Podcasts about Stellar Kart

Newsboys bass player Adam Agee joins the Tim DeMoss Show today in conjunction with God's Not Dead: In God We Trust, in theatres tomorrow. Agee--co-founder of the band Stellar Kart and a one-time member of Audio Adrenaline--appears in the film with fellow Newsboys Michael Tait, Jeff Frankenstein, Duncan Phillips & Jody Davis. Several Newsboys songs are featured, including three Agee co-wrote: the title track, How Many Times, and Worldwide Revival. God's Not Dead: In God We Trust stars David A.R. White, Scott Baio, Samaire Armstrong, Isaiah Washington, Dean Cain and Ray Wise and explores the enduring relevance of faith in public life and the critical fight to keep religious values at the heart of governance. The main theme calls on believers to stand firm in the faith and make their voices heard. Sports: Bryce Harper, First Baseman, Philadelphia Phillies (MLB.com)See omnystudio.com/listener for privacy information.

This week on Unlocked, Savannah is joined by Newsboys members, Jeff Frankenstien (keyboard) and Adam Agee (bass). The three of them discuss all things Newsboys, including how the two found their way into the band, how Christ is at the center of their music, religious experiences with fans, and so much more! Thank you to our sponsors for supporting our show! About Newsboys: Newsboys is a Christian rock band founded in 1985 in Mooloolaba, Queensland, Australia, by Peter Furler and George Perdikis. Now based in Nashville, Tennessee, the band has released 17 studio albums, 6 of which have been certified gold. As of 2023, the band consists of lead vocalist Michael Tait (formerly of DC Talk and Tait), drummer and percussionist Duncan Phillips, keyboardist Jeff Frankenstein, electric guitarist Jody Davis, and bassist Adam Agee (formerly of Stellar Kart and Audio Adrenaline) no founding members are featured in the lineup. In addition to performing music, the band has appeared in the films God's Not Dead, God's Not Dead 2, and God's Not Dead: A Light In Darkness. LET'S BE SOCIAL: Follow Savannah Chrisley: Instagram: (https://www.instagram.com/SavannahChrisley) TikTok: (https://www.tiktok.com/@SavannahChrisley) Twitter: (https://www.twitter.com/_itssavannah_) Follow The Unlocked Podcast: Insta: (https://www.instagram.com/UnlockedWithSavannah) TikTok: (https://www.tiktok.com/@UnlockedWithSav) Follow Jeff Frankenstein! Insta: @jeff.frankenstein Youtube: @newsboystv Twitter: @JFrankenstein Follow Adam Agee! Insta: @adamagee Twitter: @adamagee URL: https://www.adamageemusic.com Album link: (https://www.newsboys.lnk.to/worldwiderevivalpt1) Newsboys IG: (https://www.instagram.com/newsboys) Produced and Edited by "The Cast Collective" in Nashville, TN Visit us today at https://www.thecastcollective.com Follow The Cast Collective on Instagram & Twitter! Instagram: (https://www.instagram.com/TheCastCollective) Twitter: (https://www.twitter.com/TheCastCollective) Read ALL the details on Todd & Julie Chrisley RIGHT HERE -- https://www.chrisleydefense.com

Father Vijay, confirmation, Stellar Kart, Eulogy, Moonlight Sonata, Bishop Barron, Rush Limbaugh, conclusion

Cullen and Mason chat with Jon Steingard, the former guitarist and vocalist for Hawk Nelson. They chat about his history in Hawk Nelson, how his faith has changed over the years, and if he could win a fight against Stellar Kart.Check out our partner HM Magazine: hmmagazine.comFollow us on Instagram: instagram.com/theblacksheeppodcast

On this episode, we talk about our favorite Disney animated films. This excludes Pixar and Studio Ghibli. We will devote later episodes to them. Song Credits: A Whole New World (Cover) by Stellar Kart Can You Feel the Love Tonight (Cover) by Stellar Kart

After about a decade and 5 albums, life caught up with the members of the Dove Award-winning band Stellar Kart and they decided it was time for a change of seasons. Frontman Adam Agee has continued his career in music as a member of Audio Adrenaline and with his solo projects. As he's releasing his first solo album, he shares his journey from the Stellar Kart days and why he continues to be passionate about Christian music. He also shares why partnering with missions organizations is so important to why he's sets out on the road.

Come hang on the front porch with me and Adam Agee

This will require having access to the film "Santa Claus The Movie." Claus the person not Clause the contract. If this is your first time doing this with us, what you'll need to do is pause your movie at the time below and wait for Miles to countdown then press play and enjoy watching the the movie with us. We had a good time with this one. Enjoy watching Santa ignore homelessness and get depressed just in time for Christmas.       Movie: Santa Claus The Movie Movie Sync Time: 00:00:20 Close: "Punk the Halls" by Stellar Kart

Have you ever heard terms like “presuppositionalism,” “evidentialism,” or “classical apologetics”? Have you wondered if there’s an easier way to understand apologetics? Maybe you’ve even wished that people could defend the Christian faith without talking about these terms at all. If so, this episode is for you.  (Actually, every episode is for you, because you’re just that special to us. But this one is especially for you.) In the first half, your intrepid cohosts provide simple explanations of the most popular apologetics methods. Then, in the second half, they take a look at a book that advocates “inside out apologetics”—a simple, conversational approach to defending the Christian faith in a skeptical age. So how is it that Garrick and Timothy manage to explain presuppositionalism, evidentialism, and classical apologetics in such a short and simple way?  The answer will shake every assumption you’ve ever had about Garrick and Timothy, as the podcast bravely goes where it has never gone before. Instead of discussing the greatest songs in the history of rock and roll, the dynamic duo dares to do something completely different: Garrick and Timothy dredge the depths of musical history and unearth some of the worst music ever produced. And they do it on purpose. The musical travesties begin with “Do You Want to Build a Snowman?,” a tune from the first installment of the Frozen franchise that’s been slightly improved by the band Stellar Kart. The music gets worse with a song from the soundtrack of Over the Top, a 1987 film about the sport of semi-professional arm wrestling. (Yes, there actually was such a film, starring Sylvester Stallone. Garrick says you should definitely watch it; Timothy thinks this film is worse than being forced to eat a vegetarian diet while sharing a pup tent with Jar Jar Binks on a month-long camping trip.) Right when it seems that the tunes can’t get any worse, Garrick and Timothy bravely strain downward to touch the terrible and terrifying nadir of music. Yes, that’s right: they dredge up a song from those purveyors of aural agony known as the Backstreet Boys, who show up to teach us about Cornelius Van Til and presuppositionalism. (Also, even though “Over the Top” was an awful movie, it would be a great name for a band.) In the end, a book from Josh Chatraw shows up to save the day—which makes perfect sense on an episode that’s dedicated to terrible music, since Josh was once nearly kicked off an episode of Three Chords and the Truth: The Apologetics Podcast due to his love for Kenny G, the undisputed most overrated saxophonist on the planet. The title of Josh Chatraw’s book is Telling a Better Story: How Kenny G Saved My Apologetics. Just kidding! The title of his book is actually Telling a Better Story: How to Talk about God in a Skeptical Age. In this book, Josh unpacks “inside out” apologetics, a concept that sadly has nothing to do with the Pixar film of the same name. In the end, the book is sufficiently helpful that Garrick and Timothy forgive Josh’s affection for Kenny G and might even invite Josh to come back on the program someday. The new cover art for this season was created by Dani Wallace (daniwallace.myportfolio.com).  Links to Click B and H Academic Truth Matters: book by Andreas Köstenberger, Darrell Bock, and Josh Chatraw Truth In a Culture of Doubt: book by Andreas Köstenberger, Darrell Bock, and Josh Chatraw Telling a Better Story: book by Josh Chatraw Do You Want to Build a Snowman?: song from Disney's Frozen Thomas Aquinas's Summa Contra Gentiles: a guide and commentary by Brian Davies Meet Me Halfway: song by Kenny Loggins The Case for Christ: book by Lee Strobel Something That I Already Know: song by the Backstreet Boys Christian Apologetics: book by Cornelius Van Til A Survey of Christian Epistemology: book by Cornelius Van Til What's Love Got to Do With It: song by Tina Turner SBTS Preview Day Urban Ministry Podcast How to Make Three Chords and the Truth More Amazing than It Already Is Support the show and spread the word! Here are a few ways to do that: 1. Subscribe to Three Chords and the Truth: The Apologetics Podcast: Apple / Android / RSS. 2. Leave a rating and review on iTunes to encourage other people to listen to the show. 3. If you purchase any of the books mentioned in Three Chords and the Truth, consider using the Amazon links provided in the show notes. The show will receive a small percentage of each sale. 4. Visit our Patreon site where you can support the podcast, suggest future songs or topics, and order Three Chords and the Truth merchandise. 5. Make contact with us on Twitter: @DrTimothyPJones  @GarrickBailey  @ApologeticsPod The Closing Credits Three Chords and the Truth: The Apologetics Podcast thanks B&H Academic for their sponsorship. Theme music for the podcast has been licensed through Artlist.io and performed by Trent Thompson and Kevin MacLeod. Brief excerpts of music played in each program are included solely for the purposes of comment and critique as allowed under the fair-use provision of U.S. copyright law. “The fair use of a copyrighted work … for purposes such as criticism, comment, news reporting, teaching, … scholarship, or research, is not an infringement of copyright” (U.S. Code § 107, Limitations on exclusive rights: Fair use).

This week I'm talking with my friend Blaine Barcus who is VP of A&R at Provident Label Group where he works with artists Zach Williams, Third Day, Matthew West and more.  We discuss some of the best ways to get your foot in the door to work for a record label, management company or publisher through road managing, merchandise managing and internships.  Also, the importance of having a professional attitude with everything you do. Show notes:Sponsors: Edenbrooke Productions - We offer consulting services and are offering listeners a 1-hour introductory special. To request more info on consulting services, email Marty at contact@johnmartinkeith.com. Talking Points:*I’m the Vice President of A&R for Provident Label Group.*A&R stands for “Artist and Repertoire” which is basically artists and songs.*I equate the roll as kind of an account executive.2 parts to my job: 1) I manage artists signed to our label and it’s my job to be the main creative person that interacts with the artists on behalf of all their content especially on the audio side. It’s my job to the help develop the artist if they are a new artist, find people to co write with them, figure out their sound if they don’t quite know yet. Basically helping them find songs and producers for their projects. It’s a part business, part creative. 2) I’m also a talent scout, going out to shows, listening to demos, looking for artists to potentially sign to our label.*I played drums growing up.*I went to college and majored in communications.*I worked in marketing and sales after college.*My younger brother was at Belmont in Nashville so I followed him to town. He ended up going on tour with big artists and it was through my brother’s network of friends and associates that I was able to plug in.*My first job in the music business was tour manager for a new band in Atlanta called Third Day. Since I had strong business skills from college, their manager hired me.*After about 6 months I transitioned inside their management company and became their day to day manager at Creative Trust which is where I started working with Steven Curtis Chapman overseeing some of his live events along with several other artists.*I did that for about 3 years, then went back on the road and drummed and road managed Mark Shultz for about a year.*Then I got hired at Word Records to do A&R where I worked for 3 years then I transitioned here to Provident for the past 15 years.*If you want to get into road managing, some skills required to be a good road manager are: You have to have organizational skills and juggle a lot of balls at one time. As a road manager you interact with almost every facet of the music industry i.e. artists, concert promoters, booking agents, artist managers, record labels, publicists, transportation companies, production companies (audio, lighting, sound engineers, crew).*You can start by road managing an indie artist.*A great way is to start out as a merchandise manager on a tour because management is always looking people that can go out an be responsible and organized to sell and manage merch on the road.*If it’s a signed artist, I would go to the manager and let them know who you are and what your skill level is and what you’ve done. A lot of times it doesn’t take a lot of past experience to do that job but you have to prove that you have good people skills and that you’re organized and that you’re good with money.*Good people skills because you’re going to interact with the artist, road manager and local sales people at each venue, and the audience.*A merch manager is representing the artist at the table so if you’re not a pleasant person or you have bad people skills, that’s a reflection of the artist and they’re not going to keep you around very long. You’re a sales person for the artist.*If you can be really good at that, usually other people on the road are going to notice your skills and your abilities and I think there are a lot of transferable skills to then grow into an assistant tour manager on a larger tour or a tour manager on a smaller tour and work your way up.*I had never had an A&R position before but people knew my work in the industry and when the position came open, my boss at Creative Trust spoke with the person at Word Records and had a relationship with him and put my name in the hat and recommended me.*There are A&R skills required to be a good manager too and they believed I had the skills to do the job.*A couple of bands I signed at Word Records were Building 429 and Stellar Kart.*When I moved to Provident I got work with Third Day again so it became a full circle moment.*DSP - Digital Service Provider - Spotify, Pandora, etc.*Your social skills, people skills and general disposition is 100% as important as your playing ability.*Bring a level of professionalism to whatever you do or someone will be waiting to take your job.*Most artists I sign come to me through people I know in the industry.*I look for artists that have a heart for ministry and encouraging and loving people. Also I have to determine if this artist has the talent to be successful on a national or worldwide level.*You don’t need a label to have a career as an artist.*A record label is like an engine that can help pour gas on what an artist is already doing.*The artist has to be the driving force and the label can be champions to come around that artist and hopefully take it to the masses.*I have to sign artists that will be financially profitable for this company.*I think if you’re trying to be an artist full time, you have to engaged and involved on social media. At the end of the day however, it’s not a make or break for me to sign an artist based on how many followers they have or don’t have.*I believe if the talent is great, if the songs are great, they’re going to find followers.*If you want to work for a record label, a lot of times a bachelor’s degree of any kind is used to weed out who is serious and who isn’t.*You can look for entry level jobs keeping track of people’s calendars, assisting a marketing director or supporting the head of radio, etc. Those usually come from college internships.*Go on the road as a merch manager and be excellent on the road, then transition to a tour manager or label position.*If you have any skills in video editing or directing, there are opportunities at labels.*Just be great at what you do, do it with excellence.*If you’re an intern, you will get the first shot at moving up to a higher position when they become available.*You don’t have to have a music business degree to work in the music business. You can get a regular business degree and get your music experience outside of the classroom by interning or promoting shows in your area, etc. Music has been a constant in Blaine Barcus’ life for as long as he can remember. He began listening to his parents’ Beatles records before he started kindergarten. At 10 he began taking drums lessons, joined his first rock band at 15. He earned a Bachelor of Arts degree in Communication from the University of Missouri and in 1996 moved to Nashville to pursue his dream of working in the music business. Since then, he has been fortunate to work in almost every facet of the industry as a tour manager, touring drummer, artist manager, and record label executive.Over the span of his music career, Blaine has worked directly on albums that have sold or streamed over 10 million copies. Three of those albums received Grammy Awards with 13 other albums or songs receiving Grammy nominations. He has been fortunate to work with many talented artists including Third Day, Steven Curtis Chapman, Zach Williams, Matthew West, Matt Maher, Building 429, I Am They and many others. Currently, Blaine is the Vice President of A&R for the Provident Label Group, a division of Sony Music Entertainment. He is married to his best friend, Beth, with whom he has three children. In his free time he enjoys cardio kickboxing, college football, high school baseball and collecting vintage drums.

This week we recap some of the adventures of Gordon and Lizzie's wedding and hear about some of their travels for their honeymoon. But our main topic this week is something that we have received several requests for; Netflix's 'The Two Popes.' We break down the story, do a lot of fact checking, and discuss themes that we found as well as the themes found by some of those who requested this episode to help us understand what it is about this movie that we enjoy even if it's not necessary factual. #WelcomeToTheAdventure Media References: Bad Lip Reading: Seagulls 'Stop It Now' (YouTube Video) Mandalorian (Disney+ Series) Firefly (TV Show) Dr. Who (TV Show) The Marvelous Mrs. Maisel (Amazon Prime Series) One Year Bible & Catechism Study "Slave, Warrior, Queen" by Morgan Rice (Book) 'Creep' by Radiohead (Song) Callum Scott (Music Artist) James Arthur (Music Artist) James Bay (Music Artist) Haley Reinhart (Music Artist) Stellar Kart (Christian Punk Rock Band) The Two Popes (Netflix Movie) 'Dancing Queen' by Abba (Song) Challenges: Have a friendly dialogue with someone you disagree with. This can be about religion, morality, or any topic. Tips for Dialogue: Listen Stay calm Ask questions to better understand their viewpoint If you don't have an answer, just be honest about it, then go look it up later. Check Us Out Website Twitter Facebook Youtube

Adam Agee joins the podcast for a chat with Josh about his days in Stellar Kart, stepping in for Mark Stewart in Audio Adrenaline, and his passion for children living in poverty. Find out what Adam Agee is up to, and hear about the time Stellar Kart trashed the dressing room of a well known band! Kevin McNeese of NRT also stops by for a chat about the We Love Christian Music Awards, Grammys, new release from Switchfoot and more!Follow Kevin McNeese:Twitter: https://twitter.com/KevinMcNeeseWebsite: https://www.newreleasetoday.comFollow Adam Agee:Website: https://www.http://adam-agee.comInstagram: https://www.instagram.com/adamageeTwitter: https://twitter.com/adamageeFaceBook: https://www.facebook.com/adamageeofficialBTM Playlist: http://bit.ly/BTM_Adam_AgeeFollow Beyond The Music: Instagram: https://www.instagram.com/overflowbtm/ Twitter: https://twitter.com/OverflowBTM See acast.com/privacy for privacy and opt-out information.

And on and on and on and on and if you don't get the joke go read show #003's excerpt.

Adam Agee, chanteur de Stellar Kart, et également d'Audio Adrenaline, lance son 1er album solo... petite bombe que vient nous présenter Jonathan !

This week, our featured artist is Stellar Kart and the RITOTW is Shirt4Life

We chat with Adam, the lead singer for Stellar Kart. We cover some of the changes in the band and the new album that hits on Aug 27th.

Welcome to On Solid Rock where your host Bailey guides you through a half hour of chart topping Contemporary Christian Music. This episode features artists Mark Harris, Stellar Kart, Relient K, Stacie Orrico and Da T.R.U.T.H, featuring Tye Tribbett. We start off with David Phelps and his video "Behold The Lamb"