Podcasts about Jimmy Dorsey

On tonight's show: Jimmy Dorsey with Spike Hughes and His Three Blind Mice, St. Louis Blues Benny Goodman, Exactly Like You Benny Goodman, Let's Dance Cootie Williams & His Rug Cutters, Jubilesta  Lester Young & The Kansas City Six, Way Down Yonder in New Orleans Count Basie, Do You Wanna Jump, Children? Anita O'Day, Watch the Birdie [Album Version] Freddy Martin, Tonight We Love Major Glenn Miller & The American Band Of The Allied Expeditionary Force, Beat Me Daddy, Eight To The Bar Dizzy Gillespie, Oop Bop Sh' Bam Sidney Bechet, Old Stack O'Lee Blues Artie Shaw, Stop and Go Mambo Etta Jones,  Long Long Journey Ahmad Jamal, - Raincheck Ella Fitzgerald, Just One Of Those Things The Don Ellis Orchestra, Alone

04-17-25 - John's Aunt Went To Jimmy Dorsey Concert 75yrs After Her First One - Trans Regret Emails/Reactions - Noticing Stereotypes Are Accurate For A Reason Like John's Dislike Of Mayo - RN Emails In Worried His Wife May Be Trying To Kill Him By Poisoning His FoodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

04-17-25 - John's Aunt Went To Jimmy Dorsey Concert 75yrs After Her First One - Trans Regret Emails/Reactions - Noticing Stereotypes Are Accurate For A Reason Like John's Dislike Of Mayo - RN Emails In Worried His Wife May Be Trying To Kill Him By Poisoning His FoodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Features vintage recordings by Jimmy Dorsey, Count Basie and Ziggy Elman.  Ronnaldo also plays a fantastic song by The Charioteers called "A Slip Of The Lip Can Sink A Ship". Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

RED MCKENZIE & EDDIE CONDON:“THE CHICAGOANS” Chicago, December 8 & 16, 1927Sugar, China boy, Nobody's sweetheart (1), Liza (1)Jimmy McPartland (cnt) Frank Teschmacher (cl) Bud Freeman (ts) Joe Sullivan (p) Eddie Condon (bj) Jim Lannigan (tu,b) Gene Krupa (d) Mezz Mezzrow (cymbals -1) “CHICAGO RHYTHM KINGS” Chicago, March 27, 1928I've found a new babyMuggsy Spanier (cnt) Frank Teschmacher (cl) Mezz Mezzrow (ts) Joe Sullivan (p) Eddie Condon (bj) Jim Lannigan (tu) Gene Krupa (d) Red McKenzie (vcl) BUD FREEMAN Chicago, December 3, 1928Crazeology, Can't help lovin' dat man (rmk vcl)Johnny Mendell (tp) Floyd O'Brien (tb) Bud Jacobson (cl,as) Bud Freeman (ts) Dave North (p) Herman Foster (bj) Johnny Mueller (b) Gene Krupa (d) Red McKenzie (vcl) New York, December 4, 1935What is there to say ?, The buzzard, Tillie's downtown now, Keep smiling at troubleBunny Berigan (tp) Bud Freeman (cl,ts) Claude Thornhill (p) Eddie Condon (g) Grachan Moncur (b) Cozy Cole (d) FRANKIE TRUMBAUER New York, February 4, 1927Singin' the blues (1), Trumbology, Clarinet marmalade,Bix Beiderbecke (cnt) Bill Rank (tb) Frankie Trumbauer (c-mel) Jimmy Dorsey (cl,as) Paul Mertz (p) Howdy Quicksell (bj) Eddie Lang (g-1) Chauncey Morehouse (d) New York, August 25, 1927Three blind mice, Blue river (se vcl), There's a cradle in Caroline (se vcl)Bix Beiderbecke (cnt) Bill Rank (tb) Frankie Trumbauer (c-mel) Doc Ryker (as) Don Murray (cl,bar) Adrian Rollini (bassax) Itzy Riskin (p) Eddie Lang (g) Chauncey Morehouse (d) Seger Ellis (vcl) Continue reading Puro Jazz 25 de octubre, 2024 at PuroJazz.

RED MCKENZIE & EDDIE CONDON:“THE CHICAGOANS” Chicago, December 8 & 16, 1927Sugar, China boy, Nobody's sweetheart (1), Liza (1)Jimmy McPartland (cnt) Frank Teschmacher (cl) Bud Freeman (ts) Joe Sullivan (p) Eddie Condon (bj) Jim Lannigan (tu,b) Gene Krupa (d) Mezz Mezzrow (cymbals -1) “CHICAGO RHYTHM KINGS” Chicago, March 27, 1928I've found a new babyMuggsy Spanier (cnt) Frank Teschmacher (cl) Mezz Mezzrow (ts) Joe Sullivan (p) Eddie Condon (bj) Jim Lannigan (tu) Gene Krupa (d) Red McKenzie (vcl) BUD FREEMAN Chicago, December 3, 1928Crazeology, Can't help lovin' dat man (rmk vcl)Johnny Mendell (tp) Floyd O'Brien (tb) Bud Jacobson (cl,as) Bud Freeman (ts) Dave North (p) Herman Foster (bj) Johnny Mueller (b) Gene Krupa (d) Red McKenzie (vcl) New York, December 4, 1935What is there to say ?, The buzzard, Tillie's downtown now, Keep smiling at troubleBunny Berigan (tp) Bud Freeman (cl,ts) Claude Thornhill (p) Eddie Condon (g) Grachan Moncur (b) Cozy Cole (d) FRANKIE TRUMBAUER New York, February 4, 1927Singin' the blues (1), Trumbology, Clarinet marmalade,Bix Beiderbecke (cnt) Bill Rank (tb) Frankie Trumbauer (c-mel) Jimmy Dorsey (cl,as) Paul Mertz (p) Howdy Quicksell (bj) Eddie Lang (g-1) Chauncey Morehouse (d) New York, August 25, 1927Three blind mice, Blue river (se vcl), There's a cradle in Caroline (se vcl)Bix Beiderbecke (cnt) Bill Rank (tb) Frankie Trumbauer (c-mel) Doc Ryker (as) Don Murray (cl,bar) Adrian Rollini (bassax) Itzy Riskin (p) Eddie Lang (g) Chauncey Morehouse (d) Seger Ellis (vcl) Continue reading Puro Jazz 28 de octubre, 2024 at PuroJazz.

Hosts Brian Giffin nd John Bednarowski discuss the impact of Hurricane Helene on local high school football games, the honoring of Coach Jimmy Dorsey at McEachern, and preview the key matchups for week eight of the season. They delve into the playoff implications of these games, highlight emerging teams, and reflect on the struggles of Kennesaw State's football program amidst the challenges of college football today.   Chapters 00:00 Cobb Football Friday Kickoff02:59 Hurricane Impact on Games06:09 Honoring Coach Jimmy Dorsey09:01 Week Eight Game Previews11:55 Rivalries and Playoff Implications15:10 Emerging Teams and Surprises18:00 Kennesaw State's Struggles20:49 Navigating Challenges in College FootballSee omnystudio.com/listener for privacy information.

Con Lawrence, los Fulanos, Noisettes, Thee Sacred Souls, the Casinos, the El Torros, Three suns, Jimmy Dorsey y su orquesta, los Cinco latinos, Duncan Dhu, the Platters, Mason Williams, Françoise Hardy , Juliette Greco, Mª Dolores Pradera, Zoé Gotuso, Fito Paez y Star trip.

In this episode we examine and listen to Disc #391 of the V-Disc Collection.  This V-Disc features vintage music by Tommy Dorsey and His Orchestra and Jimmy Dorsey and His Orchestra. (E036) * The musical performances and recordings featured in this podcast are in the Public Domain.  Artists are credited within the podcast.

Aunque JM y Harold Arlen trabajarían juntos, de forma intermitente, durante muchos años, nada igualaría a las canciones que crearon a principios de la década de los años 40, cuando Mercer estaba devastado por la pérdida del amor de Judy Garland. Con José Manuel Corrales.

Aunque JM y Harold Arlen trabajarían juntos, de forma intermitente, durante muchos años, nada igualaría a las canciones que crearon a principios de la década de los años 40, cuando Mercer estaba devastado por la pérdida del amor de Judy Garland. Con José Manuel Corrales.

1 - Rancho Pillow - Andrews Sisters with Vic Schoen and his Orchestra - 19412 - Rancho Pillow – Howard Du Lany with Gene Krupa and his Orchestra – 19413 - Rocks in my Pillow - The Royal Jokers – 19564 - Zimna Pierzyna (Cold Pillow) - Walt Dana i Jego Orkiestra – 19465 - My Pillow and Me - Wayne Gregg with Clyde McCoy and his Orchestra - 19386 - My Pillow Knows - The Willis Brothers with The Oklahoma Wranglers – 19477 - Ashes on My Pillow - Eddie "Cleanhead" Vinson - 19508 - Head on My Pillow - Kenny Sargent with Glen Gray and The Casa Loma Orchestra – 19409 - A Pillow of Sighs and Tears - Red Foley - 194410 - Salt Your Pillow Down - Jimmy Johnson with Jack Rhodes Ramblers – 195011 – Dreaming a Dream – Ray Noble and his Orchestra – 193412 – All Aboard for Dreamland – Byron G. Harlan - 190413 - Goodnight Pillow - Jo Stafford with Paul Weston and his Orchestra - 195014 - I Told My Pillow - The Hillbilly Jewels featuring Randy and Brownie – 195215 - Moon on My Pillow - Teddy Walters with Jimmy Dorsey and his Orchestra – 194416 - I Think I'll Throw My Pillow on the Floor - Dave Denney – 1946

Studio band using the Red Nichols stock company and led by trombonist Mole - one of the unsung heroes of 1920's Jazz. With Nichols on cornet, Art Schutt and Joe Sullivan on piano, Vic Berton, Gene Krupa and Stan King on drums, Eddie Lang, Carl Kress and Dick McDonough on guitar and banjo, Joe Tarto on tuba and reeds played by Jimmy Dorsey, Pee Wee Russell, Fud Livingston and Adrian Rollini. All recorded for OKeh in New York! --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

This past week we observed a leap day, February 29th. Born on February 29, 1904 was Jimmy Dorsey. To observe his birthday and pay tribute, I went through my cds and came across two that were recorded in the years of 1939 and 1940. There are some nice recordings in this set. I wanted to do something different rather than play all his hits which I have done on other programs. So we will learn about the career of the late Jimmy Dorsey and listen to music that he recorded in 1939 and 1940. Please visit this podcast at http://bigbandbashfm.blogspot.com

 We're playing an endless game of Clue over here at the studio as we listen to Jimmy Dorsey and Barrie Craighttps://archive.org/download/240224-game-night/240224%20Game%20Night.mp3

Say yes to saying no! ~ Jimmy Dorsey and His Orchestra (Helen O'Connell, vocal) - Murder, He Says

Happy New Year to everyone as we welcome in the New Year. On the show today is a repeat of program I produced in 2016 called New Year's Radio Dance Party 1945-1946. The Armed Forces Radio Service gave a real treat to American troops still stationed around the world in the aftermath of World War II---live performances, by remote hookups from their respective New Year's Eve hotel and/or ballroom performances. We'll get to hear some of the titans of the time in American jazz and popular music. Including but not limited to Harry James, Count Basie, Louis Armstrong, Jimmy Dorsey, Artie Shaw (with guest Roy Eldridge), Stan Kenton, Benny Goodman, Duke Ellington, and---of course!---Guy Lombardo. It was a gift to our troops then and it's a perfect gift for our troops---and New Year's Eve shut-ins---today. Please visit this podcast at http://bigbandbashfm.blogspot.com

Merry Christmas and Happy Holidays to Everyone!  This special show features vintage Big Band Christmas recordings by Jimmy Dorsey, Johnny Mercer, Henry Hall, Horace Heidt and many more. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

"Cuando Fletcher Henderson empezó a tocar en el Connie's Inn, yo vivía en Greenwich, Connecticut. . . . cuando volvía a casa . . . me pasaba por el Connie's Inn. Fletcher y yo nos hicimos buenos amigos. Escribí mucho para aquella banda. Me pagaban bien". Bill Challis. Tras la salida de Benny Carter, Challis aportó dos éxitos: "Singin' the Blues" y "Clarinet Marmalade". Con José Manuel Corrales.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't not tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. Do you know who this fellow is? He's bandleader Jimmy Dorsey, shown here in 1943. It's not his birthday, so why is he being featured on this […] The post Nothing In Common – RRR #1214 October 22, 2023 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

1 - Cow Cow Boogie (Cuma-Ti-Yi-Yi-Ay) - Ella Fitzgerald and Ink Spots – 19432 - Hawaiian Cowboy - Al Kealoha Perry And His Singing Surfriders – 19403 - Cattle Call - Chet Tyler - 19474 - A Roundup Lullaby (A Cowboy's Night Song to the Cattle) - Royal Dadmun – 19235 - I'm an Old Cowhand - Bing Crosby with Jimmy Dorsey and his Orchestra - 19366 - Cowboy Dance - The Ranch Boys - 19387 - A Cowboy in Khaki - Dick Thomas - 19448 - Vout Cowboy - Louis Prima And his Orchestra with Foy Willing and the Riders of the Purple Sage – 19469 - Home on the Range - Connie Boswell with Bob Crosby's Bob Cats - 193710 - Home on The Range - Jules Allen "The Singing Cowboy" - 192811 - Haim Afen Range - Mickey Katz and his Kosher-Jammers – 194712 - Alla en el Rancho Grande - Tito Guizar - 193613 - Tumbledown Ranch in Arizona - Dick Powell and The Foursome with Victor Young and his Orchestra – 194014 - Asfaltens Cowboy - Valdemar David med Teddy Pedersen og hans Orchester - 194115 - Cowboy from Brooklyn - Ray McKinley with Jimmy Dorsey And His Orchestra – 193816 - The Last Round-Up - Red River Dave and Orchestra - 194417 - Der Alte Cowboy - The Comedian Harmonists – 1934

Grace and Shawna decided to choose Swing Music for their theme song as an homage to the iconic Moonlighting episode "The Dream Sequence Always Rings Twice" from Season Two.Even though this episode is set in the 40s era, they thought it was fitting to use this type of sound in their theme, as Swing Music was a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing music had a danceable rhythm to it and the Big Bands of the time as well as the Bandleaders such as Benny Goodman were a dominant force in American popular music from 1935 to 1946. Swing bands usually featured soloists who would improvise on the melody over the arrangement.This was known as the Swing Era when people were dancing to tunes such as the Lindy Hop.The word "Swing" is used as a term of praise for playing that has a strong groove or drive.Some examples of Musicians from the Swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Artie Shaw, Woody Herman, and of course Glenn Miller.Swing has its roots in 1920s dance music. New styles of written arrangements, incorporating rhythmic innovations pioneered by the incomparable Louise Armstrong, Coleman Hawkins, and Benny Carter as well as many many others.Unfortunately, during the World War II era, Swing music began to decline in popularity, and after the war, "Bebop" and "Jump Blues" gained popularity.Please enjoy this full version of Moonlighting The Podcast's Theme Swing Music.MOONLIGHTING THE TV SHOWThe show is all about the hit TV Show Moonlighting which aired from 1985 to 1989 starring Bruce Willis and Cybill Shepherd.Grace Chivell and Shawna Saari take a look at each episode in chronological order from the Pilot to the end of the fifth and final season.They discuss the direction, the production, the outfits, the lighting, the car chases, and the tumultuous relationship between Maddie Hayes and David Addison.FOR MORE INFORMATION:https://moonlightingthepodcast.comMerchandise: https://redbubble.com/people/moonpod2016Join Our Facebook Community:https://facebook.com/groups/moonlightingthepodcasthttps://facebook.com/moonlightingthepodcastJoin Our Instagram Community:https://instagram.com/moonlightingthepodcastTo learn more about Grace:https://gracechivell.com.auMoonlighting The Podcast YouTube Channel: bit.ly/maddieanddavidTo learn more about Shawna:https://www.youtube.com/channel/UCft4ALOjBZnEt4DBUvx3HvQDonate:https://ko-fi.com/moonlightingthepodcastPersonal Instagram:https://instagram.com/grace_chivellhttps://instagram.com/saari_not.saari Hosted on Acast. See acast.com/privacy for more information.

Features vintage recordings by Count Basie, Larry Clinton and Jimmy Dorsey.  We also listen to a great Soundie by Kay Kyser and learn about self cleaning soap. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Features recordings by Jimmy Dorsey, Gene Krupa, Doris Day and more.  We also learn how many times a day you should drink Dr. Pepper. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

The clarinet playing vaudevillian had very popular bands in the 1920's and 30's, but his playing was not it's feature - he would hire fine jazzmen such as clarinetists Don Murray, Jimmy Dorsey, Frank Teschemacher and Slats Long (and Benny Goodman, who we played on a previous show) as well as George Brunies and Muggsy Spanier . . great hot dance from 1928-1933. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Allan Reuss was the student of George Van Eps and he was an important part of the rhythm sections of Benny Goodman, Jack Teagarden, Paul Whiteman, Harry James and Jimmy Dorsey as well as playing casual sessions with Benny Carter, Charlie Ventura, Peck's Bad Boys, Barney Bigard, Vic Dickenson, Teddy Wilson, Lionel Hampton and others . . --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

1 - Cotton Club Stomp - Duke Ellington and his Orchestra - 19292 - Cotton Picker's Scat - McKinney's Cotton Pickers - 19303 - Cotton Field Blues - Charlie "Dad" Nelson - 19264 - King Cotton March (1895) - Prince's Band - 19185 - Cotton Lisle Stockings and a Two-Dollar Dress - Daisy Mae and Old Brother Charlie - 19526 - You Can't Pull the Wool over My Eyes - Helen Ward with Benny Goodman and his Orchestra - 19367 - Woolie Boogie Bee - Burl Ives - 19498 - Wooley Wooley Woo - Johnson's Gold Dragon Orchestra - 19239 - Wrap Yourself in Cotton Wool - Bobby Howes - 193410 - Don't Hang Your Dirty Linen on My Line - Roy Acuff and his Smoky Mountain Boys - 195011 - Show Your Linen, Miss Richardson - Ray McKinley with Jimmy Dorsey and his Orchestra - 193912 - Calicoco - Joseph C Smith and his Orchestra - 191813 - Song from A Cotton Field - Bessie Brown - 192914 - Velvet and Silk - Jennie Goldstein with I. J. Hochman's Orchestra15 - Black Velvet - Illinois Jacquet and his Orchestra - 194916 - A High Silk Hat and a Walking Cane - Hobo Jack Turner - 192917 - Oro y Seda (Gold and Silk) - Banda Municipal - 1928

Features vintage recordings by Larry Clinton, Jan Savitt and Jimmy Dorsey.  We also learn what product makes your "whites so bright, you'll need sunglasses". Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Bert Parks hosts The Dorsey Brothers on this broadcast from October 11, 1956.

Songs include: Them There Eyes, Green Eyes, Smoke Gets In Your Eyes, Teardrops From My Eyes, Dark Eyes and Why Do You Want to Make Those Eyes At Me For? Performers include: Vincent Lopez, Bob Crosby, Billie Holiday, Jimmy Dorsey, Betty Hutton, Patti Page, Bing Crosby and Artie Shaw.

Geiger Gwen returns to Seattle to take care of unfinished business. Join our Discord: https://discord.gg/PxbfcpTJu2 Help us get to $400 on Patreon: https://www.patreon.com/mistconceptionspod Cast: David (he/him; @MrBananaSocks) as the Editor in Chief, Kristie (she/her; @polishkristie) as Geiger Gwen (she/her) Music in this Episode: Romance by Jimmy Dorsey and his Orchestra, Jazz Relaxed Lounge Theme by vheissu, Rumbalero Part 1 by Jerry Wald and his Orchestra, Rumbalero Part 2 by Jerry Wald and his Orchestra, Dementia by Miklós Rósza

Happy New Year to everyone as we welcome in the New Year. On the show today is a repeat of program I produced in 2016 called New Year's Radio Dance Party 1945-1946. The Armed Forces Radio Service gave a real treat to American troops still stationed around the world in the aftermath of World War II---live performances, by remote hookups from their respective New Year's Eve hotel and/or ballroom performances. We'll get to hear some of the titans of the time in American jazz and popular music. Including but not limited to Harry James, Count Basie, Louis Armstrong, Jimmy Dorsey, Artie Shaw (with guest Roy Eldridge), Stan Kenton, Benny Goodman, Duke Ellington, and---of course!---Guy Lombardo. It was a gift to our troops then and it's a perfect gift for our troops---and New Year's Eve shut-ins---today. Please visit this podcast at http://bigbandbashfm.blogspot.com

Six performances on television across nine weeks in early 1956. Not only did Elvis's life and career changed so dramatically between them, but the face of America's cultural landscape, as the establishment voices of popular and country music fought the tidal wave of rock and roll on all fronts, winning some small victories like Dot Records's attempt to obliterate Little Richard's original "Tutti Frutti" with Pat Boone's atrocity, but ultimately losing the war as Elvismania takes over the nation. When Elvis first steps on camera for Tommy and Jimmy Dorsey's TV program in January, 1956, he's a novelty that can only be compared to Johnnie Ray... by the time he leaves, he's on track to being on the big screeen. Bec, Gurdip and Justin sit down to review all six Stage Show appearances, twelve songs in total, and try to unpack their significance. For Song of the Week, Justin takes the lead first to draw attention to the last real new cut for Elvis penned by Mort Shuman, "You'll Think of Me," then Bec digs deep on the gospel classic "Lead Me, Guide Me" and its writer Doris Akers, and finally, Gurdip tries to reason out why a 1957 Elvis bothered with the moody Cole Porter ballad, "True Love," originally by Bing Crosby and Grace Kelly. Sadly, video of Elvis's Stage Show appearances are largely commercially unavailable. Some individual performances are available in documentaries like Elvis '56, This is Elvis (theatrical and extended cuts) or The Great Performances. Some fans have shared a handful of performances on YouTube and other video hosting sites sourced from old non-official products and VHS collections, but we must acknowledge that there simply is currently no one-stop shop for all of them. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music history and movie enthusiast.

November 9, 1941 - Football Game. Jack Benny is making a movie (To Be Or Not To Be) with Carole Lombard and director Ernst Lubitsch. Phil Harris brings his pal, Leo Durocher, the manager of the Brooklyn Dodgers. References include Fred Allen, John Barrymore's profile, Bing Crosby, Jimmy Dorsey, Alexander Korda, Al Smith and more.

Sincere question: How are you doing these days? I ask because almost everyone I talk with is feeling overwhelmed. Putin's war in Ukraine and his threats to use nuclear weapons, Trump and his henchmen's (and henchwomen's) ongoing threats to democracy, the upcoming midterm elections, the bizarre economy, the climate crisis and the natural disasters it's spawning. And much more. It's impossible to block all this out because we're inevitably affected by it every day –from the prices we're paying for gas and food, to neighbors and family members who repeat bonkers things they hear on Fox News, to weather that's out of whack and sometimes menacing, to getting that new booster shot and making sure your loved ones do, too.  We also feel all this indirectly, through the anxieties and stresses experienced by those we love. They're not immune to the chaos, either. I like to think that you find my near daily messages helpful. Yes, they're sometimes alarming or grim, but they're written from a set of values that I think we share. I hope you receive them as if from a friend who gives you a tad more courage, assurance, and arguments about why those values are so important. In times like these we also need to take care of each other, and of ourselves. It's about sustenance — feeding our need to laugh and play, savoring the joy of connecting with those we love, dancing to music that literally moves us. A year before my father died, shortly before his 102nd birthday, we took him to the local mall and parked him in his wheelchair just outside a drugstore for just a moment while we bought a few things. When we returned, he was out of his wheelchair, moving his body with perfect rhythm to the sound of Jimmy Dorsey's 1930s big band, over the mall's speakers. My father couldn't speak and could barely see, but he had a broad grin across his face.  I hadn't even noticed the music. Today, amid all the anxiety and despair, I want to inspire you to hear the music. I guarantee it's there. Please take some time out to be moved. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit robertreich.substack.com/subscribe

1 - Hurry, Hurry, Margie - Margie Anderson – 19502 - Hurry, Hurry - Wynonie "Mr. Blues" Harris with Lucky Millinder and his Orchestra – 19443 - Ven Pronto - Tony Chiroldy con Orquesta Roberto Valdes Arnau4 - I've Got to Hurry, Hurry, Hurry - Ray Price - 19525 - Call the Police (Hurry, Hurry) - Artie Sims and his Orchestra – 19466 - Hurry, Johnny, Hurry - Sweet Violet Boys - 19357 - I'm Gonna Hurry You Out of My Mind - Ella Fitzgerald and Delta Rhythm Boys – 19458 - Lille Peter, Lille Peter Skynd Dig og Bliv Stor - Aage Juhl Thomsen med Columbia Danseorkester - 19309 - Hurry Home - Bob Crosby and his Orchestra – 193810 - Tom, Dick and Harry and Jack, Hurry Back - Arthur Fields – 191811 - Pronto, Pronto, Pronto (Hurry! Hurry! Hurry!) - Tito Guizar y su Grupo – 194912 - Arthur Murray Taught Me Dancing in a Hurry - Helen O'Connell with Jimmy Dorsey and his Orchestra – 194113 - Honey, Hurry, Hurry to Me - Gene Krupa and his Orchestra – 194514 - Hurry Back to My Bamboo Shack - Henry Burr – 191615 - Hurry Sundown - Richard Huey and his Sundown Singers - 194616 - What's Your Hurry? - Kaplan's Melodists – 192217 – Jack Takes Inventory of his Pantry – The Jack Benny Show – 1949 (Radio Comedy)18 – The Go-Getter – The FBI in Peace and War – 1954 (Radio Drama)19 – Clark Kent, Reporter – Superman – 1940 (Radio Adventure)

Your Navy Show - 1952 US Navy Public Service Transcription ep008 Tommy Dorsey orchestra. Opens with On the Sunny Side of the Street. Don Wilson is host. Don Wilson (September 1, 1900 – April 25, 1982) was an American announcer and actor in radio and television, with a Falstaffian vocal presence, remembered best as the rotund announcer and comic foil to the star of The Jack Benny Program. Thomas Francis Dorsey Jr. (November 19, 1905 – November 26, 1956) was an American jazz trombonist, composer, conductor and bandleader of the big band era. He was known as the "Sentimental Gentleman of Swing" because of his smooth-toned trombone playing. His theme song was "I'm Getting Sentimental Over You". His technical skill on the trombone gave him renown among other musicians. He was the younger brother of bandleader Jimmy Dorsey. After Dorsey broke with his brother in the mid-1930s, he led an extremely successful band from the late 1930s into the 1950s. He is best remembered for standards such as "Opus One", "Song of India", "Marie", "On Treasure Island", and his biggest hit single, "I'll Never Smile Again".

Fats on the Side - Fats Waller the sideman recording with Jack Teagarden, Ted Lewis, the Rhythmakers, Fletcher Henderson and Red McKenzie . .featuring Benny Goodman, Jimmy Dorsey, Sterling Bose, Pee Wee Russell, Tommy Ladnier, Buster Bailey, Joe Smith, Red Allen, Billy Banks and others! Small group and big band jazz from 1926-33. --- Support this podcast: https://anchor.fm/john-clark49/support

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless, AFN programs were widely enjoyed by the British civilian listeners who could receive them, and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programs available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.

Jack Pettis was one of the first saxophonists in Jazz - playing C melody with Ben Bernie and His Orchestra, he also headed numerous recording dates with the same personnel - here we have him with Bill Moore, Tony Parenti, Don Murray, Al Goering, Jimmy Dorsey, Eddie Lang and Joe Venuti among others . . great hot dance music with jazz ingredients from 1926-29 --- Support this podcast: https://anchor.fm/john-clark49/support

Features vintage music by both Tommy Dorsey and Jimmy Dorsey, Vaughn Monroe and Johnny Desmond.  We also follow young Ralph on his quest for better dietary health. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Venuti and Lang with vocalists! Recordings from 1927-32 of the classic duo backing Annette Hanshaw, the Ponce Sisters, Reis and Dunn, Red McKenzie and Cliff Edwards. Including Adrian Rollini, Jimmy Dorsey, Art Schutt and Frank Signorelli --- Support this podcast: https://anchor.fm/john-clark49/support

Shellac Stack No. 274 prays the blues with Jimmy Dorsey and smiles with Duke Ellington. We hear from singers Bob Howard and Tommy Edwards, xylophonists Joseph Green and Sam Herman, and bandleaders Sam Lanin, Richard Himber, and Fred Elizalde. Join us! And thanks for supporting the Shellac Stack on Patreon: patreon.com/shellacstack

The months right before and after the beginning of World War 2 had some great music from the big bands. The Time-Life set we are playing from today features many of those songs. We'll be hearing from the bands of Jimmy Dorsey, Benny Goodman, Glenn Miller and many others. As usual I am following the playlist from this set but instead of playing the recreations I am presenting the original recordings if I have them. I hope you enjoy this program that I originally produced in 2015. Please visit this podcast at http://bigbandbashfm.blogspot.com

Most of the recordings released under the name of the great guitarist Eddie Lang . . .1927-33 featuring great guitar solos as well as duets with Frank Signorelli or Art Schutt. Also some great band sides with Tommy Dorsey (on trumpet as well as trombone), Jimmy Dorsey, Leo McConville, Andy Secrest, Charles Strickfadden, Izzy Friedman, Joe Tarto and Stan King. --- Support this podcast: https://anchor.fm/john-clark49/support

We're going way way back this week to the WWII era of the Billboard charts because our old pal James Dorsey has some more toot-toot-tooting to share with us. This time around, it's another song from a movie no one has ever heard of. We used to be a country damnit!

1 - Here Comes the Sun - Ted Wallace and his Campus Boys – 19302 - Sun Risin' Blues - Joe Turner - 19413 - Imini Ifikile (The Day Has Come) - Caluza's Double Quartet – 19304 - Please, Mr Sun - Johnnie Ray with The Four Lads – 19515 - Sun and Moon - Reinald Werrenrath - 19246 - Mi Sol - Jose Luis Monero with the Mendez Orchestra – 19467 - Sun God - Isham Jones Orchestra – 19228 - Sol!!! - Oscar Serpa with Osvaldo Fresedro y su Gran Orquesta Argentina9 - It Was Only a Sun Shower - Harry Lambert with the Broadway Bell-Hops – 192710 - Sun Showers - Louis Armstrong and his Orchestra – 193711 - Throwin' Stones at The Sun – Clifford Wetterau with the Joe Haymes Orchestra – 193512 - Sun Valley Jump - Glenn Miller and his Orchestra - 194113 – Sunny Skies – Bar Harbor Society Orchestra – 192814 - When the Sun Comes Out - Helen O'Connell with Jimmy Dorsey and his Orchestra – 194115 - When the Sun Goes Down in Harlem - Hamfoot Ham with the Harlem Ham Fats – 193916 - When the Sun Says "Goodnight" to the Prairie - Montana Slim (The Yodeling Cowboy) – 194217 - Hymn to the Sun - Tommy Dorsey and his Orchestra – 193918 – Orbit the Moon – Dantro the Planet Man – 1953 (Radio Serial)19 – Cosmic Communicator – Dantro the Planet Man – 1953 (Radio Serial)20 - The Big Guilt - Dragnet – 1952 (Radio Drama)21 - You Can't See the Sun When You're Cryin' - Vaughn Monroe and his Orchestra - 194622 - Where Is the Sun? - Fats Waller and his Rhythm - 1937

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

Gwendolynn Goodman is a Private Eye helping women out of bad marriages in Eugene, Oregon, but she hasn't always been an altruistic soul. Once a member of the Tuskman Criminal Empire, Gwen was a thug and the paramour of Timothy Tuskman, until an operation went south and she was irradiated with strange energy. Now, as she is helping her latest client escape her leech of a husband, Gwen's criminal past rears its ugly head to vex her. Just who is Gwendolynn Goodman and how did she become the hero known as Geiger Gwen?! Cast: David (he/him; @MrBananaSocks) as the Editor in Chief, Kristie (she/her; @PolishKristie) as Geiger Gwen (she/her) Join our Discord: https://discord.gg/kDFN36npSP Support us on Patreon: https://www.patreon.com/mistconceptionspod Music in this episode: Serenade to a Sarong by Benny Carter and His Famous Orchestra , Smoky Jazz Lounge by Bobby Cole, Jazz Relaxed Lounge Theme by vheissu, Vertigo by Amber Waldron, Rumbalero Part 1 by The Kingsway Symphony Orchestra, Rumbalero Part 2 by The Kingsway Symphony Orchestra, Romance by Jimmy Dorsey and His Orchestra

Tengo ritmo, pieza de George y Ira Gershwin de 1930, es una de las canciones populares mas importantes de la cultura americana, un standard de jazz y fuente de composiciones bebop. Escuchamos desde Jimmy Dorsey a la Sant Andreu pasando por Bennet, Parker y por supuesto, Anthropology por Dizzy.