Podcasts about konzerthausorchester berlin

durée : 00:16:14 - Le Disque classique du jour du mercredi 04 septembre 2024 - Après sa première saison en tant que première femme cheffe d'orchestre à diriger un orchestre berlinois, Joana Mallwitz sort son premier album consacré à la musique de Kurt Weill, avec le Konzerthausorchester Berlin

durée : 01:27:29 - En pistes ! du mercredi 04 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour vous ce matin, le violoncelliste Jean-Guihen Queyras, l'ensemble baroque berlinois the Lautten Compagney, le Konzerthausorchester Berlin dirigé par Joana Mallwitz, le ténor Julian Prégardien en duo avec le pianiste Kristian Bezuidenhout, Philippe Bach à la direction de Berner Symphoniorchester

durée : 01:27:29 - En pistes ! du mercredi 04 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour vous ce matin, le violoncelliste Jean-Guihen Queyras, l'ensemble baroque berlinois the Lautten Compagney, le Konzerthausorchester Berlin dirigé par Joana Mallwitz, le ténor Julian Prégardien en duo avec le pianiste Kristian Bezuidenhout, Philippe Bach à la direction de Berner Symphoniorchester

durée : 00:16:14 - Le Disque classique du jour du mercredi 04 septembre 2024 - Après sa première saison en tant que première femme cheffe d'orchestre à diriger un orchestre berlinois, Joana Mallwitz sort son premier album consacré à la musique de Kurt Weill, avec le Konzerthausorchester Berlin

Sarah Raven is one of Britain's best known gardeners. Since her debut book, The Cutting Garden in 1996 she has written for national newspapers and magazines and shared her gardening knowledge as a broadcaster. Sarah's love for gardening started with her family. Her father John was a Classics scholar at Cambridge and a keen amateur botanist and her mother Faith introduced Sarah to the joys of cutting and arranging flowers.Following her father's death when she was just seventeen, Sarah read History at the University of Edinburgh before deciding to pursue a career as a doctor. It was whilst she was on maternity leave from her medical training that Sarah began to cultivate her own garden which led to her first book, The Cutting Garden.After the success of her first book, Sarah set up her eponymous business which has evolved from a kitchen table start-up to successful global brand. Sarah continues to write, her latest book, A Year Full of Pots was published earlier this year.Sarah lives in East Sussex with her husband, the writer Adam Nicholson. She has three stepsons and two daughters.DISC ONE: See My Baby Jive - Wizzard DISC TWO: Dashing White Sergeant - Jimmy Shand DISC THREE: Don't You (Forget About Me) - Simple Minds DISC FOUR: You Can Dance (If You Want To) - Go Go Lorenzo & The Davis Pinckney Project DISC FIVE: September - Earth, Wind and Fire DISC SIX: Can't Take My Eyes Off You - Andy Williams DISC SEVEN: Rocket Man (I Think It's Going To Be A Long, Long Time) - Elton John DISC EIGHT: Spring 1. Composed by Antonio Vivaldi, recomposed by Max Richter and performed by Daniel Hope (violin) with the Konzerthausorchester Berlin, conducted by André de RidderLuxury: An ever-cleaning linen sheet bed with a hot (and cold) water bottle Book: The Flowers of Crete by John Fielding & Nicholas Turland Castaway's Favourite: September - Earth, Wind and FirePresenter: Lauren Laverne Producer: Mugabi Turya

Michaela Špačková is a curious and creative artist who seamlessly integrates her passions for music, humanity and nature into her musical work, lifestyle and intercultural activities – from music education concerts to her development of permaculture gardening. She regularly performs works dedicated to her for solo bassoon by contemporary composers, She began playing the bassoon at the age of 12 and made her debut five years later with the PKF Prague Philharmonia, following appearances with the ORF Vienna, Munich Chamber Orchestra and Czech Philharmonic, receiving more than 20 prizes at various competitions such as the ARD Music Competition and Prague Spring Competition, and performing worldwide in the most prestigious halls such as the Berlin Philharmonie, Philharmonie de Paris, Suntory Hall Tokyo, etc. She was solo bassoonist in the Konzerthausorchester Berlin with Christoph Eschenbach and Academist with the Staatskapelle Berlin under Daniel Barenboim, played with conductors such as Sir S. Rattle, Z. Mehta, I. Fischer, W. Jurowski and others. In this episode, we speak about her start on the bassoon, her experiences and insights on taking part and winning numerous competitions, some of her favorite contemporary composers, educational music concerts, her passion for permaculture gardening, how she overcome a challenging moment in her career and we are joined by a super-cute guest right at the end! Legends of Reed is sponsored by Barton Cane. Use coupon code "legendsofreed" for free shipping. https://www.bartoncane.com Find out more about Michaela here: https://www.michaelaspackova.com

Ecos de Breogán es el debut discográfico de la oboísta Iria Folgado, natural de san Sadurniño y actualmente solista de corno inglés en Konzerthausorchester Berlin. Una travesía por el repertorio de cámara para oboe compuesto en las islas británicas en el primer tercio del siglo XX, junto a la creación contemporánea de Fernando Buide del Real forman este trabajo que presentamos en RadioVoz con Iria como y invitada en nuestro espacio.

Penderecki in Memoriam Podcast is produced and hosted by Max Horowitz, Crossover Media. Created by Anna Perzanowska and Klaudia Ofwona Draber, and presented by Polish Cultural Institute New York. Penderecki in Memoriam Podcast unveils a multifaceted portrait of Krzysztof Penderecki, with commentary from musicians, colleagues, radio programmers, and writers who lend insight and memories of Poland's greatest modern composer. This podcast is part of Penderecki in Memoriam Worldwide project, honoring the life and legacy of the great composer. Thank you to project partners DUX, NAXOS, Ludwig van Beethoven Association, and Schott EAM for sharing Krzysztof Penderecki's music with the world. Julian Rachlin is one of the most renowned artistic personalities of our time. In his over thirty-year career, Mr. Rachlin's multifaceted interests have taken him across the globe as a conductor, soloist, recording artist, chamber musician, teacher, and artistic director. As a violinist, Rachlin has shared the stage with virtually every major orchestra and conductor. A frequent presence on the conductor's podium, his performances have thrilled audiences worldwide and his electrifying and sensitive interpretations have placed him at the forefront of classical music. Rachlin's elegant and dynamic style has cemented his reputation as one of the leading conductors of his generation. Known for his meticulous rehearsal methods and superb musicianship, he has conducted the Chicago Symphony Orchestra, Israel Philharmonic Orchestra, Royal Philharmonic Orchestra, Konzerthausorchester Berlin, Russian National Orchestra, Moscow Philharmonic Orchestra, China Philharmonic Orchestra, Helsinki Philharmonic Orchestra, Royal Liverpool Philharmonic Orchestra, and the symphony orchestras of Vienna, City of Birmingham, RAI Torino as well as at the Grand Teton and Verbier festivals. Mr. Rachlin serves as Principal Guest Conductor of the Turku Philharmonic Orchestra, the Kristiansand Symphony Orchestra, and he is Principal Artistic Partner of the Royal Northern Sinfonia. A major presence in the performing arts since the age of thirteen, Mr. Rachlin has spent over three decades cementing his reputation as one of the world's premiere classical violinists. Recent highlights as soloist include appearances with the Munich Philharmonic and Los Angeles Philharmonic Orchestra under the baton of Zubin Metha, Mariinsky Orchestra with Valery Gergiev, Oslo Philharmonic Orchestra under Klaus Mäkelä, St.Petersburg Philharmonic Orchestra with Yuri Termirkanov, Boston Symphony Orchestra, Orchestra Filarmonica della Scala, Symphonieorchester des Bayerischen Rundfunks, Montreal Symphony Orchestra under Christoph Eschenbach and the Pittsburgh Symphony Orchestra with Manfred Honeck. Tracks: Penderecki - Sextet for Clarinet, Horn, Violin, Viola, Cello and Piano: https://www.naxos.com/catalogue/item.asp?item_code=8.557052. Penderecki - Ciaconne transcription (violin & viola) from A Polish Requiem. Penderecki - Double Concerto. Penderecki - Metamorphosen: https://www.naxos.com/catalogue/item.asp?item_code=8.555265.

En el episodio de hoy tenemos como invitado a Darío Mariño, Clarinete Solista de la Orquesta Sinfónica del Gran Teatro del Liceo de Barcelona. Darío inició sus estudios con el clarinete en Galicia y más adelante decidió continuar con su formación en Berlín. Entre sus profesores principales se encuentran José María Belló, Carlos Casadó, Vicente Alberola, Karl-Heinz Steffens y Wenzel Fuchs. Ha colaborado con diferentes orquestas jóvenes, como la JONDE y la Gustav Mahler, donde tuvo la oportunidad de trabajar junto a Claudio Abbado. Entre los años 2010 y 2012, fue academista de la Karajan Akademie en la Filarmónica de Berlín y desde entonces colabora como primer clarinete con orquestas como la Filarmónica de Berlín, Mahler Chamber Orchestra y algunas de las mejores orquestas europeas. Antes de conseguir su plaza en la Orquesta Sinfónica del Gran Teatro del Liceo, Darío fue solista de clarinete de la Konzerthausorchester Berlin, y de la orquesta del Teatro estatal de Kassel. Ha trabajado con directores como Simon Rattle, Valery Gergiev, Christian Thielemann, Daniel Barenboim, Daniel Harding, Andris Nelsons, Herbert Blomsted, Paavo Järvi, Iván Fischer y Christoph Eschenbach, entre otros. Como músico de cámara fundó el Natalia Ensemble, el Trio Hanns Eisler y el Berliner Nonett y comparte escenario con algunos de los músicos con mayor proyección a nivel internacional. Como solista, ganó en 2008 el Primer Premio y Medalla de oro en el concurso de solistas del Primer Palau de Barcelona, interpretando y grabando desde entonces los conciertos para clarinete de Mozart, Weber, Artie Shaw y Copland. Apasionado por la pedagogía, enseña en Masterclases tanto de clarinete como de música de cámara y orquesta en diversos formatos. Una gran trayectoria y que tenemos la oportunidad de conocer con más detalle en este episodio, donde hablaremos de: Toda su trayectoria desde los inicios con el clarinete y qué fue lo que hizo que quisiera dedicarse a la música Por qué decidió cambiar del sistema francés al alemán y cómo vivió ese cambio Hablaremos sobre en qué casos podría ser una mejor opción estudiar el Superior en España o en otro país y los pros y contras, dependiendo siempre de cada caso en en particular. Su etapa estudiando en Berlín con Wenzel Fuchs Cómo es ser Academista de la Filarmónica de Berlín y qué supuso en su carrera Su primera vez tocando con la Filarmónica de Berlín y la primera vez que tocó como Solista en esta Orquesta Cómo fue trabajar junto a Claudio Abbado y qué es lo que destaca de algunos de los directores con los que ha trabajado De esto y mucho más es de lo que hablaremos en este episodio. Si quieres escuchar a Darío tocando la 1ª Sinfonía de Mahler con la Filarmónica de Berlín bajo la dirección de Daniel Harding, te dejo este enlace aquí para que lo veas. Y como he comentado antes, ya estamos de nuevo en Septiembre, donde empezamos nuevo curso, nuevos proyectos, nuevos retos… Porque Septiembre es un mes para eso, para empezar. Y aunque nos cueste dejar atrás el verano, es momento de volver a la rutina. ¿Pero qué hacer después de haber estado unas semanas de descanso sin tocar el clarinete? ¿Cómo empezar a estudiar? ¿Hay algún ejercicio que me hará retomar la forma antes? Estas puede que sean algunas de las preguntas que te estés haciendo. Y de eso es de lo que vamos a hablar ahora mismo. Igual que los deportistas no empiezan a entrenar a tope después de las vacaciones, necesitan de un proceso de adaptación o pretemporada, lo mismo pasa con la práctica musical. No podemos pasar de 0 a 100. Por eso he subido algunas clases a la academia donde explico unos ejercicios para empezar mejor y colocar todo en el sitio lo antes posible. Estas clases funcionan muy bien si has estado de vacaciones o un has tenido un tiempo inactividad. Así que si quieres volver a la rutina y empezar el curso en forma, puedes echarle un vistazo a estas clases en academiadeclarinete.com No te pierdas el apartado de Masterclasses, donde habrán novedades este mes. Recuerda que en academiadeclarinete.com tienes a tu disposición cientos de clases grabadas en vídeo con ejercicios, técnicas, partituras y todo lo que necesitas, para mejorar como clarinetista. También tienes disponible la sección de Masterclasses, donde grandes clarinetistas colaboran regularmente compartiendo todo lo que saben con los estudiantes de la academia, y de esta manera, hacer de esta plataforma un lugar de referencia y aprendizaje para toda la comunidad de clarinetistas de habla hispana. Muchas cosas están por llegar. No te lo pierdas. Descarga gratis la Guía de estudio del Clarinetista. *Fotografía: Paco Amate (function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//forms.aweber.com/form/75/1002537775.js"; fjs.parentNode.insertBefore(js, fjs); }(document, "script", "aweber-wjs-lxvwl76h6"));

Festlich starten das Konzerthausorchester Berlin, sein Chefdirigent Christoph Eschenbach und die Sopranistin Anna Prohaska in die Jubiläumsaison. Vor 200 Jahren wurde das Konzerthaus Berlin als Schauspielhaus am Gendarmenmarkt eröffnet. Nach einem Monat hatte dort Webers "Freischütz" seine Uraufführung. Die Ouvertüre zur Oper kam auch gestern zu Gehör – neben Werken von Robert Schumann, Joseph Haydn, Igor Strawinsky. Unser Kritiker Clemens Goldberg war im Konzerthaus dabei.

Am 20. Februar wurde der Pianist und Dirigent Christoph Eschenbach 80 Jahre alt und bis Sonntag wird im Konzerthaus gefeiert. Beim "Geburtstagfest für Christoph Eschenbach" steht der Chefdirigent selbst am Pult seines Konzerthausorchesters und dirigiert Brahms' dritte Sinfonie und die "Sinfonie für Klavier und Orchester" - mit Tzimon Barto. Eine Konzertkritik von Clemens Goldberg.

>With Music by: Robert Schumann, Dmitry Shostakovich, Georg Frederick Handel, Verdina Shlonsky, Erwin Schulhoff, others, Johannes Brahms

Mit Musik von: Robert Schumann, Dmitri Schostakowitsch, Georg Friedrich Händel, Verdina Shlonsky, Erwin Schulhoff, u.a., Johannes Brahms

"Willkommen in unserer Mitte": Unter diesem Motto luden die drei großen Orchester in Berlin am Dienstagabend Flüchtlinge und ihre Helfer ein zu einem Konzert in der Berliner Philharmonie. Mit dabei waren die Berliner Philharmoniker, das Konzerthausorchester Berlin und die Staatskapelle Berlin.

Nick speaks with Alexander Shelley, Music Director, about the 2015/2016 NAC Orchestra Season. Alexander Shelley was appointed Music Director-designate of Canada's National Arts Centre Orchestra in October 2013 and will take up the position of Music Director in September 2015. In 2015 he enters his seventh year as Chief Conductor of the Nuremberg Symphony Orchestra where he has transformed the orchestra's playing, education work and touring activities which have included tours to Italy, Belgium, China and a re-invitation to the Musikverein in Vienna. In January 2015 Shelley was named Principal Associate Conductor of the Royal Philharmonic Orchestra with whom he will curate and perform a series of concerts at Cadogan Hall each season. Born in the UK in 1979, Alexander first gained widespread attention when he was unanimously awarded first prize at the 2005 Leeds Conductors Competition and was described as "the most exciting and gifted young conductor to have taken this highly prestigious award. His conducting technique is immaculate, everything crystal clear and a tool to his inborn musicality." Since then he has been in demand from orchestras around the world including the Philharmonia, City of Birmingham Symphony, Rotterdam Philharmonic, Stockholm Philharmonic, Mozarteum Orchester Salzburg, Konzerthausorchester Berlin, DSO Berlin, Leipzig Gewandhaus, Simon Bolivar, Seattle and Houston Symphony Orchestras. Further afield Alexander is a regular guest with the top Asian and Australasian orchestras. Recent press has singled him out as "a musician of considerable gifts and extraordinarily impressive interpretative qualities" (Strauss, Elgar and Sibelius in London), a conductor with "exceptional artistic authority" (Brahms with DSO Berlin) and described his Verdi Requiem in Salzburg as an "original, intelligent, thoroughly convincing and well-crafted interpretation". Alexander's operatic engagements have included The Merry Widow and Gounod's Romeo and Juliet for Royal Danish Opera; La Bohème for Opera Lyra at the National Arts Centre in Ottawa, Iolanta with the Deutsche Kammerphilharmonie Bremen, Cosi fan tutte in Montpellier and a new production of The Marriage of Figaro for Opera North in 2015. Alongside his regular appearances in London, Ottawa and Nuremberg, the 2014/15 season and beyond includes return visits to, among others, the DSO Berlin, Gothenburg Symphony, Konzerthausorchester Berlin, Leipzig Gewandhaus, Melbourne Symphony and NDR Radio Philharmonic as well as his debuts with Camerata Salzburg, Czech Philharmonic, Orchestre de la Suisse Romande, Orchestre Philharmonique de Luxembourg and Oslo Philharmonic. His first recording for Deutsche Grammophon, an album with Daniel Hope and the Royal Stockholm Philharmonic, was released in September 2014. In Germany Alexander enjoys a close relationship with the Deutsche Kammerphilharmonie Bremen, with whom he performs regularly both in subscriptions in Bremen, and around Germany, and in October 2013 he took the orchestra on tour to Italy with a signature programme of Strauss, Wagner and Brahms. He is artistic director of their Zukunftslabor project - an award-winning series which aims to build a lasting relationship between the orchestra and a new generation of concert-goers through grass-roots engagement and which uses music as a source for social cohesion and integration. The son of professional musicians, inspiring future generations of musicians and audiences has always been central to Alexander's work. In Spring 2014 he conducted an extended tour of Germany with the Bundesjugendorchester and Bundesjugendballett which included a collaborative concert at the Baden-Baden Easter Festival with Sir Simon Rattle and members of the Berliner Philharmoniker. In 2001, during his cello and conducting studies in Dusseldorf, he founded the Schumann Camerata with whom he created "440Hz", an innovative concert series involving prominent German television, stage and musical personalities, conceived by him as a major initiative to attract young adults to the concert hall. https://nac-cna.ca/en/orchestra/reincarnated