Podcasts about national arts centre orchestra

This week violinist James Ehnes joins the Gramophone Podcast to talk about his new recording of Bach's complete violin concertos, recorded with Canada's National Arts Centre Orchestra, and released on the Analeketa label.  

Juno nominees for Classical Composition of the YearPlaylist: Salvatore Passantino, Ada Witczyk, Simon Standage, Dominika Maszczynska - OstinationDeantha Edmunds, Newfoundland Symphony Orchestra - AngmalukissaGabriel Dharmoo, Canada's National Arts Centre Orchestra - the fog in our poiseKeiko Devaux, Ensemble Paramirabo - L'ecoute du perdu: III 'Voix jetees'Linda Catlin Smith, Thin Edge New Music Collective - Dark FlowerVivian Fung, Jasper String Quartet - String Quartet No. 4 'Insects & Machines'Jane Stanley, The Hermes Experiment - The IndifferentKazunori Miyake, Tomasz Arnold - Chain

Playlist: Bryce Dessner, Colin Currie - Tromp MiniaturePamela Harrison, Alice Neary, Jams Coleman - Cello SonataChristopher Ducasse, Toronto Mendelssohn Choir - O nata luxFerdinando DeSena, Juventas New Music Ensemble - Rest in PeaceEnsemble 0 - Florent Plays Harmonium,JF plays Ebows, Antoine Pays Modular Synth, Sylvain Plays Melodica, Maxime Plays Field Recordings and it Lasts 12:27Jacques Hétu, Canada's National Arts Centre Orchestra, Orchestre Symphonique de Quebec - Symphony No. 5Ed Hughes, New Music Players - In ieiunio et fletu

I have known the Canadian cellist Julia MacLaine for many years in her role asAssistant Principal Cello of Canada's National Arts Centre Orchestra, of which I am also a member. In this episode we're highlighting her gorgeous album Preludes which pairs the Preludes of J.S. Bach for Cello solo and with newly commissioned works for solo cello by Canadian composers.  Julia and I talked about many things, including how best to address  the challenges of maintaining high levels of playing and inspiration, studying the craft of songwriting with the legendary Ian Tamblyn , the intricacies of putting together ambitious projects,  her childhood in Prince Edward Island,  and strategies to cope with performance anxiety. It was really inspiring to hear some of the wisdom Julia gained from her mentors including Timothy Eddy and the late Antonio Lysy. This episode features excerpts of music from Preludes including that of J.S. Bach, Airat Ichmouratov, Carmen Braden, Roy Johnstone and Nicole Lizée.   Like all my episodes, you can also watch this on my YouTube channel, and I've also linked the transcript to my website, everything linked here: https://www.leahroseman.com/episodes/julia-maclaine Julia MacLaine website: https://www.juliamaclainecello.com/bio Preludes album https://www.prestomusic.com/classical/products/9309403--preludes?srsltid=AfmBOoop593ZT29pz3RSsEMawTjbiHPF_8oMICuS2ruzUn1Qo2dkujCn Preludes album on YouTube https://www.youtube.com/channel/UC80c6WS5jNMk-L5RhXOknCA Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ My episode with Rachel Mercer, Principal Cellist of NACO: https://www.leahroseman.com/episodes/e9-s2-rachel-mercer Timestamps: (00:00) Intro (03:02) J.S. Bach solo Preludes, Julia's childhood in Singapore and Prince Edward Island (10:59) Prelude in D minor, Suite number 2 J.S. Bach (14:43) Antonio Lysy, bow control, intonation (20:03) boundaries with technology, Julia's childhood no TV (22:48) Bonnie Hampton, Julia's career trajectory, staying in good playing shape (28:08) commissioning Airat Ichmouratov's Praeludium with excerpt (29:30) excerpt from Airat Ichmouratov's Praeludium (31:33) commissioning new works inspired by Bach, securing funding (34:30) Carmen Braden collaboration on interpretation (37:44) excerpt from Play Time by Carmen Braden (39:01)more discussion about interpretation and editions (39:59) Timothy Eddy, Julliard and New York experience (44:22) different ways you can support this independent podcast! (45:15) Roy Johnstone (46:36) clip of No. 6 Post Bach by Roy Johnstone (47:52) PEI, Matt Zimbel (48:51) multi-disciplinary project in New York Voice of the Whale (54:38) songwriting with Ian Tamblyn (57:48) mental game, perfectionism, performance anxiety  (01:04:33) Nicole Lizée with clip from Prayers for Ruins (01:06:44) balancing family life as a musician (01:10:53) choosing repertoire (01:14:09) performance anxiety (stagefright), Don Greene photo: Stewart MacLaine

Hillary Simms is a virtuosic Canadian trombone player with the esteemed American Brass Quintet and is on faculty at the Julliard School. Hillary's warmth and love of music comes through in this candid interview, from her childhood in Newfoundland to playing on the world's biggest stages, and also the unusual situation she found herself in when  her engagement to her husband became a viral sensation in China.  As the first woman to join the Amercian Brass Quintet since 1960,  Hillary spoke to me about gender disparity in the brass world and some of her strong female role models.    Hillary shares wonderful insights for all of us, whether you pursue music as a career or follow a different path,  of the need to have self-compassion and have an awareness of the big picture of your life.  Hillary has performed as a soloist a couple of times with my orchestra, Canada's National Arts Centre Orchestra, and you'll hear us talk about the arc of her career so far as a chamber musician, soloist, educator and busy freelancer. We decided to delay the release of this episode slightly in order to include a wonderful recent recording of the Amercian Brass Quintet, a movement from David Biedenbender's wonderful work Sacred Geometry. This is the first recording of the group with Hillary performing,  and you'll find more information and links below.  You'll find the video and transcript here: https://www.leahroseman.com/episodes/hillary-simms Hillary Simms website: https://www.hillarysimmstrombone.com/ American Brass Quintet: https://www.americanbrassquintet.org/ ABQ Sacred Geometry Il. Gaudi by David Biedenbender https://youtu.be/YOBA2gjpnKo?si=PNJHPuQ3ZOPS_pAV Song for Japan Trombone Quintet https://youtu.be/2lVH_vesCUA?si=iD2fZsxKWi0TNDg8 Songs My Mother Taught Me by Charles Ives https://youtu.be/I7ZdF-gH9mg?si=YwJ1T4t2K2sSdy6Y Hillary Simms with NACO https://nac-cna.ca/en/event/27460 Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ Timestamps: (00:00) intro (04:02) solo opportunites with NACO pandemic, Tomasi, David, Raum (08:26) American Brass Quintet, Julliard teaching, auditioning for ABQ (14:10) commissioning new compositions (20:41) second movement,Gaudi, from Sacred Geometry by David Biedenbender (25:29) recital in Toronto, Charles Ives songs (27:51) Songs My Mother Taught Me by Charles Ives (27:49) benefits of singing (31:44) Hillary's story of becoming a  trombone player (37:55) Newfoundland (39:49) different ways to support this independent podcast! (40:43) Hillary's career path and love of chamber music, Dr. Karen Bulmer, Douglas Burden (47:39) Gord Wolfe trombone mentor, getting through burnout (50:47) husband Ricky Nan, the strangeness of being part of a viral sensation (56:36) need for mentorship (01:00:10) recording the Song for Japan video, help from Zach Haas (01:04:42)  Song for Japan by Steven Verhelst  (01:11:00) self-care and routine, practice routine (01:15:54) gender disparity, female role models (01:21:16) Michael Mulcahy, playing with Chicago symphony (01:25:58) advice for musicians

Jessica Cottis is an acclaimed orchestral conductor, and in this wide-ranging interview you'll gain insights into the special world of orchestral conductors and also some of Jessica's interests in the natural world and the arts. She spoke to me about her musical path, from how she made her first trumpet, to life on a sheep farm, to her transition from a career as a concert organist, to lessons learned from conducting mentors including Colin Davis and Colin Metters. Jessica is such an articulate champion of the value of music and the arts, and I've also been privileged to have worked with her in my role as a violinist in Canada's National Arts Centre Orchestra.   I have a special interest in synesthesia, so I was interested in hearing her experience of sound through colour, and if you look at the description of this episode, you'll find detailed timestamps for the many topics covered, inluding some beautiful music from Julie Cooper's new album Oculus with Jessica Cottis conducting. Jessica also shared her difficult recovery from a concussion and how her senses were further mixed for a period of time.  Like all my episodes, you can also watch this on my YouTube channel and I've also linked the transcript to my website as well: https://www.leahroseman.com/episodes/jessica-cottis Jessica Cottis website: https://www.jessicacottis.com/about Angel in Dark Green by composer Julie Cooper is featured in this episode from her album Oculus (conducted by Jessica Cottis): https://juliecoopermusic.com/ Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ photo of Jessica Cottis: Gerard Collett Timestamps: (00:00) Intro (02:46) Jessica Cottis transition from organist to conductor (13:57) the experience of conducting an orchestra (16:57) Julie Cooper Oculus project, synesthesia, chromesthesia (20:41) Angel in Dark Green by Julie Cooper from Oculus (25:45) synesthesia (26:22) please support this listener-supported series!  (26:58) synesthesia, random assault and recovering from concussion (37:08) childhood and the sheep farm, butterflies (42:08) childhood musical education, trumpet, piano (43:45)programming orchestral programs (48:52) presenting and interpreting contemporary music (52:20) equity and inclusion in classical music (56:19) conducting mentor Colin Davis  (01:00:18) conducting mentor Colin Metters, the art of conducting (01:07:41) how Jessica learns scores, listening to historical recordings (01:16:00) inspiration from books (01:17:34) time-space synesthesia  (01:19:16) childhood and using music to understand and express emotions (01:20:52) early conducting experiences, founding the Bloomsbury Opera and getting sponsors --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

• Feature Interview: Jerry Boychuk and Fr. Stepan Vytvytsky of St. Michael the Archangel Ukrainian Catholic parish in Nanaimo give a sneak preview of this Sunday's Ukrainian festival and 40th anniversary celebration of St. Michael's. (Details here.) • Kultural Capsule: A brief bio of Canadian violinist Carissa Klopoushchak with the National Arts Centre Orchestra in Ottawa and her early years with the Ukrainian folk group Tyt i Tam • Ukrainian Food Flair: Sorrel borshch recipe• Ukrainian Proverb of the Week• Other items of interest• Great Ukrainian music!Your host: Pawlina.The Nanaimo edition airs Wednesdays at 11am PST on CHLY 101.7FM, broadcasting to the north and central Vancouver Island, Gulf Islands, Sunshine Coast, northwest Washington State and Greater Vancouver listening areas.The Vancouver edition of Nash Holos airs Saturdays at 6pm PST on air at AM1320 CHMB and streaming live at the CHMB website. www.am1320.com.For audio archives, transcripts and information about the show, visit our website.Podcast feed here:You can also find us on Spotify, Amazon Music, Apple Podcasts, Deezer, and most music platforms ... and of course on your favourite podcast app.Visit our YouTube channel where Anton and Daria Lysenko are discussing current affairs, history and culture with fascinating peopleFollow us on Facebook, Instagram.and ThreadsFor audio archives, transcripts and information about the show, visit our website.Other Links:St. Michael the Archangel Ukrainian Catholic Parish website here and on Facebook here.Haydamaky video of Чорна Рілля here.Vasyl Pawlowsky's podcasts Kultural Capsule and Authentic Life Stories Support the show on Patreon Hosted on Acast. See acast.com/privacy for more information.

• Knyzhka Corner Book Review: The Lost Year by Katherine Marsh, a young adult novel about a teenage boy who, during the covid lockdowns, learns the history of Holodomor from his great-grandmother • Kultural Capsule: A brief bio of Canadian violinist Carissa Klopoushchak with the National Arts Centre Orchestra in Ottawa and her early years with the Ukrainian folk group Tyt i Tam • Did You Know? (Чи знали ви?): Details of the Ukrainian film Slovo House about soviet repression of Ukrainian writers in collaboration with the Mur Band of Ukraine. Screening in Vancouver starting Monday May 27. DYK feature produced and presented by Olena Iskorostenska• Ukrainian Food Flair: Sorrel borshch recipe• Ukrainian Proverb of the Week• Other items of interest• Great Ukrainian music!Your host: Pawlina.The Vancouver edition of Nash Holos airs Saturdays at 6pm PST on air at AM1320 CHMB and streaming live at the CHMB website. www.am1320.com.The Nanaimo edition airs Wednesdays at 11am PST on CHLY 101.7FM, broadcasting to the north and central Vancouver Island, Gulf Islands, Sunshine Coast, northwest Washington State and Greater Vancouver listening areas.For audio archives, transcripts and information about the show, visit our website.Podcast feed here:You can also find us on Spotify, Amazon Music, Apple Podcasts, Deezer, and most music platforms ... and of course on your favourite podcast app.Visit our YouTube channel where Anton and Daria Lysenko are discussing current affairs, history and culture with fascinating people.Follow us on Facebook, Instagram.and ThreadsSlovo House film in Vancouver: Tickets here.General info about Slovo House here.Haydamaky video of Чорна Рілля here.Vasyl Pawlowsky's podcasts Kultural Capsule and Authentic Life Stories Support the show on Patreon Hosted on Acast. See acast.com/privacy for more information.

This is a special re-release with cellist Rachel Mercer,  with added music from some of her recordings. This was orginally recorded and released in Season 2 of this podcast in 2022, and now in Season 4 2024, Rachel and I are including some tracks from some of her albums in the podcast version of this episode. See more below for some of the many topics covered! The original video is on YouTube with the transcript, everything linked here: ⁠ https://www.leahroseman.com/episodes/e9-s2-rachel-mercer⁠ We discussed the arc of her career so far as a chamber musician, soloist, and Principal Cellist of my orchestra, the National Arts Centre Orchestra of Canada. One of the musical selections added to this podcast is from the album “Our Strength, Our Song" with Rachel's sister, the wonderful violinist Akemi Mercer-Niewöhner. We also talked about and many other chamber music collaborations and unique projects, as well as her way of approaching music. You'll also hear some of Rachel's memories of the late Yehonatan Berick who was an amazing violinist and pedagogue and was Rachel's life partner. As well,  Rachel very generously made a special recording of the prelude from JS Bach's fifth solo suite for this episode in 2022,  and her heartfelt introduction to the power of this music is right after our conversation, so please keep listening till the end. Rachel Mercer's website: http://www.rachelmercercellist.com/ Support link to buy this independent podcaster a coffee: https://ko-fi.com/leahroseman Thanks! Complete Catalog of Episodes: https://www.leahroseman.com/about Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Linktree: https://linktr.ee/leahroseman --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Today is a very special episode for me because we have with us, the inimitable Dr. Renee-Paule Gauthier, Violinist, Performance & Life Coach for Musicians, Host of the Mind Over Finger Podcast She is a passionate performer, teacher, and high-performance coach whose career has taken her across the United States and Canada as a soloist, recitalist, chamber musician, orchestral leader, and clinician.  Dr. Gauthier performs with some of Chicago's finest ensembles, including the Chicago Symphony and the Chicago Lyric Opera orchestras, Music of the Baroque, and the Chicago Philharmonic. She blogs about creating a meaningful practice at her website, Mind Over Finger, and hosts the Mind Over Finger podcast.  One of the most popular classical music shows, The Mind Over Finger Podcast offers discussions on mindful music-making, efficient practice, and building a purposeful career with the performers, pedagogues, and innovators who are shaping the classical music world today.  Dr. Gauthier presents masterclasses and clinics on the topics of mindful practice, audition preparation, and anxiety management to audiences across the world.   An accomplished concert artist, Renée-Paule Gauthier was mentioned as “one of the best violinists of her generation" in the book Violin Virtuosos, from Paganini to the 21st Century.  Dr. Gauthier has won awards in several competitions, including the exclusive three-year loan of the Taft Stradivari violin through the 2009 edition of the Canada Council for the Arts' Musical Instrument Bank Competition.  She made her Kennedy Center solo debut in April 2014.  She was Concertmaster of the New World Symphony, in the first violin section of the National Arts Centre Orchestra in Canada, Assistant Concertmaster of the Calgary Philharmonic, and is the Founder and former Artistic Director of the Rendez-vous Musical de Laterrière, a chamber music festival in the province of Québec.  Download your free Quarterly Retreat Planning Guide.  Book a free 30-minute discovery call with Kate.   If you enjoyed today's episode, please don't forget to subscribe, rate, review, and share it with your friends!  Want more Tales From The Lane content? Check out the TFTL Blog, with 6+ years of past articles and interviews!  Let's hang out! IG: https://www.instagram.com/kkayaian FB: https://www.facebook.com/groups/Talesfromthelane Twitter: https://twitter.com/kkayaianwright Website: KateKayaian.com  

Sam Loeck has recently been appointed Principal Bass of Canada's National Arts Centre Orchestra. Prior to this position, he served as Principal Bass of the Calgary Philharmonic. He was also a finalist and trialist for Principal Bass of the London Symphony Orchestra. We dig into Sam's path into the world of double bass and his auditioning journey, exploring the twists and turns and lessons learned. Enjoy! Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor!   Dorico - This podcast episode is sponsored by Dorico: the next-generation music notation software from Steinberg, that's packed with smart, time-saving features to help you spend less time in front of your computer and more time doing what you love: making music.   The latest version of Dorico 5, includes Iconica Sketch, a new orchestral sound library, bringing more expressive playback, and making it easy to produce more life-like performances with a dynamic stereo soundstage. Try Dorico Now For 60 Days For Free: visit dorico.com     theme music by Eric Hochberg

In Memoriam - Composers we lost in 2023Playlist: Akira Nishimura - Matra for Solo Marimba, Solo Timpani, & Five PercussionistsKaija Saariaho, Finnish Radio Symphony Orchestra - True FireCatherine Christer Hennix - The Well-Tuned MarimbaJocelyn Morlock, National Arts Centre Orchestra, Alexander Shelley - My Name is Amanda ToddFriedrich Cerha, Vienna Philharmonic - Konzert fur Schlagzeug und OrchesterDavid Del Tredici, (Hilary Hahn, violin / Cory Smythe, piano) - Farewell

Conversations with Musicians with Leah Roseman is available wherever you listen to podcasts. The video and transcript are linked here on my website, where you can check out my episodes catalog and sign up for Sneak Peeks for upcoming guests: https://www.leahroseman.com/episodes/jeremy-mastrangelo This week's guest is violinist Jeremy Mastrangelo, who's a wonderful colleague of mine in Canada's National Arts Centre Orchestra. He's known in our greenroom as a great storyteller, onstage as an excellent musician, and having heard him give brilliant masterclasses I can attest to his excellence as an educator as well.  This episode is infused with Jeremy's wit and wisdom as well as a couple of beautiful violin performances. We talk about violin shopping in Cremona,  teenage life at Interlochen Academy, the difficulties and joys of a career as an orchestral musician, family, and the benefits of deepening our understanding of the composers we play. You will find that one of the wonderful stories in this episode reveals an unexpected discovery! This independant podcast needs your support. Can you help with $3? https://ko-fi.com/leahroseman Thanks so much! Timestamps:  (00:00) Intro (02:11) Jeremy's brother Dave, his childhood starting violin (10:31) Bach Aria from Goldberg Variations (13:23) Dave Mastrangelo arrangements (15:05) orchestra audition process (19:11) working conditions, collective agreements, Syracuse orchestra experience, Sara Mastrangelo (27:21) please support the podcast! (28:00) different roles and chairs in the orchestra (30:31) Interlochen (34:13) intro to Piazzolla etude (35:45) Piazzolla Tango Etude no. 3 (39:34) dealing with uncertainty, pandemic Syracuse then Ottawa with Pinchas Zukerman (45:37) ideal orchestra experiences, role of conductor and players (50:15) Cremona with wife Sara, Italian heritage, Vittorio Villa (55:54) Jeremy's violin teachers Rafail Sobolevsky, Bill Preucil, Hal Grossman, Paul Kantor (01:03:26) Rafail Sobolevsky story (01:10:13) Sally Thomas, James Ehnes (01:14:12) cooking (01:16:07) great books about composers and performers (01:20:37) solo experiences, stress dreams, benefits of knowing more about the composers (01:28:16) one final orchestra story --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Margaret Maria is a wonderful cellist who's a unique composer. Her compositions are all written by layering cello lines in some gorgeous and emotive aural tapestries. Her personal story is interesting and moving: she started the cello as a teenager, was admitted to the University of Toronto at age 16 without graduating from high school, and was then admitted to the prestigious Curtis Institute. She went on to have a successful career as a member of the Vancouver Symphony and then Canada's National Arts Centre Orchestra, which is how I came to know her. She gave up her job with the NAC after a few years, and embarked on a new life as a composer, meanwhile continuing to teach. Some of her work as an educator has been with the Orkidstra program, which she has been involved with since it's inception in 2007. It's a social development program that serves over 650 youth from over 62 linguistic and cultural backgrounds by building community through free music programs. This episode has a lot of powerful music; you can use the timestamps to navigate. Like all the episodes in this series, this is available wherever you get your podcasts, as well as this video, and the transcript and show notes are all linked to my website https://www.leahroseman.com/episodes/margaret-mariahttps://margaretmariamusic.com/home I'm an independant podcaster, and this podcast needs your help! https://ko-fi.com/leahroseman Thanks! Timestamps (00:00) Intro(02:44) Teaching improvisation in Breno, Maribyllia, creative process(06:57) Marbyllia duo with Bill Gilliam, clip from Gravitational March(07:47) Margaret's music education and evolution as a cellist and composer(12:52) intro to Blessing of Awakening and Margaret's creative process(17:00) clip from Blessing of Awakening(18:03) Margaret's personal story and evolution as a composer(19:46) please support this podcast(20:01) perfectionism, starting late, playing injuries(23:39) Curtis(27:05) more about Margaret's personal story and evolution as a composer(31:32) Orkidstra and music education(34:26) Alice Kanack, the benefits of teaching improvisation (38:35) producing music with Craig McConnell, intro to Raging Red(41:24) clip from Raging Red with Craig McConnell(42:04) duo project with singer Donna Brown, rock opera with Julian Gracia Reig, getting grants(50:22) From Scars to Infinite Stars(55:19) where to find Margaret's music(56:20) Margaret's approach to teaching (01:05:49) reflections on her life, intro to Her Heart on a Platter(01:08:29) Her Heart on a Platter(01:14:39) Margaret's sheet music(01:15:34) empath feeling others' emotions, intro to Shame on an Angel, artist Angel Muriel(01:20:39) Sham on an Angel(01:25:52) Margaret's creative process photo of Margaret: Bret Archangel Menezes --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Fred Paci is a Canadian trumpeter, guitarist and music producer. Some notable accomplishments and highlights include playing trumpet with Aretha Franklin, Sarah McLauchlan, served 23 years in the Canadian Armed Forces as a musician and currently plays in various orchestras around Ottawa such as the National Arts Centre Orchestra, the Ottawa Jazz Orchestra, the Orpheus Musical Theatre Orchestra, jazz combos, and more.Since 2020, Fred has been releasing original music on digital streaming platforms, garnering a plethora of Spotify and Apple Music Editorial adds. With currently over 20 million streams worldwide, he continues to solidify his presence in the global Lofi/Chillhop music scene, with a signature laid back lyrical style and boppy improvisation reminiscent of the late Clifford Brown and Chet Baker.On today's episode we discuss:- Fred's experience growing up in an extremely music family- Career opportunities that exist for instrumentalists- Fred's experience as a trumpeter in the Canadian Armed ForcesConnect with Fred Paci on Instagram: @fredpacimusicThank you for being a part of our unique lofi and chillhop community! These developmental conversations and educational episodes would not be possible without your support. The Chilled Samples Podcast was created and is designed to help artists in our community grow their projects, accomplish their artistic goals, and to provide a platform for leading lofi and chillhop artists to share their thoughts, knowledge, and individual perspectives.If you have further questions I'd love to help you grow your project: @chilledsamplesThis episode is sponsored by Staub Audio Engineering:Staub Audio Engineering WebsiteInstagram: @staubaudio_sterilone

I'm joined by my colleague in Canada's National Arts Centre Orchestra, violinist Frédéric Moisan. Originally from the Breton town of Saint-Brieuc in France, he immigrated to Finland and then Canada. In this wide-ranging conversation we talked about wind-surfing,family, languages, different cultures' approaches to education, the challenges of playing the violin, the original version of the Sibelius violin concerto (which was the subject of Fred's Doctoral Dissertation), life balance, and fly fishing. We talked about the differences between being a freelancer to being an orchestra member; Fred has great advice for colleagues and students preparing auditions, and you can find these various topics in the timestamps. Like all my episodes, this is available as both a video on my YouTube, and a podcast wherever you listen to podcasts; the transcript is also linked on my website: https://www.leahroseman.com/episodes/frdric-moisan Finally, do check out the link to my Ko-fi page in the description, since I really need my listeners' support to keep this project going!  https://ko-fi.com/leahroseman Timestamps: (00:00) Intro (02:12) growing up in Brittany, studies in France, the Conservatoire system (09:52) moving to Finland (20:45) violin studies with Anne-Marie De Boisgisson, windsurfing, education systems (29:07) please help me keep this series going: Ko-fi support page linked! (29:35) Anne-Marie De Boisgisson (30:26) different education systems Finland, France, Canada (37:20) Fred's parents, grandparents, the loss of his mother (48:05) reflections on parenting and balancing life, bringing up multi-lingual children (54:25) differences between freelancing and having an orchestra job (01:00:31) orchestra auditions (01:05:06) violin practice routines (01:09:00) Sibelius violin concerto original version (01:14:50) performing as a soloist with orchestra (01:17:02) goals and aspirations for music students (01:24:24) Breton language and culture (01:27:33) fly-fishing and the benefit of hobbies --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Alexander is currently music director of the National Arts Centre Orchestra in Ottawa, and principal associate conductor of the Royal Philharmonic Orchestra.  He was recently appointed and artistic and music director-designate of Artis-Naples and the Naples (FL) Philharmonic.  He is a thrilling guest with much to offer on many topics.

Ian Cusson celebrates deep questions and despises stereotypes. is In this episode, you'll hear the sought-after Indigenous (Georgian Bay Métis Community) and French Canadian composer share a candid conversation with host Khadija Mbowe, digging into his experiences of privilege, shame, and one anecdote of sweet, swift, cosmic justice.  Chapters:[00:00] Introduction [02:49] Métis community influence on Ian's artistic approach today [10:00] Navigating indigenous heritage and Western religion will be a lifelong process  [16:50] The privilege and shame of being "white-passing"[25:16] Becoming better by making art  [34:23] In-depth lightning round bonus! Music from this episode:Ian Cusson, "Le Loup de Lafontaine," world premiere performance by Alexander Shelley & NAC Orchestra as part of the Móshkamo Festival which marked the launch of the National Arts Centre's Indigenous Theatre department. Le loup de Lafontaine was a National Arts Centre Orchestra commission as part of the Carrefour Composer Program, made possible by the Canada Council for the Arts. Ian Cusson, "Where There's a Wall,”  Song-cycle for voice and piano with text by Joy Kogawa. Performed by Krisztina Szabó, voice and Rachael Kerr, piano. Recorded at the Canadian Music Centre, Toronto on November 14, 2019, by John Gray.Ian Cusson, "Of the Sea," a co-production with Obsidian Theatre Company and Tapestry Opera. Libretto by Kanika Ambrose, Directed by Philip Akin, Conducted by Jennifer Tung. Links from this episode:Métis Nation Yvette Nolan Katherena VermetteMore on Ian's Louis Riel re-doBANFF Indigenous Classical Music GatheringThe Philadelphia Orchestra's HearTOGETHER series is generously supported by lead corporate sponsor Accordant Advisors. Additional major support has been provided by the Otto Haas Charitable Trust.

Andy Einhorn (LI:@andy-einhorn) has directed concerts with the Boston Pops, Cincinnati Pops Orchestra, Calgary Philharmonic Orchestra, National Arts Centre Orchestra, and the National Symphony Orchestra. He has worked as the Music Supervisor and Musical Director for the Broadway productions of Carousel and Hello Dolly!  Einhorn's previous Broadway credits include Holiday Inn, Woody Allen's Bullets Over Broadway, Rodgers + Hammerstein's Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. He recently served as music director and conductor for the Châtelet Theatre's production of Sondheim's Passion in Paris and Einhorn made his New York Philharmonic debut with world-renowned trumpeter Chris Botti. Since 2011 Einhorn has served as music director and pianist for Six-Time Tony Award Winner, Audra McDonald, performing with her at such prestigious orchestras and venues including The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Los Angeles Opera, Avery Fisher Hall, Carnegie Hall, Walt Disney Concert Hall and Teatro Real, Madrid. They recently recorded performances for an upcoming telecast with the Sydney Symphony at the Sydney Opera House in Australia. Einhorn has also music directed for Barbara Cook at Feinstein's and Toronto's Royal Conservatory of Music. His tour work includes Sweeney Todd, The Light in the Piazza, Mamma Mia!, and The Lion King. Einhorn's work can be heard on the current touring production of Rodgers & Hammerstein's The Sound of Music. Einhorn has worked at Goodspeed Opera House, Signature Theatre, Oregon Shakespeare Festival and PaperMill Playhouse. He was principal vocal coach and pianist for Houston Grand Opera's An Evening with Audra McDonald, a double-bill of Poulenc's La Voix Humaine and LaChiusa's Send. Recording credits include Bullets Over Broadway, Cinderella, Evita, Sondheim on Sondheim (Grammy Nom) Stage Door Canteen and McDonald's newest release, Go Back Home. He served as the music director for HBO's Peabody Award winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award winning special “Broadway Musicals: A Jewish Legacy” on PBS. Andy Einhorn is an honors graduate of Rice University in Houston, Texas.

Andy Einhorn (LI:@andy-einhorn) has directed concerts with the Boston Pops, Cincinnati Pops Orchestra, Calgary Philharmonic Orchestra, National Arts Centre Orchestra, and the National Symphony Orchestra. He has worked as the Music Supervisor and Musical Director for the Broadway productions of Carousel and Hello Dolly!  Einhorn's previous Broadway credits include Holiday Inn, Woody Allen's Bullets Over Broadway, Rodgers + Hammerstein's Cinderella, Evita, Brief Encounter, The Light in the Piazza, and Sondheim on Sondheim. He recently served as music director and conductor for the Châtelet Theatre's production of Sondheim's Passion in Paris and Einhorn made his New York Philharmonic debut with world-renowned trumpeter Chris Botti. Since 2011 Einhorn has served as music director and pianist for Six-Time Tony Award Winner, Audra McDonald, performing with her at such prestigious orchestras and venues including The Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Los Angeles Opera, Avery Fisher Hall, Carnegie Hall, Walt Disney Concert Hall and Teatro Real, Madrid. They recently recorded performances for an upcoming telecast with the Sydney Symphony at the Sydney Opera House in Australia. Einhorn has also music directed for Barbara Cook at Feinstein's and Toronto's Royal Conservatory of Music. His tour work includes Sweeney Todd, The Light in the Piazza, Mamma Mia!, and The Lion King. Einhorn's work can be heard on the current touring production of Rodgers & Hammerstein's The Sound of Music. Einhorn has worked at Goodspeed Opera House, Signature Theatre, Oregon Shakespeare Festival and PaperMill Playhouse. He was principal vocal coach and pianist for Houston Grand Opera's An Evening with Audra McDonald, a double-bill of Poulenc's La Voix Humaine and LaChiusa's Send. Recording credits include Bullets Over Broadway, Cinderella, Evita, Sondheim on Sondheim (Grammy Nom) Stage Door Canteen and McDonald's newest release, Go Back Home. He served as the music director for HBO's Peabody Award winning documentary Six by Sondheim and music supervisor for Great Performances Peabody Award winning special “Broadway Musicals: A Jewish Legacy” on PBS. Andy Einhorn is an honors graduate of Rice University in Houston, Texas.

Grammy-winning bass player and singer esperanza spalding (she does not capitalize her first and last names) brought a jazz quartet to Ottawa recently to play with the National Arts Centre Orchestra. While she was here, she joined Paul onstage to talk about collaboration, avoiding the pitfalls of success at a young age, and working with legendary musician Wayne Shorter on his first opera.

This week's episode features Jarrett McCourt. Jarrett has been named one of Canada's “hottest 30 classical musicians under 30”, and currently serves on faculty at Vanderbilt University, and performs as Principal Tuba with the Ann Arbor Symphony Orchestra and the Cabrillo Festival of Contemporary Music, and has appeared with some of the world's top ensembles including the Chicago Symphony Orchestra, the Utah Symphony Orchestra, the Detroit Symphony Orchestra, the Milwaukee Symphony Orchestra, l'Orchestre Symphonique de Montreal, the National Arts Centre Orchestra and the Canadian Brass. Passionate about mental health and suicide prevention, Jarrett has been a guest on popular music-themed podcasts including The Brass Junkie, That's Not Spit It's Condensation and Sound Mind Musician, speaking largely about ways to stabilize and improve one's mental health as a musician in the 21st century. In his spare time, Jarrett works as a supervisor with the Crisis Text Line, a global not-for-profit organization providing free crisis intervention and suicide prevention via SMS message.  Jarrett has also visited several colleges, universities and summer festivals to speak, including Northwestern University, the University of Michigan, DePaul University, the New World Symphony, and the Pokorny Low Brass Seminar. Moreover, Jarrett is a certified yoga instructor, and is a firm believer in the positive effects of mindfulness on one's happiness. In this interview we discuss the importance of mental health for all musicians at every level, how Jarrett keeps himself calm through the demanding work of audition preparation, and some suggestions about how to monitor your own mental health and offer support to others as well. Not only is Jarret a performer at the highest level, but his experience with helping others with mental health makes his advise truly special. Contact information and links Website: www.jarrettmccourt.comInstagram: www.instagram.com/jarrettmccourtFacebook: www.facebook.com/jarrett.mccourt

The Miami Guide sat down with Phoebe Powell  New World Symphony harpist, to talk about what inspired her to become a musician and the upcoming season opener on Oct 15-16 in Miami Beach. Interview Notes:Phoebe talks about how she got started in music, and what led her to the harp.She shares what inspires her and where she finds creativity.What was your first big break as a musician?Phoebe shares her advice for emerging artists.What excites her the most about what's happening in the music industry right now?Quotes from the interview:Music is one of the most universal ways of expression in human life.Surround yourself with people you aspire to beWho is Phoebe PowellCanadian harpist, Phoebe Powell, is a second-year Fellow at the New World Symphony. She has been praised for her breadth of expression ranging from “mature and virtuosic to gorgeously musical and sweet.”Second prize winner of the 2018 OSM Manulife Competition in Montreal, Ms. Powell was also awarded the Aspen Summer Music Festival scholarship.An avid orchestral musician, Ms. Powell has performed extensively with orchestras such as the Chicago Symphony, National Arts Centre Orchestra, Toronto Symphony and Calgary Philharmonic.Ms. Powell has been the recipient of the Ihnatowycz Emerging Artist Scholarship, Aspen Summer Music Festival Fellowship, NYO Canada Award of Excellence and an Alberta Foundation for the Arts Career Development Grant. She holds a bachelor of music degree and an artist diploma from The Glenn Gould School of The Royal Conservatory of Music in Toronto, where she studied with world-renowned harpist, Judy Loman.Outside of orchestral rehearsals and practicing, she enjoys paddle boarding around Sunset harbor, running on the beach and when not in Miami, hiking or skiing in the mountains.I loved this conversation with Phoebe, and I know you're going to love hearing her wisdom! If you loved this episode, please share it on Instagram along with your biggest takeaways. And make sure to tag Phoebe, @phoebepowell.official and, @themiamiguide. We'd love to hear what you got from the episode!Lastly, please subscribe to The Miami Guide over on the Apple Podcasts —leave us a rating and review to spread the message to even more people like you!Podcast show notes available here:https://themiamiguide.com/show23Follow Phoebe Powellhttps://www.phoebepowell.comNew World Symphonyhttps://www.instagram.com/phoebepowell.official/Follow The Miami Guide:https://themiamiguide.com/

“The thing about music, there's this nurturing of our souls.” Karen Donnelly, principal trumpet for the National Arts Centre Orchestra, is our guest on What's Your Forte this week! She and Kathryn talk about touring Canada, the moment she realized the depth to which music could impact you, the best gig she's ever seen and some key advice for the next generation of players. Karen Donnelly was unanimously appointed principal trumpet of the National Arts Centre Orchestra of Canada in October 1999, following three successful seasons as acting principal trumpet, and continues to enjoy playing with this wonderful ensemble. A native of Regina, Saskatchewan, Karen started the trumpet in elementary school, which propelled her into a Bachelor of Arts in Music at the University of Regina, followed by a Master of Music degree at McGill University. While freelancing in Montreal, she quickly became in demand, performing with many ensembles in the area including the Orchestre Symphonique de Montréal. Karen has given master classes and workshops in Europe, China, the United States, the United Kingdom and coast-to-coast in Canada. She is part of the coaching team for both the trumpet section and chamber music for Canada's National Youth Orchestra. In 2002, she joined the teaching staff at the University of Ottawa, and has been assisting with their Orkidstra program, inspired by Sistema, since 2009. Most recently, Karen spearheaded the Canadian Women's Brass Collective. This group of talented musicians presented concerts, master classes and lectures in Toronto during January 2019 over a five-day conference to great acclaim. During the pandemic, the collective curated an extensive series of online sessions to support musicians to create healthy and effective practice strategies.

In this episode I speak with a wonderful colleague, the Bass Trombonist Douglas Burden, who has recently retired from Canada's National Arts Centre Orchestra after 50 years. He shares his perspectives on his career, including wisdom passed down from some of his mentors including Emory Remington and Arnold Jacobs, and the lessons he learned about staying healthy and keeping his playing at the highest level. Doug is also well-known as an educator and will continue to teach at the University of Ottawa; he also shares his thoughts on what an orchestral career means, his memories of different conductors, his practice tips, and the importance of balancing different aspects of a life well-lived. As I point out in the intro,I'm including a link to Doug's gorgeous singing style in a Bordogni Vocalise (since we weren't able to use the recording he made during the episode due to a technical problem): https://youtu.be/p5ti8bKzsEg Below I've included timestamps for the many topics covered.  All these episodes are also available as videos, here's the link: https://www.leahroseman.com/episodes/douglas-burden-bass-trombonist-and-educator Help me keep this podcast going with a tip! https://ko-fi.com/leahroseman photo credit: Fred Cattroll  (00:00) Intro (01:44) playing as singing, Jack Everly (04:12) how to anticipate the beat, release the sound, Mario Bernardi and history of NACO (10:41) role of low brass in an orchestra (14:06) types of trombones, particularities of the instrument (17:14) Arnold Jacobs (26:03) Doug's start in music and family background (30:15) Emory Remington's legacy and his sudden death, Donald Knaub (38:15) starting out in NACO and many brass players at the time: Gordon Cherry, Bob Odes, Gene Watts, Chuck Kaellenbach (40:02) Pinchas Zukerman and establishing contracts for positions like bass trombone (45:37) changes in the working conditions over the years (46:58) changes in auditions (49:57) advice for musicians preparing orchestral auditions, more about Arnold Jacobs (53:42) Intonation (01:00:56) Endurance, preventing injury, staying in good physical shape and taking care of yourself (01:16:17) Franz-Paul Decker (01:20:11) score study, practice routine, practicing Bach Cello Suites (01:31:12) advice for serious students contemplating an orchestral career --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

I find my colleague Anna Petersen is such an inspiring person both as an incredible musician in her role as an oboe and English horn player and teacher, and as founder of Passionflower Yoga. In this conversation, we talk about  life's challenges as a performer and the dangers of perfectionism and the importance of self-compassion, and how her experience as a yoga practitioner and teacher have supported her both physically,  psychologically and spiritually. Anna's positivity really comes through in her beautiful playing, which you'll get a taste of at the beginning of the episode, and in the way she has navigated some difficult life circumstances. Timestamps are included below in the description for the many topics that we touched on during this conversation. All these episodes are available in both video and podcast format and the transcript will soon be published to my podcast website leahroseman.com: https://www.leahroseman.com/episodes/anna-petersen-oboe-player-and-educator-founder-of-passionflower-yoga The performance of the Mozart Oboe quintet is used both with permission of Chamberfest and violinist Yosuke Kawasaki, violist Paul Casey and cellist Rachel Mercer (followers of this series will recognize several musicians!). Anna Petersen joined Canada's National Arts Centre Orchestra (NACO) as Second Oboe and English horn in 2013. She has performed orchestral and chamber concerts throughout Canada and the United States and internationally in China, Hong Kong, New Zealand, and throughout Europe. Prior to joining NACO, she held positions as Principal Oboe of the Syracuse Symphony Orchestra and as B-contract Second Oboe of the Rochester Philharmonic Orchestra. She has enjoyed guest appearances as Principal Oboe with the Pittsburgh, Detroit and Wichita Symphony Orchestras, The Florida Orchestra, the Lake Placid Sinfonietta, and the Buffalo Philharmonic Orchestra, with whom she made her Carnegie Hall debut in 2013.  She has also recently performed with the Auckland Philharmonia Orchestra in Auckland, New Zealand. Anna earned her Bachelor of Music Degree and Performer's Certificate from the Eastman School of Music. Her primary teachers include Richard Killmer and Suzanne Geoffrey. In addition to her musical life, Anna is also an internationally certified yoga teacher with Yoga Alliance, having completed 300 hours of training in Bali, Indonesia. Her yoga website: https://passionfloweryoga.ca/  Buy me a coffee? This podcast costs me a lot of time and money ! https://ko-fi.com/leahroseman Timestamps:  (00:00:00) Introduction (00:01:27) Mozart Oboe quartet 3rd movement  (00:06:03) Interview starts, with oboe demo Peter and the Wolf Prokofiev (00:07:05) English horn demo and discussion, breathing technique (00:09:38) Anna's musical history, Richard Killmer (00:11:42) Reed making (00:17:25) some oboe history (00:20:41) more about Richard Killmer (00:21:48) Anna's childhood and starting music (00:24:05) studies at Eastman (00:25:31) first job with Rochester Philharmonic Orchestra (00:27:24) Auditions, self-compassion, growth mindset (00:32:18) teaching music, singing (00:34:55) Yoga, teacher training in Bali, gaining perspective (00:38:39) Anna's pre-playing routines (00:40:49) posture, body awareness (00:42:42) founding Passionflower Yoga (00:45:24) the loss of Marjorie (00:47:55) Syracuse Symphony and bankruptcy of the orchestra (00:50:10) path to joining the National Arts Centre Orchestra (00:51:13) pandemic shut-downs and first rehearsals (00:54:09) experiences in different orchestras, conductors, wind section (00:56:57) music education, how the pandemic has changed us (00:59:31) Yoga and teacher training, healing (01:03:52) why people should come experience orchestral concerts --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

In this short bonus episode with the inspiring trumpet player and educator, Karen Donnelly, Principal Trumpet of the National Arts Centre Orchestra, she shares stories of her outreach during the pandemic lockdowns, her role as mentor and her role in the The Canadian Women's Brass Collective, and finally wonderful advice for all musicians about improving. The full episode is available in both video and podcast format, with the full transcript all linked here: https://www.leahroseman.com/blog/karen-donnelly-transcript Buy me a coffee? Please help this podcast keep going! https://ko-fi.com/leahroseman --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Synopsis The American composer Henry Brant is famous for his avant-garde “spatial” music – works that require groups of musicians stationed at various points around a performance space. But hard-core film music buffs might also know Brant as a master orchestrator of other composers' scores for Hollywood productions in the 1960s. On today's date in 1995, Brant conducted the National Arts Centre Orchestra of Ottawa, Canada, in the premiere of one of his orchestrations – in this case, a symphonic version of the “Concord” Piano Sonata of Charles Ives, first published in 1920. In the long preface to his Sonata, Ives wrote: “The [Sonata] is an attempt to present [an] impression of the spirit of transcendentalism… associated in the minds of many with Concord, Massachusetts… impressionistic pictures of Emerson and Thoreau, a sketch of the Alcotts, and a scherzo supposed to reflect a lighter quality… found in the fantastic side of Hawthorne.” Henry Brant had been profoundly influenced by Ives's music long before he got to know the “Concord” Sonata, but when he did, Brant set to work orchestrating it. “I sensed that here was a tremendous orchestral piece,” Brant wrote. “It seemed to me that the complete Sonata, in a symphonic orchestration, might become the ‘Great American Symphony' that we had been seeking for years… What better way to honor Ives.” Music Played in Today's Program Charles Ives (1874-1954) arr. Henry Brant (1913-2008) –A Concord Symphony (Royal Concertgebouw Orchestra; Dennis Russell Davies, cond.) innova 414

A performance of the musical composition I Lost My Talk was part of the annual Conference of the Canadian University Music Society hosted by the Acadia School of Music this week. The piece originally debuted in Eskasoni in 2017 with the National Arts Centre Orchestra.

Our sponsor: Houghton Hornswww.houghtonhorns.comTrumpet Comparison Videowww.youtube.com/watch?v=tKfzx4t1IJEThe GOLD Method appwww.ryanbeachtrumpet.com/gold-method-appClick here to get a *free* blog post about audition preparation!www.ryanbeachtrumpet.com/emailBrandon Jochum's websitewww.epiphanyrecordingstudio.comFollowing three successful seasons (1996-1999) as Acting Principal Trumpet of the National Arts Centre Orchestra, Karen Donnelly was unanimously appointed Principal Trumpet in October 1999, and continues to enjoy each year with this wonderful ensemble.A native of Regina, Saskatchewan, Karen picked up a trumpet for the first time in her elementary school band program and she was hooked.  Her formal training includes a Bachelor of Arts in Music program at the University of Regina and later a Master's of Music from McGill University.Karen held the position of Principal Trumpet with Orchestra London (Canada) from 1994-1996, and performed with many ensembles in southwestern Ontario during her time there.Since she burst on the Ottawa scene in 1996, Ms. Donnelly has done concerts and interviews for CBC (French and English), performances with the Ottawa Chamber Music Festival, Rideau Lakes Brass Quintet, and the large ensemble, Capital BrassWorks.  In 2008, Capital Brass Works released its third album, “Gabriel's Sister” featuring Ms. Donnelly as soloist.Karen has been featured with professional orchestras, community amateur orchestras, and many local school bands.  These include the National Arts Centre Orchestra, Thirteen Strings Chamber Orchestra, Kington Symphony, Saskatoon Symphony Orchestra, Orchestra London, Hannaford Silver Street Band, Maple Leaf Brass Band, Parkdale Orchestra and the Regina Catholic Schools Honour Band. Music education has always been, and continues to be, very close to Karen's heart.  Her work with the Rideau Lakes Brass Quintet and Capital BrassWorks creates opportunities for educational concerts and workshops in schools. Through the NAC Music Education programs, Karen has given master classes in Switzerland, Mexico, China, United States, United Kingdom and Canada from coast to coast.  Ms. Donnelly joined the teaching staff at the University of Ottawa in 2002, and since 2009, Karen has been assisting with the Leadingnote OrKidstra program. Support the show (https://thatsnotspit.com/support/)

I speak with Elaine Klimasko, who is a Canadian violinist who joined the newly-formed National Arts Centre Orchestra in 1969 as the youngest member, and is well-known as a teacher. Her students are very frequently winners of competitions and hold important positions as chamber and orchestral musicians all over North America. In 2003 NACO Music Director Pinchas Zukerman asked her to launch the first Junior Young Artists Programme for the NAC Summer Music Institute. In this episode she tells many stories from her life, and about some legendary teachers she studied with including Josef Gingold and Lorand Fenyves. She reflects on her long career, from the perspectives  of a teacher and as a player. Timestamps are listed below!  Every episode is also available as a video, the link is here: https://www.leahroseman.com/episodes/elaine-klimasko-e11-s2-violinist-and-teacher Please buy me a coffee? https://ko-fi.com/leahroseman Thanks! Elaine Klimasko: "But I do say to all of my students though, if you think that playing in a symphony orchestra is secondary, that's the worst thing you could be thinking because the joy of orchestral playing, and I'm sure you feel the same way, Leah, is, there's nothing in life to me that compares with that. When you're playing one of those grand symphonies and that buildup a crescendo and you hear the horns and the French horns... I mean, I'm just covered in goosebumps. In my seventies still, and I don't know of any other profession that makes you feel that way. Maybe a doctor delivering a baby. I don't know. But it's pretty special." Timestamps ( 00:00) Intro ( 00:51) Joining the National Arts Centre Orchestra ( 12:29) music festivals like Kiwanis (13:04) dealing with stagefright (15:18) more about John Moskalyk (19:12) Lorand Fenyves ( 23:08) perfect pitch (25:52) Josef Gingold ( 31:52) violin teaching ( 33:42) music festivals (37:15) mentoring students who go on as professional musicians ( 41:46) the joy of orchestral playing ( 42:33) advice for orchestral auditions (45:07) the role of orchestral players in educational outreach ( 46:46) the Young Artists Program with Pinchas Zukerman ( 51:08) Pinchas Zukerman (55:23) story about Jascha Heifetz ( 56:08) chamber music ( 59:07) history of the NAC and Hamilton Southam (01:02:00) advice for serious players about buying instruments and bows ( 01:07:15) reflections on teaching ( 01:12:14 )building audiences for the future --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

This is a short bonus episode in my Inspiring Excerpts series, with violinist and vocalist Carissa Klopoushak who is a  member of National Arts Centre Orchestra and  Ironwood Quartet, and the Artistic Director of Ottawa Chamberfest and  Co-director of both Ritornello Chamber Music Festival and Classical Unbound Festival . In this short video we are treated to Carissa's singing and violin playing, around our discussion of her Ukrainian roots. All these podcast epsiodes are available in video format, the link for the full epsidoe with Carissa is here, both video and podcast: https://www.leahroseman.com/episodes/e2-s1-carissa-klopoushak Please help me keep this podcast going! https://ko-fi.com/leahroseman Thanks - Leah photo credit: Bo Huang  --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

In the 20th and final episode of Season 1  I speak with Arna Einarsdóttir who was at the time  the Managing Director of the National Arts Centre Orchestra in Ottawa, Canada. In 2022 she accepted a new appointment with the Gothenburg Symphony Orchestra in Sweden as their Director of Planning. Previously she was the Managing Director of the Iceland Symphony Orchestra. Earlier in her career she worked as a flutist, playing with the Iceland Symphony Orchestra from 2000-2004. In this wide-ranging conversation, Arna's warmth and engagement really come through. It is really interesting to hear her perspectives due to her involvement with the orchestral world in very different roles.  Like all my episodes, this is also a video: https://www.leahroseman.com/episodes/e20-s1-arna-einarsdttir Buy me a coffee? https://ko-fi.com/leahroseman Thanks!   photo credit: Hilmar Hilmarsson --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

I speak with violist Nick Pulos about his life and career, and recommend a new novel heating up the Alberta Bestseller list.    Unlocking, by Amy Leblanc — published by UCalgary Press https://press.ucalgary.ca/books/9781773851396/   Amy Leblanc received the 2020 Lieutenant Governor of Alberta Emerging Artist Award: https://artsawards.ca/artist/amy-leblanc/     Canada's National Arts Centre Orchestra, Ottawa was formed in 1969. https://nac-cna.ca/en/orchestra/about/history   Nick Pulos was principal violist of the Edmonton Symphony Orchestra for many years. https://www.winspearcentre.com/more/about/about-eso/   Josef Suk “Into a new Life” March performed by Czech Philharmonic Orchestra - Vaclac Talich, conductor historical performance from 1938 available here https://music.apple.com/ca/album/v-novy-zivot-into-a-new-life-op-35c/369420608?i=369420621   Support the podcast at https://www.buymeacoffee.com/culturemonster published Aug 2021

Karen Donnelly is the Principal Trumpet player of the National Arts Centre Orchestra in Ottawa, Canada, and a well-known educator. In this episode, we get to hear Karen's beautiful playing, and I talk to her about her background, her work with the Canadian Women's Brass Collective , some of her unique outreach work and her resilient practice routine! There's also a bonus episode in this playlist on this channel in which you can hear us do a free improvisation. Like all my episodes, this is also a video, and you'll find the bonus episodes linked here as well as the transcript: https://www.leahroseman.com/episodes/e9-s1-karen-donnelly-trumpet-player https://ko-fi.com/leahroseman Thanks for checking out my Ko-fi support page - I'm an indenpendant podcaster and this series costs me a lot of time and money. I appreciate any help you can offer - and monthly supporters get access to unique perks!  https://canadianwomensbrasscollective...Here's Karen in a fanfare she wrote: https://youtu.be/srJjP1VHNjg https://nac-cna.ca/en/bio/karen-donnelly https://arts.uottawa.ca/music/people/... Photo credit: Fred Cattroll --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

How do you become a professional clarinettist? It's not just about being lucky. It takes a ton of practice and a bit of bravery! In this episode Rebecca and Zara interview clarinettist Sean Rice about his journey from school band to The Juilliard School to this day to day life as a member of one of the world's top orchestras; The National Arts Centre Orchestra.Hear the NACO play: https://nac-cna.ca/en/orchestraCheck out Sean's podcast: NACOcastHead to https://upperbeachesmusic.com/podcast to ask your music questions and Rebecca and Zara just might answer them on an upcoming episode!

I speak with Yosuke Kawasaki, the wonderful Concertmaster of the National Arts Centre Orchestra in Ottawa, Canada (of which I am a member). He talks about the challenges of staying grounded during this pandemic,  his experiences studying with Dorothy Delay at both Julliard and Aspen festival, the inspriation he found in many of his peers growing up, and the conversation circles around to his role as concertmaster, and advice for young colleagues playing auditions. Like all my episodes, this is also a video, and the transcript and bonus episodes are also here: https://www.leahroseman.com/episodes/e3-s1-yosuke-kawasaki Buy me a coffee? I could really use your help and encouragement to keep this unique podcast going! https://ko-fi.com/leahroseman Below is a link to Yosuke's chamber music festival in Japan, about which he speaks during our conversation.  The site is in Japanese but an English one should follow shortly. https://www.affinis.or.jp/summer_j/in... https://nac-cna.ca/en/bio/yosuke-kawa... photo credit: Rémi Thériault --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Guitar guru Miloš invents a new game with Sam as they chat about his latest album, The Moon & the Forest. Meanwhile BBC Young Musician inspires some analysis of Ruth Gipps's underperformed Horn Concerto. PLUS all the usual shenanigans, jingles and Star Trek references. Fascinating. …Listen to Miloš's latest album, The Moon & the Forest: https://milos.lnk.to/ListenNowWE Watch Annemarie Federle perform the Horn Concerto by Ruth Gipps at the BBC Young Musician 2020 Grand Final: https://www.bbc.co.uk/programmes/p09h7qxn The Bogota Philharmonic Orchestra perform Copland's Fanfare for the Common Man in the city centre: https://www.facebook.com/filarmonibogota/videos/291096602634329/ …Music referenced:‘Tim and Sam's Podcast' written and performed by Harry SeverFanfare for the Common Man by Aaron Copland‘Oh Gloria Inmarcesible!' (Oh Unfading Glory!), performed by ShakiraThe Sarabande from Bach's 4th cello suite, performed by Yo-Yo MaRuth Gipps's Horn Concerto, performed by David Pyatt and the LPO and under Nicholas BraithwaiteJoby Talbot's Ink Dark Moon, performed by Miloš and the BBC Symphony Orchestra under Ben GernonHoward Shore's The Forest, performed by Miloš and the National Arts Centre Orchestra under Alexander Shelley…Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

Miloš Karadaglić — The Moon & the Forest (Decca)  Jump to CD giveaway form “Joby Talbot's piece Ink Dark Moon is a modern masterpiece and Howard Shore's concerto, The Forest, has a classical elegance to it,” said guitarist Miloš Karadaglić about the two new guitar concertos composed for him and his new album, The Moon & the Forest. Also featured on the album is Canada’s National Arts Centre Orchestra, conducted by Alexander Shelley, and the BBC Symphony Orchestra, led by Ben Gernon. Why do you consider this new recording your personal fairy tale come true?  “Ever since I started recording, it's been my dream to inspire composers to write guitar pieces. To have those composers, Howard Shore and Joby Talbot, to write for me has really been a dream come true.” Tell us about the musical journey we hear in Talbot’s Ink Dark Moon? “Everything I heard reminded me of the moon. I said to Talbot that in the second movement, particularly how the open strings evolve from lighter textures, to richness then suddenly emptiness, is similar to the phases of the moon. I am also reminded of how the moon transforms nightly with shades of gray and blue which are so intense and seductive.” How does the orchestration and the guitar line in the third movement break the glass ceiling of possibilities? “I don't have to be a shy guitarist all the time. I said, ‘Give me fireworks.’ I want to break my nails and fingers and play like there's no tomorrow. He came up with passages which are incredibly fast and loud which are also difficult to play. The piece really just explodes. That's why I say it's breaking a glass ceiling. Every time I've played it live or in the studio I felt it is the best thing I have played. It's just so much fun.” How did the Canadian National Art Center commission Howard Shore to write The Forest for you? “I remember during the 2014-15 concert season, I was playing The Aranjuez Concerto all over the world, and one of the performances was in Munich with the wonderful young British conductor Alexander Shelley. It was such a success that afterwards we where talking about collaboration in the future and thought, ‘Why don't we ask Howard Shore?’ Also, while I was learning Shore’s concerto I would come across references to other works which were like little fossils you would find inside a rock. Can you give me an example of some of the references that you found in this concerto?    “There is an interesting reference to the theme from The Aranjuez Concerto in the tutti section of the second movement. I asked Shore afterward, ‘Why did you do that?’ and he responded, ‘I wanted to honor composer Joaquín Rodrigo for writing one of the most beautiful pieces ever written, not just for guitar, but in the whole world. Also, because of this piece, I am here with you writing another work.’” To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch now You must be 13 or older to submit any information to American Public Media. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Note: Due to the coronavirus quarantines, we cannot send physical product at this time. Winners will be notified at the conclusion of the giveaway and will receive their prize as soon as possible after the crisis abates. Resources Miloš Karadaglić — The Moon & the Forest (Decca) Miloš Karadaglić — The Moon & the Forest (Amazon) Miloš Karadaglić (Official site)

We had the pleasure of interviewing MILOŠ over Zoom video! Celebrating 10 years with Universal Music, superstar and bonafide “Classical Guitar God” (The Times) MILOŠ releases a brand new album, featuring two outstanding original concertos, both specially-commissioned for the star musician – a testament to his outstanding musicianship and pioneering spirit, showcasing new guitar repertoire on the world stage. The Moon & The Forest, released on April 30th 2021, features works for guitar and orchestra by award-winning composers Howard Shore (Lord of the Rings, The Departed) and Joby Talbot (The Hitchhiker’s Guide to the Galaxy, Winter’s Tale). Inspired by his now legendary artistry and unique personal heritage, both Shore and Talbot worked closely with MILOŠ in order to create two distinctive, groundbreaking scores. Best known for his epic scores to the Lord of the Rings and Hobbit films, Howard Shore’s guitar concerto ‘The Forest’ partially deviates from his works on the screen, drawing instead from the symbiotic relationship between people and the earth. Montenegro and its dark forests have been an inspiration to Howard and MILOŠ from the beginning, when the work was first commissioned by Canada’s National Arts Centre. Taking its title from a collection of Japanese love poetry, the concerto very much places the guitar – and its soloist – at the very centre of proceedings. Cast in three movements that flow into one another, changes in mood and atmospheric timbre permeate the work, exploring sonorous landscapes that bring the vivid imagery to life. The album also includes innovative new arrangements for solo guitar of Ludovico Einaudi’s ‘Full Moon’ and Robert Schumann’s ‘Träumerei’ – two moving pieces from the Romantic and Modern classical repertoire. Canada’s National Arts Centre Orchestra and the BBC Symphony Orchestra feature on the recording, conducted by Alexander Shelley and Ben Gernon respectively. To mark a decade of incredible music-making with Universal Music, MILOŠ’s new album cements his position as not only “the hottest guitarist in the world” (Sunday Times), but also a pioneer and innovator of contemporary guitar repertoire for the ages. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork Listen & Subscribe to BiB Follow our podcast on Instagram and Twitter! --- Support this podcast: https://anchor.fm/bringinbackpod/support

A look at the diverse world of orchestras in the province of Ontario. Besides the major orchestras like the Toronto Symphony and the National Arts Centre Orchestra, there are exciting orchestral activities throughout the province. Featuring part 1 interviewees conductor Philip Sarabura and Co-President of the Board Joann Alho (the Brantford Symphony), and part 2 Artistic Director Joyce Lai (Canadian Sinfonietta), Music Services Manager Ana-Maria Lipoczi (Canadian Music Centre), Vice-President Christine Fong (Cathedral Bluffs Symphony) and Executive Director Devin Scott (Scarborough Philharmonic Orchestra). --- Send in a voice message: https://podcasters.spotify.com/pod/show/spogreatmusic/message

The Hump is thrilled to welcome our guest this week! Bassist and educator, Tracy Rowell! Tune in to find out why this episode is called, "Perspective!"

A look at the diverse world of orchestras in the province of Ontario. Besides the major orchestras like the Toronto Symphony and the National Arts Centre Orchestra, there are exciting orchestral activities throughout the province. Featuring part 1 interviewees conductor Philip Sarabura and Co-President of the Board Joann Alho (the Brantford Symphony), and part 2 Artistic Director Joyce Lai (Canadian Sinfonietta), Music Services Manager Ana-Maria Lipoczi (Canadian Music Centre), Vice-President Christine Fong (Cathedral Bluffs Symphony) and Executive Director Devin Scott (Scarborough Philharmonic Orchestra). --- Send in a voice message: https://podcasters.spotify.com/pod/show/spogreatmusic/message

I tell the story about how the difference between VON and VAN really messed up Beethoven’s day. Plus my conversation with the articulate music director of the Regina Symphony Orchestra.  Also, some updates on previous stories.   LINKS “Soul” on Disney+ https://www.disneyplus.com/movies/soul/77zlWrb9vRYp Digital Purchase:Soul   Petition to honour George Bridgetower with a historical plaque in Bath: http://chng.it/XM2c6J4TPp   Calgary Opera’s Opera Labs: https://calgaryopera.com/operalabs the video about the first Lab project, “Namwayut” https://vimeo.com/527922945   Gordon Gerrard Homepage: https://www.gordongerrard.com Gerrard is music director of the Regina Symphony Orchestra: https://www.reginasymphony.com   Composer Jocelyn Morlock https://www.jocelynmorlock.com Aeromancy appears on the album “Halcyon” https://music.apple.com/ca/album/halcyon/1236925047 My Name is Amanda Todd appears on the National Arts Centre Orchestra’s album “Life Reflected” https://music.apple.com/ca/album/life-reflected/1218008826   Composer Harry Srafylakis: http://hstafylakis.com/shortbio/ “Never the same river” http://hstafylakis.com/neverthesameriver/   Composer Kelly-Marie Murphy: https://kellymariemurphy.com Dragon Unfolding: https://kellymariemurphy.com/dragon-unfolding/   Buymeacoffee.com/culturemonster Culturemonster.ca First Published April 2021

Prince George twins Araya and Zoe Spooner are performing music on national stages in the coming weeks, and were just in Ottawa recording with the National Arts Centre Orchestra.

Music Director of the National Arts Centre Orchestra, Alexander Shelley, talks about connecting with his 2-year-old during lockdown, locating his passion, how "commitment" leads to fulfillment, balance, eliciting inspiration, and the work required to keep an orchestra, much like any workforce, elevated, and aligned. See omnystudio.com/listener for privacy information.

My guest today is violinist, teacher and performance coach, Dr. Renée-Paule Gauthier. This was such an awesome episode, we got into so many topics, like, why it's SO important to invest in yourself and that it's totally OK to ask for help on your projects, your career, or anything that you're working on. We talk about learning how to shift your focus to things you actually have some control over, and how Renee was so dedicated to learning about becoming a better musician and teacher, she went and got a DMA in mindful practice. By the way she did that while raising two kids, and holding down a busy free-lance career in Chicago, so all of you music students get ready to take some notes on how to work a google calendar and become a more efficient learner. Towards the end of our interview you might hear Renee's kids calling out in the background while they enjoy some video games, but I didn't want to edit it out because it really is just the times we are living in right now with trying to work from home with kids during a pandemic, so you are NOT alone musician entrepreneur parents! We feel you. Alright, get yourself a warm winter coat, because we're heading to Chicago for this episode. About Renée Renée-Paule Gauthier is a passionate and dedicated performer, teacher, and high-performance coach.  Her career has taken her across the United States and Canada as a soloist, recitalist, chamber musician, orchestral leader, and clinician.   Dr. Gauthier joined the Chicago Lyric Opera Orchestra for the 18-19 and 19-20 seasons, and she performs with some of Chicago's finest ensembles, including the Chicago Symphony Orchestra, Joffrey Ballet, Elgin Symphony, and Chicago Philharmonic.  She is the String Area Coordinator, Co-director of the Chamber Music Program, and Violin Instructor at North Park University.   An accomplished concert artist, Renée-Paule Gauthier was mentioned as one of the "best violinist of her generation" in the book Violin Virtuosos, from Paganini to the 21st Century. Dr. Gauthier has won awards in several competitions, including the exclusive three-year loan of the Taft Stradivari violin through the 2009 edition of the Canada Council for the Arts' Musical Instrument Bank Competition. She made her Kennedy Center solo debut in April 2014.  She was Concertmaster of the New World Symphony, in the first violin section of the National Arts Centre Orchestra in Canada, Assistant Concertmaster of the Calgary Philharmonic, and is the Founding Artistic Director of the Rendez-vous Musical de Laterrière, a chamber music festival in the province of Québec.   Dr. Gauthier is a graduate of the University of Montreal, the Eastman School of Music, and Northwestern University. She blogs about creating a meaningful practice at her website, Mind Over Finger, and hosts the Mind Over Finger podcast.  The podcast offers discussions on mindful music-making, efficient practice, and building a purposeful career with the performers, pedagogues, and innovators who are shaping the classical music world today. Dr. Gauthier presents masterclasses and clinics on the topics of mindful practice, audition preparation, and anxiety management to audiences across the world. Links LinkedIn: Renée-Paule Gauthier Instagram: @mindoverfinger Facebook: Mind Over Finger Website: www.mindoverfinger.com Books "Mindset: The New Psychology of Success", Carol Dweck "Talent is Overrated: What Separates World Class Performers from Everybody Else", Geoffrey Colvin Honesty Pill Links Free Resource Library Facebook Group Mailing List

Crisis Textline - text 741741 to be connected with someone to talk to anytime, day or nightNational Suicide Prevention Hotline - 1-800-273-8255Jarrett’s playing has been called “magnificent” by the Palm Beach Daily News and “warm, romantic and seamless” by the South Florida Classical Review. Jarrett has performed with a number of different high-level ensembles, including the Chicago Symphony Orchestra, the Detroit Symphony Orchestra, l’Orchestre Symphonique de Montreal, the National Arts Centre Orchestra, the Calgary Philharmonic Orchestra, the Charleston Symphony Orchestra, the Flint Symphony Orchestra, the Ann Arbor Symphony, and the Windsor Symphony Orchestra. Additionally, Jarrett has performed under classical conductors such as Michael Tilson Thomas, Robert Spano, Simon Rattle, Susanna Mälkki and Peter Eötvös, as well as alongside jazz heavyweights such as Esperanza Spalding, Wayne Bergeron and Nicholas Payton.Jarrett has won several international competitions, including the New World Symphony Concerto Competition, the Marta Hidy Competition for Brass in Toronto, and concerto competitions across Canada and the U.S. Most notably, he won the top prize in the brass category of the Orchestre Symphonique de Montreal’s prestigious Standard Life Competition in 2014, becoming the first tubist to do so in the competition’s 75-year history. Additionally, Jarrett was a finalist in the XVI Tchaikovsky Competition (the inaugural year for brass participants) in St. Petersburg, Russia, and the only North American tubist to participate in the live rounds. Jarrett has performed as a soloist with the New World Symphony, the Albany Symphony Orchestra, the Windsor Symphony Orchestra, Orchestra Toronto, the University of Western Ontario Wind Ensemble and Jazz Ensemble, and the London Concert Band. During the summers, Jarrett has performed with the Verbier Festival Orchestra, the Lucerne Festival Academy Orchestra, National Repertory Orchestra, the Spoleto USA Festival Orchestra, the Aspen Festival Orchestra and the Symphony Orchestra Academy of the Pacific. Jarrett was recently a guest on the popular Brass Junkies podcast, speaking largely about ways to improve one’s mental health as a musician in the 21st century. In his spare time, Jarrett volunteers with the Crisis Text Line, a global not-for-profit organization providing free crisis intervention and suicide prevention via SMS message.As an educator, Jarrett was formerly on faculty at New World School of the Arts at Miami Dade College, and has also served on faculty at the National Youth Orchestra of the United States and at Expressions Music Academy in Troy, Michigan.He earned a Bachelor of Music (Tuba Performance) with a minor in Ethics at the University of Western Ontario in London, Ontario in 2013 and two Masters degrees (one in Tuba Performance and the other in Chamber Music) at the University of Michigan in 2015. His principal teachers have been Brent Adams, Dennis Nulty, Fritz Kaenzig, Craig Knox, Warren Deck and Gene Pokorny. Jarrett is a Miraphone Artist and performs on the 1281 Petrushka F Tuba.Support the show (https://thatsnotspit.com/support/)

An advocate for Canadian music, Principal Cellist Rachel Mercer speaks with Sean Rice about her activities in and beyond the National Arts Centre Orchestra, including recording, commissioning and playing world premieres. Recorded prior to Rachel's Casual Friday debut with NACO and Alexander Shelley of the world premiere of Canadian pianist and composer Stewart Goodyear's Cello Concerto.

In this archival episode of the NACOcast host Sean Rice, NAC Orchestra's 2nd clarinetist, speaks with conductor Peter Oundjian weeks before his retirement as Music Director of the Toronto Symphony Orchestra in 2018. They discuss Bruckner's Eighth Symphony and Peter shares memories from his student days at The Juilliard School, his first encounter with Pinchas Zukerman and performing with the National Arts Centre Orchestra.

Interview with Sarah Champion: https://talkingclassicalpodcast.wordpress.com/2019/09/30/ep-18-interview-with-canadian-mezzo-soprano-sarah-champion/ Canadian high mezzo-soprano Sarah Champion has been acclaimed for her ‘clarity and assurance’ (Opera Magazine) and heard both on the opera stage and the concert platform in Europe and North America in repertoire spanning four-centuries. Ms. Champion’s recent engagements have included The Lover in Tansy Davies’ BETWEEN WORLDS directed by Deborah Warner for English National Opera, Dorabella COSÌ FAN TUTTE on tour with Scottish Opera, Dorotea STIFFELIO for Chelsea Opera Group, the role of Naomi in the world premiere of Phillip Hagemann’s RUTH with Pegasus Opera, Zenobia RADAMISTO at the Palacio de Bellas Artes, Mexico and Daisy in the world premiere of Stuart McCrae’s ANTHROPOCENE for Scottish Opera. Upcoming engagements include Offred Before in Poul Ruders’ THE HANDMAID’S TALE with the Danish Royal Opera. Ms. Champion has performed as a soloist and recitalist throughout North America, the UK and Europe giving performances with Florilegium, the Britten-Pears Orchestra /Antonello Manacorda, Britten-Pears Baroque Orchestra/Richard Egarr, the San Francisco Early Music Society, at the London Handel Festival, the Tage Alte Musik Regensburg, the Boston Early Music Festival, Festival Montreal Baroque, the Banff Centre and the Aldeburgh Festival. Notable engagements include recitals with the National Arts Centre Orchestra of Canada under Trevor Pinnock, the Little Baroque Company under Laurence Cummings and a staging of Messiaen’s song cycle Harawi directed by Tim Nelson. Other recent engagements include Female Artist LULU for English National Opera; covering Isabella L’ITALIANA IN ALGERI for Garsington Opera, the title-role XERXES, Donna Elvira DON GIOVANNI and Rosina BARBER OF SEVILLE for ENO and Brahms Liebeslieder Walzer and Schumann Spanisches Liederspiel in Istanbul. Ms. Champion studied trumpet and voice at McGill University and trained in voice at the Royal College of Music. She now studies with Nelly Miricioiu in London and is a former Britten-Pears Young Artist and a Malcolm Martineau Crear Scholar. Listen to the previous interview with British concert pianist James Lisney: https://soundcloud.com/talkingclassicalpodcast/ep-17-interview-with-james-lisney World Mental Health Day takes place every year on the 10th October. Organised by the World Federation for Mental Health, World Health Organization, and member organizations of WFMH, the day aims to promote mental health awareness and good mental health practice around the world, with this year's theme being suicide prevention. To mark World Mental Health Day, listen to Episode 11, an interview with Lucy Thraves, Editor of Classical Music Magazine, in which we discuss the importance of mental health and well-being in the classical music sector, and Harmony in Mind, the magazine's year-long mental health awareness campaign. https://soundcloud.com/talkingclassicalpodcast/episode-11 Find out more about World Mental Health Day: https://www.who.int/mental_health/world-mental-health-day/en/ https://www.mentalhealth.org.uk/campaigns/world-mental-health-day Get involved! If you'd like to get in touch about the Talking Classical Podcast, please drop a message at talkingclassicalpodcast.wordpress.com/contact. Alternatively, do get in contact via social media. Listen to the Talking Classical Podcast on SoundCloud, iTunes and Spotify. Follow Talking Classical online. SoundCloud & Facebook - @talkingclassicalpodcast Twitter - @tc_podcasts YouTube - bit.ly/2WF4duy Blog - talkingclassicalpodcast.wordpress.com

Fine Music Radio — A recent visitor to Cape Town was the English conductor Alexander Shelley who was in town to conduct a concert with the visiting German National Youth Orchestra. Alexander is the son of eminent pianist Howard Shelley and is currently music director of the National Arts Centre Orchestra in Ottawa as well as Principal Associate Conductor of the Royal Philharmonic in London. He was the unanimous winner of the 2005 Leeds Conductors Competiton and he has been described as the most exciting and gifted young conductor to have taken this highly prestigious award with his immaculate technique and inborn musicality

In this episode of the NACOcast Sean Rice speaks with NAC Music Director Alexander Shelley. On the occasion of its 50th Anniversary, the National Arts Centre Orchestra will embark on a European tour in May 2019. CROSSINGS: the NAC Orchestra 50th Anniversary European Tour will feature concerts and collaborative community outreach events in 7 cities and 5 countries: London, Paris, Utrecht, Copenhagen, Stockholm, Gothenburg and Saffron Walden. On this tour, Alexander Shelley and the NAC Orchestra will break new ground for the orchestral experience with an unprecedented representation of Canadian art, artists and stories. “Crossings is emblematic of what is at the heart of this tour….We are crossing expectations, generations and distances and as we engage with new and diverse audiences, artists and young people to experience music and to make music together.”-Alexander Shelley, NAC Music Director.

In this episode, we're ending Season 1 of The Mind Over Finger Podcast with a truly spectacular artist!  I speak with violin sensation Kerson Leong about his terrific YouTube series The Art of the Etude, his wise and meaningful practicing methods, and how he approaches violin mastery, and musical expression. Kerson has an amazingly authentic and profound approach to music making and I KNOW you will love this episode! SEASON 2 COMING YOUR WAY ON FRIDAY, SEPTEMBER 6, 2019!  STAY TUNED! In the show, Kerson elaborates on: His journey from starting at the age of four and a half to winning the Menuhin Competition at the age of 13 How winning Menuhin was the start of a very long process that lead to him exploring and finding his independence in terms of how to think about music, devise his own solutions to technical problems, and develop his instinct The importance of knowing about the tradition and thinking for ourselves His incredible YouTube series “The Art of the Etude” How etudes allow us to develop our technique and musicality, and teach us so much about how to learn and how to practice How etudes were a real grounding force in his development How we can use etudes to develop musicality How etudes are our “playground” to work on all aspect of performing – technical and musical alike His practicing processes Knowing exactly what his goal is when he enters the practice room Having a clear idea in his head of what he wants to execute on the instrument Keeping the transitions between notes executed as if they were at full speed when practicing slowly Never neglect the right hand when working on difficult left-hand passages How important it is for him to focus on how relaxed and efficient his body is at all times when he practices – analyzing motions and figuring out what works best How letting go of the shoulder rest lead him to a depth of analysis in his physical approach to playing the violin His approach to mental practice   More about Kerson: Website: http://kersonleong.com/ YouTube channels: https://www.youtube.com/channel/UC8nlRLl9jFBGaPGWMbJ5bvQ Facebook page: https://www.facebook.com/kersonleong/ Instagram: https://www.instagram.com/kersonleong/ Violin Channel Young Artist page: https://theviolinchannel.com/vc-young-artist-kerson-leong-violin/ Violin Channel Facebook artist page: https://www.facebook.com/watch/?v=2129174167156547   Biography Kerson Leong first took the music world by storm in 2010 by winning the coveted Junior First Prize at the prestigious Menuhin Competition. Ever since, the young Canadian violinist has astonished and won over both fellow musicians and audiences alike the world over with his rare and innovative mastery of his instrument, his natural ability to convey the subtlest of emotions, and the colossal scope of his live performances. Having been called “Canada's next great violinist” (Ludwig van Toronto), he has distinguished himself with his unique approach as one of the most brilliant musicians of his generation. In the 2018/2019 season, Kerson is Artist-in-Residence with the Orchestre Métropolitain de Montreal under Yannick Nezet-Seguin. Other highlights to look forward to this season include his debuts with the Sinfonieorchester Wuppertal, Liège Royal Philharmonic, Vancouver Symphony Orchestra, and London Symphonia. Kerson has played in some of the most prestigious concert venues around the world from Carnegie Hall's Stern Auditorium and the Auditorium du Louvre to Wigmore Hall and the National Center for the Performing Arts in Beijing. He is in regular demand as a soloist, having performed with such ensembles as the Royal Philharmonic Orchestra, the Oslo Philharmonic, the Vienna Chamber Orchestra, the Stavanger Symphony Orchestra, the Orchestre National de Lorraine, the Kansai Philharmonic Orchestra, the Orchestra Gulbenkian, the Stockton Symphony Orchestra, the Toronto Symphony Orchestra, the Montreal Symphony Orchestra, the Orchestre Metropolitain de Montreal, the Quebec Symphony Orchestra, and the National Arts Centre Orchestra of Canada, as well as numerous other orchestras in his home country. Kerson is also an avid and passionate chamber musician. Since his debut at the Gstaad Menuhin Festival in Switzerland in 2011, he has been featured at many renowned international festivals and concert series, including the Verbier Festival, Rheingau Musik Festival, Festspiele Mecklenburg-Vorpommern, Fraenkische Musiktage, Flâneries musicales de Reims, Bergen International Festival, Trasimeno Music Festival, Schiermonnikoog Chamber Music Festival, Toronto Summer Music Festival, Ottawa International Chamberfest, Music and Beyond, Montreal Symphony Orchestra's Virée classique, and Domaine Forget International Music Festival among others. Kerson released Bis, his first album for Analekta showcasing a collection of encore pieces, to critical acclaim.  He recorded John Rutter's Visions with the composer himself and the Aurora Chamber Orchestra for Collegium Records, after giving its world premiere in London, UK.  He has also been invited by Canadian composer Francois Dompierre to record his piece, Les Diableries. Kerson can also be heard on CBC Television, CBC/Radio Canada, the BBC Radio 3, Radio France, Radio Television Suisse, American Public Media's SymphonyCast, NRK, RAI, Deutschlandradio Kultur, and Czech Radio. He has been a recipient of many awards such as the Sylva Gelber Music Foundation Award (2015-2017) and the Young Soloist Prize 2015 by the Radios Francophone Publiques, as well as having received a Mentorship Award from the Lin Yao Ji Music Foundation of China for inspiring younger generations. He was named Revelation Radio-Canada 2014-2015 for classical music. Since 2015, Kerson has been an Artist-in-Residence at the Queen Elisabeth Music Chapel in Belgium, mentored by Augustin Dumay. Teaching is becoming a growing passion for Kerson, having given masterclasses and taught at various festivals and universities including the Indiana University Jacobs School of Music, the University of Ottawa, and Memorial University in St. John's, Newfoundland. He has always been keen on making connections between music and other fields. Ever since his dad started introducing him to physics concepts about string resonance, they have strongly influenced his playing and philosophy on sound production. Together with his dad, he has given lectures about this subject in places such as the Central Conservatory of Music in Beijing, the Barratt-Due Music Institute in Oslo, and various universities in California. Kerson performs on a 1741 Guarneri del Gesu courtesy of Canimex Inc, Drummondville (Quebec), Canada     If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

  Today, I'm really excited to have Canadian pianist David Jalbert on the show!  David is an extraordinary person, a brilliant artist, and a very dear friend!   We have a great conversation and cover many topics, from finding yourself as an artist, to the importance of confidence in our progress, and how to learn and memorize music.  David is incredible (and hilarious!) and I know you will really enjoy his approach to all things music and find tons of value in this episode!  In this episode, David talks about: His musical journey, from a small town in the province of Quebec studying at the Conservatoire, the University of Montreal, the Toronto Royal Conservatory in Toronto, and Juilliard, leading to his professional career The wonderful musical program he took part in at the Conservatoire de Musique du Quebec The Canadian Music Competition and how competitions were a source of motivation for him How his curiosity and the fact that he “thrived on the forbidden” really helped him develop his technical skills How having many teachers taught him so much, but left him somewhat confused How he found himself back His learning process and how he realized that he could learn faster The importance of confidence in the learning process Memorizing music The importance of being organized How being interested in expanding our cultural horizon can positively affect our growth as an artist and give us “a leg up”   En français, nous discutons de : Son parcours musical, des débuts à aujourd'hui, en touchant à ses moments au Conservatoire de Musique de Rimouski, ses expériences au Concours de Musique du Canada, et ses études à l'Université de Montréal, la Glenn Gould School, et à Juilliard La motivation et l'inspiration qu'il a retiré de sa participation au Concours de Musique du Canada L'approche de la technique de Marc Durand qui a eu une grande influence dans sa vie Sa période à la Glenn Gould School et l'impact d'étudier avec plusieurs professeurs Son expérience avec Jérome Lowenthal et comment il a développé sa voix authentique À quoi sa pratique ressemble o   L'importance de la précondition – de se mettre dans le bon « espace mental » o   L'importance d'avoir un plan Son processus d'apprentissage et de mémorisation du répertoire   More Information about David Jalbert: Website: http://davidjalbert.com/ YouTube channel: https://www.youtube.com/user/davidjalbertpiano/videos Johannes Brahms: A Biography by Jan Swafford   Biography A virtuoso with a warm and elegant style and a wide-ranging repertoire, pianist David Jalbert has established himself among the elite of a new generation of classical musicians, and was named by the CBC among the 15 best Canadian pianists of all time. With his personal style, incomparable stage presence, and refined ear, he has wowed audiences and critics everywhere: “a deeply musical pianist” (Cleveland Plain Dealer), “a virtuoso in the best sense of the word” (La Presse), “…wide-ranging musical imagination, phenomenal technique, and an unerring lightness of being” (The Toronto Star). His first solo disc, dedicated to the works of Corigliano and Rzewski (in preparation for which he worked with both composers), was launched to great applause on Endeavor in 2004 and was followed in 2006 by a recording of Fauré's complete Nocturnes (a winning selection on La Tribune des Critiques de Disques, France-Culture). His 2008 release on the ATMA label, Shostakovich: 24 Preludes and Fugues opus 87, drew rave reviews, won an Opus Award, and was nominated for a Juno Award. He followed it up with an album dedicated to works by minimalist greats John Adams and Philip Glass (2010), and his 2012 recording of Bach's Goldberg Variations was met with unanimous praise. He recorded works by Poulenc and Satie on “Le Comble de la Distinction” (2015) and virtuosic transcriptions of Russian ballets by Stravinsky and Prokofiev in 2017, which earned him another Juno nomination. An accomplished chamber musician in both the hall and the studio, his releases include Poulenc's music for winds and piano (with the woodwind quintet Pentaèdre) as well as the Rachmaninov and Chopin Cello Sonatas with his long-standing musical partner Denise Djokic. With violinist Jasper Wood and cellist Denise Djokic, he is also a member of Triple Forte, a piano trio whose first recording was awarded a 2014 Prix Opus (Album of the Year). Jalbert has also collaborated with violinist Rachel Barton Pine, the Cecilia and Alcan string quartets, double-bassist Joel Quarrington (on another Opus-winning collaboration, the album Brothers in Brahms as well as a Schubert album) and with pianists Anton Kuerti, Wonny Song and Jean-Philippe Collard. As guest soloist, Jalbert has appeared with many orchestras, including the Montreal Symphony Orchestra, Vancouver Symphony Orchestra, Toronto Symphony Orchestra, Calgary Philharmonic, Orchestre Métropolitain, Winnipeg Symphony Orchestra, National Arts Centre Orchestra, CBC Radio Orchestra, Bielefelder Philharmoniker, Gauteng Philarmonic and National Symphony of Ireland and others. He has collaborated with conductors Yannick Nézet-Séguin, Christoph Campestrini, Skitch Henderson, Jacques Lacombe, Bramwell Tovey, Mario Bernardi, Peter Kuhn, David Currie, Marc David, Dinuk Wijeratne and others and has performed in Canada, the United States, Mexico, South Africa and Europe. Jalbert's repertoire is expansive, and he plays Bach, Brahms, Stravinsky or Ligeti with equal pleasure. David Jalbert can be heard regularly on CBC Radio and Radio-Canada broadcasts, not only as a pianist, but also as a guest commentator. A national and international prize-winner, David Jalbert was the 2007 winner of the prestigious Virginia Parker Prize of the Canada Council for the Arts, has been awarded five Prix Opus by the Conseil Québécois de la Musique, was nominated for four Juno Awards, and is now an Associate Professor of piano at the University of Ottawa. He holds two Artist Diplomas: one from the Juilliard School in New York, the other from the Glenn Gould Professional School (Toronto). He received his Master's Degree from the Université de Montréal at age 21, winning the Governor General's Gold Medal (awarded yearly to the top graduate student of the University). His main teachers have been Jerome Lowenthal, Marc Durand, André Laplante, and Pauline Charron. He has also worked with Leon Fleisher, John Perry, Claude Frank, Gilbert Kalish, and Marylin Engle.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfingertribe/

Adeena Stuart auditions for a rare opening with the National Arts Centre Orchestra.

Mezzo-soprano Wallis Giunta is a multi-faceted artist with a variety of interests, a great take on mindful practice, and a truly wonderful personality.  In our conversation, we discuss, among other things, the importance of making choices that will allow you to thrive, how she prepares for a role, and how she uses mental practice to learn and memorize music at a deeper level. We elaborate on: Her journey from Ottawa, Ontario (Canada) to Toronto, New York, and, more recently Leipzig as a member of Oper Leipzig Her experience as a young girl in the Ottawa Youth Choir, and the importance it had in her becoming a professional singer Her experience at the Glenn Gould School and the Canadian Opera Company and the various opportunities she found there How making choices that fit her well were very important in her development and allowed her to thrive Her life as a member of Oper Leipzig Her fun, mindful way of curating a recital program that is meaningful to her How she prepares for a role How she went from a more repetitive form of working on songs to a more mindful and mental approach to practicing as she evolved as an artist o   Translate the text and understand the meaning o   Listen to various recordings and interpretations o   Break it down o   Memorize it How practicing mentally first thing in the morning and last thing before bed is tremendously effective for her and helps her cement the repertoire to memory How she has developed the skill to learn repertoire mentally, now that that is in a place where she feels confident about her technique How singers practice difficult passages How she brings operatic characters to life     ALL ABOUT WALLIS: Wallis Giunta's website Wallis' YouTube channel Wallis' Facebook page Wallis on Instagram The Complete Sherlock Holmes (Knickerbocker Classics) The Complete Sherlock Holmes (2 Volumes)   Irish-Canadian mezzo, Wallis Giunta, has been named “Young Singer of the Year” in the 2018 International Opera Awards, and was named both “Young Artist of the Year” by The Arts Desk and “Breakthrough Artist in UK Opera” in the What's On Stage Opera Awards for her work in 2017. She has been praised by OPERA NEWS for her “delectably rich, silver-toned mezzo-soprano, with a beautiful sense of line and effortless, rapid runs”, with her performance as Mozart's Sesto for the Canadian Opera Company celebrated as “a triumph…remarkable in its combination of intelligence and beauty”. Her 2018/19 season includes debuts with the BBC Proms Festival in a program celebrating Leonard Bernstein, with the Grange Festival as Cherubino at The Barbican, London, with the MDR Sinfonieorchester as Haydn's Berenice, and with the Royal Opera House Muscat in La Traviata. She also debuts the title roles in Carmen and Der Rosenkavalier, along with Rossini's Rosina for Oper Leipzig, and Idamante for Toronto's Opera Atelier. She began the 2017/18 season with two role debuts for Opera North, the title role in Ravel's L'enfant et les sortiléges, and Dinah in Bernstein's Trouble in Tahiti, both to great critical acclaim. She returned to Oper Leipzig, where she has been an ensemble member since 2015/16, for her house roles of Angelina, Cherubino, Rossweise & Wellgunde, and debuted Prince Orlofsky in Die Fledermaus and Der Gymnasiast in a new production of Berg's Lulu. She also returned to the Munich Radio Orchestra, Toronto's Koerner Hall and the Music & Beyond Festival in concert, and debuted at the Oregon Music Festival as Anna I in Weill's The Seven Deadly Sins. The 2016/17 season saw her debuts with Opera North, performing the title role in Rossini's La Cenerentola, with Teatro Communale di Bolzano as Cherubino, and with the Munich Radio Orchestra, Tokyo Metropolitan Symphony Orchestra, and Symphony Nova Scotia in concert. Wallis returned to Opera Atelier to debut the title role in Purcell's Dido & Aeneas, and to both the Toronto Symphony and the Real Orquesta Sinfónica de Sevilla for new productions of Weill's The Seven Deadly Sins. The 2015/16 season saw her make several major European debuts, including for Teatro dell'Opera di Roma (Adams' I Was Looking at the Ceiling and Then I Saw the Sky), Oper Frankfurt (Carmen), Oper Leipzig (La Cenerentola, Le Nozze di Figaro, Faust, Der Ring des Nibelungen), the Hamburg Symphony (Candide), and the Deutsche Oper am Rhein in concert. She also returned to the Edmonton Symphony for Messiah and had her first experience teaching, with a series of masterclasses for Toronto's Tapestry New Opera. Early in 2015, she returned to The Metropolitan Opera as Olga in their new production of The Merry Widow, directed by Susan Stroman. Other recent highlights include returns to the Canadian Opera Company as Dorabella in Atom Egoyan's new production of Cosí fan tutte (2014), to Opera Lyra Ottawa as Cherubino in Le Nozze di Figaro (2015), and to Opera Atelier as Bradamante in a new period-production of Alcina (2014), along with debuts at Madison Opera (2014) and the Taipei Symphony Orchestra as Annio in La Clemenza di Tito (2013). In June 2014, she recorded her first album with the RTÉ National Symphony Orchestra in Dublin (NAXOS), of a new work by American composer, William Perry. Wallis also debuted in 2014 with Toronto's 21C Music Festival in Louis Andriessen's one-woman-opera, Anaïs Nin, and brought her acclaimed recital program of Kurt Weill's The Seven Deadly Sins to Miami, New York, Toronto and Ottawa. She had a whirlwind 2012/13 season, making her Metropolitan Opera debut in Rigoletto, debuting the roles of Sesto & Annio in La Clemenza di Tito with the Canadian Opera Company, making her Paris debut with Le Théâtre du Châtelet as Tiffany in John Adams's I Was Looking at the Ceiling…, and singing Dorabella in the Met + Juilliard production of Cosí fan tutte at Lincoln Center. She also made debuts with Fort Worth Opera, L'Opéra de Montréal, the Edmonton, Seville and Nuremberg Symphonies, the Stuttgart Festivalorchester, and the National Arts Centre Orchestra. Wallis is a passionate recitalist, and has recently performed for the Aspen, Caramoor, Banff, Luminato, Music & Beyond, and Ottawa Chamber Music festivals. She is the grateful recipient of the 2016 Bernard Diamant Prize from the Canada Council for the Arts, the 2013 Novick Career Advancement Grant, the 2013 Sylva Gelber Music Foundation Career Development Award, and multiple prizes from the George London Foundation. Wallis is a 2013 graduate of both the Metropolitan Opera Lindemann Young Artist Development Program & the Juilliard School's Artist Diploma in Opera Studies, and a 2011 graduate of the Canadian Opera Company Ensemble Studio. She has also studied at The Glenn Gould School, the Ravinia Festival's Steans Music Institute, and the International Meistersinger Akademie in Germany, and continues her private studies with Edith Wiens. Wallis is also devoted to animal rights, particularly the rescue and rehabilitation of abandoned domestic rabbits. She is an active rabbit foster parent and finds opportunities to foster and volunteer at shelters as she is performing around the world. She is a volunteer and supporter at Rabbit's Rest Sanctuary & WildRescue in Denton, Texas, and works to draw attention to our societal responsibility towards domesticated animals. Please get in touch if you are interested and would also like to help!   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. For added fun, join the Mind Over Finger Tribe on Facebook where you will find a community of mindful musicians!   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/     (As an Amazon Associate I earn from qualifying purchases, which helps cover some of the costs associated with the production of the podcast.  Thank you for your support.)

The National Arts Centre Orchestra's Music Director, Alexander Shelley joins Sarah Turnbull in the The 2020 Network studios to discuss his upbringing in Germany studying conducting, what attracted him to the podium, and what led him to Ottawa where he's now transforming the country's musical persona.

Canadian Tubist Jarrett McCourt is the Acting Principal Tuba of the Winnipeg Symphony Orchestra and the Tubist of the Civic Orchestra of Chicago. Prior to this, Jarrett was the Tuba Fellow of the New World Symphony in Miami Beach, Florida. Jarrett’s playing has been called “magnificent” by the Palm Beach Daily News and “warm, romantic and seamless” by the South Florida Classical Review. Jarrett has performed with a number of different high-level ensembles, including the Detroit Symphony Orchestra, the Flint Symphony Orchestra, the Windsor Symphony Orchestra, and has also performed as Acting Principal Tuba with the Calgary Philharmonic Orchestra and the National Arts Centre Orchestra. Additionally, Jarrett has performed under classical conductors such as Michael Tilson Thomas, Robert Spano, James Gaffigan, Susanna Mälkki and Leonard Slatkin, as well as alongside jazz heavyweights such as Esperanza Spalding, Wayne Bergeron, and Nicholas Payton. In this fun and lively (and sometimes powerful and moving) conversation, we cover: "Warm, romantic and seamless" Chicago, playing with the Civic Orchestra Moving from Miami and driving from Florida to Illinois Playing with New World Symphony Playing with Winnipeg Symphony Orchestra Exit interview with NWS CEO, Howard Herring The new concert hall for NWS, live projection of performances on the side of the building The differences in culture between New World and Civic and Winnipeg MTTs advice as a newbie in NWS His suggestions to NWS addressing mental health initiatives Mental health person on staff at U of Michigan School of Music Pressures on professional musicians Working for a suicide hotline for two years as an undergrad Basic self-care tactics (food, sleep, hydration, etc.) Connecting with audiences in more personal and genuine ways Developing coping skills Active listening, acknowledge realistically and offer concrete advice If you suspect something, express something His suggestions for systemic changes in educational and professional environments Help others feel comfortable Noa Kageyama Meditation Personal highlight reel Achievement/Gratitude journaling Baby steps Taking every day as it comes LINKS: Personal site New World Symphony profile Bulletproof Musician Want to help the show? Here are some ways: Help others find the show by leaving a rating and review on iTunes. Show us some love on Instagram, Facebook, and Twitter. Help us pay the bills (and get regular bonus episodes!) by becoming a Patreon patron. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

“Every time a child passed through the station, the child wanted to stop, and every time, the adult with them pulled them along on their way.” Sean Rice interviews author Kathy Stinson, illustrator Dušan Petričić and composer Anne Dudley who all had a hand in creating the music performed by the NAC Orchestra’s telling of The Man With The Violin in December 2017. The book and the music were inspired by the real-life story of world-renown violinist Joshua Bell and the National Post's experiment on a January morning in Washington’s subway station.nn The Man with the Violin: Suite for Violin and Orchestra is a co-commission with the National Arts Centre Orchestra and the National Symphony Orchestra. The work was premiered at the Kennedy Center, Washington D.C. in February 2017.

The International Society for Contemporary Music (ISCM) holds arguably the world's most important contemporary music festival in a different city each year. Much like the Olympics, cities bid to be the host and this year it's in Vancouver. In this first program of two, we hear from Jordan Nobles, Charlotte Bray, Jocelyn Morlock, and Stefan Prins. Hosted by Seth Boustead Produced by Sarah Zwinklis Music Skywriting, by Jordan Nobles Redshift Vertical Orchestra & Electric Guitar Orchestra At the Speed of Stillness, by Charlotte Bray Aldeburgh World Orchestra; Sir Mark Elder, conductor Lux Antiqua, by Jordan Nobles The Esoterics; Eric Banks, conductor My Name is Amanda Todd, by Jocelyn Morlock Canada's National Arts Centre Orchestra; Alexander Shelley, conductor Hände Ohne Orte, by Stefan Prins Hamburg-based Decoder Ensemble; Carola Schaal, clarinets; Jonathan Shapiro, percussion; Andrej Koroliov, piano; and Sonja Lena Schmid, cello

In this episode we are joined by oboist Ryan Walsh to discuss double reed dating in middle school and beyond! For our interview, we welcome Christopher MIllard, Principal Bassoon of the National Arts Centre Orchestra! This podcast is brought to you by Singin’ Dog Double Reeds (www.singindog.com), Jennet Ingle Reeds(jennetingle.com/about-jennet-ingle-reeds/), Jende Reed Knives (www.jendeindustries.com), and JDW Sheet Music (www.jdwsheetmusic.com/). In this episode: -Deep Work by Cal Newport: https://www.youtube.com/watch?v=ZD7dXfdDPfg -25 Studies in Scales and Chords for Bassoon, Op. 24 Ludwig Milde/ed. Benjamin Kamins & William Short - Theodore Presser Co

Maestro Alexander Shelley shares his thoughts on the National Arts Centre Orchestra's 2017-18 opening festival of music, Ideas of North - featuring an array of Scandinavian composers and performers, including many of Sibelius' symphonies and tone poems. Principal Guest Conductor, John Storgårds, will perform Kaiji Saariaho's Violin Concerto and Guest Conductor Hannu Lintu joins Maestros Shelley and Storgårds on the podium for the series of concerts.

Sometimes I get a guest recommendation repeatedly, which is a sure sign that I need to sit down with them and do an interview. This is completely the case with Tracy Rowell.   Tracy is an active performer and teacher in the Cleveland area. Formerly the Assistant Principal Bassist of the National Arts Centre Orchestra in Ottawa, Canada, Tracy currently serves as Principal Bass for CityMusic Cleveland. She has also performed with orchestras such as the Boston Symphony Orchestra, Boston Pops Orchestra, North Carolina Symphony, and Carmel Bach Festival. We dig into all sorts of topics, like: studying with Paul Ellison and Ed Barker playing in the National Arts Centre Orchestra in Ottawa, CA moving to Ohio attending George Vance’s summer bass workshop starting to teach the double bass to 5-year-olds the brilliance of the Suzuki “Mother Tongue” concept how focusing on sound above all else is critical for teaching beginners learning how 90% of playing the cello happens pre-Twinkle ...and much more! This was a fun conversation for me--Tracy is doing great things for the bass! Links to check out: Tracy's Oberlin page Tracy performing Reitba by François Rabbath (YouTube) Playing the String Game by Phyllis Young (a book Jason mentions) Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Enter our latest string giveaway for Helicore strings at contrabassconversations.com/strings! Hosting for Contrabass Conversations is provided by Bass Capos.  Bass Capos are an excellent choice for any bass player using or looking to implement a double bass extension. Easy to install and adjust, cheaper and more reliable than hand-built latches, also lighter and quicker in operation.  

Did you know the Canadian Brass shares founding members with the National Arts Centre Orchestra!? Join Sean Rice in a conversation about the history and future of Canadian Brass with founding member Chuck Daellenbach and newest member Caleb Hudson. Chuck shares stories like filling in with the NAC Orchestra, getting to Carnegie Hall by way of children's concerts, and Caleb talks about possibly the most difficult audition in history. Musical excerpts are from their spectacular concerts with the NAC Orchestra from November 3-5, 2016.

Vanguards of the New York indie classical scene, composer Nico Muhly and violist Nadia Sirota embody the meaning of "classical reincarnated" in an electrifying concert. Nadia Sirota joins Alexander Shelley in the Canadian premiere of Nico Muhly's Electrifying Viola Concerto. This much anticipated work was commissioned by an international consortium of orchestras and organisations made up of Orquesta Nacionales de España, Detroit Symphony Orchestra, Festival of Saint Denis and National Arts Centre Orchestra. Nadia Sirota's debut album, First Things First (New Amsterdam Records), was a New York Times 2009 record of the year, and she can also be heard on albums by Grizzly Bear, yMusic (a new music ensemble who commission Sufjan Stevens, Son Lux, and other young American composers),Jonsi, the National, Ratatat, Doveman, My Brightest Diamond, and Arcade Fire's Grammy-winning The Suburbs.

Nick speaks with Alexander Shelley, Music Director, about the 2015/2016 NAC Orchestra Season. Alexander Shelley was appointed Music Director-designate of Canada's National Arts Centre Orchestra in October 2013 and will take up the position of Music Director in September 2015. In 2015 he enters his seventh year as Chief Conductor of the Nuremberg Symphony Orchestra where he has transformed the orchestra's playing, education work and touring activities which have included tours to Italy, Belgium, China and a re-invitation to the Musikverein in Vienna. In January 2015 Shelley was named Principal Associate Conductor of the Royal Philharmonic Orchestra with whom he will curate and perform a series of concerts at Cadogan Hall each season. Born in the UK in 1979, Alexander first gained widespread attention when he was unanimously awarded first prize at the 2005 Leeds Conductors Competition and was described as "the most exciting and gifted young conductor to have taken this highly prestigious award. His conducting technique is immaculate, everything crystal clear and a tool to his inborn musicality." Since then he has been in demand from orchestras around the world including the Philharmonia, City of Birmingham Symphony, Rotterdam Philharmonic, Stockholm Philharmonic, Mozarteum Orchester Salzburg, Konzerthausorchester Berlin, DSO Berlin, Leipzig Gewandhaus, Simon Bolivar, Seattle and Houston Symphony Orchestras. Further afield Alexander is a regular guest with the top Asian and Australasian orchestras. Recent press has singled him out as "a musician of considerable gifts and extraordinarily impressive interpretative qualities" (Strauss, Elgar and Sibelius in London), a conductor with "exceptional artistic authority" (Brahms with DSO Berlin) and described his Verdi Requiem in Salzburg as an "original, intelligent, thoroughly convincing and well-crafted interpretation". Alexander's operatic engagements have included The Merry Widow and Gounod's Romeo and Juliet for Royal Danish Opera; La Bohème for Opera Lyra at the National Arts Centre in Ottawa, Iolanta with the Deutsche Kammerphilharmonie Bremen, Cosi fan tutte in Montpellier and a new production of The Marriage of Figaro for Opera North in 2015. Alongside his regular appearances in London, Ottawa and Nuremberg, the 2014/15 season and beyond includes return visits to, among others, the DSO Berlin, Gothenburg Symphony, Konzerthausorchester Berlin, Leipzig Gewandhaus, Melbourne Symphony and NDR Radio Philharmonic as well as his debuts with Camerata Salzburg, Czech Philharmonic, Orchestre de la Suisse Romande, Orchestre Philharmonique de Luxembourg and Oslo Philharmonic. His first recording for Deutsche Grammophon, an album with Daniel Hope and the Royal Stockholm Philharmonic, was released in September 2014. In Germany Alexander enjoys a close relationship with the Deutsche Kammerphilharmonie Bremen, with whom he performs regularly both in subscriptions in Bremen, and around Germany, and in October 2013 he took the orchestra on tour to Italy with a signature programme of Strauss, Wagner and Brahms. He is artistic director of their Zukunftslabor project - an award-winning series which aims to build a lasting relationship between the orchestra and a new generation of concert-goers through grass-roots engagement and which uses music as a source for social cohesion and integration. The son of professional musicians, inspiring future generations of musicians and audiences has always been central to Alexander's work. In Spring 2014 he conducted an extended tour of Germany with the Bundesjugendorchester and Bundesjugendballett which included a collaborative concert at the Baden-Baden Easter Festival with Sir Simon Rattle and members of the Berliner Philharmoniker. In 2001, during his cello and conducting studies in Dusseldorf, he founded the Schumann Camerata with whom he created "440Hz", an innovative concert series involving prominent German television, stage and musical personalities, conceived by him as a major initiative to attract young adults to the concert hall. https://nac-cna.ca/en/orchestra/reincarnated

The National Arts Centre mourns the loss of Maestro Mario Bernardi, the founding conductor of the NAC Orchestra. Maestro Bernardi passed away peacefully in Toronto on June 2. In this episode of the NACOcast we pay tribute to the great music director by reprising a previous edition of the NACOcast featuring an interview conducted by Christopher Millard at the maestro's home in Toronto in 2006. A conductor, and accomplished pianist, Mario Bernardi was born in Kirkland Lake, Ontario in 1930. He moved to Italy when he was six years old with his mother, living in the small city of Treviso, near Venice, where they remained throughout the war. He studied at the Venice Conservatory and excelled in the keyboard instruments of piano and harpsichord. A man of many musical talents, he was considered among the best of Canada's promising young musicians emerging in the postwar period—a group that included Glenn Gould. He began his professional career with the Royal Conservatory Opera School in Toronto. He first began to conduct in his mid-twenties at the Canadian Opera Company. In 1963, he moved to London, England where he was recruited by the Sadler's Wells Opera Company (now the English National Opera). He served as Music Director of Sadler's Wells before being enticed back to Canada to become the founding conductor of the National Arts Centre Orchestra of Canada from 1968-1982. From the original podcast show notes: As a tribute to Walter Prystawski, the NAC Orchestra's founding concertmaster who is retiring after 37 years at the first desk, Christopher talks to founding NACO music director Mario Bernardi as well as three of Walter's original orchestra colleagues. The conversations touch on the core classical repertoire of the orchestra, NACO's signature sound and the critical role Walter Prystawski played in shaping that sound.

Nick talks to National Arts Centre Orchestra principal trombone player Don Renshaw about the various musical roles played by the orchestral trombonist.

In this edition of the NACOcast, founding host, Chris Millard reprises his role with the NACOcast while on tour with the National Arts Centre Orchestra in Cananda's North. Chris is joined by Inuit throat singers Evie Mark and Akinisie Sivuarapik. They discuss throat singing history and technique ... and its intersection with Western classical music in Canadian composer Alexina's work, “Take the Dog Sled”, currently being performed by the NAC Orchestra in Nunuvat, the Northwest Territories and the the Yukon.

We’re featuring an interview with and music from Joel Quarrington this week of Contrabass Conversations. Joel is the former Principal Bass of the Toronto Symphony and currently serves as Principal Bass for the National Arts Centre Orchestra of Canada. In addition to his orchestral duties, Joel maintains an active career as a solo and chamber artist, touring internationally in this capacity and performing a wide range of repertoire. This week’s episode begins with a recording of Joel performing the fourth movement from the Sonata For Solo Contrabass by Weinberg, and the episode concludes after the interview with Joel’s performance of the Bottesini Elegy. Both of these tracks are from his new album Garden Scene. Learn more about this album and Joel’s numerous other projects atwww.joelquarrington.com.

Meet the second group of three Canadian composers given the prestigious NAC Awards: Peter Paul Kaprowski, Anna Sokolovic and John Estacio. Two are immigrants to Canada from Eastern Europe and the third a first generation Portuguese Canadian. They have just begun a 3-year residency with the National Arts Centre Orchestra and will each contribute at least 3 major works in collaboration with Music Director Pinchas Zukerman and the NAC Music team. Here we are looking to the present and the future, as these three composers tell us their stories and talk about their music and their dreams for new work inspired by writing for this superb orchestra.

As World War 2 ended, there was a great flowering in contemporary music making in Canada. For the first time, men and women declared themselves professional composers. Listen to the stories, the voices and the music of these magnificent pioneers: John Weinzweig, Harry Somers, Violet Archer, Oskar Morawetz, Srul Irving Glick, Malcolm Forsyth and many others in English Canada; Claude Champagne, Pierre Mercure, Clermont Pépin and André Prévost in Quebec. With performances from the archives of the National Arts Centre Orchestra.

The National Arts Centre Orchestra has, from its conception, had a mandate beyond Ottawa, a mandate to serve all Canadians from coast to coast to coast. The key national stages for the NAC Orchestra have been broadcasting, recording and touring, to which has now been added a significant presence on the internet. As part of the national mandate the NAC Orchestra has always been committed to nurturing and presenting great Canadian performers. We hear from Angela Hewitt, Jon Kimura Parker and Anton Kuerti. The national mandate has also meant commissioning and playing works by Canadian composers; R Murray Shafer, Alexina Louie and Gary Kulesha are heard from, their voices and their music.

The National Arts Centre Orchestra was born in the cultural euphoria of the 1960's, an off shoot of a bold Centennial Year project for our nation's capital. Not only did Ottawa get its first arts centre complex, it acquired a world class orchestra almost instantly. Meet the bold and visionary men who created the NAC and the orchestra. Hear from Music Director Mario Bernardi and from players and music lovers alike who remember those early days, and hear excerpts from the orchestra's audio archive.

This episode of the NAC Orchestra’s podcast series exploring the Romantic Concerto looks at Beethoven’s spellbinding Piano Concerto No. 4 performed by Angela Hewitt and the National Arts Centre Orchestra on May 20 and 21, 2009. The podcast is hosted by the NAC Orchestra’s assistant principal double bass Marjolaine Fournier and features one of Canada’s foremost music journalists, Jean-Jacques van Vlasselaer.

We’re featuring the complete recording of our interview with Metropolitan Opera Orchestra Assistant Principal Bass Jeremy McCoy on this week’s Contrabass Conversations episode. Jeremy attended the Curtis Institute and was a member of the National Arts Centre Orchestra of Canada prior to his appointment with the Metropolitan Opera Orchestra. Jeremy and I discuss a wide variety of topics, including his early experiences on the instrument, life in the Met, thoughts on teaching, recording a solo album, and much more. We also feature excerpts from Jeremy’s solo album Dialogues with Double Bass. link to Jeremy’s website Subscribe: iTunes | Android | Email

We’re chatting with Metropolitan Opera Orchestra Assistant Principal Bass Jeremy McCoy on this week’s Contrabass Conversations episode. Jeremy attended the Curtis Institute and was a member of the National Arts Centre Orchestra of Canada prior to his appointment with the Metropolitan Opera Orchestra. Jeremy and I discuss a wide variety of topics, including his early experiences on the instrument, life in the Met, thoughts on teaching, recording a solo album, and much more. We’ll conclude this two-part interview in the coming weeks. Enjoy! link to Jeremy’s website link to Jeremy’s Manhattan School of Music page link to Jeremy’s album Dialogues with Double Bass

The NAC Orchestra presents its second season of "Explore the Symphony", a series of musical podcasts hosted by the National Arts Centre Orchestra's assistant principal double bass Marjolaine Fournier and featuring one of Canada's foremost music journalists, Jean-Jacques van Vlasselaer. The theme of this season is the Romantic Concerto: listen and learn about five magnificent piano concertos that are part of the Orchestra’s 2008-09 season. In this first episode: TCHAIKOVSKY Piano Concerto No. 1

In this first NACOcast of 2008, Christopher focuses on Richard Strauss' Oboe Concerto with special guest Charles Hamann, principal oboe, National Arts Centre Orchestra.

Douglas Burden, bass trombonist with the National Arts Centre Orchestra, is Christopher's guest on this edition of the NACOcast. The two discuss everything 'trombone'; from the instrument's origins, repertoire and its role in today's orchestra. This edition of the NACOcast includes a sampling of the NAC Orchestra performing Hector Berlioz's Symphonie Fantastique.

Christopher discusses the art of reed making with NAC Orchestra prinicpal oboe Chip Hamann with archival musical excerpts from Strauss's Don Quixote and Mozart's Oboe Concerto as performed by Chip Hamann and the National Arts Centre Orchestra

A Fifth of Quarrington -- In this week's NACOcast, Christopher speaks with the National Arts Centre Orchestra's remarkable Principal Bass, Joel Quarrington. Canada's foremost virtuoso of the double bass, Joel is the only great modern bassist who tunes his bass like a cello. Find out how this came about as Joel discusses the history, evolution and current state of double bass playing.

This week on the NACOcast, Christopher Millard is in conversation Maestro Boris Brott, Principal Youth and Family Conductor, National Arts Centre Orchestra. Boris Brott is one of the most internationally recognized Canadian Conductors, holding major posts as music director in Canada and the United States. He enjoys an international career as guest conductor, educator, motivational speaker and cultural ambassador. In May 2004, he was named to the newly created position of Principal Youth and Family Conductor of the National Arts Centre Orchestra, where for over 20 years he has regularly been conducting student matinees and Young People's Concerts. In this edition of the NACOcast, Christopher and Boris discuss, among other topics, the legacy of Leonard Bernstein and the challenges that today's orchestra face connecting and engaging young audiences.