Podcasts about beaky

The "Sensational 60's Show" is coming to the Crewe Lyceum on Sunday May 25th at 3PM. The music of Dave Dee, Dozy, Beaky, Mick & Tich, The Tremoloes and The Fortunes will feature. The Cat's Dave Foulkes and Kev Watson spoke to Beaky about the show and the hits in the 60's that Dave Dee, Dozy, Beaky, Mick & Tich had. Beaky shared some great stories about the origins of his famous songs such as The Legend of Xanadu.

The Big Beatles Sort Out Presents: The Big 60s Sort Out!Yes, for season 4 we are taking a look at the decade that made (or was made?) by The Beatles, by ranking every UK number one, looking for sneaky Beatles links, and generally putting ourselves in the world where they crafted their legacy.Please joins us as we try and sort out, the 60s!Songs this episode:Esther and Abi Ofarim - Cinderella RockefellaDave Dee, Dozy, Beaky, Mick & Tich - The Legend of XanaduThe Beatles - Lady MadonnaCliff Richard - CongratulationsIf you want to view the chart up to the latest episode, you can do so⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ here! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Below are links to our respective music projects!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Smiles On Lonely Souls | Garry Abbott (bandcamp.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://goodgriefliverpool.bandcamp.com/⁠⁠⁠⁠⁠⁠⁠⁠

In this special bonus episode of Shoe Dares Wins, Michelle provides a personal and introspective look into the recurring themes of "purpose" and "failure" that have permeated her podcast. While stepping out of her usual interviewer role, Michelle engages audiences with her reflections on how past guests have guided her journey and how purpose serves as an underlying force in life's various ventures. Mentioned guests include Mandy Hicks, who redefined what failure meant in her fight to become a successful fighter pilot, and Beaky, who offers an alternative view on living without a defined purpose.Transitioning into a seamless exploration of life's challenges, Michelle revisits her episode with Mandy Hicks and recounts her own story of venturing to Los Angeles, which she initially perceived as a failure. Michelle's sharing of personal anecdotes invites listeners to reframe their understanding of purpose and failure, emphasizing that these concepts evolve over time. Encouraging audience engagement, Michelle prompts reflection on personal life lessons learned from perceived failures.Key Takeaways:Purpose can vary greatly from person to person and may change throughout one's life journey.Failure should be reframed as a part of the learning process that ultimately guides individuals toward their true purpose.Many successful people have faced repeated failures but have used these setbacks as stepping stones toward achieving their goals.It's important to accept periods without a defined purpose and use them as opportunities for growth and exploration.Personal challenges, such as Michelle's experience with acting, (can) lead to valuable life lessons beyond initial perceptions of success or failure. Hosted on Acast. See acast.com/privacy for more information.

In this captivating installment of "She Who Dares Wins," host Michelle delves deep into conversation with Beaky, whose life story reads like an adventure novel waiting to be written. With refreshing candor, Beaky unpacks the essence of bravery and the transformative power of trusting one's intuition. Her journey, shaped by an unconventional upbringing, winds through the corridors of prestigious newsrooms to the serene banks of fishing streams, each chapter marked by bold choices and unexpected turns.The discussion takes a fascinating turn as Beaky opens up about her evolution in the fishing world, where she's become an accidental pioneer for women in the sport. Her battle with cancer emerges as a powerful testament to her resilient spirit, handled with the same gutsy determination that characterizes her approach to life. Through entertaining anecdotes - including a memorable appearance on Blind Date - Beaky weaves a narrative that's equal parts inspiring and entertaining, demonstrating how life's greatest challenges can become stepping stones to profound personal growth.Key Takeaways:The transformative power of intuition and its role in navigating life's pivotal momentsHow finding one's voice and confidence can reshape both personal and professional landscapesThe art of embracing life's unexpected detours and turning them into opportunities for growthThe crucial importance of self-advocacy, especially during health challengesUsing humor as a powerful tool for resilience and healing in difficult timesTimestamp0:00 Daring to Follow Your Gut and Stand Up for Yourself5:35 A Life of Random Jobs and Unexpected Opportunities7:37 Rediscovering the Excitement and Community of Fly Fishing12:31 Women Challenging Stereotypes in Male-Dominated Hobbies and Professions16:36 Hiding Pregnancy Fears and Workplace Challenges20:33 Empowerment Through Humor and Speaking Up25:43 Fighting for Personalized Cancer Treatment and Trusting Intuition34:49 Finding Humor in Breast Cancer and Unexpected Discoveries38:38 Unexpected Adventures on a Blind Date TV Show43:14 Embracing Opportunities and Finding Happiness in Life's Journey49:33 Unconventional Workplace Stories and Humor57:52 Fishing, Tweed, and Parenting MishapsBeaky's Instagram @beakyfishesCheck out our clothing range at www.shewhodareswins.com and sign up to our empowering newsletter: Use the code POD10 for 10% off site wide.Support us and get exclusive content over on our patreon account https://www.patreon.com/c/shewhodareswins/membershipFollow us on Instagram @shewhodareswins Hosted on Acast. See acast.com/privacy for more information.

The Waterboys' MIKE SCOTT grew up in the '60s in Edinburgh and said: “I accepted the incredible happenings of that decade — with all its rapid evolution, colour, revelations and magic — as the normal order of things".   At the age of 4 he had his first mystical experience and remembers that from the minute he bought "Last Night in Soho" by Dave Dee, Dozy, Beaky, Mick & Tich in 1968 he knew he had to live a life in music. In the years since he has toured the world with The Waterboys and as a solo artist, had hit records with The Whole of the Moon, This is the Sea and Fishermans Blues andhas released 15 albums.   Now, The Waterboys have a new one featuring Bruce Springsteen, Steve Earle and Fiona Apple about to drop and it's a song cycle around the life of legendary actor and countercultural polymath Dennis Hopper.     Mike has been unashamedly open about the importance of spirituality in his life - even when that has been deeply unfashionable in the mainstream culture. He came to the Bureau to talk about all of that, his time at the Findhorn Foundation, Life, Death and Dennis Hopper - and much more.  For Mike and his work, music and adventures Universal Hall   Findhorn Foundation   #thewaterboys #mikescott #brucespringsteen #findhorn #findhornfoundation #steveearle #fionaapple #ladbrokegrove #thewholeofthemoon #dennishopper

https://ontargetpodcast.caThe needle drops, the sparks fly, and the momentum keeps rolling! After last week's milestone celebration, On Target is back with a fresh stack of sizzling 45s. Mod Marty serves up the signature mix of rare and irresistible 60s soul, driving R&B, beat, and garage—all spinning on original vinyl.-----------------------------------------------The playlist is:"Don't Mess With Cupid"Otis Redding - Volt"Money (That's What I Want)"Jr. Walker & The All Stars- Soul"The Bounce"The Olympics- Mirwood"The Who Who Song"Jackie Wilson- Brunswick"The Whip"Gene Austin - TEC 3005"Wanted $10,000 Reward"Ernie K-Doe- London"That's Right"Bobby Lewis- ABC-Paramount"Harlem Shuffle"The Traits- Scepter"Looking Glass"The Will-O-Bees- Date "Labourer"49th Parallel- RCA-Victor"Somebody"Ray Charles- London Cross-Over"Yo-Yo"Billy Joe Royal- Columbia"Running Out"Bongi & Judy - Buddah"Stay"The Virginia Wolves- Amy"A Sign Of The Times"Petula Clark- Warner Brothers"That's Where I Lost My Baby"Marv Johnson- United Artisits"Shame"Dave Dee, Dozy, Beaky,Mick & Tich- Fontana"Fine With Me"The Beau Brummels- Warner Brothers"Why Did You Hurt Me"The Standells- Tower"Our Day Will Come"James Brown At The Organ- Smash

Playlist: Dave, Dee, Dozy, Beaky, Mick, and Tich - When The Sun Goes DownPeter Fonda - November NightsByrds - Hungry PlanetThe Shocking Blue - Rock In The SeaJennifer Castle - Full Moon In LeoJan Davis - DelicadoKalenda - The LionThe Spanish Town Ska Beats - Stop That TrainMax Romeo - Wet DreamJackie Mittoo - Hang 'Em HighHot Butter - PipelineThe Space Lady - Fly Like An EagleRick Powell - Ruby Don't Take Your Guns To TownMakuto Kubota - Cowboy No Datta KoroSir Douglas Quintet - Down On The BorderBilly Thunderkloud - Try A Little TendernessMarty Robbins - The Air That I Breathe

Dlaczego Martin nie udostępnia już gitar na potrzeby kinematografii? Po co Quentin słuchał utworów niemieckich takich jak “Chciałbym mieć Kurczaka”?. Dlaczego słynny reżyser musiał poruszyć niebo i ziemię by kupić płytę muzyczną w sklepie odzieżowym w Japonii na lotnisku?  Odpowiedzi na te pytania oraz na wszystkie te, które chcielibyście nam zadać w kontekście muzyki w filmach Quentina Tarantino, w dziełach takich jak: Kill Bill, Bękarty Wojny, Death Proof, Django i Nienawistna Ósemka, usłyszycie w trzecim odcinku z serii pt. “Muzyka w filmach Quentinta Tarantino”. Jest to zarazem ostatnia część naszej trylogii, w której zastaniecie moc historii, anegdot i opowieści o tym, jak tworzono te wspaniałe soundtracki w filmach legendarnego reżysera.muzyka: Łukasz Wojciechowski: jingiel oraz cover utworu “Bang Bang (My Baby Shot Me Down)” (cover wersji Nancy Sinatra).Zachęcamy też do śledzenia naszego profilu na Facebooku - https://www.facebook.com/PickPlease/ oraz Instagramie - https://tiny.pl/cxk21 LINKOWNIA:Ciekawostki o Tarantino i jego filmach - link Inne ciekawostki o Quentinie i jego filmach - link Ogólnie o muzyce w konkretnych filmach Quentina - link O zniszczeniu zabytkowej gitary Martina przez Kurta Russella - link O muzyce w wybranych filmach Tarantino - link Plany nakręcenia dokumentu o zniszczonej gitarze Martina - linkEnnio Morricone o pisaniu muzyki do Nienawistnej Ósemki - linkZESPOŁY / ARTYŚCI:Zespół z Japoni (The 5.6.7.8's) - linkUTWORY:Nancy Sinatra - Bang Bang (My Baby Shot Me Down) (Sonny and Bono cover, 1966) - link Brother Dege - Too Old To Die Young (2010) - link Dave Dee, Dozy, Beaky, Mick & Tich - Hold Tide (1966) - link The Coasters - Down in Mexico (1956) - link Jack Nitzche - The Last Race (1965) - link David Bowie - Cat People - link James Brown, 2 Pac - Payback / Untouchable - link Frank Ocean - Wiseman (2012) - link John Legend - Who did that to you? (2012) - link Jim Croce - I Got a Name (1973) - link Luis Bacalov - Django (1985) - link Anthony Hamilton - Freedom (2012) - linkSoundtracki:Kompilacja do The Hateful Eight - link Kompilacja do Kill Billa - link Django (Unchained) - link Kompilacja do Inglorious Basterds - link Cher - Bang Bang (My baby shot me down) (1966) - linkKLIPY WIDEO:Nancy Sinatra - Bang Bang (My Baby Shot Me Down) ze sceną zabicia Billa - link Kurt Russell rozwala zabytkowa gitarę Martina - link  Scena z The Bear Jew” i muzyką Ennio - link Scena z autentycznie zakrwawioną ręką Leonardo Di Caprio w Django - link

This episode is packed full of Mod dancers, Northern Soul shakers, Motown classics, British Beat movers, a few tunes from the Batman 1966 craze, and a classic hit that means a lot to us hosts of That Driving Beat. It's a two hour radio 1960s dance party, all from original vinyl 45 rpm singles! -Originally broadcast November 3, 2024- Willie Mitchell / That Driving BeatRay Charles and His Orchestra / I Don't Need No DoctorThe Show Stoppers / Ain't Nothin' But a House PartyLee Rogers / You're the Cream of the CropThe Fiestas / Broken HeartGail Wynters / You've Got The PowerLarry J. Greene / The Girl I LoveChubby Checker / Hey You! Little Boo-Ga-LooTy Hunter / Orphan BoyThe Tabs / Dance PartyDee Clark / You're Looking GoodThe 4 Seasons / Beggin'Liverpool Five / Everything's Al'RightThe Honeycombs / I Can't StopDave Dee, Dozy, Beaky, Mick & Tich / Save MeNolan Porter / If I Could Only Be SureJimmy Reed / I'm The Man Down ThereRonnie Milsap / Ain't No Soul Left in These Old ShoesThe Gallants / The Batman ThemeThe Metros / Since I Found My BabyThe Fleur De Lys / CirclesWilson Pickett / In the Midnight HourMartha & The Vandellas / In My Lonely RoomDiana Ross and the Supremes / Some Things You Never Get Used ToKim Weston / HelplessCarla Thomas / Something Good (Is Going To Happen To You)The Outsiders / RespectableThe Executives / Happy ChatterThe Spotlights / Batman And RobinMitty Collier / Miss LonelinessGems / That's What They Put Erasers On Pencils ForThe Ronettes / Born To Be TogetherZoot Money / The Uncle WillieJackie Verdell / HushThe Pacers / Gotham CityThe Tams / Too Much Foolin' AroundThe Chartbusters / She's The OneCurtis Lee & The K C P's / Everybody Is Going Wild Hosted on Acast. See acast.com/privacy for more information.

https://ontargetpodcast.caThis week On Tar­get spins a sound­track that cap­tures the warm glow of Sum­mer merg­ing into the crisp edge of Fall. Like leaves find­ing their way to the ground, these 60s soul and R&B gems drift seam­less­ly into new grooves and fresh rhythms. Get ready to embrace the sea­son with a beat that's as bright as an Autumn sunrise.-----------------------------------------------The playlist is:"You're Driving Me Crazy"Dorothy Berry - Little Star"Hide And Seek"Tom Jones- Parrot"Just Like Yesterday"Joe Simon- Irral"You Can't Hide"Lulu Reed & Freddy King- Federal"Out Of Sight"The Hot Tamales- Diamond"Somewhere Down The Line"Little Johnny Taylor- Galaxy"Both Eyes Open"Lucille Brown & Billy Clark- Dynamo"In The Midnight Hour"Little Mac & The Boss Sounds- Atlantic"Alright Alright Alright"Mungo Jerry- Bell"Nova's Nine"Pain - ABC"So Lonely (since You've Been Gone)"Bobby Day- Sure-Shot"Uptight (Everything's Alright)"Jackie Wilson & Count Basie- Brunswick"Im Gonna Never Stop Loving You"The Exotics- Excello"Stand Up Like A Man"Betty Lavette- Calla"You'd Better Stop (Let My Love Shine On You)"Tom Dooley & His Lovelights- TRX"I'm Gonna Show You How To Love Me"Autographs- Okeh"He's A Raver"Dave Dee, Dozy, Beaky, Mick & Tich- Star-Club"I Gotta Move"The Kinks- Pye"Big Boss Man"The Pretty Things- Fontana"Soul Train"The Ramrods- Rampage

James has captured a long-time record want, and he releases it onto the radio on this episode. We go in a few different directions putting together your radio dance party in this episode, with Northern Soul, R&B, British Mod, Funk, a mid-1950s jumper, very early Mary Wells and Wilson Pickett, two in a row from Cleveland, and a few records with typos on the labels. -Originally broadcast August 18, 2024- Willie Mitchell / That Driving BeatThe Emporer's / KarateSharon Soul / You Found My Weak SpotThe Sensations / Lonely WorldJimmy Conwell / To MuchSalt and Pepper / Rock Me In The CradleDonnie Elbert / Little Piece Of LeatherDolly Parton / Don't Drop OutTheola Kilgore / It's Gonna Be AlrightTony Middleton / My Home TownFrancis Faye / SummertimeWillie Hightower / Nobody But YouGeorgie Fame and the Blue Flames / In the MeantimeDave Dee, Dozy, Beaky, Mick & Tich / Hold Tight!Long John Baldry / Let Him Go (And Let Me Love You)The O'Jays / The ChoiceThe Vala-Quons / Window Shopping On Girl's AvenueJ.J. Barnes / Don't Bring Me Bad NewsDee Dee Sharp / Let's TwineThe Johnny Gibson Trio / BeachcomberIan & The Zodiacs / This Empty PlaceJerry Butler / Just For YouWilson Pickett / Let Me Be Your BoyMary Wells / Bye Bye BabyBarbara & The Browns / I Don't Want TroubleJohnny Holiday / TormentedClarence Murray / Let's Get On With ItGeorge Torrence & The Naturals / (Mama Come Quick and Bring Your) Lickin' StickChris Farlowe / Out of TimeMarvin Gaye / YouLittle Richard / Dance What You WannaThe Kampells / New Lock on My DoorThe Tabs / Two Stupid FeetThe Tams / Be Young, Be Foolish, Be HappyEl Pauling and Royal Abbit / Here It 'Tis Right HereBaby Ray / The House On Soul HillJames Brown & The Famous Flames / Have Mercy BabyRodge Martin / Lovin' Machine Hosted on Acast. See acast.com/privacy for more information.

Combat continues upon the Storval Stairs as Aeron's telekinetic destruction releases the harpies!New episodes are released every Wednesday; find out more at describeyourkill.com or come say hi to the DYK crew on our DISCORD.This podcast is an actual-play of Paizo's Stolen Fate Adventure Path for Pathfinder Second Edition.Music:"Furious Freak" / "Truth In The Stones" / "Virtutes Instrumenti" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 4.0 License"Tavern Loop One" / "Tavern Loop Three" by Alexander Nakarada (creatorchords.com). Licensed under Creative Commons: By Attribution 4.0 License"Harpies Nest" by Tabletop AudioOther music by Michael Ghelfi Studios - https://michaelghelfistudios.com/ Hosted on Acast. See acast.com/privacy for more information.

Auf der Bühne spielt er den Blues, hinter der Bühne hält er die Fäden zusammen, als Hauswart des Zürcher Schauspielhauses. Wie hat Hansueli – oder Han Sue Lee, wie er sich nennt – Tischhauser zu seinem musikalischen Stil gefunden? Ob die Nebelschwaden über der Linthebene hängen oder in den Mangrovenwäldern von Louisiana: Für Han Sue Lee Tischhauser ist die Natur die grösste Inspiration. «Ich höre der Natur sehr gerne zu, den Vögeln, all den Geräuschen. Die Natur bringt am meisten mit», sagt er. Seit rund 40 Jahren spielt Tischhauser auf den Bühnen dieser Welt, vom Gartenfest über schmuddelige Rockspelunken, das Cully Jazz Festival bis in die australische Einöde. Er tritt in unterschiedlichsten Konstellationen auf, häufig mit dem Duo «Los Dos», aber auch mit ganzen Orchestern, Tänzerinnen und lügenden Dichtern. Und: Immer spielt er den Blues. Die Liebe zu dieser Musik wurzelt in Tischhausers Kindheit, als er unter der Bettdecke Radio Luxemburg hörte und mit dem Kassettenrekorder Howlin Wolf aufzeichnete – ohne zu wissen, wem diese eindringliche Stimme gehört. Das hat sich später aufgelöst. Wie so vieles: «Ich habe eigentlich viel mehr erreicht, als ich wollte in diesem Leben.» In «Musik für einen Gast» erzählt er, wie er sich seinen eigenen Tod vorstellt, was es in ihm ausgelöst hat, mit rund 60 noch einmal Vater zu werden und warum man sich nicht wundern sollte, wenn man ihn klatschend oder singend in einem Wald antrifft. Die Musiktitel - Los Dos: The Blues Is In My Bones - Howlin' Wolf - The London Howlin' Wolf Sessions: I Ain't Superstitious [feat. Eric Clapton, Steve Winwood, Bill Wyman & Charlie Watts] - Dave Dee, Dozy, Beaky, Mick & Tich: Bend It - Johnny & Edgar Winter: Rock & Roll Medley - Link Wray: The Rumble - Los Dos: Marie Laveaux

Charles and Almanzo decide to start their own freighting business company, hauling items from Walnut Grove to Sleepy Eye and back. Each of them assumes they know the best route and proceed to make a race out of it along with a friendly wager. Which drags Carolina and Laura into the whole debacle. What should be an easy breezy day trip for the men turns into hijinks and misadventures on the road. Why did Almanzo choose to take all of the heavy freight? Does Charles really know how to read a map? What other unique pairings of food will Nellie try out next? Spotify Playlist Episode Track List —————— The Logical Song - Supertramp The Climb - Miley Cyrus  Ride  - Twenty One Piliots Hold tight  - Dave, Dee, Dozy, Beaky, Mick and Tich  Breaking Down the Door - Santana and Buika Live and Learn  - Joe Public Cheap Thrills - Sia Walk of Shame - Idris Elba

72nd Show News & Tracklist:Hi folks and welcome to the new edition of The Good man's radio Show. Plenty to be getting your lugs into in this episode with the likes of The Artwoods, East of Eden (sorry Matt G I mixed up which episode they featured in), Genesis and If to name barely a few. Very sad to hear of Melanie Safka's passing and I had already recorded most of the show when it happened, so I shall feature a few tracks on the next show for sure. If my vocal sounds different in this episode it is because I had some vocal clean up software Add-On installed. Not sure what to make of it and ¾ of the way through the show the trial period expired so it may sound a bit mixed up. Any feedback you can give me would be helpful though as not to sure whether to pay for it or just continue as usual. Anyway, please enjoy the show and if you would be so kind to follow me on Podomatic.com and share the show, which would be fantastic….enjoy. 1       Any More Than I Do – The Attack2       Fortune Teller – Tony Jackson & The Vibrations3       Sticks & Stones – Jeanie & The Big Guys4       I'll Go Crazy – Zoot Money's Big Roll Band5       Lookin' For My Pigs – Ray Hoff & The Offbeats6       Leo: The Lord of Lights – Zodiac7       Ritual #1 – The West Coast Pop Art Experimental Band8       Reverberation (Doubt) (Live) – 13th Floor Elevators9       One Eyed Hound – Genesis10  Blue Boar Blues – East of Eden11  All Fall Down – Lindisfarne12  Julie – The Corporate Body13  Follow Me – Tony Jackson Group14  Circle Round the Sun – Marian Segal15  Plastic Daffodils – Atlanta Roots16  The Sun Goes Down – Dave Dee, Dozy, Beaky, Mick & Tich17  Who is The Doctor – Jon Pertwee18  Come See me – J.J. Jackson19  She Know's What to Do – The Artwoods20  She Just Satisfies – Jimmy Page21  Help Me Please – The Outer Limits22  I'm Talking ‘Bout You – The Chancis Are23  Jig A Jig – East of Eden24  What Can a Friend Say? – If25  Little Rosy – The Rocking Vickers26  Jump Back – The La De Da's27  Up so High (Outtake) – Living Daylights28  The Birthday – The Idle Race29  If You Want This love–The West Coast Pop Art Experimental B.30  Day Must Come – Justin Hayward31  Molly Anderson's Cookery Book – The Artwoods32  Some Velvet Morning – Gabor Szabo33  Picking Up the Sunshine (aka Bert's Blues) – Beverley34  Things Behind the Sun – Nick Drake

With the battlefield in chaos, will the party find allies or even more enemies to deal with.   Be nice, roll dice, and tune in each week.   www.livetodiepodcast.com   Support us on Patreon: patreon.com/livetodiepod   Follow us on social media: Twitter: @LiveToDiePod Facebook: @LiveToDiePod Instagram: livetodiepod Email us at livetodiepodcast@gmail.com   Music and Sound by Syrinscape. syrinscape.com/?att_live_to_die Because Epic Games Need Epic Sound Complete list of credits here: https://tinyurl.com/dieonthethronepart1   Themesong by https://soundcloud.com/justin-ghofrani Cover art by @doodleskelly

James and Uwe have been out digging and dealing to find more rare 1960s records for their collections, and they're here to share! Along with the soul and R&B you expect from That Driving Beat, they've turned up some popcorn swingers, British beat, pop tunes, and weird sounds you may dig. Turn it up! Originally broadcast January 14, 2024 Willie Mitchell / That Driving BeatThe Festivals / MusicThe Dixiebelles & Cornbread & Jerry / Rock, Rock RockBobby Powell / QuestionEddy "G" Giles / Don't Let Me SufferBobby Copney / Love Au-Go-GoThe Ventures / Lolita Ya-YaBobby Bland / Ain't Nothing You Can DoUnit Four Plus Two / Concrete and ClayThe Boss Guitars / Man Of La ManchaThe Turtles / You Showed MeThe Jalopy Five / I Like It Like ThatEvie Sands / Run Home To Your MamaEd Bruce / Don't Let It HappenDon Gardner and Dee Dee Ford / I Need Your LovingKeith Powell and the Valets / Come On And Join The PartyThe Merseybeats / See Me BackDave Dee, Dozy, Beaky, Mick & Tich / Bend ItThe Kinks / Ev'rybody's Gonna Be HappyMaxine Brown / One Step at a TimeChuck Jackson / Hand It OverIrene Reid / One For My Baby (And One More For The Road)Barrett Strong / I'm Gonna Cry (If You Quit Me)Patti La Belle and the Bluebelles / Family ManThe Sweet Inspirations / Don't Fight ItLarry & The Mighty Storms / Eldorado SuzieThe Larks / Philly DogLucy Campo / Evil EyeJackie Dee / Strolypso DanceRay Peterson / You Thrill MeRuby & The Romantics / Hey There Lonely BoyJohnnie & Joe / Won't You Come Back To MeTed "Soul" Hawkins / BabyDon Gardner / I'm In Such MiseryTammi Terrell / Baby Don'tcha WorryThe Joys Of Life / Good Times Are OverThe Wallace Brothers / Go On GirlThe Corduroys / Too Much of a WomanThe Ad Libs / AppreciationThe Boogie Kings / Bonie Maronie Hosted on Acast. See acast.com/privacy for more information.

Aquesta setmana al Males Vibracions, Rubén a un programa conservador sense frens, ens portarà per la nit de reis camells, cavalls, pistoles, moltes bandes de Texas, garage-rock primigeni, psicodèlia, freakbeat i versions almenys curioses. Llistat: Iggy Pop – I’m a Conservative; The Bad Seeds – I’m a King Bee; The Outlaws – Fun, Fame and Fortune; The Illusions – Gloria; The Esquires – Judgement Day; The Outcasts – I’m in Pittsburg and it’s raining; The Exotics – I Was Alone; Knights Bridge – Make Me Some Love; The Beefeaters – Don’t Hurt Me; The Movin’ Morfomen – Try It; The Shades – Ginger Bread Man; Tidal Waves – Action (Speaks Louder Than Words); The Unrelated Segments – Story Of My Life; SJ And The Crossroads – Funny Woman; The Apollos – Dirty Water; The District Six – 7 And 7 Is; The Others – Oh Yeah; Jefferson Lee – Book Of Love; The Snobs – Ding Dong; Dave Dee, Dozy, Beaky, Mick & Tich - He's a Raver; Hydro Pyro – Hydro Pyro; Bo & Peep – The Raising Of Brighton Surf.

https://ontargetpodcast.caThis week, Mod Mar­ty digs deep into the vault, uncov­er­ing tracks that haven't graced the air­waves in quite some time. Adher­ing to his unwa­ver­ing prin­ci­ple of a min­i­mum two-year gap between plays, Mar­ty finds a moun­tain of musi­cal trea­sure you're guar­an­teed to love.-----------------------------------------------The playlist is:"But I Couldn't"Willie Harper - Alon"Ain't It A Shame"Major Lance- Epic"Find Me Somebody"Bobby Womack- Atlantic"My Weakness Is You"Edwin Starr- Tamla-Motown"Knock On Wood"Otis & Carla- Stax"It Takes Two"The Four Sonics- Sport"Love Or Magic"Gregory Dee & The Avanties- Twin Town"Come On Back"The Hollies- Parlaphone"Funny Day"The Mongrels- Franklin"Thigh Spy"The Persuaders- Atco"Let Love Come Between Us"James & Bobby Purify- Bell"I Found That I Was Wrong"Mel & Tim- Bamboo"The Train"Joe Jeffrey- Wand"The Duck"The Olympics- Mirwood"Show Place"Otis Clay- One-Derful"Save Me"Dave Dee, Dozy, Beaky, Mick, & Tich- Fontana"Rumors"Syndicate Of Sound- Bell"All I Want Is You"Underground Sunshine- Intrepid"Let My People Go"Brother Jack McDuff- Cadet

Label: Imperial 66270Year: 1968Condition: MLast Price: $15.00. Not currently available for sale.Here's a beautiful Mint copy of one of this group's very best singles. The flip is a VERY strange psychedelic rock experiment.... The A side is just wonderfully strange. Note: This copy comes in a vintage Imperial Records factory sleeve. It has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio). (This scan is a representative image from our archives.)

James once again shares his theory that the best version of every Bob Dylan song is by someone other than Bob Dylan, and plays a pair of covers of a song written by an artist you'll never hear on That Driving Beat: Paul Simon?! We play a version of The Snake that predates the Al Wilson, and it's not Oscar Brown! Two more hours of hard-hitting 1960s dance music, for dancing!Originally broadcast August 20, 2023Willie Mitchell / That Driving BeatSoul Sisters / Loop de LoopBo Diddley / Another Sugar DaddyBedford Incident / It Ain't Me, BabeJames & Bobby Purify / Help Yourself (To All of My Lovin)Jimmy Hughes / It Was NiceThe Velvelettes / Lonely, Lonely Girl Am IThe Surf Suns / Still In Love With You BabyLos Bravos / Two People In MeDave Dee, Dozy, Beaky, Mick & Tich / Hold Tight!The Five Americans / I See The LightChuck Jackson / I've Got To Be StrongVito & The Salutations / I Want You To Be My BabyAlbert King / C.O.D.Lee Rogers / Go-Go GirlJunior Wells / You're Tuff EnoughThe Whispers / I Can't See Myself Leaving YouJames Duncan / Mr. GoodtimeJackie Wilson / Baby WorkoutThe Esquires / Get On UpThe Flamingos / The Boogaloo PartySolomon Burke / Peepin'Billy Joe Young / The PushThe Temptashuns / The Big "B"Gene McDaniels / Chip ChipFrank Gari / Love That's Where It IsBrenda & The Tabulations / You've ChangedPaul Penny / The SnakeWalter Jackson / One Heart LonelyLucius Lawton / People Sure Act FunnyAl Kent / The Way You Been Acting LatelyThe Chicago Loop / Richard CoreyThem / Richard CoryThe Sir Douglas Quintet / In TimeThe Alphabetical Order / All Over The World (La La)The Precisions / Why GirlJ.J. Jackson / But It's AlrightThe Andrew Oldham Orchestra / The Last TimePanic Buttons / O - Wow Hosted on Acast. See acast.com/privacy for more information.

1) Brotherhood Of Man - Save All Your Kisses2) The Spinners - Rubberband Man3) ABBA - Dancing Queen4) Real Thing - You To Me Are Everything5) George McCrae - Rock You Baby6) Hot Chocolate - So You Win Again7) Frankie Valli & The Four Seasons - Oh What A Night8) ABBA - Take A Chance On Me9) Boney M - Brown Girl In The Ring10) ABBA - Knowing Me Knowing You11) Freda Payne - Band Of Gold12) Olivia Newton John And John Travolta - You're The One That I Want13) Bee Gees Night Fever14) Dr Hook - When You're In Love15) Cliff Richard - We Don't Talk Anymore16) Rod Stewart - Do Ya Think I'm Sexy17) Blondie - Heart Of Glass18) Brotherhood Of Man - Angelo19) Gloria Gaynor - I Will Survive20) Baccara - Yes Sir I Can Boogie21) The Three Degrees - When Will I See You Again22) Anita Ward - Ring My Bell23) Olivia Newton John And John Travolta - Summer Nights24) Village People - YMCA25) Donna Summer - I Feel Love26) Brotherhood Of Man - Figaro27) David Essex - Gonna Make You A Star28) T Rex - Hot Love29) Rod Stewart - Maggie May30) Barry White - You're My First, My Last, My Everything31) Elton John & Kiki Dee - Don't Go Breaking My Heart32) Rubettes - Sugar Baby Love33) Slade - Mama We'er All Crazy Now34) Slade - Skweeze Me, Pleeze Me35) ABBA - Mamma Mia36) ABBA - Waterloo37) Manfred Mann - Do Wah Diddy38) Amen Corner - Bend Me Shape Me39) Roy Orbison - Oh Pretty Woman40) Jeff Beck - Hi Ho Silver Lining41) Tommy James & The Shondelles - Mony Mony42) Kinks - You Really Got Me43) Kinks - All Day And All Of The Night44) Rolling Stones - (I Can't Get No) Satisfaction45) Bobby Pickett - Monster Mash46) Dave Clark Five - Bits And Pieces47) Lulu & The Luvvers - Shout48) Swinging Blue Jeans - Hippy Hippy Shake49) Chris Montez - Let's Dance50) Monkees - The Monkees Theme51) The Beatles - I Want To Hold Your Hand52) Dave Dee, Dozey, Beaky, Mitch & Titch - Hold Tight53) Kinks - You Really Got Me54) Dave Clark Five - Glad All Over55) Honeycombs - Have I The Right56) Gerry & The Pacemakers - I Like It57) Fourmost - A Little Lovin58) Applejacks - Tell Me When59) Detroit Spinners - Could It Be I'm Falling In Love60) David Dundas - Jeans On61) George McCrae - It's  Been So Long62) David Bowie - Sound And Vision63) Odyssey - Native New Yorker

Beaky's boys leave the beer halls of Hungary, a pre-canonisation Geldof does some ungainly flailing, Ben and Tracey rework a former chart-topper, Neneh's bro gifts a guitar line to Avicii, Westlife are morphed into chipmunk soul, and a mic-chucker serves up "hot tamale!"YouTube playlist // Spotify playlist // extra tracks & bonus bitsTo join in with the voting, please submit your 1st, 2nd and 3rd favourites, plus your "most bad and hated" selection, to:The Patreon Supporters Club // Twitter/X: @whichdecadetops // Threads: @whichdecadetops // Facebook // whichdecadeistops@gmail.comThe voting deadline for this episode is 6pm UK time, Tuesday August 22nd 2023. Hosted on Acast. See acast.com/privacy for more information.

1) Searchers - Sweets For My Sweet2) Johnny Kidd & The Pirates - Shakin' All Over3) Love Affair - Everlasting Love4) Manferd Mann - Doo Wah Diddy Diddy5) Searchers - Needles And Pins7) Beatles - I Want To Hold Your Hand8) Dave Dee, Dozey, Beaky, Mitch & Titch - Hold Tight9) Kinks - You Really Got Me10) Dave Clark Five - Glad All Over11) Honeycombs - Have I The Right12) Gerry & The Pacemakers - I Like It13) Fourmost - A Little Lovin14) Applejacks - Tell Me When15) Boney M - Gotta Go Home16) Boney M - Daddy Cool17) Village People - In The Navy18) Sarah Brightman & Hot Gossip - I Lost My Heart To A Starship Trooper19) The Ritchie Family - The Best Disco In Town20) The Buggles - Video Killed The Radio Star21 Blondie - Heart Of Glass22) M - Pop Muzik23) Free - Alright Now24) Tom Robinson Band - 2-4-6-8 Motorway25) Boney M - Rasputin26) Sweet - Blockbuster27) Rod Stewart - Maggie May28) Elton John And Kiki Dee - Don't Go Breaking My Heart29) Slade - Gudbye T Jane30) Steve Harley & Cockney Rebel - Make Me Smile (Come Up And See Me)31) The Knack - My Sharona32) Yazoo - Situation33) ABC - The Look Of Love34) Pet Shop Boys - West End Girls35) Duran Duran - Hungry Like The Wolf36) Eurythmics - Sweet Dreams (Are Made Of This)37) Pet Shop Boys - It's A Sin38) Go West - We Close Our Eyes39) Blondie - Atomic40) Duran Duran - Girls On Film41) Todd Terry Project - Keep On Jumpin'42) Wildchild - Renegade Master43) Ken Doh - Nagasaki 44) EP - I Need A Lover Tonight45) Livin' Joy - Dreamer46) David Morales - Needin U47) Armand Van Helden - Funk Phenomena48) Stretch 'n' Vern Presents  Maddog - I'm Alive49) Adamski - Killer50) Livin' Joy - Dreamer51) CeCe Peniston - Finally52) Evolution - Everybody Dance53) Strike - U Sure Do54) K-Klass - Let Me Show You55) N Joi - Anthem56) Tom Jones With Mousse T -  Sex Bomb57) Black Legend - The Trouble With Me58) Ronan Keating - Roller Coaster59) Geri Halliwell - Bag It Up60) Lolly - Girls Just Wanna Have Fun61) Stephen Gately - New Beginning62) Nu Generation - Your Arms (Rescue Me)63) Modjo - Lady (Love Me Tonight)64) Mariah Carey - Against All Odds65) Jinny - Keep Warm66) All Saints - Black Coffee67) Vengaboys - Sha La La La La67) Bloodhound Gang - The Bad Touch68) Steps - Deeper Shade Of Blue69) Spiller - Groovejet (If This Ain't Love)70) Baha Men - Who Let The Dogs Out71) Steps - Stomp72) Alice Deejay - Will I Ever73) Sonique - If It Feels So Good74) Coco vs Fragma - Toca's Miracle

One FM presenter Josh Revens and Steve Dowers present 'Whatever Happened To?' This week's topic is the band Dave Dee, Dozy, Beaky, Mick & Tich. This program originally aired on Monday the 19th of June, 2023. Contact the station on admin@fm985.com.au or (+613) 58313131 The ONE FM 98.5 Community Radio podcast page operates under the license of Goulburn Valley Community Radio Inc. (ONE FM) Number 1385226/1. PRA AMCOS (Australasian Performing Right Association Limited and Australasian Mechanical Copyright Owners Society) that covers Simulcasting and Online content including podcasts with musical content, that we pay every year. This licence number is 1385226/1.

Lee is back with his second part of his look at his favourite selections from the soundtracks and scores for the filmography of Quentin Tarantino, this time covering "Death Proof" to "Once Upon a Time in America". As Tarantino went forward his soundtracks got larger and larger, so this ended up being an even bigger episode than part one, even with Lee trying his best to restrain himself with his picks. "Death Proof" (2007) --Violenza Inattesa --Ennio Morricone --The Last Race --Jack Nitzsche --Jeepster --T. Rex --Riot in Thunder Alley --Eddie Beram --Italia a Mano Armata --Franco Micalizzi --Hold Tight --Dave Dee, Dozy, Beaky, Mick & Tich --Baby, It's You --Smith --Chick Habit --April March "Inglourious Basterds" (2009) --Main title from White Lightning --Charles Bernstein --Main title from Slaughter --Billy Preston --Ich Wollt Ich Wär Ein Huhn --Lillian Harvey & Willy Fritsch --Main Theme from Dark of the Sun --Jacques Loussier --Tiger Tank --Lalo Schifrin --Rabbia e Tarantella --Ennio Morricone --Un Amico --Ennio Morricone --The Devil's Rumble --Davie Allan and The Arrows --Algiers November 1, 1954 --Ennio Morricone & Gillo Pontecorvo "Django Unchained" (2012) --Django --Rocky Roberts & Luis Bacalov --The Braying Mule --Ennio Morricone --His Name Was King --Luis Bacalov & Edda Dell'Orso --I Got A Name --Jim Croce --Rito Finale --Ennio Morricone --Days of Anger --Riz Ortolani --Trinity (Titoli) --Franco Micalizzi and Lally Stott, vocals by Annibale E I Cantori Moderni "The Hateful Eight" (2015) --L'Ultima Diligenza Di Red Rock (Intro Vers.) --Ennio Morricone --Regan's Theme (Floating Sound) --Ennio Morricone --Beastiality --Ennio Morricone --Now You're All Alone --David Hess --L'inferno Bianco --Ennio Morricone --There Won't Be Many Coming Home --Roy Orbison "Once Upon a Time in Hollywood" (2019) --I Can't Turn You Loose --Wayne Cochran and The C.C. Riders --Out of Time (Strings Version) --The Rolling Stones --Hush --Deep Purple --Son of a Lovin' Man --Buchanan Brothers --Bring a Little Lovin' --Los Bravos --Ready for Action --Syd Dale --Brother Love's Traveling Salvation Show --Neil Diamond --Kicks --Paul Revere & The Raiders --Victorville Blues --Harley Hatcher Combo --Dinamite Jim (English Version) --Nico Fidenco & I Cantori Moderni di Alessandroni (vocals) --You Keep Me Hangin' On (Quentin Tarantino Edit) --Vanilla Fudge Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

Originally Broadcast on May 7, 2023 Uwe is back in the studio, we've both got some new dusty vinyl finds to share. There are some great tunes we didn't know were hiding on flip sides of hits, a few European releases, some late 70s soul sounds we rarely play on That Driving Beat, plus the kind of Northern Soul, 60s R&B, Popcorn, and other Mod-friendly tunes we love to spin. Willie Mitchell / That Driving BeatErnie Tucker / Can She Give You FeverChris Kenner / Land of 1000 DancesTammi Terrell / This Old Heart of Mine (Is Weak for You)Larry Williams / Boss Lovin'Ben E. King / Gloria GloriaDee Dee Sharp / (Heart & Soul) Baby I Love YouThe 5th Dimension / Too Poor to DieRoscoe Robinson / That's ItJackie Wilson And Count Basie / UptightPeggy Scott / Killing My Heart AgainGene Chandler / I Fooled You This TimeJohnny Dunn / Darlin'The Marvelettes / I Want A GuyBaby Washington / Hey Lonely OneChairmen of the Board / (You've Got Me) Dangling On a StringSyl Johnson / One Way Ticket To NowhereVicki Anderson / No More Heartaches, No More PainPrince Philip Mitchell / One On OneOtis Clay / Turn Back the Hands of TimeThe Shirelles / Last Minute MiracleBarbara Lynn / Oh! Baby (We Got a Good Thing Goin')Bobby Moore and the Formost / Girl You Do Something To MeRufus Thomas / Greasy SpoonThe Ska Kings / Jamaica SkaOla & The Janglers / Let's DanceAdriano Celentano / Sono Un SimpaticoThe Traits / Some Day Some WayThe Human Beinz / This Little Girl Of MineThe Chosen Few / Stop In The Name Of LoveDave Dee, Dozy, Beaky, Mick & Tich / Last Night In SohoRoosevelt Nettles / Drifting HeartThe O'Jays / Stand TallJohnny Fuller / She's Too MuchDee Dee Sharp / Let's TwineThe Spencer Davis Group / Looking Back Hosted on Acast. See acast.com/privacy for more information.

The party continues its epic encounter against the Stag Lord and his lieutenants!Personnel: Bill Beard, Chris Bergman, Mike Fessinger, Donny Gore, and Brad JarrettWebsiteDiscordTwitterPathfinder Second Edition and the Kingmaker Adventure Path are published by Paizo."Take the Lead" and other featured music were composed by Kevin MacLeod and licensed under Creative Commons by: Attribution 4.0 License.All ambiances were composed by Michael Ghelfi Studios.The Zero Check are committed to providing an inclusive and respectful experience to all listeners, but we also recognize and acknowledge that we are limited by our individual frames of reference. If we misstep, please let us know. Email all feedback to feedback@zerocheckpodcast.com.Thank you for listening to The Zero Check.

On this week's Podcast, Looney Tunes is once again in the news and the Annie Nominated Storyboard Artist/Writer and Director of Looney Tunes Cartoons, Michael Ruocco, is here to talk about it! Plus the WINNER for the Taz x Scooby-Doo Funko Pop! is revealed!   NEWS: A house for sale on the website Rightmove.Co.Uk, a room has been featured to hold a stunning amount of Tazmanian Devil Plush and one giant Bugs Bunny! Would this sweeten the offer for you? https://www.rightmove.co.uk/properties/129052259#/?channel=RES_BUY FUNKO POP! WINNER: Tiffany V. Ramos has won the contest! There were multiple entries that answered correctly so I fed them into a randomizer and Tiffany's name was pulled! Congratulations to Tiffany and to all the contestants who got the answer correct! There will be more Giveaways in the future so stay tooned into the Instagram account for updates! Warner Bros. is celebrating 100 years of storytelling and who better to take center stage than the ultimate superfans - The Looney Tunes #Wb100   Shorts Discussed: Dough Rey-Me-ow! (1948) Dir. Arthur Davis The Goofy Gophers (1947) Dir. Arthur Davis The Stupor Salesman (1948) Dir. Arthur Davis Porky Chops (1949) Dir. Arthur Davis Buzzard School (2021) Dir. Michael Ruocco/David Gemmill Check out the 50th Annie Awards later this month to see how Looney Tunes crew makes out! FOLLOW THE GUEST: Check out the artwork posted daily by Michael Ruocco on Twitter and Instagram: Instagram: Michael J. Ruocco Twitter: Michael Ruocco   Have you seen the shorts mentioned in this episode and what is a character you like to draw?! FOLLOW and SUBSCRIBE TO THE PODCAST: @ThisMeansPod Rate, Subscribe & Like on iTunes, Spotify and more! Instagram: THIS MEANS PODCAST

Originally Broadcast December 25, 2022It's a Christmas Day soul radio dance party! We kept the holiday content to a minimum, and played some all-year-round bangers by Terry Callier, Syl Johnson, the Marvellos, Bobby Bland, Homer Banks, the Walker Brothers, James Brown, and more! So, this is good listening, whatever day you play it.Willie Mitchell-That Driving BeatOvella and the Overtures-That's All You Gotta DoThe Cameos-Merry ChristmasJr. Walker & The All Stars-Pucker Up ButtercupThe Marvellos-We Go TogetherThe Preparations-It Won't Be a Dance (If You're Not There)Howard Tate-Half A ManBobby Bloom-Where Are We GoingThe Blue-Belles-I Sold My Heart To The JunkmanThe Walker Brothers-Tell The TruthDarlene Love-Christmas (Baby Please Come Home)James Brown & The Fabulous Flames-Mashed Potatoes U.S.A.Bobby Bland-Getting Used To The BluesBill Black's Combo-My BabeRichard Brown-Don't Listen To The GrapevineThe Flirtations-Christmas Time Is Here AgainHenrietta And The Hairdooz-You Got a Lot to LearnCharley and the Jaguars-In The Middle Of A HeartacheRichard Berry-Everybody's Got A Lover But MeDave Dee, Dozy, Beaky, Mick & Tich-The Sun Goes DownSound Foundation-Morning Dew (Walk Me Out In The)The Special A.K.A.-GangstersFun Boy Three-The Tunnel Of LoveThe Lovables-Take Me For A Little WhileTerry Callier-Look At Me NowWayne Champion-It's Christmas TimeOtis Redding-Merry Christmas, BabyJerry Woodard-Sweet Sweet WomanHomer Banks-A Lot of LoveThe Masqueraders-I Got ItMaxine Brown-Think Of MeSyl Johnson-Back For A Taste Of Your LoveJ.J. Barnes-Baby Please Come Back Home Hosted on Acast. See acast.com/privacy for more information.

Originally broadcast November 13, 2022We just moved our upload of our weekly soul radio show over from Mixcloud to this podcast! This is episode 237 of the radio show, episode 1 as a podcast.It's another Sunday night dance party, with 2 packed hours of soul and R&B. There's a few British tunes in the mix tonight, along with Garnet Mimms, Tony Clarke, Anna King, Otis Redding, Brice Coefield, Lloyd Price, and that 60s Gary US Bonds stormer that somehow never got pressed to vinyl until the 80s! Plus, James plays a record that wants to be in his collection but that he's not sure about.Willie Mitchell-That Driving BeatGarnet Mimms-Prove It to MeBo Diddley-Let The Kids DanceThe Precisions-Why GirlTony Clarke-Landslide The Winstons-Amen, BrotherJackie Ross-Jerk and TwineElvis Presley-Rubberneckin'Richie Wallace-Darling, You Done Me WrongSteve Alaimo and Betty Wright-I'm ThankfulThe Premieres-I'm Better Off Now (Than I Was Before)The Delacardos-Hold Back The TearsSolomon Burke-How Many TimesAnna King-The Big ChangeBobby Harris-More of the JerkRazzy and the Neighborhood Kids-I Hate HateOtis Redding-I'm Depending On YouBrice Coefield-TemptedThe Isley Brothers-Move Over and Let Me DanceThe Lemonade-CharadeThe Straight LifeThe Drifters-I've Got Sand In My ShoesThe "D"-Men-No Hope for MeWillie Tee-I Want Somebody (To Show Me the Way Back Home)Monopoly LTD.-Underdog's ChildGary "U.S." Bonds-I Wanna HollerDouble Feature-Baby, Get Your Head Screwed OnPaul Ank-My Baby's Comin' HomeLloyd Price and His Orchestra and Chorus-Oh, Lady LuckTommy Good-Baby I Miss YouDave Dee, Dozy, Beaky, Mick & Tich-Last Night In SohoSusan Barrett-It's No SecretThe Small Faces-Almost GrownThe Fascinations-Girls Are Out to Get You100 Proof (Aged In Soul)-Love Is Sweeter (The Second Time Around)Dave 'Baby' Cortez-Rinky Dink Hosted on Acast. See acast.com/privacy for more information.

Caldecott Honor winner David Ezra Stein is on the #ReadingWithYourKids #Podcast to celebrate his new #GraphicNovel Beaky Barnes, Egg On The Loose. David tells us his debut Graphic Novel takes readers on a slapstick journey that is equal parts goofy and genius. We meet Beaky Barnes, a no-nonsense chicken who's determined to save her desirable egg. But with a hungry inspector, a desperate chef, and an entrepreneurial woman on her tail, Beaky has to use every tool in her chicken coop to make her grand escape. We are also joined by Rachael Tarfman Perez who celebrates her #PictureBook Food Is Fun Click here to visit David's website - https://davidezrastein.com/Beaky-Barnes-Egg-on-the-Loose Click here to visit Rachael's website - https://rachaeltarfmanperez.com/my-books/ Click here to visit our website - www.readingwithyourkids.com

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Deadand Blockbuster hit,Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years.He's here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen's Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich.The film's plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He's worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games.Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995.Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then.In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises.Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James.Other A-list actors joined the supporting cast of the film-- the likes of  Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards.It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career.Please enjoy my conversation with Edgar Wright.

Singles Going Around- "Graveyard Boogie"Bobby Charles- "Grow Too Old"John Mayall's Blues Breakers- "All Your Love"Elton John- "My Father's Gun"Jimi Hendrix- "Pali Gap"Beach Boys- "California Saga: California"Dave Dee, Dozy,Beaky,Mick & Tich- "Hold Tight"John Fahey- "Poor Boy, Long Ways From Home"Led Zepplin- "C'mon Everybody/ Something Else"Pink Floyd- "Astronomy Domine"The Rolling Stones- "The Spider and the Fly"France Ball- "Baby Pop"The Byrds- "Tiffany Queen"Leon Redbone- "If I Had Posession Over Judgement Day"Creedence Clearwater Revival- "The Night time is the Right Time"Captain Beefheart- "Call On Me"*All selections taken from vinyl".

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Dead and Blockbuster hit, Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years. He's here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen's Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich.The film's plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He's worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games.Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995. Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then.In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises. Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James.Other A-list actors joined the supporting cast of the film-- the likes of  Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards.It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career.Please enjoy my conversation with Edgar Wright, and be sure to check out his film Last Night in Soho.

No one is safe from this man's tongue - Steve Allen takes to the airwaves on LBC every Monday to Friday morning from 4am. Hear all of Steve's show with the news & travel taken out.

HEART SONGS - Weezer RADIATION VIBE - Fountains of Wayne DAYS - The Kinks CLAMPDOWN - The Clash IF WE WERE VAMPIRES - Jason Isbell & the 400 Unit MYSTERY ACHIEVEMENT - The Pretenders SIGN ‘O' THE TIMES - Prince SO SAD ABOUT US - The Who PAPA WAS A RODEO - The Magnetic Fields DANCING ON MY OWN - Robyn HOLD TIGHT - Dave Dee, Dozy, Beaky, Mick, & Tich OH YEAH! - Roxy Music FISHERMAN'S BLUES - The Waterboys LAWYERS, GUNS AND MONEY - Warren Zevon I PITY THE FOOL - Bobby “Blue” Bland SHE'S A RAINBOW - Rolling Stones REELIN' IN THE YEARS - Steely Dan THIS WILL BE OUR YEAR - The Zombies NO ACTION - Elvis Costello & the Attractions YOU CAN'T PUT YOUR ARMS AROUND A MEMORY - Johnny Thunders

Hot Circuits, British Style Start Name Artist Album Year Comments Macapa; Choo Choo Samba Andrew Nix Only You [HMCD15] Roland Atelier AT900C 4:57 Spring Is Here Howard Beaumont Howard Beaumont Plays [Grosvenor GRS 1061] 1977 Baldwin Fanfare Model 133 8:36 Sweet Gingerbread Man David Hamilton Streets Of London [Indigo GOLP 7006] 1975 Conn 580 with Bandbox 12:17 Watch What Happens Alan Haven Organ Spectacular [Pulse PLS CD 248] 1974 Hammond 15:39 You Got It John Kyffin Shades of Orbison [Kyffin CD] 2012 Wersi Helios, Wersi Spectra 19:25 My Blue Heaven Jerry Allen Well Organised [EMI 33SX 1739] 1965 Unidentified Lowrey; Drummers Ronnie Verrall (1-7), Barry Morgan (9-13) 22:27 I Left My Heart In San Francisco Al Bollington Organ Magic [Concert Recording CR-E029] Wurlitzer 4520 26:19 Ain't That A Kick In The Head? Ian Griffin Ian Griffin And His World Of Dreams [CD] Ketron keyboard, Roland pedalboard 29:13 My Favourite Things George Blackmore Hammond Up Up 'n Away [Ad-Rhythm ARP-S1002] 1968 Hammond X-66 31:19 A Whole New World (from Aladdin) Janet Dowsett A Whole New World [Grosvenor CDGRS 1298] Yamaha EL90 34:51 Amor Chris Hamalton (Harry Farmer) Organ Capers [Richmond R20039] 1959 Hammond 38:41 Copacabana Robin Richmond Stereo Fiesta [Pye NSPL 18251] 1968 Hammond H-100, Hammond M-100 42:03 Tabu; Quiet Village Harry Stoneham Hammond Hits The Highway [Studio Two TWO 375] 1972 Hammond 46:51 Zabadak Arnold Loxam Plays 5 Hammond ToneWheel Organs [LoxamSound AUDCD008] 2004 Hammonds - originally a hit in 1967 for Dave Dee, Dozy, Beaky, Mick and Tich 49:21 Solitaire Byron Jones Simply Scala Wersi Scala plus Hauptwerk theatre pipes 52:51 Ghost Riders In The Sky Chris Powell Reflections [CMPCD09] 2005 Roland Atelier AT-80SL 56:41 I'll See You In My Dreams; Sierra Sue John Bowdler Somewhere In Time [JB0017CD] Technics GA3

1 The Millennium - Prelude 2 The Kinks - Wait Until the Summer Comes Along 3 Johnny Rivers - Summer Rain 4 Ian Carr - Summer Rain 5 ZZ Top - Sleeping Bag 6 Sylvester - I need Somebody to Love Tonight 7 Dana Gillespie - Dead/Foolish Seasons 8 Lou Reed - Wild Child 9 Dave Dee, Dozy, Beaky, Mick and Tich - Hold Tight 10 The Saints - Private Affair 11 King Missile - Take Stuff From Work 12 Tim Buckley - I Never Asked to be Your Mountain 13 Latin Playboys - Mira/Manifold de Amour/Pink Steps 14 Monkees - Don't Call On Me 15 Aldous Harding - Leathery Whip 16 Wings - Cuff Link

Episode 69 More Symphonic Music with Synthesizers   Playlist Tomita, “Gardens In The Rain (Estampes, 3)” from Snowflakes Are Dancing (1974 RCA Red Seal). "Electronic performances of Debussy's tone paintings." Performed, arranged, and electronically created by Isao Tomita, composed by Claude Debussy. Modular Moog synthesizer by Isao Tomita, with equipment listed as: Moog synthesizer; One 914 extended range fixed filter bank; Two 904-A voltage-controlled low-pass filters;  One 904-B voltage-controlled high-pass filter;  One 904-C filter coupler;  One 901 Voltage-controlled oscillator;  Three 901-A oscillator controllers;  Nine 901-B oscillators;  Four 911 envelope generators;  One 911-A dual-trigger delay;  Five 902 voltage-controlled amplifiers;  One 912 envelope follower;  One 984 four-channel mixer;  One 960 sequential controller;  Two 961 interfaces;  One 962 sequential switch;  Two 950 keyboard controllers;  One 6401 Bode ring modulator;  Tape recorders,  One Ampex MM-1100 16-track,  One Ampex AG-440 4-track, One Sony TC-9040 4-track,  One Teac A-3340S 4-track,  One Teac 7030GSL 2-track;  Mixers,  Two Sony MX-16 8-channel mixers,  Two Sony MX-12 6-channel mixers;  Accessories,  One AKG BX20E Echo unit;  One Eventide Clockworks "Instant Phaser";  Two Binson Echorec "2" units ; One Fender "Dimension IV;"  One Mellotron.    3:41 Tomita, “The Old Castle” from Pictures At An Exhibition (1975 RCA Red Seal). “Electronic interpretations of works by classical composer Modest Mussorgsky.” Performed, arranged, and electronically created by Isao Tomita, composed by Modest Mussorgsky. Modular Moog synthesizer by Isao Tomita. Assume same instrumentation as above. 5:16 Pulsar, “Strands of the Future” from Strands of the Future (1976 Kingdom Records). Recorded in Switzerland, released in France. Drums, Percussion, Victor Bosch; Electric Guitar, Acoustic Guitar, Vocals, Gilbert Gandil; Flute, Solina Synthesizer, Roland Richard; Lyrics By François Artaud; Organ, Moog Synthesizer, Mellotron, Bass Guitar, Jacques Roman. 22:13 Vangelis Papathanassiou, “Flamants Roses” from Opéra Sauvage (1979 Polydor). "Original Music For Frédéric Rossif's Television Series.” Recorded in London, 1979. Composed, Arranged, Produced, synthesizers, piano, Fender Rhodes electric piano, drums, percussion, xylophone, Vangelis Papathanassiou; harp, Jon Anderson. 11:48 Rick Wakeman, “Overtures, Part 1 and 2” from 1984 (1981 Charisma). Part 1: Piano, Prophet Synthesizer, Rick Wakeman. Part 2: Organ, Piano, Prophet Synthesizer, RMI Synthesizer, Rick Wakeman. Bass, Runswick D., McGee R.; Bassoon, Sheen G., Hammond H. Cello, Truman B., Robinson M., Willison P.; Cello [Lead], Daziel A.; Clarinet, Weinberg T., Puddy K.; Drums, Tony Fernandez;  Drums, Frank Ricotti;  Fender Bass, Boghead, Steve Barnacle; Flute, Sandeman D., Gregory J.; Guitar, Beaky, Tim Stone; Horn, Thomson M., Easthope P.; Keyboards, Dave Crombie; Oboe, Theodore D., Whiting J.; Producer, Rick Wakeman Saxophone [Selmer] Gary Barnacle; Trombone, Hardie, Wilson; Trumpet, Miller J., Wallis J.; Tuba, Jenkins J. Viola, Newlands D., Robertson G., Andrade L.; Viola [Lead], Cookson M.; Violin, McGee A., Dukov B., Katz D., Bradles D., Clay L., Good T.; Violin, Leader, Rothstein J.. 5:12 Keith Emerson, “Tramway” from Nighthawks (Original Soundtrack) (1981 Backstreet Records). Keith played a Fairlight CMI on this track. The Fairlight was programmed by Kevin Crossley. Keyboards, Performed, Produced, Composed by Keith Emerson; Drums, Neil Symonette; Percussion, Frank Scully; Orchestral Percussion, Tristen Fry; Saxophone, Jerome Richardson; Trumpet [Lead], Greg Bowen. 3:25 Jean Michel Jarre, “Fourth Rendez-Vous” from Rendez-Vous (1986 Polydor). ARP 2600 synthesizer, Eminent organ, Matrisequencer, Roland TR 808 drum machine, Michel Geiss; Elka Synthex, EMS Synthi AKS, Oberheim OBX, Yamaha DX100 synthesizers, Matrisequencer, Roland TR 808 drum machine, Linn 9000 Electronic Drums, Jean-Michel Jarre. 3:59 Jean Michel Jarre, “Fifth Rendez-Vous” from Rendez-Vous (1986 Polydor). “Baby Korg” synthesizer, David Jarre; ARP 2600 synthesizer, Matrisequencer, Michel Geiss; Emulator II sampler/synthesizer, Dave Smith Prophet-5 synthesizer, Casio CZ 5000, ARP 2600, Fairlight CMI, Roland JX 8P, synthesizers, Matrisequencer, Jean-Michel Jarre. 7:56 Jean Michel Jarre, “Last Rendez-Vous: "Ron's Piece" from Rendez-Vous (1986 Polydor). Saxophone, Pierre Gossez; Elka Synthex, Seiko DS 250, Fairlight CMI synthesizers, Matrisequencer, Eminent organ, Jean-Michel Jarre. 5:45 William Ørbit, “Ogive Number 1” from Pieces In A Modern Style (2000 WEA Records). Recorded in England. Written by Erik Satie. Arranged, Programmed, Produced, Performed by William Ørbit. I think this piece is more likely Orbit's arrangement of "Ogive Number 2", not Number 1. But who cares? It's lovely to hear the French musician electrified like this. 6:45 Steve Jansen, Richard Barbieri, Nobukazu Takemura, “Empty Orchestra” from Changing Hands (1997 Medium Productions Limited). UK album of downtempo electronic music with a classical flavor. Recorded in Kyoto and London. Composed, Performed, Produced by Nobukazu Takemura, Richard Barbieri, Steve Jansen. 14:11 Sarah Davachi, “Magdalena” from Antiphonals (2021 Late Music). Canadian electro-acoustical composer and musician who blends classical instruments with electronics. Mellotron (English Horn, Bass Flute, Clarinet, Recorder, Oboe, French Horn, Chamber Organ, Nylon String Guitar), Tape Echo, Korg CX-3 Electric Organ, Pipe Organ, Harpsichord, Piano, ARP Odyssey Synthesizer, Acoustic Guitar, Violin, Voice, Sarah Davachi. 10:12   Background music: James Newton Howard, “Margaret I'm Home” from ‎James Newton Howard (1974 Kama Sutra). Performed, Composed, Arranged by, James Newton Howard.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Hour 1 of Tuesday's A&G: Chinese Drones shouting to their citizens. "Control Your Want For Freedom." Mariupol destroyed by Russian forces. Jack thinks we need to work with Ukraine more. Joe thinks we have to end any partnership with Russia in Nato. The Last of the Kmarts? Learn more about your ad-choices at https://www.iheartpodcastnetwork.com See omnystudio.com/listener for privacy information.

Hour 1 of Tuesday's A&G: Chinese Drones shouting to their citizens. "Control Your Want For Freedom." Mariupol destroyed by Russian forces. Jack thinks we need to work with Ukraine more. Joe thinks we have to end any partnership with Russia in Nato. The Last of the Kmarts? See omnystudio.com/listener for privacy information.

Hour 1 of Tuesday's A&G: Chinese Drones shouting to their citizens. "Control Your Want For Freedom." Mariupol destroyed by Russian forces. Jack thinks we need to work with Ukraine more. Joe thinks we have to end any partnership with Russia in Nato. The Last of the Kmarts? See omnystudio.com/listener for privacy information.

BAND IT ABOUT - Podcast Series Guest Greg Clark is a radio, TV, and advertising legend in South Australia. He'll be remembered by many as one of the hot jocks of the 80s, spinning discs and taking requests on radio, as well as venturing into various TV shows that married current radio stars with music and chatter. Since then, he forged a career voicing and producing commercials for his own business Greg Clark Productions. Greg joined his first band while in High School, they were originally called 'Brink Water', and changed their name to 'Vancouver' a few years later. Greg was also the vocalist for local band 'FM Band', and still plays drums with his first band once a month at the Wassail Wine Bar in Prospect, they are now called 'PlanBeat'. After briefly working as a laborer putting up fences for the Red Scheme, Greg got his break with 5KA as a teenager, working in the production sphere of radio 5KA in Franklin Street, Adelaide. Starting as a cart boy at 5KA and moving through the ranks of production manager, announcer, TV presenter, freelance voiceover artist, and studio owner. Greg paneled many on air programmes and got to rub shoulders with some of the most seasoned broadcasters in the country. Luckily, a lot of their knowledge was shared and a fair amount of their polish rubbed off on Greg as well, as he transitioned into voicing commercials and presenting on air. From 1977 through to 1996 it was full time presenting with the occasional dabble in the production suite at multiple stations 5AD, SAFM & 5AA as well as presenting music shows on television, firstly on ADS7 then at NWS9 for many years. In 1997 Greg partnered up with a couple of seasoned video directors to form a one stop shop TV & Radio production company. Greg Clark Productions worked as an adjunct of Edit-Co for much of the nineties, and until now, has dominated the airwaves of Adelaide TV & radio with it's output. Music: "Band It About" theme song, written and recorded by Catherine Lambert and Michael Bryant. Outro: 'PlanBeat' performing the 1966 pop hit "Hold Tight", which was originally written and recorded by Dave Dee, Dozy, Beaky, Mick, & Tich. Links: Greg Clark Productions: https://gcprod.com.au/ PlanBeat: https://www.facebook.com/PhilSteveShaneGreg Support Act: https://www.facebook.com/supportactsa/ All of the BAND IT ABOUT - Podcast Series links including ones to Rate, Review, Listen, and Support can be located here: https://linktr.ee/banditaboutpodcastseries Thanks for listening! Di Spillane BAND IT ABOUT - Podcast Series Creator/Host #gregclark #banditabout #musicinterviews #musicpodcasts #drummers #independentpodcasts #australianpodcasts --- Send in a voice message: https://anchor.fm/dianne-spillane/message

Weekly show with Comedy couple Paul Smith and Lori Callow. Paul wears some questionable attire in this weeks episode and the comedy pair discuss their upcoming wedding. Don't forget to like and subscribe and please let us know in the comments if there are any issues or topics you would like us to cover. Thanks again to this weeks sponsor Orange County CBD https://orangecounty-cbd.com/?ref=LBV... Use code JKR25 for discount

A conversation with the VitaDAO core team. VitaDAO is a decentralized autonomous organization — or DAO — that focuses on enabling and funding longevity research. The sketch of how a DAO works is that people buy voting tokens that live on top of the Etherium blockchain and then use those tokens to vote on various action proposals for VitaDAO to take. This voting-based system contrasts with the more traditional model of a company that is a creation of law or contact, raises capital by selling equity or acquiring debt, and is run by an executive team who are responsible to a board of directors. Since technically nobody runs VitaDAO the way a CEO runs a company, I wanted to try to embrace the distributed nature and talk to many of the core team at once. This was definitely an experiment! The members of the core team in the conversation in no particular order: Tyler Golato Paul Kohlhaas Vincent Weisser Tim Peterson Niklas Rindtorff Laurence Ion Links VitaDAO Home Page An explanation of what a DAO is Molecule Automated Transcript VitaDAO [00:00:35]  In This conversation. I talked to a big chunk of the VitaDAO core team. VitaDAO is a decentralized autonomous organization or Dao that focuses on enabling and funding. Longevity research. We get into the details in the podcast, but a sketch of how a DAO works is that people buy voting tokens that live on top of the Ethereum blockchain.  And then they use those tokens to vote on [00:01:35] various action proposals for me to doubt to take. This voting based system contrasts with more traditional models of the company. That is a creation of law or contract raises capital by selling equity or acquiring debt, and is run by an executive team who are responsible to a board of directors.  Since technically, nobody runs for you to doubt the way it CEO runs the company. I wanted to try to embrace the distributed nature and talk to many of the core team at once. This was definitely experiment. Uh, I think it's your day. Well, Oh, well, but I realize it can be hard to tell voices apart on a podcast.  So I'll put a link to a video version. In the show notes. So without further ado, here's my conversation with Vita Dao.  What I want to do so that listeners can put a voice to a name is I want to go around everybody say your name and then you say how you would pronounce the word VI T a D a O. Tim, would you say your name and then, and then pronounce the word that [00:02:35] that's kind of how I've done it. Yeah. And so I'm the longevity steward we can help kind of figure out deal flow on, edited out, so. Awesome. All right, Tyler, you're next on. It is definitively Vieta Dell. Yeah. And I also help out with the longevity steward group. I started starting longevity group and I'm the chief scientific officer and co-founder at molecule as well. And then Nicholas you're next on my screen. It's definitely beats it out. And I'm also a member of the longevity working group in this science communication group and also currently initiating and laptop. Great. And then Vinson. Yeah. So it's the same pronunciation weeded out, but I'm helping on the side and also on kind of like special projects, like this incline where that I took around, we had recently and yeah, in Lawrence. Lauren Sajjan Vieta thou. And I [00:03:35] also steward the deal flow group within the longevity working group. And I think we should all now say as a hive mind, Paul Paul has said at the same time, oh, sorry. I'm going to say bye to dad. Mess with her in yeah. Hi everyone. My name is Paul cohost. I would say, be to down. I actually wonder what demographics says, Vida, like RESA. We should actually look into that. It's interest, interesting community metric. I'm the CEO and co-founder of molecule and one of the co-authors of the VW. I also work very deeply on the economic side and then essentially help finalize deal structures. So essentially the funding deals that we've been carry through into molecule and yeah, very excited to be here today. And maybe we can jump back into Lawrence adjusted  we well, [00:04:35] also, so the thing that's confusing to me is that I always assumed that the Vith came from the word vitality. Right. And so that's, that's where the idea of calling it a fight Vita doubt, right? Because like, I don't say vitality, I say fighting. In German, it's actually retaliatory. Yeah. So it's just like the stupid Anglo centrism that is from the Latin, I would say from the word life. Yeah. Cool. So to really sort of jump right in, I think there's the, to like, be very direct, like, can we like walk through the mechanics of how the, how, how everything actually works? Right. So I think listeners are probably familiar with sort of like the high level abstract concept of there's a bunch of people. They have tokens, they vote on deals you give researchers money to, to do work, but like, sort of [00:05:35] like very, very mechanical. How does the dowel work? Could you like walk us through maybe like, sort of a a core loop of, of like what, what you do Yeah. So I mean, the core goal of the DAO is really to try and democratize access to decision-making funding and governance of longevity therapeutics. And so mechanically, there's a few different things going on and anyone feel free to interrupt me or jump in as well. But, so I would start from the base layer is really having this broad community of decentralized token holders, which are ultimately providing governance functions to this community. And the community's goal is to deploy funding that it's raised into early stage. Clinical proof of concept stage longevity therapeutics projects. And these basically fall between these two, let's say points where some tension exists in when it comes to translating academic science. So you have this robust early stage, let's say basic research funding mechanism through things like the NIH [00:06:35] grant funding, essentially. And that gets really to the point of being able to do, let's say very early stage drug discovery. And there's also some sort of downstream ecosystem consisting of venture capital company builders, political companies that does let's say late stage funding and incubation of ideas. They're more well-vetted, but between there's this sort of problem where a lot of innovation gets lost, it's known as the translational valley of death. Yeah. What did we try to do is we try to identify as a community academics that are working and let's say, have stumbled onto a potentially promising drug, but aren't really at the point yet where they can create a startup company. And what we want to do is basically by working together as a community, provide them the funding, the resources, in some cases, even the incubation functions to be able to do a series of killer experiments, really deep risk of project, and then file intellectual property, which in exchange for the funding, the dowel actually, and this is, this is sort of mechanically enabled by a legal primitive that we've been developing a molecule called an IP [00:07:35] NFP framework, which basically consists on one side of a legal contract, typically in the form of a sponsored research search agreement between a funder and a party that would be receiving the funding, the laboratory, and on the other side of federated data storage layer. And so the way this works is basically beat a doubt would receive applications. Some of these projects could, for example, be listed on molecules marketplace have an IPN T created meta dealt with would send funds via the system to the university and in exchange, they would hold this license and essence for the IP, that results from that project. And then within the community, we have domain experts. For example, we have a longevity working group which consists of MDs. Post-docs PhD is basically anyone that has deep domain experience in the longevity space. They work to evaluate projects due diligence and ultimately serve as sort of a quality control filter for the community, which consists of non-experts as well. Maybe just people who are enthusiastic about what. And beyond that, there's also additional domain expertise in the [00:08:35] form of some people who have worked at biotech VCs, for example, people with entrepreneurial experience and through this community, you basically try to form, let's say a broad range of expertise that can then coach the research or work with them and really help the academic move the IP and the research project towards the stage where, where it can be commercialized. And now VitaDAO stewarding this process. They have ownership in the IP and basically what would happen is if that research has out license co-developed sold onto another party, just made productive in essence and. It's successful in commercializing those efforts and received some funds, let's say from the commercialization of that asset, that goes back into the treasury and is continuously deployed into longevity research. So the long-term goal is to really create this sort of self-sustaining circular funding mechanism to continue to fund longevity research over time. And now within that, we could wrap it all into, you know, there's a bunch of like specific mechanics in there. I would love to, to rabbit hole, [00:09:35] I think Vincent, yes, to and on the kind of very simple technical layer, kind of very initially we started off just having this idea and putting it out there and then like having like a kind of Genesis auction where everyone could contribute funds. Like some people contribute 200 bucks and others contributed millions. And in exchange for that. Just like as a, there is an example, like for every dollar they gave, they gave, got one vote in organization. And then this initial group of people that came together to put, to, to pool their resources, to fund longevity, research, got votes and exchange, and actually with these votes, basically they can then what Tyler described make on the, on these proposals that that are vetted through the longevity working group, they can make a vote if it shouldn't get funding. And, and that's of course kind of like the traditional, like model of like a Dow and of like token based governance and boating [00:10:35] and yeah, which we did of course was like kind of like a very easy mechanism that got it started, but then the storm of course can also be useful for different purposes and can also incentive. People working on specific projects, research has also getting told and so kind of getting a governance, right. And organization in exchange for good and contributing work. Nicholas, did I see your hand? Yes. And maybe one thing to add here that takes a bit of a step back. It's adding, adding the question. Why does all of this matter? Why does the style framework Adderall fall? And I think when you, when you look at the way currently academic research works, basically the incentives for the scientists and the moment that something is published in a peer reviewed journal, so that the system is optimized for peer review publication. And then on the other hand, on the translational side, when something, you know,[00:11:35]  Turning into a medicine return on investment. And they're basically calculating a risk adjusted net present value of the project. Now, the problem with a lot of biomedical research is the science has, is done. The paper is published, but a risk adjusted present value of the project is still approaching zero because there there's still some key experiments are missing or to get that experiment off the ground. And actually this is where the doubt can come in and using new technologies to basically financialize the IP and make it more liquid. And may, maybe more specifically the asset isn't created, you know, a lot of research you know, the NIH has not focused on therapies. I mean, not the creation of new therapies where value is actually created. They'll, they'll do clinical trials on existing therapies, but, but you know, the real value inflection points are not done through basic basic research. So, so that's where we hope to solve. Got it. So, [00:12:35] w I think in my, in my mind, the thing that's really interesting about Vieta Dow, as opposed to other dads is, is the sort of like interface with the, with the world of atoms that that's like a pretty, pretty unique and exciting thing. So there's, there's, there's a lot of mechanics there that I'm actually interested in digging into. So like one thing is in order. So, so sort of all, in order to. Give money to a researcher even at some point they need to turn it into dollars or euros in order to buy the equipment that they need to, to do the research. And so are they, they're like taking the, VitaDAO token and then converting that into, into currency. How does, how does that work? Yeah, I can speak to this or Paul or if you want to, if you want to speak to it. So, I mean, I can, I can maybe kick it off. So one of the things that's really important and that we've been really focused on at molecule is ensuring that the process of working with researchers, which goes [00:13:35] well beyond just working with the research, right? You need to work with the university, with the tech transfer office. You need to negotiate a licensing agreement and all of this can happen in a way that is somewhat seamless and it doesn't require them. Let's say having to do all of their interactions with it, let's say a. You know, this sort of ephemeral entity that exists on the Ethereum blockchain. So we've basically created rails by a molecule for things like Fiat forwarding we're negotiations with the TPO for a lot of the legal structures to ensure that it's as smooth as possible, the Vino tokens themselves don't actually play into. We can, we can give those to researchers as an incentive and to people who perform work for the community. But that is not actually the, what is, what is given to researchers. Researchers. When, when a proposal is passed within the community, we have a certain treasury and ether, for example, that we've raised over over a period of time that is liquidated and sold for USD decency. And then that USB-C travels via off rails that molecule has created to ensure that the university [00:14:35] can just receive beyond currency. So I mean, a big part of this. Know, defy in a lot of ways has some advantages in that. It never has to really interact with real world banking systems. This is a challenge in the D space. We still have to interface with tech transfer offices. We still have to, you know, speak to general counsel at universities and make sure that people are comfortable working this sort of way. And I would say this is probably one of the most significant challenges and the reason that, you know, a lot of legal engineering and a lot of thinking went into how to create the base layer infrastructure that allows us to actually operate in this space. So it's, yeah, it's a challenge. It's something that we're always trying to iterate on. I mean, we imagine a future where universities do have wallets. You know what I mean, researchers do have wallets, but it's going to take some time for that future to be realized. And in the midterm, I think it's really important to show the world. The dowels can work effectively, especially these types of dowels that have a core mission, vision of funding research. They can do that productively even given the constraints of the, of the current. And [00:15:35] so that, so, so like negotiating with tech transfer offices like they, I assume need to sign a sort of an analog legal agreement with a analog legal entity. Is that correct? And is that, is that like, is molecule that, that legal entity or like, how does, how does that work? Yeah, so maybe so to reiterate what Tyler said, there's actually nothing stopping that say from a university to directly engage with a doubt. I think it's more that those systems don't exist it, and there's not enough, like precedents to kind of enable those. There's also much larger, for example, question of like, to what extent could it litigate against the patent and actually actually enable, enable this protection. And so if you did operates through a set of different agents so these are analog, real wealth legal partners, and some molecule is one of those legal partners in essence. So we can, we can ensure that we are the licensing party, for example, with a tech transfer office. And then we enter into a sub licensing agreement, for [00:16:35] example, with with B to them. And in the same sense as what were tologist explained, we also then ensure that all of the, the, the payment flows and the. Are compliant to Kahn systems, something that we've realized it's, it's, it's really important to kind of bridge this emerging with three world with the real world to really make it as seamless as possible. And not for example, for us that yeah. University to go through the process of opening a Coinbase account figure out what is USB-C actually. But I mean, fundamentally I I like to use this analogy. If you can make an international EFG with like a big number and a swift number, like actually crypto is much easier than that by now, but it's a much less much less adopted system, even from an accounting perspective. Accounting for funding flows in, in this decentralized system is very simple. Like the, the proof of funds is very easy to provide because you can visually see where every single transaction can be traced back to. But so the way that we've tried to design really the flow of funding within. With Nvidia down within molecules to make it as seamless and [00:17:35] interoperable with the real well today as possible. And also to ensure that we have the highest degree of legal standards, legal integrity. So we work with with specialized IP counsel and IP law firms across the world in different jurisdictions to really ensure also that any IP that we adopt funds and that is encapsulated within these IP NFTE frameworks is future-proof. Because that, that's something that became very apparent for us. When we, when you work with IP, you can't really, you can't really make mistakes in terms of how you protect the intellectual property. And you also have a responsibility to actually the therapeutics that are being developed there, because if you, if anything was to invalidate the IP that could fundamentally influence whether a potential therapeutic can actually ever reach patients. Yeah. And so I think that the, the, the one. The question is there has to be a lot of trust between the Dow itself and sort of the, the organization or [00:18:35] people doing the negotiation and sort of holding the IP and forcing the IP. Because, because there's like at that sort of Dow analog interface there's is my impression is that there's no like enforceable legal contract. Right. So is that correct? I'm just, I'm just trying to like wrap my head around, like the actual. It is an enforceable legal contract, actually. So the initial agreement between let's say molecule and the university is a typical stock standard sponsored research agreement that you would do at sea, between between two parties, like a pharmaceutical company and a university, for example. So these are, these are the same agreements that the universities use. In many case, we plug into their pre-existing templates. Those typically have within them an assignment agreement or an ability to sub-license where the company or whomever is doing this initial licensing then has [00:19:35] the right to license exclusively the, the resulting intellectual property, or in some cases, even the full rights of the agreement molecule now engages in. Fully contractual, fully enforceable, typically in the context of Switzerland where the company is based agreement sublicensing agreement with the Dow via the election by via the election of this agent process. And now, so I would say the weakest part of that, if you want to think about where the sort of core let's say. Yeah, like the breaking points are with in that process would be, would be around the fact that there is required a large amount of trust in the agents, but really what the agent is doing is, is actually putting themselves at risk. They're taking on legal liability in some cases on behalf of the dowel. And so. Something if that Peyton was, let's say that agent made offer something or wasn't able to honor their agreement. I mean, there is full legal recourse that it could be, that [00:20:35] could be taken. But this is, yeah. Again, when you look at Peyton enforceability and Indian electoral property landscape, most of these things like, you know, you find out what works through, through litigation. These things have not been litigated yet. There's not really precedent for enforcement here. But this is also what it takes to innovate in the intellectual property landscapes. So it's, there is a tension between these things, but it, yeah, maybe to your original question, there's a lot of, is a lot of trust, certainly involved in I'm thinking about when we go, we go stuff is that there's like no first principles of it. It's just sort of like poke it and see what happens. Yeah, maybe as an interesting, it will be interesting case studies before it becomes relevant to us because in the space, kind of like some of the core protocols, like units open curve, I actually governed by dolls now. And actually they are now enforcing the IP actually at the courts. So even before it will be come necessary for us, there will be cases and case studies of kind of like it's very big organizations like a human 12 or [00:21:35] curve enforcing and going through the courts like this, even this year or next year already cases that are coming up. So it will be really interesting to see what are the legal precedents or like a Dow and forces is yeah. IP through agents basically. And I think there will be precedent before we will have to kind of in false our IP. Yeah. Well, it's literally saying your name. Well, one thing to add there. So to reiterate what Vincent said as well, I mean, that was a very quickly become powerful economic agents. And I think enforcing enforcing let's say processes in our legal system is often a function of capital. So I think if you did that, for example, was to ever get to a point where it had to enforce one of its one of its IP cases. It would definitely have the financial backing to do so, and it can operate through agents to kind of enforce the validity of its IP. And then the remaining processes that's, that's considered like the relationships between agents are really [00:22:35] subject to the same legal processes that we have today. When two companies enter a entered equilibrium, and if a biotech company enters a sponsored research agreement with the university, the trust agreements that are set up there are, are, are not different. And, and the underlying legal contracts that we using are also the same, I think. Back to Vincent's point, there are actually first cases where Dows are enforcing their IP. This is in the context of fits in ICU, open source software development, where, where a dowel let's say has developed a certain protocol, but that protocol is open source. But it's probably running under a specific software license and the Dow is not choosing to actively enforce its its IP against someone who infringed against that license. I think one additional aspect here is to when we think through trust and where is trust, concentrated and power concentrated from the Dow is to note that that, although there are these agents that are available for a Dodge interact with the real world, the capital's [00:23:35] concentrated within the network of token holders. And, you know, just on a technical level, there's this multisignature wallet that holds all the funds and that's controlled by members of the community. And it's all basically in a token gated way. And that network structure, that social network, which is basically the Dow, I think can be very well compared also to some kind of association where you have people all across the world, collaborating, they're all aligned by, by a token incentive to pursue one shared mission. And then the Dow the network. Start agreements with various agents. So it's not really relying on one particular agent fulfill its mission. If there was a situation which trust or agreement with one individual real-world agent know w would be broken, then still most of the capital wise with the Dow and the Dow would have the ability to engage in a D and an agreement with a different entity. It's not like there's one entity or one vulnerability. When, when you think [00:24:35] through the contact zone between the digital Dow and the physical company, and speaking of agents at what level does the entire membership of the Dow folk, right? Like, are they, are they voting on every decision? Like we want this person as our lawyer, we want this person. Yeah. Yeah. Now basically to make it kind of concrete there's like, of course, like a core team and stewards who actively working and we'll also have of course some yeah, for example, on the, on the longevity side, helping to solve steel flow, doing all of these activities, and then it's mostly on the bigger funding decisions, for example, should we fund this project with automation dollars, but it won't be on, should we hire this designer that will be like autonomy, for example, with the. The design team to hire a designer and budgets that are basically voted through. So it's not, micro-managing kind of in depth sense, but it [00:25:35] kind of more the key overall big decisions, what the community was able to do. So, I mean, early in the, in the community's formation and in the Dallas formation, there was a governance framework that basically laid out a series of, of, of decisions as to how governance actually functions in the doll. And there's in B doll, there's this sort of three tier governance system moving from conversation that is quite stream of consciousness oriented in discord, moving to semi formalized proposals for community input in a governance framework called discourse. And then ultimately. Things that make it past that stage, moving onto this sort of software platform for a token bass boat. And part of that governance framework that was initially created, also invested a certain amount of decision making power within working groups and also set thresholds on what those working groups were able to spend, what sort of budgets they had and where they needed permission from the community ultimately to make decisions. So there might be. No for decisions greater than $2,500. That requires a [00:26:35] soft phone for things more than $50,000 requires a token days vote. And this is really important because as you can imagine, early on the organization, it can be super chaotic and really, really unproductive if every single decision that that was making needs to have this sort of laborious community-wide boat. But this is also a really interesting sort of iterative experiment, but I think many dollars are participating at the moment, which is really trying to figure out to what extent you can involve the community in a productive way in the sort of day-to-day operation. What's differentiates, differentiates a token holder from a contributor, from a core team member, from a working group member. How do people sort of move along that funnel and traverse those sort of worlds in a way where you get the most productive sort of organization? And this is something that is, I would say, being iterated on and improved constantly based on, you know, the, the sort of dialogue happening between the team and. And actually on that note, I have one vaguely silly question, which is why are all Dow's run on? [00:27:35] This is, this is, this is my, my, my biggest, my biggest complaint is I, I cannot pay attention to like streaming walls of text. Yeah. So it's like, how did, how did that emerge? Like, has anybody done a, a doubt, like, just run on like a forum or by email or something? Yeah, it is actually the biggest bag holder in most DAOs that operates. I'm just kidding. Actually. It's it's of course almost like mimetic it's like, that's how, like a lot of crypto projects, even like three, four years ago began to organize. And I think it's, it's ultimately, it's just the tooling. Like they were like slack and discord, this court to coordinate, and this court was much better in like enabling to participate in a lot of different channels very easily. But we're going to be, I think it's a lot about like, even like file sharing. All of these things you need, which go beyond. But ultimately there are kind of like some leading doubts that emerge just as a telegram chat between [00:28:35] five friends. And that I know like the leading, like art collected, I was like, please, it doubt. And that was just like five friends on a telegram or something. So of course you can envision like every possible way and model. Ultimately, I think it's, it's more like a, became a pattern that like a lot of projects organized food like this. Yeah. And I think there's also this like feedback thing that occurs with like the more people that are organizing by a discord in the early days, the more that people started to create like token integrations and token gating and things like snapshot and all of these sort of things where now there's like, because of that, a bunch of tooling from an integration perspective, that is, that is now developed, that makes it easier to operate in a community like that than it would be to have a slack channel, for example. Yeah. The best part, there is a serious lock-in effect. If you start your new Dow, the best choice is to go with discord because that's where all the other books, we, you know, folks that are already active plus you can leverage a lot of bots to allow you to token gate access or [00:29:35] send notifications, similar things. And another question is how did you all become the core team? Just show up Tyler and Paul probably could start telling them. I think maybe one interesting thing is that ultimately like every journey is kind of individually, but ultimately most people are just like saw very initially or like at a similar idea and kind of, it's almost, I think like, like a shelling point where like like also like, like I literally tried to register longevity doubt just the domain two years ago, before we, even before I met anyone who wasn't a Dow. And, and so I think there's like, and I think it's a similar story, even for Tim that, and then ultimately of course, there's like some mechanism of discovering it and, or like hearing him about the idea or meeting, like, ultimately for me, it was meeting Tyler and Paul because of molecule and then for a lot of people, actually, they just saw an interview. They saw [00:30:35] an article about it, jumped into discord, introduced themselves, for example said, yeah, we would love to help on the website. I would love to help on the view flow and then started helping and ultimately through that mechanism. And I think like, People like bubble it up basically, and just started writing an article or doing a low or, but then became more and more integrated parts of most kind of like, like work themselves into it. And also of course, like like a lot of people have never met each other in person or is it like, and, but it kind of like this, this trust I think emerges and builds up doing like just engaging and helping progress the Dow as a whole. But I think it's, it's actually really interesting, exciting to see kind of like just this like global coordination emerging out of like the shared purpose or mission. And a lot of people just stepping up and like initially we didn't have a token, we had $0 and they were like people who like spend weeks, we building a website pro bono without [00:31:35] expecting anything like re like really good research has joining me into this. Before we even had like $1 funding to give towards research. So I think it would have to, yeah, that's kind of also the inspiring part. I think about a lot of dialysis that it just naturally emerged and everyone can do this a bit of like no boundaries, but then yeah, self-selected almost,  On Nicholas raising his hand was going to give him a chance to say something, right? Yeah. So I think there's the saying, I've read a couple of days ago that some ideas are occur in multiple different brains at the same time. And I think that's really what also happens if we, to Dow Vincent let's think about this for some time. Lawrence had basically stopped developing mobile applications, really figured, you know, focused on aging research, Paul and Tyler thought about this topic. Marketplace for ideas, intellectual property. Tim had been, I think, thinking about this idea and, you know, basically crop funding, academic, or just fundamental research as a community for some [00:32:35] time. And I've been sufficiently frustrated with the way academia currently works and have been actually also thinking about, okay, can there be some kind of mechanism where a community bootstraps itself into existence and funds, scientists and entrepreneurs within its community. Everybody pays a little and then you can actually allocate a lot to the really good ideas. And in some ways I think, you know, we all have some kind of predecessor to this idea. And then when we each had these individual time points heard about it, there was just a, who was a very intuitive decision to join. I think it's like a certain amount of serendipity, a certain amount of like Twitter network effects, like a weird variety of things. Like you know, we started out with like just like white paper and an idea. And then, you know, through, through that, got in touch with a couple of different people, but then people just start showing up. I mean, weird. The most interesting thing for me about the Dow experiment is like early on, we had like this [00:33:35] sort of like, okay, people want to be working with group members. This is like pre doubt. Not even like Vincent saying no token yet, nothing trying to figure out, like, how do you organize this community? How do you do something meaningful? We were like trying to collect applications or something. And then it's like, some people would apply and we're like academy, who's going to be good or whatever one person who's now the lead of the, of the tech working group, this guy, Audi Sheridan applied and was rejected, but then just like made himself super valuable. Like he started doing things that were like, no one else could do. Became an invaluable member of the community. And then we sort of realized like, why are we doing this application thing? Like people just show up there's things that need to be done. Sometimes we don't even see what those things are. People have good ideas, they make proposals. And all the sudden, you know, you, it's not like a company where there's a hiring process. There's very little, you can, anyone can show up on the discord tomorrow, identify some pain points, make a proposal, and just demonstrate to all these other people [00:34:35] that they have value to add to the community. And then, you know, there's, there's a sort of process there, but that process is, is still very loose. So I mean, most people who are here even on this call showed up through some like, like Nicholas and Vince were saying, I had been thinking about this before. We're sort of attracted to this magnet that is now a selling point for crypto in longevity and just had really great ideas about how to improve the community and elevated. And that's sort of, that's sort of, for me, the magic, I mean, You know, six months old now, roughly, I guess it'll be about six months and you know, the community is like 3,500 people or so, and, you know, hundreds of researchers, you know, dozens of people who are contributing pretty often, I don't mean some people full time at this point. And that's like a, a growth cycle to go from like a white paper and nothing to, you know, a bunch of money to fund R and D a bunch of intellectual capital you know, pretty strong political force in that amount of time would be [00:35:35] unprecedented. I think, for, for a company, especially something that's like bootstrapping from a community, not raising money from didn't raise money from BCS or anything like that. Just like had an auction for a token. It's to me, this is really interesting, and it sort of proves that, like, in terms of organizing intellectual capital and monetary capital, it's a really, really powerful mechanism. And so sort of related to the company point, or are you, are you worried about the sec. I mean, a huge amount of thought has gone into like the legal structuring and middle engineering and the dowel. So, I mean, the way it basically works is that the intellectual property that the Dao holds in the form of B's IP NFTs are not owned by the token holders. The token holders can sort of govern them by proxy through this governance, token and dividends are not paid out either. So the idea is to create, you know, it's not a nonprofit organization and the. As an organization is trying to make profit to further fund longevity research, but those dividends don't flow to, to token holders. [00:36:35] So there's not, you know, it's, it's, there's several prongs of the Howey test that are essentially being broken under, you know, whether it's things like making profits from the efforts of others and the fact that no one in the organization is directly profiting from, from sort of commercialization efforts the Dow is doing. But yeah, I mean, this is something, you know, thinking about the interaction between the Dow and the sec or, or, you know, like securities concerns played a pretty big role in the design thinking around the entire organization, the structure, because, you know, you can also go different routes. You know, some security token route or, or, you know, this, if you go these sort of routes, you really end up just excluding huge numbers of people from, from participating. So the goal here was like, how do you maximize participation in a way that is still ultimately creating value, but not necessarily creating value? You know, it's plumbed individual token holders, but really for the field of longevity as a whole and to move the needle on research. Got it. [00:37:35] So maybe, maybe to add a couple of points here. So the way that Vita token is fundamentally designed as a governance and utility token and at its highest level, you can think of it as something that is actively used by all members to curate the IP and the projects that they want to fund. And something that taught us that earlier is this, this very strong with typical let's say security, security, like assets, you have direct low dividends. You have very clear expectation of profits. In this case, first of all, you need to actively do something to be a member of VitaDAO and to then actively help to curate the IP. And the rights that come with it be don't token. There's no way that you could like say, okay guys, I'm out. And I want to take my share of IP that I helped create with me, which is also typical thing that you might have. You could have this as a shareholder, or if you're kind of in like more like a limited liability partnership type setting. So in this case, the Dao owns the IP and there's also, no, VDX not any expectations of profits that you could have because first of [00:38:35] all the goal here is to fund, to fund research, and really open up that research and then to try and make it accessible for the wealth which could actually mean open sourcing the research or open-sourcing the IP thus killing its commercial value. So that's a beat that discovered some. And it deem that discovery to be so important that it had to be open sourced and, and made accessible and thus they could never become a patient of all therapeutic down the line. Token holders have full rights to do that. Whereas I think if you, if you had a typical setting where you had a company and it was the whole, the shareholders and those shareholders had a very clear expectation of profits that would never fly in most normal companies. And so because there is no direct expectation of any, any potential returns that are made, there's not even the potential for return per se. And then there's that there's the full of governance option to essentially not commercialize anything. Yeah. Yeah, that's really cool. And actually sort of not quite related, but so, so I, I would say that that therapeutics. [00:39:35] Sort of a very special case in the sense of it's like very IP based there's, there's sort of very much a, like a one-to-one correlation between IP and product and those products can be very lucrative. So, so that's sort of why, you know, the therapeutics as, as an industry work. Do you think that the, the sort of the beat Dow approach could work for research and development outside of the therapeutic world? I guess as you're maybe, maybe rephrase your question, Ben is, yeah. It's just like, I guess the question is, is like the sort of idea that you can create incredibly valuable IP that like. It's fairly unique to the world of therapeutics and in many other sort of technological domains th the value really comes from like building the company around some IP and IP is [00:40:35] not that important. So yeah who wants to go for it? Go for Tyler. No, I was just gonna say quickly. So, I mean, I think absolutely because it also, it doesn't doubt doesn't need to be also IP centric, for example, Bita doc and have the holding data that was being produced by something. And that data could have intrinsic value. Similarly, meted out could try to get involved in manufacturing or create products. I mean, there's many different design flavors for these dowels. And I think the governance framework around this, and let's say the organizational capacity and the coordination capacity can be applied to many different problems in many different industries. And I think even the intellectual property thing does hold true well beyond therapeutics. So with therapeutics, you're right. They're very, very expensive to develop, which is why you tend to get this enforceable monopoly to try and basically incentivize people, developing them, but in textiles or engineering or, you know, [00:41:35] any sort of field where. IP plays a role. You could even apply almost a one for one one-to-one sort of model here, but beyond that there's many different flavors of assets and that sentence that adult could hold the other than probably most excited by is really things like data, which I think can be really, really powerful or software, which could be similarly powerful. And then, which I think a lot of dowels are already, already doing. For example, maybe it also has as one point also in addition to like, even like activities, like funding I P directly and kind of like having like a self fulfilling or like also you know, sustainable funding cycle there. We also, for example, had like these efforts that are completely philanthropic, if you like, and just helping to use also our community and to, for example, put together like this donation round on longevity and like exploring kinetic donations, like basically where, like I also like this idea even like before Kind of be the Dow existed.[00:42:35]  And I was like, okay, now we're like, kind of, there's like enough people and enough attention to do this. And the doll basically donated $65,000. But then for example, we literally donated 400,000 and we helped curate a projects which are all purely philanthropic, which are like open source projects, different even like, like NGOs doing like different projects and and basically helped also get our community together to donate to these different projects. And then talking a little bit for me, it's like, like one example where it's like really powerful because you have this like shining point of like crypto people were interested to fund longevity and they're not just interested to fund IP and FTS in a sustainable loop, but also to explore other funding experiments or other experiments. Like what another one we were discussing is like a longevity prize or like grants and fellowships for young people entering the field. All of that is actually kind of like advancing the whole cause and the whole community [00:43:35] and, and, and the core focus and activity of funding, IP, because with growth, our community and, and yeah, the whole field. So I think that's kind of actually an interesting point is that we are not limited to kind of funding IP, but it's of course, one of the core mechanisms we're engaging in. Yeah. I would add that there's also value in the community itself. Imagine Bitcoin, right? Anyone can fork it Instagram it's, it's a simple app. Anyone could have made a copy, but there's most of the value there and the net there that gets built. So here we have a team, right? The stellar team and the Dow itself is ultimately our R D. Awesome organization here. It got born in a Genesis by itself. It's a smart contract. So it's sort of unique in that way of it. Of course, someone interacted with the smart contract. It can be someone anonymous, but it issued 10% of his tokens, which by the way are [00:44:35] 64 million which is we're on 64 million, which is about the lifespan in minutes of the longest lived person, John Como. And that's sort of Beaky right. We can only extend that if someone lives longer than that, but anyone could buy those tokens, right? It's a fair auction including us, including random people. And then there was a vote to empower a core team like us. Yes, some of it, most of us here got involved before. But the cool part is anyone can start showing up and contributing a lot of value and ultimately the community can decide to do make them a core contributor to make them a steward of even some other efforts, right. Even something that we haven't thought about. There's always room it's permissionless. That's, that's something special definitely a metal experiment right here. And it's an experiment of sort of organizing people towards a common goal and a different way to make experiments, scientific experiments and, and figure out how to advance the therapeutics. We need to extend our healthy. You would actually be [00:45:35] curious. If I could ask you a question, Ben, on, on your thinking on, on poverty, how do you think, like, something like that fit into your thinking on just like new institutions for funding science, because you also mentioned this, like, it could also be a model of course, like we're potentially exploring it all. It's four different areas. And ultimately for me, it's like, if there's like big of enough of a community that is interested to fund something, like, like one of course, very like public example could be something like climate change or something exciting, like space. They would probably be at some point a community that would form resources and community to fund those research areas. It would be curious to hear from you, like kind of yeah. How you think for you to dial in the framework that you're outlining there. Like you're listening to the work? No really well with like pop up on this theme, you're exploring. Yeah. I mean, frankly, the reason I, one of the reasons I wanted to have this conversation was to sort of form those thoughts. So I [00:46:35] will be able to answer that much better after sort of like going after this. Right. So I think the, so just some of the tricky pieces, I think outside the domain of longevity is like longevity is, is very, you know, exciting to a lot of people with money both in the crypto community and outside of it. And so I think that's, you know, it's like, there's, there's lots of people who are excited about space, but from my experience, space, geeks tend to not be that wealthy. And so, so there's a question of just like you can, you can have a very excited community, but I think the real thing is like how much are those people really willing to put their money where their excitement is? That that's, that's a big question. Another question is, is for me that I think about it is like coordination around research. So, so I think another sort of great thing about therapeutics is that you really can, there's sort of like this nice, like one-to-one to one where you can have one [00:47:35] lab develop one therapeutic, which corresponds to one piece of IP, which corresponds to one product. And obviously it doesn't always work that way, but that's, that's sort of like a pretty strong paradigm, whereas with a lot of other technology it's. Sort of that, that attribution chain is very hard to do and it involves lots of different groups contributing different things. And so, and you need someone coordinating them. So this is, this is a lot to say. I think that there's very much something here. That's why I'm interested in it and why a lot more people to learn about it and why we're talking about this. But I, I think it's, it, it w it needs a lot of thought as is. It's not sort of like, I, I don't think that you could like, literally take what you all have done and just like, copy paste it for, for other domains. But that isn't to say that. Modify it and do something. Cause you know I think it's actually really, really pretty. Yeah. I mean maybe if I can speak on that [00:48:35] quick. So I think Dow will be a highly use case specific. It's actually been an interesting site. I've been I've I started writing about thousand mid 2016, 2016. There was an article that I wrote on like, what would happen if we combined let's say AI conscious AI systems with Adar. So kind of having adapt, having operated by autonomous agents in essence. And so what happened after the Dow launched, which was one of the first dollars on Ethereum? It was, it was a big complex autonomous kind of setup where the Dow was almost entirely just controlled through through dot holders. But then that also enabled a. An attack vector that essentially allowed someone to hack those core contracts. And then kind of the Dallas space went into a long period of of considering whether something like this should ever be attempted again. And people became, began to variously, very cautiously build out these systems. And there were, there's a couple of projects that over really over five years already have tried to build like generalizable Bal frameworks. And many of those projects have kind of have [00:49:35] you have failed that it actually providing frameworks that really got to mass adoption. And I think w whoever, someone, when, when you start building a down, it's kind of like, when you say, like, I want to build a company and there's many ways to build companies. And the difficult thing is not incorporating the Delaware or getting the bank account set up. And that's what sometimes people think today when they set up a doubt that like, oh, okay, it's a multisig, it's a discourse. But you obviously need that entire ecosystem that you're building. You need to think about, like, what is the, what is the value creation model for this style? What's its, what's its unique value proposition based on a value proposition, what type of community do I want to build? What type of culture do I need to implement that value proposition that will attract that community to help me? So we've needed that. For example, we've been very conscious about the type of open community that we wanted to build. And then this goes into all sorts of follow on questions. It's like, where do you actually get funding from to do what you do? And based on where that funding comes from, that will influence the culture of the community. For example, if you have a Dow that's funded by [00:50:35] several groups of larger VCs, that thou will be very different from a cultural perspective. And also from its goal is then a down that is funded by an open. Where now the individual members are much more, let's say engaged because they put some of their funding in. So they want to have a say on how to control it and what it gets used for. It's going to be very interesting to see, I think in the coming years, if, if generalizable frameworks and register, like just press a button and like spin up it, that you can already do that. There's many systems that do that, but I keep being surprised that like, they're actually not being very actively used. I think what is really important for example is to build basic infrastructure that can serve industries. And so, for example, if this is something that we we've been very focused on a molecule like drug development, isn't that different, whether you're saying you're developing longevity therapeutics or counts of therapeutics like the base kind of the base infrastructure and how you interact with the real world, for example, through IPS the same We kind of realized like decentralized drug development through Dallas, for example, could only really work if that was not a way to own IP. And then, but now I think for example, I [00:51:35] think a community like meta down will be very different than let's say a Dow that's focused on rare diseases where you're working with several patient advocacy groups. And it's not like there's a huge general excitement, unfortunately about diseases that are, that only affect small patient populations. Whereas aging affects affects all of us. And now the data that we're currently, for example, building out at molecule is called SIDA which will be a Dao that's focused on exploring and essentially democratizing access to psychedelics and mental health. Again, because we feel this is a topic that has a very broad appeal and where we can, where you can very effectively scale culture and also apply and also apply some of the frameworks ta-da. Yeah, maybe just one other thing. I think it's important to highlight in terms of how we think about this as well. Like the reason that dowels are interesting, even for me, like the reason that crypto is interesting is because it's effectively just a sandbox environment to try experiments that create behavioral outcomes like token engineering and token economics is [00:52:35] simply a way to motivate certain outcomes and certain behaviors in real time, sort of building and production, texting and production and academia. If I said, I want to change drug development, I want to change the way that pharmaceutical companies behave. I could probably write a paper in like nature reviews, drug discovery, and maybe kick off a policy discussion that ultimately isn't really going to move the needle at least on like a tangible timeline around how these things get solved. But what's interesting about those is that you can basically say I have this idea. There's the stakeholders that I want to incentivize to behave a certain way and achieve a certain outcome. And you can just like deploy this with software and start doing it. It's really crazy. I mean, the, one of the most interesting comments that Vitalik said, we hosted this topic. comment that resonated was that like, he felt the biggest sort of gift to humanity that corporate provided was this sandbox environment for experiments. And I think [00:53:35] as a scientist, this is one of the things that, that really, really strongly resonates. It's like move beyond the theoretical and go directly to the apply and start testing things in production, seeing what works. And I don't think we can say confidently that like dolls are biotech dolls. They're better than biotech companies. And achieving goals and drug development. But I think in a couple of years, we'll have a bunch of data points to suggest the things that Dallas are really good at, at least with this design implementation we'll know what they aren't good at. And because the organizations are so flexible and because they operate through this very iterative governance model that you have the ability to always be tweaking and always be improving. And so this for me is what's really, really exciting. It's like this crazy experiment that you're doing pulling in people from all over the world, independent of geography, geography. Like I haven't, if there was another tool kit to do it, that was an on crypto. We probably would have built it using that like it's. And, but really that the point here is. I haven't seen a better way to [00:54:35] scale incentives to a large group of people. Then we went three and crypto. So to me, this is, this is the most, yeah, I think we're done when it comes down to the point of the rights before that ultimately it's about a community, even with sidearm, like there's no token, there's nothing. We literally just set up like a telegram chat, invited some interesting people. They self selected themselves into now. It's like 500 people. We hosted like meetups and there's like ideas emerging out of all the people. And ultimately it doesn't really matter like how it's almost implemented or if there's a token, but it was like, what does community is to share the values and the culture of it and like, Like a shared mission also. So I think that's really, for me also, what's interesting to takeaway is that also looking at like the most successful projects in crypto has probably been projects like Bitcoin and Ethereum and, and I think a big part of the team success was its community and its culture persevering through thick and thin, like building and improving the protocol [00:55:35] together, building on it, being incentivized to build on it. I think that's like, like a major takeaway is that it would've made it. It's like all about communities and yeah, shared missions. Did you have your. Yeah, everything I'm curious about is how have tech transfer offices responded to this? I, I assume that there've been many conversations with them. I put cards on the table, don't have the highest opinion of the innovative-ness of tech transfer offices. And so I I'm wondering how, how have those interactions gone? There is surprisingly technophobic organizations for supposed to like, suppose to be like focusing on innovation. Yeah. Supposed to be helping out professors and researchers sort of bring innovation into the real world. But I would say on the whole, you know, not necessarily by fault of their [00:56:35] own, but rather just because tech transfer is largely a failed business model. Instructionally is not operated well. It's a couple of general councils sitting in an office that are not domain experts in any one field have typically grossly inflated ideas of what innovation is worth. It's challenging that said we've been super lucky, lucky to engage. Some amazing people at tech transfer offices that are really, I mean, and this is self selecting, right. If you're inter if you're interacting with us, probably amongst the most forward thinking let's say tech transfer people, so keep a list of them. So that like right. So that like, so, so like then, then if you can get some kind of feedback loop where, like you say, like, okay, these are the best tech transfer offices to work with. And then people start working with them and then all the other tech transfer offices start seeing. Totally. I mean, but this is what happens. [00:57:35] Like the first one does it. And then they've sort of de-risked it for the others. And this is what we see happening with every subsequent one that goes for it. It's easier to have the next conversation. We also learn more about how to work with them, how to structure these deals. I would say the main thing here is that tech transfer is largely not profitable. There's very, very few tech transfer offices in the world that are cashflow positive. Their business model is in danger. Their existence is in danger and they desperately need new ways of innovating the smart there's outside of Harvard, MIT, Stanford, Oxford, Cambridge, not that many that are really doing big things. And I think what we see is that there are people in even smaller tech transfer offices around the world that recognize this and are actually really, really hungry for a different way of doing things. And those are the people we hope to work with. But yeah, you're right. It's not the most, not the easiest. Let's say stakeholder group to engage. Yeah. Sorry, go ahead. Having said that though, [00:58:35] because we've been so this is also for example, a core role that we see that we see at molecule. Again, tech transfer can be standardized, like working with tech transfer. It doesn't matter if you are outsourcing in longevity asset or. And what we've actually made as I got developing systems that are as close as what they're used to today makes life massively easier. So the kind of things to avoid is to create the impression let's say. So even within Veit about in terms of negotiating contracts next steps around the IP it's important to realize that there's not a thousand people in a, in a discord like that will then contact the university or try to get involved in the research, make decisions. It's also then important to realize that these funds are like, it's not, they're not coming from kind of anonymous accounts in this like weird ether that is kind of the cryptocurrency space. But kind of. Give those stakeholders, the assurance that that we using the same process that they used to, that we've developed sophisticated legal [00:59:35] standards. And then all of this can run kind of through the existing banking system once it's, once it's bridged into them. And actually once you provide those assurances, it's surprisingly easy to work with them. In, in some cases, not in all of them, but I think as an organization, we, for example, I think can be much easier for them to work with them. Let's say a venture capital firm that wants to out lessons, the IP is setting up a company has, and then engages in three to six month long negotiations. I think the tech transfer offices that we have engaged, I've been pleasantly surprised how quick and easy they can actually be to work with a Dow or a decent size community. If the right structures and processes are. And like one out of every 20 is just some person who's like, oh my God, this is so cool. I also love when I play around in defy, I'm also into, it happens rarely, but when, when that happens, you're like, okay, this has got to work.[01:00:35]  And also work with, sorry, go ahead. We also work with companies that themselves have negotiated with the TTOs and they can, sub-license a stake. And either first of all, they can also work with the company molecule and the molecule can be, don't even need to know necessarily about via that way initially. Right. Molecule can have a sponsored research agreements with that startup or with the TTO. There was a company they don't TTO is, might prefer to work directly with the company, right. Or even a revenue share. We can have royalty agreements as an, as a, as an FDA as well. With, with the company a startup, right? And if, if, if the deals are too slow, we can work directly with our ups initially. And as things open up and this gets more popular and they see that there's a better place to go. So you have the, the, that was a bidder, you know, maybe other people in the crypto community can become bitters [01:01:35] for these IP NFPS. And it can be a much better way to sort of decide as a market what the value of assets are. And so if you have an asset that, that the market would this market more and more liquid market would value higher, why would you go with the traditional players when you can get much, much better terms? And so I think they will get convinced once they what they see that. Yeah. And I think also one thing that like today we funded like a new project as well. And what the research has said also that he was pleasantly surprised how quickly it went from like application to funding. So I think it was within four weeks or something, which I think is not common for like planning to funding. And I think that's also something that like and a lot of researchers are also really excited to have a community behind them that is really excited to follow the progress, to publish a process, to do interviews and the video about their research and, and connect to the other research we are funding. So I think that's [01:02:35] also like a huge value proposition to the researchers. And speaking of applications is this is a question from on Twitter. All of your proposals seem to have passed with like resounding consensus Not necessarily, not necessarily, no. It's I think there was one or two that would almost almost 50 50, but like really, like I would read on some there's like resounding like almost like a hundred percent voting in favor on two or three, there was like only 60% of voting in favor. And what I think is interesting, what I observed as a pattern is that like on the ones people voted against it was mostly in working group members voting against, but the community was like oftentimes voting in favor. So like, my feeling was like, the community wants to fund a lot of things and then things keep everything that is getting listed for funding should be funded. But then the people that in turn the, like [01:03:35] some of them who might've looked and, and help you

Paul and Andy are joined by guitarist from Iron Maiden and fishing enthusiast Adrian Smith, comedian and Liverpool fan Alex Horne and sports psychotherapist Gary Bloom. See acast.com/privacy for privacy and opt-out information.

It's the last episode of this hugely inflatable series, which can only mean one thing: yes, it's the last episode of the series. Or is it? Yes, it is. And we end it all in style with a whole host of famous guests flown in from all over Melton Mowbray. But where are Dave Dee, Dozy, Beaky, Grumpy, Grover and Muriel? Who is the mysterious 'Frank Muir?' And why is Planet Skaro closed for repair? Find out in this, the Year of the Mahogany Sideboard. And whatever the conclusion, we hope you've enjoyed whatever this has been. Thank you for your time and effort. And do remember to keep 'em peeled. They taste awful with the skin left on.