Podcast appearances and mentions of tate modern london

Episode 173: The Casablanca Art School, Platforms and Patterns for a Postcolonial Avant-Garde This podcast about the Casablanca Art School's development in the postcolonial era of 1960-1970s, Morocco, was recorded during the time of the exhibition at Tate St-Ives, 27 May 2023-14 January 2024. It brings together for the first time a selection of 21 artists-activists who significantly participated in the various artistic manifestations and platforms, catalyzed by the Casablanca Art School (M. Melehi, F. Belkahia, M. Chabâa, M. Hamidi, M. Ataallah, M. Agueznay, M. Labied, H. Miloudi, F. Bellamine, Chaïbia...). Their multifaceted geometric abstraction itself working as a platform drawing a much bigger territory of action: critical journals and magazines, interior and graphic design, collecting and studying Afro-Berber popular arts, mural painting, street exhibitions… Eventually the CAS proves to be not only one of the most important postcolonial art schools of the Global South but also a social interface, for rethinking public space (through the arts) in Morocco. The exhibition referred to is curated by Morad Montazami and Madeleine de Colnet for Zamân Books & Curating. Morad Montazami is an art historian, a publisher and a curator. After serving at Tate Modern (London) between 2014-2019 as curator « Middle East and North Africa », he developed the publishing and curatorial platform Zamân Books & Curating to explore Arab, African and Asian modernities. He published numerous essays on artists such as Zineb Sedira, Walid Raad, Latif Al-Ani, Faouzi Laatiris, Michael Rakowitz, Mehdi Moutashar, Behjat Sadr, etc. and curated among other projects Bagdad Mon Amour, Institut des cultures d'Islam, Paris, 2018; New Waves: Mohamed Melehi and the Casablanca Art School, The Mosaic Rooms, London/MACCAL, Marrakech/Alserkal Arts Foundation, Dubai, 2019-2020 ; Douglas Abdell : Reconstructed Traphouse, Cromwell Space, Londres, 2021 ; Monaco-Alexandria. The Great Detour. World-Capitals and Cosmopolitan Surrealism, Nouveau Musée National, Monaco, 2021-2022.     This episode was recorded via Zoom on the 19th of June, 2023 by the Centre d'Études Maghrébines à Tunis (CEMAT)  To see related slides, visit our website: www.themaghribpodcast.com We thank our friend Ignacio Villalón, AIMS contemporary art follow for his guitar performance for the introduction and conclusion of this podcast.  Posted by Hayet Lansari, Librarian, Outreach Coordinator, Content Curator (CEMA).

In this episode, we speak to architect Sofia Karim about her work as an architect and also as an activist. She talks about her move into art-activism after the imprisonment of her uncle, the renowned photographer Shahidul Alam. Since that moment, Sofia has dedicated much of her career to art-activism, campaigning for the release of political prisoners worldwide. As always, if you are enjoying Art Persists please leave a review wherever you listen. Only with your help can these important stories be heard.Sofia Karim is an architect based in London. Her practice combines architecture, visual art and activism. She campaigns for the release of political prisoners across India and Bangladesh. Her work has been exhibited at venues including Tate Modern (London), V&A (London), Coventry Cathedral (UK), The Herbert Art Gallery and Museum (UK), CCLM (Chile), Museo Franklin Rawson (Argentina), Rubin Museum (NY), Wrightwood 659 (Chicago) and Documenta 15 (Steidl/ Kunsthaus Göttingen).Learn more about Sofia's work here.

In questo audio il prezioso incontro con Giuseppe Cataldo ingegnere aerospaziale e Sissi artista. L'intervista è in Contemporaneamente di Mariantonietta Firmani, il podcast divulgato da Artribune e Parallelo42 In Contemporaneamente podcast trovate incontri tematici con autorevoli interpreti del contemporaneo tra arte e scienza, letteratura, storia, filosofia, architettura, cinema e molto altro. Per approfondire questioni auliche ma anche cogenti e futuribili. Dialoghi straniati per accedere a nuove letture e possibili consapevolezze dei meccanismi correnti: tra locale e globale, tra individuo e società, tra pensiero maschile e pensiero femminile, per costruire una visione ampia, profonda ed oggettiva della realtà. Giuseppe Cataldo e Sissi ci raccontano di corpo e stelle, tra psicologia genetica e tecnologie, dal macro dello spazio al micro dell'abito, attraverso l'infinito del pensiero. Dopo 25 anni di lavoro le immagini del James Webb Space Telescope ora stanno cambiando il libri di scienza. Con la stessa creatività, lo scienziato s'immerge nell'universo, l'artista scava i meandri del pensiero e della terra. Su Marte pare sia scomparsa l'acqua e forse la vita, circa tre miliardi e mezzo di anni fa quando la vita è comparsa sulla terra. Il rapporto tra umano e la propria creatività è un processo metamorfico e molto altro. ASCOLTA L'INTERVISTA INTEGRALE!! GUARDA IL VIDEO!! https://youtu.be/UMBZGk9RSeo BREVI NOTE BIOGRAFICHE DEGLI AUTORIGiuseppe Cataldo ingegnere aerospaziale, Laurea Magistrale in Ingegneria Aeronautica al Politecnico di Milano, Magistrale in Ingegneria al Politecnico di Torino. Master in Ingegneria Aerospaziale all'Institut Supérieur de l'Aéronautique et de l'Espace, Tolosa; dal 2009 in NASA. Dottorato al Massachusetts Institute of Technology (MIT) di Boston. Esperto di progettazione, test e gestione di sistemi spaziali, è responsabile della protezione planetaria del Mars Sample Return (MSR) Capture, Containment and Return System (CCRS).In NASA è stato coinvolto con JWST, il James Webb Space Telescope. Inoltre, è stato ingegnere capo di missioni come EXCLAIM, l'EXperiment for Cryogenic Large-Aperture Intensity Mapping, e il telescopio PRIME. Autore di numerosi articoli sulle più prestigiose testate di settore. Membro delle più autorevoli istituzioni internazionali come: AIAA – American Institute of Aeronautics and Astronautics; Sigma Xi - The Scientific Honor Research Society. SPIE - Society of Photo-optical Instrumentation Engineers, e altri. Ed ancora, dal 2011 è in ISSNAF – Italian Scientists and Scholars in North America Foundation. Tra numerosi premi e riconoscimenti riceve la NASA Early Career Public Achievement Medal, il NASA Goddard Sciences & Exploration Directorate Mentoring Award. Poi, vari NASA Special Act Awards and Group Awards, e tanti altri da istituzioni prestigiose quali il MIT, l'Agenzia Spaziale Europea, l'AIAA, ecc. Sissi (Daniela Olivieri) artista, laurea all'Accademia di Belle Arti di Bologna, dove attualmente insegna. Tra le opere più recenti, nel 2022 scultura per Margherita Hack, università Statale di Milano, promosso da Comune di Milano. Nel 2021 Radicorno, installazione site-specific, per il Parco Nazionale d'Abruzzo, Lazio e Molise in occasione della quarta edizione di ARTEPARCO.Le sono dedicate mostre personali in luoghi e contesti eccellenti dell'arte, in Italia e all'estero come: MAMbo e GAM di Bologna, Palazzo Franchetti, Venezia. Ed anche al CSAC Parma, Mizuma Gallery Tokyo, Chelsea Art Museum New York, MACRO Roma, MOCA Miami. Inoltre è presente di autorevoli collettive: Chiostro del Bramante Roma; Turku Biennal; Tate Modern London. Presente anche al Padiglione Italia, 53° La Biennale di Venezia; Brooklyn Museum New York , e molte altre. Infine, riceve prestigiosi premi come: Gotham Prize dell'Italian, Institute of Culture di New York 2012; Premio New York promosso dal Ministero degli Affari Esteri 2005. Ed anche Premio Alinovi 2003 conferito dalla GAM Galleria d'Arte Moderna di Bologna; Premio Furla per l'Arte nel 2002, e molti altri.

A Curator, Art Historian and Art Advisor based in Vilnius, Juste currently serves as a Board Member at Rupert, a centre for Art & Education in Vilnius, Lithuania, where she worked as a Director for 6 years. She is also a Board Member at the Lithuanian Culture Institute and ArtVilnius. She holds an M.A. in History of Art from the University of St Andrews, Scotland and has previously worked in curatorial departments at Tate Modern (London) and Jonas Mekas Foundation (New York), as well as curated independent projects in Iceland, Latvia, Belgium, Norway and elsewhere.During her 15-year career in the arts, She has helped many artists and gallerists launch international careers and implement ambitious large-scale projects. She has also helped many start personal and business art collections.Apple Podcasts: https://buff.ly/2Vf8vv8⠀Spotify: https://buff.ly/2Vf8uHA⠀Google Podcasts:https://buff.ly/2Vds6LX⠀....-Original music credit: Rish Sharma.His music is available on Spotify, Apple Music, YouTube and other streaming platforms.  -Audio post production at HNM Studios New Delhi India.-October2019 voicesandmore Pte Ltd All rights reserved Get bonus content on PatreonSupport this show http://supporter.acast.com/melting-pot. See acast.com/privacy for privacy and opt-out information.

Tiff Manuell paints her bright edgy bright edgy abstract pieces onto large canvases sourced from India which then they get cut up sent off to a talented team who make them Into the most amazing one off bags!! The way Tiff runs her business is equally as magical, her shop is also her huge studio which means customers can go and see her paint and create her latest pieces, and actually speak to her and tell her which bit you would like her to cut or just have a real intimate experience seeing where these pieces were created! So of course it makes sense Tate Modern London would approach and stock these stunning pieces of art! Tiff's Takeaways 1.If a studio or shop isn't speaking to you what about a warehouse or a large space where your customers can visit

Marta Popivoda (Berlin/Belgrade) is a filmmaker, video artist, and researcher. Her work explores tensions between memory and history, collective and individual bodies, as well as ideology and everyday life, with a focus on antifascist and feminist potentialities of the Yugoslav socialist project. She cherishes collective practice in art-making and research, and for several years has been part of the TkH (Walking Theory) collective. Popivoda’s first feature documentary, Yugoslavia, How Ideology Moved Our Collective Body, premiered at the 63rd Berlinale and was later screened at many international film festivals. The film is part of the permanent collection of MoMA New York, and it’s featured in What Is Contemporary Art? MoMA’s online course about contemporary art from 1980 to the present. Her work has also featured in major art galleries, such as Tate Modern London, MoMA New York, M HKA Antwerp, Museum of Modern Art + MSUM Ljubljana, etc. Popivoda received the prestigious Berlin Art Prize for the visual arts by Akademie der Künste Berlin and Edith-Russ-Haus Award for Emerging Media Artist. Her new feature documentary Landscapes of Resistance premiered in the Tiger Competition of the International Film Festival Rotterdam 2021. It won the Best Picture Prize in the International Competition of the 22nd Jeonju International Film Festival, South Korea, and Library Award at the 43rd Cinéma du réel - Festival international du film documentaire, Paris. Landscapes of Resistance, Marta Popivoda, Film Still Landscapes of Resistance, Marta Popivoda, Film Still  

From the Archives. My interview with Tabita Rezaire in Johannesburg, South Africa in May 2015. I decided to re-release because our conversation seems to speak to our chaotic times. Tabita Rezaire (b.1989, Paris, France) is infinity incarnated into an agent of healing, who uses art as a means to unfold the soul. Her cross-dimensional practices envision network sciences – organic, electronic and spiritual – as healing technologies to serve the shift towards heart consciousness. Navigating digital, corporeal and ancestral memory as sites of resilience, she digs into scientific imaginaries to tackle the pervasive matrix of coloniality and the protocols of energetic misalignments that affect the songs of our body-mind-spirits. Inspired by quantum and cosmic mechanics, Tabita’s work is rooted in time-spaces where technology and spirituality intersect as fertile ground to nourish visions of connection and emancipation. Through screen interfaces and collective offerings, she reminds us to open our inner data centers to bypass western authority and download directly from source. Tabita is based in Cayenne, French Guyana. She has a Bachelor in Economics (Fr) and a Master of Research in Artist Moving Image from Central Saint Martins (Uk). Tabita is a founding member of the artist group NTU, half of the duo Malaxa, and the mother of the energy house SENEB. Tabita has shown her work internationally – Centre Pompidou, Paris; Serpentine London; MoMa NY; New Museum NY; MASP, Sao Paulo; Gropius Bau Berlin; MMOMA Moscow, Museum of Contemporary Art Chicago; ICA London; V&A London; National Gallery Denmark; The Broad LA; MoCADA NY; Tate Modern London; Museum of Modern Art Paris – and contributed to several Biennales such as the Guangzhou Triennial, Athens Biennale, Kochi Biennale (2018); Performa (2017); and Berlin Biennale (2016).

Social Broadcaster Lucia Scazzocchio encourages four strangers visiting Tate Modern today to join her in a live lunchtime conversation. Inspired by Theodore Zeldin’s ‘Conversation Dinners’, the menu comprises three topics as a starter, a main course and desert. Four strangers - invited to connect on a deeper level, live on radio in an experiment where anything could happen. Part of Art on Air a weeklong live Resonance broadcast from Tate Modern London. Thanks to Francesca Nelson, Henry Amadi, Pablo Rubio and Radovan Hlavcak for participating.

Merilyn Fairskye, Associate Professor, Photomedia, Sydney College of the Arts, University of Sydney Ukraine has been the site of volatile political, social and cultural change over hundreds of years. The 1986 Chernobyl nuclear accident is of a different order of magnitude to everything that has gone before. This paper draws on two field trips to Ukraine and the new work Fairskye created to consider what it is an artist can excavate in the aftermath of such a catastrophe. It also considers the differences between artistic and documentary forms of expression. A/Prof Merilyn Fairskye makes videos and photography. Her videos have been screened in film and video festivals around the world including the International Film Festival Rotterdam; Videobrasil; Sydney Film Festival and in art museums including Tate Modern London; Stedelijk Museum, Amsterdam, Museum of Contemporary Art, Sydney, and the National Palace Museum, Taipei.

This week: SoPra fest continues, the usual cast of characters talks to Stephen Wright about what is and isn't art. Stephen Wright is an art writer, independent researcher and curator and professor of art history and theory at the École européenne supérieure de l'image (Angouleme / Poitiers). Former research fellow in the "Art and Globalisation" programme at the Institut national d'histoire de l'art (Paris) and programme director at the Collège international de Philosophie (Paris), he is a founding user of the Usual College of the Academy of Decreative Arts. He has organised conferences at Tate Modern (London), Columbia University (New York), Palais de Tokyo (Paris), INHA (Paris), Musée d'art contemporain (Montreal), Aksanat (Istanbul), Videobrasil (Sao Paulo)... Member of the International Art Critics Association, former European Editor of the Montreal-based contemporary art journal Parachute (1997-2005), and editorial board member of the London-based journal Third Text, he has written widely on emergent art and art-related practice as forms of knowledge production in a context of globalisation. As a curator, he has produced a series of exhibitions and publications dealing with art practices with low coefficients of artistic visibility, including The Future of the Reciprocal Readymade (New York, 2004), Dataesthetics (Zagreb, 2007), Rumour as Media (Istanbul, 2006), Palestinian Products (Cairo, 2005), Recomposing Desire (Beirut, 2008) and Diggers All! (Montreal, forthcoming 2010). Laureat t of the European Art Essay competition (2008), he is currently working on the book-length essay Arbitrating Attention, and is putting together a collection of essays, Specific Visibility. A selection of his writings are available on the blog n.e.w.s. to which he is an active contributor, http://northeastwestsouth.net/node/56