Angeles rave scene. Drawn in by its youthful idealism, Jordan and Kirkland became absorbed by L.A.'s underground club culture and began knocking out tracks inspired by their experiences. On the strength of one of their demos, the Crystal Method signed to Steve Melrose and Justin King's City of Angels imprint in 1994, and their debut single, "Keep Hope Alive," appeared soon after. The title was in reference to L.A.'s waning rave scene -- burdened by constant police pressure and a string of random violent incidents -- and became something of an anthem due to a barrage of remixes and alternate versions that appeared. In the U.S., "Keep Hope Alive" reached number 14 on the Billboard club chart, and in the U.K. it dented the pop chart at number 71.   The pair's demand to be taken seriously as a band -- as opposed to the enforced anonymity of most techno acts, and something of a new concept for American dance producers -- extended to incessant live performances. Jordan and Kirkland's increasing popularity both in the clubs and among radio jocks led to a deal with Geffen affiliate Out Post Recordings in 1996. The group's debut LP, Vegas, appeared in August 1997. An unabashed party record bathed in acid, funk, rock, and big-beat hip-hop, it peaked at number 92 on the Billboard 200 and was certified gold in 1998, propelled by the number one Billboard club hit "Comin' Back." (A tenth-anniversary deluxe edition later pushed the album into platinum status.) Also in 1998, the producers diversified with the soundtrack for the video game N2O: Nitrous Oxide.   Tweekend, the proper follow-up to Vegas, arrived on Geffen proper in July 2001, entering the club chart at number one and the Billboard 200 at number 32. Multiple appearances from Rage Against the Machine's Tom Morello, Stone Temple Pilots' Scott Weiland, and turntablist DJ Swamp helped distance Jordan and Kirkland from big beat. "Name of the Game," the LP's biggest single, went Top Five club. The duo's first commercial mix album for the Ultra label, Community Service, followed the next year. Third studio album Legion of Boom, released on V2 in January 2004, maintained the duo's allegiances to rock and rap, promoted with the number three club hit "Name of the Game," featuring Kyuss' John Garcia and Limp Bizkit's Wes Borland. As with the previous full-length, Legion of Boom topped the club chart and went Top 40 pop, and also did it one better by earning a Grammy nomination in the category of Best Electronic/Dance Album. Another DJ mix, Community Service II, followed in 2005 with the duo's remixes of the Doors' "Roadhouse Blues" and New Order's "Bizarre Love Triangle" among the setlist. The same year marked the Crystal Method's film score debut with London, which premiered in September. A physical release of the score was released early the next year, trailed only a few months later by another commissioned work, Drive: Nike + Original Run.   The Crystal Method built a studio, Crystalwerks, where they recorded their self-released fourth album with an array of guests including Matisyahu, Justin Warfield, Emily Haines, and Peter Hook. Immediately after its May 2009 arrival, the result -- Divided by Night -- became the duo's third straight Top 40 album and narrowly missed the top of the club chart. The LP was nominated for that year's electronic/dance Grammy just after X-Games 3D: The Movie reached theaters with a soundtrack provided by Jordan and Kirkland. A self-titled, fan-funded album -- one that embraced the duo's role in the development of EDM -- arrived in January 2014 with Dia Frampton and LeAnn Rimes among the guests. It entered the club chart in the third position. Although Jordan subsequently retired from music, Kirkland continued to perform and record as the Crystal Method, and in September 2018 released The Trip Home. Biography by Sean Cooper   About The DJ Sessions - “The DJ Sessions" is a online/downloadable series featuring the hottest electronic music DJ's with live mixes and interviews, streamed live to a global audience. Check out the website: www.thedjsessions.com   With over 2,200 episodes produced over the last eleven years “The DJ Sessions”, a Twitch and Mixcloud “Featured Partner”, has featured international artists such as: BT, Robert Babicz, Simon Patterson, Lindsey Stirling, Mako, Morgan Page, Jes, Cut Chemist, Judge Jules, DubFX, DJs From Mars, Rudosa, Thievery Corporation, Sander Van Dorn, GAWP, Hollaphonic, Kissy Sell Out, Somna, David Morales, Roxanne, JB & Scooba, Massimo Vivona, Moulinx, Futuristic Polar Bears, Many Few, Joe Stone, Reboot, Truncate, Scotty Boy, Jody Wisternoff, Benny Bennasi, Dance Loud, Christopher Lawrence, Oliver Twizt, Ricardo Torres, Alex Harrington, 4 Strings, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Jimbo, Ricardo Torres, Hotel Garuda, Bryn Liedl, Rodg, Kems, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Marco Bailey, Thousand Fingers, Dirtmonkey, Crystal Method, Beltek, Dyro, Andy Caldwell, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Sunny Lax, Matt Darey, and many more.   In addition to featuring national/international artists “The DJ Sessions” featured hundreds local top DJs from their homebase of Seattle.   We have also undergone a massive upgrade in our TDJS studios and to our TDJS Mobile Studio to full HD streaming and HD audio to make the quality of the shows even better than before. Along with that we have launched a new website that now features our current live streams and past episodes in a much more user friendly mobile/social environment.   About The DJ Sessions Event Services - TDJSES is a WA State Non-profit charitable organization that's main purpose is to provide music, art, fashion, dance, and entertainment to local and regional communities via events and video production programming distributed through broadcast television and the internet for live and archival viewing.   "The DJ Sessions" is a Twitch "Featured Partner" and MixCloud "Featured Partner" series and has been recognized by Apple twice as a "New and Noteworthy" and "Featured Video” podcast. UStream and Livestream have also listed TDJS as a "Featured" stream in their lineups. The TDJS combined live streaming/podcast audience is over 125,000 viewers per week.   For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.com  

In the studio is journalist David Menconi, former music critic for the Raleigh News & Observer and the 2019 North Carolina Piedmont Laureate. The Texas born writer who's written features and profiles for the New York Times, Salon and SXSW World, discusses his new book "Step It Up and G0: The Story of North Carolina Popular Music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk" (winner of the 2021 North Caroliniana Society Book Award); his impressive CD collection (over 6,000) and vinyl collection (3,000); plus the backstory about writing with Ray Benson (Asleep at the Wheel) called "Comin' Right at Ya: How a Jewish Yankee Hippie Went Country, or, the Often Outrageous History of Asleep at the Wheel".  (With his penchant for long book titles, I did ask David if he ever worked as a headline editor somewhere during his journalism career!) We also talk about his popular blog post "Secret to a long life is knowing when it's time to go"; why he's still a fan of college radio, stories of Americana music, and plans for his next book. Bring along your love of music and listen in!

Quand la route est longue, on connaît la force du cheval. Il n’y a point de route impraticable pour l’amour, il trouve son chemin. À trop demander sa route, on finit par n’y voir goutte. Qui veut se mettre en route doit connaître le chemin. Et pour certains, toutes les routes mènent à Rome… Pour nous, elles mènent à la rock n'roll attitude en compagnie des Doors et de Jim Morrison et même aux côtés d’un ses amis proches de l’époque, Eric Burdon des Animals. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent une anecdote sur le rock chaque matin dans le Morning Club à 6h30. Rediffusion à 13h30 dans Lunch Around The Clock sur Classic 21, la Radio Rock n' Pop.

Quand la route est longue, on connaît la force du cheval. Il n'y a point de route impraticable pour l'amour, il trouve son chemin. À trop demander sa route, on finit par n'y voir goutte. Qui veut se mettre en route doit connaître le chemin. Et pour certains, toutes les routes mènent à Rome… Pour nous, elles mènent à la rock n'roll attitude en compagnie des Doors et de Jim Morrison et même aux côtés d'un ses amis proches de l'époque, Eric Burdon des Animals. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent une anecdote sur le rock chaque matin dans le Morning Club à 6h30. Rediffusion à 13h30 dans Lunch Around The Clock sur Classic 21, la Radio Rock n' Pop.

Quand la route est longue, on connaît la force du cheval. Il n'y a point de route impraticable pour l'amour, il trouve son chemin. À trop demander sa route, on finit par n'y voir goutte. Qui veut se mettre en route doit connaître le chemin. Et pour certains, toutes les routes mènent à Rome… Pour nous, elles mènent à la rock n'roll attitude en compagnie des Doors et de Jim Morrison et même aux côtés d'un ses amis proches de l'époque, Eric Burdon des Animals. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent une anecdote sur le rock chaque matin dans le Morning Club à 6h30. Rediffusion à 13h30 dans Lunch Around The Clock sur Classic 21, la Radio Rock n' Pop.

Theme song: by Braden Mutch https://www.instagram.com/braden_mutch/www.facebook.com/bradenmutchmusicClosing track: Evanna: Mine www.evannamusic.comhttps://youtu.be/lJiZMLEKuM8Spotify playlist: https://open.spotify.com/playlist/4BWn1zZb6nMgWTcDb6oACdInstagram:  https://www.instagram.com/justhitplaypodcast/Facebook: https://www.facebook.com/JusthitplaypodcastEmail: justhitplay7300@gmail.com

Matt zooms in from Utah with Jacob and Paul in Churn. We get a beautifully deep email from a listener. Matt has an interesting night out in Utah. See omnystudio.com/listener for privacy information.

Iniciamos una serie de programas titulados Cara A Tema Uno, donde recopilamos y comentamos todas las canciones de apertura de cada álbum de discografías completas, y damos el primer paso con The Doors y los temas que abren sus seis discos con Jim Morrison a la voz. Escucharán Break On Through (To the Other Side), Strange Days, Hello I Love You, Tell All The People, Roadhouse Blues y The Changeling.

"Ladies and gentleman, from Los Angeles California... The Doors". Comincia così la versione live di Roadhouse Blues. La storia di Jim Morrison, Ray Manzarek, Robby Krieger e John Densmore.

Hope and Jenny join to discuss the 1989 classic film Roadhouse, and Matt's billion-dollar Breastaurant idea.

The Doors guitarist Robby Krieger gives Kyle Meredith a call to talk about the 50th anniversary of Morrison Hotel. Krieger tells us about coming up with the solo to "Peace Frog" and how Lonnie Mac came out of retirement to play bass on "Roadhouse Blues". Then we pull into the present as Krieger discusses his new album, The Ritual Begins At Sundown. The LP has a blues connection to Morrison Hotel in the song "The Hitch" as well as a very strong Frank Zappa connection. Hear about all of that as well as a small tease about next year’s 50th anniversary collection of LA Woman. Follow on Facebook | Podchaser | Twitter --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

La O.N.C.E. va a dedicar el cupón-sueldazo del próximo sábado 7 de noviembre 2020 a las 11.111 ediciones de Discópolis. El cupón, de color carmesí, (King Crimson) indica "todo un reto". La mejor forma que se me ha ocurrido de agradecérselo es dedicando cuatro programas diarios a algunos músicos ciegos españoles y un quinto, Discópolis jazz, monográfico, el mismo sábado del cupón, al pianista Ignasi Terraza. Empiezo el programa con el llorado guitarrista canadiense Jeff Healey y su estupenda versión de "Roadhouse Blues" de The Doors. Una introducción que da paso a dos canciones de cada uno de estos intérpretes: - Laurel Canyon - Julio Galcera y Mala Seguida - Loli Ayuma con José Corchete, y - Tamalua con Mayka Martinez. Escuchar audio

Hace 50 años, medio siglo, The Doors publicaron su quinto elepé, "Morrison Hotel". Para celebrarlo se publica una edición 50 aniversario en diversos formatos. Lo más significativo es que se ha masterizado de nuevo y en un segundo cedé han añadido un montón de tomas diferentes de algunas canciones. Ayer oimos el disco tal y como se editó; hoy vamos con los extras, donde se puede oír a Jim Morrison dando instrucciones sobre cómo quiere las canciones y haciendo gorgoritos diversos. También oímos a los tres músicos solos sin el cantante. - Roadhouse Blues, tomas 14, 1 y 2. - Peace Frog (sin letra)/Blue Sunday, toma 4 - Queen of the Highway, tomas 1,5,6,7,12 y 14, algunas muy jazzy sin Morrison. En una de ellas Ray Manzarek cita el "Concierto de Aranjuez". Bloque inédito de Blues: - I Will Be Untrue (Jimmy Reed) - Money (libre improvisación) - Rock me Baby (Muddy Waters) De final otra versión de la censurada, en su momento, "Peace Fog" como desagravio histórico. ¡Que se fastidie la censura! Escuchar audio

Deep Purple tienen nuevo disco "Whoosh!" publicado a finales de verano. Oímos cuatro temas del mismo, precedidos por una versión de estudio de "Roadhouse blues" de The Doors contenida en el anterior disco "Infinite" de 2017. ¿Quienes son Deep Purple en 2020?: Ian Paice – batería Ian Gillan – voz, armónica Roger Glover – bajo Steve Morse – guitarra Don Airey – teclados. Oimos también tres temas clásicos del grupo, con esa misma formación, grabados en directo en el Hellfest 2017 con un clímax excepcional y un diálogo apoteósico entre órgano y guitarra: "Smoke on the Water" 6:40 "Peter Gunn / Hush" (Henry Mancini / Joe South) 7:40 "Black Night" 7:26. Terminamos con otra versión de "Roadhouse Blues" en directo, grabada por Blue Oyster Cult en 1982. Mañana emitiremos la edicion 11.111. Escuchar audio

NEW FOR OCTOBER 15, 2020 Filling your bags with treats of the season. All Hallow - The Best Radio You Have Never Heard Vol. 397 1. Goblin Girl / Whipping Post / Dumb All Over / Heavenly Bank Account (live) - Frank Zappa 2. Suicide (live) - Thin Lizzy 3. Surrender / Alive (live) - Pearl Jam 4. Dogs (live) - Roger Waters 5. Tumacun (live) Rodrigo y Gabriela 6. Beautiful Girl (Unplugged) / Won't Get Fooled Again (Live) -Van Halen 7. Bitch (live) - Sheryl Crow and Eddie Van Halen 8. Roadhouse Blues (early) - The Doors 9. Route 66 (alt) - Depeche Mode 10. The Perfect Kiss (live) - New Order 11. The Perfect Crime # 2 (unplugged) - The Decemberists 12. Beads On One String (alt) - The Who 13. Racing In The Streets / Thunder Road (live) - Bruce Springsteen and The E Street Band 14. Come Together (live) - John Lennon The Best Radio You Have Never Heard. A shut in styled musical trick or treat. Accept No Substitute. Click to join the conversation on the Facebook page.

O The Doors passava por maus bocados no final dos anos 60, principalmente por conta dos excessos do vocalista Jim Morrison. As loucuras do "Rei Lagarto" resultaram no cancelamento de vários shows e boicote nas rádios. Como se não bastasse, eles lançaram o "The Soft Parede" em 1969, que tinha uma sonoridade bem diferente e não teve uma boa aceitação do público. Quando tudo parecia perdido, a banda lançou em 1970 o "Morrison Hotel", disco que representou uma volta ao blues-rock e causou impacto com músicas como "Roadhouse Blues" e "Peace Frog". O álbum acabou de completar 50 anos e, por isso, convidamos Daniel Iserhard, do podcast Crazy Metal Mind, para tomar uma e falar sobre o MORRISON HOTEL. Esta é a versão podcast para um de nossos videos. Para assistir, acesse www.youtube.com/tomaruma Nos siga nas redes sociais: Twitter: @iurimoreira / @rafael2099 Instagram: @iurimoreira / rafaelaraujo2099

Se me ponen los pelos de picos pardos al ver las portadas de esta selección de discos anglosajones que este año cumplen medio siglo. A estas alturas esta música popular es clásica en sí misma. Los protagonistas de este programa crearon escuela y tendencias más allá de la cultura rock. Y eso que estaba naciendo el hard-rock, el rock sureño, el rock sinfónico o la generación bittersweet de cantantes-compositores. Sus nombres se manifiestan por sí mismos: Jimi Hendrix, Aretha Franklin, Stevie Wonder, Simon & Garfunkel, James Taylor, Carole King, David Bowie, The Kinks, The Allman Brothers, Led Zeppelin, Joni Mitchell, Cat Stevens, Crosby, Stills, Nash & Young, Randy Newman, Dusty Springfield, Pink Floyd, Santana, The Doors, Jethro Tull, Poco, Genesis, Ry Cooder, Traffic, Carpenters… Aquí va el capítulo de artistas norteamericanos. DISCO 1 SANTANA Samba Pa Ti (Cd 2 - 13) Abraxas DISCO 2 JIMI HENDRIX Changes (3) Band Of Gypsys DISCO 3 THE DOORS Roadhouse Blues (4) Morrison Hotel DISCO 4 JONI MITCHELL Big Yellow Taxi (3) Ladies From The Canyon DISCO 5 JAMES TAYLOR Steamroller (4) Sweet Baby James DISCO 6 CAROLE KING Up On The Roof (3) Writer DISCO 7 RANDY NEWMAN Mama Told Me Not To Come (Cd 1 - 9) 12 Songs DISCO 8 SIMON & GARFUNKEL Cecilia (3) Bridge Over Trouble Waters DISCO 9 CROSBY STILLS NASH & YOUNG Teach Your Children (4) Déjà Vû DISCO 10 NEIL YOUNG Don't Let It Bring You Down (7) DISCO 11 POCOYou Better Think Twice (Cara 1 Corte 2) DISCO 12 LINDA RONSTADT Long Long Time (Ordenador) Silk Purse DISCO 13 RY COODER How Can a Poor Man Stand Such And Live (CD 1- 5) Ry Cooder DISCO 11 STEVIE WONDER Signed, Sealed And Delivered (18) Signed, Sealed And Delivered DISCO 12 ARETHA FRANKLIN  Don’t Play That Song (1) Spirit In The Dark DISCO 13 CARPENTERS They Long To Be (Close To You) (12) Close To You DISCO 14 THE ALLMAN BROS BAND Midnight Rider (3) Idlewild South Escuchar audio

Álbum "Stoned Inmaculate: The Music Of The Doors": Stone Temple Pilots - "Break On Through" Creed - "Riders On The Storm" Train - "Light My Fire" Smash Mouth - "Peace Frog" Days Of The New - "L.A. Woman" Aerosmith - "Love Me To Times" The Doors - "Under Waterfall" The Cult - "Wild Child" Jim Morrison - "Roadhouse Rap" John Lee Hooker & Jim Morrison - "Roadhouse Blues" William S. Burroughs - "Is Everybody In? Oleander - "Hello I Love You" Ian Astbury - "Touch Me" Perry Farrell & Exene - "Children Of Night" Bo Diddley - "Love Her Madly" Escuchar audio

Cocked and locked, the boys are back to talk about a show that aired a year ago. What does it matter if we’re late? The point is we are back to dump clips of recap into your ear holes. Where is Frank now after the events in New York? Turns out Ohio has some issues too. The Punisher Season 2, Episode 1 Host Philip Mozolak and Devin Higgins with Sean Schbley, Eric Scott and Jason Johnson --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/philip-mozolak/message Support this podcast: https://anchor.fm/philip-mozolak/support

Hvad er det dog for en verden, vi lever i? I næsten et halvt år har værterne, Mette og Teddy, planlagt, at de skulle snakke om verdens undergang som et tema i populærkulturen. Hvad sker der så midt i det hele? Corona-virussen ankommer til verden! Vi tager vores forholdsregler og snakker om det realistiske dystopiske tema. Med som gæst har vi Rasmus Dahlberg, katastrofeforsker og forfatter til bøgerne om Lisbeth Storm, bl.a. "Solstorm". På eks. e-Reolens hjemmeside kan du finde gode dystopiske titler, mens du er i hjemmekarantæne. Giv også filmstriben.dk, eReolen Go!, Verdensbiblioteket og TurTeori et tjek. Og gør dig selv en tjeneste ved at melde dig ind i Podcastlaboratoriet via facebook, så du kan deltage i samtalerne omkring andre podcasts. Her snakker vi også om LydPod'en, som er bibliotekets helt egen podcast-klub, hvor vi altid får spændende gæster. Lav gerne en anmeldelse af podcasten og skriv, hvilket emne vi skal snakke om næste gang. Vignetmusikken er komponeret af Helle Tjørnov. Små klip af "Roadhouse Blues" af The Doors.

The Punisher Season 2, Episode 1 - Cocked and locked, the boys are back to talk about a show that aired a year ago. What does it matter if we’re late? The point is we are back to dump clips of recap into your ear holes. Where is Frank now after the events in New York? Turns out Ohio has some issues too. Host Philip Mozolak and Devin Higgins with Sean Schbley, Eric Scott and Jason Johnson.

The Punisher Season 2, Episode 1 - Cocked and locked, the boys are back to talk about a show that aired a year ago. What does it matter if we’re late? The point is we are back to dump clips of recap into your ear holes. Where is Frank now after the events in New York? Turns out Ohio has some issues too. Host Philip Mozolak and Devin Higgins with Sean Schbley, Eric Scott and Jason Johnson.

Most of us drink coffee regularly, but how often do you think about how and where it's grown? To help us understand the complicated intersection of business and agriculture that shapes the world of coffee, we invited Michael Sheridan of Intelligentsia coffee to the podcast. As the sourcing director of Intelligentsia, Michael has visited many of the world's top growing regions and has a unique perspective into the challenges facing the people that grow the coffees many of us know and love. In our chat, we talk about why the coffee market is so volatile for growers yet rarely impacts the price that coffee drinkers pay. We also explore why the direct trade model creates exceptional quality coffee and how fixed coffee pricing can actually be a net positive for coffee growers and buyers alike. Michael explains why surplus is such a persistent problem in the coffee industry, and what a more equitable and sustainable approach to growing coffee can look like. Whether you're a coffee nerd or just an avid drinker looking to learn more about how it's grown, this episode has something informative for you! Show Notes: Intelligentsia coffee's website Michael is a pioneer of the direct trade coffee model, which goes beyond Fair Trade to build up the livelihood of coffee workers year in and year out Michael pointed out that, like all agricultural workers, coffee workers have to negotiate a ton of risk with every harvest. In particular, coffee growers have to contend with climate risk, exchange rate risk, market risk, and price risk.As a perennial tree crop, it takes a while for coffee trees (technically shrubs) to start producing fruit. There is a four-year lag between when folks plant a coffee tree and when it starts bearing fruit. This lag is a large part of why the coffee market is so volatile and prone to surplus. Michael is adamant that since it's so complex in terms of flavor, coffee is much more like wine than it is other agricultural products that are traded as commoditiesMichael recommends brewing coffee at 205F. Less than 190 is too low and more than 205 can scald the coffee. The Speciality Coffee Association puts together educational materials about coffee that Michael recommendsA Chemex can be the gold standard for brewing specialty coffeeFor brewing coffee, Michael is a fan of using an Aero PressThe Borderlands project is seriously inspiringMichael recently started reading more fiction and recommends "The Poisonwood Bible" by Barbara KingsolverMichael's go-to karaoke song would be "Roadhouse Blues" by The DoorsMichael admires Paul Farmer and his work at Partners in HealthCheck out Intelligentsia's blog!

The perfect THRASH-GROOVE metal album; a piece of art from start to finish, Pantera’s Vulgar Display of Power is quite possibly one of THE most important albums in the 90’s chapter of The Book of Metal and is certainly a unanimous Metal Nerdery favorite. There will never be another band with as much power and precision as Pantera, and there will never be another album as powerfully precise as Vulgar Display of Power. JOIN US as we dive into the tracks, the production, and the power that was vulgarly displayed in such an incredibly metal way on one of the most incredibly important metal albums of all time. MetalNerdery.comFacebookInstagramVisit www.metalnerdery.com/podcast for more on this and other episodes.Metal Nerdery Tees and Hoodies – metalnerdery.com/merch 00.00: Intro/ (Yes, we agree) Metal Nerdery Album Dive: Pantera’s Vulgar Display of Power and the tour lead up to the album’s release/Master of Puppets of the 90’s 05.37: 02/25/1992: a New Level of Awesomeness!!!/Vinnie Paul’s drum production and the interplay of Vinnie and Dime/ (It’s moving…)/Accentuate 10.56: Singles from Vulgar Display of Power/Pantera’s Roadhouse Blues 13.40: 09/28/1991: GO WATCH PANTERA LIVE IN MOSCOW!! (Domination and Primal Concrete Sledge)/Making a quantum leap in almost every way 16.02: Origin of the album title and the punch in the face/The Pantera Home Videos 20.02: Leading up to the release of Vulgar and the video for Mouth For War/the proliferation of Walk and Dime’s message of Metal/Dime just threw something out in 12/8 time (huh!?)/Foreshadowing…/More foreshadowing… 25.12: Piss (04/12/2012) and “What’s in a Riff Casserole?”/Who DID Pantera NOT get along and/or tour with!?/Pantera with White Zombie opening and the treatment of opening bands 32.32: Double Platinum! (Also Platinum in Austria!)/ Not enough anesthesia…/Best Heavy Metal album of 1992 (and a multitude of other listicles) 36.09: Mouth for War and Pantera’s epical album openers! /The first “True” Pantera album of the Pantera Era 39.45: A New Level/The Nuances between riffs 42.42: Walk (in 12/8): Dime is a genius: easily The Rifflord of The 90’s/ (future Metal Nerdery foreshadowing) 46.18: 1, 2, 3, 4… (FUCKING HOSTILE!!!!)/There’s something to a very clearly articulated message (Thank you for that, Phil!) 49.12: This Love (those riffs…)/Pantera’s epicus/the 2nd side of VDoP (deeper cuts…do you hear that?)/tour memories 55.50: Cue up the Celtic Frost, get a refill and RISE!!/A Pantera show: it’s organic; it moves as one!!/Metal Nerdery gives many gracious thanks to Pantera for coming to Atlanta so many times back in the 90’s!!!!/and we also give thanks and commendments to Dorothy/The guys listen to RISE while Matt was “Celtic Frosting” 59.53: No Good Attack the Radical (Pantera Prerequisite #1)/the magic of Dime/Milley’s new pasta recipe for the fall 1.03.03: Live in a Hole, Dime and The Cringe Chord (aka Stinky) 1.05.27: Regular People (Conceit) and Rex’s Big Beefy Bassy Bottom end/Reinventing the Steel Tour Memories 1.08.58: Adam’s exception to the 10 song rule/By Demons Be Driven and The Mule Riff/Dime: Riff Lord AND Riff Virtuoso 1.11.21: Hollow and an Extreme Pantera-ized version of Light and Shade/Summon the Thimble Master! 1.17.30: Pantera’s use of dynamics to build crushing riffs/Metal Nerdery Salutes Pantera (More Metal Nerdery Foreshadowing…a Pantera Megasode!!)/CONTINUE TO SPREAD THE WORDERY ABOUT THE METAL NERDERY!!!/(The Metal Nerdery Loincloths are still in the design phase; go to www.metalnerdery.com/merch for more modern alternatives to loincloths.)

The Punisher S2E1 Roadhouse Blues: Just Punishments S2E1 Charlie and Mozz review The Punisher season 2 episode 1, “Roadhouse Blues”. Show notes: The Punisher S2E1 Roadhouse Blues: The Devil You Know S2E1 Get your OFFICIAL Capes and Lunatics merchandise here: http://shrsl.com/?idim Check out everything Capes and Lunatics here: www.capesandlunatics.org Follow us on Twitter:  https://twitter.com/CapesLunatics Like us on Facebook: https://www.facebook.com/capesandlunatics Follow us on Youtube: https://www.youtube.com/channel/UCKezHc4vA7JKhIuBNmBmvrQ Follow us on Instagram: capesandlunatics Follow us on Pinterest: Capes and Lunatics Podcast Follow Charlie Esser on Twitter:  https://twitter.com/CharlieEsser Follow Mozz Manzoor on Twitter: https://twitter.com/MozzManzoor Produced by: http://www.southgatemediagroup.com Production Team: Lilith Hellfire

The Punisher S2E1 Roadhouse Blues: Just Punishments S2E1 Charlie and Mozz review The Punisher season 2 episode 1, “Roadhouse Blues”. Show notes: The Punisher S2E1 Roadhouse Blues: The Devil You Know S2E1 Get your OFFICIAL Capes and Lunatics merchandise here: http://shrsl.com/?idim Check out everything Capes and Lunatics here: www.capesandlunatics.org Follow us on Twitter:  https://twitter.com/CapesLunatics Like us on Facebook: https://www.facebook.com/capesandlunatics Follow us on Youtube: https://www.youtube.com/channel/UCKezHc4vA7JKhIuBNmBmvrQ Follow us on Instagram: capesandlunatics Follow us on Pinterest: Capes and Lunatics Podcast Follow Charlie Esser on Twitter:  https://twitter.com/CharlieEsser Follow Mozz Manzoor on Twitter: https://twitter.com/MozzManzoor Produced by: http://www.southgatemediagroup.com Production Team: Lilith Hellfire

This week Anthony Lewis and Aurora Bubbaloo are discussing Season 2 Episodes 1-2 of The Punisher on Netflix called “Roadhouse Blues” and “Fight Or Flight”. We talk about what we liked an didn’t like and of course give the show our personal 1 out of 5! Support Us: ThinkGeek — Marvel Apparel And Collectibles Subscribe: Read more about Podcasters Of SHIELD #78 – The Punisher Part 8[…]

Today’s shows are:Black LightningSeason 2 Episode 10: The Book Of Rebellion: Chapter Three: Angelitos NegrosDaredevilSeason 3 Episode 11: ReunionSeason 3 Episode 12: One Last ShotSeason 3 Episode 13: A New NapkinGothamSeason 5 Episode 3: Legend of the Dark Knight: Penguin, Our HeroSeason 5 Episode 4: Legend of the Dark Knight: RuinPunisherSeason 2 Episode 1: Roadhouse Blues

A time-swim back to the year 1970 with musicologist Hilary Burden and music historian Rusty Melicano. We discuss the end of the sunshine 60s (extensively and against their will) and the beginning of a darker decade. We also decode the chunga-wunga lyrics of Roadhouse Blues by The Doors.

BleedTV Zack, Jake, and Cash dive into streaming services with the ultra violent and brilliantly acted The Punisher. Picking up where we left off last season Frank Castle (Jon Berthenal) is trying to move on with his life and see where the world takes him. That happens to be BFE Michigan, where he runs into a young woman (Giorgia Whigham) who has gotten in over her head. Frank does everything he can to help, but ultimately gets himself into too much trouble. His horseshoe hasn't dried up yet since Agent Madani (Amber Rose Revah) still needs his help taking down Billy Russo (Ben Barnes) after he escapes. Join us as we rant and rave about the fighting, stunts, action, pacing, and so much more.Streaming shows bring a different type of difficulty to podcasting, so please let us know what yall think about the format. Let us know if you like it, or want us to try and change how we do it, because we would love to bring yall more of these!Follow us on: Twitter: @bleedtvpodcast Instagram: bleedtvpodcast Facebook: BleedTV Podcast Email: Bleedtvpodcast@gmail.com Spotify: Bleedtv Youtube: BleedTV Podcast

Pete Castiglione might be free but not much has changed for him and Defenders TV Podcast chat all about it in their Punisher 201 Review of Roadhouse Blues. The post Punisher 201 Review “Roadhouse Blues” Podcast – Defenders TV Podcast Episode 206 appeared first on TV Podcast Industries.

Pete Castiglione might be free but not much has changed for him and Defenders TV Podcast chat all about it in their Punisher 201 Review of Roadhouse Blues.

Pete Castiglione might be free but not much has changed for him and Defenders TV Podcast chat all about it in their Punisher 201 Review of Roadhouse Blues.

Frank makes a pair of friends on the road in Michigan, but doesn't it always seem like when he finds companionship that the bad people find him? Matt and Pete contract a case of episode 201, “Roadhouse Blues.”Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3iTunes

Pete Castiglione might be free but not much has changed and we chat all about it in our Punisher 201 Review of the new season premiere. We talk about our top five bullet points about this episode in our Spoiler filled discussion. As always make sure you’ve watched the episode before listening to the podcast. Read More The post Punisher 201 “Roadhouse Blues” Review Podcast – Defenders TV Podcast Episode 206 appeared first on Defenders TV Podcast.

Pete Castiglione might be free but not much has changed and we chat all about it in our Punisher 201 Review of the new season premiere. We talk about our top five bullet points about this episode in our Spoiler filled discussion. As always make sure you've watched the episode before listening to the podcast. Jon Bernthal returns as Frank Castle in The Punisher Season 2. Punisher 201 Review Spoiler filled Synopsis Episode Written by: Steve Lightfoot Episode Directed by : Jim O'Hanlon Pete Castiglione (Jon Bernthal) is a free man and on the road, traveling from town to town as a drifter. Elsewhere, Sergi Konchesky (Alexander Notkin) is bound to a chair and is being tortured by a man in black (Josh Stewart) who is looking for information and a laptop. At Lola’s Roadhouse bar in Michigan, Pete becomes embroiled with two young women over a few beers. At the bar he is dismissed as Rough Road by a woman called Amy (Giorgia Whigham) who is carrying a bag containing a laptop and who dislikes his unwanted attention. However, drifter Pete has more luck with another woman that night as he connects with the bartender Beth Quinn (Alexa Davalos) and is persuaded to stay in town another day. The next night at the bar, whilst soul still plays violence takes center stage as Pete Castiglione finds himself rushing to help the young girl Amy who is in something she knows nothing about way over her head. As a fight spills out into the bar inner Frank Castle is unleashed on Lola’s. Meanwhile, in New York as Dinah Midani (Amber Rose Revah) leaves the hospital room of Billy Russo (Ben Barnes), his eyes open staring back from behind the mask! Contact us and subscribe to the podcast Thank you so much for listening to our Punisher 201 Review Podcast. Make sure you subscribe to the podcast through Google Podcasts or Apple Podcasts. We are now also available on Spotify just search for Defenders TV Podcast. If you would like to send any of your thoughts in please send them to feedback@defenderstvpodcast.com join us on facebook at Facebook.com/groups/defenderstvpodcast or follow us on Twitter @defenderscast and you can now record your thoughts for the podcast directly from our website defenderstvpodcast.com by clicking the “Send Voicemail” button. We'll be back later this weekend with our review of The Punisher Season 2 Episode 2. Thanks for listening John, Chris and Derek Defenders TV Podcast Date recorded: 13/01/2019Date published: 18/01/2019MP3, 97.22 mins, 96kbps, 67.0 MB All images and audio clips are copyright of their copyright holders no infringement is intended. The music for this episode "Intro" from the Spell Breaker E.P. by Tri-Tachyon is licensed under an Attribution License.

We've entered 1970, and The Doors are back in the critical spotlight with their penultimate album, Morrison Hotel. Both a critical and fan favorite, this album saw The Doors moving (mostly) away from the pop and psychedelic sounds that dominated their last couple of albums, in favor of a rawer blues-influenced rock and roll sound. We take you track-by-track through the album, from the rollicking opener "Roadhouse Blues" through the ending of "Maggie M'Gill".Cosmic America reviews artists and their records, and we do it by going album-by-album through their careers. Be sure to subscribe on iTunes or Stitcher.

BARON R. BIRTCHER spent a number of years as a professional musician, and founded an independent record label and management company. Critics have hailed Baron's writing as "the real deal" (Publishers Weekly), and his plots as "taut, gritty, and powerfully con-trolled" (Kirkus Reviews). His first two novels (Roadhouse Blues and Ruby Tuesday) are Los Angeles Times and Independent Mystery Booksellers Association best sellers, and he has been nominated for a number of literary awards, including the Nero Award (Hard Latitudes), the Claymore Awards (Rain Dogs), the Left Coast Crime Lefty Award (Angels Fall), and won the Silver Falchion Award in 2016 (Hard Latitudes). Baron currently divides his time between Portland, Oregon and Kona, Hawaii. Matt Coyle is the best-selling author of the Rick Cahill crime novels. His first book, YESTERDAY'S ECHO, won the Anthony Award for Best First Novel, The San Diego Book Award for Best Mystery, the IBPA Ben Franklin Silver Award for Best New Voice in Fiction, and was a Macavity finalist for Best First Novel. The second, NIGHT TREMORS, was a finalist for the Anthony, Shamus, and Lefty Awards. The third Rick Cahill crime novel, DARK FISSURES, was a finalist for the Macavity and Lefty Awards. BLOOD TRUTH, is a finalist for the 2018 Lefty Award for Best Mystery. WRONG LIGHT, the 5th Rick Cahill crime novel come out in December, 2018. Matt lives in San Diego  with his Yellow Lab, Angus.  This is a trademarked copyrighted podcast solely owned by the Authors on the Air Global Radio Network LLC.

Où l’on parle de Tino Rossi, mais pas que. Références du morceau : «Break on through (to the other side)», The Doors (composition John Densmore, Robby Krieger, Ray Manzarek, Jim Morrison), album The Doors (1967). Quelques liens vers des morceaux incontournables des Doors : - «Who do you love», reprise du morceau de Bo Diddley sur l’album en concert Absolutely Live (1970)- «Light My Fire», album en concertAlive she cried (1983), version studio sur l’album The Doors (1967)- «The End», album The Doors (1967)- «Spanish Caravan», album Waiting For The sun (1968)- «Roadhouse Blues», album In Concert (1991), version studio sur l’album Morrison Hotel (1970)- «L.A. Woman», album L.A. Woman (1971)- «Riders On the Storm», album L.A. Woman (1971).

In this episode I have the exquisite pleasure of exploring the art of erotic literature writing with Malin James. She offers a wide range of insights into the inner workings of erotic writing and we agree that it’s vital to sustain and evolve this ancient craft into the digital age. About Malin: Malin James is an essayist, blogger, and short story writer. Her work has appeared in Electric Literature, Bust Magazine, MUTHA, Queen Mob’s Tea House and Medium, as well as in anthologies for Cleis, Sweetmeats Press and others. Her short story collection, Roadhouse Blues will be available this summer from Go Deeper Press. Learn more at http://www.malinjames.com

Tuesday RotoWire Fantasy Football Podcast, brought to you by DraftKings.com: Jake Letarski (@JakeSki52) & Eric Caturia (@ETCat30) discuss Darren McFadden, Alfred Blue and the other waiver options you need to know about heading into Week 8. Learn more about your ad choices. Visit megaphone.fm/adchoices

This tape is a compilation of the classic rock songs that you would have heard on the jukebox at T Reed's Billiards in Rockland, Maine. 1. Knockin' on Heavens Door, VSQ. (music bed) 2. Roadhouse Blues, The Doors. 3. Lay Down Sally, Eric Clapton. 4. I Shot The Sheriff, Bob Marley. 5. Black Magic Woman/Gypsy Queen, Santana. 6. Hotel California, The Eagles. 7. The Joker, Steve Miller Band. 8. Cocaine, Eric Clapton. 9. Live and Let Die, Wings. 10. Honky Tonk Woman, The Rolling Stones. 11. Bohemian Rhapsody, Queen.