Podcasts about moog synthesizer

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Play Episode Listen Later Apr 6, 2024 142:48

Episode 121 Crosscurrents in Early Electronic Music of Canada, Part 2 Playlist Track Time Start Time Introduction –Thom Holmes 04:32 00:00 1. John Mills-Cockell, “On The Heath” from A Third Testament (1974 True North). John Mills-Cockell is a Canadian composer from Toronto who was a very early adopter of the original Moog Synthesizer. He was part of the multi-faceted and ground-breaking work with the avant garde/poetry group Intersystems in the late 1960s and then the group Syrinx. I became acquainted with John more recently and he told me that his original Moog modules, used for Intersystems, burned up in a fire and so he turned to the use of ARP instruments around 1971. I am featuring his synthesizer work from a couple of solo albums as a representative of the independent stream of electronic music artists from Canada. John has continued to produce works for and for his numerous works for radio, television, film, ballet, and stage, and he is still active. 02:30 04:32 2. John Mills-Cockell, “North African Gladiator” from A Third Testament (1974 True North). Produced, played, engineered, organ and synthesizer, John Mills Cockell. 04:08 07:00 3. John Mills-Cockell, “Collision” from Gateway (1977 Anubis Records ). Produced, played, engineered, organ and synthesizer, John Mills Cockell. 03:32 11:03 4. Alcides Lanza, “Eidesis IV For Wind Ensemble And Electronic Sounds” (1977) from McGill Wind Ensemble (1980 McGill University Records). This collection of contemporary Canadian works was released by McGill University's own label. This track is the only work with electronic sounds on the album, by Argentinean-born composer Lanza. Lanza studied music in Buena Aires, moved to Canada in 1971, and became Director of the Electronic Music Studio of McGill University in 1976. 11:20 14:34 5. Dennis Patrick, “Phantasy III (Excerpt)” (1977-78) from Dennis Patrick--Musical Portrait (1982 CAPAC). Another one of the 7” vinyl Musical Portrait series of Canadian artists, released by the Composers, Authors and Publishers Association of Canada, Limited (CAPAC). Completed in the Electronic Music Studio of the University of Toronto, where he was Director of the studio beginning around 1976. 04:53 25:48 6. Barry Truax, “Arras” (1980) from Anthologie De La Musique Canadienne / Anthology Of Canadian Music - Musique Électroacoustique; Electroacoustic Music (1990 Radio Canada International). Truax represented the left coast of Canada, and worked with R. Murray Schafer beginning in 1973 on the World Soundscape Project. Several of the composers in this episode came from that same environment, mixing natural acoustic sounds with electroacoustic treatments. This work was made using four computer synthesized tracks. Truax became known for his computer compositions as well as soundscapes. 10:08 30:38 7. Canadian Electronic Ensemble, “Chaconne À Son Goût” from Canadian Electronic Ensemble (1981 Centrediscs). Performers, David Grimes, David Jaeger, James Montgomery, Larry Lake. Composed by David Grimes. The ensemble was founded in Toronto in 1971 by David Grimes, David Jaeger, Jim Montgomery and Larry Lake, "to promote the live performance of electronic music and thereby the composition of new repertoire for this medium." This is another nice example of music by independent artists working in Canada. 17:21 40:34 8. Dennis Patrick, “Metasuite” (1982) from Dennis Patrick--Musical Portrait (1982 CAPAC). Another one of the 7” vinyl Musical Portrait series of Canadian artists, released by the Composers, Authors and Publishers Association of Canada, Limited (CAPAC). Completed in the Electronic Music Studio of the University of Toronto, where he was Director of the studio beginning around 1976. 07:55 57:54 9. David Keane, “Aurora” (1985) from Aurora (1985 Cambridge Street Records). A work from a fellow author, David Keane who wrote a book called Tape Music Composition in 1981 (Oxford University Press). He was born in America but became a Canadian citizen in 1974. At the time of “Aurora” Keane was a professor of music theory and director of the electronic music studio at Queen's University in Kingston, Ontario, which I think he founded in 1970. The music was created to be played during a dance performance in which movement was seen through colored images projected on the dancers. The work was realized in the Queen's University Electroacoustic Music Facility. 10:17 1:05:48 10. Claude Schryer, “A Kindred Spirit” (1985) from Group Of The Electronic Music Studio - McGill University (1986 McGill University Records). Bass Clarinet, Yves Adam; Cello, Andras Weber; Composed and conducted by, Claude Schryer; Flute, Jill Rothberg; Guitar Daniel Desjardins; Percussion, Helen Barclay; Piano, Laurie Radford. Recorded at McGill University Recording Studios. This work is notable for its use of the Synclavier, a high-end digital synthesizer/sampler/workstation from the mid-1980s. 16:02 1:16:04 11. Bruno Degazio, “Heatnoise” (1987) from Anthologie De La Musique Canadienne / Anthology Of Canadian Music - Musique Électroacoustique; Electroacoustic Music (1990 Radio Canada International). Degazio is a composer, researcher and film sound designer based in Ontario, Canada. “Heatnoise is one of a series of algorithmic compositions applying principles of fractal geometry to music.” It uses digital synthesis. 11:24 1:32:04 12. Hildegard Westerkamp, “Cricket Voice” (1987) from from Anthologie De La Musique Canadienne / Anthology Of Canadian Music - Musique Électroacoustique; Electroacoustic Music (1990 Radio Canada International). A super accomplished sound ecologist, Westerhamp is best known today as the creator of many works of sound art that use natural acoustic environments. She also composed many tape works. This work is a “musical exploration of the cricket,” with a cricket sound recorded in Mexico. If you know crickets, you will note that this one is not Canadian. But the composer is and this work was produced at the Simon Fraser University in Vancouver where Westerkamp was teaching at the time. 11:09 1:43:18 13. Ann Southam, “Fluke Sound” (1989) from Anthologie De La Musique Canadienne / Anthology Of Canadian Music - Musique Électroacoustique; Electroacoustic Music (1990 Radio Canada International). Southam is another female Canadian composer of note. Much of her career has been spent composing works for dance. She is from the Toronto area. This work is from a period when she was immersed in electroacoustic music. 10:22 1:54:13 14. Norma Beecroft, “Evocations: Images Of Canada (1992) (2003 Ovation Volume 3). In contrast to the earlier tape works of Beecroft featured in part 1 of this series, this is a purely digital composition. She used an Apple Macintosh, the program/sequencer Performer and a Roland D-70 synthesizer. Commissioned by the Music Department in Toronto of the Canadian Broadcasting Corp. with the purpose of utilizing their then new digital mixing facilities. The materials for this composition represent the many aspects of Canadian culture and was a statement around her concern for the “future of Canada as a unfied country.” 16:01 2:04:22 Opening background music: David Keane, “Lumina” (1988) from Anthologie De La Musique Canadienne / Anthology Of Canadian Music - Musique Électroacoustique; Electroacoustic Music (1990 Radio Canada International). For tenor voice and “digital tape recorder” to sample and manipulate the sound. Created in Keane's studio in Scarborough, Ontario. Voice, Richard Margison. 11:46 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations.

Vinilos para Gatos - Ep.: 74 - George Benson - Livin' Inside Your Love (1979)

Música para Gatos

Play Episode Listen Later Aug 24, 2023 51:18

Hoy os vamos a hablar de una de las grabaciones menos exitosas de uno de los más exitosos músicos de la historia del jazz, el guitarrista, compositor y vocalista norteamericano George Benson. Se trata de Livin' Inside your Love, un disco doble grabado en el año 1979 a través de la discográfica Warner. Livin' Inside your Love es probablemente, el trabajo más infravalorado por la crítica de toda la carrera de Benson. Vamos a acercarlo hoy al tejado y que sean los gatos quienes decidan. TRACKS 1-Livin' Inside Your Love Klugh 2-Hey Girl Goffin, King 3-Nassau Day Foster 4-Soulful Strut Record, Sanders 5-Prelude to Fall Foster 6-A Change Is Gonna Come Cooke 7-Love Ballad Scarborough 8-You're Never Too Far from Me Benson 9-Love Is a Hurtin' Thing Raleigh, Linden 10-Welcome into My World Benson 11-Before You Go Benson 12-Unchained Melody North, Zaret CREDITS George Benson Guitar, Vocals Jorge Dalto Organ, Piano, Keyboards, Clavinet, Fender Rhodes Stanley Banks Bass Ronnie Foster Synthesizer, Piano, Keyboards, Moog Synthesizer, Fender Rhodes Steve Gadd Drums Earl Klugh Guitar (Acoustic), Guitar, Guitar (Classical) Will Lee Bass Jack McDuff Keyboards Ralph MacDonald Percussion Mike Mainieri Conductor, Vibraphone, Orchestration Phil Upchurch Guitar (Rhythm) Claus Ogerman Arranger, Conductor Greg Phillinganes Keyboards, Fender Rhodes Robert Popwell Bass Tommy Lipuma Producer Al Schmitt Engineer, Mixing

Wendy Carlos Electronic Composer VV_026

Vinyl Vibrations with Brian Frederick podcast

Play Episode Listen Later May 12, 2023 67:23

Wendy Carlos Electronic Composer VV_026 SONG LIST* M1 Air on a G String (JS Bach 1730, W Carlos 1968), Switched-On Bach, Columbia/CBS, 1968 (2:27) · Wendy Carlos – Moog Synthesizer · Benjamin Folkman, Assistance M2 Two Part Invention in F-Major,(JS Bach 1723, W Carlos, 1968), Switched-On Bach, Columbia/CBS, 1968 (0:40) · Wendy Carlos – Moog Synthesizer · Benjamin Folkman, Assistance M3 Jesu, Joy of Man's Desiring ,(JS Bach 1723, W Carlos 1968), Switched-On Bach, Columbia/CBS, 1968 (2:56) · Wendy Carlos – Moog Synthesizer · Benjamin Folkman, Assistance M4 Chorale Prelude “Wachet Auf”, (JS Bach 1731, W Carlos 1968), Switched-On Bach, Columbia/CBS, 1968 (3:37) · Wendy Carlos – Moog Synthesizer · Benjamin Folkman, Assistance M5 Brandenburg Concerto #3 in G Major 2nd Movement, (JS Bach 1723, W Carlos 1968), Switched-On Bach, Columbia/CBS, 1968 (2:50) · Wendy Carlos – Moog Synthesizer · Benjamin Folkman, Assistance M6 Brandenburg Concerto #3 in G Major 3rd Movement, (JS Bach 1723, W Carlos 1968), Switched-On Bach, Columbia/CBS, 1968 (5:05) · Wendy Carlos – Moog Synthesizer · Benjamin Folkman, Assistance M7 Title Music from A Clockwork Orange), (Purcell, 1695, W Carlos, R Elkind 1972) , Columbia/CBS, 1972 (2:21) · Wendy Carlos – Moog Synthesizer · Rachel Elkind Producer M8 Theme from A Clockwork Orange (Beethoviana), (W Carlos, R Elkind 1972) , Columbia/CBS, 1972 (1:44) · Wendy Carlos – Moog Synthesizer · Rachel Elkind Producer M9 Timesteps (Excerpt), (W. Carlos 1970, Tempi Music BMI), Stanley Kubrick's A Clockwork Orange, Warner Bros Records, 1972 (4:13) · Wendy Carlos – Moog Synthesizer · Rachel Elkind Producer M10 March from A Clockwork Orange/Ninth Symphony, 4th Movement, (L v Beethoven 1824, W Carlos, R Elkind 1970) Stanley Kubrick's A Clockwork Orange, Warner Bros Records, 1972 (7:00) · Wendy Carlos – Moog Synthesizer · Rachel Elkind Producer and Articulations Today's Vinyl Vibrations podcast features the artistry of Wendy Carlos, an American composer, arranger, and electronic musician. Wendy Carlos was born Walter Carlos in Rhode Island in November 1939. She is the first transgender recipient of a Grammy Award, her album SWITCHED-ON BACH won three Grammys in 1970. Later, in 2005 she was the recipient of the SEAMUS Lifetime Achievement Award for her contribution to the art and craft of electro-acoustic music. Wendy Carlos is best known for her electronic music such as SWITCHED-ON BACH…and film scores such as A CLOCKWORK ORANGE, THE SHINING and TRON. Her studies of music composition at Columbia University in New York City in the 1960s led to her working with electronic musicians and technicians where she helped in the development of the MOOG SYNTHESIZER. This was the first commercially available keyboard instrument from Robert Moog. During her time at Columbia, Carlos ordered components of a custom designed synthesizer from Robert Moog, and she collaborated with Moog on the design of that early instrument, which became known as the MOOG SYNTHESIZER. Some of the modules included a touch-sensitive keyboard, a portamento control, which slides notes in the scale between one note and the next, a filter bank, and a 49-oscillator polyphonic generator bank that could create chords and arpeggios, arpeggios are the individual notes of those chords played in cycles. Today, we take the synthesizer for granted. The keyboard synthesizer has become widely-available, and most keyboard musicians today, including me, use a synth keyboard such as BEHRINGER, KORG, NORD, ROLAND, YAMAHA, and yes… even the brand Carlos herself helped design with Robert Moog, the MOOG synthesizer. After getting her Masters in Music Composition from Columbia University in 1965,

Crosscurrents of Musique Concrète

Play Episode Listen Later May 7, 2023 115:22

Episode 96 Crosscurrents of Musique Concrète Playlist Pierre Henry, “Final Du Concerto Des Ambiguités (Final Of The Ambiguities Concerto)” (1950) from 1er Panorama De Musique Concrète (1956 Ducretet Thomson). Composition, tape editing, and audio production by Pierre Henry. Work realized in the studios of Radiodiffusion-Télévision Française (RTF). Published with funds supplied by Conseil international de la musique (UNESCO). 3:15 Pierre Henry, “Expressionisme (1951) Musique Sans Titre – 5e et 6e Mouvements (Untitled Music – 5th and 6th Movements)” from 1er Panorama De Musique Concrète (1956 Ducretet Thomson). Early piece of musique concrete during a time of transition at the RTF, when the composers were moving from using turntables and disc lathes to magnetic tape as a composition medium. This work has evidence of both. Composition, sound editing, and audio production by Pierre Henry. Work realized in the studios of Radiodiffusion-Télévision Française (RTF). Published with funds supplied by Conseil international de la musique (UNESCO). 2:59 Philippe Arthuys, “Boîte À Musique (Musical Box)” from 1er Panorama De Musique Concrète (1956 Ducretet Thomson). Composition, sound editing, and audio production by Philippe Arthuys. Work realized in the studios of Radiodiffusion-Télévision Française (RTF). Published with funds supplied by Conseil international de la musique (UNESCO). 2:53 Mireille Kyrou, “Étude I” (1960) from Musique Concrète (1964 Philips). Composition, sound editing, and audio production by Mireille Kyrou. Realized by the "Groupe de recherches musicales du Service de la recherche de la radiodiffusion-télévision française", directed by Pierre Schaeffer. Kyrou is the rare example of a woman composer using the French studio. This is her only work released on record. However, according to Hugh Davies' International Electronic Music Catalog, I find several other compositions dating from this period that, hopefully, will one day be released by the GRM. There were three additional works from 1960-61, all done for film, totaling in time to about 31 minutes. 5:09 Henri Pousseur, “Trois Visages De Liège” (1961) from Early Experimental Electronic Music 1954-1961 (2018 Fantôme Phonographique). This is a reissued version of Pousseur's work from 1961 and originally released on a Columbia disc in 1967. But this version is several minutes longer than that release. This album also features a bonus track of sound elements used for the work before being fully composed. Composition, tape editing, and audio production by Henri Pousseur. Pousseur was Belgian and worked in the Studio de Musique Electronique de Bruxelles in a musique concrète style. 20:32 Bernard Parmegiani, “Danse” (1961) from Musique Concrète (1969 Candide). Composition, tape editing, and audio production by Bernard Parmegiani. Compositions realized in the studios of Groupe de Recherches Musicales, O.R.T.F., Paris, France. Parmegiani was one of the GRM's most prolific composers, working on individual works but also numerous pieces for stage, dance, and, most importantly film and commercials, producing early music videos, soundtracks, and commercials for companies like Renault. His music was inventive and imaginative, and he became a chief craftsman of electronic music for decades. Until 1992, he produced most of his music at GRM, but was frequently on commission to work at institutions in other countries. In 1992, Parmegiani left the GRM and set up his own studio in Saint-Rémy-de-Provence. 4:08 Luc Ferrari, “Tautologos I” (1961) from Musique Expérimentale 2 (1972 BAM) Recordings realized in the studios of Gravesano (directed by Hermann Scherchen). Reissue of 1964 release. Composition, tape editing, and audio production by Luc Ferrari. 4:19 Philippe Carson, “Turmac” (1961) from Musique Expérimentale 2 (1972 BAM) Recordings made by Le Groupe de Recherches Musicales du Service de la Recherche de l'O.R.T.F. Reissue of 1964 release. Composition, tape editing, and audio production by Philippe Carson. 9:43 Luc Ferrari, “Tête Et Queue Du Dragon” (Second Version) (1962) from Musique Concrète (1969 Candide). Composition, tape editing, and audio production by Luc Ferrari. Compositions realized in the studios of Groupe de Recherches Musicales, O.R.T.F., Paris, France. 9:07 François-Bernard Mâche, “Terre De Feu (Second Version)” (1963) from Musique Concrète (1969 Candide). Composition, tape editing, and audio production by François-Bernard Mâche. Compositions realized in the studios of Groupe de Recherches Musicales, O.R.T.F., Paris, France. 6:52 François Bayle, “Vapeur” (1964) from Musique Expérimentale 2 (1972 BAM) Recordings made by Le Groupe de Recherches Musicales du Service de la Recherche de l'O.R.T.F. Reissue of 1964 release. Composition, tape editing, and audio production by François Bayle. 4:44 Bernard Parmegiani, “Récession” (1966) from Bernard Parmegiani – Mémoire Magnétique, Vol 1. (Compilation De Bandes Magnétiques Inédites (1966-1990) (2018 Transversales Disques). Composition, tape editing, and audio production by Bernard Parmegiani. First release of this track, created for theatre. 2:25 Bernard Parmegiani, “La Ville En Haut De La Colline II” (1968) from Bernard Parmegiani – Mémoire Magnétique, Vol 1. (Compilation De Bandes Magnétiques Inédites (1966-1990) (2018 Transversales Disques). Composition, tape editing, and audio production by Bernard Parmegiani. First release of this track, created for film. 1:30 Bernard Parmegiani, “Outremer” (1968) and “Trois Canons En Hommage À Galilée”(1969) from Arlette Sibon-Simonovitch Avec Le Concours De Sylvio Gualda Œuvres De: Parmegiani, Mestres-Quadreny – Espaces Sonores N°1 (1975 La Voix De Son Maître). Ondes Martenot, Arlette Sibon-Simonovitch. Composition, tape editing, and audio production by Bernard Parmegiani. Work for Ondes Martenot and four tracks of magnetic tape. 21:02 Bernard Parmegiani, “Je Tu Elles” (1969) from Bernard Parmegiani – Mémoire Magnétique, Vol 1. (Compilation De Bandes Magnétiques Inédites (1966-1990) (2018 Transversales Disques). Composition, tape editing, and audio production by Bernard Parmegiani. First release of this track, created for film. 2:59 Roger Roger, “Le Type Beurré” from Musique Idiote (1970 Neuilly). Another experiment with the Moog Synthesizer by composer Roger Roger, maker of broadcast library music. 1:38 Roger Roger, “La Nana Siphonée” from Musique Idiote (1970 Neuilly). Enter the Moog Synthesizer. Here are some early works for Moog by composer Roger Roger, maker of broadcast library music. 1:39 Opening background music: Henri Pousseur, “Éléments De Trois Visages De Liège” from Early Experimental Electronic Music 1954-1961 (2018 Fantôme Phonographique). Composition, tape editing, and audio production by Henry Pousseur. 3:10 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Early Intersections of Rock and Electronic Music

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Play Episode Listen Later Apr 23, 2023 131:43

Episode 95 Early Intersections of Rock and Electronic Music Playlist Frank Zappa, The Mothers of Invention, “The Return of the Son Of Monster Magnet (Unfinished Ballet In Two Tableaus)” from Freak Out! (1966 Verve). Bass, Guitarrón, Soprano Vocals, Roy Estrada; Drums, Jimmy Carl Black; Guitar, Vocals, Arranged By, Written-By, Leader, Musical Director, Frank Zappa; Lead Guitar, Rhythm Guitar, Elliot Ingber; Vocals, Harmonica, Tambourine, Finger Cymbals, Ray Collins. Having been gifted a copy of the Mother's album Freak Out! In 1966, it was apparently this song that stuck in Paul McCartney's mind, inspiring the “Carnival of Light” recording to follow. 12:15 The Beatles, “Carnival of Light” an unreleased track that was commissioned by the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on January 28 and February 4, 1967. Recorded during a session for the song "Penny Lane" in January 1967. Working with the recording studio as a creative tool, this was a project brought to band by Paul McCartney who had been asked by the festival sponsors to create a tape to be featured at the event. It was reported later that McCartney explained the exercise to his bandmates by saying, "This is a bit indulgent, but would you mind giving me 10 minutes? I've been asked to do this thing. All I want you to do is just wander round all of the stuff and bang it, shout, play it." The result was this sound piece. The Beatles were already conditioned for turning out spectacular sound effects in the studio. This was before the Moog Synthesizer came to Abbey Road. Nonetheless, they had access to all manner of guitar effects, echo, reverb, a Mellotron, electronic piano, organ, Lesley speakers and other devices with which to improvise. 13:08 The Riders Of The Mark, “The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg” from The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg/Gotta Find Somebody (1967 20th Century Fox). I wish I knew more about this band, but I don't. They had this one single. It has sometimes been included on compilation of psychedelia. Rock music, tape reversal, tape echo, fuzz tones, guitars. 2:13 Pink Floyd, “Interstellar Overdrive” from The Piper At The Gates Of Dawn (1967 Columbia). UK release of the formidable Pink Floyd, then making an impact with their first LP. No synthesizers, but there were electronic rock instruments galore and some imaginative stereo imaging, a benefit of working with tape in those days. Bass Guitar, Vocals, Roger Waters; Lead Guitar, Vocals, Syd Barrett; Drums, Nicky Mason; Piano, Organ, Rick Wright. 9:40 Bernard Parmegiani, “Pop'eclectic (1968)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Parmegiani was one of the lesser-known composers associated with the French musique concrete school, although he was no less prolific in many genres, including electronic music for commercials. He was adept at experimenting across genres, providing musique concrete vividness to works for jazz and rock music. I always find his work to be refreshing and uncluttered by musical cliches. 11:03 (Frank Zappa) The Mothers of Invention, “Are You Hung Up?” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 1:30 Silver Apples, “Velvet Cave” from Silver Apples (1968 Kapp). Composed and Arranged by, Dan Taylor, Simeon; Percussion, Dan Taylor; The Simeon (oscillators, filters), Simeon; Vocals, Dan Taylor, Simeon. “INSTRUCTIONS: Play Twice Before Listening.” This two-man group used a genius combination of drums and oscillators, a match made in heaven. 3:27 (Frank Zappa) The Mothers of Invention, “Nasal Retentive Calliope Music” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 2:03 The United States of America, “The American Metaphysical Circus” from The United States of America (1968 Columbia). While the entire psychedelic scene in America was adding tape manipulation, fuzz tones, and echo to their recordings, The United States of America brought a blend of rock musicianship and serious tape collage work to the fore. The tape effects in their music were not the usual brief hooks or the sake of novelty, but fully composed blocks of electronic and found sounds integrated in the core of their tunes. Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. 5:07 The United States of America, “Hard Coming Love” from The United States of America (1968 Columbia). Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. No synthesizers as such, but Tom Oberheim built ring modulators and other devices for them. 4:48 Bernard Parmegiani, “Du Pop À L'âne (1969)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Of special interest on this track is a sampled chunk of a song by the Doors that appears about 6 minutes in, altered and accompanied by editing and effects. This use of sampling speaks to the liberties that musique concrete musicians were taking with found materials. 10:14 Pierre Henry & Michel Colombier, “Prologue,” “Psyché Rock,” “Jéricho Jerk,” and “Teen Tonic” from Mass For Today / The Green Queen (1969 Limelight). Compilation of earlier works first released in 1967. These four works were part of “Mass for Today,” an electronic rock ballet.” This is a decent collection, with selections from other Henry musique concrete works. The electronic sounds and tape effects seem somewhat heavy-handed now, but at that time, this was what one could do without a synthesizer. Henry was already a maestro of musique concrete by that time so it's especially interesting to see what sounds he added without seeming trite or cliched. Réalisation Sonore, Pierre Henry; Written by, Michel Colombier, Pierre Henry. 9:54 Spooky Tooth and Pierre Henry, “Have Mercy” from Ceremony: An Electronic Mass (1969 Island). Bass Guitar, Andy Leigh; Composed by Gary Wright, Pierre Henry; Drums, Mike Kellie; Electronics, Realisation Sonore, Pierre Henry; Lead Guitar, Luther Grosvenor; Lead Vocals, Mike Harrison; Lead Vocals, Keyboards, Gary Wright. 8:10 The Free Pop Electronic Concept, “Pish! Pshaw!” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 4:47 The Free Pop Electronic Concept, “Cosmos Rhythms” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 3:01 Tommy James and the Shondells, “Cellophane Symphony” from Cellophane Symphony (1969 Roulette). This title track was a rare instrumental from this group normally associated with rock vocal hits. This is the only track in this podcast featuring the Moog Modular Synthesizer. There were certainly other examples of the Moog since it was first used in 1967, but I wanted to choose an example of how the synthesizer could be used by a rock band, rather than a pop artist such as Jean Jacques Perrey or Mort Garson. This is a terrific example that I would bet many of my listeners have never heard before. Tommy James, lead vocals, guitars, keyboards; Eddie Gray, lead guitar, backing vocals; Ronnie Rosman – keyboards, backing vocals; Mike Vale, bass guitar, backing vocals; Pete Lucia, drums, percussion, backing vocals. 9:37 West Coast Pop Art Experimental Band, “As Kind as Summer” from Vol. 3 - A Child's Guide To Good & Evil (1968 Reprise). American psychedelic rock band, formed in Los Angeles in 1965, broke up in 1969. Three teens (brothers Dan and Shaun Harris and their friend Michael Lloyd) teamed up with 30-year old Bob Markley, who got them a record deal with Reprise. Each of their albums was most bizarre, combining hummable pop tunes and spacey production. I included this particular track because it starkly demonstrates the use of tape loops and sound reversal. 1:10 Toshi Ichiyanagi, The Flowers, "Electric Chant” and “The Flowers (内田裕也とザ・フラワーズ)” from Opera "From The Works Of Tadanori Yokoo (1969 The End Record). Composed by Toshi Ichiyanagi and performed by the Japanese rock group The Flowers: Bass, Takeshi Hashimoto; Drums, Joji Wada; Guitar, Vocals, Remi Aso; Percussion, Backing Vocals, Yuya Uchida; Steel Guitar, Katsuhiko Kobayashi; Vocals, Hiroshi Chiba, Kento Nakamura. I'm including two pieces from this opera from 1969. The first, “Electric Chant” is electronic and includes tape collage while the second, “The Flowers” was performed by the Japanese pop rock band The Flowers and is loaded with distortion, echo, feedback, and reverberation, transforming the simple rock format into a discourse in electronic sound. 5:17 & 7:18 Tim Buckley, “Starsailor” from Starsailor (1970 Bizarre). Engineer, Stan Agol; Vocals, Producer, Written by, Tim Buckley. According to Larry Beckett, Buckley's chief lyricist and collaborator, who was there when they recorded this track, Buckley had a basic lyric track to which he recorded 18 additional vocals tracks on top of it. “He didn't write it out as a classical musician does, but it was thoroughly composed.” From the standpoint of rock music, this was more akin to composing with tone clusters than chord progressions. 4:34 Opening background music: Luc Ferrari, “Dialogue Ordinaire Avec La Machine (1984)” from Dialogue Ordinaire Avec La Machine / Sexolidad (2019 Elica). Composed and performed by Luc Ferrari. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

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Teil 1: Was hat der Moog Synthesizer mit Musikgeschichte zu tun?

ZÜNDFUNK - Generator

Play Episode Listen Later Apr 5, 2023 31:52

Er prägte Alben von Bands wie den Beatles, Deep Purple und The Police: der legendäre Synthesizer Moog IIIp. In diesem 1. Teil des Podcasts geht Zündfunk-Reporter Florian Schairer auf Spurensuche in der Musikgeschichte und trifft den Komponisten, Dirigenten und Musiker Eberhard Schoener und seine Frau Stefanie, die Ende der 1960er Jahre den Moog IIIp aus den USA nach Europa brachten. Dafür brauchten sie einen Haufen Geld, viel Überzeugungskraft und eine Lüge am Zoll.

united states podcasts er police europa beatles bands deep purple spurensuche alben zoll komponisten musikgeschichte dirigenten haufen geld moog synthesizer

Teil 2: Was hat der Moog Synthesizer mit Musikgeschichte zu tun?

ZÜNDFUNK - Generator

Play Episode Listen Later Apr 5, 2023 39:03

Der legendäre Synthesizer Moog IIIp prägte die Musikgeschichte. Anfang der 1970er etablierte sich der "Sound der Zukunft" - und erkundete dank des Musikers Eberhard Schoener so unterschiedliche Welten wie Hard Rock, Klassik und balinesische Gamelan-Musik. In diesem 2. Teil des Podcasts hören wir den Moog mit The Police, Giorgio Moroder und kommen zurück nach München zur Band Ströme. Zündfunk-Reporter Florian Schairer erzählt außerdem, wieso ein Weltstar ohne den Moog vielleicht nie angefangen hätte zu singen.

Weep In Silence - Revisited

Play Episode Listen Later Jan 19, 2023 22:16

A re-dive into the song Weep In Silence by Uriah Heep. Choices and the Every Day Rocks! boxed sets can be ordered here and you should do it soon as quantities are limited. Made available now by Uriah Heep and BMG Records! Check out my Every Day Rocks! unboxing video here! Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 29-6 Song: Weep In Silence Air date: 1-19-2023 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: You who thought Your eyes could tell no lies So your life became a compromise And it was you Who had seen men dyin' You heard their children cryin' While their women weep in silence And you who thought You were so wise Succeeded only in disguise Now and then You'd find a bridge to cross Reach the other side And you'd still be lost Evaded by the sweet smell of life And the people that you try To show the way Never believe you Never believe you - no way And the people that you try To show the way Never believe you Never believe you - no way And the people that you try To show the way Never believe you Never believe you - no way And the people that you try To show the way Never believe you Never believe you And you who thought You were so wise Succeeded only in disguise Now and then You'd find a bridge to cross Reach the other side And you'd still be lost Evaded by the sweet smell of life While your women weep in silence Your women weep in silence Women weep in silence Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My brothers in the #DeepDivePodcastNetwork: Link Terry T-Bone Mathley at TBone's Prime Cuts… On the Other Side Nate and John at the Deep Purple Podcast (Deep Purple) The Simple Man at Skynnred Reconsydrd Podcast (Lynyrd Skynyrd) Rhy at the Sabbath Bloody Podcast (Black Sabbath and Ozzy Osbourne) Paul, Joe and David at the at In the Lap of the Pods (Queen) Andy and Matt at Hawkbinge Podcast (Hawkwind) Eric and Johnathan at Maiden A-Z Pod Daniel and Josh at Diary of the Madmen - The Ultimate Ozzy Podcast Ben and Sam at Universally Speaking: The Red Hot Chili Peppers Podcast George and Hattie at the Judas PriestCast (Judas Priest) Mark and Corey at And The Podcast Will Rock (Van Halen) John, Corey and Scott and at Back Tracks: Aerosmith Revisited John and Corey at Back Tracks: Theme Music Clay and Rhy at North By South (A song comparison and contrast of sorts) Greg and Jonatan at So Far… So Pod… So What? (Megadeth) Kevin at The Tom Petty Project & seaside review Quinn at …And Volume For All Sav, Nick, John and Mark at Rock Roulette Podcast Brandon at Metallicast https://fansnotexperts.com/category/metallicast/ Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

silence choices lake stitcher electric diary piano weep deep purple lap jonatan t bone acoustic guitar uriah heep emmerson tubular bells mellotron slide guitar rhy moog synthesizer pedal steel guitar metallicast

One Way Or Another - Revisited

Play Episode Listen Later Jan 17, 2023 22:06

A re-dive into the song One Way Or Another by Uriah Heep. Choices and the Every Day Rocks! boxed sets can be ordered here and you should do it soon as quantities are limited. Made available now by Uriah Heep and BMG Records! Check out my Every Day Rocks! unboxing video here! Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 29-5 Song: One Way Or Another Air date: 1-17-2023 Performers: Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Lead Vocal Bass Guitar, Mellotron: John Wetton Drums, Vocals: Lee Kerslake Lead Vocal, Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar: Ken Hensley Lyrics: There's been some Changes in my time But this one's playing Games with my mind Stopped in my tracks No thought of looking back The lady's got me tied up But I've already made my mind up One way or another She'll be mine It wasn't anything I could define None of those ringing bells Giving me a sign I just took a look But I was on the hook The lady's got me tied up Don't know how it's gonna wind up One way or another Gonna be all right I'm beginning to think That a forever kind of love Is the kind of love I'll look for forever But still I'll love and love again One way or another I will find my friend I knew some day my heart Would lead my head Beyond the path My chosen life had led I'd been so sure But where is the cure The lady's got me real good Bet you can't say What I should do One way or another It's all over now One way or another ... Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My brothers in the #DeepDivePodcastNetwork: Link Terry T-Bone Mathley at TBone's Prime Cuts… On the Other Side Nate and John at the Deep Purple Podcast (Deep Purple) The Simple Man at Skynnred Reconsydrd Podcast (Lynyrd Skynyrd) Rhy at the Sabbath Bloody Podcast (Black Sabbath and Ozzy Osbourne) Paul, Joe and David at the at In the Lap of the Pods (Queen) Andy and Matt at Hawkbinge Podcast (Hawkwind) Eric and Johnathan at Maiden A-Z Pod Daniel and Josh at Diary of the Madmen - The Ultimate Ozzy Podcast Ben and Sam at Universally Speaking: The Red Hot Chili Peppers Podcast George and Hattie at the Judas PriestCast (Judas Priest) Mark and Corey at And The Podcast Will Rock (Van Halen) John, Corey and Scott and at Back Tracks: Aerosmith Revisited John and Corey at Back Tracks: Theme Music Clay and Rhy at North By South (A song comparison and contrast of sorts) Greg and Jonatan at So Far… So Pod… So What? (Megadeth) Kevin at The Tom Petty Project & seaside review Quinn at …And Volume For All Sav, Nick, John and Mark at Rock Roulette Podcast Brandon at Metallicast https://fansnotexperts.com/category/metallicast/ Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

choices lake stitcher electric diary piano organ deep purple lap jonatan t bone acoustic guitar uriah heep emmerson one way or another tubular bells slide guitar rhy moog synthesizer metallicast

Merry Moog 2022

Play Episode Listen Later Dec 10, 2022 146:34

Episode 86 Merry Moog 2022 Vintage Holiday Music Performed on the Moog and other Synthesizers Playlist Frank Luther with Zora Layman, “Christmas Bells” from Christmas In Song (1939 Decca). This is the original 78 RPM release featuring a vocal quartet, bells, and music played on the Hammond Novachord. 0:38 Frank Luther with Zora Layman, “Christmas Day in the Morning” from Christmas In Song (1958 Vocalion). This is a reissue of the 1939 release featuring a vocal quartet, Zora Layman, bells, and music played on the Hammond Novachord. The stereo is simulated. There are some nice moments for the Novachord on this record. 3:12 Paul Tanner, “Holiday on Saturn” from Music for Heavenly Bodies (1958 Omega). This rare disc features Tanner playing the Electro-theremin, an imitation of the Theremin that was a box with an audio oscillator inside and a rotary dial to control the pitch. Tanner, a renown studio musician and trombone player, later provided the sound of the Electro-theremin on the Beach Boys hit Good Vibrations (1966). 4:16 Greg Lake, Emerson, Lake & Palmer, “I Believe In Father Christmas” from I Believe in Father Christmas (1995 Rhino). Produced by Keith Olsen; written by Greg Lake, Peter Sinfield; vocals, Bass, Acoustic Guitar, Electric Guitar, Greg Lake; Drums, Percussion, Carl Palmer; Hammond organ, Piano, Moog Synthesizer, Keith Emerson. This is the original version released in 1975 with a choir and Moog Modular. It differs significantly from the stripped-down mix, also included on this CD, originally appearing on Works Vol. 2 in 1977 and then later in 1994. Rhino Records was kind enough to package all of ELP's X-Mas related tunes onto a CD EP in 1995, from which this version comes. 3:34 Keith Emerson, “Troika (From Prokofiev's Lieutenant Kije Suite)” from The Christmas Album (1995 Rhino). This is the Prokofiev composition that Greg Lake adapted into “I Believe in Father Christmas.” Later on, Emerson released this interpretation of the Prokofiev piece on The Christmas Album” that appeared in the US in 1995. It doesn't appear on the original UK version in 1988. And again, this is taken from the nifty holiday CD EP also released in 1995 by Rhino. This album was made with instruments from Korg, Ensoniq, Alesis, and Opcode. 4:19 Jean Jacques Perrey and Sy Mann, “Jingle Bells” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:44 Douglas Leedy, “The Coventry Carol” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. 4:46 Jean Jacques Perrey and Sy Mann, “Christmas Bells” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:52 Don Voegeli, “Chanukah” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. Don wrote the original synthesized version of the NPR “All Things Considered” theme. It was created in his Electronic Studio of the University of Wisconsin. He used a Moog Modular Synthesizer plus a Fender Rhodes, Polymoog, and ARP string synthesizer and 16-track recorder. 1:02 Joseph Byrd, “Christmas in the Morning” from A Christmas Yet to Come (1975 Takoma). ARP 2600 Synthesizer with an Oberheim Expander Module. 1:34 Douglas Leedy, “Good King Wenceslas” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. Leedy was an American composer, performer and music scholar. He founded the electronic music studio at UCLA where he had access to both Moog Modular and Buchla synthesizers, and it was during this period from about 1969-71 that he was commissioned to create several albums of electronic music. His training as a minimalist and experimental composer always flavored his music with unexpected sounds and patterns. 3:05 Moog Machine, “O Holy Night” from Christmas Becomes Electric (1970 Columbia). Moog Modular Synthesizer. 2:43 Armen Ra (Armen Hovanesian), “O Come All Ye Faithful” from Theremin Christmas (2018 Sungod). Moog Etherwave Pro Theremin. Armen Ra is an American artist and performer of Iranian-Armenian descent. He plays Theremin. His music fuses Armenian folk music with modern instrumentation, along with melodic lounge standards and classical arias. 4:43 Don Voegeli, “Carol of the Drum” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:01 Philippe Renaux, “Noël Blanc” (“White Christmas”) from We Wish You A Cosmic Christmas (1977 Sinus). Belgium. Minimoog, Arp Axe, Arp Soloist, EMS Synthesizer, Stringman Crumar, Fender Rhodes, Electronic Drums. 3:21 Jean Jacques Perrey and Sy Mann, “Tijuana Christmas” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by, Jean-Jacques Perrey. 1:58 Joseph Byrd, “Carol of the Bells” from A Christmas Yet to Come (1975 Takoma). ARP 2600 Synthesizer with an Oberheim Expander Module. 1:12 Андрій Кок (Andriy Kok), “Небо І Земля” (“Heaven and Earth”) from Різдво На Галичині. Колядки (Christmas in Galicia. Christmas carols) (2006 Ліда). Folk singer, accordion and synth player Andriy Kok has recorded many albums of Ukrainian folk music in addition to a number of holiday songs and carols. 5:00 Douglas Leedy, “In Dulci Jubilo” from A Very Merry Electric Christmas to You (1970 Capitol). Moog Modular Synthesizer and Buchla Synthesizer. 1:14 Bernie Krause, Philip Aaberg, “Deck the Halls” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. He later turned his attention to audio ecology and the recording of nature sounds, particularly of animals. This very special Holiday recording is composed entirely of animal sounds. Some you'll recognize as the natural animal voices themselves. Others may sound like instruments, but they are actually digitally transformed animal sounds. Wild Sanctuary Productions invites you to enjoy a truly unique celebration of both the wild kingdom and Holiday Spirit. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (K 2000/Emulator III) Phil Aaberg. 8:12 The Royal Philharmonic Orchestra, Paul Freeman, and The Chicago Synthesizer-Rhythm Ensemble, John Tatgenhorst, “The Little Drummer Boy” from Turned On Christmas (1985 Columbia). Conductor, Paul Freeman; synthesizers, The Chicago Synthesizer-Rhythm Ensemble; Orchestra, The Royal Philharmonic Orchestra. Keyboards & Synthesizer Concepts: Ed Tossing; Electric Bass, Steve Rodby or Bob Lizik; Drums, Tom Tadke; Guitars, Ross Traut and Bill Ruppert; Percussion, Russ Knutson. 4:08 Montana Sextet, “Little Drummer Boy Jam” from Christmas Time Is Here (1987 Philly Sound Works). Arranged By, Conductor, Producer, Fender Rhodes, Piano, Cowbell, Shaker, Yamaha DX7 Synthesizer, Musser Vibraharp, Vincent Montana Jr.; Congas, Greg Peache Jarman; Guitar, Ronnie James; Snare Drum, Tenor And Bass Drum, Gene Leone. 8:46 Montana Sextet, “Have Yourself a Merry Little Christmas” from Christmas Time Is Here (1987 Philly Sound Works). Arranged By, Conductor, Producer, Fender Rhodes, Piano, Cowbell, Shaker, Yamaha DX7 Synthesizer, Musser Vibraharp, Vincent Montana Jr.; Congas, Greg Peache Jarman; Guitar, Ronnie James; Snare Drum, Tenor and Bass Drum, Gene Leone. 4:56 Mannheim Steamroller, “Good King Wenceslas” from Christmas (1984 American Gramaphone). Arranged, conducted, produced by, Chip Davis; Drums, Percussion, Soloist Recorder, Black Oak Hammered Dulcimer, Soprano Dulcian, Crumhorn, Bells, Vocals, Dry Ice, Chip Davis; Lute, Bass, Eric Hansen; Baldwin SD-10 Synthesizer, Harpsichord, Clavichord, Toy Piano, Prophet 5 Synthesizer, Fender Rhodes, Vocals, Bells, Jackson Berkey; Classical Guitar, Twelve-String Guitar, Ron Cooley; Flute, Willis Ann Ross; French Horn, David (High D) Kappy; Harp, Mary Walter; Oboe, Bobby Jenkins; Strings, Bill Ritchie, Grace Granata, Michael Strauss, Michelle Brill, Richard Altenbach, Richard Lohmann, Roxanne Adams, Wayne Anderson. 3:39 Don Voegeli, “Jingle Bells” long, short, and tag from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:56 Don Voegeli, “Lully, Lullay - The Coventry Carol” from Holiday & Seasonal Music (1977 EMI). Produced at the Electrosonic Studio of the University of Wisconsin-Extension. 1:01 Fossergrim, “Ave Maria” (2020 Bandcamp). Fossegrim is billed as “Dungeon Synth music from the Adirondack Mountains.” In Scandinavian folklore, Fossergrim is is described as an exceptionally talented fiddler. No fiddles here. I think Fossergrim is one Ian Nichols of Albany, New York. Check out his Bandcamp presence. 3:54 Phillip Fraser, “Rub A Dub Christmas” from Rub-A-Dub Christmas (1985 Tuff Gong). Jamaican reggae recording for the holidays. Piano, Organ, Synthesizer, Bass, King Asher, Steely Johnson. 2:53 Phillip Fraser, “The Lord Will Provide” from Rub-A-Dub Christmas (1985 Tuff Gong). Jamaican reggae recording for the holidays. Piano, Organ, Synthesizer, Bass, King Asher, Steely Johnson. There is some crazy synth material on this track. Despite it being recorded in 1985, it sounds quite analog for a synth. 3:17 Unconditional Loathing, “Carol, with the bells” from Holiday Mood (2018 Bandcamp). Every artist dreams of releasing an album of hit holiday songs that will surprise the world and bring great wealth. This is not that album. But it is remarkably noisy and dark. Check out Unconditional Loathing, from Fargo North Dakota, on Bandcamp. Self-described as “A footnote in the history of Midwestern noise that refuses to completely go away.” 1:51 The Smurfs, “Deck the Halls” from Merry Christmas With The Smurfs (1983 Dureco Benelux). This album is in English from the Netherlands. 2:17 Vatto Lofi, “Holiday Lofi” from A Merry Lofi Christmas EP (2021 Bandcamp). Providing a low-fidelity tune for the holidays, but I don't know if “lofi” refers to the low-fidelity sound that is currently a thing (and it does sound like that) or is the actual name of this Icelandic musician. 2:21 Rotary Connection, “Silent Night” from Peace (1968 Cadet Concept). I think this holiday album from the famed psychedelic soul ensemble was perhaps only their second album. Produced by Charles Stepney and Marshall Chess, I've included this track not only because it features some crazy electric guitar but also because Minnie Riperton's five-1/2-octave vocal range could effectively imitate a Theremin, which begins in this track around 1:30 into it. In an interview I once heard her say that one of her childhood fascinations was imitating that “science fiction stuff” with her voice. Interestingly, Charles Stepney also included a Moog synthesizer, used sparingly, on some Rotary Connection tracks, but I've heard none on this album. Co-producer Marshall Chess often added Theremin to Rotary songs but this is not one of them. It's pure Ripperton. The Rotary Connection vocalists: Bobby Simms, Jim Donlinger, Jim Nyeholt, Minnie Riperton, Mitch Aliota, Sidney Barnes, Tom Donlinger; The studio band, Leader, David Chausow; Bill Bradley, electronic effects; guitar, Bobby Christian; bass, Louis Satterfield; bass, Phil Upchurch; bass vocals, Chuck Barksdale. 3:52 Klaus Wunderlich, “Sleigh Ride” from Multi Orchestral Organ Sound (1982 Teldec). Wunderlich was a prolific musician who mastered the Hammond Organ. Occasionally, he performed with a synthesizer and this track comes from an album not of holiday music but of various favorites, performed in the style of the original artists. This is a Leroy Anderson song arranged in the Anderson style. The MOOS (Multi Orchestral Organ Sound) was produced by the Wersi organ company in Germany. This organ/synth/drum machine hybrid was also known as the Wersi Galad and play both synth and traditional organ sounds. There is a current musician advocate for this instrument in Florian Hutter (listen to the next track), of Germany. 3:11 Florian Hutter, “Frosty the Snowman” privately released (2022 No Label). Florian is a living master of the vintage Wersi Delta and Atlantis synthesizer/organ hybrids with a built-in rhythm box. In recent years he has begun to release his music on Spotify. This is taken from the first or second day of his Christmas Special 2022 during which he releases a new tune every day. I don't normally feature tracks recorded from YouTube, but this was too good to pass by and it fits with the vintage music played in the previous track by Wunderlich. Check him out. 2:34 Edwin Hawkins, “The Christmas Song” from The Edwin Hawkins Christmas Album (1985 Birthright). Produced when the Yamaha DX-7 became the top selling synthesizer on the planet, this is a great example of its tidy, digital sound. Richard Smallwood, keyboards, synthesizer; Edwin Hawkins, keyboards, synthesizer; Joel Smith, Drums and Fender bass; Kenneth Nash, percussion. Sounds like one or two Yamaha DX-7s. 3:57 Ryuichi Sakamoto (坂本龍), “Father Christmas” from Merry Christmas Mr. Lawrence (戦場のメ)(1983 Virgin). Music By, Composed By, Performer, Ryuichi Sakamoto. Our best wishes to Mr. Sakamoto who is suffering from Stage 4 cancer. In June he said, “Since I have made it this far in life, I hope to be able to make music until my last moment, like Bach and Debussy whom I adore.” 2:06 Bob Wehrman, John Bezjian and Dusty Wakeman, “Ring Christmas Bells” from Christmas Becomes Electric (1984 Tropical Records). Not be confused with an album by the same name by The Moog Machine in 1969. Unnamed synthesizer programmed and performed by Bob Wehrman and John Bezjian. From Marina Del Rey in California. 1:46 Hans Wurman, “Overture Miniature” from Electric Nutcracker (1976 Ovation). This Austrian composer made several remarkable, classically influenced Moog Modular albums from 1969 to 1976. This was one of his last big Moog projects and is difficult to find. 2:54 Hans Wurman, “Danse De La Fee-Dragee ( Sugar Plum Fairy)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 1:33 Hans Wurman, “Danse Des Mirlitons (Flutes)” from Electric Nutcracker (1976 Ovation). Moog Modular synthesizer, Hans Wurman. 2:14 Keith Emerson, Emerson Lake & Palmer, “Nutrocker” (live) from Pictures at an Exhibition (1972 Cotillion). A fitting reworking of Tchaikovsky arranged by Kim Fowley and performed live, Newcastle City Hall, 26 March 1971. Hammond C3 and L100 organs, Moog modular synthesizer, Minimoog, Clavinet, Keith Emerson; bass guitar, acoustic guitar, vocals, Greg Lake; drums, percussion, Carl Palmer. "Nut Rocker", a rock adaptation of The Nutcracker originally arranged by Kim Fowley and recorded by B. Bumble and the Stingers in 1962. 3:48 Richie Havens, “End of the Season” from Alarm Clock (1970 Stormy Forest). A melancholic reflection on life from Mr. Havens, totally synthesized on the Moog Modular by Bob Margoleff. 3:32 Bernie Krause, Philip Aaberg, “Feliz Navidad” from A Wild Christmas (1994 Etherean Music ). This delightful cassette is from Bernie Krause, known for his Moog explorations with Paul Beaver back in the day. All animal and ambient sounds recorded on location worldwide by Bernie Krause with the exception of the fish (courtesy of U.S. Navy). Animal samples, Bernie Krause and Phil Aaberg. Arrangements, new materials, all keyboards (Kurzweil 2000/Emulator III) Phil Aaberg. Percussion on Feliz Navidad performed by Ben Leinbach. 5:37 Opening background music: Jean Jacques Perrey and Sy Mann, “Rudolf the Red-Nosed Reindeer” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by Jean-Jacques Perrey. 2:16 Moog Machine, “Twelve Days Of Christmas” from Christmas Becomes Electric (1970 Columbia). Arranged by Alan Foust; Synthesizer Tuner, Norman Dolph; Moog Modular Synthesizer, Kenny Ascher. 3:55 Jean Jacques Perrey and Sy Mann, “Silent Night” from Switched on Santa (1970 Pickwick). Moog Modular Synthesizer, Sy Mann; Moog Modular Synthesizer Programmed by Jean-Jacques Perrey. 1:52 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation For additional notes, please see my blog, Noise and Notations.

christmas music american new york university spotify california english earth uk peace germany holiday leader santa wisconsin stage navy netherlands animal columbia cd ucla prophet christmas special belgium capitol christmas day ukrainian providing bass pictures piano guitar folk omega deck virgin bach saturn atlantis drum bandcamp florian electro jamaican orchestras bells bumble performer albany drums organ beach boys hammond exhibition strings silent night midwestern icelandic christmas songs halls conductor rhino snowman feliz navidad frosty armenian birthright nutcracker vocals flute emi harp el p x mas galicia jingle bells chanukah switched rudolf rotary percussion i believe o holy night arrangements shaker tenor tchaikovsky rpm fender father christmas red nosed reindeer good vibrations debussy arranged ave maria lute moog unnamed holiday spirit havens arp lord will provide sinus christmas albums synthesizer korg alarm clock ryuichi sakamoto sakamoto cowbell ovation acoustic guitar little drummer boy oboe prokofiev merry little christmas electric guitars decca theremin have yourself sun god heavenly bodies sleigh ride stingers french horns kurzweil royal philharmonic orchestra wunderlich minnie riperton o come all ye faithful adirondack mountains keith emerson lully pickwick christmas yet twelve days of christmas harpsichord classical guitar bill bradley rhino records dry ice greg lake joel smith fender rhodes good king wenceslas cotillion christmas bells fargo north dakota paul freeman eric hansen carl palmer bass drum no label kim fowley hammond organ leroy anderson buchla merry christmas mr bernie krause christmas time is here congas coventry carol electric bass richard smallwood ripperton minimoog chip davis edwin hawkins dungeon synth wayne anderson notations tuff gong rotary connection alesis jean jacques perrey emerson lake palmer charles stepney takoma phil upchurch keith olsen toy piano moog synthesizer ronnie james mary walter clavichord in dulci jubilo wisconsin extension vincent montana jr teldec kenneth nash yamaha dx

Electronic Music for Astral Tripping

Play Episode Listen Later Sep 25, 2022 93:22

Episode 80 Electronic Music for Astral Tripping Or, Better Music Through Pharmacology Playlist Hal Blaine, “Flashes” from Psychedelic Percussion (1967 Dunhill). Drums, Hal Blaine; Electronics (Moog), Paul Beaver; Keyboards, Organ, Electric Piano, Mike Lang; Percussion, Emil Richards, Gary Coleman. 2:22 Raymond Scott, “LSD”public service announcement for the film, The Trip (1967), plus some electronic music snippets from Electronium (2007 Electronium). I'm not sure who the voice of the announcer is but the recording was produced by Raymond Scott and and I sandwiched the PSA between two snippets of Scott's electronic music. Let this be a warning to you. 1:58 Mort Garson, “Astral Projection” from Ataraxia–The Unexplained (Electronic Musical Impressions Of The Occult) (1975 RCA). Composed with an electronic music score (Moog Modular) by Mort Garson. 5:12 Pierre Henry, “Electro-Genèse” from Mise En Musique Du Corticalart De Roger Lafosse (1971 Philips). Live improvisations recorded Feb. 15-21, 1971 by Pierre Henry using Roger Lafosse's Corticalart device, allowing one to transform brainwaves into electronic signals for further raw manipulations. Technical realization by Groupe Artec (Bordeaux) with electroacoustic equipment from Apsome and J. Heuze. I thought that we needed at least one piece that tapped directly into brain waves. 7:39 Ron Jacobs, “Eating Food” and “Listening to Music” from A Child's Garden Of Grass (A Pre-Legalization Comedy) (1971 Elektra). Timely yet instantly dated, this relic capitalized on explaining marijuana to squares. The Electronic Music was by Alex Hassilev, which probably means that Paul Beaver did the synthesizer patchwork (both were involved in 1967 on the Zodiac Cosmic Sounds by Garson). 3:31 Nik Raicevik, “Methedrine” from Numbers (1970 Narco). Although Raicevik went by the name 107-34-8933 for the initial release of this record on his Narco label, it was re-released by Buddha Records under the title Head by Nik Raicevik. Buddha dropped him and Raicevik went on to create several more crazy electronic albums for his Narco label. This was primarily a Moog Modular album. 5:59 Steve Hillage, “Hurdy Gurdy Glissando” from L (1976 Atlantic). This album was produced by Todd Rundgren and featured some of his Utopia bandmates, Kasim Sulton (bass) and the mind-blowing Roger Powell on synthesizers (R.M.I. Keyboard Computer, Minimoog). But the star is guitarist Steve Hillage (Guitar, Guitar-synthesizer, ARP, EMS, Voice) and a 15th Century Hurdy Gurdy by Sonja Malkine. This is an extrapolation of the Donovan Leitch song, “Hurdy Gurdy Man,” also featured on the album. 8:54 Eberhard Schoener and the Secret Society, “Trance-Formation” from Trance-Formation (1977 Harvest). Bass Guitar, Hansi Ströer; Choir, Members Of The Tölzer Knabenchor; Guitar, Andy Summers; Keyboards, Raimund Elleder; Orchestra, Orchestra of the Munich Chamber-Opera; Percussion, Nippi; Moog Synthesizer, Organ, Piano, Mellotron, Conductor Orchestra Conducted By, Composed By, Arranged By, Produced By, Sleeve Notes, Eberhard Schoener; Vocals, Mary Gregoriy, Monks Of The Monastery of Sama. 11:42 Kitaro, “Astral Trip” from 天界 = Ten Kai / Astral Trip (1978 Wergo). Shakuhachi, Biwa, Ryusuke Seto; Sitar, Lavi; Moog, Korg, ARP, and Roland synthesizers, Koto, Mandolin, Acoustic Guitar, Drums, Percussion, Bass, Kitaro. Written and Arranged by Kitaro. 7:40 Ozric Tentacles, “Lull Your Skull” from There Is Nothing (1986 Self-Released). Bass, Adam Mace; Drums, Nick Van Gelder; Guitar, Keyboards, Ed Wynne; Keyboards, Joie Hinton. 3:00 Bill Nelson, “Opium” from Sounding The Ritual Echo (Atmospheres For Dreaming) (1985 Cocteau Records). "Sounding the Ritual Echo was recorded in the privacy of my own home on broken or faulty tape machines & speakers, each track possessing its own technological deformity. For this I offer no apology as the music owes its existence to a very personal & selfish obsession. As a direct result, some pieces will require a little patience.” Bill Nelson. 1:44 Michael Magne, “Trip Psychiatrique” from Elements Nº 1 "La Terre" (1978 Egg). Bongos, Percussion, Grégori Czerkinsky; R.M.I. Keyboard Computer, ARP Odyssey, ARP Omni Polyphonique, ARP 2600, and Minimoog synthesizers, Clavinet D6, Electric Piano (Fender and Yamaha, composed, adapted, arranged by Michel Magne; Drums, Syn-drums, Jean-Paul Batailley. 4:35 Pure Energy, “Spaced Out” from Spaced Out (12” vinyl) (1983 Say What!? Records). From the Netherlands. Need I say more? I'm not sure if this was about space or being spaced-out but it is definitely psychologically disorienting. This is the long version. 7:35 Acid Mothers Temple & The Melting Paraiso U.F.O., “Stone Stoner” from Absolutely Freak Out (Zap Your Mind!!). Bass Monster Bass, Acoustic Guitar, Vocals, Other Cosmic Joker, Tsuyama Atsushi; Drums, Ichiraku Yoshimitsu; Drums, Percussion, Other Sleeping Monk, Koizumi Hajime; Electric Guitar, Synthesizer, Other Dancin' King, Hiroshi Higashi; Electric Guitar, Violin, Tambura, Effects Cosmic Ringmodulator, Rds900, Synthesizer, Organ, Electric Harpsichord, Vocals, Other Speed Guru, Producer, Engineer, Kawabata Makoto; Jew's Harp, Electric Guitar, Other Erotic Underground, Magic Aum Gigi; Narrator Cosmic Narration, Other Freak Power, Wellens Johan; Saxophone, Mano Kazuhiko; Vocals, Suzuki Chisen; Vocals, Synthesizer, Acoustic Guitar, Other Beer and Cigarettes, Cotton CasinoVoice, Other Cosmos, Ginestet Audrey; Recorded at Acid Mothers Temple and FTF Studio, May to July, 2000. Yes, this is what psychedelic music should sound like. I promise to do an entire podcast around Japanese psychedelic music soon. 16:19 Opening background music: Steve Hillage, “Hurdy Gurdy Man” (edit) from L (1976 Atlantic). Steve Hillage (Guitar, Guitar-synthesizer, ARP, EMS, Voice) and a 15th Century Hurdy Gurdy by Sonja Malkine. This is a cover version of the Donovan Leitch song, “Hurdy Gurdy Man.” Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

music live head voice child japanese trip numbers jews atlantic netherlands records harvest engineers bass technical piano guitar psa buddha lsd utopia orchestras drums cigarettes choir organ egg sama ems philips timely violin astral tripping secret societies sounding vocals harp yamaha percussion elektra rca electronic music la terre composed saxophone narco opium astral projection flashes arranged keyboards moog la vi arp todd rundgren syn mandolin synthesizer korg acoustic guitar electric guitars bill nelson bongos gary coleman bass guitar sitar koto eating food andy summers garson mellotron dunhill kitaro hal blaine raymond scott pierre henry mort garson shakuhachi spaced out mike lang self released minimoog steve hillage knabenchor michel magne notations hurdy gurdy man kasim sulton roger powell acid mothers temple moog synthesizer tambura donovan leitch arp odyssey

Strange Synths

Play Episode Listen Later Aug 27, 2022 105:18

Episode 78 Strange Synths Little Heard Sounds from Unique Synthesizers Playlist David Behrman, “Pools Of Phase Locked Loops,” from My Dear Siegfried (2005 XI Records). Synthesizers (homemade), David Behrman, Katharine Morton Austin. Recorded live at Radio Bremen in May 1972 and commissioned by Hans Otte. At a time when commercial models of analog synths were widely available, Behrman and other musicians such as Gordon Mumma and David Tudor insisted on creating purpose-built instruments using the same principles. Behrman explains, “The homemade synthesizers had 32 voltage-controlled triangle-wave generators built around a chip utilizing a circuit design called the Phase Locked Loop. The chip made smooth glides possible from one pitch to another. The homemade synthesizers also had voltage-controlled amplifiers, rows of small knobs and frequency counters with the aid of which the performers could retune individual oscillators during a performance.” 14:00 John Ridges, “Fugue In G” (Bach) from Computer Controlled Synthesizer Performances (1977 Tesseract Records). This work was made using a computer-controlled music synthesizer which its makers dubbed Mesmerelda. It was comprised on 200 integrated circuits that could create 96 different pitches assigned to six separate channels. Only one waveform was used, a square wave, and there was no envelope control. Hence, the simple organ-like tone of the piece. 4:49 John Ridges, “Ruffles” (Ridges) from Computer Controlled Synthesizer Performances (1977 Tesseract Records). From the same album comes “Ruffles” performed by composer John Ridges. This track featured a slightly more advanced computer music synthesizer they called the AD8. It featured up to eight synthesis boards each one relating to a single channel. So, eight pitches could be played at a time and there was filtering, waveform generation other than square waves, and simple envelope generation to provide a slightly more advanced sound. As Ridges wrote in the liner notes, with pride, “these pieces are generally free of the bizarre noises usually found on electronic synthesizer albums.” The pieces were recorded in real time without overdubs. 2:36 Patrick Gleeson, “Star Wars Theme (Luke's Theme)” (Williams). (1977 Mercury). Recorded and mixed at Different Fur, San Francisco, July 1977. The piece showcases various beds, rhythms, and sounds made using the E-mu modular synthesizer, also known as an Eµ synthesizer (it's original name). "Selections from the film performed on the world's most advanced synthesizer." Drums, Billy Cobham, Harvey Mason, James Levi, Ronnie Beck; Lyricon, Lenny Picket; Vocals, Sarah Baker; keyboards, performer (Breath Controller), engineered, produced, arranged, and conducted by Patrick Gleeson. 5:36 Bennie Maupin, “Crystals” from Moonscapes (1978 Mercury). Eµ synthesizer (E-mu Modular Synthesizer) programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned an Eµ modular synthesizer (see the earlier Star Wars album which also featured this same synth.) Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, Eµ Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the Eµ synthesizer and other instruments. 1:19 Sylvester, “You Make Me Feel (Mighty Real)” from Step II (1978 Fantasy). One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizers. String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects , Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 6:34 Pere Ubu, “I Will Wait” from Dub Housing (1978 Chrysalis). This second album from this Ohio group always figured high on my playlist of favorites. I was mostly fascinated by the synthesizer fills and hijinks by Allen Ravenstine that punctuated much of the group's music with the quirkiest of sounds, all blended and mixed to provide many weird hooks and twists. This is another example of the EML, Electro-comp duphonic modular synthesizer although almost used in a polar opposite way than Sylvester. This is a unique sound from the time. Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Ravenstine is still active and an electronic musician although he has left the EML for other synthesizer frontiers. He remains very much the experimental improviser. 1:45 Pere Ubu, “Navvy” from Dub Housing (1978 Chrysalis). Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Features sounds of the EML Electro-comp modular synthesizer by Allen Ravenstine. 2:40 Pere Ubu, “On the Surface” from Dub Housing (1978 Chrysalis). Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Features sounds of the EML Electro-comp modular synthesizer by Allen Ravenstine. 2:37 Pascal Languirand, “O Nos Omnes” from De Harmonia Universalia (1980 Polydor). I am featuring a track that uses, among other instruments, the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 7:16 Moebius, “Clone Zone” from Moebius (1979 Plastic Poison). Yes, a progressive rock group that utilized the modular synthesizers developed by Serge Tcherepnin, Rich Gold, and Randy Cohen at CalArts in late 1972. By the mid-1970a, Tcherepnin left CalArts and began to manufacture his instruments in Hollywood. Serge modules were designed to bring many elements of the circuits controllable by the performer, patching them in unusual ways beyond what was considered normal for a given module. The model used on this album probably had a 16-stage sequencer introduced by the company, and I think you can hear such patterns in this song. Listen for the bubbling, sequenced sounds that are contrasted to the monophonic solos of the Minimoog and patch sounds of the ARP Odyssey. I think the track opens with the Serge pattern. Drums, Evan Kaplan; Minimoog synthesizer, Bruce Courtois; Roland Sh3a, AP 2600 synthesizers, Steve Roach; Serge modular, Minimoog synthesizer, vocals, written by, Bryce Robbley; Serge modular synthesizer, Doug Lynner. 4:55 Moebius, “Song For Lya,” from Moebius (1979 Plastic Poison). Serge, Oberheim, and Minimoog synthesizers, vocals, written by, Bryce Robbley; Serge, Oberheim synthesizers, written by, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 3:15 Henry Kucharzyk, “Play Dot Sam” from Walk The Line - Three New Works By Henry Kucharzyk (1985 Artifact Music). This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. Samson stands for the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 3:06 Salvatore Martirano, “The SalMar: Part One” from The SalMar Construction (2014 Sub Rosa). Another escapee from the 1970s was this performance at IRCAM in Paris in 1983. Salvatore Martirano, an American composer, invented the one-of-a-kind Sal-Mar Construction designed for real-time performance of electronic music. It was created from 1969 to 1972 at the University of Illinois. The analog synthesizer looked like a large drawing table with an array of 291 touch-sensitive connections to enable the sound generating circuits. Behind it all were some computer circuits salvaged from the Illiac II computer music system and they generated random sequences with which the performer could interact while managing four parallel processes governing the 16 oscillators, applying pitch, timbre, amplitude and envelope parameters to the sound. Martirano toured the world with the performing/composing music machine and described his live performances in the following manner: “The composer, in performance, interacts with the machine as it composes, creating spontaneously four melodic lines which move throughout the concert space via a network of 24 overhead speakers.” This performance was by Martirano while in Paris at IRCAM. 18:59 Herbie Hancock, “Rough” from Future Shock (1983 Columbia). Hancock was well known as an experimenter of new synthesizer technology. During the early stages of the home computer revolution, Hancock used an AlphaSyntauri synthesizer as part of his ensemble of instruments. The AlphaSyntauri was an add-in synth for the Apple II computer, with its own sound-generating circuit board. The company was around from about 1980 to 1985. Its claim to fame what that it was much more affordable than the digital synthesizers made by New England Digital and Fairlight, each of which cost in the $30,000 to $50,000 range. The AlphaSyntauri was $1500. At this price you got 16-voice polyphony, 16 digital oscillators, and envelope generator, keyboard, and a sequencer capable of storing up to 7000 notes. It's affordable sequencing was a major attraction. This was before the Apple Macintosh was introduced, and with that the AlphaSyntauri was made immediately obsolete. But not before Hancock was able to work it into some of his electronic jazz tracks. If you listen carefully you can pick-out the sounds of the AlphaSyntauri because of all of the other synths and instruments on this track. Backing Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Fairlight CMI Synthesizer, AlphaSyntauri Synthesizer, Emulator Synthesizer, Herbie Hancock; Prophet-5 Synthesizer, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 6:55 Opening background music: P.F.M. (Premiata Forneria Marconi), “Storia In "LA"” from Jet Lag (1977 Asylum Records). Italian progressive rock band founded in 1970. Album recorded at Kendun Recorders, Burbank, California, January, 1977 and Scorpio Sound Studio, London, February, 1977. Mixed at Scorpio Sound Studio, February 1977. Mastered at RCA Studio, London. Bass, Moog B12 Synthesizer, Patrick Djivas; Drums, Percussion, Franz Di Cioccio; Electric Piano, Organ, Moog Synthesizer, Flavio Premoli. 6:28 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

music american university california hollywood voice star wars san francisco ohio german italian illinois strange fantasy musical effects connecticut columbia prophet electric mixed stanford university bass piano rough mercury odyssey surface electro drums crystals organ string hancock selections palo alto performers serge sylvester violin burbank vocals flute jetlag percussion engineered mastered herbie hancock chrysalis moog turntables david thomas synthesizer sennheiser moebius calarts synths apple ii tom herman future shock ruffles sub rosa marimba polydor billy cobham synthesizers maupin eml apple macintosh bill laswell behrman sarah baker glockenspiel steve roach fairlight moroder klaus schulze ircam radio bremen sequencer backing vocals harvey mason asylum records lead vocals bass clarinet randy cohen minimoog michael beinhorn i will wait painesville sly dunbar notations premiata forneria marconi oberheim bernard fowler david tudor computer research moog synthesizer you make me feel mighty real arp odyssey evan kaplan rich gold acoustics ccrma allen ravenstine

The Sonic Origins of Electronic Dance Music

Play Episode Listen Later Apr 30, 2022 107:59

Episode 70 The Sonic Origins of Electronic Dance Music Trying to understand the evolution and history of electronic dance music (EDM) is a daunting task. We'll explore some of the sonic roots to see how we got to EDM—a beat-driven music powered by electronics and often focused on creating a trancelike musical state. Playlist Jesse Saunders, “On And On” from On and On (1984 Jes Say Records). Possibly the first DJ-created album created as a commercial public release. Produced, Performed, Arranged By Jesse Saunders; written by Jesse Saunders, Vince Lawrence. 8:02 Armin Van Buuren, “Sail” from Sail (2006 Armind). This 12” original mix was written by and produced by Armin van Buuren. 7:29 Amelie Lens, “Linger On” from Let it Go (2016 Second State). EDM performer and producer from Antwerp, Belgium. 7:41 Timmy Thomas, “Why Can't We Live Together,” from Why Can't We Live Together (1972 Glades). Timmy Thomas, Hammond organ and drum machine. Note the rapid-fire drum sequences sprinkled in here and there, a premonition around the future sound of drum machines. 4:38 Kraftwerk, “Uranium” from Radioactivity (1975 Kling-Klang). Not so much a danceable turn, but the choir sample was later repurposed by New Order in Blue Monday, so a worthy acknowledgement to Kraftwerk. 1:26 Kraftwerk, “Transistor” from Radioactivity (1975 Kling-Klang). Electronic percussion, Karl Bartos, Wolfgang Flür; Voice, Electronics, Florian Schneider, Ralf Hütter. 3:43 Kraftwerk, “Europe Endless” from Trans Europe Express (1977 Kling-Klang). Electronic Drums, Karl Bartos, Wolfgang Flur; Electronics, Voice, Florian Schneider, Ralf Hutter. 9:38 Biddu Orchestra, “Bionic Boogie” from Bionic Boogie (1976 Epic). A 45 RPM single from the disco era, featuring some electronics in the form of synthesizers. Biddu was an Indian-British music producer, composer, songwriter and singer. This was a departure for the Biddu Orchestra, which was normally engaged in full disco orchestrations, not the sonic textures of synthesizers, which are heard here, if somewhat overlayed by the other instruments. 2:59 Donna Summer, “I Feel Love” from I Remember Yesterday (1977 Casablanca). Written and sung by Donna Summer; produced by and Moog Synthesizer, Giorgio Moroder; Moog Synthesizer, Robby Wedel; Moog Bass, Thor Baldursson; Drums, Percussion, Keith Forsey; Bass, Les Hurdle.5:52 Space, “Save Your Love For Me” from Just Blue (1978 Vogue). Space was a French group, created around Didier Marouani (aka Ecama) and Roland Romanelli, acclaimed for their 1977 UK disco hit "Magic Fly." 5:45 Space, “Final Signal” from Just Blue (1978 Vogue). Space was a French group, created around Didier Marouani (aka Ecama) and Roland Romanelli. 4:21 Yellow Magic Orchestra, “Computer Game (Theme From The Invader)” from Yellow Magic Orchestra (1978 Horizon). Japanese techno band, parallel to later Kraftwerk. Drums, Percussion, Other Electronics, Vocals – Yukihiro Takahashi; Keyboards, Other [Electronics], Percussion, orchestrated by Ryuichi Sakamoto; Produced by Harry Hosono; Micro Composer programmer, Hideki Matsutake. 4:28 Mandré, “M3000 (Opus VI)” from M3000 (1979 Motown). Produced and Arranged By Andre Lewis. Lewis was a keyboardist who went on to collaborate with many artists, not the least of which for Frank Zappa for whom he played keyboards for The Mothers of Invention after the departure of George Duke. 5:43 New Order, “Blue Monday” from Blue Monday/The Beach (1983, Factory). This was a 12-inch 45 RPM single of the song which became a top seller. New Order was firmly entrenched in the synth-pop dance/crossover genre at that time and this song with its funky samples, mechanical progression and even references to Kraftwerk (the vocal choir heard is indeed a sample from Kraftwerk's “Uranium” released in 1975 effectively put a few more bricks in the bridge to electronic dance music. 7:27 Michel Huygen, “Take Now Music (Extended Instrumental Version)” from Capturing Holograms (1984 jive Electro). Recorded early 1984 in Barcelona (Spain). Composed, performed, produced, and programmed by Belgian born synthesist Michel Huygen, a member of the Spanish group Neuronium in 1976. 5:34 Kraftwerk, “Der Telefon Anruf (German Version)” from The Telephone Call (1987 EMI). Listen to this track and you will hear similarities in later work by New Order, particularly the comping synth chords and pattern. 3:47 New Order, “World (The Price Of Love) (Radio Edit)” from World. (The Price Of Love) (1993 London Records). CD single of the track also found on the album Republic (1993 London Records). This sounds as if New Order is still thanking Kraftwerk for their inspiration. 3:39 Opening background music: New Order, “Confusion (Instrumental)” (1983 Streetwise). Mixed by Arthur Baker and John "Jellybean" Benitez. New Order's sixth single and their first collaboration with Arthur Baker. Released August 22, 1983. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

world uk voice space french dj japanese spanish epic mothers origins cd belgium republic sonic mixed bass horizon vogue factory electronic invention edm electro belgians drums casablanca motown hammond performed armin electronics sail frank zappa new order emi kraftwerk buuren percussion blue monday antwerp donna summer composed uranium rpm transistor keyboards giorgio moroder ryuichi sakamoto electronic dance music george duke barcelona spain sonic origins radioactivity glades streetwise arthur baker yellow magic orchestra i feel love second state trans europe express released august armind timmy thomas london records we live together ralf h notations jesse saunders karl bartos keith forsey moog synthesizer indian british wolfgang fl kling klang just blue john jellybean benitez

More Symphonic Music with Synthesizers

moog synthesizers bob moog moog music moog synthesizer

Play Episode Listen Later Apr 16, 2022 103:05

Episode 69 More Symphonic Music with Synthesizers Playlist Tomita, “Gardens In The Rain (Estampes, 3)” from Snowflakes Are Dancing (1974 RCA Red Seal). "Electronic performances of Debussy's tone paintings." Performed, arranged, and electronically created by Isao Tomita, composed by Claude Debussy. Modular Moog synthesizer by Isao Tomita, with equipment listed as: Moog synthesizer; One 914 extended range fixed filter bank; Two 904-A voltage-controlled low-pass filters; One 904-B voltage-controlled high-pass filter; One 904-C filter coupler; One 901 Voltage-controlled oscillator; Three 901-A oscillator controllers; Nine 901-B oscillators; Four 911 envelope generators; One 911-A dual-trigger delay; Five 902 voltage-controlled amplifiers; One 912 envelope follower; One 984 four-channel mixer; One 960 sequential controller; Two 961 interfaces; One 962 sequential switch; Two 950 keyboard controllers; One 6401 Bode ring modulator; Tape recorders, One Ampex MM-1100 16-track, One Ampex AG-440 4-track, One Sony TC-9040 4-track, One Teac A-3340S 4-track, One Teac 7030GSL 2-track; Mixers, Two Sony MX-16 8-channel mixers, Two Sony MX-12 6-channel mixers; Accessories, One AKG BX20E Echo unit; One Eventide Clockworks "Instant Phaser"; Two Binson Echorec "2" units ; One Fender "Dimension IV;" One Mellotron. 3:41 Tomita, “The Old Castle” from Pictures At An Exhibition (1975 RCA Red Seal). “Electronic interpretations of works by classical composer Modest Mussorgsky.” Performed, arranged, and electronically created by Isao Tomita, composed by Modest Mussorgsky. Modular Moog synthesizer by Isao Tomita. Assume same instrumentation as above. 5:16 Pulsar, “Strands of the Future” from Strands of the Future (1976 Kingdom Records). Recorded in Switzerland, released in France. Drums, Percussion, Victor Bosch; Electric Guitar, Acoustic Guitar, Vocals, Gilbert Gandil; Flute, Solina Synthesizer, Roland Richard; Lyrics By François Artaud; Organ, Moog Synthesizer, Mellotron, Bass Guitar, Jacques Roman. 22:13 Vangelis Papathanassiou, “Flamants Roses” from Opéra Sauvage (1979 Polydor). "Original Music For Frédéric Rossif's Television Series.” Recorded in London, 1979. Composed, Arranged, Produced, synthesizers, piano, Fender Rhodes electric piano, drums, percussion, xylophone, Vangelis Papathanassiou; harp, Jon Anderson. 11:48 Rick Wakeman, “Overtures, Part 1 and 2” from 1984 (1981 Charisma). Part 1: Piano, Prophet Synthesizer, Rick Wakeman. Part 2: Organ, Piano, Prophet Synthesizer, RMI Synthesizer, Rick Wakeman. Bass, Runswick D., McGee R.; Bassoon, Sheen G., Hammond H. Cello, Truman B., Robinson M., Willison P.; Cello [Lead], Daziel A.; Clarinet, Weinberg T., Puddy K.; Drums, Tony Fernandez; Drums, Frank Ricotti; Fender Bass, Boghead, Steve Barnacle; Flute, Sandeman D., Gregory J.; Guitar, Beaky, Tim Stone; Horn, Thomson M., Easthope P.; Keyboards, Dave Crombie; Oboe, Theodore D., Whiting J.; Producer, Rick Wakeman Saxophone [Selmer] Gary Barnacle; Trombone, Hardie, Wilson; Trumpet, Miller J., Wallis J.; Tuba, Jenkins J. Viola, Newlands D., Robertson G., Andrade L.; Viola [Lead], Cookson M.; Violin, McGee A., Dukov B., Katz D., Bradles D., Clay L., Good T.; Violin, Leader, Rothstein J.. 5:12 Keith Emerson, “Tramway” from Nighthawks (Original Soundtrack) (1981 Backstreet Records). Keith played a Fairlight CMI on this track. The Fairlight was programmed by Kevin Crossley. Keyboards, Performed, Produced, Composed by Keith Emerson; Drums, Neil Symonette; Percussion, Frank Scully; Orchestral Percussion, Tristen Fry; Saxophone, Jerome Richardson; Trumpet [Lead], Greg Bowen. 3:25 Jean Michel Jarre, “Fourth Rendez-Vous” from Rendez-Vous (1986 Polydor). ARP 2600 synthesizer, Eminent organ, Matrisequencer, Roland TR 808 drum machine, Michel Geiss; Elka Synthex, EMS Synthi AKS, Oberheim OBX, Yamaha DX100 synthesizers, Matrisequencer, Roland TR 808 drum machine, Linn 9000 Electronic Drums, Jean-Michel Jarre. 3:59 Jean Michel Jarre, “Fifth Rendez-Vous” from Rendez-Vous (1986 Polydor). “Baby Korg” synthesizer, David Jarre; ARP 2600 synthesizer, Matrisequencer, Michel Geiss; Emulator II sampler/synthesizer, Dave Smith Prophet-5 synthesizer, Casio CZ 5000, ARP 2600, Fairlight CMI, Roland JX 8P, synthesizers, Matrisequencer, Jean-Michel Jarre. 7:56 Jean Michel Jarre, “Last Rendez-Vous: "Ron's Piece" from Rendez-Vous (1986 Polydor). Saxophone, Pierre Gossez; Elka Synthex, Seiko DS 250, Fairlight CMI synthesizers, Matrisequencer, Eminent organ, Jean-Michel Jarre. 5:45 William Ørbit, “Ogive Number 1” from Pieces In A Modern Style (2000 WEA Records). Recorded in England. Written by Erik Satie. Arranged, Programmed, Produced, Performed by William Ørbit. I think this piece is more likely Orbit's arrangement of "Ogive Number 2", not Number 1. But who cares? It's lovely to hear the French musician electrified like this. 6:45 Steve Jansen, Richard Barbieri, Nobukazu Takemura, “Empty Orchestra” from Changing Hands (1997 Medium Productions Limited). UK album of downtempo electronic music with a classical flavor. Recorded in Kyoto and London. Composed, Performed, Produced by Nobukazu Takemura, Richard Barbieri, Steve Jansen. 14:11 Sarah Davachi, “Magdalena” from Antiphonals (2021 Late Music). Canadian electro-acoustical composer and musician who blends classical instruments with electronics. Mellotron (English Horn, Bass Flute, Clarinet, Recorder, Oboe, French Horn, Chamber Organ, Nylon String Guitar), Tape Echo, Korg CX-3 Electric Organ, Pipe Organ, Harpsichord, Piano, ARP Odyssey Synthesizer, Acoustic Guitar, Violin, Voice, Sarah Davachi. 10:12 Background music: James Newton Howard, “Margaret I'm Home” from ‎James Newton Howard (1974 Kama Sutra). Performed, Composed, Arranged by, James Newton Howard. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

uk france england voice future french canadian home leader switzerland piece bass piano guitar electronic tape horn trumpets drums organ assume charisma performed orbits rendezvous accessories kyoto violin vocals flute cello percussion composed saxophone sauvage recorder trombone programmed tuba debussy voltage arranged keyboards kama sutra moog arp clarinet claude debussy strands eminent jean michel jarre acoustic guitar oboe erik satie mixers electric guitars jon anderson hardie bass guitar rick wakeman television series french horns james newton howard polydor synthesizers tramway bassoon keith emerson harpsichord artaud mellotron fender rhodes overtures fairlight modest mussorgsky beaky pipe organ roland tr tony fernandez changing hands sarah davachi tim stone notations isao tomita moog synthesizer symphonic music richard barbieri frank scully steve jansen fender bass greg bowen wea records casio cz tape echo

#3 Musikinstrumente, die die Rockmusik geprägt haben

Was mit Rock und Vinyl

Play Episode Listen Later Feb 10, 2022 23:00

Heute gibt es einen Streifzug durch die Geschichte der Rockmusik. Wir beschäftigen uns mit herausragenden Musikinstrumenten, die ganze Genres in der Rockmusik geprägt haben. Wie die E-Gitarren von Fender und Gibson, Tasteninstrumente von Fender Rhodes oder der berühmte Moog Synthesizer. Alles garniert mit passenden Musikbeispielen, die alles Gesagte auf den Punkt bringen. Und unsere Auffälligkeit der Woche hat was mit David Bowie zu tun, aber ganz anders als man denkt. Gut, ein bisschen Nerd-Talk mag hier und da auch dabei sein, aber man möge uns verzeihen, denn wir können nicht anders. Zumindest nicht in dieser Episode… Social Media Ach übrigens, wir sind ab sofort auf Twitter erreichbar, um mit Euch zu diskutieren! Zum Beispiel. Und auf Instagram gibt es das Look-and-Feel zu unserem Kanal. Ähem. YouTube Instagram FacebookDu möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude. Gern unterstützen wir dich bei deiner Podcast-Produktion.

Moog Synthesizers

Ephemeral

Play Episode Listen Later Jan 24, 2022 59:29

In the 1950's, engineer Bob Moog started to tinker and build his own electronic instruments. Little did he know that his invention, the Moog Synthesizer, would revolutionize music for decades to come. Featuring Michelle Moog-Koussa, founder of the Bob Moog Foundation, and former Moog Music engineer August Worley. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

An Electronic Poetry Slam

Play Episode Listen Later Jan 1, 2022 99:24

Episode 63 An Electronic Poetry Slam Playlist Roland Giguere, “Les Heures Lentes” from Voix De 8 Poètes Du Canada (1958 Folkways). Spoken poetry intermixed with musique concrete by Francois Morel. The electronic music and poetry are never heard simultaneously on this album, but the music was composed to set the tone for each work that followed. 1:29. François Dufrêne & Jean Baronnet, “U 47” from A Panorama Of Experimental Music, Vol. 1: Electronic Music / Musique Concrete (1967 Mercury). Dufrêne was a French sound poet and visual artist who performed what he called "crirythmes," a style of vocal noises. The electronic music on tape was composed by Baronnet, who was a co-founder, with Pierre Henry, of Studio Apsome, their private studio for electronic music, after their break from the GRM studios of Pierre Schaeffer in 1958. Recorded under the supervision of Pierre Henry, in collaboration with the sound laboratories of the West German Radio (Cologne), Italian Radio (Milan), French Radio and Television (Paris), and the Studio Apsome (Paris). 3:33 Intersystems, “A Cave in the Country” from Peachy (1967 Pentagon). This was the Canadian experimental music band that produced some radically original music and performed live events mostly in the Toronto area from 1967 to 1969. Poetry and vocals by Blake Parker. Electronic music using the Moog Modular synthesizer by John Mills-Cockell. Performers, Blake Parker, Dik Zander, John Mills-Cockell, Michael Hayden. 1:50 Intersystems, “Carelessly Draped in Black” from Peachy (1967 Pentagon). This was the Canadian experimental music band that produced some radically original music and performed live events mostly in the Toronto area from 1967 to 1969. Poetry and vocals by Blake Parker. Electronic music using the Moog Modular synthesizer by John Mills-Cockell. Performers, Blake Parker, Dik Zander, John Mills-Cockell, Michael Hayden. 4:32 Bruce Clarke, “Of Spiralling Why” from The First See + Hear (1968 See/Hear Productions). From See/Hear, a quarterly publication of recordings of contemporary sound arts. There were three issues total. All from Canada. When there was electronic music, it was provided and created by Wayne Carr using a Buchla Box. Carr was associated with all three of the See/Hear albums/issues. This piece was commissioned for the Adelaide 1968 Arts Festival by the Melbourne ISCM, fragments of poetry were chosen at random from the unpublished works of the late Ann Pickburn, whom I believe you hear performing her words on this track. 9:35 Jim Brown and Wayne Carr, “Blues for Electric” from Oh See Can You Say (1968 See/Hear). Poetry and synthesizer. Poetry and voice, Jim Brown; engineer, Buchla Box, Wayne Carr. The second LP of this quarterly LP/magazine that seemed to only have three issues. “Wayne Carr plays synthesizer whenever it happens.” This is noted on another LP as a Buchla Box, so I've assumed that's what he used on all three albums. 3:09 bill bissett & Th Mandan Massacre (sp), “fires in th tempul” from Awake In Th Red Desert (1968 See/Hear Productions). Poetry and voice, Bill Bissett; Toy Flute, Roger Tentrey; Flute, Tape Recorder, Ross Barrett; Guitar, Terry Beauchamp; Percussion, Gregg Simpson, Harley McConnell, Ken Paterson, Martina Clinton; Producer, Jim Brown; Buchla Box, engineer, Wayne Carr. 3:32 bill bissett & Th Mandan Massacre (sp), “now according to paragraph c” from Awake In Th Red Desert (1968 See/Hear Productions). Poetry and voice, Bill Bissett; Toy Flute, Roger Tentrey; Flute, Tape Recorder, Ross Barrett; Guitar, Terry Beauchamp; Percussion, Gregg Simpson, Harley McConnell, Ken Paterson, Martina Clinton; Producer, Jim Brown; Buchla Box, engineer, Wayne Carr. 2:40 Ruth White, “The Irremediable” from Flowers Of Evil (1969 Limelight). Electronic music, translations, and vocalizations by Ruth White. Words by Charles Baudelaire. Legendary American electronic music pioneer, most noted for her early explorations of sound using the Moog synthesizer. "An electronic setting of the poems of Charles Baudelaire composed and realized by Ruth White." 4:55 Ruth White, “The Cat” from Flowers Of Evil (1969 Limelight). Electronic music, translations, and vocalizations by Ruth White. Words by Charles Baudelaire. Legendary American electronic music pioneer, most noted for her early explorations of sound using the Moog synthesizer. "An electronic setting of the poems of Charles Baudelaire composed and realized by Ruth White." 3:27 Charles Dodge, “Speech Songs: No. 1 When I Am With You (Excerpt)” and “Speech Songs: No. 2 He Destroyed Her Image (Excerpt)” from from 10+2: 12 American Text Sound Pieces (1975 1750 Arch Records). Realized at the Bell Telephone Laboratories for computer music in 1975. 3:45 William Hellermann, “Passages 13 – The Fire (For Trumpet & Tape)” from Peter Maxwell Davies / Lucia Dlugoszewski / William Hellerman, Gerard Schwarz, Ursula Oppens, The New Trumpet (1975 Nonesuch). Composed by William Hellermann; voices, Jacqueline Hellerman, John P. Thomas, Marsha Immanuel, and Michael O'Brien; words by Robert Duncan. This poem was first published in 'Poetry,' April-May 1965. Tape realized by Hellerman at the Columbia-Princeton Electronic Music Center. 25:28 Robert Ashley, “In Sara, Mencken, Christ And Beethoven There Were Men And Women (Excerpt)” from 10+2: 12 American Text Sound Pieces (1975 1750 Arch Records). Lyrics By – John Barton Wolgamot; Moog Synthesizer,Paul DeMarinis; Voice, Robert Ashley. Excerpt from an album-length work released in 1974 on Cramps Records. 3:53 Robert Ashley, “Interiors with Flash” from Big Ego (1978 Giorno Poetry Systems). A study for what would become Automatic Writing, a longer work by Ashley. recorded at Mills College, Oakland, California, May 14, 1978. Voice, Mimi Johnson; Electronics, Polymoog, Voice, written, produced, and mixed by Robert Ashley. 3:05 Joan La Barbara, “Cathing” from Tapesongs (1977 Chiaroscuro Records). Composed, produced, edited and sung by Joan La Barbara. The story behind this piece is a great one. In the 1970s, La Barbara, along with Meredith Monk, emerged in America as two of the premiere practitioners of avant garde vocalizing. Some might recognize the name of this piece as possibly a tribute to Cathy Berberian, the earlier generation's version of an avant garde diva (La Barbara and Monk would never consider themselves as divas in the sense that Berberian was). Rather than being a tribute to Berberian, La Barbara was responding to a radio interview (apparently broadcast during the intermission of her concert at the 1977 Holland Festival). Berberian was outspoken about the new generation of vocalists and wondered out loud how any respectable composer could write for “one of those singers.” La Barbara's response, composed in response, took excerpts from the interview (20 phrases), edited and rearranged them, altered them electronically to compose this piece. In her liner notes, she only identifies Berberian as another “professional singer.” Take that! 8:01. Laurie Anderson, “Closed Circuits” from You're The Guy I Want To Share My Money With (1981 Girono Poetry Systems). One of Anderson's tracks from this 2-LP collection of text and poetry that also includes works by John Giorno and William Burroughs. I think this was the tenth album from Giorno that began in 1975 with the Dial-A-Poem Poets. Electronics (Microphone Stand Turned Through Harmonizer), Wood Block, voice, Laurie Anderson. 7:23. Background music for opening Laurie Anderson, “Dr. Miller” from You're The Guy I Want To Share My Money With (1981 Girono Poetry Systems). Another of Anderson's tracks from this 2-LP collection of text and poetry that also includes works by John Giorno and William Burroughs. This is another version of a track that later appeared on Anderson's Unted States Live LP in 1984. Saxophone, Perry Hoberman; Synthesizer, Percussion, voice, Laurie Anderson. 4:19 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

america california canada black voice french canadian toronto blues poetry flash cat caves oakland electric vol guitar pentagon mercury electronic tape lp carr monk excerpt electronics performers realized passages flute percussion jim brown interiors composed saxophone limelight arts festival poetry slam moog peachy laurie anderson synthesizer charles baudelaire john p mills college du canada william burroughs automatic writing mencken meredith monk see hear big ego michael hayden grm nonesuch robert duncan pierre henry folkways robert ashley pierre schaeffer tape recorder berberian legendary american notations holland festival gerard schwarz john giorno mimi johnson ruth white cathy berberian moog synthesizer blake parker french radio joan la barbara bill bissett

VINILOS PARA GATOS - Ep. 27 - Manual Pratico Para Festas, Bailes e Afins, vol 1 de Ed Motta.

Música para Gatos

Play Episode Listen Later Nov 19, 2021 25:20

En 1997 el músico brasileño, Ed Motta, lanza su primer trabajo para Universal, un disco de carácter abiertamente comercial y bailable que lleva el título de Manual Pratico Para Festas, Bailes e Afins, Vol. 1, y que es considerado por algunos críticos como su mejor obra y uno de los grandes álbumes de black music y acid jazz de la década de los 90s. Manual Pratico para Festas, Bailes e Afins vol. 1 es uno de aquellos trabajos que nos emocionan por estos lares, un disco repleto de muchos y variados ingredientes que no hacen más que demostrar que nos encontramos ante un músico con un enorme bagaje. Y es que la mochila musical de Ed va bien cargadita de muchos y variados elementos musicales, todos ellos apreciados en el tejado. Está presente el funk de Banda Black Rio, de Earth, Wind & Fire y Incognito; los trabajos del Vannelli de los 70s y el sonido de una de sus bandas preferidas, los Steely Dan de Fagen y Brecker, además del mencionado Stevie Wonder y de la pianista, compositora y vocalista brasileña, Tania Maria. Un cocktail que nos encanta a los gatos. Acid jazz, funk, algo de soul, blues, un poquito de reggae, bossa nova , aromas de jazz, algo de pop rock y, sobretodo, mucho talento se unen para acabar conformando un disco sencillamente espectacular; divertido, lleno de calidad y muy, muy trabajado que estamos seguros te hará pasar un buen rato. TRACKS 1-Daqui Pro Méier Amaral, Motta 2-Vendaval Bastos, Motta 3-Fora Da Lei Lee, Motta 4-Lustres E Pingentes Amaral, Motta 5-Birinaite Kassim, Luís, Motta, Yuca 6-Por Você Ser Mais Bastos, Motta 7-Como Dois Cristais Bastos, Motta 8-A Flor Do Querer Bastos, Motta 9-Dias de Paz Bastos, Motta 10-A Loja Do Subsolo Motta 11-Luna E Sera Amaral, Motta 12-Mentiras Fáceis Duncan, Motta 13-Falso Milagre Do Amor Bastos, Motta 14-Quais Serão Meus Desejos? Duncan, Motta 15-Cartão de Vista (Vinheta) Motta CREDITS Ed Motta Afoxe, Agogo, Arp Strings, Arranger, Bass (Electric), Bass Arrangement, Bongos, Chimes, Choir Arrangement, Clavinet, Composer, Drum Programming, Fender Rhodes, Ganza, Guitar, Instrumentation, Percussion, Talk Box, Vocals, Vocoder, Wah Wah Guitar Jorge Elder Baixo Vitor Farias Effects Leo Gandelman Sax (Alto), Soloist Bruno Leite Scratching Liminha Bass (Electric), Bass Arrangement, Effects, Guitar, Moog Bass, Percussion, Program, Slide Guitar, Timbales Marcelo Lobato Korg Synthesizer, Organ William Magalhaes Baixo, Bass Arrangement, Clavinet, Keyboards, Moog Synthesizer, Organ, Piano, Program, Soloist, Synthesizer, Wurlitzer Renato Massa Bateria, Prato Jota Moraes Arp Strings, Arranger, Bass Arrangement, Choir Arrangement, Instrumentation, Organ, Piano, Soloist, Synthesizer, Vibraphone Lincoln Olivetti Arranger, Choir Arrangement Vittor Santos Arranger Marcos Suzano Arranger, Blocks, Cabasa, Pandeiro, Reco-Reco, Triangle Serginho Trombone Arranger

Stroll Down Penny Lane 07: Band on the Run – The Origin of a Hit Song - Part 1

Rock N Roll Pantheon

Play Episode Listen Later Nov 18, 2021 35:56

Stroll Down Penny LaneEpisode 7 Band on the Run – the origin of a hit song Part 1Discover how a throw-away line by George Harrison provided the inspiration for the Beatles' song, You Never Give Me Your Money – AND how three years later, this also formed the basis for Paul's massive hit, Band on the Run. As we connect these dots, we join a 3,110-mile, transcontinental travel adventure with Paul – and we learn how he flew without his Wings.So settle in for a series of revelations that you will find entertaining and informative, for in this Episode we will connect all these dots, and more!SongsBand on the Run, Paul and Linda McCartney; performed by Joe Anastasi, and Mike SugarGet Back, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott and Matt Twain)You Never Give Me Your Money, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott and Matt Twain)I've Got a Secret, performed by Mike SugarBrain Wave Bowl and Bass, Mike Sugar; performed by Mike SugarMy Love, Paul and Linda McCartney; performed by Joe Anastasi and Mike SugarAlso Sprach Zarathustra, Richard Strauss; performed by Mike SugarI've Got A [Certain] Feeling - Paul McCartney and John Lennon; performed by Mike SugarDra-mocku-mystery Tour I, II, and III, Mike Sugar; performed by Mike SugarBeltin' Suspense I and II, Mike Sugar; performed by Mike SugarThe End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)Sources:Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006Band on the Run, a History of Paul McCartney and Wings, Garry McGee; Taylor Trade Publishing; 2003Fab, an intimate life of Paul McCartney; Howard Sounes; Da Capo Press; 2010Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003The Beatles Anthology; Chronicle Books; San Francisco; 2000Funeral takes place of former Wings guitarist Henry McCullough, David Roy; The Irish News; June 19, 2016Paul McCartney pays tribute to 'super-talented' Wings guitarist Henry McCullough, Nick Levine; nme.com; June 15, 2016Paul McCartney and Wings, Band on the Run; Paul McCartney Archive Collection; Deluxe EditionThe Beatles play with the Moog Synthesizer, 1969; Elena the Beatles photosBand on the Run: Moog or ARP? on Fab Forum; www.beatlesbible.comMoog synthesizer; WikipediaMinimoog; WikipediaFab Four FAQ: Everything Left to Know about the Beatles – and More!, Stuart Shea and Robert Rodriguez; Hal Leonard; 2007McCartney, songwriter, Howard Elson; W.H. Allen; 1986

new york history secret san francisco band run beatles origin wings bass john lennon paul mccartney george harrison mccartney robert rodriguez stroll arp hit songs richard strauss penny lane chronicle books little brown kevin ryan linda mccartney band on the run hal leonard geoff emerick irish news da capo press philip norman david roy moog synthesizer howard sounes henry mccullough christopher sandford

Stroll Down Penny Lane 07: Band on the Run – The Origin of a Hit Song - Part 1

Rock N Roll Pantheon

Play Episode Listen Later Nov 18, 2021 37:26

Stroll Down Penny Lane Episode 7 Band on the Run – the origin of a hit song Part 1 Discover how a throw-away line by George Harrison provided the inspiration for the Beatles' song, You Never Give Me Your Money – AND how three years later, this also formed the basis for Paul's massive hit, Band on the Run. As we connect these dots, we join a 3,110-mile, transcontinental travel adventure with Paul – and we learn how he flew without his Wings. So settle in for a series of revelations that you will find entertaining and informative, for in this Episode we will connect all these dots, and more! Songs Band on the Run, Paul and Linda McCartney; performed by Joe Anastasi, and Mike Sugar Get Back, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott and Matt Twain) You Never Give Me Your Money, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott and Matt Twain) I've Got a Secret, performed by Mike Sugar Brain Wave Bowl and Bass, Mike Sugar; performed by Mike Sugar My Love, Paul and Linda McCartney; performed by Joe Anastasi and Mike Sugar Also Sprach Zarathustra, Richard Strauss; performed by Mike Sugar I've Got A [Certain] Feeling - Paul McCartney and John Lennon; performed by Mike Sugar Dra-mocku-mystery Tour I, II, and III, Mike Sugar; performed by Mike Sugar Beltin' Suspense I and II, Mike Sugar; performed by Mike Sugar The End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain) Sources: Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016 Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006 McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006 Band on the Run, a History of Paul McCartney and Wings, Garry McGee; Taylor Trade Publishing; 2003 Fab, an intimate life of Paul McCartney; Howard Sounes; Da Capo Press; 2010 Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006. Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003 The Beatles Anthology; Chronicle Books; San Francisco; 2000 Funeral takes place of former Wings guitarist Henry McCullough, David Roy; The Irish News; June 19, 2016 Paul McCartney pays tribute to 'super-talented' Wings guitarist Henry McCullough, Nick Levine; nme.com; June 15, 2016 Paul McCartney and Wings, Band on the Run; Paul McCartney Archive Collection; Deluxe Edition The Beatles play with the Moog Synthesizer, 1969; Elena the Beatles photos Band on the Run: Moog or ARP? on Fab Forum; www.beatlesbible.com Moog synthesizer; Wikipedia Minimoog; Wikipedia Fab Four FAQ: Everything Left to Know about the Beatles – and More!, Stuart Shea and Robert Rodriguez; Hal Leonard; 2007 McCartney, songwriter, Howard Elson; W.H. Allen; 1986 Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 7: Band on the Run – The Origin of a Hit Song - Part 1

Play Episode Listen Later Nov 16, 2021 35:56

Episode 7 Band on the Run – the origin of a hit song Part 1Discover how a throw-away line by George Harrison provided the inspiration for the Beatles' song, You Never Give Me Your Money – AND how three years later, this also formed the basis for Paul's massive hit, Band on the Run. As we connect these dots, we join a 3,110-mile, transcontinental travel adventure with Paul – and we learn how he flew without his Wings.So settle in for a series of revelations that you will find entertaining and informative, for in this Episode we will connect all these dots, and more!SongsBand on the Run, Paul and Linda McCartney; performed by Joe Anastasi, and Mike SugarGet Back, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott and Matt Twain)You Never Give Me Your Money, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott and Matt Twain)I've Got a Secret, performed by Mike SugarBrain Wave Bowl and Bass, Mike Sugar; performed by Mike SugarMy Love, Paul and Linda McCartney; performed by Joe Anastasi and Mike SugarAlso Sprach Zarathustra, Richard Strauss; performed by Mike SugarI've Got A [Certain] Feeling - Paul McCartney and John Lennon; performed by Mike SugarDra-mocku-mystery Tour I, II, and III, Mike Sugar; performed by Mike SugarBeltin' Suspense I and II, Mike Sugar; performed by Mike SugarThe End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)Sources:Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006Band on the Run, a History of Paul McCartney and Wings, Garry McGee; Taylor Trade Publishing; 2003Fab, an intimate life of Paul McCartney; Howard Sounes; Da Capo Press; 2010Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003The Beatles Anthology; Chronicle Books; San Francisco; 2000Funeral takes place of former Wings guitarist Henry McCullough, David Roy; The Irish News; June 19, 2016Paul McCartney pays tribute to 'super-talented' Wings guitarist Henry McCullough, Nick Levine; nme.com; June 15, 2016Paul McCartney and Wings, Band on the Run; Paul McCartney Archive Collection; Deluxe EditionThe Beatles play with the Moog Synthesizer, 1969; Elena the Beatles photosBand on the Run: Moog or ARP? on Fab Forum; www.beatlesbible.comMoog synthesizer; WikipediaMinimoog; WikipediaFab Four FAQ: Everything Left to Know about the Beatles – and More!, Stuart Shea and Robert Rodriguez; Hal Leonard; 2007McCartney, songwriter, Howard Elson; W.H. Allen; 1986

new york history secret san francisco band run beatles origin wings bass john lennon paul mccartney george harrison mccartney robert rodriguez arp hit songs richard strauss chronicle books little brown kevin ryan linda mccartney band on the run hal leonard geoff emerick irish news da capo press philip norman david roy moog synthesizer howard sounes henry mccullough christopher sandford

Episode 8: Band on the Run – The Origin of a Hit Song - Part 2

Play Episode Listen Later Nov 16, 2021 45:32

Episode 8 Band on the Run – the origin of a hit song Part 2Join us in Part 2 of our story where we investigate the challenges that Paul faced in recording his hit song Band on the Run; his life-threatening encounter, abandonment, culture shock, and using the new instruments of the 60s and 70s. We also investigate how Band on the Run is somehow connected to the song Desperado by the Eagles! So settle in for Part 2 of our narrative. You will be intrigued by a series of revelations that you will find entertaining and informative!Band on the Run, Paul and Linda McCartney; performed by Joe Anastasi and Mike SugarDrama-pizza, Mike Sugar; performed by Mike SugarDramockumystery Tour, Mike Sugar; performed by Mike SugarSuspenseful Stridi, Mike Sugar; performed by Mike SugarHotel (Theme), Henry Mancini; performed by Mike SugarAm Be Into Background, Mike Sugar; performed by Mike SugarAbandon The Run (interstitial rabbit hole), based on Paul and Linda McCartney's Band On the Run, rearranged and performed by Mike SugarGoodbye, Paul McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)Two Part Invention in D Minor, J.S. Bach; performed by Mike SugarI Want You (She's So Heavy), Lennon and McCartney; performed by Mike SugarThus Mooged MaccaThustra, Richard Strauss, Paul McCartney, Phil Medley and Bert Berns; [Twist and Shout, Band on the Run, and Also Sprach Zarathustra] mashed up and performed by Mike SugarMaxwell's Silver Hammer, Lennon and McCartney; performed by Joe Anastasi and Mike SugarKalider Story, Mike Sugar; performed by Mike SugarBaroque Inn, Mike Sugar; performed by Mike SugarSuperstition, Stevie Wonder; performed by Mike SugarShe Drives Me Crazy, Roland Gift, David Steele; performed by Joe Anastasi and Mike SugarPopcorn, Gershon Kingsley; performed by Mike SugarFrankenstein; Edgar Winter: performed by Mike SugarMy Love, Paul and Linda McCartney; performed by Joe Anastasi and Mike SugarWhats' My Line, Charles Fox; performed by Mike SugarThe Good the Bad and the Ugly Theme; Ennio Morricone, performed by Mike SugarDesperado, Glenn Frey and Don Henley; performed by Joe Anastasi and Mike SugarPenny Lane, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, and Mark Abbott of Stroll Down Penny LaneThe End, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain of Stroll Down Penny LaneSources:Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006Band on the Run, a History of Paul McCartney and Wings, Garry McGee; Taylor Trade Publishing; 2003Fab, an intimate life of Paul McCartney; Howard Sounes; Da Capo Press; 2010Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006.Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003The Beatles Anthology; Chronicle Books; San Francisco; 2000Funeral takes place of former Wings guitarist Henry McCullough, David Roy; The Irish News; June 19, 2016Paul McCartney pays tribute to 'super-talented' Wings guitarist Henry McCullough, Nick Levine; nme.com; June 15, 2016Paul McCartney and Wings, Band on the Run; Paul McCartney Archive Collection; Deluxe EditionThe Beatles play with the Moog Synthesizer, 1969; Elena the Beatles photosBand on the Run: Moog or ARP? / Fab Forum; www.beatlesbible.comMoog synthesizer; WikipediaMinimoog; WikipediaFab Four FAQ: Everything Left to Know about the Beatles – and More!, Stuart Shea and Robert Rodriguez; Hal Leonard; 2007McCartney, songwriter, Howard Elson; W.H. Allen; 1986

new york history san francisco band run beatles eagles origin wings twist bach paul mccartney stevie wonder mccartney robert rodriguez ennio morricone desperado don henley arp hit songs richard strauss henry mancini d minor glenn frey chronicle books little brown kevin ryan bandon linda mccartney edgar winter david steele band on the run my line hal leonard charles fox also sprach zarathustra geoff emerick irish news da capo press so heavy philip norman david roy bert berns roland gift moog synthesizer gershon kingsley howard sounes henry mccullough christopher sandford

Episode 07: Band on the Run – The Origin of a Hit Song - Part 1

Play Episode Listen Later Nov 16, 2021 37:56

Stroll Down Penny Lane Episode 7 Band on the Run – the origin of a hit song Part 1 Discover how a throw-away line by George Harrison provided the inspiration for the Beatles' song, You Never Give Me Your Money – AND how three years later, this also formed the basis for Paul's massive hit, Band on the Run. As we connect these dots, we join a 3,110-mile, transcontinental travel adventure with Paul – and we learn how he flew without his Wings. So settle in for a series of revelations that you will find entertaining and informative, for in this Episode we will connect all these dots, and more! Songs Band on the Run, Paul and Linda McCartney; performed by Joe Anastasi, and Mike Sugar Get Back, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott and Matt Twain) You Never Give Me Your Money, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott and Matt Twain) I've Got a Secret, performed by Mike Sugar Brain Wave Bowl and Bass, Mike Sugar; performed by Mike Sugar My Love, Paul and Linda McCartney; performed by Joe Anastasi and Mike Sugar Also Sprach Zarathustra, Richard Strauss; performed by Mike Sugar I've Got A [Certain] Feeling - Paul McCartney and John Lennon; performed by Mike Sugar Dra-mocku-mystery Tour I, II, and III, Mike Sugar; performed by Mike Sugar Beltin' Suspense I and II, Mike Sugar; performed by Mike Sugar The End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain) Sources: Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016 Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006 McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006 Band on the Run, a History of Paul McCartney and Wings, Garry McGee; Taylor Trade Publishing; 2003 Fab, an intimate life of Paul McCartney; Howard Sounes; Da Capo Press; 2010 Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006. Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003 The Beatles Anthology; Chronicle Books; San Francisco; 2000 Funeral takes place of former Wings guitarist Henry McCullough, David Roy; The Irish News; June 19, 2016 Paul McCartney pays tribute to 'super-talented' Wings guitarist Henry McCullough, Nick Levine; nme.com; June 15, 2016 Paul McCartney and Wings, Band on the Run; Paul McCartney Archive Collection; Deluxe Edition The Beatles play with the Moog Synthesizer, 1969; Elena the Beatles photos Band on the Run: Moog or ARP? on Fab Forum; www.beatlesbible.com Moog synthesizer; Wikipedia Minimoog; Wikipedia Fab Four FAQ: Everything Left to Know about the Beatles – and More!, Stuart Shea and Robert Rodriguez; Hal Leonard; 2007 McCartney, songwriter, Howard Elson; W.H. Allen; 1986 Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 08: Band on the Run – The Origin of a Hit Song - Part 2

ZKM | Karlsruhe /// Gespräche /// Talks

Play Episode Listen Later Nov 16, 2021 47:32

Stroll Down Penny Lane Episode 8 Band on the Run – the origin of a hit song Part 2 Join us in Part 2 of our story where we investigate the challenges that Paul faced in recording his hit song Band on the Run; his life-threatening encounter, abandonment, culture shock, and using the new instruments of the 60s and 70s. We also investigate how Band on the Run is somehow connected to the song Desperado by the Eagles! So settle in for Part 2 of our narrative. You will be intrigued by a series of revelations that you will find entertaining and informative! Band on the Run, Paul and Linda McCartney; performed by Joe Anastasi and Mike Sugar Drama-pizza, Mike Sugar; performed by Mike Sugar Dramockumystery Tour, Mike Sugar; performed by Mike Sugar Suspenseful Stridi, Mike Sugar; performed by Mike Sugar Hotel (Theme), Henry Mancini; performed by Mike Sugar Am Be Into Background, Mike Sugar; performed by Mike Sugar Abandon The Run (interstitial rabbit hole), based on Paul and Linda McCartney's Band On the Run, rearranged and performed by Mike Sugar Goodbye, Paul McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain) Two Part Invention in D Minor, J.S. Bach; performed by Mike Sugar I Want You (She's So Heavy), Lennon and McCartney; performed by Mike Sugar Thus Mooged MaccaThustra, Richard Strauss, Paul McCartney, Phil Medley and Bert Berns; [Twist and Shout, Band on the Run, and Also Sprach Zarathustra] mashed up and performed by Mike Sugar Maxwell's Silver Hammer, Lennon and McCartney; performed by Joe Anastasi and Mike Sugar Kalider Story, Mike Sugar; performed by Mike Sugar Baroque Inn, Mike Sugar; performed by Mike Sugar Superstition, Stevie Wonder; performed by Mike Sugar She Drives Me Crazy, Roland Gift, David Steele; performed by Joe Anastasi and Mike Sugar Popcorn, Gershon Kingsley; performed by Mike Sugar Frankenstein; Edgar Winter: performed by Mike Sugar My Love, Paul and Linda McCartney; performed by Joe Anastasi and Mike Sugar Whats' My Line, Charles Fox; performed by Mike Sugar The Good the Bad and the Ugly Theme; Ennio Morricone, performed by Mike Sugar Desperado, Glenn Frey and Don Henley; performed by Joe Anastasi and Mike Sugar Penny Lane, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, and Mark Abbott of Stroll Down Penny Lane The End, Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain of Stroll Down Penny Lane Sources: Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016 Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006 McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006 Band on the Run, a History of Paul McCartney and Wings, Garry McGee; Taylor Trade Publishing; 2003 Fab, an intimate life of Paul McCartney; Howard Sounes; Da Capo Press; 2010 Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006. Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003 The Beatles Anthology; Chronicle Books; San Francisco; 2000 Funeral takes place of former Wings guitarist Henry McCullough, David Roy; The Irish News; June 19, 2016 Paul McCartney pays tribute to 'super-talented' Wings guitarist Henry McCullough, Nick Levine; nme.com; June 15, 2016 Paul McCartney and Wings, Band on the Run; Paul McCartney Archive Collection; Deluxe Edition The Beatles play with the Moog Synthesizer, 1969; Elena the Beatles photos Band on the Run: Moog or ARP? / Fab Forum; www.beatlesbible.com Moog synthesizer; Wikipedia Minimoog; Wikipedia Fab Four FAQ: Everything Left to Know about the Beatles – and More!, Stuart Shea and Robert Rodriguez; Hal Leonard; 2007 McCartney, songwriter, Howard Elson; W.H. Allen; 1986 Learn more about your ad choices. Visit megaphone.fm/adchoices

bonus episode: Tuneful Tuesday #7

HAIR

Play Episode Listen Later Nov 2, 2021 7:25

Hey, it's Matt Herrmann and today is the 2nd of November making it TUNEFUL TUESDAY here on HAIR the american tribal love-rock podcast. Today's episode features Mort Garson's Electronic HAIR Pieces. Mort Garson, the leading exponent of electronic music, re-created the music of HAIR using a Moog Synthesizer, with many oscillators, patch cords, filters, various forms of modulation and program sequences. In result, he has given new dimension and clarity to the brilliant musical created by Gerome Ragni, James Rado and Galt MacDermot. We hope you enjoy and look forward to our time together again on HAIR the american tribal love-rock podcast.

hair mort garson galt macdermot moog synthesizer tuneful

bonus episode: Tuneful Tuesday #2

HAIR

Play Episode Listen Later Sep 28, 2021 6:00

Today we continue our musical exploration of recordings inspired by the genius of Gerome Ragni, James Rado and Galt MacDermot with a selection from Robert Byrne's album ELECTRIC HAIR: Switched on Hits from America's First Tribal Love Rock Musical featuring THE MOOG SYNTHESIZER. Thank you for tuning in and be sure to stop back by on Thursday as we bring you the newest episode from HAIR the american tribal love-rock podcast.

america hair hits galt macdermot robert byrne moog synthesizer tuneful

The Art of the Sound Physiker | A Conversation about Harald Bode

Play Episode Listen Later Sep 17, 2021 120:15

The Art of... | Talk [13.07.2021] A conversation about the German-American engineer and pioneer of electronic musical instruments. Peer Bode, Rebekkah Palov and Tom Rhea talk about synthesizers, frequency shifters and sound modulators – about a life for (electronic) sound. Harald Bode (1909–1987) was a pioneer of electronic musical instruments. Over a period of about half a century, he invented more than fifteen instruments. With his early inventions of the »Warbo Format Organ« (1937) and his »Melochord« (1947), he is considered one of the fathers of modern synthesizers and was also a crucial part in the development of the famous »Moog Synthesizer«. The modulation and alteration of music, speech and sound determined his scientific and technical research for the rest of his life. The estate of Harald Bode contains about eleven meters of documents, including sketches, circuit diagrams, photographs, manuscripts and typescripts as well as correspondence concerning his scientific, technical and artistic activities. Also part of Harald Bode's personal estate are his notebooks or diaries from 1930 to 1983. The holdings provide a detailed insight into his personal life experiences, inventions, plans and thought processes. The conversation together with Peer Bode, Rebekka Palov and Tom Rhea tries to capture and trace this extraordinary personality and the pioneer of electronic arts in his work and his thinking.

art conversations talk sound harald physiker german american moog synthesizer

The French Love Their Synthesizers

Play Episode Listen Later Jun 20, 2021 117:02

Episode 47 The French Love Their Synthesizers Playlist Roger Roger (Cecil Leuter), “Duetto (La Concierge Et Le Monsieur Du Premier)” and “Rondeau Cucu” from Musique Idiote (1970 Neuilly). I believe this is the first library music record that he composed for Moog Modular synthesizer. The tunes are pretty simple, either one track or two tracks recorded in a multitracked sequence. 1:33 and 1:41 Jean-Pierre Ferland, “It Ain't Fair” from ‎Jaune (1970 Barclay). This song has English lyrics on an album that includes tunes in both French and English. This album was recorded in Montreal during the early days of synthesizer use at Andre Perry's studio. Perry's uncredited Moog Modular synthesizer adds little touches throughout, especially on this song. Ferland was a widely popular French-Canadian singer/songwriter. 2:03 Heldon, “Zind” from Electronique Guerilla (1974 Disjuncta). Bass Guitar, Pierrot Roussel; Drums, Coco Roussel; Guitar, Alain Renaud; Piano, EMS VCS 3 Synthesizer, Patrick Gauthier; EMS VCS 3 Synthesizer, Georges Grumblatt; Vocals, Gilles Deleuze; Written by Richard Pinhas. 2:18 Heldon, “Back to Heldon” from Electronique Guerilla (1974 Disjuncta). Bass Guitar, Pierrot Roussel; Drums, Coco Roussel; Guitar, Alain Renaud; Piano, EMS VCS 3 Synthesizer, Patrick Gauthier; EMS VCS 3 Synthesizer, Georges Grumblatt; Vocals, Gilles Deleuze; Written by Richard Pinhas. 8:31 Heldon, “Ouais, Marchais, Mieux Qu'en 68 (Ex : Le Voyageur)” from Electronique Guerilla (1974 Disjuncta). Bass Guitar, Pierrot Roussel; Drums, Coco Roussel; Guitar, Alain Renaud; Piano, EMS VCS 3 Synthesizer, Patrick Gauthier; EMS VCS 3 Synthesizer, Georges Grumblatt; Vocals, Gilles Deleuze; Written by Richard Pinhas. 4:22 Philippe Grancher, “Birds, Birds” from 3000 Miles Away (1975 PÔLE 0014). Composed, Arranged by, Piano, Electric Piano, Synthesizer (String Ensemble), Mellotron, Organ, Effects, Philippe Grancher; Synthesizer, Jean-Louis Rizet; Bass, Gérard Bouquin; Drums – Pascal X; Electric Guitar, Arnaud Chevalier. 8:27 Henri Roger, “‎Asyle Cosmique” from Images...(1975 Pôle Records). Composed and performed by, instruments, Mini Korg Synthesizer, Elka Rhapsodie, Yamaha YC 45 D organ, Electric Guitar, Henri Roger. 10:25 Michel Madore, "Stanley” from Le Komuso À Cordes (1976 Barclay). Another product of Montreal. Guitar, Keyboards, Synthesizer, Piano, Cimbalom [Cymbalom], Ocarina, Producer, Arranged By, Written-By, Michel Madore; Drums, Tubular Bells, Gong, Percussion, Mathieu Léger; Electric Bass, Contrabass, Errol Walters; Electric Piano, Piano, Phillippe Beck; Saxophone, Synthesizer, Ocarina, Percussion, Arranged By, Ron Proby. 3:52 Space Art, “Psychosomatique,” from Trip In The Center Head (1977 IF Records). Music by Dominique Perrier, Roger Rizzitelli playing the following Instruments: Polymoog, Minimoog, Hammond Organ, Fender Piano, Piano, Drums, Clavinette, Arp Odyssey, Eminent, Violon électrique Flanger, Guitare électrique, Vibraphone, Bell-Trees, Gong, Timbales, Grosse caisse symphonique, Korg, Mellotron. 10:38 Jean Michel Jarre, "Oxygène Parts 1, 2, 3” from Oxygène (1977 Polydor). Composed By, Producer, ARP Odyssey synthesizer, EMS A.K.S. and V.C.S. 3 Synthesizers, R.M.I. Harmonic synthesizer, Farfisa organ, Eminent organ, Mellotron, Rhythmin' Computer, Jean-Michel Jarre. 18:41 Clearlight, “Spirale D'Amour” from Visions (1978 Polydor). Arranged by Clearlight, Cyrille Verdeaux; Bass, Philippe Melkonian; Drums, Percussion, Jacky Bouladoux; Electric Bottleneck Guitar Cosmique, Christian Boule; Flute, Tenor Saxophone, Soprano Saxophone, Didier Malherbe; Grand Piano, ARP Odyssey Synthesizer, Gong, produced by Cyrille Verdeaux; Synth Programmed by Francis Mandin; Minimoog Synthesizer, Luc Plouton; Violin, Bass Violin, Didier Lockwood. 7:33 Richard Pinhas, “Iceland Parts 1 and 2” from Iceland (1979 Polydor). Composed By, Performed By, Electronics, Guitar, Richard Pinhas. Pinhas was also a member of Heldon, whose music combined rock and electronic. 10:43 Tai Phong, “Thirteenth Space” from Last Flight (1979 Warner Brothers). Piano, (Acoustic, Electric), Synthesizer, Celesta, written by Pascal Wuthrich and Michaël Jones; Drums, Stephan Caussarieu; Engineer, Khanh; Guitar, Bass, Vocals, Michaël Jones. 4:56 Tai Phong, “Last Flight” from Last Flight (1979 Warner Brothers). Piano (Acoustic, Electric), Moog Synthesizer. EML synthesizer, Pascal Wuthrich; Vocals, Electric Guitar, and written by, Khanh; Drums, Stephan Caussarieu; Engineer, Khanh; Guitar, Bass, Vocals, Michaël Jones. 9:58 Szajner, “Brute Reason” from Brute Reason (1983 Island). Composed By electronics, keyboards, Bernard Szajner; Bass, Felipe Maujardo; Drums, Kirt Rust. Guitar, Xavier Geronimi; Saxophone, Schroeder; Vocals, Percussion, Joji Hirota. Szajner is also the man who invented the laser harp, used by Jarre in performance. 5:18 Background music: Space Art, “Speedway,” from Trip In The Center Head (1977 IF Records). Music by Dominique Perrier, Roger Rizzitelli playing the following Instruments: Polymoog, Minimoog, Hammond Organ, Fender Piano, Piano, Drums, Clavinette, Arp Odyssey, Eminent, Violon électrique Flanger, Guitare électrique, Vibraphone, Bell-Trees, Gong, Timbales, Grosse caisse symphonique, Korg, Mellotron. 2:54 Szajner, “Without Leaving” from Brute Reason (1983 Island). Composed By electronics, keyboards, Bernard Szajner; Bass, Felipe Maujardo; Drums, Kirt Rust. 3:46 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.

music english french island birds effects computers records montreal engineers electric bass iceland visions piano guitar images drums micha organ warner brothers electronics acoustic violin grosse gong schroeder vocals flute barclay percussion composed saxophone speedway french canadian arranged keyboards ocarina harmonic miles away synthesizer jaune korg eminent jean michel jarre electric guitars guitare gilles deleuze bass guitar last flight neuilly polydor ouais violon synthesizers tubular bells eml oxyg khanh clearlight grand piano jarre mellotron ferland vibraphone andre perry hammond organ pinhas electric bass bouquin minimoog flanger space art notations timbales didier lockwood farfisa french love marchais mathieu l moog synthesizer arp odyssey heldon contrabass richard pinhas

I Close My Eyes

Play Episode Listen Later Apr 27, 2021 23:58

A dive into the song I Close My Eyes by Uriah Heep Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-13 Song: I Close My Eyes Air date: 4-27-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: When I think about The distance between us And how hard it is At times here on my own Then I think about your smile About our love a little while I close my eyes and I'm not alone Sometimes I whisper your name Or dream awhile a lonely lovers' game All I'm trying to say Is that I love you in my way And though the days seem long I'll soon be coming home Though my footsteps fall My heart won't ever stumble Through a thousand miles a day My love won't tire For with each pa**ing day I pray that our love is here to stay I close my eyes and kiss you goodnight It's happened before But I still don't really know the score I want so bad for you to know What my heart is trying to say What my heart is trying to say As I leave my song My heart belongs to you, my love There really are no more words That I can find For my love, you are my life You are the colour in my sight And I close my eyes And you fill my mind Sometimes I whisper your name Or dream awhile a lonely lovers' game All I want to say Is that I love you in my way And though the days seem long I'll soon be coming home Coming home. Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Andy and Matt at Hawkbinge https://hawkbinge.buzzsprout.com/ Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

lake stitcher electric piano pods deep purple t bone acoustic guitar 3d4 simple man emmerson tubular bells mellotron prime cuts close my eyes slide guitar rhy moog synthesizer pedal steel guitar deep purple podcast i close my eyes sabbath bloody podcast

Sundown

Play Episode Listen Later Apr 26, 2021 21:22

A dive into the song Sundown by Uriah Heep Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-12 Song: Sundown Air date: 4-26-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: I'll see you at sundown You can't back out now The news is all over town I'll see you at sundown And they can put one of us In a hole in the ground Now it's three in the afternoon And I'm frightened to death When you're in the saloon I wonder if he feels the same For whoever wins there's still The cowboy to blame Sundown, give me some strength I know I can't go it alone Sundown, give me your strength Give me a chance to go home To go home Three in the afternoon And I'm frightened to death When you're in the saloon I hear the reverend feels the sin For whoever wins there's still The cowboy to blame Sundown, give me some strength I know I can't go it alone Sundown, give me your strength Give me a chance to come home Sundown, give me some strength I know I can't go it alone Sundown, give me your strength Give me a chance to come home Sundown, give me some strength I know I can't go it alone Sundown, give me your strength Give me a chance to come home Sundown, give me some strength I know I can't go it alone Sundown, give me your strength Give me a chance to come home Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Andy and Matt at Hawkbinge https://hawkbinge.buzzsprout.com/ Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

lake stitcher electric piano pods deep purple sundown t bone acoustic guitar 3d4 simple man emmerson tubular bells mellotron prime cuts slide guitar rhy moog synthesizer pedal steel guitar deep purple podcast sabbath bloody podcast

Name of the Game - Two Versions

Play Episode Listen Later Apr 23, 2021 33:21

A dive into the song Name of The Game by Uriah Heep Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-11 Song: Name Of The Game Air date: 4-23-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: Here comes trouble In the shape of a lady She started cool but now She's coming around daily She's got some big ideas About being my baby It's her game With the name of love Now she's sure pretty That I have to confess But no five-star fox is Getting me in a mess Let's buy a ring, she says Let's go and get blessed It's her game and she calls it love Rock and roll rules my soul Pushing everything and everyone To one side But when all grows old Chill's still cold When I sing with my sweet guitar When I sing with my sweet My sweet guitar Don't waste your tears on me Go cry in the river What you need I ain't About to deliver I'm my own man and That's how I'm gonna stay ‘Cause music is The name of the game Rock and roll rules my soul Pushing everything and everyone To one side But when all grows old The chill's still cold While I sing with my sweet guitar While I sing with my sweet My sweet guitar While I sing with my sweet guitar ... Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Andy and Matt at Hawkbinge https://hawkbinge.buzzsprout.com/ Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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Confession

Play Episode Listen Later Apr 22, 2021 14:16

A dive into the song Confession by Uriah Heep Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-10 Song: Confession Air date: 4-22-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: I'm so sorry for the things I've done And the times it went a little wrong Try to understand That I've made my plans With my love for you in mind Sometimes you get the wrong idea And I can't seem to make it clear If my heart doesn't show It's ‘cause I don't know The best way to say I love you Every living day You fill my heart With a breath of spring And I search the universe For some joy That I can bring to you Every living day You fill my heart With a breath of spring And I search the universe For some joy That I can bring to you Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Andy and Matt at Hawkbinge https://hawkbinge.buzzsprout.com/ Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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Make A Little Love

Play Episode Listen Later Apr 20, 2021 14:59

A dive into the song Make A Little Love by Uriah Heep Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-9 Song: Make A Little Love Air date: 4-20-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: I walked you to your doorstep Believin' we could make a little love And I let you have my heart I was as certain as the stars above Looked here and there Every everywhere I even searched beyond the dawn But you were nowhere to be found And I was going round and round Lost like I'd never been born I walked you to your doorstep Believin' we could make a little love And I let you have my heart I was as certain as the stars above Time after time I've lost my love for a rhyme A reason seemed good enough You always put me down While you made me run around I can't take anymore of that stuff I walked you to your doorstep Believin' we could make a little love And I let you have my heart I was as certain as the stars above Time after time I've lost my love for a rhyme And my reason Seemed good enough You always put me down And you make me run around I can't take anymore of that stuff I walked you to your doorstep Believin' we could make a little love And I let you have my heart I was as certain as the stars above I walked you to your doorstep Believin' we could make a little love And I let you have my heart I was as certain as the stars above Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Andy and Matt at Hawkbinge https://hawkbinge.buzzsprout.com/ Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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Can't Stop Singing

Play Episode Listen Later Apr 19, 2021 28:33

A dive into the song Can't Stop Singing by Uriah Heep Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-8 Song: Can't Stop Singing Air date: 4-19-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: I can't stop singing I can't see the end Just a new beginning As long as I keep on trying I'll survive just fine Free to take my time Ridin' the moon in the midnight sky I can see through The man who lies with eyes And the real thing that's wrong is He has no song to lean on So I'll take my time Just to give you my rhyme To try to be sure and open the door 'Cause there's much more to life Than a day and a night to dream on I can't stop singing I can't see the end Just a new beginning As long as I keep on trying I'll survive just fine Free to take my time Now I ain't confessin' To same kind of blessin' I'm trying to say Why I'm happy today I'm not preachin', teachin', Makin' some speech in dedication 'Cause it's no good me sayin' Where the blame should be layin' For with that kind of reason It comes out the same With an ear to the ground Each day I found inspiration I can't stop singing I can't see the end Just a new beginning As long as I keep on trying I'll survive just fine Free to take my time I can't stop singing I can't see the end Just a new beginning As long as I keep on trying I'll survive just fine Free to take my time Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Andy and Matt at Hawkbinge https://hawkbinge.buzzsprout.com/ Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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Footprints in the Snow - Two Versions (Take Care)

Play Episode Listen Later Apr 16, 2021 24:56

A dive into the song Footprints In The Snow by Uriah Heep Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-7 Song: Footprints In The Snow Air date: 4-16-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: Just like footprints in the snow Who knows where my heart will go Will it lead me to you Or will I see another empty day Seasons come and quickly go Kinda makes me Wonder if they know Why my heart keeps Running near and far If only they could tell me Where you are If you've ever been in love Then you'll know the rocky road I've been speaking of You'll remember when The times were good And the times You had to do without Think carefully my friend It may look like a start But it could be the end I'm not trying to bring you down I'm just so tired of hangin' around I won't make The same mistake again If you've ever been in love Then you'll know the rocky road I've been speaking of You'll remember when The times were good And the times You had to do without Think carefully my friend It may look like a start But it could be the end Think carefully my friend It may look like a start But it could be the end Think carefully my friend Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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Woman of the World - Two Versions (Does Anything Matter)

Play Episode Listen Later Apr 15, 2021 19:40

A dive into the song Woman Of The World by Uriah Heep Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-6 Song: Woman Of The World Air date: 4-15-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: Did you ever meet The kind of a lady She lives her whole life Saying maybe Running here and there As she pleases Not a thought For the social diseases Though she never Thinks of settling down She'll spend time Turning your head around But don't let your heart start dancing The lady don't Waste no time romancing Are you mine or are you The woman of the world Are you really so different From all the other girls Do you care that I care About the things that you do Does anything matter to you Does anything matter to you Once in a garden of glory Someone sowed The seeds of this story And the whole thing began With a woman and a man Still it's something No one understands Are you mine or are you The woman of the world Are you really so different From all the other girls Do you care that I care About the things that you do Does anything matter to you Does anything matter to you Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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Can't Keep A Good Band Down - Two Versions

Play Episode Listen Later Apr 13, 2021 15:55

A dive into the song Can't Keep A Good Band Down by Uriah Heep Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-5 Song: Can't Keep A Good Band Down Air date: 4-13-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: I can't believe y'all are still sayin' We're a long way from rock'n'roll You won't look for the good In the tunes we're playin' Prefer to say we got no soul But day after day in town after town People say we're doin' alright We play and we stay boogyin' down And rockin' on into the night It's breath and words And time you're wastin' When you should be tryin' To have a good time For a good few years It's been yours we've tasted So here's a little piece of our mind We'll roll and we'll roll And we'll roll and we'll roll Till we run out of reason to try If it happens you don't approve It don't matter we won't ask why You can't keep a good band down You'll never find the solution You won't stop us runnin' around You're dealin' with an institution We'll fill our cup with wine while you Fill your head with high ideals You know so much But you still can't touch Till you find out how it feels It'll take much more Than the high and mighty To bring down the king of the road We could still be friends And quit this fightin' And let the real story be told You can't keep a good band down You'll never find the solution You won't stop us runnin' around You're dealin' with an institution You can't keep a good band down You'll never find the solution You won't stop us runnin' around With your paragraphs of pollution You can't keep a good band down You'll never find the solution You won't stop us runnin' around You're dealin' with an institution You can't keep a good band down You'll never find the solution You won't stop us runnin' around With your paragraphs of pollution You can't keep a good band down ... Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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Midnight

Play Episode Listen Later Apr 12, 2021 26:44

A dive into the song Midnight by Uriah Heep Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-4 Song: Midnight Air date: 4-12-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: I just lay down wonderin' What to lay down Lately I can do it Every day undisturbed I think I know what But I can't find out how The morning didn't show me What it was worth Miles and miles of smiles Getting me nowhere Opportunities I just can see Can't lead me to the slaughter 舛ause I'll already be there I've been up that street And I know what's waiting for me Just waiting Midnight - it was midnight Moonlight - and the moon was bright Day into day No escape I must stay Midnight - show me the way Show me the way Give me something to play Something to play To help me make the new day Take me out of the darkness Into the light I've no friends to stand by me Here in the night It's an affair of A sad and weary heart Take me out of the darkness Back to the start I just lay down wonderin' What to lay down Lately I can do it Every day undisturbed I think I know what But I just can't find out how The morning didn't show me What it was worth Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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Misty Eyes

Play Episode Listen Later Apr 9, 2021 15:55

A dive into the song Misty Eyes by Uriah Heep Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-3 Song: Misty Eyes Air date: 4-9-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: I was missing my Little Miss Misty Eyes She made my life complete I'd been waiting on True love's sweet surprise And it tasted so sweet Oh it tasted so sweet I could hear The sound of the love bell Told me all it could tell And the sight of The blue moon rising Told me all was well Told me all was well I was just driftin' As a wind blown wave Like a stricken ship I thought I'd never be saved So far below me There seemed so much more Yet a man has to know What he's looking for Something unknown Kept my life turning around But I couldn't get near to Putting my feet on the ground With all that I had Any man would be glad But my everything was nothing So what made me sad I was missing my Little Miss Misty Eyes She made my life complete I was waiting on True love's sweet surprise And it tasted so sweet It tasted so sweet I could hear The sound of the love bell Told me all it could tell And the sight of The blue moon rising Told me all was well Told me all was well Farewell to that same lonely road I've seen the last of That heavy load No more blues about paying dues It's time for reaping All the seeds I sowed I was missing my Little Miss Misty Eyes She made my life complete I was waiting on True love's sweet surprise And it tasted so sweet Oh, it tasted so sweet I could hear The sound of the love bell Told me all it could tell And the sight of The blue moon rising Told me all was well ... Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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Weep in Silence - Two Versions - Part A w/ Dave White

Play Episode Listen Later Apr 8, 2021 28:55

A dive into the song Weep In Silence by Uriah Heep Part A w/ co-host Uriah Heep Social Media Manager Dave White Check out Dave: ReverbNation: https://www.reverbnation.com/davewhitesmusic?fbclid=IwAR3uhbdxgseXkoODBSzMFMTUjdjafN3T08hKlyobSyeWrgb2kP25I3Cp0UM With The Heepheads: http://heepstermusic.com/?fbclid=IwAR1L23dX7l-Orft0zhYxtBe9yNWL9CR69zQipUXgEo5tSwqX9nU_499J3oo SoundCloud: https://soundcloud.com/heepheads Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-2 Song: Weep In Silence Air date: 4-8-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: You who thought Your eyes could tell no lies So your life became a compromise And it was you Who had seen men dyin' You heard their children cryin' While their women weep in silence And you who thought You were so wise Succeeded only in disguise Now and then You'd find a bridge to cross Reach the other side And you'd still be lost Evaded by the sweet smell of life And the people that you try To show the way Never believe you Never believe you - no way And the people that you try To show the way Never believe you Never believe you - no way And the people that you try To show the way Never believe you Never believe you - no way And the people that you try To show the way Never believe you Never believe you And you who thought You were so wise Succeeded only in disguise Now and then You'd find a bridge to cross Reach the other side And you'd still be lost Evaded by the sweet smell of life While your women weep in silence Your women weep in silence Women weep in silence Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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Weep in Silence - Two Versions - Part B w/ Dave White

Play Episode Listen Later Apr 8, 2021 23:51

A dive into the song Weep In Silence by Uriah Heep Part B w/co-host Uriah Heep Social Media Manager Dave White Check out Dave: ReverbNation: https://www.reverbnation.com/davewhitesmusic?fbclid=IwAR3uhbdxgseXkoODBSzMFMTUjdjafN3T08hKlyobSyeWrgb2kP25I3Cp0UM With The Heepheads: http://heepstermusic.com/?fbclid=IwAR1L23dX7l-Orft0zhYxtBe9yNWL9CR69zQipUXgEo5tSwqX9nU_499J3oo SoundCloud: https://soundcloud.com/heepheads Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-2 Song: Weep In Silence Air date: 4-8-2021 Performers: Lead Vocals: David Byron Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Bass Guitar, Mellotron, Vocals: John Wetton Drums, Vocals: Lee Kerslake Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar, Vocals: Ken Hensley Lyrics: You who thought Your eyes could tell no lies So your life became a compromise And it was you Who had seen men dyin' You heard their children cryin' While their women weep in silence And you who thought You were so wise Succeeded only in disguise Now and then You'd find a bridge to cross Reach the other side And you'd still be lost Evaded by the sweet smell of life And the people that you try To show the way Never believe you Never believe you - no way And the people that you try To show the way Never believe you Never believe you - no way And the people that you try To show the way Never believe you Never believe you - no way And the people that you try To show the way Never believe you Never believe you And you who thought You were so wise Succeeded only in disguise Now and then You'd find a bridge to cross Reach the other side And you'd still be lost Evaded by the sweet smell of life While your women weep in silence Your women weep in silence Women weep in silence Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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One Way Or Another Part B w/ J Hammond C

Play Episode Listen Later Apr 6, 2021 38:35

A dive into the song One Way Or Another by Uriah Heep Part B w/ J Hammond C J Hammond C's links: Website: http://jhammondc.com/ Soundography with Brian Ibbott: https://www.soundography.com/?fbclid=IwAR2jnjnKgV7rlWMorlIkcPQpsPxYZXzYwnn5hsO_fflqS5QuBx95J7Lm3i4 Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-1 Song: One Way Or Another Air date: 4-6-2021 Performers: Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Lead Vocal Bass Guitar, Mellotron: John Wetton Drums, Vocals: Lee Kerslake Lead Vocal, Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar: Ken Hensley Lyrics: There's been some Changes in my time But this one's playing Games with my mind Stopped in my tracks No thought of looking back The lady's got me tied up But I've already made my mind up One way or another She'll be mine It wasn't anything I could define None of those ringing bells Giving me a sign I just took a look But I was on the hook The lady's got me tied up Don't know how it's gonna wind up One way or another Gonna be all right I'm beginning to think That a forever kind of love Is the kind of love I'll look for forever But still I'll love and love again One way or another I will find my friend I knew some day my heart Would lead my head Beyond the path My chosen life had led I'd been so sure But where is the cure The lady's got me real good Bet you can't say What I should do One way or another It's all over now One way or another ... Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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One Way Or Another Part A w/ J Hammond C

Play Episode Listen Later Apr 6, 2021 34:40

A dive into the song One Way Or Another by Uriah Heep Part A w/ J Hammond C J Hammond C's links: Website: http://jhammondc.com/ Soundography with Brian Ibbott: https://www.soundography.com/?fbclid=IwAR2jnjnKgV7rlWMorlIkcPQpsPxYZXzYwnn5hsO_fflqS5QuBx95J7Lm3i4 Show website (http://www.scotthaskin.com/uriah_heep_podcast/) Facebook: https://www.facebook.com/UriahHeepPodcast Twitter: @HeepPodcast Instagram: @UriahHeepPodcast Email: UriahHeepPodcast@gmail.com Episode: 9-1 Song: One Way Or Another Air date: 4-6-2021 Performers: Lead Guitar, Acoustic Guitar, 12 String Acoustic Guitar: Mick Box Lead Vocal Bass Guitar, Mellotron: John Wetton Drums, Vocals: Lee Kerslake Lead Vocal, Organ, Piano, Moog Synthesizer, Tubular Bells, Electric Piano, Slide Guitar, Acoustic Guitar, Electric 12 String Guitar, Pedal Steel Guitar: Ken Hensley Lyrics: There's been some Changes in my time But this one's playing Games with my mind Stopped in my tracks No thought of looking back The lady's got me tied up But I've already made my mind up One way or another She'll be mine It wasn't anything I could define None of those ringing bells Giving me a sign I just took a look But I was on the hook The lady's got me tied up Don't know how it's gonna wind up One way or another Gonna be all right I'm beginning to think That a forever kind of love Is the kind of love I'll look for forever But still I'll love and love again One way or another I will find my friend I knew some day my heart Would lead my head Beyond the path My chosen life had led I'd been so sure But where is the cure The lady's got me real good Bet you can't say What I should do One way or another It's all over now One way or another ... Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

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Electronic Literature

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Play Episode Listen Later Feb 28, 2021 114:19

Episode 31 Electronic Literature The Marriage of Electronic Music, Poetry, and Literature Playlist Luciano Berio, "Thema (Omaggio A Joyce)," from Orient-Occident/Momenti-Omaggio A Joyce/Continuo/Transition 1 (1967 Philips). Composed by Luciano Berio at the RAI studio in Milan. Vocals, Cathy Berberian. The piece dates from 1958-59. An exploration of editing and tape composition with the voice as a key source of audio material. This is an interpretative reading of the poem "Sirens" from chapter 11 of the novel Ulysses by James Joyce. This release on the Philips Prospective 21e Siècle is shorter than the one released around the same time on the Turnabout label in America. It omits the spoken sequence at the beginning where Berberian recites the words prior to them being manipulated on tape. John Cage/David Tudor, "Side 3" excerpt from Indeterminacy: New Aspect of Form in Instrumental And Electronic Music (1959 Folkways). John Cage reads previously prepared stories and anecdotes, David Tudor performs electronic music at the same time with no Earthly connection between the two. This was a long-standing performance practice of theirs and I saw them do this several times. John Cage, "Part One (To Line 220)" from Roaratorio: An Irish Circus On Finnegans Wake (1992 Mode), excerpt, for speaker, Irish musicians and 62-track tape. Speaker, John Cage. Production: WDR, Köln; Süddeutscher Rundfunk, Stuttgart; Katholieke Radio Omroep, Hilversum; Technical cooperation: IRCAM, Paris. First transmission: 22 October 1979, WDR3-Hörspielstudio. This score is a means for translating any book into a performance without actors, a performance which is both literary and musical or one or the other. In this case, the book was Finnegans Wake by James Joyce. The text of Roaratorio was published separately as Writing for the Second Time Through Finnegans Wake. This was part of the evolution of Cage's interest in creating works of text for performance with music and other activities. It further evolved into his use of texts by Henry David Thoreau for which he used chance processes to derive a text for solo vocal performance. Shakespeare, excerpt, (1962 Odhams Books Ltd.). BBC radioplay production with musique concrète by Desmond Leslie. King Henry is played by Richard Burton. Electronic music provided on tape for a set of Shakespeare play productions. This short. 2 and a half-minute segment is from Act IV, Scene 3 and gives you an idea of how the sound effects was joined with the dialog. This was a common outlet for electronic music in the UK. Shackleton, “Music For The Quiet Hour, Part 2,” excerpt, from Music For The Quiet Hour (2012 Woe To The Septic Heart!). Vocals, words (poetry), Vengeance Tenfold; Composer, producer, A. Gerth, K. Biswas, Sam Shackleton. A collaboration between producer Shackleton and vocalist Vengeance Tenfold. Beats, bass and rhythm patterns provide a backdrop for some stark poetry. This is a portion of a longer work that whose overall length is about an hour. Lily Greenham, “Traffic” from Lingual Music (2007 Paradigm Discs). Reissue of text-sound works made by Danish concrete poet Lily Greenham, probably between 1972-75. Hugh Davies is credited with assisting on the electronics for this work. Voice: Lily Greenham. Anne Clark, "Swimming" and "An Ordinary Life" from The Sitting Room (1982 Red Flame). Clark is a foremost British poet who fuses her texts with electronic music. This was the first of her albums. Words, Keyboards, Electronic Percussion, Water Percussion, Anne Clark; Guitar, Effects, Voice, Gary Mundy; Keyboards, Domonic Appleton, Patrik Fitzgerald; Keyboards, Electronic Percussion, Andrea Laschetti. Rick Wakeman, “The Journey,” excerpt, from Journey to the Center of the Earth (1974 A&M). Recorded in concert at The Royal Festival Hall London on Friday January 18th 1974. Synthesizers and other keyboards, Rick Wakeman; Narrator, David Hemmings; drums, Barney James; guitar, Mike Egan; accompanied by the London Symphony Orchestra conducted by David Measham. Alan Parsons Project, "The Raven" from Tales of Mystery and Imagination - Edgar Allan Poe (1976 Charisma). Words from the tale of the same name by Poe. The Harmony Vocoder heard on "The Raven" was invented and built by EMI Central Research Laboratories.Keyboards, Alan Parsons, Andrew Powell, Billy Lyall, Christopher North, Eric Woolfson, Francis Monkman; Composed by Alan Parsons, Andrew Powell, and Eric Woolfson. Silver Apples, "Dust" from Silver Apples (1968 Kapp). "INSTRUCTIONS: Play Twice Before Listening." Composed and Arranged by Dan Taylor and Simeon; Percussion, Dan Taylor; Oscillators, mixers, electronic gear (The Simeon), Simeon; Vocals, Dan Taylor, Simeon. Alice Shields, " Study For Voice And Tape" from Columbia-Princeton Electronic Music Center 1961-1973 (1998 New World Records). Recorded Voice, Buchla synthesizer, poem by Alice Shields. Ronald Perera, "Three Poems of Gunter Grass," part 1, “Gleisdreieck" from Music And Words (1980 CRI. Ronald Perera, electronic music on tape created in the Smith College Electronic Music Studio; soprano, Elsa Charlston; Conductor, Richard Pittman. John Hill, "Europa" from Six Moons Of Jupiter (2009 Finders Keepers). Recorded at Sigma Sound, Philadelphia, January-August 1970, but I don't think it was ever released. Uses a Moog Modular synthesizer programmed by Walter Sear. Composed, arranged produced, Moog Modular Synthesizer, Guitar, Bass, Flute, Recorder, Hammond organ, John Hill; Drums, Percussion, Jimmy Valerio; Performer (Poetry), Susan Christie; poetry, Ian Michaels. Ruth White, "The Clock," "Evening Harmony," "Lover's Wine," Owls," from Flowers of Evil (1969, Limelight). Composer, vocals, electronics (Moog Synthesizer), Ruth White; based on poetry by Charles Baudelaire, translated by Ruth White. Fantastic music from this singular composer who owned a Moog Modular Synthesizer. Her other music was often composed for media, television, and children's records. Archive Mix In which I play two records at the same time to see what happens. The recordings were: Lily Greenham, “ABC in Sound” from Lingual Music (1968/2007 Paradigm Discs). Recording from 1968 and includes the words of poet Bob Cobbing. Arif Mardin, “The Prophet,” excerpt from side 1, from The Prophet (1974 Atlantic). Narrator Richard Harris; keyboards, Bob James, Pat Rebillot, and Ken Bichel (ARP 2600). Poetry by Kahlil Gibran. The opening montage consists of excerpts from Milt Gabler and a reading of “The People Yes (Excerpt)” by Carl Sandburg and some saxophone music from Avant Slant (1968 Decca); James Joyce reading “Anna Livia Plurabelle” (1929 The Orthographic Institute); John Cage and David Tudor, Indeterminacy (1959 Folkways); Alice Shields, Dance Piece No. 3 from Columbia-Princeton Electronic Music Center 1961-1973 (1998 New World Records); Luciano Berio, "Thema (Omaggio A Joyce)," from Electronic Music III (1967 Turnabout); Anne Clark, "The Sitting Room " from The Sitting Room (1982 Red Flame); Arif Mardin, “The Prophet,” excerpt from The Prophet (1974 Atlantic); Ruth White, "Owls" from Flowers of Evil (1969, Limelight). Background music is excerpted from Shackleton, “Music For The Quiet Hour, Part 2,” from Music For The Quiet Hour (2012 Woe To The Septic Heart!). Opening and closing sequences voiced by Anne Benkovitz.

america earth uk voice british sound writing philadelphia speaker mystery evil tales irish europa bbc abc wine atlantic effects poetry shakespeare recording beats prophet flowers literature dust traffic bass fantastic lover technical guitar swimming clock danish electronic cage simeon composer drums stuttgart hammond earthly charisma poe philips owls conductor narrators sirens vocals flute rai james joyce percussion electronic music composed henry david thoreau limelight recorder john cage shackleton arranged keyboards king henry cri rundfunk richard burton ordinary life finders keepers charles baudelaire reissue london symphony orchestra hilversum act iv kahlil gibran kapp decca alan parsons project alan parsons rick wakeman bob james john hill turnabout new world records dan taylor biswas synthesizers carl sandburg finnegans wake luciano berio gerth ircam folkways buchla three poems david hemmings anne clark silver apples arif mardin oscillators berberian andrew powell indeterminacy mike egan david tudor hugh davies gleisdreieck sitting room ruth white eric woolfson moog synthesizer cathy berberian gunter grass francis monkman water percussion

Der Synthesizer

Was macht Musik?

Play Episode Listen Later Feb 22, 2021 2:38

Von der einfachen Sinuswelle zu mächtigen Soundwänden. 1964 beginnt mit dem Moog-Synthesizer die Geschichte synthetisch hergestellter Klänge, und damit die Geschichte elektronischer Musik.

Sitars and Synthesizers

online sound beats ruler technologists aphex twin beatboxer eurorack beardyman morton subotnick moog synthesizer

Play Episode Listen Later Feb 15, 2021 115:55

Episode 29 Sitars and Synthesizers Playlist Vincent Bell With Orchestra, “Quiet Village,” from Pop Goes The Electric Sitar (1967 Decca). The Coral Electric Sitar with chorus and orchestra. Coral electric sitar, Vinnie Bell (its inventor). AKA Vincent Gambella, a popular session player, primarily on guitar. Big Jim Sullivan, “Flower Power,” from Sitar Beat (1967 Mercury). Sitar and electric guitar, Jim Sullivan. Ultimate Spinach, “Your Head is Reeling,” from Ultimate Spinach (1968 MGM). Vocals, Lead Guitar, Guitar Feedback, Sitar [Electric], Geoffrey Winthrop. A very brief introduction to this longer track, featuring the Coral Electric Sitar. Enoch Light And The Light Brigade, “Marrakesh Express,” from ‎Permissive Polyphonics (1970 Project 3 Total Sound). Coral Electric Sitar, Vinnie Bell; Moog Modular Synthesizer, Dick Hyman; Electric Alto Sax, Arnie Lawrence; Bass, Julie Ruggiero; Drums, Billy LaVorgna. Ami Dang, “Conch and Crow” from Parted Plains (2019 Leaving Records). Sitar, electronics, audio processing, voice, Ami Dang. Ami Dang, “Souterrain” from Parted Plains (2019 Leaving Records). Sitar, electronics, audio processing, voice, Ami Dang. Ami Dang, “Simplicity Mind Tool” from Meditations Mixtape Vol.1 (2020 Leaving Records). Sitar, electronics, audio processing, voice, Ami Dang. Ananda Shankar, “Dance Indra,” from Ananda Shankar (1970 Reprise). Ananda Shankar is not related to Ravi Shankar, the great classical Indian sitar master. Sitar, Ananda Shankar; Keyboards, Moog Modular Synthesizer, Paul Lewinson; Tabla, Pranish Khan; Drums, Joe Pollard, Michael Botts; Bass, Jerry Scheff, Mark Tulin; Guitar, Dick Rosmini, Drake Levin. Trivia, produced by James Lowe and included Mark Tulin on bass, both members of the Electric Prunes from the late Sixties. Paul Lewison was playing a Moog owned by producer Alex Hassilev. Shankar wanted to combine Western and Indian music into a “new form” as he called it. Melodious, touching, combining modern electronics and traditional sitar. I think he succeeded. I have included two striking examples that stray a bit from the pop rock flavor of many of the tracks. Ananda Shankar, “Raghupati,” from Ananda Shankar (1970 Reprise). Sitar, Ananda Shankar; Keyboards, Moog Modular Synthesizer, Paul Lewinson; Tabla, Pranish Khan; Drums, Joe Pollard, Michael Botts; Bass, Jerry Scheff, Mark Tulin; Guitar, Dick Rosmini, Drake Levin. Okko Bekker, “East Indian Traffic,” Sitar & Electronics (1970 BASF). Sitar, Moog Modular Synthesizer, Tabla, Okko Bekker; Moog Modular Synthesizer, Simon Alcott (alias of British pop pianist Les Humphries); Flute, Herb Geller; Guitar, Peter Haesslein. Bekker is a Dutch sitarist, keyboardist, and producer. Indian influenced psychedelic music from the days of the Moog Modular, recorded in Germany. This came several years after the Beatles and Stones experimented with the sitar but was an early album to combine the sitar with a Moog modular synthesizer. I have no idea where he learned sitar but I do know whose Moog he used for this recording. The producer Simon Alcott had purchased some Moog modular units in 1970. Alcott is also the alias of Les Humphries. Most of the album consists of cover tunes of rock songs, such as The Beatles. I chose one of bolder Moog tunes. Okko Bekker, “Delphin, Makarasana,” from Yoga Für Millionen (1978? Maritim). A German album of yoga instruction with musical soloist Bekker playing Sitar, Tabla, Moog Synthesizer, Flute, and Percussion. The narrator is Ulrich Brockmann. Amon Duul II, “Wie Der Wind Am Ende Einer Strasse” from Wolf City (1972 United Artists). Bass, Lothar Meid; Drums, D. Secundus Fichelscher; Electric Guitar, John Weinzieri; Sitar, Al Sri Al Gromer; Tabla, Pandit Shankar; Tambura, Liz van Neienhoff; Organ, Synthesizer, Falk-U Rogner; Soprano Saxophone, Olaf Kübler; Timpani, Peter Leopold; Violin, Chris Karrer Paul Heyda. Yves Hayat, “Path to Ascension” from Conversation Between the East and The West (1976 DeWolfe). Composer, sitar, guitars, bass, synthesizers, Yves Hayat; keyboards, vocals, Diane Crisanti. Produced as a record for broadcast libraries. Cosmology, “Out of the Kiva,” from Cosmology (1977 Vanguard). Sitar, congas, percussion, Collin Walcott; Vocals, Percussion; Dawn Thompson; Acoustic Bass, Electric Bass, Rick Kilburn; Drums, Bells, Bob Jospé; Fender Rhodes, Piano, Oberheim Synthesizer, Armen Donelian; Trombone, Dave Glenn; Trumpet, Flugelhorn, Tin Whistle, Mayan Flute, Flageolet, John D'earth. Clearlight, “Full Moon Raga,” from Visions (1978 Polydor). Bass, Philippe Melkonian; Grand Piano, ARP Odyssey, Gong, Cyrille Verdeaux; Sitar, Patrick Depaumanou; Minimoog, Luc Plouton; Tabla, Mohamed Taha; Drums, Percussion, Jacky Bouladoux; Electric Guitar, Bottleneck Cosmique, Christian Boule; Flute, Tenor Saxophone, Soprano Saxophone, Didier Malherbe; Violin, Bass Violin, Didier Lockwood; Vocals, Gérard Aumont, Gérard Gustin. The fourth album from this French progressive rock group headed by Cyrille Verdeaux on keyboards and ARP Odyssey. I have two recordings of this album. The original from 1978 had much less synthesizer. In 1992 they remixed the LP and added more synthesizer and vocals to the tracks. We are hearing the remixed version. Electric Universe and Sitarsonic, “Dub Stanza” from Dub Stanza (2020 Sacred Technology). Electric Universe is an ambient electronic musician who teamed up with sitarist and electronic musician Sitarsonic (Paco Rodriguez) to produce this dub-flavored work. Paco is from Greece. Electric Universe is in Belgium. Acid Mothers Temple & The Melting Paraiso UFO, “Ziggy Sitar Dust Raga,” from Ziggy Sitar Dust Raga (2003 Important Records). Vocals, Sitar, Cotton Casino; Tambura, Kawabata Makoto; Synthesizer, Higashi Hiroshi; Vocals, Tsuyama Atsushi. A psychedelic, trance-inducing treat from this inventive group of Japanese improvisers. Thanks to Ami Dang for helping me with this episode. You can explore releases of her music as well as check out her podcast at her website. Track played during the opening: The Folkswingers Featuring Harihar Rao ‎, “Paint it Black,” Sitar Beat (1966 Fontana). Sitar, Harihar Rao; Organ, Electric Piano, Larry Knechtel; Bass, Bill Pittman; Fender Bass, Lyle Ritz; Drums, Hal Blaine; 12-string Electric Guitar, Dennis Budimir; Guitar, Herb Ellis, Howard Roberts, Tommy Tedesco. Track played during the opening: Lord Sitar, “I Am the Walrus,” from Lord Sitar (1968 Columbia). Sitar, Big Jim Sullivan. Track played behind the Ami Dang interview: Ami Dang, “Ajooni” from Meditations Mixtape Vol.1 (2020 Leaving Records). Also from Thom Holmes: My Book: Electronic and Experimental Music, sixth edition, Routledge 2020. My Blog: Noise and Notations.

black british french germany west project german japanese western east indian track beatles greece columbia dutch belgium bass ascension i am stones trivia visions piano guitar paint mercury crow lp composer bells trumpets drums organ mgm millionen vanguard paco reprise violin gong vocals flute cosmology routledge fontana percussion walrus sixties reeling your head john d basf trombone keyboards shankar moog kiva tabla flower power synthesizer electric guitars decca ravi shankar conch united artists alcott sitar gustin polydor synthesizers experimental music jim sullivan bekker clearlight grand piano fender rhodes electric universe lead guitar hal blaine james lowe melodious delphin maritim souterrain timpani herb ellis electric bass electric prunes minimoog dewolfe tommy tedesco flugelhorn dick hyman notations didier lockwood quiet village leaving records moog synthesizer tambura important records ananda shankar arp odyssey dawn thompson makarasana sacred technology sitars fender bass total sound lyle ritz

The Mr. Bill Podcast - Episode 75 - Beardyman

The Mr. Bill Podcast

Play Episode Listen Later Feb 15, 2021 148:25

Support the show on Patreon: https://www.patreon.com/mrbillstunes Beardyman: King of Sound, Ruler of Beats. Beatboxer, Live Looper, Technologist, Biggest chin in hip-hop, worst teeth in techno. This episode is brought to you by Perfect Circuit. Perfect Circuit is an independent music shop fascinated with all things in the world of electronic music. With a diverse range of musicians at our helm, we are every bit as excited about Aphex Twin as we are about Morton Subotnick, every bit as stoked about the newest Eurorack module as we are about the newest Moog Synthesizer. Online at https://www.perfectcircuit.com. Beardyman Links: https://www.beardyman.co.uk/ Mr. Bill’s Links: https://live.mrbillstunes.com/ https://discord.gg/ySjhgWQ https://mrbill.bandcamp.com/ https://www.youtube.com/user/MrBillsTunes Podcast Production Inquiries: fumodenver@gmail.com

Music for Space Travelers

Play Episode Listen Later Jan 5, 2021 89:07

Episode 23 Music for Space Travelers Lingering Sounds from the Atomic Age Playlist Hamilton O'Hara And Charlie Dobson Featuring Satellite Singers and Orchestra, Directed by, written by Jim Timmens, “With A Great Big Noise Like Thunder (Rocket Into Space),” from Journey to the Moon and More about Outer Space (1974, Golden Records). Excerpt. Eric Siday, “Challenge of Space” from “The Ultra Sonic Perception” (1961 Conroy). Magnetic tape music and effects by Eric Siday for this album of library music for broadcast. The Tornadoes, “Telstar” from The Sounds Of The Tornadoes (1962 London), written and produced by Joe Meek. The record was named after the Telstar communications satellite which was launched into orbit on July 10, 1962. It featured the Clavioline. Toru Hatano, “Solaris” from Space Adventure (1978 Mu Land). Musical Instruments: KORG Polyphonic Ensemble 1000, KORG Polyphonic Ensemble "Orchestra" 2000, KORG Synthesizer 800DV, KORG Synthesizer 770, Rhythm Machine-mini pops 120P, Drums, Electric Guitar, Strings Ensemble. Tom Dissevelt, “Moon Maid” from Song of the Second Moon (1968 Limelight). This was a North American reissue of a track from 1962 called “Drifting” recorded in the Netherlands at the Philips electronic music laboratory. Dick Raaijmakers, “The Ray Makers” from Song of the Second Moon (1968 Limelight). This was a North American reissue of a track from 1962 called “Mechanical Motions” recorded in the Netherlands at the Philips electronic music laboratory. The US song title is a play on the last name of the composer, which is pronounced “Ray-makers.” Hugues Dufourt, Ensemble D'Instruments Électroniques De L'Itinéraire, Peter Eötvös, “Saturne, Part C (1978),” from Saturne (1980 Sappho). The work was conceived for an ensemble of wind instruments (12 performers), a group of percussion (6 performers) and an ensemble of electrical instruments (4 performers). Saturne was recorded in the Espace de Projection of the IRCAM centre Pompidou on 1st and 2nd December 1979. The first public performance of the work was made on the same place on the 3rd December 1979. Composed by Hugues Dufourt. Ensemble D'Instruments Électroniques De L'Itinéraire, electric guitar and synthesizer, Claude Pavy, François Bousch. Peter Huse, “Space Play (1969)” from Carrefour (Musique, Électro-Acoustique/Electroacoustic Music, Canada) (1972, Radio Canada International). Made in the Sonic Research Studio at Simon Fraser University. Huse was assistant director of the World Soundscape Project around this time. About this work he said, “Science fiction cinema taught me to regard all sounds and physical space as materials for music.” This play of sound in space was created using magnetic tape composition. Eric Siday, “Galaxy” from “The Ultra Sonic Perception” (1961 Conroy). Magnetic tape music and effects by Eric Siday for this album of library music for broadcast. John Keating, “Earthshine” from Space Experience 2 (1975 EMI). Produced by John Keating. Keyboards by Francis Monkman. All electronic instruments by ARP including 2600, Odysseynsemble, Pro Soloist, String Ensemble. Claude Dubois, “Une Guitare Des Ondes Et Leur Machine” from Fable D'espace (1978 Pingouin). Music and lyrics, produced by Claude Dubois; Synthesizer, Jean-Yves Labat; Drums, John Wilcox; Guitar, Percussion, Synthesizer, Engineer, John Holbrook; Piano, Clavinet, Bass, Electric Piano Richard Bell. Spirit, “Space Child,” from Twelve Dreams of Dr. Sardonicus (1970 Epic). Composer, keyboards, Moog Synthesizer, John Locke; vocals, guitar, Randy California; vocals, percussion, Jay Ferguson; drums, percussion, Ed Cassidy; bass, vocals, Mark Andes; produced by David Briggs. Lothar and the Hand People, “Space Hymn” from “Space Hymn” (1969 Capitol). ''All electronic music on this album was created and realized by the Hand People on Moog Synthesizer and Lothar, the Theremin.'' Lothar and the Hand People: John Emelin, Kim King, Paul Conly, Rusty Ford, Tom Flye. Written by Tom Flye. Produced by Nickolas Venet. Sun Ra, “Cosmic Explorer (1970)” excerpt, from Nuits De La Fondation Maeght Volume 1 (1971 Shandar). “Intergalactic instruments played by Sun Ra.” Recorded live at Saint Paul de Vence, France, 3/5 August 1970. Compositions by Sun Ra. Minimoog solos by Sun Ra. Percussion by Nimrod Hunt, Lex Humphries, and John Goldsmith. I've included over eight minutes of this 20-minute piece. Isao Tomita, “The Sea Named ‘Solaris' (Bach, Three-Part Invention No. 2 in C Minor-Chorale)," from Kosmos (1978 RCA). This is the complete version of the work that was shortened for use with the Cosmos television series and various greatest hits albums. " Music electronically created by Isao Tomita. Vangelis, “Pulstar” from Albedo 0.39 (1976 RCA). Keyboards, synthesizers, drums, bass, Vangelis. Speaking Clock: Post Office Telecommunications. The term “albedo” refers to the reflecting power of a planet or other non-luminous body. Isao Tomita, “The Earth - A Hollow Vessel” (Tomita: “Dororo”), from The Bermuda Triangle (1979 RCA). Music electronically created by Isao Tomita. Isao Tomita, “The Song Of Venus (Prokofiev: Violin Concerto No. 1, First Movement),” from The Bermuda Triangle (1979 RCA). Music electronically created by Isao Tomita. Archive Mix (two tracks played at the same time). Dick Raaijmakers, “Song of the Second Moon” from Song of the Second Moon (1968 Limelight). Recorded in the Netherlands at the Philips electronic music laboratory in 1962. Sun Ra, “The Star Gazers” (1970)” from Nuits De La Fondation Maeght Volume 1 (1971 Shandar). “Intergalactic instruments played by Sun Ra.” Recorded live at Saint Paul de Vence, France, 3/5 August 1970. Compositions by Sun Ra. Synthesizer [Moog], piano, electric piano, organ [electric], Sun Ra; vocal by Verta Grosvenor.

music canada science spirit france space song moon epic netherlands engineers capitol galaxy north american bass piano guitar travelers directed projections bach cosmos composer orchestras drums outer space magnetic excerpt philips drifting bermuda triangle vence emi tornadoes saint paul kosmos percussion rca espace composed solaris limelight intergalactic simon fraser university conroy john locke vangelis keyboards stargazers arp sun ra lothar synthesizer sappho electric guitars theremin compositions pompidou space adventures telstar saturne albedo huse john keating joe meek pingouin ircam peter e first movement minimoog david briggs jay ferguson isao tomita earthshine kim king moog synthesizer randy california radio canada international john wilcox pulstar francis monkman cosmic explorer tom dissevelt

Electronic Jazz, Part 3: Early Synthesizer Jazz

Play Episode Listen Later Nov 22, 2020 140:14

Episode 15 Electronic Jazz, Part 3: Early Synthesizer Jazz Adding a new expressive instrument to jazz. Playlist: Don Sebeskey, “Water Brother” from The Distant Galaxy, 1968. Arranged By, Conductor, Moog Synthesizer – Don Sebesky Clavinet – Warren Bernhardt Bass – Chuck Rainey Drums – Donald McDonald Electronic Effects– Rick Horton Burton Greene, “Slurp!” from Presenting Burton Greene, 1968. Piano, Harp [Piano Harp], Harpsichord [Electric], Voice [Chants], Moog Synthesizer, Written-By, Arranged By, Conductor– Burton Greene Alto Saxophone, Trumpet – Byard Lancaster Bass – Steve Tintweiss Percussion – Shelly Rusten Ornette Coleman, “Man on the Moon,” a single released in 1969. Alto Saxophone, Producer, Arranged By – Ornette Coleman Bass – Charlie Haden Drums – Ed Blackwell Electronics [Bell Telephone synthesizer] – Emmanuel Ghent Tenor Saxophone – Dewey Redman Trumpet – Don Cherry Jon Appleton & Don Cherry, “OBA” from ‎Human Music, 1970 Flute [Wood, Bamboo, Metal], Kalimba, Drums [Earthquake], Cornet [Traditional Mouthpiece and Bassoon Reed], Producer, Composed By – Don Cherry Synthesizer, Electronics, Producer, Composed By – Jon Appleton Realized at the Bregman Electronic Music Studio, Dartmouth College, Hanover (New Hampshire, USA). Paul Bley, “Mr. Joy” from The Paul Bley Synthesizer Show, 1971 ARP 2500 Synthesizer, RMI Electric Piano – Paul Bley Bass –Glenn Moore Drums –Steve Hass Composed By – Annette Peacock Herbie Hancock, “Quasar” from Crossings, 1972 Electric Piano, Piano, Mellotron, Percussion – Herbie Hancock Moog Synthesizer – Patrick Gleason Bass Trombone, Tenor Trombone, Trombone [Alto Trombone], Percussion – Julian Priester Congas – Victor Pontoja Drums, Percussion – Billy Hart Electric Bass, Bass, Percussion – Buster Williams Soprano Saxophone, Bass Clarinet, Piccolo Flute, Percussion, Alto Flute – Bennie Maupin Trumpet, Flugelhorn, Percussion – Eddie Henderson Voice – Candy Love, Della Horne, Sandra Stevens, Scott Beach, Victoria Domagalski Moog and mellotron recorded at Different Fur Trading Company, San Francisco. Herbie Hancock, “Spank-A-Lee” from Thrust, 1974. Fender Rhodes electric piano, Clavinet [Hohner D-6], ARP Odyssey Synthesizer, ARP Soloist, ARP 2600, ARP String] – Herbie Hancock Drums – Mike Clark Electric Bass – Paul Jackson Percussion – Bill Summers Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute – Bennie Maupin Synthesizers recorded at Different Fur Trading Company, San Francisco. Mahavishnu Orchestra, “Celestial Terrestrial Commuters” from Birds of Fire, 1973 Guitar – John McLaughlin Keyboards, Minimoog Synthesizer – Jan Hammer Violin – Jerry Goodman Bass – Rick Laird Drums – Billy Cobham Mahavishnu Orchestra / John McLaughlin, “Inner Worlds Part 1 and 2” from Inner Worlds, 1976 Guitar, Effects [Frequency Shifter], Guitar Synthesizer, E-mu Synthesizer/Sequencer] – John McLaughlin Bass Guitar [Brassmaster Bass] – Ralphe Armstrong Drums, Gong, Timpani [Tympani] – Narada Michael Walden Synthesizer [String], Synthesizer, Customized Polyphonic Mini-Moog, Steiner-Parker Synth – Stu Goldberg Thanks for Bob Moog for his help. Chris Swansen, “Moondog, Can You Hear Me?” from Album II, 1975 Synthesizers [Moog ICA Performance, Moog Mark III, Badger Polyphonic], Effects [Bode Ring Modulator and Frequency Shifter], Electronics [Badger Frequency Spectrum Generator], Tape [Scully Tape Recorders, Dolby A Noise Reduction System], Producer – Chris Swansen Effects [Modulation] – Jon Weiss Engineer [Technical Assistance] – Bill Hemsath Synthesizer [Moog Polyphonic] – Don Croker Miroslav Vitous, “Synthesizers Dance” from ‎Magical Shepherd, 1976 Bass, Guitar, Minimoog Synthesizer – Miroslav Vitous Drums – Jack DeJohnette Fender Rhodes electric piano, ARP Odyssey Synthesizer – Herbie Hancock Percussion – Airto Moreira Sun Ra and his Intergalactic Research Arkestra, “Space Probe” from private recording, November 1969. Moog Modular Synthesizer - Sun Ra Later officially released in 1974 on an album Recorded at Gershon Kingsley studio in New York. The Archive Mix in which I play two additional tracks at the same time to see what happens. Here are two additional tracks of electronic jazz and synthesizers: Paul Bley, “Improvisie” from Improvisie, 1971. ARP 2500 synthesizer and RMI electric piano. Herbie Hancock, “Sleeping Giant” from Crossings, 1972. Moog Modular synthesizer by Patrick Gleeson. For more information, read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (Routledge 2020). Also see my paper, Thom Holmes (2018): The Roots of Electronic Jazz, 1950–1970, in Jazz Perspectives

Vintage Drones and Beats

Play Episode Listen Later Oct 24, 2020 67:14

Episode 11 Vintage Drones and Beats Playlist Alan Sondheim, Day's Eye, from the album All 7-70* ‎– T'Other Little Tune (1968). For dilruba, trumpet, tabla, and Moog Modular Synthesizer. Eliane Radigue, Chry-ptus I (1971), excerpt, from the album Chry-ptus. Realized on the Buchla Synthesizer at Morton Subotnick's studio at New York University. Originally two tapes that were played simultaneously, with or without being synchronized. La Monte Young and Marian Zazeela. 31 VII 69 10:26 - 10:49 PM for sine wave drone, voice, and bowed gongs. From “the black album,” 1969. Numbered edition limited to 2800 copies, of which mine is number 661. Maggi Payne, White Night, from the album Crystal (1986). Eliane Radigue, Σ = a = b = a + b (1969), two 7” discs, we heard side a-4. Composed while she was living in Paris, just before coming to New York. “Sides A and B can be listened to separately or simultaneously, synchronously or asynchronously. Sides A and B of this disc can be combined indefinitely at any speed 78, 45, 33 or 16 turns.” 250 duplicates of this disc were made. I do not own this disc. Annette Peacock and Paul Bley, Dual Unity. From the album Dual Unity, 1972. For piano and vocal treatments with the Moog Synthesizer. Luc Ferrari, Cellule 75 (1975), excerpt, for piano, percussion and magnetic tape. Composed May - November 1975. Performed at Mills College. Recorded and Mixed by Maggi Payne. The Archive Mix in which I play two additional tracks at the same time, to see what happens. This time, however, I am playing three tracks. Two are different portions of Eliane Radigue's Vice Versa Etc., mix 1 from 1970. The third track is the ending of Cellule 75 by Luc Ferrari. Eliane Radigue, excerpt, Vice Versa Etc. Mix 1 (1970), from the opening of the mix. Eliane Radigue, excerpt, Vice Versa Etc. Mix 1 (1970), from the closing of the mix. Luc Ferrari, excerpt, Cellule 75 (1975), from the end of the piece. Read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (2020).

The Moog Modular Synthesizer—First Recordings