Podcasts about Le Corbusier

Lʹappartement-atelier de Le Corbusier, conçu à Paris entre 1931 et 1934, est le premier immeuble dʹhabitation de verre de lʹhistoire de lʹarchitecture. A lʹoccasion des 60 ans de la disparition de Le Corbusier, Monumental sʹintéresse à lʹimmeuble Molitor avec Giulia Marino, architecte, professeure à lʹUniversité catholique de Louvain ainsi quʹà lʹEPFL et Franz Graf, architecte et professeur à lʹEPFL.

Esta série de programas especiais será um espaço para dialogarmos sobre o mercado de trabalho existente para o/a profissional de cenografia em várias regiões brasileiras. Queremos conhecer sobre as diversas realidades existentes no país. Para isso, chamaremos alguns convidados e convidadas no Goiás para compor essa “mesa” de diálogos.- Vanessa Cássia Rodrigues Silva, nome artístico Vanessa Croft, é multiartista, goiana, doutoranda no programa de Pós- Graduação em Artes, Culturas e Tecnologias - (MEDIALAB UFG), mestra pelo Programa de Pós-Graduação em Artes da Cena na linha de pesquisa em Estudos transversais em teatro, dança e direção de Arte pela Universidade Federal de Goiás, bacharel em Direção de Arte pela mesma Universidade. Também foi professora no curso de Direção de Arte e Artes Cênicas na Universidade Federal de Goiás – UFG - 2016/2017 e na Escola do Futuro em Artes Basileu França. Atuou como diretora de arte no Primeiro Festival Internacional de Ópera de Goiânia (2018), e teve seu trabalho de mestrado selecionado e exposto na Quadrienal de Praga (2023), evento dedicado à arte da cenografia no mundo.- Carolina Mendes é diretora de arte e cenógrafa, com atuação em cinema, publicidade e cenografia. Formada em direção de arte pela UFG e pós-graduada em design de ambientes, tem trabalho e pesquisa focada na criação universos visuais que conectam narrativas, sensações e experiências. Atualmente, lidera o departamento de arte da produtora audiovisual Plural Imagem e Som, em Goiânia.- Luis Guilherme Barbosa dos Santos é Arquiteto e Urbanista, Mestre e Doutor em Performances Culturais (UFG), orientado pelo Prof. Dr. Robson Corrêa de Camargo (mestrado e doutorado). Atua como professor na Escola do Futuro de Goiás em Artes Basileu França, em Goiânia, no Curso Superior de Tecnologia em Produção Cênica. Professor das disciplinas Laboratório de Espaço Cênico, Cenografia e as Novas Tecnologias, Teorias da Arte e Fotografia. Pesquisa relações entre Arquitetura e Cenografia a partir do encenador britânico Edward Gordon Craig, do arquiteto franco-suíço Le Corbusier e do arquiteto e professor finlandês Juhani Pallasmaa. Nessa interdisciplinaridade: observações, reflexões e práticas para teatro em suas possibilidades técnicas, artísticas, históricas, materiais, multissensoriais e simbólicas, também a partir de croquis esquemáticos e maquetes volumétricas para cenografia teatral.- Johnathan Gonçalves tem 8 anos de experiência no mercado de cenografia, atuando como cenotécnico. Nesse tempo, trabalhou diretamente na montagem de cenários para comerciais de publicidade e vídeo clipe, contribuindo para produções de diferentes portes e estilos.Sua atuação vai desde a leitura dos projetos cenográficos até a execução prática, com foco em agilidade, acabamento, segurança e fidelidade ao conceito criativo. Já participou de trabalhos para marcas nacionais e internacionais, sempre em parceria com a direção de arte- Wagner Gonçalves é cenógrafo.

Tel un signe du destin, Dimitri Roussel, fondateur de l'agence d'architecture DREAM (Paris-Nice), ancien basketteur professionnel de haut niveau, est né dans l'hôpital Le Corbusier de Firminy (69). Il ouvre aujourd'hui l'année 2024 de Com d'Archi versus interview, 2024 année olympique ! Un nouveau signe du destin?Car en effet, l'agence de Dimitri Roussel livre15 000m2 dans le cadre du Village des Athlètes des Jeux de Paris 2024. Il est aussi l'un des architectes du fameux Arbre Blanc de Montpellier. Il a entrepris très jeune et reconnait aujourd'hui qu'à aucun moment "cela n'a été un plan". Animé par des valeurs d'écologie sociale, notamment à travers son association REVE, dans ce Com d'Archi, il nous livre généreusement sa "success story" d'architecte, réussite singulière et récit sur fond de défis sportifs, accompagnés de digressions gourmandes ! Soif de vivre oblige.Dream, un profil de jeune agence d'architecture de renom (déjà), et pleine de promesses, à découvrir absolument !Image teaser DR © Loïc PoechIngénierie son : Julien Rebours____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pour retrouver de belles images, toujours choisies avec soin, de manière à enrichir votre regard sur le sujet.Bonne semaine à tous! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

"C'est en France" met à l'honneur Le Corbusier, père de l'architecture moderne, à l'occasion du 60ᵉ anniversaire de sa mort. Visionnaire, il a posé les bases d'une nouvelle ère avec son essai révolutionnaire de 1923, "Vers une architecture", un ouvrage-référence pour les architectes d'aujourd'hui. Mais son héritage est aussi controversé, notamment en raison de révélations sur ses liens présumés avec des groupes fascistes. Retour sur son parcours avec Jennifer Ben Brahim et Nina Masson.

Nicht bei jedem Projekt werden wir bedauern, dass die Realisierung unterblieb, sagt Künstlerin und Kunsthistorikerin Martina Pippal. Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 27.08.2025

Rebbert, Anke www.deutschlandfunkkultur.de, Studio 9

Er prägte das Bild des modernen Bauens wie kaum ein anderer: Le Corbusier entwarf nicht nur spektakuläre Häuser und Städte, sondern wollte mit klaren Formen, offenen Grundrissen und der Idee der "Wohnmaschine" die Gesellschaft verändern. Rebbert, Anke www.deutschlandfunk.de, Kalenderblatt

Charles-Édouard Jeanneret dit Le Corbusier disparaissait il y a 60 ans. Ses constructions ont été aussi bien admirées que détestées. C'est l'occasion pour Marc Bourreau de revenir sur l'architecture qui ne laisse pas indifférent Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

„Le Corbusier“, wie er sich selbst nannte, durchdachte alles neu: Möbel, Kindergärten, Villen, Wohn- und Verwaltungskomplexe, ja ganze Städte, sagt Künstlerin und Kunsthistorikerin Martina Pippal. Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 26.08.2025

Den Österreichischen Bildhauer Wotruba und den schweizerisch-französischen Architekten Le Corbusier verbindet mehr als nur der gemeinsame Todesmonat August, sagt Künstlerin und Kunsthistorikerin Martina Pippal. Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 25.08.2025

Švicarsko-francoski vsestranski umetnik Charles-Édouard Jeanneret (1887–1965) je od leta 1920 znan pod psevdonimom Le Corbusier. Rodil se je v francoskem delu Švice, a je leta 1930 z naturalizacijo pridobil francosko državljanstvo. Njegova ustvarjalna pot je trajala pet desetletij in je obsegala različna umetniška področja, kot so slikarstvo, kiparstvo, urbanizem, dizajn, Le Corbusier je bil tudi odličen risar in pisec, predvsem pa je bil arhitekt, saj je prav v arhitekturi pustil močan, prepoznaven in neizbrisljiv pečat – danes namreč velja za enega od začetnikov moderne arhitekture, njegovi projekti pa so bili realizirani v Evropi, na Japonskem, v Indiji ter v Severni in Južni Ameriki. Če želimo razumeti Le Corbusierjeve projekte, moramo poznati njegova radikalna in strogo strukturirana stališča. Pri tem pa je bistveno, da on ni želel zgolj graditi hiš ali mest – želel je preoblikovati način življenja ljudi. Le Corbusier je namreč dojemal sodobni svet kot kaotičen in neučinkovit, in je verjel, da lahko arhitektura ponovno vzpostavi socialno harmonijo. Ob 60. obletnici njegove smrti pretresamo njegovo delo – kaj je zanj značilno, kaj vse zaobsega in ali je prestalo test časa. Gosta sta arhitekta prof. dr. Aleš Vodopivec in izr. prof. Aljoša Dekleva. Foto: Wikipedija

Das Schulzentrum, das Rathaus, der Wohnblock: Beton lässt niemanden kalt. Auch in Bayern provoziert er Abscheu und Faszination. Warum polarisiert Beton? Und wie beeinflusst er unsere Ideen von Schönheit, Urbanität und Gesellschaft? Zum 60. Todestag von Le Corbusier, dem Meisterarchitekten des Beton - ein Bayerisches Feuilleton von 2023. Zum Anschauen: Das Konzerthaus von Blaibach in den BR Dorfgeschichten: https://www.ardmediathek.de/video/dorfgeschichten/das-wunder-von-blaibach/br-fernsehen/Y3JpZDovL2JyLmRlL3ZpZGVvL2U0NGU1NjU4LTE1ZjUtNGQ3YS04MDE2LTQyMTJjMGE5OWRlMg Architekt und Betonfan Peter Haimerl hat auch ein Granithaus entworfen: https://www.br.de/br-fernsehen/sendungen/traumhaeuser/traumhaeuser-ein-haus-aus-granit-100.html

This week marks the beginning of our August round-ups where we choose our favorite episodes from the prior year as we gear up for our new season. We're revisiting two of our personal favorite authors and subjects: craft. Tune into Jane Alison and Jeannine Ouellette to glean insight and inspiration about your writing and the structures, forms, playfulness, and directions it can take when you're attuned to all the possibilities and permutations. Don't miss Janet Fitch's August 19th class. Details are online here. Jane Alison is the author of four novels, as well as Change Me, translations of Ovid's stories of sexual transformation, and Meander, Spiral, Explode, about the craft and theory of writing. Her newest novel is Villa E, about the collision of architects Eileen Gray and Le Corbusier. She is Professor of Creative Writing at the University of Virginia. Jeannine Ouellette is the author of the bestselling Substack Writing in the Dark, a creative community of almost 18K people strong. Her lyric memoir, The Part That Burns, was a 2021 Kirkus Best Indie Book and a finalist for the Next Generation Indie Book Award in Women's Literature, and her essays and short fiction have appeared widely in anthologies and journals, including Narrative, North American Review, Los Angeles Review of Books, and others. Learn more about your ad choices. Visit megaphone.fm/adchoices

La Grande-Motte est une station balnéaire française créée par lʹarchitecte Jean Balladur. Il existe, dans le monde, 3 villes entièrement dessinées par un architecte : Chandigard de Le Corbusier, Brasilia dʹOscar Niemeyer et La Grande-Motte…  Cette ville est donc lʹun des projets touristiques et urbanistiques les plus importants réalisés en France et en Europe à cette période. Pour en parler, Johanne Dussez sʹentretient avec Gilles Ragot, historien de l'art, spécialiste de l'architecture contemporaine et auteur du livre " La grande Motte, patrimoine du XXe siècle " éditions El Viso

For full episode and all deep dive episodes please subscribe Part one of a two-part deep dive into the grid and how it has quietly shaped our personal and social realities throughout history. From the invention of the brick to the birth of the spreadsheet, tracing the grid's influence across architecture, urban planning, culture, and technology.Starting with the brick-“equal parts mortar and module,” tied to the proportions of the human hand—and follow its logic through systems like the tablet, gridiron city plans (like Mohenjo-daro), maps, musical notation, ledgers, the screen and the moveable type, setting the stage for digital forms to come.Along the way, we talk Le Corbusier, the Swiss grid system of Josef Müller-Brockmann, the design of Instagram, and Lotus 1-2-3. This is a mellow research-based episode on how grids both liberate and constrain the ways we live, think, and create.Cited: Hannah B. Higgins The Grid Book

Nihal Arthanayake's nomination for the Trapped History Hall of Fame is a great one. The lost, forgotten and overlooked Sri Lankan architect Minnette de Silva. She was the first Asian woman elected to the Royal Institute of British Architects and a friend of Le Corbusier and Picasso. But she's been overshadowed by those men and by other Asian male architects.So tune in to hear her story and why she means so much to Nihal.

In this special episode, contemporary artist Amba Sayal-Bennett joins EMPIRE LINES live, to trace the migrations of rubber seeds between South America, London, and British colonies in South Asia in the 19th century, plus the role of soil in anticolonial resistance, through their digital drawing and sculpture, Kern (2024).Rubber is a commodity that was once so highly demanded that its value surpassed that of silver. In a mission facilitated by the British government, Henry Wickham stole and trafficked 70,000 rubber seeds from the Amazon rainforest in Brazil in 1876. Transported to Kew Gardens in London, they were then dispersed across Britain's colonies for cultivation. Its plural uses and potential for profit led to its proliferation across the globe - yet the soil in India, then known as the British Raj, refused to take the seeds, which the artist puts forward as a form of environmental resistance to the colonial project.Amba Sayal-Bennett's wall-based sculptures Kern (2024) and Phlo (2024) are part of their investigations into the migrations of forms, bodies, and knowledge across different sites. Presented in SEEDLINGS: Diasporic Imaginaries, currently touring Scotland with Travelling Gallery, we discuss this visual research into how colonial practices often decontextualise and appropriate forms. Amba delves botanical and anatomical drawings, and how these illustrations have been used to commodify and control plants, environments, and people. We consider through the construction and overlapping uses of terms like ‘native' and, ‘invasive', ‘indigenous', ‘naturalisation', and ‘dispersal', to challenge binaries between human and more-than-human beings, and consider ideas of home, identity, and belonging in the context of diasporas. Amba details her relationship with ornamentation, abstraction, and displacement, and how she translates her digital drawings into sculptural forms, rendered with biodegradable, but ‘unnatural', industrial plastics. Drawing on her site-specific works for Geometries of Difference (2022) at Somerset House, and Drawing Room Invites... in London, we also delve into Amba's critical engagement with sci-fi and modernist architecture, travelling to Le Corbusier's purpose-built city of Chandigarh in Punjab, the birthplace of her maternal grandparents, to explore tropical modernism.This episode was recorded live at Somerset House Studios in London, as part of the public programme for SEEDLINGS: Diasporic Imaginaries, curated by Jelena Sofronijevic with Travelling Gallery in Scotland. The group exhibition, featuring Emii Alrai, Iman Datoo, Radovan Kraguly, Zeljko Kujundzic, Remi Jabłecki, Leo Robinson, and Amba Sayal-Bennett, is touring across Scotland, culminating at Edinburgh Art Festival (EAF 2025) in August 2025.For more information, follow Travelling Gallery and EMPIRE LINES on social media, and visit: linktr.ee/SEEDLINGSTG2025Drawing Room Invites…: Anna Paterson, Alicia Reyes McNamara, Amba Sayal-Bennett is at the Drawing Room in London until 27 July 2025.For more about Between Hands and Metal (2024), a group exhibition featuring Amba Sayal-Bennett, Alia Hamaoui, and Raheel Khan at Palmer Gallery in London, read my article in gowithYamo:. gowithyamo.com/blog/palmer-gallery-maryleboneFor more science fiction and sci-fi films, hear Tanoa Sasraku on her series of Terratypes (2022-Now) at the Royal Albert Memorial Museum (RAMM) in Exeter: pod.link/1533637675/episode/3083096d6354376421721cfbb49d0ba7For more from Invasion Ecology (2024), co-curated by Jelena Sofronijevic for Radical Ecology, and Vashti Cassinelli at Southcombe Barn, an arts space and gardens on Dartmoor, visit: ⁠⁠⁠⁠radicalecology.earth/events/invasion-ecology-exhibition⁠⁠⁠⁠ and instagram.com/p/C7lYcigovSNPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠⁠instagram.com/empirelinespodcast⁠⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠⁠patreon.com/empirelines

Die Irin Eileen Gray war Anfang des 20. Jahrhunderts eine der bemerkenswertesten Frauen überhaupt: erst gefeierte Möbeldesignerin, dann Architektin. Ihr Debut-Haus E-1027 erregte viel Aufmerksamkeit, auch bei anderen zeitgenössischen Architekten wie Le Corbusier. Wie der sich schließlich in ihrem Haus selbst verewigte, warum sie das als Vergewaltigung empfand und was du heute hier sehen kannst: Das erzählen dir Kathrin Sander und Inka Schmeling, die beiden Gründerinnen der Reise-Plattform plazy.travel, in dieser Episode wie immer in unter 10 Minuten.

Le Corbusier: biografia e opere di uno degli architetti più famosi del Novecento con approfondimento su villa Savoye e sulle sue teorie riguardo l'architettura.

Uma exposição em Paris reúne obras de artistas brasileiros traçando um paralelo da arte nacional e da arquitetura modernista no Brasil com o arquiteto e urbanista franco-suíço Le Corbusier. A mostra "Aberto" está em sua quarta edição e acontece fora do país pela primeira vez, numa proposta cultural que integra as ações da Temporada França-Brasil 2025. "Aberto" 4 está em cartaz na Maison La Roche, no 16º arrondissement de Paris. Cerca de 35 obras estão expostas na casa de Le Corbusier, um prédio tombado como Patrimônio Mundial da Unesco, e que foi idealizada pelo próprio arquiteto.Filipe Assis, fundador do projeto, diz que teve a ideia de unir arte e arquitetura. “Escolhemos a casa do Le Corbusier, e esta não é qualquer casa, mas uma das mais importantes da produção dele como arquiteto. E por ele ter essa relação rica com o Brasil, contamos aqui um pouco da história da arquitetura brasileira, da relação que Corbusier teve com Lúcio Costa, com Oscar Niemeyer e a influência que ele teve posteriormente na arte brasileira”, contou, já adiantando que o plano é levar o projeto para outros países.“Geralmente a gente tem um núcleo em torno da figura do arquiteto que projetou a casa que estamos ocupando", explica Kiki Mazzucchelli, uma das curadoras da exposição. "Em cada uma das edições tivemos sessões um pouco mais biográficas, que contavam um pouco da história da casa e do arquiteto. E aqui não foi diferente”, detalhou.Arte e arquitetura integradasA curadora comentou que houve um trabalho minucioso para integrar a arte aos espaços existentes. “Quando fazemos a curadoria do 'Aberto', pensamos muito no espaço. Como usamos espaços inusitados, que não são feitos para serem expositivos, levamos muito em consideração a arquitetura. O que temos aqui nessa exposição da Maison La Roche é uma grande mistura. Então, na grande galeria do monsieur La Roche, que era um grande colecionador, e que tinha as próprias obras expostas nesse espaço, fizemos uma seleção de obras de artistas históricos, ligados ao concretismo e ao neoconcretismo. Mas a maioria das obras contemporâneas foi de obras comissionadas, ou seja, foram diálogos com cada artista que respondeu a algum aspecto da prática do Le Corbusier", conta. "Alguns optaram por dialogar com as cores que ele escolheu para essa casa, outros com o pensamento da arquitetura moderna que ele introduziu no Brasil. Enfim, são vários olhares distintos em relação a essa figura do Le Corbusier, menos como uma grande influência, mas mais com a criação de diálogos com essa obra vasta, que perpassa a arquitetura e a arte”, disse. Le Corbusier e o BrasilLauro Cavalcanti é pesquisador e especialista nas obras de Le Corbusier e de Lúcio Costa, tendo escrito três livros sobre as ligações do arquiteto francês com o Brasil. Ele, que também integra o grupo de curadores da mostra, conta que a relação de Le Corbusier com o país se deu ao longo de toda sua vida e que foi muito importante também para um outro grande nome da arquitetura brasileira.“Nos anos 20, Le Corbusier percorreu a América do Sul fazendo conferências, nessa ocasião fez um esboço de um plano de cidade para o Rio e se apaixonou. Sete anos depois, Lúcio Costa, a quem tinha sido encomendado o Ministério da Educação (atual Edifício Gustavo Capanema, no Rio de Janeiro), chamou Le Corbusier para ser consultor. E junto a uma equipe de jovens arquitetos brasileiros, eles fizeram esse prédio que entrou para a história da arquitetura mundial. E a solução final foi dada por Oscar Niemeyer.  Então, Le Corbusier deu ao Brasil muito, recebeu muito também, porque foi a oportunidade dele provar que não era só um teórico. Mas ainda nos deu Oscar Niemeyrer, porque ele se revelou em um trabalho com ele. Ninguém achava que Niemeyer fosse o gênio que foi”, contou.Do Paraná para a EuropaUm dos artistas a expor na "Aberto", Sidival Fila falou sobre a importância da experiência, a primeira vez em que participa de uma exposição coletiva com grandes artistas brasileiros. Ele, que trabalha com tecidos antigos, é de Arapongas, no Paraná, mas vive e atua em um convento de irmãos franciscanos em Roma, na Itália, há 20 anos.“Meu trabalho é criar essas formas internas construindo e reconstruindo a superfície e elaborando uma imagem, criando a tridimensionalidade, volume, luz, integração entre fios e fundo”, explicou ele, monstrando um quadro comporto por um tecido em seda, feito à mão, datando de meados de 1800, um material "raro e precioso", ressalta. A "Aberto 4", na Maison La Roche, fica em cartaz até o dia 8 de junho e os ingressos, que custam €10, podem ser adquiridos diretamente na entrada da instituição. 

Le Corbusier's Unité d'habitation in Marseille remains one of the most polarising architectural landmarks of the 20th century. A bold experiment in modernist housing, it envisioned a radical new way of urban living, one that was both efficient and communal. While celebrated by many architects for its innovation, it has also faced criticism for disregarding the social and cultural complexities of real cities.In this episode of Light Cities Architecture, writer and editor Justine Costigan and practising architect Antony DiMase delve into the legacy, mythology, and reality of this Brutalist icon. Was it a revolutionary step forward, or an idealistic vision that fell short? And, given the choice, would either of them choose to live there? Tune in to find out.Links:Fondation Le Corbusier https://www.fondationlecorbusier.fr/en/Unité d'Habitation tours https://www.marseille-tourisme.com/en/discover-marseille/culture-heritage/discover-the-sites-and-monuments-in-marseille/cite-radieuse-of-le-corbusier/Instagram: @lightscitiesarchitectureLinkedIn:https://www.linkedin.com/in/justine-costigan/https://www.linkedin.com/in/antony-dimase/Credits:Editor: Suzanne McLeodThis episode was recorded at Image online, Abbotsford, Australia.

Le brutalisme est un mouvement architectural.Le terme "brutalisme" vient du français béton brut, utilisé par l'architecte suisse Le Corbusier pour décrire l'aspect brut du béton après décoffrage. C'est dans les années 1950 que le mouvement prend son essor avec les architectes Alison et Peter Smithson, qui revendiquent une architecture honnête, où les matériaux et la structure ne sont pas dissimulés sous des finitions décoratives.Dans les années 1960 et 1970, le brutalisme devient un style dominant, notamment pour les bâtiments publics (universités, mairies, bibliothèques) et les logements sociaux. Son influence s'étend à travers le monde, particulièrement en Grande-Bretagne, en France, en Union soviétique et aux États-Unis.Principales caractéristiques du brutalisme1. Béton brut exposé : Pas d'enduit, pas de peinture, les bâtiments affichent directement la texture du béton. 2. Formes massives et angulaires : L'architecture brutaliste privilégie des volumes imposants, des lignes droites et des structures souvent monolithiques. 3. Matériaux apparents : Outre le béton, on trouve de la brique, de l'acier et du verre, laissés à l'état brut. 4. Fonctionnalité et minimalisme : Les bâtiments sont conçus pour répondre à un usage précis, sans ornementation superflue. 5. Expression de la structure : Les éléments architecturaux (escaliers, piliers, poutres) sont volontairement exposés et mis en avant. Exemples emblématiquesLa Cité radieuse (1947-1952, Marseille) de Le Corbusier Le Barbican Estate (1965-1976, Londres) La Bourse du Travail (1972, Bobigny) Le siège du Parti communiste français (1971, Paris) par Oscar Niemeyer Déclin et renouveauDans les années 1980, le brutalisme est critiqué pour son aspect froid et oppressant. Beaucoup d'édifices brutalistes sont détruits ou délaissés. Pourtant, depuis les années 2010, il connaît un regain d'intérêt, notamment dans l'art contemporain et le design urbain, où son esthétique radicale inspire de nouveaux projets.Aujourd'hui, le brutalisme est reconnu comme un courant architectural majeur du XXe siècle, apprécié pour son audace et sa force expressive. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Join Keri Smith and Mystery Chris for a LIVE #PoppedCulture on Wednesday, August 17th, 2022 at 8pm CDT as we try to walk through a history of the worst of the worst in architecture. We'll touch on Modernism, New International Style, Le Corbusier, the Bauhaus school, Futurist and Fascist architecture, Post-Modernist architecture and even Batman and Gotham City.

Il Brutalismo è tornato sotto i riflettori grazie al film The Brutalist, candidato a ben 10 premi Oscar. Ma cosa rende così iconico questo stile architettonico? Nato nel secondo dopoguerra in Inghilterra, il Brutalismo è caratterizzato dall'uso del calcestruzzo a vista e da forme geometriche imponenti, spesso percepite come "pesanti" o grezze. In questo video esploriamo la storia di questa corrente, le sue origini con Le Corbusier e il concetto di Béton Brut, fino a chiederci: ha davvero senso, dal punto di vista strutturale, realizzare edifici di questo tipo? Abbonati per supportare il nostro progetto Missione Cultura e diventare mecenate di Geopop: https://geopop.it/Muh6X Learn more about your ad choices. Visit megaphone.fm/adchoices

Faye Toogood is perhaps best known for her Roly-Poly chair, among the more famous pieces of furniture to come out of the 2010s and take over the zeitgeist, but the London-based designer's artistry and craft runs much deeper and spans much wider. She began finding, collecting, cataloging, producing, and editing her “assemblages” long before she ever had a name for them, and her design career has been marked by exactly that, beginning with the debut of Assemblage 1 (2010) and through to her latest, Assemblage 8: Palette (2024). On the whole, Toogood's creations serve as material investigations and discipline-defying attempts to better understand herself. Without formal training in design, Toogood—who was the Designer of the Year at the Maison&Objet design fair in Paris this past January and the Stockholm Furniture Fair's Guest of Honor in February—uses what she describes as the feeling of being “a fraud in the room” to her advantage. Through her work, she is an enigma; with projects across furniture, interiors, fashion, and homewares, she's unwilling to be defined by a single output and has instead built a multilayered practice and belief system that allows her to be “all heart and hands.” On this week's Time Sensitive—our debut of Season 11—Toogood talks about the acts of creation and connection, and how each underscores the enduring play that's ever-present in her work.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Faye ToogoodToogood[3:49] Assemblage 1[7:43] Assemblage 7[13:28] Seamus Heaney[14:50] Isamu Noguchi[14:50] Kan Yasuda[17:23] Roly-Poly chair[18:06] Rachel Whiteread[20:07] Barbara Hepworth Museum and Sculpture Garden[22:45] Matisse Chapel[25:40] “Ways of Seeing”[29:57] “Womanifesto!”[36:55] Assemblage 8[52:17] “The World of Interiors”

This week David and Marina of FAME Architecture & Design discuss David's 3 favorite buildings. The two touched on the Ronchamp Chapel; the emotional impact of architecture; Le Corbusier's architecture; The Eiffel Tower; the difference between a building, sculpture, and monument; the Taliesin West Building; the Bird Nest; craftsmanship and experimentation in architecture; and more. This episode is supported by Integrated Projects • Autodesk Forma & Autodesk Insight • Programa • Learn more about BQE CORE SUBSCRIBE  • Apple Podcasts  • YouTube  • Spotify CONNECT  • Website: www.secondstudiopod.com • Office  • Instagram • Facebook  • Call or text questions to 213-222-6950 SUPPORT Leave a review  EPISODE CATEGORIES  •  Interviews: Interviews with industry leaders.  •  Project Companion: Informative talks for clients.    •  Fellow Designer: Tips for designers.  •  After Hours: Casual conversations about everyday life. •  Design Reviews: Reviews of creative projects and buildings. The views, opinions, or beliefs expressed by Sponsee or Sponsee's guests on the Sponsored Podcast Episodes do not reflect the view, opinions, or beliefs of Sponsor.

La Grande-Motte est une station balnéaire française créée par l'architecte Jean Balladur. Il existe, dans le monde 3 villes entièrement dessinées par un architecte : Chandīgarh de Le Corbusier, Brasilia d'Oscar Niemeyer et La Grande-Motte… Cette ville est donc l'un des projets touristiques et urbanistiques les plus importants réalisés en France et en Europe à cette période. Pour en parler, Johanne Dussez s'entretient avec Gilles Ragot, historien de l'art, spécialiste de l'architecture contemporaine et auteur du livre " La grande Motte, patrimoine du XXe siècle " aux éditions El Viso. Sujets traités : La Grande-Motte, station, balnéaire, Jean Balladur, architecte, Le Corbusier, Oscar Niemeyer Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

La Grande-Motte est une station balnéaire française créée par lʹarchitecte Jean Balladur. Il existe, dans le monde, 3 villes entièrement dessinées par un architecte : Chandigard de Le Corbusier, Brasilia dʹOscar Niemeyer et La Grande-Motte…  Cette ville est donc lʹun des projets touristiques et urbanistiques les plus importants réalisés en France et en Europe à cette période. Pour en parler, Johanne Dussez sʹentretient avec Gilles Ragot, historien de l'art, spécialiste de l'architecture contemporaine et auteur du livre " La grande Motte, patrimoine du XXe siècle " éditions El Viso

(00:00) In der Stadt Luzern steht das Luzerner Theater vor einer ungewissen Zukunft. Die Stimmberechtigten haben gestern einen Sonderkredit von knapp 14 Millionen Franken deutlich abgelehnt. Mit diesem Geld hätte ein neues Theater gebaut werden sollen. Daraus wird nun nichts. (04:41) Bunt, glitzernd und voller Leidenschaft: Barrie Kosky zeigt am Opernhaus Zürich Puccinis «Manon Lescaut» - unser Kritiker ist begeistert. (10:21) Was war zuerst. Huhn oder Ei? Ein Forscher der Uni Genf will das Rätsel gelöst haben. (14:35) Architektur als Experiment: Das Zentrum Paul Klee in Bern würdigt Le Corbusier und beleuchtet auch kritische Aspekte seines Schaffens. (19:00) Rettungsaktion aus dem Ghetto in Theresienstadt – wie vor 80 Jahren 1200 jüdische Häftlinge in die Schweiz kamen. (23:40) 1200 Jahre alt und Millionen wert: Das Museée jurassien d'art et d'histoire in Delémont zeigt die kostbare Bibel von Moutier-Grandval, die zwischenzeitlich auf einem Dachboden schlummerte.

Gampert, Christian www.deutschlandfunk.de, Kultur heute

In this episode, we talk about early AEC exposure to high school students with a discussion of the ACE Mentorship Program. We share personal experiences and insights from mentoring high school students, talk about the program's value in exposing young minds to architecture, construction, and engineering. The conversation covers the challenges and rewards of volunteering, the importance of communication in teamwork, and how practical exercises can simulate real-world architectural practice.Additionally, we have a bit of follow up on the Le Corbusier conversation from the last episode and the complexities of his legacy. This episode is a must-see for anyone passionate about architecture education and youth mentorship.Episode Links:Pierre Jeanneret - Corbu's cousinModern Man by Anthony Flintaskarchispeak.com - our new Q&A websiteACE Mentor Program websiteEpisode Sponsor - TimberTechDiscover how TimberTech is redefining synthetic decking with precision-engineered materials that balance enduring aesthetics with superior performance and sustainability. TimberTech's advanced technologies replicate natural wood's allure while minimizing maintenance and environmental impact. Request samples, read case studies or download our architectural white paper here.-----Thank you for listening to Archispeak. For more episodes please visit https://archispeakpodcast.com.Support Archispeak by making a donation.

Chandigarh is the shared capital city of the Indian states of Punjab and Haryana, built under the leadership of modernist and brutalist architect Le Corbusier, as an emblem of the postcolonial Indian nation state as visualized by the first Indian prime minister Jawaharlal Nehru. It was a repudiation of the imperialist architectural style, and for Le Corbusier a personal revenge project after his dissatisfactions with how he was treated during his planning for the United Nations building in New York. Vikramaditya Parakash says that it is a misconception that Chandigarh was built as a blueprint for a future utopia, when in fact it was built as a city where multiple ideas of futurity are put into play. Dr. Vikramaditya Prakash (B.Arch, MA, Phd) works on modernism, postcoloniality and global history. Recent books include One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash and Le Corbusier's Chandigarh Revisited: Preservation as Future Modernism. An ACSA Distinguished Professor, Vikram teaches at University of Washington, Seattle, is host of the ArchitectureTalk podcast, and co-design lead of O(U)R: Office of (Un)certainty Research. Image: © 2025 Saronik Bosu. An interpretation of the Gandhi Bhawan at Punjab University, Chandigarh. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Chandigarh is the shared capital city of the Indian states of Punjab and Haryana, built under the leadership of modernist and brutalist architect Le Corbusier, as an emblem of the postcolonial Indian nation state as visualized by the first Indian prime minister Jawaharlal Nehru. It was a repudiation of the imperialist architectural style, and for Le Corbusier a personal revenge project after his dissatisfactions with how he was treated during his planning for the United Nations building in New York. Vikramaditya Parakash says that it is a misconception that Chandigarh was built as a blueprint for a future utopia, when in fact it was built as a city where multiple ideas of futurity are put into play. Dr. Vikramaditya Prakash (B.Arch, MA, Phd) works on modernism, postcoloniality and global history. Recent books include One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash and Le Corbusier's Chandigarh Revisited: Preservation as Future Modernism. An ACSA Distinguished Professor, Vikram teaches at University of Washington, Seattle, is host of the ArchitectureTalk podcast, and co-design lead of O(U)R: Office of (Un)certainty Research. Image: © 2025 Saronik Bosu. An interpretation of the Gandhi Bhawan at Punjab University, Chandigarh. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Chandigarh is the shared capital city of the Indian states of Punjab and Haryana, built under the leadership of modernist and brutalist architect Le Corbusier, as an emblem of the postcolonial Indian nation state as visualized by the first Indian prime minister Jawaharlal Nehru. It was a repudiation of the imperialist architectural style, and for Le Corbusier a personal revenge project after his dissatisfactions with how he was treated during his planning for the United Nations building in New York. Vikramaditya Parakash says that it is a misconception that Chandigarh was built as a blueprint for a future utopia, when in fact it was built as a city where multiple ideas of futurity are put into play. Dr. Vikramaditya Prakash (B.Arch, MA, Phd) works on modernism, postcoloniality and global history. Recent books include One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash and Le Corbusier's Chandigarh Revisited: Preservation as Future Modernism. An ACSA Distinguished Professor, Vikram teaches at University of Washington, Seattle, is host of the ArchitectureTalk podcast, and co-design lead of O(U)R: Office of (Un)certainty Research. Image: © 2025 Saronik Bosu. An interpretation of the Gandhi Bhawan at Punjab University, Chandigarh. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Chandigarh is the shared capital city of the Indian states of Punjab and Haryana, built under the leadership of modernist and brutalist architect Le Corbusier, as an emblem of the postcolonial Indian nation state as visualized by the first Indian prime minister Jawaharlal Nehru. It was a repudiation of the imperialist architectural style, and for Le Corbusier a personal revenge project after his dissatisfactions with how he was treated during his planning for the United Nations building in New York. Vikramaditya Parakash says that it is a misconception that Chandigarh was built as a blueprint for a future utopia, when in fact it was built as a city where multiple ideas of futurity are put into play. Dr. Vikramaditya Prakash (B.Arch, MA, Phd) works on modernism, postcoloniality and global history. Recent books include One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash and Le Corbusier's Chandigarh Revisited: Preservation as Future Modernism. An ACSA Distinguished Professor, Vikram teaches at University of Washington, Seattle, is host of the ArchitectureTalk podcast, and co-design lead of O(U)R: Office of (Un)certainty Research. Image: © 2025 Saronik Bosu. An interpretation of the Gandhi Bhawan at Punjab University, Chandigarh. Learn more about your ad choices. Visit megaphone.fm/adchoices

Clever Confidential is Clever's offshoot series, where we dig into the darker side of design - the shadowy, sometimes sordid tales hiding under a glossy topcoat of respectable legacy.In Ep. 5 we explore the haunting tale of E-1027, an architectural masterpiece born of love but marred by betrayal, obsession, and tragedy. From its creation by Eileen Gray to its desecration by Le Corbusier, and its descent into decadence during World War II, this house has borne witness to some of humanity's darkest and most beautiful moments. Hosts Amy Devers and Andrew Wagner uncover the secrets etched into its walls and the spirits that linger within.Many thanks to this episode's guest expert Anthony Flint, author of Modern Man: The Life of Le Corbusier, Architect of Tomorrow and host of the Land Matters podcast.Special thanks to our sponsor, Porkbun! Go to https://porkbun.com/CleverBun to get a .PRO domain for only $1 for the first year with promo code DIGITALPRO at Porkbun!See images and read the transcript!Please help us out by completing a short LISTENER SURVEYHead to cleverpodcast.com for over 200+ more episodes of Clever, and the 4 previous episodes of Clever Confidential.Subscribe to our substack newsletter for updates, bonus content, and new episode alerts.Please say Hi on social! X, Instagram, Linkedin and Facebook - @CleverPodcast, @amydeversIf you enjoy Clever Confidential we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Credits: Hosts: Amy Devers & Andrew WagnerWriting and research: Amy Devers, Andrew Wagner, Ilana NevinsGuests: Anthony FlintEditing and Sound Design: Mark ZurawinskiTheme Music: “Astronomy” by Thin White Rope courtesy of Frontier RecordsLogo design: Laura Jaramillo remixed by Graham HauserProduction: Devers Endeavors Hosted on Acast. See acast.com/privacy for more information.

Během druhé světové války v ní sídlili nacisté a pak i osvobozenecké americké jednotky. Později funkcionalistická vila Savoye ve francouzském městě Poissy sloužila jako skladiště a nakonec měla být srovnána se zemí. Autorem slavné stavby přitom není nikdo jiný než světoznámý Le Corbusier. Vlna protestů ale nakonec vilu zachránila a dnes je jednou z nejlepších ukázek moderní architektury vůbec. Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

In this episode, we discuss Cormac's excitement about the Detroit Lions making the playoffs and explore the significant transformation happening in Detroit. We examine how the city's struggles have led to a new era of development and restoration. The main focus of our conversation centers on Le Corbusier and the often-overlooked contributions of his cousin Pierre Jeanneret, who helped make Corb's innovative designs technically feasible. We also announce our new Q&A website, askarchispeak.com, where listeners can submit questions for future episodes.Episode Links:Announcing askarchispeak.com - our new Q&A websiteModern Man by Anthony FlintPierre Jeanneret - Corb's cousinThe Image of the City by Kevin LynchA Pattern Language by Christopher AlexanderThe Timeless Way of Building by Christopher Alexander250 Things Architects Should Know by Michael SorkinPhilip Johnson's Glass HouseEpisode Sponsor - TimberTechDiscover how TimberTech is redefining synthetic decking with precision-engineered materials that balance enduring aesthetics with superior performance and sustainability. TimberTech's advanced technologies replicate natural wood's allure while minimizing maintenance and environmental impact. Request samples, read case studies or download our architectural white paper here.-----Thank you for listening to Archispeak. For more episodes please visit https://archispeakpodcast.com.Support Archispeak by making a donation.

durée : 00:47:29 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires sensibles « Le Corbusier, fasciste ! » - réalisé par : Stéphane COSME

Si les grands ensembles et les quartiers populaires étaient autrefois synonymes de progrès et de modernité, à l'image des cités radieuses conçues par Le Corbusier, ils ont vu depuis quelques décennies leur image s'effondrer dans notre imaginaire collectif.Pour tenter de changer la donne, les pouvoirs publics, par la voix d'Emmanuel Macron, ont annoncé une consultation architecturale d'envergure baptisée "Quartiers de demain". Dans dix quartiers dits prioritaires, les cabinets les plus prestigieux s'affronteront tout au long de l'année dans un concours d'architectes afin de proposer 10 nouvelles cités radieuses.Mais avant de suivre ce concours au fil des mois à venir, Thomas Rozec, accompagné de Marie-Christine Jaillet, géographe et sociologue, et de Renaud Epstein, sociologue, a tenté de comprendre le désamour qu'ont vécu les quartiers populaires.Merci à L'Europe des Projets Architecturaux et Urbains (EPAU) avec qui nous avons fabriqué cet épisode.Programme B est un podcast de Binge Audio présenté par Thomas Rozec. Réalisation : Clément Morel. Production et édition : Charlotte Baix. Générique : François Clos et Thibault Lefranc. Identité sonore Binge Audio : Jean-Benoît Dunckel (musique) et Bonnie El Bokeili (voix). Identité graphique : Sébastien Brothier et Thomas Steffen (Upian). Direction des programmes : Joël Ronez.

In this episode, I sit down with Nicholas Fox Weber, art historian and Executive Director of the Josef and Anni Albers Foundation. He is also the author of fifteen books, among them iBauhaus, Le Corbusier, Balthus: A Biography, and Patron Saints. Weber is a gradu­ate of Colum­bia Col­lege (B.A., major in Art History), Yale Uni­ver­sity (M.A., Art History; Fellowship in American Art), and the University of Groningen (PhD).  He lives in Connecticut, Paris, and Ireland. Despite all his professional accomplishments, Nick's heart is focused on his humanitarian work in Senegal. Nick is the founder of Le Korsa, a not-for-profit organization in Senegal. I admire Nick so much. We all see things in life that we wish we could change or people that we'd like to help – yet we are all so busy with our own lives that it is the rare among us that does something – Nick is one of those people. After a trip to Senegal with a Parisian doctor about twenty years ago, Nick saw communities that needed access to health care, education, and basic amenities. Ever since, Nick has worked tirelessly to support clinics, schools, and other life-saving initiatives in Senegal through Le Korsa.     My son John and I visited Senegal in February of 2023, and we witnessed Nick's incredible work firsthand. Every bit of resources directed toward Le Korsa make such an impact. Donations to Le Korsa go directly to projects in Senegal, from digging wells to buying academic supplies to helping patients receive medical care. In this conversation, Nick and I discuss his work in Senegal, how and why he got started, and about his spectacular and purposeful life as an art historian, author, and humanitarian. This episode is just the kind of inspiration that is so fitting this holiday season! To learn more about Le Korsa, visit https://www.aflk.org/ If you enjoy the show, please rate and review. Be sure to follow us on Instagram @TheInterviewWithLeslie. A new podcast is released every Wednesday.

Graham Arrowsmith visited India with his wife, Dawn, in November 2024. This podcast recollects the experience and discusses MeclabsAI's Customer-Facing Devices.Summary of PodcastThis podcast discusses Graham's trip to India and explores applications of MeclabsAI, particularly Customer-Facing Devices (CFDs).Key TakeawaysGraham visited India, observing stark contrasts in urban development, pollution, and economic growth.Through CFDs, MeclabsAI offers powerful marketing, data analysis, and customer interaction capabilities.The technology has potential applications in finance, due diligence, and enhancing customer experiences.Security and data privacy are prioritised in MeclabsAI's approach, addressing concerns about data usage.India Trip ObservationsDelhi: Estimated 35 million population, severe smog issues impacting healthChandigarh: Planned city by Le Corbusier, more organised than other Indian citiesTraffic: Chaotic, with various vehicles weaving through lanes.Economic contrast: Educated professionals alongside significant poverty in slums.Growth: India is recognised as one of the fastest-growing economies globally.MeclabsAI CapabilitiesCustomer Facing Devices (CFDs): Advanced AI agents that can replace traditional chatbots.Data analysis: Can process financial reports, identify trends, and provide insights.Content creation: Ability to generate podcasts, articles, and marketing materials.Personalisation: Can create tailored experiences for customers, e.g., in jewellery shoppingIntegration: Potential to replace or enhance existing website functionalities.Business ApplicationsDue diligence: Analysing pitch decks and financial data for investors.Finance presentations: Improving how financial data is communicated to non-finance audiences.Marketing optimisation: Leveraging 30 years of marketing research to enhance conversions.Lead generation: Creating engaging user journeys that capture customer information effectively.Technical AspectsSecurity: Emphasis on data privacy and secure handling of uploaded information.Customisation: It is easy to add proprietary information to create tailored AI libraries.Ongoing development: Regular updates and improvements to the system's capabilitiesThe Next 100 Days Podcast Co-HostsGraham ArrowsmithGraham founded Finely Fettled ten years ago to help business owners and marketers market to affluent and high-net-worth customers. MicroMailings is his new low-risk, done-for-you marketing solution for companies seeking high-net-worth leads. He is also the founder of MicroYES, a Partner for MeclabsAI, which combines the world's biggest source of 10,000 marketing experiments with AI. Find Graham on LinkedIn.Kevin ApplebyKevin specialises in finance transformation and implementing business change. He's the COO of GrowCFO, providing community and CPD-accredited training designed to grow the next generation of finance leaders. You can find Kevin on LinkedIn and at

Clever Confidential is Clever's offshoot series, where we dig into the darker side of design - the shadowy, sometimes sordid tales hiding under a glossy topcoat of respectable legacy.In Ep. 5 we explore the haunting tale of E-1027, an architectural masterpiece born of love but marred by betrayal, obsession, and tragedy. From its creation by Eileen Gray to its desecration by Le Corbusier, and its descent into decadence during World War II, this house has borne witness to some of humanity's darkest and most beautiful moments. Hosts Amy Devers and Andrew Wagner uncover the secrets etched into its walls and the spirits that linger within.Many thanks to this episode's guest expert Anthony Flint, author of Modern Man: The Life of Le Corbusier, Architect of Tomorrow and host of the Land Matters podcast.See images and read the transcript!Please help us out by completing a short LISTENER SURVEYHead to cleverpodcast.com for over 200+ more episodes of Clever, and the 4 previous episodes of Clever Confidential.Subscribe to our substack newsletter for updates, bonus content, and new episode alerts.Please say Hi on social! X, Instagram, Linkedin and Facebook - @CleverPodcast, @amydeversIf you enjoy Clever Confidential we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you! Hosted on Acast. See acast.com/privacy for more information.

Architectural Assistant Mair Hughes, talks to James about the gatekeeping of architectural history and standardisation of the curriculum at the end of the 19th century, castles and cathedrals with dubious origin dates, Le Corbusier and all manner of shocking architectural myths. ↓ ↓ ↓ Here is the link for this week's product https://nutrahealth365.com/product/libido-boost/ ↓ ↓ ↓ Buy James a Coffee at: https://www.buymeacoffee.com/jamesdelingpole The official website of James Delingpole: https://jamesdelingpole.co.uk x

An original production by ⁠⁠⁠⁠⁠⁠per se⁠⁠⁠⁠⁠⁠. John Pawson: architect, author. We talk: the non-linear nature of one's life path; early influences; the Yorkshire Moors; crafting less with more feeling; how to bring architecture to life; the power of communicating through words; maintaining professional consistency; Le Corbusier and so much more. Thank you for spending time in this Isle of Contemplation. H #thearchitectureofcontemplation Support: ⁠⁠⁠⁠⁠https://www.patreon.com/hkaur⁠⁠⁠⁠⁠⁠ John's Links: https://www.johnpawson.com/ H Links:  ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/perse.london/⁠⁠⁠⁠⁠⁠⁠ Audio Producer + Original Soundscape, Ivan d'Avoine: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/ivandavoine/⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://twitter.com/ivandavoine⁠⁠⁠⁠⁠

Learn about the life of self-taught architect Eileen Gray, whose groundbreaking modernist designs faced vandalism, loss, and ultimate rediscovery, with reflections from guest architect Emily Farnham._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Documentary — Gray Matters: Architect and Designer Eileen Gray (2014)Book — Eileen Gray: Her Life and Work by Peter AdamBook — Eileen Gray: Design and Architecture 1878–1976 by Philippe Garner (Taschen)About EileenEileen Gray (1878–1976) was a groundbreaking designer and architect whose work pioneered modernism in the 20th century. Originally born in Ireland, she spent her career in France, becoming a self-taught architect and an innovator in furniture design. She's known for blending functionality with bold, avant-garde aesthetics. Her early career began with mastering lacquer work, a craft she honed despite its physical challenges, and she became a leading figure in Art Deco. Gray's most iconic work is the E-1027 house, a modernist masterpiece designed with meticulous attention to detail and human-centered design principles. Despite her contributions, her achievements were often overshadowed by her male contemporaries, including the controversial vandalism of her work by Le Corbusier. Gray's designs, like the Bibendum Chair, the E-1027 table and her modular lacquer screens, continue to inspire today. Rediscovered in her later years, she is now celebrated as a trailblazer who forged her own path, proving that vision and resilience can leave a lasting mark on the world of design. About EmilyEmily Farnham is the founder of Emily Farnham Architecture, a Los Angeles-based practice known for its innovative and holistic approach to residential design. With an impressive career that spans architecture, interiors, and custom design, Emily's projects balance aesthetics, function, and personalization. She holds a Master of Architecture degree from Harvard's Graduate School of Design and a Bachelor of Science in Architecture from the University of Virginia's School of Architecture. Before establishing her practice in 2014, Emily honed her skills at several leading design firms in Los Angeles, New York, Boston, and San Francisco. This diverse background equipped her with the expertise to tackle projects of varying scales and complexities, from residential spaces to large-scale civic and educational buildings. Emily is a licensed architect in California and a LEED-accredited professional, known for her meticulous attention to detail and deep understanding of the construction process.Follow Emily:Instagram: @emilyfarnhamarchitectureWebsite: emilyfarnham.com  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Learn the untold story of architect and furniture designer, Charlotte Perriand, whose innovative designs and fearless independence reshaped modern interiors, with insights from special guest Adi Goodrich, spatial designer, who reflects on how Charlotte's legacy continues to inspire today's designers._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:The Guardian ArticleCharlotte Perriand Autobiography “A Life of Creation”Book: Living with Charlotte Perriand by Francois Laffanour and Cynthia FleuryBook: Charlotte Perriand: The Modern Life by Justin McGuirkBook: Charlotte Perriand: Inventing a New World (Published by the Foundation of Louis Vuitton)About CharlotteCharlotte Perriand was a visionary French designer and architect whose contributions to modernist design reshaped how we think about furniture and interior spaces. In 1927, after famously being dismissed by Le Corbusier with the remark, "We don't embroider cushions here," she eventually joined his studio and co-designed iconic pieces like the LC4 Chaise Longue and LC2 armchair.Though these collaborations are what she is most known for, Perriand's career extended far beyond them. She designed the modular Nuage Bookshelf and minimalist Tokyo Bench, blending functionality with clean, modernist aesthetics. Perriand was also integral to larger architectural projects like the Unité d'Habitation, where she introduced multifunctional interiors, and the Les Arcs Ski Resort, where her modular furniture designs embraced the natural environment. About AdiAdi Goodrich is a Los Angeles-based multidisciplinary designer known for her vibrant and imaginative approach to Environmental design, Interiors, and furniture. Growing up in Chicago, she was heavily influenced by her father's work in architectural and furniture restoration, which fostered her love for craftsmanship from a young age. Adi studied at the School of the Art Institute of Chicago and La Sorbonne in Paris, where she explored various disciplines including painting and art history.Goodrich first gained attention working on window displays for Barneys New York and Anthropologie, which led to a flourishing career in set design for films, commercials, and photoshoots. Adi is Co-founder of Sing-Sing Studio, a creative practice she shares with her partner, filmmaker, Sean Pecknold where they have worked with major brands such as Apple, Google, Nike, Target, and more, bringing a unique blend of storytelling and design to each project. Adi also launched her own furniture line, in 2022 called "Sing-Thing." Her work is characterized by a bold use of color, materials, and a focus on creating spaces that are narratively driven. Learn more about Adi's design approach and career on Episode 22 of the podcast. Follow Adiadigoodrich.com@adigoodrichsing-sing.co@singsingstudio   ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Francis Ford Coppola's epic Megalopolis is finally here! Clearly a work of a visionary artist the film divided TFT hosts Higgins and Loe more than most any other picture in the show's multi-decade history. In this episode Le Corbusier and Calder are referenced, as are All the Pretty Horses, Gangs of New York, the need for narrative coherence and so much more. Enjoy. Subscribe on Patreon Apple - The Film Talk Spotify - The Film Talk Facebook.com/TheFilmTalk To contact Jett and Gareth go to: info@thefilmtalk.com Or leave a voicemail message at: Speakpipe.com/TheFilmTalk To see on Threads what Jett is getting up to: Threads.net/@jett_loe

Seen from above, Sofia, Bulgaria, looks less like a city and more like a forest. Large "interblock park" green spaces between big apartment structures are a defining characteristic of the city. They're not so much "parks" in the formal sense, with fences and gates, just open green areas growing up in interstitial spaces left behind.But as green as it still looks today, Sofia used to be even greener.  Since the fall of Bulgarian communism in the late 1980s, Sofia has lost more than half of its green space. To understand why, one has to look back to the founding of the city in the Soviet era.Between the Blocks