Podcast appearances and mentions of Louis I Kahn

“Mario Botta è nato il 1 aprile 1943 a Mendrisio, in Svizzera. La sua opera è ispirata dai maestri Le Corbusier, Louis I. Kahn e Carlo Scarpa che incontra a Venezia durante gli studi. Architettura e memoria costituiscono un binomio inscindibile in quanto le trasformazioni attuate dall'architettura diventano parti del paesaggio umano. La luce come generatrice dello spazio e le forme geometriche primarie costituiscono alcuni dei segni distintivi dell'uomo nel territorio. Dalle prime case unifamiliari nel Canton Ticino il suo lavoro ha affrontato altre tipologie sparse in molti Paesi del mondo: scuole, banche, edifici amministrativi, biblioteche, musei, chiese e sinagoghe”.

“The importance of a drawing is immense, because it's the architect's language,” said the architect Louis Kahn to his masterclass in 1967. While most studies of Kahn focus on his built works or theory and use drawings mainly to illustrate these, this publication chooses to focus on Kahn's drawings as primary sources of insight into his architectural intelligence and imagination. Lavishly illustrated with over 900 high-quality reproductions of work by Kahn and his associates, incisively presented by a group of acclaimed architectural experts, The Importance of a Drawing is a deep immersion into Kahn's work and his design process. A testament to Kahn's masterly craft, this volume also makes a provocative primer on architectural representation by posing timely questions on how architects use drawings to see, learn, conjecture and reveal. Destined to become a standard reference on Kahn, this book is an essential addition to the libraries of established designers as well as students of architecture. The result of years of extensive research, The Importance of a Drawing contains original contributions and historical texts from Michael Merrill, Michael Benedikt, Michael B. Cadwell, Louis I. Kahn, Nathaniel Kahn, Sue Ann Kahn, David Leatherbarrow, Michael J. Lewis, Robert McCarter, Marshall D. Meyers, Jane Murphy, Harriet Pattison, Gina Pollara, Colin Rowe, David Van Zanten, Richard Wesley and William Whitaker. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“The importance of a drawing is immense, because it's the architect's language,” said the architect Louis Kahn to his masterclass in 1967. While most studies of Kahn focus on his built works or theory and use drawings mainly to illustrate these, this publication chooses to focus on Kahn's drawings as primary sources of insight into his architectural intelligence and imagination. Lavishly illustrated with over 900 high-quality reproductions of work by Kahn and his associates, incisively presented by a group of acclaimed architectural experts, The Importance of a Drawing is a deep immersion into Kahn's work and his design process. A testament to Kahn's masterly craft, this volume also makes a provocative primer on architectural representation by posing timely questions on how architects use drawings to see, learn, conjecture and reveal. Destined to become a standard reference on Kahn, this book is an essential addition to the libraries of established designers as well as students of architecture. The result of years of extensive research, The Importance of a Drawing contains original contributions and historical texts from Michael Merrill, Michael Benedikt, Michael B. Cadwell, Louis I. Kahn, Nathaniel Kahn, Sue Ann Kahn, David Leatherbarrow, Michael J. Lewis, Robert McCarter, Marshall D. Meyers, Jane Murphy, Harriet Pattison, Gina Pollara, Colin Rowe, David Van Zanten, Richard Wesley and William Whitaker. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

“The importance of a drawing is immense, because it's the architect's language,” said the architect Louis Kahn to his masterclass in 1967. While most studies of Kahn focus on his built works or theory and use drawings mainly to illustrate these, this publication chooses to focus on Kahn's drawings as primary sources of insight into his architectural intelligence and imagination. Lavishly illustrated with over 900 high-quality reproductions of work by Kahn and his associates, incisively presented by a group of acclaimed architectural experts, The Importance of a Drawing is a deep immersion into Kahn's work and his design process. A testament to Kahn's masterly craft, this volume also makes a provocative primer on architectural representation by posing timely questions on how architects use drawings to see, learn, conjecture and reveal. Destined to become a standard reference on Kahn, this book is an essential addition to the libraries of established designers as well as students of architecture. The result of years of extensive research, The Importance of a Drawing contains original contributions and historical texts from Michael Merrill, Michael Benedikt, Michael B. Cadwell, Louis I. Kahn, Nathaniel Kahn, Sue Ann Kahn, David Leatherbarrow, Michael J. Lewis, Robert McCarter, Marshall D. Meyers, Jane Murphy, Harriet Pattison, Gina Pollara, Colin Rowe, David Van Zanten, Richard Wesley and William Whitaker. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

This week David and Marina are joined by Scott Mitchell, Founder and Chief Executive Officer of Scott Mitchell Studio, to discuss his designs, his early interests in architecture, his office, influential people in his life, the power of thoughtful architecture, and much more. Enjoy! Scott Mitchell is the Founder and Chief Executive Officer of Scott Mitchell Studio. Over more than 20 years he has developed an extensive design portfolio across the U.S. and internationally. Scott is renowned for his warm approach to connecting the built and natural environment and his humanistic approach to architecture. His nomadic upbringing took him from Jordan to Japan to the American Southwest—where he bore early witness to the stone ruins of Petra and Wadi Rum, the Shinto houses of Okinawa and the Sonoran Desert. Scott's design philosophy is influenced equally by his early encounters with antiquity, as by his relationships with modernist architects Richard Meier and Charles Gwathmey, and by the work of Louis I. Kahn and Rudolph M. Schindler.    Scott received a Bachelor of Environmental Design from Texas A&M University before moving to New York to work at Stephen Miller Siegel & Associates and then to Bridgehampton to work with Preston T. Phillips, a former protégé of architect Paul Rudolph. He was offered an internship in Norman Foster's London office and then moved back to the U.S. to pursue graduate studies at the Southern California Institute of Architecture (SCI-Arc), before establishing Scott Mitchell Studio in 1999. Scott is author of the monograph Scott Mitchell Houses (Rizzoli), which includes eight of the studio's pivotal projects and includes contributions by Paul Goldberger, Calvin Klein and Michael Webb. This episode is supported by Brizo • Monograph • Miele • Graphisoft SUBSCRIBE  • Apple Podcasts  • YouTube  • Spotify CONNECT  • Website: www.secondstudiopod.com • Instagram • Facebook • Twitter  • Call or text questions to 213-222-6950 SUPPORT Leave a review :) EPISODE CATEGORIES  •  Interviews: Interviews with industry leaders.  •  Design Companion: Informative talks for clients.   •  After Hours (AH): Casual conversations about everyday life.  •  Design Reviews: Reviews of creative projects and buildings.  •  Fellow Designer: Tips for designers.

Kent Larson is Director of City Science at the MIT Media Lab, with research focused on compact transformable housing, ultralight autonomous mobility systems, sensing and algorithms to recognize and respond to complex human behavior, and advanced modeling, simulation, and tangible interfaces for urban design. Larson's book, Louis I. Kahn: Unbuilt Masterworks, was selected as one of the Ten Best Books in Architecture 2000 by the New York Times Review of Books. He has founded or cofounded multiple MIT spinoff companies including ORI Living, an architectural robotics company creating systems for dynamically reconfigurable environments. In this podcast, Kent Larson explains the concept of autonomous communities to create the autonomous cities of the future. He also proposes that future architects should be antidisciplinary in order to make the concept of autonomous cities a reality. Common Futures is a new series of podcasts produced by the Norman Foster Foundation that aim to empower our community to make positive change as a platform for people around the world to share and hear inspirational stories and ideas that will shape the future. www.normanfosterfoundation.org

For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy. Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of "transcendent rootedness"--a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: The Philosophy of Architecture, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns. Through examinations of five of Kahn's great buildings--the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven--Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: Architecture as Philosophy (Monacelli Press, 2020) helps us understand our place and the nature of well-being in the built environment. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices

For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy. Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of "transcendent rootedness"--a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: The Philosophy of Architecture, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns. Through examinations of five of Kahn's great buildings--the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven--Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: Architecture as Philosophy (Monacelli Press, 2020) helps us understand our place and the nature of well-being in the built environment. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices

For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy. Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of "transcendent rootedness"--a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: The Philosophy of Architecture, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns. Through examinations of five of Kahn's great buildings--the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven--Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: Architecture as Philosophy (Monacelli Press, 2020) helps us understand our place and the nature of well-being in the built environment. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices

For everyone interested in the enduring appeal of Louis Kahn, this book demonstrates that a close look at how Kahn put his buildings together will reveal a deeply felt philosophy. Louis I. Kahn is one of the most influential and poetic architects of the twentieth century, a figure whose appeal extends beyond the realm of specialists. In this book, noted Kahn expert John Lobell explores how Kahn's focus on structure, respect for materials, clarity of program, and reverence for details come together to manifest an overall philosophy. Kahn's work clearly conveys a kind of "transcendent rootedness"--a rootedness in the fundamentals of architecture that also asks soaring questions about our experience of light and space, and even how we fit into the world. In Louis Kahn: The Philosophy of Architecture, John Lobell seeks to reveal how Kahn's buildings speak to grand humanistic concerns. Through examinations of five of Kahn's great buildings--the Richards Medical Research Building in Philadelphia; the Salk Institute for Biological Studies in La Jolla; the Phillips Exeter Academy Library in New Hampshire; the Kimbell Art Museum in Fort Worth; and the Yale Center for British Art in New Haven--Lobell presents a clear but detailed look at how the way these buildings are put together presents Kahn's philosophy, including how Kahn wishes us to experience them. An architecture book that touches on topics that addresses the universal human interests of consciousness and creativity, Louis Kahn: Architecture as Philosophy (Monacelli Press, 2020) helps us understand our place and the nature of well-being in the built environment. Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is a professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email to btoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoices

"I try to think that anything I do--it could be a house, it could be a small kindergarten--must reach for the kind of spiritual in the sense of the uplifting and make you feel better as a human being." To mark the 50th episode of Talking Beats with Daniel Lelchuk, legendary architect Moshe Safdie joins the program for a wide-ranging discussion and rare look into the depths of one of the world's great visionaries of buildings. What is the role of an architect? What does the intersection of utility and art look like? Can a physical structure ever contain the spiritual power that great music possesses? How does a master architect, who must delegate, inspire, and ultimately empower those around him, resemble a great maestro standing on the podium in front of an orchestra? This is a must-hear conversation for art lovers the world over. Moshe Safdie is an architect, urban planner, educator, theorist, and author. Over a celebrated 50-year career, Safdie has explored the essential principles of socially responsible design with a distinct visual language. A citizen of Israel, Canada and the United States, Moshe Safdie graduated from McGill University. After apprenticing with Louis I. Kahn in Philadelphia, Safdie returned to Montréal to oversee the master plan for the 1967 World Exhibition. In 1964 he established his own firm to realize Habitat ’67, an adaptation of his undergraduate thesis and a turning point in modern architecture. Author of four books and a frequent essayist and lecturer, Safdie’s global practice includes projects in North and South America, the Middle East, the developing world and throughout Asia and Australia. Projects span a wide range of typologies, including airports, museums, performing arts, libraries, housing, mixed use and entire cities. His honors include the Companion of the Order of Canada, the Gold Medal from both the Royal Architectural Institute of Canada and the American Institute of Architects, la Medaille du Merité from the Order of Architects of Québec, Canada, and Israel’s Rechter Prize. The Cooper Hewitt, Smithsonian Design Museum awarded Mr. Safdie the National Design Award for Lifetime Achievement in 2016. -------------------------------------- Please consider supporting Talking Beats with Daniel Lelchuk via our Patreon: patreon.com/talkingbeats In addition to early episode access, bonus episodes, and other benefits, you will contribute to us being able to present the highest quality substantive, long-form interviews with the world's most compelling people. We believe that providing a platform for individual expression, free thought, and a diverse array of views is more important now than ever.

When we talk about Moshe Safdie, I’m sure that he should need no introduction. He is famous for his megastructures, built allover the world. Hamid Hassanzadeh of ParametricArchitecture, sat down with Moshe Safdie during the Covid-19 lockdown and discussed with him about his story of becoming an architect, establishing his practice, his very first project Habitat 67, humanizing the mega-scale, COVID’s impact and more. Moshe Safdie is an architect, urban planner, author, educator, and theorist. Over a celebrated 50-year career, Safdie has explored the essential principles of socially responsible design with a distinct visual language. Moshe Safdie graduated from McGill University and after apprenticing with Louis I. Kahn in Philadelphia, he returned to Montréal to oversee the master plan for the 1967 World Exhibition. In 1964 he established his own firm to realize Habitat ’67, an adaptation of his undergraduate thesis and a turning point in modern architecture. Moshe Safdie is the Author of four books and a frequent essayist and lecturer. Safdie’s global practice includes projects in North and South America, the Middle East, the developing world and throughout Asia and Australia. Some of his projects that I’m sure you all know them, are: Habitat 67 in Montreal Canada, Marina Sands Bay, Art Science Museum, Jewel Changi Airport, Crystal Bridges Museum of American Art and many more amazing projects. Subscribe to PA Talks podcast on Spotify, Apple Podcast, and Google Podcast in order not to miss a single episode. Also you can find out more by going to https://parametric-architecture.com/podcasts/ Please share this podcast with the URL. Also you can use #patalks on twitter, Instagram, facebook to give us a feedback about the podcasts. Thank you!

Today is a special episode because we are sitting down with my very close and personal friend, even though we have never actually met, Canadian architectural rock star Omar Gandhi. This is the first in a series of posts we are rolling out for the 2020 podcast season titled “Talking Shop with __________.” We anticipate doing around four of these specialty episodes this year and we decided to come out the gate strong with our first guest - Canadian Architect and Emerging Voice in the architectural community - as well as my friend - Omar Gandhi. [Note: If you are reading this via email, click here to access the on-site audio player]  Before we get into all the pretty photography, drawings and models, here is a professional bio from Omar that should help you understand who we are talking with today. [l-r: Canadian Architect Omar Gandhi; the letter from Omar to Bob Borson ... to hear how this letter came to be, listen at the 16:26 mark]Omar Gandhi is a Canadian architect currently practicing and residing in both Halifax, Nova Scotia and Toronto, Ontario. After studying in the Regional Arts program at Mayfield Secondary School (Caledon) and then the inaugural Architectural Studies Program at the University of Toronto Omar moved to Halifax, Nova Scotia where he received his Master’s degree in 2005 at Dalhousie University. After graduation, Omar worked for Kuwabara Payne McKenna Blumberg Architects, Young + Wright Architects, and finally MacKay-Lyons Sweetapple Architects upon his return to Halifax. Gandhi started his own design studio in 2010 and became a registered architectural practice in 2012. Omar is the recipient of the 2014 Canada Council for the Arts Professional Prix de Rome and was listed in Wallpaper* Magazine’s 2014 Architects Directory – their list of the top 20 Young Architects in the World. Omar was named one of the Architectural League of New York’s ‘Emerging Voices’ of 2016, one of Monocle Magazine’s 20 most influential Canadians, and was named one of Architectural Record Magazine’s Design Vanguard for 2018. Most recently the studio was the recipient of the 2018 Governor General’s Medal in Architecture for the cabin at Rabbit Snare Gorge – Canada’s highest honor for built projects. Omar was appointed as the Louis I. Kahn Visiting Assistant Professor in Architectural Design at the Yale School of Architecture for the Fall semester of the 2018-19 academic year. Just to help you understand the context and talent of who we are speaking with today on the podcast, we decided to isolate a single project and put it on display so you could see the finished product, the rigor associated with the floor plans, and the creative process which includes model-making as well a hand-drawn concept sketch. The project we are focusing on today is The Lookout at Broad Cove Marsh located in Inverness, Nova Scotia. While I have included several images here, I did not include all that are available - not that you need an additional reason to visit Omar's website but go here to see more images, including several from the interior of the project.  This is a beautiful project and we promised Omar that we would recognize the individuals who contributed to its creation. Architect Omar Gandhi, Jeff Shaw, Peter Kolodziej, Amber Kilborn Engineer Andrea Doncaster Engineering Structural model Ben Angus Contractor Joseph ‘MacGee’ MacFarlane Photography Doublespace Photography Okay, time for the hypothetical question – which is really the only reason why the first part of this podcast exists … it’s all just leading up to this moment. As it turns out, Omar is familiar with how this works except I had to clarify that either Omar or Andrew could answer first, but no matter what order, I will go last so I can change the rules and make fun of everybody's answers. Andrew is very familiar with how this works! [46:00 mark] Would you rather only age from the neck up or the neck down?

Listen to my conversation with Glenn Holsten here! HOLLYWOOD BEAUTY SALON Directed by: Glenn Holsten (The barefoot artist, oc87) Opens IN NEW YORK on Friday, July 29 at the Village East Cinema WINNER! 2016 SAMSHA Voice Award (Sponsored by the U.S. Department of Health and Human Services, Substance Abuse and Mental Health Services Administration) ABOUT THE FILM Hollywood Beauty Salon portrays life at an intimate beauty parlor inside of the NHS Germantown Recovery Community, a non-profit mental health program in Philadelphia, where staff and clients alike are in the process of recovery. By gathering together to get their hair done, share stories, and support one another, they find a way to rebuild their lives. The documentary — which was work-shopped at the Salon over the course of four years — is also part of the recovery process, and the subjects of the film played an active part in shaping their own narratives and determining their unique individual styles. ABOUT GLENN HOLSTEN Glenn is an award-winning director of documentary films. The Barefoot Artist, about global artist Lily Yeh, was filmed on four continents and had its theatrical premiere in New York and Los Angeles in December, 2014 and is currently available on Netflix. His most recent national broadcast on PBS, The Barnes Collection, follows Dr. Albert Barnes’ remarkable rise from Philadelphia’s working-class neighborhood to the top of the modern art world. SEE, a film that he created in collaboration with painters Bo Bartlett and Betsy Eby premiered at the Camden Film Festival in 2013. He directed an eight-part series titled Women In Chemistry, about pioneering women chemists for the Chemical Heritage Foundation. Women In Chemistry appeared on public television as a one-hour television special, as will Scientists You Must Know, a documentary about the people behind the discoveries that changed our world. Other long-form documentary directing credits include OC87: The Obsessive-Compulsive, Major Depression, Bipolar, Asperger’s Movie, (theatrical release, 2012, Netflix); Seductive Subversion: Women Pop Artists, 1958-1968, (OVATION, 2010); Saint of 9/11, about Father Mychal Judge, the beloved chaplain to the NYC Fire Dept. (Tribeca Film Festival, IFC theatrical release, 2006, Netflix); Gay Pioneers (PBS, 2005); JIM IN BOLD, which harnesses the power of young voices to reveal the challenges and triumphs of being young and gay in America; Thomas Eakins: Scenes from Modern Life (PBS, 2001), a lyrical examination of America through the eyes of the 19th century painter; and HOUSE, a 30-minute film about The Korman Residence in Fort Washington, Pennsylvania that was famed Philadelphia architect Louis I. Kahn’s final residential commission. He was commissioned by both The Kimmel Center for the Performing Arts and the Pew Charitable Trusts to create a series of moving portraits about artists and their work processes. Glenn is a recipient of a Pew Fellowship in the Arts, an Independence Foundation Fellowship in the Arts, and a Pennsylvania Council on the Arts Fellowship. He has been awarded silver and gold awards from the Corporation for Public Broadcasting for innovative television production. He has been honored with sixteen Mid-Atlantic Emmy Awards. A collection of his work was exhibited in the Philadelphia Museum of Art’s 20th Century Video Gallery. Glenn has directed films in China, Portugal, Kenya, Rwanda, Northern Ireland, Poland, Bosnia and the Republic of Georgia. In 2000, he traveled to Mongolia, where he conducted a workshop for television professionals that explored creative methods for storytelling on television. Glenn graduated from The University of Pennsylvania in 1984 with a B.A. in English. GLENN'S APPROACH Director Glenn Holsten conducted a 16-week workshop series at the Hollywood Beauty Salon, which created the foundation for the documentary script. Holsten and a film crew collaborated with the women and men who patronize and/or volunteer at the salon to develop individual stories centered around their special Hollywood Beauty experience. Participants discussed the depths of their illnesses and their paths to recovery. They tapped into joyful and painful memories alike — and explored their hopes and dreams for the future. The final script that emerged from this workshop process is a new kind of documentary — a hybrid that artfully combines real life “vérité” (fly on the wall) sequences of everyday life activity in the beauty parlor with highly crafted filmic sequences employing animation, fantasy, and dramatic reenactment. The film’s subjects decided how their personal histories should be documented and shared; each designed the storytelling approach of his/her section of the film. The "Hollywood Beauty Salon" is an intimate beauty parlor that happens to be part of the NHS Germantown Recovery Community, a non-profit mental health program in Philadelphia that is administered by NHS Human Services. Rachel "Hollywood" Carr Timms runs the beauty parlor, where staff and clients alike are all in the process of recovery from some form of mental health issue. By gathering together to get their hair done, share stories, and support one another, they find a way to rebuild their lives. The film is built around preparations for their annual "Hair Recovery Show"--their version of a beauty pageant--and it is this exciting undertaking that allows us to meet the characters and hear their stories. The documentary itself—which was workshopped at the Salon over the course of four years—actually ends up being part of the recovery process itself, and the subjects of the film played an active part in shaping their own narratives and determining the unique, individual style of their respective story arcs. Deeply emotional and highly imaginative, (using animation and other expressionistic effects to convey the interior lives of its subjects), the film was directed by Glenn Holsten, an award-winning Philadelphia-based documentarian whose previous films include OC87: The Obsessive-Compulsive, Major Depression, Bipolar, Asperger’s Movie, a feature-length documentary about recovery from the depths of mental illness through filmmaking, Saint of 9/11, a biography of Father Mychal Judge, the Chaplain to the New York City Fire Department who died on 9/11 which premiered at the Tribeca Film Festival and most recently, The Barefoot Artist, a portrait of artist Lily Yeh which was released last year. Not rated, Runtime 88 minutes (In English/ Documentary/ USA) TRAILER: https://vimeo.com/150349684 https://www.youtube.com/watch?v=meM7-w-Xf-U http://hollywoodbeautysalonmovie.com/

Few people in the history of art and architecture have planted a seed of inspiration that grew to become a towering oak of lasting influence. There are those, particularly colleagues and students of Louis I. Kahn, who would say that he was one of these people. Certainly Kahn was one of the foremost architects of the twentieth century, designing such famous landmarks as the National Assembly Building in Dhaka, Bangladesh; the Salk Institute in La Jolla, California; and the Kimbell Museum in Fort Worth, Texas. In this commemorative volume, Charles E. Dagit, Jr. shows the power and influence that Kahn displayed at the University of Pennsylvania department of architecture in the 1960s. Since Dagit knew Kahn personally, this is a factual history as well as a glimpse into Kahn’s personal wisdom and humanity. Charles E. Dagit, Jr. taught at Temple University, the University of Pennsylvania, and Drexel University, where he is now a thesis advisor as well as conductor of a seminar on American Architectural History. Awarded the American Institute of Architects Pennsylvania’s Medal of Distinction, his work has been published in Progressive Architect, Interiors Magazine, and Yale Perspecta.

Vincent Scully lectures on the classical influences on Louis Kahn. He analyzes ways that Kahn’s experience with classical architecture, particularly Roman, but also Egyptian and Hebrew informed his architectural vision and shaped his designs.