Podcast appearances and mentions of norman foster

Jaume Segalés habla de "The White Castle" de la editorial Devir y la sesión de cine está dedicada a Rachel y el forastero."The White Castle" de la editorial Devir En numerosas ocasiones hemos hablado del sector editorial, entrevistado a escritores, exponiendo los detalles de las ferias… Pero hay un ámbito de este mundo generalmente menos conocido: el de los juegos de mesa. Vamos a hablar de ello porque una pareja madrileña ha creado recientemente uno de los mejores del mundo. Se trata de "The White Castle", el primer juego de mesa español en entrar en la selección de los 100 mejores juegos de la historia en la plataforma BoardGameGeek, la más influyente y respetada en la comunidad global de juegos de mesa. Editado y publicado por la editorial Devir, célebre por publicar absolutos éxitos como "Catan" o "Carcassonne", ha sido desarrollado conjuntamente por el tándem de creadores madrileños, Isra C. y Shei S. "The White Castle" es un juego de tipo eurogame en el que los jugadores controlan un clan en un majestuoso castillo con una ambientación basada en el Japón feudal. Con mecánicas de gestión de recursos, colocación de trabajadores y dados, el juego ofrece una experiencia estratégica por rondas en las que tomar decisiones clave en diversas zonas. Además, ha ganado otros galardones internacionales como el Mejor Juego Experto en los prestigiosos premios Guldbrikken, en Dinamarca, o el Meeples Choice 2023, un reconocimiento global otorgado por jugadores y entusiastas de todo el mundo. Entrevistamos a Benja Amorín, director de comunicación del Grupo DEVIR. Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre Rachel y el forastero. Película romántica estadounidense de 1948, dirigida por Norman Foster y protagonizada por Loretta Young, William Holden, Robert Mitchum, Gary Gray y Tom Tully. Un granjero viudo contrata a una sirviente como su nueva esposa, pero la llegada de su viejo amigo amenaza su floreciente relación.

Through her “archaeology of the future” design approach, the Lebanese-born, Paris-based architect Lina Ghotmeh has firmly established herself as a humanist who brings a profound awareness of past, present, and presence to all that she does. In the two decades since winning her breakthrough commission—the Estonian National Museum in Tartu—her practice has taken off, with Ghotmeh swiftly becoming one today's fastest-rising architectural stars. Just a week after we recorded this episode of Time Sensitive, she was named the winner of a competition to design the British Museum's Western Range and, shortly after that, she was announced as the architect of the new Qatar Pavilion in the historic Giardini of Venice; she is also the designer of the Bahrain Pavilion at the just-opened 2025 Osaka Expo. Across her high-touch, high-craft projects, whether a brick-clad Hermès leather-goods workshop in Normandy, France, completed in 2023; the timber-framed 2023 Serpentine Pavilion in London; or the concrete-walled Stone Garden apartment tower (2020) in Beirut, Ghotmeh celebrates the hand.On the episode, Ghotmeh reflects on the long-view, across-time qualities of her work and outlines what she believes is architecture's role in shaping a better world ahead.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Lina Ghotmeh[5:01] “The Shape of Time: Remarks on the History of Things”[5:01] George Kubler[5:01] Trevor Paglen[8:41] “The Long View: Why We Need to Transform How the World Sees Time”[8:41] Tim Ingold[11:15] “Windows of Light”[11:15] “Lecture: Lina Ghotmeh”[12:06] Beatriz Colomina[12:06] “Are We Human?”[19:58] Gaston Bachelard[24:04] Olga de Amaral[24:04] Cartier Foundation[24:04] Juhani Pallasmaa[24:04] “The Eyes of the Skin”[26:39] Luis Barragán[31:09] Stone Garden (2020)[31:09] Hermès Workshops (2023)[36:36] Peter Zumthor[36:36] “Atmospheres”[41:53] Khalil Khouri[44:51] Jean Nouvel[44:51] Norman Foster[44:51] Estonian National Museum (2016)[46:41] Renzo Piano[46:41] Richard Rogers[46:41] Maya Lin[46:41] Dan Dorell[46:41] Tsuyoshi Tane[50:45] “The Poetic, Humanistic Architecture of Lina Ghotmeh”[51:40] Rimbaud Museum[54:48] “Light in Water” (2015)[54:48] The Okura Tokyo[59:22] Les Grands Verres, Palais de Tokyo (2017)[59:44] Zero-Carbon Hotel Concept (2019)[59:42] Serpentine Pavilion (2023)[1:04:11] Osaka Expo Bahrain Pavilion (2025) 

Du 10 mai au 7 août 2023 le Centre Pompidou (ou "Beaubourg" pour les intimes ;-) ) consacre une exposition à la figure mondiale, emblématique, majeure de l'architecture : Sir Norman Foster, Prix PRITZKER. Cet architecte de renommée mondiale est à la tête de l'une des plus grandes agences d'architecture au monde, Foster + Partners, auteur par exemple du siège d'Apple à Cupertino en Californie ou bien du Viaduc de Millau. Son ascension a été fulgurante. Il dit lui-même Architect's of the world (...) don't take yourselves so seriously/ Architectes du monde (...) ne vous prenez pas trop au sérieux.Outre cette exposition phare, cet évènement est pour nous l'occasion d'interroger la figure de l'architecte ! Car, entre hier où sévissait le règne de la star architecte et aujourd'hui où tout est lissé et les valeurs très bêtement annihilées, où en sommes-nous?Anne-Charlotte DepondtImage teaser © photo by Agata Kadar ; London, UK: details of modern white structure of the British Museum by Foster + Partners architectsIngénierie son : Julien Rebours____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pourretrouver de belles images, toujours choisies avec soin, de manière à enrichirvotre regard sur le sujet.Bonne semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

From 2023 May 10 to August 7, the Centre Pompidou (or "Beaubourg" for those who know him well ;-) ) is dedicating an exhibition to a major world figure in architecture: Sir Norman Foster, PRITZKER Prize. This world-renowned architect is at the head of one of the world's largest architectural firms, Foster + Partners, which designed, for example, the Apple headquarters in Cupertino, California, and the Millau Viaduct. His rise has been meteoric. He himself says Architect's of the world (...) don't take yourselves so seriously. In addition to this flagship exhibition, this event is an opportunity for us to question the figure of the architect! Because, between yesterday when the reign of the star architect was rampant and today when everything is smoothed out and values are stupidly annihilated, where are we?Anne-Charlotte DepondtImage teaser © photo by Agata Kadar ; London, UK: details of modern white structure of the British Museum by Foster + Partners architectsSound engineering : Julien Rebours___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

La mort du chanteur Johnny Hallyday, le 5 décembre 2017, est encore fraîche dans les mémoires. Elle est souvent accompagnée des images impressionnantes de ses funérailles. Ce fut un véritable évènement qui a mis le pays en pause. Avant Johnny, la mort d'autres artistes a soulevé les foules, lors d'un hommage populaire de grande ampleur, comme Coluche, Claude François ou Daniel Balavoine. Avec parfois quelques ombres au tableau. Quels autres artistes ont eu des funérailles nationales ? Quelle est la différence entre un hommage national et populaire ? Ecoutez la suite dans cet épisode de "Maintenant vous savez ". Un podcast écrit et réalisé par Jonathan Aupart. A écouter aussi : Pourquoi connaissez-vous forcément Norman Foster ? Quelle est l'histoire du logo au lion de la MGM ? Quelles sont les photos les plus scandaleuses ? Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Première diffusion le 13/07/2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

On this exciting episode of the Customers First Podcast, I enjoyed chatting with Sam Mizrahi, a trailblazer in Canada's luxury residential market and the visionary behind Mizrahi Developments. We dive into his latest landmark project, The One, poised to redefine the Toronto skyline as Canada's tallest skyscraper at an impressive 85 stories. Sam's journey began at just 16 when he jumped into entrepreneurship and explored various industries before finding his true calling in real estate. He shares his innovative approach to bridging the gap between custom homes and luxury condos, aiming to create not just buildings but unique living experiences. With The One, he's forging a new standard in luxury, treating every unit as a bespoke creation rather than a cookie-cutter product.  We discuss his collaboration with renowned architect Norman Foster and how they've designed The One to be an engineering marvel, complete with an eye-catching hybrid exoskeleton that elevates the surrounding community. Sam also emphasizes his commitment to quality craftsmanship, ensuring his projects' elegance and functionality meet seamlessly.  Beyond the architecture, Sam's philosophy centers on community impact and philanthropy. He believes that developers have a responsibility to give back, fostering a culture within Mizrahi Developments that prioritizes social responsibility alongside profit. This episode celebrates innovation, ambition, and the transformative power of a customer-first approach in real estate. Sam Mizrahi's wisdom is thought-provoking for those in the development industry and anyone pursuing ambitious goals in their field. Join us as we explore the magic that can happen when customer experience is prioritized, dreams are realized, and innovative designs take shape in the heart of our cities.   Timestamps: 5:39:Transition to Iconic Skyscrapers 7:57: Customizing Luxury Homes 10:20: Architectural Vision for The One 21:03: Philanthropy and Leadership 23:13: Advice for Resilient Entrepreneurs   Sam's Contact Information: Website: Mizrahi Developments Instagram: @mizrahidevelopments   Tacey's Contact Information:  Website: www.taceyatkinson.com   All Social Media: @taceyatkinson Thank you for tuning in, and Tacey looks forward to having more valuable conversations together in the future. Remember: Customer Centric Cultures Create Magical Customer Experiences. Now Go Create the Magic!    

As part of the new concept masterplan being developed for Ukraine's 2nd largest city, Kharkiv, whoch is home to some 1.4 million people.The Norman Foster Foundation along with the City Council, UNECE and Arup launched an international competition to create a new landmark for the city, which was requested by the Mayor in April 2022. Jansen Che is a Sydney-based architect with over 10 years of experience having worked on a wide range of projects, from home renovations to high-rise towers. In addition, he currently teaches at the University of New South Wales and contributes as an assessor for the Architects Registration Board.Jansen has  received multiple accolades for the design of an ULTRA minimalist watch. Awards: The Red Dot Design Award, IDA Design Award and Good Design Award.During his time at JPW, he contributed to significant heritage projects such as the revitalisation of Sydney's first skyscraper, 33 Alfred St at Circular Quay and the Overseas Passenger Terminal and major urban precinct developments such as Parramatta Square.Last week, Jansen Che was announced as the winner of The Norman Foster, Kharkiv Freedom Square Revival design competition.

Lux Radio Theatre | Up Pops the Devil (Fred MacMurray, Madge Evans) | October 18, 1937Movie Info -- Up Pops the Devil is a 1931 American pre-Code comedy drama film directed by A. Edward Sutherland. The screenplay concerns an advertising man (Norman Foster) who quits his job to become a novelist, upsetting his wife (Carole Lombard) and straining their marriage. The film was released by Paramount Pictures. The screenplay is based on a 3-act play of the same name written by Albert Hackett and Frances Goodrich; the play ran on Broadway for 148 performances from September 1930 to January 1931 at the Theatre Masque.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :

In some families, the parents' DNA instructs so clearly the way their children think and work that it's impossible to deny the familial impact. Jason Bruges is the product of just this. His dad was a software and computer engineer, and his mother a trained artist. Both influenced where and how he came to be a multidisciplinary artist and designer. His eponymous Jason Bruges Studio is internationally renowned for creating interactive spaces and surfaces that sit between the world of architecture, site specific installation art and interaction design. Considered a pioneer of this hybrid in-between space, Jason has subsequently paved the way for a new genre of design studios, artists and designer-makers. After graduating from Oxford Brookes University in London, Jason borrowed £1,000 from his dad for an airline ticket and flew to Hong Kong to meet his grandfather at the airport. He'd only met him a handful of times before. Within weeks he had a job offer from the famed architect Norman Foster. This later led to his role at the groundbreaking brand experience agency, Imagination back in London, where his work on the Millenium Dome was considered an early example of interaction design. It was soon after, in 2002, that Jason created his own studio. Listen in as Vince and Jason discuss how being noticed by Tom Dixon helped him start his studio, the influence of Jean Nouvel's animated façades, and designing a hotel lobby in 2002 that changed colour based on the clothes of guests passing through. https://www.jasonbruges.com/ See omnystudio.com/listener for privacy information.

Here at the Country Life Podcast, we like to think we deliver a useful and necessary service. We want to discuss the important issues. We want to talk to Norman Foster about why architecture matters. We want to speak to farmers about how they can help tackle the climate crisis. We strive to compress the beauty of nature into an audio format so we can learn to cherish and appreciate the world around us.Sometimes, however, we have to ask important questions such as: ‘How can you sneak onto a yacht party at the Monaco Grand Prix?'. Thankfully, we know just such an expert. Adam Hay Nicholls has spent decades travelling the world, driving fast cars, reviewing fancy hotels and writing about Formula One. His answer? Confidence, good socks, and knowing the name of the owner of said yacht. Either that, or pretend you're from pest control. Even fancy yachts have rats, apparently.To complement this week's Horsepower Issue, Adam joined me for a chat about all things cars, travel and F1. What are some of his favourite cars that he's driven? What's it like owning a vintage Bentley? Why was he at the opening of a hotel in Dubai with Beyonce? Why is he currently trapped in a log cabin in Northumberland? All very important questions as I'm sure you'd agree.We also spoke at length about his trip around England, Scotland and Wales to complete the Three Peaks challenge. If that doesn't sound very luxurious, don't worry, we sent him off to do it in an Aston Martin.We're not yet sure whether CountryLife.co.uk will be able to hire an ‘Editor of having a jolly good time', but if we do, Adam certainly has the resumé for the role. We think you'll enjoy listening to what he's been up to.Episode creditsHost: James FisherGuest: Adam Hay-NichollsProducer and Editor: Toby KeelMusic: JuliusH via Pixabay Hosted on Acast. See acast.com/privacy for more information.

Vishaan Chakrabarti is the founder and creative director of the Practice for Architecture and Urbanism (PAU), and the author of "The Architecture of Urbanity." He has worn many hats - in development, architecture, government and academia, and brings this experience to bear in his public advocacy work. -- Intro: "Rebel Rebel" by David Bowie Show Notes: - The "Joy" Thing with Tim Walz - Obama > Biden Infrastructure Bill - Is it really Rural vs Urban, or Suburban vs Everyone Else? Is it Rurbanity? - UC Berkeley analysis of carbon footprints of cities vs rural vs suburban - The mortgage interest tax deduction - The Federal gas tax - Out-migration from expensive to affordable cities - not the suburbs - Railroad suburbs: Montclair and Maplewood NJ - Carbon pricing - Jane Jacobs' idea that cities formed around trade - James C. Scott - The Dawn of Everything, David Graeber & David Wengrow - Alternate civilizational origin stories at the Venice Biennale - The places we go on vacation all have lousy parking - The energy source powering cars is not really the issue - it's the degree to which we design our cities around cars - or not - Copenhagen - the urban planning Mecca - but where are the immigrants? - InterOculus, PAU, Columbus, Indiana - "Because they've been told their definition of excellence is to design spaceships to be built by slaves in the sand, that's what architects are off doing. And so of course they're not at the adult table influencing policy. We can't relegate ourselves to the kiddie table by talking about irrelevant things and then complain about the chicken nuggets." - "We don't help everyday people visualize the power of policy change as well as we could." - "I think we are at a moment where it is really, important for people who understand the physical world to sit down and be able to speak the language of government." - "Designing policy is a form of design." - New York Times collaboration with PAU = NYC = Not Your Car - Gov. Kathy Hochul's cancellation of congestion pricing - Robert Caro, The Power Broker - "The city's permanent government" - the "deep state" might actually be OK - "New York, New York, New York," by Tom Dyja - Accepting imperfection as a necessary democratic outcome - instead of going Roark on imperfection and blowing it up - Uber's hiring of Bradley Tusk, Bloomberg's third mayoral campaign manager - Alejandro Aravena - an architect literally being the architect of the new Chilean constitution - Norman Foster - adviser to the United Nations on rebuilding Ukraine - Book design by Michael Beirut and Britt Cobb at Pentagram Outro: "Don't Worry About the Government," by Talking Heads

The 89-year-old behind some of the world's most famous buildings, including Apple's “Spaceship” headquarters in Cupertino, the Reichstag in Berlin, Wembley Stadium in London and Hearst Tower in New York, shares how growing up in a working-class family and dropping out of school at 16 led to a career transforming workplaces and breaking down class barriers. These are his songs. I'll Walk Beside You — John McCormack Symphony No. 7 "Sinfonia antartica": I. Prelude. Allegro maestoso — Ralph Vaughan Williams West Side Story, Act 1: Prologue (Original Broadway Cast Recording) — Jerome Robbins with music by Leonard Bernstein, lyrics by Stephen Sondheim The Twist — Chubby Checker Prelude & Fugue No. 12 in F Minor, BWV 857, WTC I — J.S. Bach King Arthur, Z. 628, Act 3: Prelude While Cold Genius Rises - Frost Scene. "What Power Art Thou" — Henry Purcell Bésame Mucho — Andrea Bocelli Listen to Norman Foster's full playlist on Spotify. Find the transcript of this episode at lifeinsevensongs.com. Thoughts? Guest suggestions? Email us at lifeinsevensongs@sfstandard.com.

EPISODE 44 - "THERESA HARRIS: HOW OLD HOLLYWOOD STOPPED HER STAR FROM RISING" - 07/15/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** When THERESA HARRIS appears on screen, you cannot take your eyes off of her. Beautiful, talented, and a skilled singer and dancer, she lights up any scene she's in. Despite appearing in over 100 films, she rarely received screen credit and most often played a maid, waitress, or other types of domestic servant. Her parts were small, but her charisma and presence on screen were enormous! As a black woman in the early days of Hollywood, she was limited in the roles she could perform by the restrictive Hayes Code of 1934 and the horrible Jim Crow laws of the South. Still, she is a welcome presence in so many classic films. This week, we look at the extraordinary life and career of the talented THERESA HARRIS.  SHOW NOTES:  Sources: “Theresa Harris, Credited and Uncredited in Over 100 Films,” March 28, 2024, by Herb Boyd, New York Amsterdam News; “Just a Maid in Movies, But Not Forgotten,” April 21, 2011, by Manohla Dargis, The New York Times; “The Underrated Charms of Theresa Harris,” July 11, 2020, by Constance Cherise, TCM.com; “Theresa Harris: Television and Film Actress of the 1930s,” August 18, 2023, by Jae Jones, BackThen.com; “Actress Theresa Harris Hollywood Vixen Turned Servant,”September 2, 2011, by Veronica Wells, Madamenoire; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Thunderbolt (1929), starring Fay Wray and George Brent; Hold Your Man (1932), starring Jean Harlow and Clark Gable; Baby Face (1933), starring Barbara Stanwyck and George Brent; Professional Sweetheart (1933), starring Ginger Rogers, Norman Foster, and Zasu Pitts; Horse Feathers (1932), starring The Marx Brothers and Thelma Todd; Gold Diggers of 1933 (1933), starring Joan Blondell, Dick Powell, Ruby Keeler, and Ginger Rogers; Morning Glory (1933), starring Katharine Hepburn and Douglas Fairbanks, Jr; Flying Down to Rio (1933), starring Delores Del Rio, Gene Raymond, Ginger Rogers, and Fred Astaire; Broadway Melody of 1936 (1935), starring Jack Benny and Eleanor Powell; Banjo On My Knee (1936), starring Barbara Stanwyck and Joel McCrea; Bargain With Bullets (aka The Gangster's On The Loose) (1937), starring Ralph Cooper and Theresa Harris; Jezebel (1938), starring Bette Davis, Henry Fonda, and George Brent; Tell No Tales (1939), starring Melvyn Douglas and Louise Platt; Buck Benny Rides Again (1940), starring Jack Benny, Ellen Drew, Eddie “Rochester” Anderson, and Theresa Harris; What's Buzzin' Cousin? (1943), starring Jack Benny and Ann Miller; Blossoms In The Dust (1941), starring Greer Garson, Walter Pidgeon, and Marsha Hunt; Our Wife (1941), starring Melvyn Douglas, Ruth Hussey, and Ellen Drew; Cat People (1942), starring Kent Smith, Simone Simon, Jane Randolph, and Tom Conway; I Walked With A Zombie (1943), starring Frances Dee, Tom Conway, Darby Jones, and Christine Gordon; The Dolly Sisters (1945), starring Betty Grable, John Payne, and June Haver; Three Little Girls In Blue (1946), starring George Montgomery, Vera-Ellen, and June Haver; Miracle on 34th Street (1947), starring Maureen O'Hara, Edmund Gwenn, John Payne, and Natalie Wood; Out of the Past (1947), staring Robert Mitchum, Jane Greer, and Kirk Douglas; Angel Face (1952), starring Robert Mitchum and Jean Simmons; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of "The Court of Public Opinion," Jeremy Cordeaux speaks with Senator Bob Day about various topics, including the history of mining in South Australia, current energy policies, and the potential economic benefits of nuclear energy. Here's a summary of their conversation: Introduction and Mining History: Discussion on the 50th anniversary of the discovery of uranium and copper at the Olympic Dam mine by Western Mining, and the significant economic impact of this discovery. Political History: Mention of the political efforts by Norman Foster, who crossed the floor to support the development of Olympic Dam. Energy and Mining Industry: Analysis of the current state of the mining industry, with emphasis on the importance of copper and gas. BHP and Santos Marketing: Observations on the marketing strategies of BHP and Santos, highlighting the need for public and corporate advocacy for energy resources. Nuclear Energy and Waste Management: Discussion on the potential benefits of adopting nuclear power, including economic advantages and the role of South Australia as a nuclear waste repository. International Relations and Security: Potential for South Australia to strengthen international security partnerships by becoming a hub for nuclear waste management. Economic Impact: Exploration of how adopting nuclear energy could eliminate state taxes and significantly boost the economy. Comparison to Saudi Arabia: Mention of the economic model of Saudi Arabia, where citizens do not pay income tax, as a potential model for South Australia if it becomes a nuclear hub. See omnystudio.com/listener for privacy information.

Historia Javi Nieves: Francisco con 81 años tiene el récord mundial de doctorados. Rascacielos más alto del mundo: Norman Foster construirá un edificio de 2 km.Y esto es todo por hoy ¡gente, gente! Esto es todo lo que te hemos ofrecido la última hora del programa:Historia Javi Nieves: Ha hablado con Francisco González Posada que tiene 81 años y cuenta con el récord mundial de nueve doctorados. Cuando se jubiló, con 70 años, tuvo claro que quería seguir estudiando y desde entonces no ha parado. Hablamos también con Francisco González Redondo, su hijo. Rascacielos más alto del mundo: Norman Foster construirá un edificio de 2.000 metros de altura en Dubai. ¿Y esto cómo se hace? Fidel Carrasco, arquitecto y profesor de la Escuela Técnica Superior de Ingeniería de la Universidad Pontificia Comillas responde a las dudas de si es posible vivir allí. Escucha ahora 'La Tarde', de 18 a 19 horas. 'La Tarde' es un programa presentado por Pilar Cisneros y Fernando de Haro que se emite en COPE, de lunes a viernes, de 16 a 19 horas, con 498.000 oyentes diarios, según el último EGM. A lo largo de sus tres horas de duración, "La Tarde" ofrece otra visión, más humana y reposada, de la actualidad, en busca de historias cercanas, de la cara real de las noticias; periodismo de carne y hueso.En "La...

To jeden z najbardziej wstrząsających utworów w historii muzyki. Gustav Mahler, który od najmłodszych lat czuł lodowaty oddech śmierci na karku, sięgnął po kronikę przepracowywania żałoby – monumentalny zbiór ponad 500 pieśni na śmierć dzieci Friedricha Rückerta. Te wiersze nigdy nie miały zostać opublikowane. Rückert pisał dwa, trzy dziennie po tym, jak w straszliwych cierpieniach na szkarlatynę zmarła dwójka jego dzieci. Mahler stracił ukochanego brata – Ernesta. Zmarły syn Rückerta również nosił to imię. Ta zbieżność zafascynowała kompozytora, który wybrał pięć pieśni i na przestrzeni kilku lat skomponował cykl „Kindertotenlieder” – „Treny na śmierć dzieci”. Jak muzyką wyrazić ból? Jak opowiedzieć o bezpowrotnej stracie? Wydaje się, że Mahler wiedział to doskonale, jednak dopiero, gdy sam stracił dziecko, zrozumiał, że tego cierpienia opowiedzieć się nie da. Podcast powstał dzięki Mecenasom Szafy Melomana. Jeśli chcesz stać się jednym z nich i wspierać pierwszy polski podcast o muzyce klasycznej, odwiedź mój profil w serwisie Patronite.pl. Muzyka w odcinku: „Kindertotenlieder” (całość), wyk. Norman Foster (baryton), Orkiestra Symfoniczna z Bambergu, Jascha Horenstein (dyr.), VOX 1955 (nagranie na licencji Creative Commons 4.0) Zrealizowano w ramach stypendium Ministerstwa Kultury i Dziedzictwa Narodowego.(odcinki w styczniu i lutym stanowią jeszcze realizację stypendium, w ramach którego byłem zobowiązany do nagrania 50 audycji)

In the Mood di lunedì 29 gennaio 2024 - uno sguardoagli inserti del fine settimana dei principali giornali italiani.Questa settimana:Fabio Isman, il palazzo del dopolavoro ferroviario, su Il MessaggeroDomicidio, cosa significa e cosa racconta, Donatella Puliga sulla Lettura del Corriere della Sera, come Norman Foster ed il suo corso di formazione per le città sostenibili, e Cristina Mazzantini, nuova direttrice della Galleria Nazionale di Arte Moderna, intervistata da Paolo Conti sui programmi della Galleria.Da Alias Domenica, il Manifesto, Tommaso Mozzati sul libro di Cristina Beltrami, La scultura alla Biennale di Venezia 1895-1914. Una presenza in ombra. Edizioni Zel. 40 euroSu Robinson, La repubblica, Nadia Fubini con un bell'articolo su Rachel Bespaloff, autrice del libro La sfida della libertà. Inni 1943-1949, Castelvecchi, 35 euro ed ancora da Robinson, Maurizio Cucchi su Sandro Campana, Alzarsi presto. Il libro dei funghi (e di mio fratello) Einaudi, 16 euro.Dalla Domenica del Sole 24Ore, Pietro Del Soldà in presentazione del libro di Carlo Galli Democrazia. Ultimo atto? Einaudi 15 euro e Luigi Mascini Migliorini sul libro, per ora solo in inglese, di Marina Formica e Donatella Strangio Resilience in papaline Rome 1656-1870. A City's responses to crisis, Palgrave/Macmillan, 135 euro.Buona settimana!

Norman Foster is unarguably one of the greatest architects of the last half century. We're delighted that he joins Country Life magazine for a very special episode of the podcast. Speaking to Country Life's Carla Passino, Lord Foster describes how he left school in Manchester at 16 before eventually working his way through university in order to forge a career as an architect, a role in which he has reshaped countless cities — not least London. He shares his view on what makes London the city that it is, how it is a city that 'is essentially organic', and how its informality, copious green spaces and thriving neighbourhoods model can help popularise the concept of the 15-minute city across the world, and what he has to say to those who criticise how he, and his imitators, have reshaped the skyline of the British capital.The architect also talks about his other key passion in life: flying. The 89-year-old has flown 75 different types of aircraft, including helicopters and jets. Lord Foster also talks about the work of the Norman Foster Foundation, and how he is trying to help tomorrow's architects to plan and create cities which are as sustainable as they are vibrant and liveable. Episode CreditsHost: James FisherInterviewer: Carla Passino:Guest: Lord FosterEditor/Producer: Toby KeelMusic: JuliusHSpecial thanks: Adam Wilbourn Hosted on Acast. See acast.com/privacy for more information.

⁠Battersea Power Station⁠ è un ex centrale elettrica riqualificata ma è anche il più grande intervento urbanistico d'Europa, infatti oltre il recupero della centrale sono già stati costruiti edifici di Norman Foster, Frank Gehry, una piazza di BIG Bjarke Ingels e saranno previsti altri interventi. Un intervento importante con nomi prestigiosi dell'architettura contemporanea.

In Episode 15, Season 3 of  ⁠A is for Architecture⁠'s, Annette Fierro speaks about her book, Architectures of the Technopolis: Archigram and the British High Tech, published by ⁠Lund Humphries⁠ in November. High Tech has been the dominant style of British architecture for many decades, delivered in vast visions and buildings, in the work of acclaimed and revered designers like Richard Rodgers and Renzo Piano, Norman Foster, Nicholas Grimshaw and Terry Farrell, often in partnership with visionary engineers, particularly Ove Arup and Buro Happold. Growing off the back of a longstanding discourse, with roots in the utopic visions of early modernity, High Tech took its inspiration particularly from both the subversive, radical and audacious dream-worlds described in the design work of Cedric Price and Archigram, where the possibility of architecture-as-machine was deployed to deliver a civic, egalitarian, dramatic and joyful urban experience, one at once democratic and liberated, but also in the deep discontents in the failures of the dreich modernism of the postwar years. Annette can be found on the University of Pennsylvania's Weitzman School of Design website here, where she serves as Associate Professor, on Instagram here, and on LinkedIn here. You can buy the book on the Lund Humphries website. Annette's great, so have a listen. The book is well lush too. Available on Spotify, iTunes, Google Podcasts, Amazon Music and YouTube. Thanks for listening. + + + + + + + + + + + + + + + Music credits: Bruno Gillick + + + + + + + + + + + + + + + aisforarchitecture.org Apple: podcasts.apple.com Spotify: open.spotify.com Google: podcasts.google.com Amazon: music.amazon.co.uk

Renombrados estudios de arquitectura construyen en Londres la "Gingerbread City" por Navidad. Para ello hornean sus ideas para el futuro con masa de pan de jengibre. El tema de este año es "Agua en las ciudades".

Au sommaire de cette spéciale Film Noir : Retour sur quatre films noirs édités par Elephant Films : Détour d'Edgar G. Ulmer, Dans l'ombre de San Francisco de Norman Foster et La police était au rendez-vous de Joseph Pevney ; Évocation de deux sorties Rimini Editions, à savoir, La ville captive de Robert Wise et Le tueur s'est évadé de Budd Boetticher ; Chronique de Sables mortels de Roger Donaldson sorti chez ESC. Bonne écoute à toutes et tous !

Su historia es corta pero intensa, la de una ciudad en perpetuo crecimiento y reinvención. Lejos queda el cliché del petróleo y los cowboys; superada está la imagen que mostraba la teleserie del mismo nombre; curado, el trauma colectivo desencadenado por el asesinato de John F. Kennedy en 1963. Y mientras todo fluye, algo permanece inmutable en el alma de Dallas: su pasión por las artes. Bien lo sabe Janet Kafka, cónsul honoraria de España para todo el norte de Texas. Acostumbrada a recibir visitas, esta antigua alumna de la Complutense nos enseña los rincones más especiales de su ciudad natal. Desde Founder's Plaza caminamos hasta el memorial dedicado a JFK, a una manzana del lugar donde Lee Harvey Oswald acabó con la vida del presidente un 22 de noviembre. En el inmueble desde el que efectuó los disparos abre sus puertas el Sixth Floor Museum, institución que recuerda el magnicidio; la visitamos en compañía de Óscar Vela, de la oficina de turismo de Dallas. Paseamos por el Downtown y nos detenemos en el enorme distrito de las artes, repleto de museos, teatros y auditorios firmados por reconocidos arquitectos como Renzo Piano, I. M. Pei, Norman Foster o Rem Koolhaas. En el veterano Dallas Museum of Art nos atiende su director, Agustín Arteaga. Además contamos con la directora de turismo de Visit Dallas, Liliana Rivera, que nos acompaña hasta Deep Ellum, barrio muy animado y musical en cuya Blues Alley nos espera el muralista urbano Hatziel Flores. Después de echar un vistazo al también bohemio Bishop Arts District ponemos rumbo hacia la Universidad Metodista del Sur, que atesora una de las mejores colecciones de arte español de Estados Unidos en el Meadows Museum. Su directora, Amanda Dotseth, y su responsable de comunicación para España y Latinoamérica, Julián Hernández, nos invitan a recorrer esta peculiar pinacoteca inspirada en El Prado de Madrid. Terminamos viaje en la vecina Fort Worth, donde Estela Martínez, de su departamento de turismo, nos muestra las particularidades de una ciudad que –ésta sí– conserva un auténtico espíritu vaquero, compatible con el amor por el arte que destila su Kimbell Art Museum. Escuchar audio

Episode Overview: PT II Women's role, power and what is a fully expressed woman.  Female sexual expression evolution & female objectifying in the media.  Following your passion as a compass in life. Community living and living according to your natural predispositions.  Taking the path of Mind or intuition to get to where you want to go? Why does society dismiss older women?  Is beauty the only thing women have to offer? Ageing gracefully and loving yourself fully.  Pleasure is healing and why is squirting useful.  Training your pelvic floor.  Why has Sexual energy been repressed in this society. What can women do to open up and embrace their sexuality.  Why are so many women having trouble climaxing? What are we doing wrong in sex?  How did Kama come about? Why is it so hard for men to receive? Recipe for happiness  About Guest: Chloé Macintosh, the visionary behind Kama, is reshaping sexual education and exploration. With Kama, she's making sexual wellness both accessible and empowering. Prior to this, Chloé was the Chief Creative Officer at Soho House Group, leading digital transformation for its vast membership. She co-founded the e-commerce platform Made.com, which went public at £775M in 2021. As a Venture Partner at Felix Capital, she advises on investments and brand strategy. Starting her career as an architect at Norman Foster, Chloé became the youngest Associate Partner at 26. Now based in London, she originally hails from Paris. Find Chloe on : https://www.linkedin.com/in/chloemacintosh/ Find Dana on https://rb.gy/pm0wwp ⁠Listen to the audio version here https://anchor.fm/dana-grinberga If you enjoyed this episode, please make sure to Follow and share. Sponsors: https://momo-kombucha.com Use discount code ISTHISIT15 to get a 15% off of your first order of 6 or 12 bottles of Momo kombucha. If you are enjoying this show, please consider joining my exclusive Patreon Community for some bonus content. http://patreon.com/user?u=82757269 Sign Up for My Newsletter https://mailchi.mp/1f9ea0495d70/better-life-one-tap-away --- Send in a voice message: https://podcasters.spotify.com/pod/show/dana-grinberga/message

Episode Overview: PT I What's your life philosophy? Chloe's purpose. What is embodiment . How to incorporate new habits in your life. Pleasure is healing. Your own experience vs learned knowledge from someone else. Sexual being vs sexual doing. Why is it so hard for us to just receive ? Living in the body vs living in the mind. How to unlock the wisdom within. What is the Consciousness ? The creation of pathways that change your programming. Heart- genital meditation. There is no freedom without boundaries. Boundaries and consent. Tapping into our intuition powers. About Guest: Chloé Macintosh, the visionary behind Kama, is reshaping sexual education and exploration. With Kama, she's making sexual wellness both accessible and empowering. Prior to this, Chloé was the Chief Creative Officer at Soho House Group, leading digital transformation for its vast membership. She co-founded the e-commerce platform Made.com, which went public at £775M in 2021. As a Venture Partner at Felix Capital, she advises on investments and brand strategy. Starting her career as an architect at Norman Foster, Chloé became the youngest Associate Partner at 26. Now based in London, she originally hails from Paris. You can listen to this podcast to learn more about Chloe's professional journey https://spotify.link/Mn8gKt252Db Find Chloe on : https://www.linkedin.com/in/chloemacintosh/ Find Dana on https://rb.gy/pm0wwp ⁠Listen to the audio version here https://anchor.fm/dana-grinberga If you enjoyed this episode, please make sure to Follow and share. Sponsors: https://momo-kombucha.com Use discount code ISTHISIT15 to get a 15% off of your first order of 6 or 12 bottles of Momo kombucha. If you are enjoying this show, please consider joining my exclusive Patreon Community for some bonus content. http://patreon.com/user?u=82757269 Sign Up for My Newsletter https://mailchi.mp/1f9ea0495d70/better-life-one-tap-away --- Send in a voice message: https://podcasters.spotify.com/pod/show/dana-grinberga/message

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/norman_foster_my_green_agenda_for_architecture ■Post on this topic (You can get FREE learning materials!) https://englist.me/327-academic-words-reference-from-norman-foster-my-green-agenda-for-architecture-ted-talk/ ■Youtube Video https://youtu.be/K3_LHhR2Y9s (All Words) https://youtu.be/z2lyuMLyW_Q (Advanced Words) https://youtu.be/m-C6R5ce0n4 (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

Annalisa Dominoni, Benedetto Quaquaro"Le città dell'universo"Come sarà abitare nello spazioil Saggiatorehttps://ilsaggiatore.comLe città dell'universo svela per la prima volta come abiteremo nello spazio e che forma avranno le nostre vite in una dimensione extraterrestre più sostenibile e inclusiva. Annalisa Dominoni e Benedetto Quaquaro, creatori e docenti al Politecnico di Milano del primo e unico corso al mondo di Space Design supportato dall'Agenzia spaziale europea (Esa), ci conducono nelle case degli astronauti di oggi per proiettarci in quelle che abiteremo domani su altre galassie: dalla Stazione spaziale internazionale ai primi insediamenti sulla Luna, dal turismo spaziale ai progetti per vivere su Marte e oltre.In queste pagine sarà possibile scoprire come sono stati affrontati i temi dell'abitabilità e del benessere nello spazio, quali sono le differenze più sorprendenti del vivere ambienti a gravità ridotta, come cambierà la nostra quotidianità in futuro, che alterazioni subiranno i nostri corpi rispondendo a leggi fisiche diverse da quelle terrestri, come la fantascienza abbia anticipato scenari che si sono poi realizzati.Il libro disegna un futuro «Rinascimento interplanetario» attraverso nuovi strumenti e linguaggi visivi che guidano il processo di transizione verso altri pianeti in cui emerge il ruolo del design capace di creare un ponte fra scienza e bellezza anche nello spazio. Dove tecnologia ed estetica potranno convivere.Annalisa Dominoni, PhD, è architetto e professore di design al Politecnico di Milano dove collabora con le principali agenzie e industrie spaziali internazionali e con importanti aziende del design sviluppando progetti di habitat extraterrestri e oggetti per incrementare le performance e il benessere degli astronauti in ambienti confinati e a gravità ridotta. Fondatrice di Millennium Charter of Space Architecture a Huston nel 2002 e Principal Investigator di diversi esperimenti di equipaggiamenti per astronauti che ha progettato e che sono stati testati sulla Stazione Spaziale Internazionale (ISS) tra cui: VEST. Integrated Clothing System for Intra-Vehicular Activities, MARCO POLO Mission, ASI, per il quale ha ricevuto il Premio Compasso d'Oro XX per la Ricerca; GOAL, Garments for Orbital Activities in weightLessness, ENEIDE Mission, ESA, per il quale ha ricevuto il premio Eneide Mission Award per il successo della missione. Ha iniziato la sua carriera di designer vincendo giovanissima il prestigioso Premio Compasso d'Oro XVII.Benedetto Quaquaro, PhD, è architetto e designer. Inizia la sua carriera alla Tecno sviluppando ambienti e prodotti con alcuni tra i più prestigiosi architetti come Norman Foster e Gae Aulenti fino a diventare responsabile del marchio ABV, collezione che raggruppava i pezzi iconici della famiglia Borsani insieme ad una serie con artisti del calibro di Getulio Alviani e Arnaldo Pomodoro. Ha curato diversi eventi artistici e mostre. Nel 2011 fonda insieme a Annalisa Dominoni lo studio di design (a+b) dominoni quaquaro che opera in aree progettuali molto diverse: design per lo spazio, transportation design, fashion tech, product design e furniture, limited editions per gallerie d'arte. Hanno progettato i treni Leonardo della metropolitana milanese nel 2015 e gli oggetti acustici Pinna per Caimi Brevetti nel 2019. Entrambi i progetti hanno ricevuto i premi ADI Design Index – Premio Compasso d'Oro XXV, Premio Eccellenze della Lombardia, e DIA Design Intelligence Award nel 2020. Sono Italian Design Ambassador e visiting professors nelle più prestigiose università internazionali.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

In dieser Episode sprechen wir über eine unglaubliche Sichtung einer Löwin in Teltow, Berlin, und den darauf folgenden Polizeieinsatz. Georg erzählt von seinen Reiseerlebnissen in Amerika und wir diskutieren Threads, Twitter vs. Meta und die Vor- und Nachteile von Kapiteln in unserer Show. Auch Barfußparks und die Generierung von Bildern durch KI-Modelle kommen zur Sprache. Wir betrachten verschiedene Optionen und sind beeindruckt von den Möglichkeiten der KI. Zudem sprechen wir über Remixing und Philosophie in Bezug auf Kunst und Wahrnehmung. Das Vorbild der heutigen Folge ist Anish Kapoor, ein Meister der Formen und Illusionen. Kapitel: 0:00:00 Löwin in Teltow, Berlin - Polizeieinsatz und Warnungen ausgesprochen. 0:03:09 Herausforderungen bei der Suche nach der entlaufenen Löwin. 0:06:43 Amerikanisches Wandern: Mit dem Auto von Spot zu Spot 0:11:37 Überraschende Entdeckung: Mexican Family Restaurant ist eine Kette! 0:18:41 Beeindruckende Sequoia-Bäume mit Jahrhunderte alter Geschichte 0:19:17 Unglücklicher Waldbrand in Portland 0:20:19 Feuer an der Pazifik-Küste 0:22:31 Portland vs. Denver: Grüner und kühler - Empfehlung 0:29:07 Lockerere Austauschmöglichkeiten in der Zukunft von Threads und Instagram 0:36:43 Privatsphäre vs. öffentliche Ortungsdaten 0:43:53 Threads und Metaverse als Fehlschüsse 0:47:01 Empfehlung von Auphonic und Erwähnung von Descript 0:50:03 Podcast-App mit Videobearbeitungsfunktion 0:53:16 Unterschiedliche Untergründe im Barfußpark 0:56:30 Planung des Besuchs im Berliner Barfußpark 1:04:38 Remix vs. Kopie - rechtliche Überlegungen 1:11:16 Mid-Journey Tool: Neue Funktionen und Entwicklungen 1:18:15 The Bean - The Cloud Gate in Chicago 1:25:30 Faszination für Farben und Formen 1:29:35 Die Liebe zum Detail im Künstler-Dasein 1:30:56 Norman Foster und seine Bauwerke aus der Vorbildperspektive 1:34:16 Das Geheimnis der Form und das Unsichtbare offenbaren 1:34:38 Offenbarung des Unsichtbaren 1:35:33 Everything is a Remix - Eine Einführung Links: Löwin in Berlin (Video auf Twitter) Apple Manager (und andere Tech Execs auf Threads) Auphonic Automatic Chaptermarks Descript - Podcast Tool mit AI Features Barfuß-Park Lüneburger Heide Barfußpark Beelitz-Heilstätten bei Berlin Descension (2014) - Bauwerk von Anish Kapoor Everything is a remix: https://www.everythingisaremix.info/ Kommentare via https://www.imprinzipvorbilder.de/kontakt

Discussion avec la journaliste et essayiste Sophie Coignard, autour de son ouvrage La tyrannie de la médiocrité, paru aux Editions de l'Observatoire. La remise en cause des concepts de mérite et de méritocratie, la crise de l'école, l'égalité des chances, la discrimination positive, la place du mérite dans la société. Mais aussi nos coups de coeur de la semaine: le livre d'Arnaud Teyssier Richelieu, la puissance de gouverner, paru chez Michalon, et l'exposition Norman Foster au Centre Pompidou.

Norman Foster is the world's principal architect of airports - from Beijing to Mexico City, from Hong Kong to Kuwait, his buildings are remarkable theatres of aviation. Foster's passion for flying extends to him piloting himself around the world. But what is the future of flying and its related infrastructure amid the current climate crisis? Jonathan Glancey considers some options. He reports on the development in Britain of hydrogen/electric engines that may soon power smaller aircraft, how airports can achieve net zero and the part that drones might play in the future of freight transport. And, interestingly, he discovers new thinking about the airport as a hub for all kinds of activity and transport - but where less, not more, flying takes place. Presented by Jonathan Glancey Produced by Susan Marling A Just Radio production for BBC Radio 4

From 2023 May 10 to August 7, the Centre Pompidou (or "Beaubourg" for those who know him well ;-) ) is dedicating an exhibition to a major world figure in architecture: Sir Norman Foster, PRITZKER Prize. This world-renowned architect is at the head of one of the world's largest architectural firms, Foster + Partners, which designed, for example, the Apple headquarters in Cupertino, California, and the Millau Viaduct. His rise has been meteoric. He himself says Architect's of the world (...) don't take yourselves so seriously. In addition to this flagship exhibition, this event is an opportunity for us to question the figure of the architect! Because, between yesterday when the reign of the star architect was rampant and today when everything is smoothed out and values are stupidly annihilated, where are we?Anne-Charlotte DepondtImage teaser © photo by Agata Kadar ; London, UK: details of modern white structure of the British Museum by Foster + Partners architectsSound engineering : Julien Rebours___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In French in this CDA S4#66/FR (monday online), "Sir Norman Foster and the archistar" by Anne-Charlotte Depondt and in English in the CDAS4#66/EN (wednesday online), read by Esther.En français dans le CDA S4#66/FR (lundi en ligne), "Sir Norman Foster et l'archistar" par Anne-Charlotte Depondt et en anglais dans le CDAS4#66/EN (mercredi en ligne), lu par Esther.____Du 10 mai au 7 août 2023 le Centre Pompidou (ou "Beaubourg" pour les intimes ;-) ) consacre une exposition à la figure mondiale, emblématique, majeure de l'architecture : Sir Norman Foster, Prix PRITZKER. Cet architecte de renommée mondiale est à la tête de l'une des plus grandes agences d'architecture au monde, Foster + Partners, auteur par exemple du siège d'Apple à Cupertino en Californie ou bien du Viaduc de Millau. Son ascension a été fulgurante. Il dit lui-même Architect's of the world (...) don't take yourselves so seriously/ Architectes du monde (...) ne vous prenez pas trop au sérieux. Outre cette exposition phare, cet évènement est pour nous l'occasion d'interroger la figure de l'architecte ! Car, entre hier où sévissait le règne de la star architecte et aujourd'hui où tout est lissé et les valeurs très bêtement annihilées, où en sommes-nous? Anne-Charlotte DepondtImage teaser © photo by Agata Kadar ; London, UK: details of modern white structure of the British Museum by Foster + Partners architectsRéalisation son : Julien Rebours____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pourretrouver de belles images, toujours choisies avec soin, de manière à enrichirvotre regard sur le sujet.Bonne semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dans ce podcast, Frédéric Migayrou, commissaire de l'exposition, nous accompagne à travers la rétrospective de l'œuvre de Norman Foster. Il nous présente cette figure majeure qui a marqué l'histoire de l'architecture mondiale par son approche systémique et globale de la nature et de la technologie. Des extraits d'un entretien réalisé avec Norman Foster nous éclairent sur la pensée de cet architecte visionnaire et sur plusieurs projets emblématiques. Avec la participation de Fredéric Migayrou et de Norman Foster Réalisation : Florence Sayag-Morat Voix off : Florian Hutter Enregistrement : Ivan Gariel Mixage : Antoine Dahan Habillage musical : Sixième Son Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this podcast, Frédéric Migayrou, curator of the exhibition, takes us through the retrospective of Norman Foster's work. He introduces us to this major figure who has left his mark on the history of world architecture with his systemic and global approach to nature and technology. Extracts from an interview with Norman Foster shed light on the thinking of this visionary architect and on several iconic projects.With the participation of Frédéric Migayrou Directed by Florence Sayag-Morat Voices: Florian Hutter et Candice Maj Recording: Ivan Gariel Mix: Antoine Dahan Sound Design: Sixième Son Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Summer Islam is a founding director of Material Cultures, a not-for-profit organisation that in its own words ‘challenges the systems, technologies, processes, supply chains, regulations and materials that make up the construction industry with the aim of transforming the way we build'.Currently, Summer has an installation in London's Building Centre, along with her partners, Paloma Gormley and George Massoud. Homegrown: Building a Post-Carbon Future is notable for the large straw and timber structure at its heart. The trio has also published a new pocket-sized book, Material Reform, that attempts to set out the way we should build in the future, examining the ‘technification' of architecture, our reliance on extractive processes, and investigating how we should build with biomaterials. It's a fascinating, far reaching, read. In this episode we talk about: the philosophy behind Material Cultures; the problems with the construction industry and why it needs to change; being a ‘reformist' rather than a ‘revolutionary'; disagreeing with Norman Foster on concrete; how biomaterials can simplify the way we build; factories as places of experimentation; the importance of repair; architects' ‘arrogant' use of timber; why straw is vital to our future; and putting Material Cultures' ideas into practice. Support the show

Cuando tratamos de entender nuestro pasado uno de los recursos más habituales es contar con el patrimonio histórico construido, los edificios y monumentos, pero también los restos arqueológicos que han llegado hasta nosotros. Su conservación en la mayor parte de los casos depende de los recursos económicos, la voluntad política y la capacidad técnica que la sociedad tenga para mantenerlos. Es por ello por lo que en los países del primer mundo no sólo se valora mucho más el patrimonio histórico, sino que se dedican grandes cantidades de dinero a restaurarlo y recuperarlo gracias a un sinnúmero de especialistas muy bien preparados que han hecho de esto mismo su profesión. En este punto se abre uno de los debates más interesantes, un debate que se libra desde hace por lo menos dos siglos y que trata de responder a la pregunta de cómo llevar a cabo esas restauraciones. Los hay que defienden que se conserve lo que ha quedado sin más, con el riesgo que ello entraña de que la mayor parte de los visitantes del monumento o del sitio arqueológico no entienda lo que ve y cuestione su mantenimiento. Otros abogan por la restauración más o menos creativa en base a lo que creemos que existió en el pasado. Esto alumbra edificios prácticamente nuevos con una fina conexión con su historia. Por último, algunos creen que hay que adaptarse al mundo contemporáneo tratando de conservar la originalidad de esos bienes al tiempo que se adecúan para que los visitantes puedan recorrerlos y comprenderlos. Eso mismo es de lo que vamos a hablar hoy en La ContraHistoria con dos invitados de excepción. A uno la audiencia le conoce muy bien porque visita el programa con asiduidad. Se trata de Alberto Garín y no necesita presentación. Alberto es arqueólogo, especialista en historia del arte y, de un tiempo a esta parte, divulgador a través de su ya popular canal de YouTube. El otro es Carlos Rubio, un prestigioso arquitecto español con decenas de premios y un generoso currículo de obras en su haber, tanto edificios de nueva planta como restauraciones de edificios históricos. Entre los primeros a Carlos Rubio le debemos la Torre PwC de Madrid, uno de los rascacielos más altos y estilosos de España, la sede de Indra o el campus de la Universidad Planeta. Participó también el megaproyecto de reordenación urbana de Madrid Río y actualmente lo hace en el del Bosque Metropolitano. Junto a eso ha realizado algunas restauraciones notables como la del Archivo Histórico de Cuenca, una obra que recibió el premio de arquitectura contemporánea de Castilla-La Mancha. En estos momentos se encuentra restaurando junto a Norman Foster el Salón de Reinos del palacio del Buen Retiro, uno de los retos más complicados que presenta el rico patrimonio histórico de la capital. Como ya os contábamos en una ContraHistoria que hicimos hace unos meses, de aquel palacio sólo quedan dos estancias: el salón de baile, que forma parte del Museo del Prado, y el Salón de Reinos, un edificio de gran valor histórico y artístico que en no demasiado tiempo se reintegrará en la vida cultural de la ciudad. La intención manifiesta que tenemos Alberto y yo hoy es que Carlos Rubio se desnude intelectualmente ante todos nosotros. Queremos que nos diga cómo hace un arquitecto cuando tiene que enfrentarse al desafío de tomar entre sus manos un edificio con varios siglos de historia para traerlo al presente. No es muy difícil deducir que la responsabilidad es inmensa ya que debe conservar un bien del pasado. En principio no solo porque la sociedad demanda esa conservación, sino, sobre todo, porque si esa conservación no se da es posible que ese patrimonio se pierda. Bibliografía: - "Historia de la conservación y la restauración" de Ana Macarrón - https://amzn.to/3xcQpvT - "Conservadores y restauradores" de María Dolores Ruiz de Lacanal - https://amzn.to/3jNz6OT - "Criterios y normativas en la conservación y restauración del Patrimonio Cultural y Natural" de Ana Macarrón y Ana Calvo - https://amzn.to/3jRlnXb - "Criterios y teorías de la conservación y la restauración del patrimonio artístico a lo largo de la historia" de Miquel Mirambell Abancó - https://amzn.to/3ln2Qma · Canal de Telegram: https://t.me/lacontracronica · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #patrimonio #arqueologia Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

In this episode I fact check the article  "There are a lot of dangerous myths" about sustainability says Norman Foster, which appeared on dezeen.com on 17th January 2023.  The architect made some controversial statements about sustainability and defended Foster & Partner's decision to keep designing airports and leave Architects Declare. This episode is in no way an attack on the fine people who work at Foster & Partners or the work they do to design sustainable buildings. It is just a fact check of some of the controversial statements made by Foster himself, to help people understand the climate science.Relevant episode for further listening: #21: Jake Attwood-Harris (HawkinsBrown) - Whole Life Carbon, Zero Carbon Architecture and Retrofitting for SustainabilityRelevant links and further readinghttps://architizer.com/blog/inspiration/stories/foster-partners-zaha-hadid-architects-quit-architects-declare/#:~:text=Foster %2B Partners and Zaha Hadid,climate action can be policed.https://www.carbonbrief.org/analysis-uks-jet-zero-plan-would-allow-demand-for-flying-to-soar-70/https://ourworldindata.org/co2-emissions-from-aviationhttps://cen.acs.org/environment/pollution/nuclear-waste-pilesscientists-seek-best/98/i12https://www.forbes.com/sites/christinero/2019/11/26/the-staggering-timescales-of-nuclear-waste-disposal/?sh=5ba3bc729cf5https://www.smithsonianmag.com/innovation/fuel-seawater-whats-catch-180953623/#:~:text=Now%2C scientists at the U.S.,plane as proof of concept.https://science.howstuffworks.com/transport/flight/modern/question192.htmThanks for listening!Green Urbanist website Contact Form Substack Twitter Instagram Linkedin

Egypt is a country in the north of Africa. It has sandy deserts, a big river called the Nile, snappy crocodiles, and lots of huge pyramids! 埃及有沙漠、尼羅河、鱷魚，還有超大的金字塔！ Most of their pyramids were made long ago, in ancient times, out of big stone bricks. 金字塔是古時候的埃及人用大石塊建造的。 But now, a new pyramid has been built in Egypt. One that is quite different… 現在，埃及蓋了一座新的，很特別的金字塔！ The bricks are big, but they're not made of stone. Instead, they're made of trash! It's taller than a three-story building! 蓋這座金字塔的磚塊很大，但不是石頭，而是由垃圾做成的！高度比三層樓還高！ It weighs 20 tons… that's the same as three elephants! 它有 20 噸重，跟三頭大象差不多！ All the trash used to make these bricks was taken from the river Nile. Sadly, the Nile is filled with trash. It's very polluted. 這些垃圾都是從尼羅河裡面撿來的。尼羅河現在污染很嚴重。 The pyramid's builders don't just want to clean the Nile, they want to clean the whole planet… 蓋金字塔的人不只是想要把尼羅河清乾淨，還想要把全世界清乾淨！ They hope to put teams of cleaners all over the world. Their job will be to clean the earth five days a week, every week, every year, for the next 100 years! 他們希望派清潔隊伍到世界各地，每一個星期花五天，持續一百年清理環境！ A huge pyramid made of trash, and cleaners for 100 years! I wonder if they'll clean my bedroom for me too… ________________________________ Vocabulary 埃及蓋了寶特瓶金字塔，來提醒世人污染的嚴重。 1. trash 垃圾 I used to swim here. 我以前在這裡游泳。 But look how dirty it is now! 但是你看它現在多髒！ Yeah, it's filled with trash. 對啊，滿滿都是垃圾。 2. clean 清理 I wonder if anyone will come and clean it up. 不知道會不會有人來清理。 I doubt it. 我很懷疑。 Would you clean it? 你會清理嗎？ Me? No! I didn't grow up here. 我？不會。我又不是在這裡長大的。 3. building 建築物 Who built this house? 誰蓋了這棟房子？ I think Norman Foster did. 我想是 Norman Foster 蓋的。 He built many famous buildings. 他蓋了很多有名的建築。 4. made of 用某種材料做。 Is it made of steel? 是用鋼鐵做的嗎？ I believe so. 應該是的。 今天學到哪些單字？ trash 垃圾 clean 清理 building 建築物 made of 用某種材料做 ________________________________ Quiz 1. What is Egypt's big river called? A: The Vile B: The Nile C: The Style 2. How much does 20 tons weigh? A: The same as three elephants B: The same as three crocodiles C: The same as three pyramids 3. How long do they want teams cleaning the earth? A: 100 days B: 100 months C: 100 years Answers 1. B 2. A 3. C

This week we're talking to Britain's most revered architect, Lord Foster, and to the design guru and co-founder of the Design Museum, Stephen Bayley, about their quest to put beauty back at the heart of contemporary building. The registered charity, the Royal Fine Art Commission Trust, which Stephen chairs, staged its first ever Building Beauty Awards on Monday 21st November at the Stirling Prize winning Bloomberg building in the City – which Norman Foster designed. We discuss the winners across four categories: building, engineering, public spaces and little gems, the last designed to cheer residents and bring pride to a built neighbourhood. This is a rare chance to hear two such prominent figures from the world of architecture and design discuss what constitutes beauty in new building today. Building beauty reaps rich award – the winners received £10,000, the joint biggest prize in architecture and a Portland stone rhodium-plated trophy created by the jeweller Theo Fennell – who was also one of the judges. Tune in to find out who the winners of the prize were and to hear about the first Royal Fine Art Commission Trust International Building Beauty Prize at World Architecture Festival in Lisbon next week.

Norman Foster discusses the key cultural influences and experiences that led him to become one of the world's most important living architects. Baron Foster of Thames Bank founded Foster and Partners in 1967, a practise which specialises in urban master-planning, civic, cultural, office and airport developments. His most famous designs include the Great Court of the British Museum, the Reichstag in Berlin, Millau Viaduct in France, the Apple headquarters in California, Wembley Stadium, Beijing Airport, and the London tower known as ‘the Gherkin'. At 87 years old, and still working as executive chairman of his company, Norman Foster looks back to his working class childhood in Manchester when he first became fascinated with the built environment in the post-war years. He recalls taking two books from the local library - on the architects Frank Lloyd Wright and Le Corbusier - which helped focus his early fascination with architecture. After studying at Manchester University's school of architecture, Norman Foster won a scholarship to study at Yale University in Connecticut. It was there he met Richard Rogers, with whom he became firm friends and started taking long road trip across America to seek out landmark buildings. On return to the UK, Foster and Rogers set up their first architectural practise Team Four, along with their wives Wendy Cheeseman and Su Brumwell. Foster tells This Cultural Life about his continuing fascination with the design process, after a five decade career that has seen him win the most prestigious architecture prizes, including the Pritzker, the Praemium Imperiale Award, and the RIBA Gold Medal. Producer: Edwina Pitman

Josemi nos cuenta cómo fue su visita a Bilbao y a la exposición de coches de Norman Foster en el Museo Guggenheim. El colaborador de 'Más de Uno' relata su paseo por la playa de Miramar de lo más "bestial" y resalta la elegancia del Hotel Chateau de Brindos al que fue con unos amigos.

In this week's podcast I discuss the various wins and challenges my guest Philip Goodman has encountered in his career as an architect and the tranisition to starting a business as a property developer.  I hope you enjoy. Eureco Property - https://urecoproperty.com/ Philip Goodman - https://www.linkedin.com/in/philip-goodman/  Take the Property Investor Readiness Test https://eliteproperty.scoreapp.com/   The Elite Property Accelerator https://www.elitepropertyaccelerator.com/   Connect with and learn more about Gavin here https://www.gavinjgallagher.com   Gavin also has a YouTube channel https://www.youtube.com/gavinjgallagher?sub_confirmation=1  If you have any questions you'd like answered on the show please email or send a voice recording to podcast@behindthefacadepodcast.com  Connect on social media @gavinjgallagher

Norman Foster, Manuel Ciraqui y Lekha Hileman son comisarios de la exposición.

In today's episode, I discuss the topic of sustainability with my guest Lauren Eckhart Smith, the Head of Design at Alagem Capital Group in Beverly Hills, California. I also speak with her about One Beverly Hills, a mixed-use project that includes residential, retail, hotel and both new construction and renovation components. This project, located at the intersection of Wilshire Boulevard and Santa Monica Boulevard, is a one-of-a-kind building with the most advanced technologies for health and sustainability. Additionally, I discuss with Lauren how this particular 17.5-acre site is one of the largest projects incorporating sustainable design and architecture in California, far beyond the hand-waving that we see in our industry. She also shares with us her experience working with the City of Beverly Hills as well as her experience working on past jobs, such as designing the IAC Headquarters in New York by Frank Gehry, the Bloomberg LP Headquarters in London by Norman Foster. A new wave of sustainable building designs has emerged - and it's nothing compared to what we have seen in the past. Join us on today's episode if you are interested to learn more as we dive into this topic, including Lauren's personal experience working in the industry. About the Guest:Lauren Eckhart Smith is the Head of Design at Alagem Capital Group in Beverly Hills, California. After beginning her career at Gensler Associates, she spent a large portion of her career working on iconic buildings such as the IAC Headquarters in New York by Frank Gehry, the Bloomberg LP Headquarters in London by Norman Foster. Lauren is currently in charge of the design of One Beverly Hills, a master-planned and unsurpassed development at the gateway to Beverly Hills including 300 luxury residences, retail, a lifestyle members club and eight acres of botanical gardens.Listen to the episode on Apple Podcasts, Spotify, Google Podcasts, Stitcher, TuneIn, or on your favorite podcast platform. Topics Covered:Lauren's experience working with Alagem Capital GroupWhat does sustainable design mean?Lauren's experience working with IAC Headquarters in New York by Frank Gehry, the Bloomberg LP Headquarters in London by Norman FosterOne Beverly Hills projectHow large projects can address sustainability, far beyond the hand-waving that we see in our industry. About Your HostAtif Qadir is the Founder & CEO of REDIST, a technology company making it easy for commercial real estate professionals to find and use the $100B of real estate incentives given out every year in the US.Resources and LinksLauren's LinkedInAlagem Capital Group LinkedInOne Beverly Hills WebsiteGrab our exclusive guide Seven Tips on How to Stand Out in Your FieldLearn more on the American Building websiteFollow us on InstagramConnect with Atif Qadir on LinkedInLearn more about Michael GravesLearn more about REDIST

https://entrearchitect.com/wp-content/uploads/2021/12/ScreenShot2021-12-16at1.48.13PM.png ()RODE Architects Kevin Deabler began studying design at North Carolina State University's College of Design in Raleigh, North Carolina where he graduated with Bachelor degrees in Environmental Design in 1995 and Architecture in 1996. While enrolled at NCSU, Kevin also managed an internship with the sculptor Thomas Sayre and the architectural studio at Clearscapes PA. After arriving in Boston in 1996, Kevin held positions at Benjamin Thompson Associates, Perry Dean Rogers, and CBT/Childs Bertman Tseckares. His project work included a theater complex in New York's Times Square, the master planning of a new campus for Olin College, and several mixed-use urban developments in Greater Boston such as Russia Wharf and Kendall Square. At CBT, Kevin also worked as a project manager on high-profile museums with renowned architects such as Renzo Piano for the Isabella Stewart Gardner Museum, Norman Foster for the Museum of Fine Arts- Boston, and Daly Genik for the Harvard University Art Museums. In 2004, Kevin completed an MBA at Northeastern University. Eric J. Robinson began studying design at North Carolina State University's College of Design in Raleigh, North Carolina where he graduated with a Bachelor degree in Environmental Design in 1994. Eric then participated in a two-year internship with BCW+H Architects in Richmond, VA. Following this internship Eric attended the University of Virginia, successfully finishing his Master of Architecture in 1999. Upon completion of his Masters, Eric was offered a position at Charles Rose Architects (formerly Thompson and Rose) where he worked as a Senior Designer/Architect for 9 years. His diverse body of work includes projects at the University of South Dakota, the University of Massachusetts Dartmouth, the Florida Gulf Coast Museum of Art, the Federal Port of Entry in Del Rio, TX, residences on Martha's Vineyard, and a summer camp in Wyoming. Eric's projects at Charles Rose Architects have received multiple professional awards. Eric and Kevin Deabler founded RODE Architects in 2005. Since 2006, Eric also serves as a visiting lecturer at Northeastern University. Eric is a LEED Accredited Professional and brings to the firm an integrated, design-oriented approach to the profession. Kevin is also LEED accredited and brings to the firm a professional and organized approach to problem solving. This week at EntreArchitect Podcast, RODE Architects with Eric Robinson & Kevin Deabler.  Connect with Kevin & Eric online at https://www.rodearchitects.com (RODE Architects), or find them on https://www.linkedin.com/company/rodearchitects (LinkedIn), https://www.facebook.com/RODEArchitects/ (Facebook), https://www.instagram.com/samrichter/ (Instagram), and https://www.instagram.com/rodearchitects/ (Twitter). Please visit Our Platform Sponsors https://arcat.com (ARCAT) is the online resource delivering quality building material information, CAD details, BIM, Specs, and more… all for free. Visit ARCAT now and subscribe to http://arcat.com (ARCATECT Weekly and ARCATAlert). http://EntreArchitect.com/Freshbooks (Freshbooks) is the all in one bookkeeping software that can save your small architecture firm both time and money by simplifying the hard parts of running your own business. Try Freshbooks for 30 days for FREE at http://EntreArchitect.com/Freshbooks (EntreArchitect.com/Freshbooks). Visit our Platform Sponsors today and thank them for supporting YOU… The EntreArchitect Community of small firm architects. Mentioned in this Episode https://yougotthenews.com (YouGotTheNews.com) The post https://entrearchitect.com/podcast/entrearch/rode-architects/ (EA434: Eric Robinson & Kevin Deabler – RODE Architects) appeared first on https://entrearchitect.com (EntreArchitect // Small Firm Entrepreneur Architects).

El abogado, empresario y académico, presidente del Teatro Real, la Fundación Ortega-Marañón y del Teatro de La Abadía y fundador y presidente de honor de la Real Fundación de Toledo, Gregorio Marañón (Madrid, 1942) dialogará sobre su trayectoria vital y profesional con el periodista Antonio San José. Marañón preside los consejos de administración de importantes empresas, es miembro de los consejos de administración de Patrimonio Nacional y de El Español y patrono de honor de la Fundación Norman Foster, entre otros muchos cargos y distinciones. Es Premio de Periodismo Mariano de Cavia 2017 y en 2021 ha recibido la Medalla de Oro del Ayuntamiento de Madrid. Ha publicado recientemente Memorias de luz y niebla (2020). El diálogo se complementará con la proyección de vídeos e imágenes relacionadas con la actividad del invitado.Más información de este acto

Woman on the Run is a 1950 American crime film noir directed by Norman Foster and starring Ann Sheridan and Dennis O'Keefe. The film was based on the April 1948 short story "Man on the Run" by Sylvia Tate and filmed on location in San Francisco. The film was restored and preserved by the UCLA Film & Television Archive. Plot. Frank Johnson (Ross Elliott) is an unsuccessful painter who is out walking his dog one night when a car stops nearby and he overhears an argument. The passenger of the car is trying to blackmail the driver. Frank overhears the driver say that people call him "Danny Boy". Then he sees the driver shoot the man trying to blackmail him and then push his body out of the car. The killer then sees Frank hiding in the shadows and takes some shots at him before driving away. The victim was going to testify before a grand jury against a gangster. Since Frank saw the shooter, Police Inspector Ferris (Robert Keith) wants to place him in protective custody so he can testify. Frank has second thoughts and slips away while the police are milling around. Ferris goes to Frank's wife, Eleanor (Ann Sheridan) to see if she can help him find Frank. She is not especially cooperative or concerned about her husband. She tells Ferris about her unhappy marriage and says that it's "just like him, always running away." Ferris asks her, "Running away from what?" She replies, "From everything." The police keep watch on her building in case Frank decides to come home. Eleanor later tries to sneak out of her building without being spotted by the police and encounters reporter Danny Legget (Dennis O'Keefe). He offers his help and $1000 for an exclusive story. They both go to a club that Frank often visits in order to sketch the dancers. Sam (Victor Sen Yung ), a waiter friend of Frank's, secretly passes along a message to Eleanor that Frank will send her a letter addressed to his co-worker Maibus (John Qualen ). But Legget reads the message too without Eleanor noticing. When Eleanor returns to her apartment, Ferris informs her that he has spoken with Dr Hohler (Steven Geray) who is Frank's doctor. Frank is taking medicine for a bad heart, a condition that she was unaware of. Ferris has instructed all druggists to notify him if someone asks for it. Eleanor goes to see Frank's doctor who tells her how serious her husband's condition can be and that it could even be fatal. The doctor gives Eleanor some of Frank's medicine. Eleanor then goes to the Hart & Winston department store, the store where Frank works as a window designer to see if she can get the letter Frank sent to Maibus. But Maibus doesn't have the letter and the mail clerk tells him there was no letter. Legget has managed to get the letter by bribing the mail clerk before Eleanor had arrived. Legget reads it but the letter doesn't tell him where to find Frank. He has to show the letter to Eleanor, who is the only person who can decipher the message. The letter gives some details that only Eleanor would know where Frank is staying, but Eleanor can't figure out what Frank is trying to tell her. They speak to Sam again at the club. One of the dancers, Suzie (Reiko Sato ), mentions to Legget that Frank made a sketch that looks like him, but Eleanor doesn't hear her conversation with Legget. Suzie tells Legget that she expects that she will give the sketch to the police when they return. Legget and Eleanor cross the street to ask some questions in a bar that Frank liked. Legget leaves Eleanor to make a phone call and returns to the club unnoticed. Suzie dies from a mysterious fall from the building. Legget tears up the drawing before joining Eleanor again just as police cars and an ambulance arrive at the club. During the course of her investigation, Eleanor learns things that she never knew about Frank. She learns that everyone who knows Frank likes and admires him. They all believe that she must be a wonderful person if Frank married her. She begins to question herself and her feeli

In episode fifty-nine of movies imo., Ben, Brandon, and Daniel yell over each other about Orson Welles's long-awaited final film THE OTHER SIDE OF THE WIND in the contexts of his own biography, filmography, and the accompanying production history documentary THEY'LL LOVE ME WHEN I'M DEAD. They also chat about a couple other unwieldy auteur pictures with Elaine May's ISHTAR and Francis Ford Coppola's APOCALYPSE NOW. Ben declares Orson to be his daddy and wonders what did he do wrong, Daniel wants someone to give Norman Foster a hug, and Brandon bangs his head against a wall HEREDITARY-style until the credits roll on Hoffman and Beatty. See acast.com/privacy for privacy and opt-out information.