Podcasts about Scenography

After a presentation of Frédéric Beauclair, interior architect and scenographer, and that of his son, a designer with whom he collaborates occasionally, we discover his approach to sustainable development. Frédéric Beauclair's text is read by Esther..Image DR © Frédéric BeauclairSound engineering : Julien Rebours___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Scenography is a noun that refers to the representation of objects in perspective.  Our word of the day's root word is ‘scene', which comes from the Greek word for ‘stage.' So it's appropriate that it's commonly used in theatre to describe the art of arranging scenery. Example: Last night's play was something of a disappointment. The acting was fine, but they had arranged the scenery in such a way that we could barely get a sense that the action was set in post-war France. Sometimes bad scenography can ruin an otherwise exceptional play. 

“Childfree describes the voluntary choice to not have children. In most societies and for most of human history, choosing not to have children was both difficult and undesirable. The availability of reliable contraception along with support provided in old age by one's government rather than one's family has made childlessness an option for some people, though they may be looked down upon in certain communities. According to the Merriam-Webster Dictionary, the word "childfree" first appeared sometime before 1901,[1] and was described as a 'trend' in 2014 in Psychology Today online magazine. [2] The meaning of the term "childfree" extends to encompass the children of others (in addition to one's own children) and this distinguishes it further from the more usual term "childless", which is traditionally used to express the idea of having no children, whether by choice or by circumstance.[3] The term "child-free" has been cited in Australian literature to refer to parents who are without children at the current time. This may be due to them living elsewhere on a permanent basis or a short-term solution such as childcare.[4]” I enjoy self-parenting, self-marriage, and solo living the most. I strictly and only fully appreciate: ethical sexual visual arts (including ethical sexual architecture, ethical sexual ceramics, ethical sexual drawing, ethical sexual filmmaking, ethical sexual painting, ethical sexual photography, and ethical sexual sculpting) ethical sexual literary arts (including ethical sexual fiction, ethical sexual drama, ethical sexual poetry, and ethical sexual prose) ethical sexual performing arts (including ethical sexual dance, ethical sexual music, and ethical sexual theatre), ethical sexual Non-fiction, ethical sexual cinematography, ethical sexual Discography, ethical sexual Filmography, ethical sexual "bibliography", ethical sexual Audiography, ethical sexual Videography, ethical Erotica, ethical pornography, ethical sexual Comedy, ethical sexual cautionary tales, ethical sexual educational entertainment (edutainment), ethical sexual satire, and ethical sexual Scenography. I want and need to be featured in all of these! --- Send in a voice message: https://podcasters.spotify.com/pod/show/antonio-myers4/message Support this podcast: https://podcasters.spotify.com/pod/show/antonio-myers4/support

If today, we know little, or not enough, the job of designer-scenographer, the scenography, which draws its origins in the theater, invades little by little our daily life, without us realizing it.Fortunately, the virtuous and virtuoso scenography exists. So what could be more natural than to invite the international experts of the discipline: the London studio Casson Mann! From Great Britain to the United States, Australia, Russia and France, among others, Casson Mann successfully accompanies the most territorial cultural projects. Their main references include: the Cité du Vin in Bordeaux France, the Benjamin Franklin Museum in Philadelphia USA, the Churchill Museum in London etc.In this episode of Com d'Archi, Gary Shelley, associate director, tells us about his career, as a specialist and talks about Casson Mann's projects all over the world. As an echo to this episode, the interview in French with Laure Cheung, rich and complementary!Image teaser ©Sound engineering : Julien Rebours___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

A theatre polymath, NIDA graduate John Senczuk's multi-award winning career spans forty years with his work seen nationally and internationally in commissions for opera, dance and drama. He worked concurrently as an academic, with fifteen years at the Faculty of Creative Arts, University of Wollongong (creating and teaching courses in Scenography, Directing and Dramaturgy) before taking senior positions at Toi Whakaari, New Zealand Drama School, and WAAPA (Program Director—Production, Design and Arts Management; Head of Design). He was Chairman of Griffin Theatre Company in 1985, appointing the Company's first artistic director; founding Chair of Paul Mercurio's Australian Choreographic Ensemble; and sat on the Boards of Theatre South, Currency House, Dramaturgical Services Inc., The Seymour Group and Matt Lutton's Thin Ice. For ten years, from 1989, John was associate director of Wollongong's Theatre South where his credits on over thirty productions as director/designer included Hamlet, After Dinner, Twelfth Night, Christian Brothers and The Time is Not Yet Ripe. He has also directed drama, opera and musicals: Bony Anderson (Seymour Group); Flesh and Blood (Festival of Sydney); Irene (with Hollywood legend Debbie Reynolds,) and the premieres of David Williamson's When Dad Married Fury, Justin Fleming's Kangaroo and John Aitken's The Enchanters. John collaborated with Gale Edwards on the book & lyrics for the musical Eureka!, and wrote the Opera libretto for African Queen. Highlights of his career as a designer include L'Orfeo (Oslo Summer Festival) and Sons of Cain (West End). He collaborated on over twenty productions for the Sydney Theatre Company, including David Williamson's Dead White Males and Heretic, and the Australian premiere of Into the Woods; and has worked extensively in both the subsidised and commercial theatre nationally. John submits his PhD Theses (Flinders University) in 2022. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Mara Thomas got to know poet and educator Zoe Tuck through the School of the Alternative in Black Mountain, North Carolina where Zoe taught a class called “Book Magic.”  “Book Magic” started from the premise that there is a grain of truth to the magic we remember from children's books and other fantastical literature. And if those books contained a grain of truth, how might participants nurture that grain and write their own magical systems into being? Enjoy this conversation about the mystical and intuitive parts of the creative process, ranging from friendship to trance poetics and patterned breath to the potency of shared creative spaces. Check out the show notes below for links to many of the books, writers, and resources referenced in this episode. BIO: Zoe Tuck (she/her) was born in Texas, became a person in California, and now lives in Massachusetts. She is the author of Terror Matrix (Timeless, Infinite Light) and the chapbooks "Vape Cloud of Unknowing" (Belladonna*) and "The Book of Bella" (DoubleCross Press), the latter of which is bound in a dos-a-dos edition with Emily Hunerwadel's "Peach Woman." In addition to teaching creative writing and literature classes, Zoe is the co-host of The But Also reading series with Britt Billmeyer-Finn and the co-editor of https://www.hotpinkmag.com/about (Hot Pink Magazine) with Emily Brown. SOCIAL MEDIA: IG: @zoe.tuck  Website: zoetuck.com MENTIONED IN THE EPISODE: http://schoolofthealternative.com/ (School of the Alternative) Eliza Swann - https://www.golden-dome.org/ (Golden Dome), Alchemical Imagination https://juliacameronlive.com/ (Julia Cameron) - The Artist's Way https://www.wikihow.com/Do-Automatic-Writing (Automatic Writing) https://www.poetryfoundation.org/poets/jack-spicer (Jack Spicer) - San Francisco Renaissance Poet Svetlana Boym - https://www.cabinetmagazine.org/issues/36/boym.php (Scenography of Friendship) Renee Gladman - https://bombmagazine.org/articles/language-and-landscape-renee-gladman/ (Adjacent Alterities)  https://nightboat.org/book/troubling-the-line/ (Troubling the Line) - first ever collection of poetry by trans & genderqueer poets https://www.thepoetrylab.com/resource/2021/kelsey-bryan-zwick/the-cento-poetrys-way-to-remix (Cento Poetry Practice) https://www.kprevallet.com/ (KPrevallet) - https://trance-poetics.mn.co/ (Trance Poetics), Ecosomatic Poetics https://www.mrjamesnestor.com/ (James Nestor) - Breath LISTEN TO ASBX AUDIO DRAMAS:https://artistsoapbox.org/masterbuilder/ (Master Builder) https://www.thenewcolossuspodcast.com/ (The New Colossus) https://artistsoapbox.org/declaration-of-love/ (Declaration of Love audio anthology) https://artistsoapbox.org/audio-dramas/asbx-shorts/ (ASBX Shorts) CONNECT AND FOLLOW: Artist Soapbox on social media: Twitter: https://twitter.com/artist_soapbox (@artist_soapbox) Instagram: @https://www.instagram.com/artistsoapbox/ (artistsoapbox) Facebook: https://www.facebook.com/artistsoapboxpodcast/ (https://www.facebook.com/artistsoapboxpodcast/) CONTRIBUTE: Soapboxers are the official patrons of the Artist Soapbox podcast. http://www.patreon.com/artistsoapbox (Get on the Soapbox with us at Patreon )or make a one-time donation via Ko-fi at https://ko-fi.com/artistsoapbox (https://ko-fi.com/artistsoapbox) or via PayPal at https://www.paypal.me/artistsoapbox?ppid=PPC000628&cnac=US&rsta=en_US(en_US)&cust=A55YE26SQPDL8&unptid=bcec7a46-337d-11e8-9bbe-9c8e992da578&t=&cal=cb540804e2cda&calc=cb540804e2cda&calf=cb540804e2cda&unp_tpcid=ppme-social-user-profile-created&page=main:email&pgrp=main:email&e=op&mchn=em&s=ci&mail=sys (PayPal.Me/artistsoapbox.) If you would like to make a tax-deductible donation, please consider our non-profit https://fundraising.fracturedatlas.org/soapbox-audio-collective (Soapbox Audio Collective).

After a presentation of Frédéric Beauclair, interior architect and scenographer, and that of his son, a designer with whom he collaborates occasionally, we discover his approach to sustainable development. Frédéric Beauclair's text is read by Esther..Image DR © Frédéric BeauclairSound engineering : Julien Rebours___If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

From the Natyashastra to now, there has been no theorizing of theatre in India. I don't know why people didn't try," says Satyabrata Rout, author, Scenography; An Indian Perspective, which is rich in details about stage design in both traditional and contemporary modern theatre in India. On this week's Books & Authors podcast, the author talks to @utterflea about his journey, working with BV Karanth, the popular mobile theatres of Assam and the flourishing Surabhi theatres of Andhra Pradesh, and how a scenographer can help the audience imagine visuals

Két lány a sport világából a színházi szféráig jutott. Bár egy középiskolába jártak, mégis az egyetem hozta össze őket, olyannyira, hogy ma már elválaszthatatlanok lettek. A saját nevükből alakult KáDé márkanévvé nőtte ki magát. Újrahasznosítható anyagokból készülnek már a kezük alatt, vagy mondhatjuk úgy is, hogy egy vasaló alatt az ékszerek. De talán ma a színházi közegben nem is erről, hanem inkább díszleteikről és jelmezeikről ismerik őket. A két alkotó ezidáig még rövid, de annál izgalmasabb útjáról beszélgetünk ebben a podcastban, melyben mesélnek sportról, iskoláról, tanárokról, színházról és újrahasznosításról. Némi öniróniával még azt is fölvetjük, hogy milyen előnyei, vagy buktatói vannak az együtt dolgozásnak, bár már jó ideje dolgoznak közösen, de mégis azt állítják, hogy egy pár napos mosolyszüneten kívül, még komolyabban nem vesztek össze munkában. Energikusak, törtetők, viccesek. ez az erősségük és kiválóan kiegészítik egymást. A mikrofonok mögött, Huszár Kató és Sikó Doró, azaz a KáDé!      A K.B.G. podcastot itt találod meg: Google Podcasts: http://bit.ly/3aLlwV3 Apple Podcasts: http://apple.co/3aCRHWp Spotify: http://spoti.fi/3dzwpLf Podbean: https://bit.ly/3qJBYdF Youtube: https://bit.ly/3rhPDvW Facebook: http://bit.ly/3dzBwel Instagram: https://bit.ly/30nQHzs   KáDé Scenogrpahy Facebook: https://www.facebook.com/kadescenography/ Kádé Scenography Instagram: https://bit.ly/3orTd3l Plastikádé Instagram: https://www.instagram.com/plastikade/   A K.B.G. podcast partnere a Polaris Oktatási Központ A Polaris Oktatási Központ weboldala: https://polarisconsulting.ro A Polaris Oktatási Központ Facebook oldala: https://www.facebook.com/polarisOK/   K.B.G. podcast látvány: https://www.instagram.com/nyul.psd/

Join us as we sit down and debrief after Nate finally, finally gets his cohosts to play his utterly favorite game, Kentucky Route Zero. We talk about our perception of the themes and designers' intents in this labyrinthine surreal art of 5 acts, conceived and released over a decade in the wake of American recession. WEVP's Un Pueblo de Nada broadcast, also WEVP's broadcast history Tamas Kemenczy, GDC '14: The Scenography of Kentucky Route Zero Junebug's solo album Eggplant's 'Into the Depths' series on KRZ Justin Clark's tremendous GameSpot review Deep, moving, and critical reflections: Blake Hester: A Kentuckian ex-alcoholic's deep reflections on Kentucky as seen through Kentucky Route Zero; GameInformer, 11/25/2020 Amanda Hudgins: The anger, pain, and disgust of Kentucky Route Zero being the primary game experience about Kentucky, written by outsiders; Bullet Points Monthly, February 2020 (also see the other 3 articles in February 2020's edition) Nicholas O'Brien: On the themes of Kentucky Route Zero; Critical Distance, September 2019 (an analysis of the 4+ main themes of Kentucky Route Zero, with many journalism links supporting each) Carolyn Petit: Revisiting Acts I-IV while Desperately Looking for Work; Medium, January 2020

“People have been worried about opera's demise for about four centuries now,” says Dr Caitlin Vincent, Lecturer in Creative Industries at the School of Culture and Communication, University of Melbourne. “It's a very old art form. We first saw western opera emerge in the 1600s in Italy and in the 21st century we're coming across the issue that opera is really defined by its museum work - the greatest hits of the 17th, 18th and 19th centuries - that are still the mainstay of opera companies worldwide.” Dr Vincent explains that in order to maintain the tradition of these works, some companies are resorting to problematic and outdated practices like blackface or yellowface makeup. “This is where you start to get a rift between different kinds of audiences, between the really traditionalist audiences who say opera should be done exactly the way as it was first intended to be done and between more modern, progressive audiences that say, we love opera but it needs to be updated in order to reflect a modern-day society,” she says. So how can we interpret these works in a way that does not perpetuate harmful stereotypes or cultural appropriation? One of the popular and successful strategies is education, Dr Vincent says. “Companies program problematic works like Madam Butterfly or The Mikado alongside educational initiatives that are designed to contextualise the works, framing it as a historical artefact and giving you the history that you need.” “The other thing about cultural appropriation, is who are the people who have been hired to interpret these works on stage? Do they represent diverse viewpoints, do they have any connection to the culture that is being portrayed on stage? “What we really need is to try to embed support for emerging composers and mid-career librettists to promote talent in Australia, the United States and the UK to actually cultivate those voices of the next generation. “Otherwise, we will just continue to program Madam Butterfly and Turandot forever, until eventually we can't anymore because they're too problematic.” Episode recorded: June 1, 2021. Interviewer: Dr Andi Horvath. Producer, audio engineer and editor: Chris Hatzis. Co-producers: Silvi Vann-Wall and Dr Andi Horvath. Banner: In the Box by Mary Cassatt (Photo by Francis G. Mayer/Corbis/VCG via Getty Images).

Ever wandered what the creative process is behind the films, tv shows and theatre productions you watch? Well, Crew Chats is a podcast going behind the scenes and chatting to the crew that help make these productions. Lorenzo Mancianti. Lorenzo studied Scenography and Costume in art school and upon graduating worked initially in theatre and later moved into the world of film. Italian by nationality, Lorenzo has had the opportunity to call multiple countries home- Italy, France and the UK as well as being able to travel the world through his work as a costume props and jewellery maker. Lorenzo currently resides in London where he works as head of department for costume props and or jewellery on productions such as, ‘Exodus: Gods and Kings’, ‘Star Wars: The Last Jedi’, ‘Aladdin’, ‘Blade Runner 2049’ and ‘Bridgerton’ to name a few. Lorenzo's Reccomendations: -Arabian Nights (1974) -Medea -Fellini Satyricon -Moulin Rouge -Apocolypto -Golden Girls

Gary Shelley from Casson Mann looks back on the Cité du Vin scenography project. A job which took more than 5 years and which allowed Casson Mann to become known in France.

The Northern Stage Theatre Podcast is back, back, back! This week, we talk to Anna Robinson a freelance Stage Designer/Sceneographer. We talk about the myriad of skills needed to take an idea from a director's head and fully realise it with time constraints, multiple relationships to manage and all of the time making sure that you produce something remarkable for audiences to enjoy. Anna also talks about working on Scene Change - a community of theatre designers taking action for theatre - and setting up the North East Theatre Creative Network. It's a totally fascinating hour. Give it a listen. Download the transcript here. Notes Anna Robinson: https://arobinsonscene.com/ Young Company: https://www.northernstage.co.uk/Pages/Category/young-people-16-21 Hackney Empire: https://hackneyempire.co.uk/ Peter Brooks 11 & 12: https://www.theguardian.com/stage/2010/feb/11/11-and-12-review The Secret Theatre: https://secrettheatre.com/ A Streetcar Named Desire: https://lyrictheatre.co.uk/event/a-streetcar-named-desire/ Rhys Jarman: https://rhysjarman.com/ Gecko Theatre: https://www.geckotheatre.com/ The Wedding: https://www.geckotheatre.com/the-wedding Peter Brook: https://en.wikipedia.org/wiki/Peter_Brook Scene Change: https://www.scene-change.com/ Scene Change at Northern Stage: https://www.northernstage.co.uk/news/designers-continue-to-wrap-theatres-in-message-of-hope You're Dead To Me Podcast: https://www.bbc.co.uk/programmes/p07mdbhg/episodes/downloads National Geographic Tutankhamoon: https://www.disneyplus.com/en-gb/series/tuts-treasures-hidden-secrets/3vX7PKSXJd09 Disney Plus Imagineering Story: https://www.disneyplus.com/en-gb/series/the-imagineering-story/6ryoXv1e1rWW Malcolm Gladwell's Talking To Strangers: https://www.amazon.com/Talking-Strangers-Should-about-People-ebook/dp/B07NDKVWZW

Mary and I met at her home in Victoria BC in December of 2018. We speak of her early days growing up in Winnipeg dancing in her mother’s dance studio and her transition to majorette, sculpture and finally nationally renowned set and costume designer. We speak for considerable length about her collaboration with the late Stephen Katz and her work on the spectacular opening ceremonies for the Commonwealth Games in 1994. Mary’s work was featured in the seminal book Scenography in Canada by Natalie Rewa and she currently is a professor at the University of Victoria.

This series was recorded during the Prague Quadrennial (PQ2019), the biggest festival for Scenography and performance design, which is taking place in the Czech Republic. My name is Ariane Trümper, I am a scenographer, media artist, researcher, and a member of the research group Platform Scenography, who curated the Dutch Contribution at the PQ2019. Always searching for 'new' ways to capture and document experiences, I decided to take my self-build binaural ears on a field trip and to place sound and spatial sound experience in the centre of my brief visit in Prague. I went on a hunt for various sounds and soundscapes. I wanted to record what we here on this festival of performance and spacial design, to get an impression on what role sound might play in contemporary scenography, and in our experience of space and reality. What is special in the experience of a space through sound and can the time asking presentation of an audio recording, compete with the instantaneousness of the digital image?

We’re long overdue for another career spotlight, and so this week I chat to my friend Teri Steer about her career path to becoming a stage manager at La Mama. La freaking Mama. That’s so cool I’m not even going to swear about it. Teri is a stage manager, designer, and a familiar face in Melbourne and Brisbane tech crews. One of the many things I admire about Teri is her resilience, and it really shines through as we talk about her journey to where she is now. Her path hasn’t been simple, and that is what makes her sharing it so valuable I think. One of the key lessons from this episode is that the most important thing to do for your career, is realise it is yours. And you have got to do what is best for you; do your degree slower, work on projects while you do it, change your major, whatever best serves you and your growth, do that.Keep well,-PaulaEPISODE NOTES:Things We Mentioned.....In case you have been living overseas or under a rock, La Mama is a pretty big deal. Check out their website here.....Merriam-Webster defines Scenography as the art of perspective representation especially as applied to the design and painting of stage scenery. Here’s a more detailed description of it, and here is a series of super fun Youtube videos about it!.....You can find Teri here:On InstagramHad a chuckle? Feeling less alone? Don’t forget to rate and review the podcast! It tells the algorithm to suggest us to other people.Produced by That’s Not Canon Productions. Graphics by Claudia Piggott. Music by Jessica Fletcher.Subscribe to us on ITUNES, STITCHER, SPOTIFY, RADIOPUBLIC or your podcatcher of choice.Find us on FACEBOOK or INSTAGRAM.

This series was recorded during the Prague Quadrennial (PQ2019), the biggest festival for Scenography and performance design, which is taking place in the Czech Republic. My name is Ariane Trümper, I am a scenographer, media artist, researcher, and a member of the research group Platform Scenography, who curated the Dutch Contribution at the PQ2019. Always searching for 'new' ways to capture and document experiences, I decided to take my self-build binaural ears on a field trip and to place sound and spatial sound experience in the centre of my brief visit in Prague. I went on a hunt for various sounds and soundscapes. I wanted to record what we here on this festival of performance and spacial design, to get an impression on what role sound might play in contemporary scenography, and in our experience of space and reality. What is special in the experience of a space through sound and can the time asking presentation of an audio recording, compete with the instantaneousness of the digital image?

This series was recorded during the Prague Quadrennial (PQ2019), the biggest festival for Scenography and performance design, which is taking place in the Czech Republic. My name is Ariane Trümper, I am a scenographer, media artist, researcher, and a member of the research group Platform Scenography, who curated the Dutch Contribution at the PQ2019. Always searching for 'new' ways to capture and document experiences, I decided to take my self-build binaural ears on a field trip and to place sound and spatial sound experience in the centre of my brief visit in Prague. I went on a hunt for various sounds and soundscapes. I wanted to record what we here on this festival of performance and spacial design, to get an impression on what role sound might play in contemporary scenography, and in our experience of space and reality. What is special in the experience of a space through sound and can the time asking presentation of an audio recording, compete with the instantaneousness of the digital image?

This series was recorded during the Prague Quadrennial (PQ2019), the biggest festival for Scenography and performance design, which is taking place in the Czech Republic. My name is Ariane Trümper, I am a scenographer, media artist, researcher, and a member of the research group Platform Scenography, who curated the Dutch Contribution at the PQ2019. Always searching for 'new' ways to capture and document experiences, I decided to take my self-build binaural ears on a field trip and to place sound and spatial sound experience in the centre of my brief visit in Prague. I went on a hunt for various sounds and soundscapes. I wanted to record what we here on this festival of performance and spacial design, to get an impression on what role sound might play in contemporary scenography, and in our experience of space and reality. What is special in the experience of a space through sound and can the time asking presentation of an audio recording, compete with the instantaneousness of the digital image?

Josafath Reynoso is a Mexican scenographer and Scenic Designer currently working in the US as a freelance designer and an Assistant Professor at the University of Richmond. He holds an MFA in Scenic Design from UT Knoxville and a BFA in Scenography from Escuela Nacional de Arte Teatral. Regional venues include: Triad Stage, Virginia Sage Company, Alice Jepson Theatre, Clarence Brown Theatre, Lexington Children’s Theatre, Donald Bedell Performance Hall, among others. International venues include: Teatro del Borde (Argentina), Escena 8 (Venezuela), KCDC (Israel), Teatro Salvador Novo (Mexico), Industrial Palace (Czech Republic), among others.Winner of the 2017 Gold Medal at World Stage Design in Taiwan, 2015 USITT National Scene Design Award, 2014 SETC Scenic Design Award, 2013 BroadwayWorld Award, and the SETC Ready-for-Work Award, among many others.He was selected as curator for the exhibit Mexico Rising: New exponents of performance design at USITT 2018, keynote speaker at Stage|Set|Scenery (Berlin), presenter at the International Biennale of Architecture (Buenos Aires), one of fifteen designers selected to present at 2015 USITT Young Designer’s Forum and the 2015 National Design Portfolio Review in NYC. He has represented the US in Germany, and Wales; and Mexico in Taiwan, the Czech Republic and Venezuela.

This episode is dedicated to my friend Edwin Erminy. The theatre and arts community of Venezuela, Trinidad and Tobago and the world lost an amazing artist tonight. I lost my friend. Edwin will always be a testament to the joy, excitement and passion for Scenography. His love of all things art was infectious. I cannot capture all that his life entailed in a single post nor can I begin to find the right words because there will not be enough of them. I have lost a mentor. Someone who helped make me a better person by being around him. Who helped show me the way to becoming a better teacher. Who would also make fun of me because I was the antithesis to his way of making a plan or a drawing. Edwin's favorite phrase to me was "Come on Man" or his over the top exclamation of "What?! What?!" and then break out into laughter. I'm glad we challenged each other. The last thing I would ever want to do was fail him no matter how much of an argument we would get into. I will remember his patience even though most things drove him mad but he never let that get out or show unless necessary. I will think of how he made fun of me for being an American and how his english somehow conveniently got bad the more "tired" he became. There will be no last moments for me because you will not be gone. In Buddhism it is said that a spirit is not extinguished upon death, but instead transfers to another in one of six planes. That a person’s actions during their lifetime results in karma that determines in what form there spirit will be reborn—as a human, an animal, or various forms of spirits, including angels, demons, gods, and ghosts. You will return and I know you will come visit us. I'll always be sure to keep an eye out for you. "I have been and always shall be your friend"

上期节目里，梦园和我们聊了聊舞台设计的过程、和团队中不同角色的合作、通过舞台表达抽象概念和象征涵义等等。她讲到的那些美丽的故事和设计是不是还历历在目呢？这些灵思是怎么来的？她怎么通过舞台设计让观众更深刻地体验一部戏，甚至产生更深远的社会意义？梦园也与我们分享了她自己从建筑转行舞台设计的心路历程，以及她对设计和戏剧的体会。 00:56 广泛涉猎，把灵感做成蒙太奇 05:20 用一块降落伞布变魔法 12:14 作品在被创造出来的一瞬间就不属于我了 16:46 我会非常看重观众是怎么体验这部戏的 18:35 艺术创作的精神世界与现实中的沟通合作如何权衡？ 20:40 设计师该不该有个人风格？ 23:00 从建筑到舞台的心路历程 27:42 我的同学有学政治哲学、新闻和 IT 的，是什么让他们转行舞台设计？ 29:38 我会来到这唯一一个把戏剧行业做的淋漓尽致的地方 32:28 戏剧是对人的一种探索 参考链接 梦园的个人网站：http://www.lemengyuanisabel.com Iphigenia and Other Daughters 转场视频： https://vimeo.com/188605954 Iphigenia and Other Daughters 剧照： http://www.lemengyuanisabel.com/iphigenia-and-other-daughters/ Twelve Ophelias 剧照： http://www.lemengyuanisabel.com/twelve-ophelias/ Josef Svoboda 作品：http://www.svoboda-scenograf.cz/en/works/ 关于 Josef Svoboda 的视频 The Phenomenon of Scenography：https://vimeo.com/171784005 我台联系方式 微信公众号：uxcoffee 微博：https://www.weibo.com/uxcoffee 知乎专栏：https://zhuanlan.zhihu.com/uxcoffee Twitter：https://twitter.com/ux_coffee Instagram：https://www.instagram.com/ux_coffee/ 文字整理稿 我们看到的梦幻舞台，是这样设计出来的：舞台设计师乐梦园 - 知乎

上期节目里，梦园和我们聊了聊舞台设计的过程、和团队中不同角色的合作、通过舞台表达抽象概念和象征涵义等等。她讲到的那些美丽的故事和设计是不是还历历在目呢？这些灵思是怎么来的？她怎么通过舞台设计让观众更深刻地体验一部戏，甚至产生更深远的社会意义？梦园也与我们分享了她自己从建筑转行舞台设计的心路历程，以及她对设计和戏剧的体会。 00:56 广泛涉猎，把灵感做成蒙太奇 05:20 用一块降落伞布变魔法 12:14 作品在被创造出来的一瞬间就不属于我了 16:46 我会非常看重观众是怎么体验这部戏的 18:35 艺术创作的精神世界与现实中的沟通合作如何权衡？ 20:40 设计师该不该有个人风格？ 23:00 从建筑到舞台的心路历程 27:42 我的同学有学政治哲学、新闻和 IT 的，是什么让他们转行舞台设计？ 29:38 我会来到这唯一一个把戏剧行业做的淋漓尽致的地方 32:28 戏剧是对人的一种探索 参考链接 梦园的个人网站：http://www.lemengyuanisabel.com Iphigenia and Other Daughters 转场视频： https://vimeo.com/188605954 Iphigenia and Other Daughters 剧照： http://www.lemengyuanisabel.com/iphigenia-and-other-daughters/ Twelve Ophelias 剧照： http://www.lemengyuanisabel.com/twelve-ophelias/ Josef Svoboda 作品：http://www.svoboda-scenograf.cz/en/works/ 关于 Josef Svoboda 的视频 The Phenomenon of Scenography：https://vimeo.com/171784005 我台联系方式 微信公众号：uxcoffee 微博：https://www.weibo.com/uxcoffee 知乎专栏：https://zhuanlan.zhihu.com/uxcoffee Twitter：https://twitter.com/ux_coffee Instagram：https://www.instagram.com/ux_coffee/ 文字整理稿 我们看到的梦幻舞台，是这样设计出来的：舞台设计师乐梦园 - 知乎

上期节目里，梦园和我们聊了聊舞台设计的过程、和团队中不同角色的合作、通过舞台表达抽象概念和象征涵义等等。她讲到的那些美丽的故事和设计是不是还历历在目呢？这些灵思是怎么来的？她怎么通过舞台设计让观众更深刻地体验一部戏，甚至产生更深远的社会意义？梦园也与我们分享了她自己从建筑转行舞台设计的心路历程，以及她对设计和戏剧的体会。 00:56 广泛涉猎，把灵感做成蒙太奇 05:20 用一块降落伞布变魔法 12:14 作品在被创造出来的一瞬间就不属于我了 16:46 我会非常看重观众是怎么体验这部戏的 18:35 艺术创作的精神世界与现实中的沟通合作如何权衡？ 20:40 设计师该不该有个人风格？ 23:00 从建筑到舞台的心路历程 27:42 我的同学有学政治哲学、新闻和 IT 的，是什么让他们转行舞台设计？ 29:38 我会来到这唯一一个把戏剧行业做的淋漓尽致的地方 32:28 戏剧是对人的一种探索 参考链接 梦园的个人网站：http://www.lemengyuanisabel.com Iphigenia and Other Daughters 转场视频： https://vimeo.com/188605954 Iphigenia and Other Daughters 剧照： http://www.lemengyuanisabel.com/iphigenia-and-other-daughters/ Twelve Ophelias 剧照： http://www.lemengyuanisabel.com/twelve-ophelias/ Josef Svoboda 作品：http://www.svoboda-scenograf.cz/en/works/ 关于 Josef Svoboda 的视频 The Phenomenon of Scenography：https://vimeo.com/171784005 我台联系方式 微信公众号：uxcoffee 微博：https://www.weibo.com/uxcoffee 知乎专栏：https://zhuanlan.zhihu.com/uxcoffee Twitter：https://twitter.com/ux_coffee Instagram：https://www.instagram.com/ux_coffee/ 文字整理稿 我们看到的梦幻舞台，是这样设计出来的：舞台设计师乐梦园 - 知乎

Australian dancer and choreographer Atlanta Eke brought us 'Wetware', a performance concerned with time travel. The work, a response to the RMIT Design Hub’s Occupied exhibition and further developed for MPavilion, imagined that architects from 2050 had travelled back in time via the digital universe to share a dystopian tale from a near future; a drowned world where land-based life has returned to the sea. The performance of 'Wetware' was followed by a related panel discussion entitled ‘The architecture of display: Scenography as an agent for performance and design’, and included such noteworthy participants as Atlanta Eke herself, Fleur Watson of RMIT Design Hub, David Neustein, and Grace Mortlock of Otherothers. Listen back to to Atlanta Eke’s performance and keep it locked for the talk!

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.

Scenography – flash-in-the-pan or revolution in de- sign? The shape of exhibiting and the aura of objects. Gladiators of the cultural world – directors, architects and scientists – debate power, influence, arrogance and impotence, dynamics, creative lee- way and budgets, the future of exhibiting, the potency of design, auratics, putative stage magic and invisible communication.