Podcast appearances and mentions of charlie spivak

In this final episode of The Big Band and Swing Podcast we listen to vintage music by Charlie Spivak, Johnny Long and Stan Kenton. Thank you so much for listening these past five years. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

Features vintage music by Cab Calloway, Tex Beneke and Charlie Spivak.  We also learn a bit about bandleader Tommy Tucker. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

Features vintage recordings by Vaughn Monroe, Bing Crosby and Art Mooney.  We also listen to a Soundie by Charlie Spivak.  Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

Features vintage recordings by Glenn Miller, Charlie Spivak and Jimmie Lunceford.  We also learn a little about "The Edgar Bergen and Charlie McCarthy Show" and listen to some musical performances from that series. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

In this episode we examine and listen to Disc #295 of the V-Disc Collection.  This V-Disc features vintage recordings by Charlie Spivak and His Orchestra and Glen Gray and The Casa Loma Orchestra.  We also listen to a Christmas song to get us ready for the holidays. (E030) * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Features music by Sister Rosetta Tharpe, Gene Krupa, Erskine Butterfield and Don Redman.  We also listen to a Soundie by Charlie Spivak from 1942. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Features vintage recordings by Charlie Spivak, Andy Kirk, Johnny Mercer and The Starlighters.  Pack your bags and don't forget your headphones. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

1 - The Devil Ain't Lazy - Tommy Duncan with Bob Wills and his Texas Playboys - 0:01:30 - 19472 - Up Popped the Devil - Eddie Stone and His Orchestra;Eddie Stone;Dilliard - 0:06:01 - 19373 - El Diablo Se Aparecio (The Devil Appeared) - Tony Camargo y Orquesta Tino Contreras - 0:08:27 - 19564 - The Devil and the Farmer's Wife - Richard Dyer-Bennett - 0:11:55 - 19455 - Pack Up Your Sins and Go to The Devil - Vincent Lopez and his Hotel Pennsylvania Orchestra - 0:14:20 - 19226 - Devil in The Moon - Leo Reisman and his Orchestra - 0:18:40 - 19357 - Devil May Care - Dick Todd - 0:22:09 - 19408 - Satan Wears a Satin Gown - Frankie Laine with Carl Fischer's Orchestra - 0:26:44 - 19499 - The Devil with The Devil - Johnny Messner and his Music Box Band - 0:29:51 - 193910 - I'm A Lucky Devil - Stuart Allen with the Richard Himber Orchestra - 0:34:02 - 193911 - On the Level You're a Little Devil - Maurice Chevalier - 0:36:33 - 191912 - Burra' el Diablo - Alfredo Sadel y la Orquesta de Ulises Acosta - 0:40:13 - 13 - Let Me Go, Devil - Tex Ritter - 0:44:00 - 195114 - Get Thee Behind Me Satan - Terry Allen with Will Bradley and his Orchestra - 0:46:33 - 194115 - The Devil Is Afraid of Music - Willard Robison with Nat Shilkret and his Orchestra - 0:50:31 - 192816 - Stop Throwin' Rocks at the Devil - Rusty Nichols with Charlie Spivak and his Orchestra - 0:53:51 - 1947

The fun Jazz standard "Old Devil Moon" takes a turn under the Same Difference microscope this episode. Join AJ and Johnny as they listen to and discuss versions by Charlie Spivak, Tony Bennett, Frank Sinatra, Mel Torme, Miles Davis, Tito Puente, and new-to-us artist Hilary Kole.

Features music by Kay Kyser, Raymond Scott and Charlie Spivak. We also listen to select tracks from an old radio show starring The Andrews Sisters and some PSA's about the U.S. Savings Bond Payroll Plan. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Features music by Charlie Spivak, Frank Sinatra, Glenn Miller and Lionel Hampton.  We also listen to choice clips from an "amazing" film called "Flying a Kite".  Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Listening to a live big band is a thrilling experience. Back in the 1930's and 40's before the advent of television, people were often able to hear their favorite bands playing on the radio. Many of these performances were recorded and I am fortunate to have several in my collection. Our first and third remote today is from the Victory Parade of Spotllight Bands program. From that series I have performances by Gene Krupa and Charlie Spivak. To separate them I have a remote by the Glenn Miller orchestra from 1939. I hope you enjoy the sounds of the big bands performing live on the radio. Please visit this podcast at http://bigbandbashfm.blogspot.com

Jack Teagarden 1939 - his first big band, featuring Ernie Caceres, Charlie Spivak, Dave Tough, Hub Lytle, Lee Castle and others - live and studio recordings --- Support this podcast: https://anchor.fm/john-clark49/support

MAXINE SULLIVAN y: CLAUDE THORNHILL AND HIS ORCHESTRA – New York, Junio, 1937 Stop, you’re breaking my heart, Gone with the wind (ms vcl) Claude Thornhill And His Orchestra : Manny Klein, Charlie Spivak (tp) Jack Lacey (tb) Toots Mondello, Jess Caranell (as) Babe Russin (ts) Eddie Powell (bar,fl) Claude Thornhill (p,vib,arr) Artie Bernstein (b) […]

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

Peggy King (born February 16, 1930) is a jazz and pop vocalist and television personality. She was a member of big bands led by Charlie Spivak, Ralph Flanagan, and Ray Anthony. "Pretty Perky Peggy King", as she was called, appeared on The George Gobel Show from 1954 through 1957 and guest-starred on many other TV shows. Mitch Miller signed her to a long-term contract with Columbia Records, under which she made two best-selling albums, Wish Upon on a Star and Girl Meets Boy and a string of hit singles, including "Make Yourself Comfortable" in 1954. She sang the Oscar-nominated song "Count Your Blessings" on the 1955 Academy Awards telecast, and both Billboard and Down Beat magazine named her Best New Singer of 1955–56.

1 - Wayfaring Stranger - Burl Ives – 19492 - Stranger - Lloyd Glenn and his Orchestra - 19473 - Stranger – Clyde Burke with Raymond Scott and his New Orchestra – 19404 - Sweet Stranger – Kitty Lane with Glenn Miller and his Orchestra - 19375 - Sweet Stranger - Manhattan Dance Makers – 19276 - Song of the Wanderer - Helen Humes with Harry James and his Orchestra - 19387 - Song of the Wanderer - Chicago Rhythm Kings – 19498 - Welcome Stranger - Ruby Newman and his Orchestra - 19369 - Wanderer - Ray Noble and his Orchestra – 193310 - Stranger in Town - Jimmy Saunders with Charlie Spivak and his Orchestra - 194511 - Stranger in Town - Martha Tilton – 194412 - A Stranger in Paree - Johnny Russel with Vincent Lopez and his Orchestra - 193813 - Chant of the Wanderer - Sons of the Pioneers – 194814 - The Wanderer - Paul Robeson - 193715 - Sweethearts or Strangers - Bill Boyd and his Cowboy Ramblers – 194116 - Strangers in the Dark - Shirley Lloyd with Ozzie Nelson and his Orchestra - 193717 - Don't Worry 'Bout Strangers - Mildred Bailey – 194718 - The Quiet Stranger – Episodes 1 through 4 – Post WWII Australian Radio Drama19 - Why Fall in Love with a Stranger - Two Ton Baker - 194920 – Handsome Stranger – Sons of the Pioneers – 195121 – Sweet Stranger - Pops Carol with Reggie Childs and his Orchestra - 1937

1 - It Might as Well Be Spring - Dick Haymes with the Victor Young Orchestra - 19452 - In Texas for the Round-Up in the Spring - Texas Jim Robertson - 19413 - Spring Tonic - Neely Plumb and his Orchestra4 - It Seems to Be Spring - The Three Girlfriends with Waring's Pennsylvanians - 19305 - Spring Song - Benny Goodman and his Orchestra – 19396 - Melody in Spring - The Four Bright Sparks - 19347 - Spring Blossoms - Prince's Orchestra – 19158 - Spring Song - Paul Robeson with Lawrence Brown at the Piano - 19419 - Spring Rain - Wayne King and his Orchestra – 194610 - Hobo's Spring Song - Radio Mac (Harry McClintock) - 192911 - Spring Greetings - Lyons and Christie – 190712 - Spring Flowers - Women's Chorus from Samson and Delilah by Camille Saint-Saens - 191413 - Spring, Beautiful Spring - Vocalion Concert Orchestra – 192814 - Chimes of Spring (Spring Beautiful Spring) - Bob Haring and his Orchestra - 193015 - Spring Magic - Jimmy Saunders and the Stardreamers with Charlie Spivak and his Orchestra – 194616 - Spring Zephyrs - Vessella's Italian Band – 192017 – Little Miss Marker – Damon Runyon Theater – 1948 (Radio Drama)18 – The Green Hills of Earth – Dimension X – 1950 (Radio Drama)19 - Spring Fever - Rube Bloom – 192620 - Spring Blues - Yvonne Blanc - 1945

WETF Show - Solo Hop - early Glenn Miller arrangements for the Dorsey Brothers Orchestra, The Ray Noble American Orchestra and Miller's first recording session. Charlie Spivak, Bunny Berigan, Pee Wee Erwin, George Thow, Tommy Dorsey, Jack Jenney, Johnny Mince, Jimmy Dorsey, Skeets Herfurt, Eddie Miller, Bud Freeman, Claude Thornhill and others! --- Support this podcast: https://anchor.fm/john-clark49/support

1 - You Got to Get Yourself a Job, Girl - Wynonie "Mr. Blues" Harris and his All-Stars – 19472 - Going Up, With the Elevator Man - Burkhart and Standard Quartette – 19123 - Elevator Woman - Sonny Boy Williamson - 19464 - Willie, the Chimney Sweeper - Ernest Rogers – 19275 - I Lost My Job Again - Billy Williams with Swing and Sway with Sammy Kaye – 19456 - Zapateado (The Cobbler) by Sarasate - Sasha Culbertson, violin and Helen Hamilton, piano - 19267 - Papa Niccolini (The Happy Cobbler) - Garry Stevens and the Stardusters with Charlie Spivak and his Orchestra – 19418 - Ice Man Blues - George Kirby with Tom Archia and his All Stars - 19479 - Ice Man! - Billy Mitchell – 195310 - The Happy Blacksmith - Prince's Orchestra - 191511 - The Village Blacksmith Owns the Village Now - The Happiness Boys: Billy Jones and Ernest Hare – 192612 - A Job Like That - Will F. Denny - 189913 - We've Got a Job To Do - Fred Waring and his Pennsylvanians – 194214 - A Little White Lighthouse - Jack Leonard with Tommy Dorsey and his Orchestra - 193715 - Det Gamle Fyr (The Old Lighthouse) - Zetterstrom og Kristoffersen med Willy's Kvintett - 1930's16 - Lumberjack's Call - The Georgia Crackers - 194617 - My Very Good Friend - The Milkman - Kay Weber and Bob Eberle with the Dorsey Brothers' Orchestra – 193518 - The Body Snatchers - Suspense – 1942 (Radio Drama)19 - A Job for Willie - The Phil Harris /Alice Faye Show – 1948 (Radio Comedy)20 - The Blacksmith and his Anvil - Prince's Orchestra - 1914

Well with this tenth part we are bringing to a close my revisited series. Today's show features the band of the great trumpeter Charlie Spivak.  He played with some of the top bands in the late 1930's like Bob Crosby (1938), Tommy Dorsey (1938–1939), and Jack Teagarden (1939) before launching his own band. The vocalist on most of these recordings is his wife Irene Daye. I hope you enjoy these great side by the big band of Charlie Spivak. Please visit this podcast at http://bigbandbashfm.blogspot.com

In this Podcast Extra of "The Big Band and Swing Podcast" we celebrate the Birthday of Charlie Spivak.  If you would like access to Podcast Extras and Bonus Content then join our Patreon and become a "Hepcat".  It's a great way to support the Podcast and Swing City Radio. Check it out at: http://www.SupportSwing.com * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

1 - Clean as a Whistle - Frank Barton with Tom Coakley and his Palace Hotel Orchestra – 19332 - You're as Pretty as a Picture - Carmene Calhoun with Henry King And His Orchestra - 19383 - Blue as a Heart Ache - Tex Williams And His Western Caravan - 19484 - Busy as a Bee - Helen Forrest with Benny Goodman and his Orchestra – 19395 - Fresh as a Daisy - Marion, Jack and Tex with Glenn Miller and his Orchestra - 19406 - Fresh as a Daisy - Harry Babbitt with Kay Kyser and his Orchestra – 19407 - High as a Georgia Pine - Roosevelt Sykes and his Original Honeydrippers - 19478 - I'm as Free as a Breeze - Sam Nichols with his Melody Rangers – 19479 - Pretty as a Queen - Hal "Lone Pine" and his Mountaineers – 195310 - Pretty as a Butterfly - Charles P. Lowe – 191011 - Right as the Rain - Jimmy Saunders with Charlie Spivak and his Orchestra – 194412 - Loose as a Goose - Cecil Gant – 194613 - Soft as Spring - Helen Forrest with Benny Goodman and his Orchestra - 194114 - Sharp as a Tack - Harry James and his Orchestra – 194115 - Snug as a Bug in a Rug - Bon Bon with Jan Savitt And His Tophatters – 193916 - Stubborn as a Mule - Margie Day with The Griffin Brothers – 195117 - Sweet as a Song - Larry Cotton with Horace Heidt and his Brigadiers – 1937

The Sunday Swing series highlights the music of the swing era and much more. Danny Lane guides you through a one hour swing workout. Do the Lindy Hop or choose your favorite dance. Just keep swingin'. **** Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 **** or by email at: dannymemorylane@gmail.com **** You’ll hear: (1) Opus No. 1 by The Spitfire Band (2) I Double Dare You by Larry Clinton & His Orchestra (with Bea Wain, vocal) (3) Buck Dance by Woody Herman & The New Third Herd (4) On the Sunny Side Of The Street by Louis Armstrong (5) The Continental by Artie Shaw & His Orchestra (6) Somebody Else Is Taking My Place by Benny Goodman & His Orchestra (with Peggy Lee) (7) Lindyhopper's Delight by Chick Webb (8) All God's Chillun Got Rhythm by Bunny Berigan & His Orchestra (with Ruth Bradley, vocal) (9) Mambo No. 5 by Xavier Cugat (10) Rhumboogie by Bob Zurke's Delta Rhyhm Band (11) Blue Room by Benny Goodman (12) Crazy 'Bout a Saxophone by Buddy Johnson (13) Anvil Chorus by Glenn Miller (14) The Calloway Boogie by Cab Calloway & His Orchestra (15) Bell Bottom Trousers by Tony Pastor and His Orchestra (with Tony & Ruth McCullough) (16) Stompin' At The Savoy by Si Zentner & His Orchestra (17) Saturday Night (Is The Loneliest Night Of The Week) by Charlie Spivak & His Orchestra (with Irene Daye, vocal) (18) Santa Isabel De Las Lajas by Tommy Dorsey & His Orchestra Starring Warren Covington (19) Ain't Nobody Here But Us Chickens by Louis Jordan & His Tympany Five (20) Sing, Sing, Sing (With A Swing) by James Horner Studio Orchestra

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1 - Black Magic - Isham Jones' Orchestra – 19342 - El Brujo En Guanabacoa - Oscar Lopez with Orquesta Havana Casino3 - Witch Doctor - Ina Ray Hutton and Her Melodears – 19344 - Ogoun Badagris (Voodoo War God) - Charlie Barnet and his Orchestra - 19395 - Voodoo Moon (Enlloro) - Tito Rodriguez with Enrique Madriguera and his Orchestra – 19416 - Spring Magic - Jimmy Saunders and The Stardreamers with Charlie Spivak and his Orchestra - 19467 - Magic Is the Moonlight - Artie Wayne with Freddy Martin and his Orchestra - 19448 - Magic Mountain - Kenny Sargent with Glen Gray and the Casa Loma Orchestra – 19409 - Love Your Magic Spell Is Everywhere - Irving Kaufman with Vincent Lopez and his Orchestra – 192910 - It's Witchery - Tommy Mercer with Charlie Spivak and his Orchestra – 194711 - Kee-Mo Ky-Mo (The Magic Song) - The King Cole Trio – 195112 - Ninfa de Ojos Brujos - Jose Luis Monero con La Super Orquesta Original13 - That Old Black Magic – Skip Nelson and the Modernaires with Glenn Miller and his Orchestra – 194214 - That Old Black Magic - Beryl Davis with Stephane Grappelly and his Quartet – 194815 - Mr. Jinx Stay Away From Me - Bea Wain with Larry Clinton and his Orchestra – 193816 - The Spell of the Blues - Frederick Vettel - 192917 - The Spell of the Blues - Sam Coslow with The High Hatters – 192818 – The Black Art – Inner Sanctum Mysteries (Radio Drama) – 194519 - The Charming Spell of Your Embrace - Ray Morton with Ruby Newman and his Orchestra – 193820 – Under the Spell of Your Kiss – Lewis James - 192921 - Magic Town - The Screen Directors Playhouse (Radio Drama)– 195022 - Magic Town – Mel Torme

Episode 21 features some fine music by Gene Krupa, Harry James, Charlie Spivak, Les Brown and The Andrews Sisters. Sorry this recording is not available on a 45 rpm.   ...and remember, if you want to listen to more Big Band and Swing Music check out SwingCityRadio.com to hear Your Big Band Favorites from the 1930's, 40's and Today!   * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Episode 4 includes songs from Charlie Spivak, Jimmy Dorsey and Count Basie. We also enjoy a radio performance by Ozzie Nelson and His Orchestra which was recorded at the Blackhawk Hotel in 1940. ...and remember, if you want to listen to more Big Band and Swing Music check out SwingCityRadio.com to hear "Your Big Band Favorites from the 1930's, 40's and Today!" * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Memorial Day is a federal holiday in the United States for remembering the people who died while serving in the country's armed forces. In 1941, the Mutual Radio Network had the idea of broadcasting Swing Bands remotely from various halls around the country. Coca Cola was sold on the idea, and the first edition of Spotlight Bands was broadcast just days before Pearl Harbor. Patriotism is front and center and the music is hot! And it was on Spotlight Bands/Victory Parade. Benny Goodman, Charlie Barnet, Les Brown, Ted Fio Rito, Jack Teagarden, Louis Armstrong and many others lent their talents to the program. On today's show we present three band remotes: Les Brown, Gene Krupa, and Charlie Spivak. Note that on the Les Brown remote Doris Day is the vocalist. I hope you enjoy the music from the war years as we celebrate Memorial Day 2019. Thank you for listening. Please visit this podcast at http://bigbandbashfm.blogspot.com

On Big Band Bash this week we will continue with part 2 of the "Music of World War 2". Some of the artists we'll be hearing from today are Bing Crosby, Tommy Dorsey, Kay Kyser, Nat King Cole, Freddy Martin, Jimmy Dorsey, and Charlie Spivak. These were the songs that our men in the service were listening to as they headed into battle. World War 2 changed the big bands. During this time there were recording bans and out of this the vocalists became very popular. Also, because of gas rationing the bands didn't get to tour as much. I hope you enjoy the selections on the show from the years of 1940 to 1945. Thank you for listening. Please visit this podcast at http://bigbandbashfm.blogspot.com

主播打分： 阳磊：6分（漫威粉丝；《巴斯特的歌谣》等8期嘉宾） “这是一部薛定谔电影，观影心态决定影片质量，你是粉丝，自然就会忽略影片的一切BUG。” 鲁韵子：7.5分（DC粉丝；《地久天长》等4期嘉宾） “作为DC粉，我看完后陷入了无限的自怨自哀之中！人家一个时代都已经完美收关了，而我们却彻底错过了创造自己时代的机会！” 隐形：6分（本期控场；《绿皮书》等30期嘉宾） “电影这么多问题大家都视而不见，真不知道又有多少电影人会拿这片为自己的偷懒找借口。他们会说：你看《复联4》那么多硬伤，不是照样可以大卖吗？” 《复仇者联盟4：终局之战》平均分：6.5分 节目流程 00:00:29-00:01:30：嘉宾及抽奖信息介绍； 00:01:30-00:06:30：影片信息介绍； 00:06:30-00:08:30：三位主播为影片打分并阐述理由； 00:08:30-00:15:30：闲谈《复联4》观影氛围与“全民防剧透”现象； 00:15:30-00:33:00：嘉宾鲁韵子和隐形谈《复联4》亮点，阳磊谈问题； 1、鲁韵子对比《废柴联盟》，强调主创特有的悲剧人格，分析他们在类型元素上平衡把握的能力； 2、阳磊觉得片尾的大战拍法粗糙，娘子军集结十分可笑；此外，时空穿越设定硬伤无限，部分主角人设崩塌； 3、隐形觉得电影非常讨巧，他以“佛系绿巨人”的人设为例，谈到了本片的叙事效率； 00:33:00-01:17:00：交换意见，隐形和鲁韵子谈《复联4》问题，阳磊谈亮点； 4、鲁韵子对惊奇队长的职能大失所望，同样认为古一法师的设定存有硬伤；而本片对于腐女来说更是一场空前的灾难。 5、阳磊认为影片在戏里戏外都带有量子力学特点，漫威的布局完全可以掩盖一切剧情漏洞； 6、隐形对上述观点表示诧异，他抛出影片的多个硬伤细节与嘉宾一一对质，最后还对这类电影的大行其道表达了担忧； 01:17:00-01:34:40：外延话题： 7、腐女视角看漫威——你和她们看的绝不是一部电影； 8、未来的漫威宇宙如何布局——黑权？女权？华人超英？ 开场曲：(Brian Tyler)； 尾声曲：

On Part Four of my series on band leaders who played the same instrument, I'll be looking at the trumpet playing band leaders. There were a lot of them so I'll be playing some recordings by some of the famous trumpeters in addition to the not so famous. Some of the band leaders will be hearing from include Harry James, Bunny Berigan, Charlie Spivak, Sunny Dunham, and Randy Brooks. If you are a fan of the trumpet then this is a show you won't want to miss it. Please visit this podcast at http://bigbandbashfm.blogspot.com

This week's show is a belated birthday salute to a great trumpeter and bandleader, Charlie Spivak. Charlie was an exceptional trumpet player who, despite having been around jazz musicians all his life, rarely improvised. I recorded a show on the Spivak Orchestra several years ago and decided a few weeks ago to revisit his band. He was a member of several top name big bands before launching one of his one. Glenn Miller was one of his backers. We will be listening to some of the early original recordings that feature Charlie's wife, vocalist Irene Daye. These are some great sides by a Big band leader and a trumpet master. Please visit this podcast at http://bigbandbashfm.blogspot.com

Shellac Stack No. 59 pays homage to a favorite producer of films for children (and adults) with records by Freddie Rich, Charlie Spivak, Dinah Shore, Johnny Mercer, Kay Kyser, Ernie Rudy, and more.

The Jam Session with special guest Bob Mover was recorded January 26, 2014 at Bay Burger restaurant in Sag Harbor New York. Bob (Robert) Mover (born March 22, 1952, Boston, Massachusetts) is an alto, tenor and soprano jazz saxophonist and a vocalist. His father was a musician who played professionally including stints with the Charlie Spivak orchestra. He started playing the alto saxophone at age 13, studied with Phil Woods at a summer music camp, and took private lessons with Ira Sullivan. Mover has an explosive sound and style on the sax, directly influenced by Charlie Parker, Lee Konitz, Ira Sullivan, Stan Getz, and Sonny Rollins. His improvisations are melodically based, with lyrical melodies interspersed with complex bebop type lines. His selection of repertoire is wide and varied, with an encyclopedic knowledge of both standard and unconventional broadway and movie musical tunes. He was joined by Bill Smith on Piano, Peter Martin Weiss on Upright Bass and Don Moffit on Drums.

Miller played and recorded with the likes of Tommy and Jimmy Dorsey (who on several of their records, featured an up-and-coming singer by the name of Bing Crosby), Gene Krupa, Eddie Condon and Coleman Hawkins. In addition, during that time, Glenn cut 18 sides for Goodman, and also worked for radio studio conductors like Victor Young, Carl Fenton and Jacques Renard. In 1934, Miller became the musical director of the Dorsey Band, and later went on to organize The Ray Noble Orchestra, which included such players as Charlie Spivak, Peewee Erwin, Bud Freeman, Johnny Mince, George Van Eps and Delmar Kaplan, among others. the Glenn Miller Army Air Force Band engaged in over 800 performances. Of these, 500 were broadcasts heard by millions. There were more than 300 personal appearances including concerts and dances, with a gross attendance of over 600,000. But Glenn was not to participate in the final six months of these activities. In the Fall of 1944, the band was scheduled to be sent on a six-week tour of Europe and would be stationed in Paris during that time. Miller decided to go ahead, in order to make the proper arrangements for the group's arrival. And so, on December 15th, Glenn Miller boarded a transport plane to Paris, never to be seen again. Go To GoDaddy, use the promo code blu19 and save 10%