Podcasts about la biennale

This is a preview — for the full episode, subscribe: https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com Our guest is Orit Halpern: co-author of The Smartness Mandate (MIT Press, 2023); author of Beautiful Data: A History of Vision and Reason since 1945 (Duke, 2014); and Full Professor and Chair of Digital Cultures at Technische Universität Dresden. Often in discussions about machine learning and smartness, AI is presented as the natural path of human progress, an evolutionary – almost biological – development that emerged out of human communication systems and that has the potential to far exceed them. But as Orit argues, these technologies are neither inevitable nor inhuman. Rather they are the result of a particular intersection of neoliberal theory, psychology, and computer science that generated the economic incentives, political will, and public desire for AI to exist in the specific form we have now. On this episode, Orit animates the technological imaginary that gave rise to our culture of AI, asking, among other things, how a highly adaptive, machine-learning enabled world changes the terms of political possibility and human revolution. For more: https://orithalpern.net
 “Financializing Intelligence: On the Integration of Markets & Machines“ https://www.e-flux.com/architecture/on-models/519993/financializing-intelligence-on-the-integration-of-machines-and-markets/ “Futures of Cybernetic Urbanism” in "Intelligens. Natural. Artificial. Collective" catalogue of the 19th Venice Architecture Biennale (2025) Counter-Practices and The Image of Thought https://journals.sagepub.com/doi/10.1177/29768640251335679 Planetary Infrastructure https://link.springer.com/referenceworkentry/10.1007/978-3-658-38128-8_1-1 - Episode image adapted from: Marco Zorzanello photo of the installation TERMS AND CONDITIONS by Transsolar, Bilge Kobas, Daniel A. Barber, and Sonia Seneviratne at La Biennale di Venezia, 2025

Uma Arnese nous parle de la Biennale des Arts inclusifs, Out of the Box, pour sa 7e édition. The post Réinventer l'art et les normes à la Biennale Out of the Box first appeared on Radio Vostok.

Uma Arnese nous parle de la Biennale des Arts inclusifs, Out of the Box, pour sa 7e édition. The post Réinventer l'art et les normes à la Biennale Out of the Box first appeared on Radio Vostok.

In this episode of the A is for Architecture Podcast, author, curator and currently director of the Farrell Centre at Newcastle University, Owen Hopkins discuss his recent book, The Manifesto House: Buildings that Changed the Future of Architecture, published by Yale University Press two days ago. The Manifesto House explores the history of architecture through the lens of individual houses that have acted as manifestos for new ideas, movements and ways of living. Looking at twenty-one houses from the 16th through to the 21st century, the book presents a compelling narrative of how individual homes can influence architecture's evolution, and perhaps even answer some of the challenges we're faced with in the built environment today.Owen is also currently one fifth of the team who have curated this year's British Pavilion exhibition at La Biennale di Venezia 2025, which can be read about here. Owen can be found on Instagram and LinkedIn and the book is linked above. Listen, think, click, buy, read. Wow!#ArchitecturePodcast #ManifestoHouse #OwenHopkins #FarrellCentre #BuildingsThatMatter #ArchitecturalHistory #RadicalHomes #BiennaleArchitettura2025 #ArchitectureAndSociety #DesigningTheFuture #AisforArchitecturePodcast+Music credits: ⁠Bruno Gillick Image credit: Mies van der Rohe, Farnsworth House, exterior view towards entrance platform. Library of Congress, USA.

À l'occasion de la Biennale internationale du design graphique de Chaumont, qui débute le 21 mai, je rencontre Jean-Michel Géridan, directeur général du Signe, le centre national du graphisme.Une conversation avec JMG, c'est d'abord une bande-son : celle des jeux vidéo sur son Amiga 500 et des montages qu'il réalisait sur cassette, celle des groupes du label 4AD dont Vaughan Oliver signait les pochettes, de l'électro du début des années 2000, de la BO d'Orange Mécanique ou encore de Björk.C'est aussi une plongée dans la French Theory, dans le bouillonnement intellectuel de Paris 8, héritière du Vincennes de l'après-Mai 68.Riche de toutes ces références, JMG débute comme — je le cite — « graphiste pour les écrans », une pratique encore méprisée à ses débuts. Mais déjà, il est dans la transmission : en tant qu'enseignant dans les premières sections numériques des écoles d'art, ou en co-construisant le festival Une Saison Graphique au Havre.JMG nous partage ici ses vastes connaissances du monde du graphisme, ses réflexions sur notre patrimoine visuel et sa valorisation, l'importance des lieux de formation… et la plus longue liste de références de tout le podcast !La Biennale, c'est une programmation éclectique mêlant graphistes confirmés et travaux d'étudiants. C'est surtout l'occasion de découvrir, ensemble et pour de vrai, toutes les facettes du design graphique.➡️ @jmgeridan @lesigne_cndg le Signe, 5e biennaleLes références :- Vaughan Oliver pour le label 4AD- M/M Paris- Jérôme Rigaud- Jan Tschichold- Jean-Louis Boissier- Liliane Terrier- John Maeda- Autechre- Pan Sonic- label Raster-Noton - Wendy Carlos, BO de Stanley Kubrick- Mariina Bakic- Biennale (Chaumont), Graphic Matters (Breda), Intl (Glasgow), Weltformat (Lucerne)- Yann Owens- Shoboshobo- Peter Bil'ak- Clémence Imbert- Lise Brosseau- Atelier Baldinger Vu-Huu (EP.46)- Graphisme en France, Editions B42, Editions 205, Revue Faire, Index Grafik, Revue Lagon (EP.56), Revue Phylactère- Bastien Contraire- Sylvia Tournerie- Fanette Mellier (EP.28)- Jon Sueda- Nicolas Bourriaud- Rirkrit Tiravanija- Félix Gonzalez-Torres- Susanne Schroeder- Pierre Faucheux- Conférence Jacques Deleuze 1987- Vanina Pinter- Annick Orliange- Isabelle Jego- Paula Scher- Brigade Cynophile (EP.12)- Hélène Marian (EP.15)Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Si vous avez des idées de lieux beaux et à la hauteur des enjeux en plein cœur de Paris : helene@designsoutenable.org

Pour la 17ᵉ Biennale d'Art Contemporain de Lyon, l'artiste et musicienne lituanienne de notoriété internationale Lina Lapelyté, présente The Speech (Le discours en français). Une vidéo sans mots, mais avec des cris de bêtes.  Filmée à la Bourse de Commerce de Paris, cette performance met en scène, sur un écran installé à l'intérieur d'un conteneur, un vaste chœur de jeunes qui singe les animaux, traduisant les souvenirs et les fantasmes qu'ils évoquent chez eux. Une œuvre inattendue sur les pulsations primaires, la relation à l'autre et la perte de contrôle dans un monde où la parole n'est plus entendue. Et le résultat est plutôt étonnant. 

Pour la 17ᵉ Biennale d'Art Contemporain de Lyon, l'artiste et musicienne lituanienne de notoriété internationale Lina Lapelyté, présente The Speech (Le discours en français). Une vidéo sans mots, mais avec des cris de bêtes.  Filmée à la Bourse de Commerce de Paris, cette performance met en scène, sur un écran installé à l'intérieur d'un conteneur, un vaste chœur de jeunes qui singe les animaux, traduisant les souvenirs et les fantasmes qu'ils évoquent chez eux. Une œuvre inattendue sur les pulsations primaires, la relation à l'autre et la perte de contrôle dans un monde où la parole n'est plus entendue. Et le résultat est plutôt étonnant. 

La 17ᵉ Biennale d'art contemporain de Lyon, riche de 280 œuvres, foisonne de propositions artistiques. « Les Voix des fleuves » est le thème proposé cette année aux 78 artistes venus du monde entier, qui exposent dans neuf lieux de la métropole lyonnaise. La jeune création internationale investit, pour sa part, l'Institut d'art contemporain, comme l'artiste Shivay La Multiple.   La 17ᵉ Biennale d'art contemporain de Lyon est à voir jusqu'au 5 janvier 2025.  À écouter dans GéopolitiqueArt contemporain: recalibration ou crise?

La 17ᵉ Biennale d'art contemporain de Lyon, riche de 280 œuvres, foisonne de propositions artistiques. « Les Voix des fleuves » est le thème proposé cette année aux 78 artistes venus du monde entier, qui exposent dans neuf lieux de la métropole lyonnaise. La jeune création internationale investit, pour sa part, l'Institut d'art contemporain, comme l'artiste Shivay La Multiple.   La 17ᵉ Biennale d'art contemporain de Lyon est à voir jusqu'au 5 janvier 2025.  À écouter dans GéopolitiqueArt contemporain: recalibration ou crise?

Prendendo spunto dai vostri suggerimenti, parliamo del cinema “di istinto e di criminali” del regista statunitense Michael Mann. Nella prima parte quelle delle notizie, vi consigliamo qualche film da vedere al cinema a dicembre 2024, del nuovo documentario di Mark Cousins e dei nuovi progetti della Biennale College - Cinema. Qui il riassunto della puntata. 01:08 News. Linkinmovies.it vi consiglia di vedere al cinema La stanza accanto di Pedro Almodòvar, Interstella 5555 - The 5tory of the 5ecret 5tar 5ystem di Kazuhisa Takenouchi, Gran Tour di Miguel Gomes e altri film tra cui due super classici di Natale.  03:07 News. Mark Cousins ha dedicato alla pittrice scozzese Wilhelmina ‘Willie' Barns-Graham il suo nuovo documentario dal titolo A sudden glimpse to deeper things. Capiamo di che parla e cosa vuole mettere in evidenza.05:33 News. Sono stati annunciati i quattro film che rientrano nel progetto della Biennale College - Cinema per il 2025 e che saranno prodotti La Biennale. 07:39 La Luce del Cinema di Michael Mann. Film analizzati: La corsa di Jericho; Strade violente; La fortezza; Manhunter - Frammenti di un omicidio; Miami Vice; L'ultimo dei Mohicani; Heat - La sfida; Insider; Collateral; Nemico Pubblico; Blackhat; Ferrari. 

Au Sénégal, c'est l'une des œuvres particulièrement forte de la biennale d'art contemporain qui se tient jusqu'au 7 décembre à Dakar. L'installation de l'artiste multidisciplinaire, enseignante au Campus caraïbéen des arts de Martinique, Agnes Brézéphin sur l'inceste dont elle a été victime de l'âge de 9 ans à 24 ans. Cabinet de curiosités – Chambre des merveilles : « Au fil(s) de soi(e) », en collaboration avec l'anthropologue Paola Lavra, a été récompensé par le prix Léopold Sédar Senghor de la Biennale de l'art africain contemporain, Dak'Art. Agnes Brézéphin est au micro de Léa-Lisa Westerhof.

Au Sénégal, c'est l'une des œuvres particulièrement forte de la biennale d'art contemporain qui se tient jusqu'au 7 décembre à Dakar. L'installation de l'artiste multidisciplinaire, enseignante au Campus caraïbéen des arts de Martinique, Agnes Brézéphin sur l'inceste dont elle a été victime de l'âge de 9 ans à 24 ans. Cabinet de curiosités – Chambre des merveilles : « Au fil(s) de soi(e) », en collaboration avec l'anthropologue Paola Lavra, a été récompensé par le prix Léopold Sédar Senghor de la Biennale de l'art africain contemporain, Dak'Art. Agnes Brézéphin est au micro de Léa-Lisa Westerhof.

Thonton Kabeya est originaire de la République démocratique du Congo et vit depuis près de 10 ans en Afrique du Sud. Il se nourrit de son expérience dans ses toiles pleines de vie. Il est en ce moment exposé pour la première fois au « in » de la biennale de l'Art africain contemporain, Dak'Art, dans l'ancien palais de justice de Dakar. Kasala, inner city blues, en référence à une chanson de Marvin Gaye, est une grande œuvre entre peinture, sculpture et installation, comme une mini ville avec plusieurs niveaux : en haut des immeubles du monde entier aux façades abîmées, et en dessous des petits personnages qui continuent à vivre leur vie.  À lire aussiSénégal: la quinzième biennale de l'Art africain contemporain s'ouvre à Dakar

Thonton Kabeya est originaire de la République démocratique du Congo et vit depuis près de 10 ans en Afrique du Sud. Il se nourrit de son expérience dans ses toiles pleines de vie. Il est en ce moment exposé pour la première fois au « in » de la biennale de l'Art africain contemporain, Dak'Art, dans l'ancien palais de justice de Dakar. Kasala, inner city blues, en référence à une chanson de Marvin Gaye, est une grande œuvre entre peinture, sculpture et installation, comme une mini ville avec plusieurs niveaux : en haut des immeubles du monde entier aux façades abîmées, et en dessous des petits personnages qui continuent à vivre leur vie.  À lire aussiSénégal: la quinzième biennale de l'Art africain contemporain s'ouvre à Dakar

À la 17ᵉ Biennale d'art contemporain de Lyon, Au cas où, de l'artiste palestinien Taysir Batniji, est la seule création sur la guerre à Gaza. La Biennale d'art contemporain de Lyon est riche de 280 œuvres de 78 artistes internationaux présentés dans neuf lieux de l'agglomération lyonnaise. Le plasticien de 57 ans, Taysir Batniji, réalise pour le Musée d'art contemporain de la ville un récit sans détours, l'expression d'une sidération. Il a récolté, depuis le début de la guerre à Gaza le 8 octobre 2023, les clés de maisons détruites de Gazaouis. Deux cents photos montrent cet objet devenu symbolique pour les Palestiniens, depuis la dépossession de leurs terres en 1948.  La Biennale d'art contemporain de Lyon se tient jusqu'au 5 janvier 2025.  À lire aussiBande de Gaza: 365 km² anéantis par Israël en 365 jours, «une volonté de détruire une mémoire»

À la 17ᵉ Biennale d'art contemporain de Lyon, Au cas où, de l'artiste palestinien Taysir Batniji, est la seule création sur la guerre à Gaza. La Biennale d'art contemporain de Lyon est riche de 280 œuvres de 78 artistes internationaux présentés dans neuf lieux de l'agglomération lyonnaise. Le plasticien de 57 ans, Taysir Batniji, réalise pour le Musée d'art contemporain de la ville un récit sans détours, l'expression d'une sidération. Il a récolté, depuis le début de la guerre à Gaza le 8 octobre 2023, les clés de maisons détruites de Gazaouis. Deux cents photos montrent cet objet devenu symbolique pour les Palestiniens, depuis la dépossession de leurs terres en 1948.  La Biennale d'art contemporain de Lyon se tient jusqu'au 5 janvier 2025.  À lire aussiBande de Gaza: 365 km² anéantis par Israël en 365 jours, «une volonté de détruire une mémoire»

C'est la deuxième biennale de Dakar pour le plasticien sénégalais Arébénor Bassène, qui a cette année la chance d'être à la fois présent à l'in et à l'off. Ce peintre érudit a étudié pendant de longues années, sur les bancs de la fac, l'histoire et les civilisations africaines. Il a commencé par exposer dans une galerie belge avant de percer dans son pays. Ses toiles colorées, semi-abstraites, faites de mouvements et de couleurs, ont toujours un lien avec l'histoire du continent, tout comme les matériaux qu'il utilise. Rencontre à la galerie Selebe Yoon de Dakar, où il expose dans le cadre de l'off de la Biennale. De notre correspondante à Dakar,

C'est la deuxième biennale de Dakar pour le plasticien sénégalais Arébénor Bassène, qui a cette année la chance d'être à la fois présent à l'in et à l'off. Ce peintre érudit a étudié pendant de longues années, sur les bancs de la fac, l'histoire et les civilisations africaines. Il a commencé par exposer dans une galerie belge avant de percer dans son pays. Ses toiles colorées, semi-abstraites, faites de mouvements et de couleurs, ont toujours un lien avec l'histoire du continent, tout comme les matériaux qu'il utilise. Rencontre à la galerie Selebe Yoon de Dakar, où il expose dans le cadre de l'off de la Biennale. De notre correspondante à Dakar,

EP. 59 [original] - in conversation with Open Group - a Ukrainian art collective representing Poland at the 60th La Biennale di Venezia. In this episode, Patrycja sits down with Yuriy Biley and Anton Varga, two members of Open Group, to explore their thought-provoking audiovisual installation, Repeat after Me II. This powerful work serves as a collective portrait of civilian witnesses to the ongoing war in Ukraine. Featuring two videos created in 2022 and 2024, the installation presents refugee stories through the haunting sounds of weaponry they recall. Using a unique karaoke format, the piece invites viewers to mimic these sounds, teaching them to identify weapons by ear—a skill that could, in a dystopian future, be the key to survival.   References: Open Group website http://open-group.org.ua/en/about-us Polish Pavillion in Venice https://labiennale.art.pl/en/ Repeat after Me II publication https://zacheta.art.pl/en/e-sklep/katalog/repeat-after-me-ii Yuriy Biley https://www.instagram.com/yuriy.biley/ Anton Varga https://www.instagram.com/anton.varga/ ___ SUPPORT: Buy me a coffee Become a Patron Buy Kitchen Conversations Cookbook Follow & leave feedback ___ Podcast thumbnail: (from the left) Pavlo Kovach, Yuriy Biley, Anton Varga at the opening of the 60th La Biennale di Venezia. Recording & editing: Patrycja Rozwora Mix & master: Jonas Kröper

EP. 59 [overdubbed] - in conversation with Open Group - a Ukrainian art collective representing Poland at the 60th La Biennale di Venezia. In this episode, Patrycja sits down with Yuriy Biley and Anton Varga, two members of Open Group, to explore their thought-provoking audiovisual installation, Repeat after Me II. This powerful work serves as a collective portrait of civilian witnesses to the ongoing war in Ukraine. Featuring two videos created in 2022 and 2024, the installation presents refugee stories through the haunting sounds of weaponry they recall. Using a unique karaoke format, the piece invites viewers to mimic these sounds, teaching them to identify weapons by ear—a skill that could, in a dystopian future, be the key to survival.   References: Open Group website http://open-group.org.ua/en/about-us Polish Pavillion in Venice https://labiennale.art.pl/en/ Repeat after Me II publication https://zacheta.art.pl/en/e-sklep/katalog/repeat-after-me-ii Yuriy Biley https://www.instagram.com/yuriy.biley/ Anton Varga https://www.instagram.com/anton.varga/ ___ SUPPORT: Buy me a coffee Become a Patron Buy Kitchen Conversations Cookbook Follow & leave feedback ___ Podcast thumbnail: (from the left) Pavlo Kovach, Yuriy Biley, Anton Varga at the opening of the 60th La Biennale di Venezia. Recording & editing: Patrycja Rozwora Transcription & overdubbing: Patrycja Rozwora Mix & master: Jonas Kröper

Depuis l'espace « Causerie » de l'ancien Palais de Justice pour notre seconde émission à la 15e Biennale d'Art Contemporain africain. Nous vous invitons à un voyage sensoriel dans l'espace spatio-temporel pour découvrir le travail d'artistes de la sélection officielle et d'autres artistes présents dans le OFF de cette Biennale. Nous passerons du silence et de l'intimité d'une maison endeuillée au bouillonnement de l'effervescence urbaine ; nous partirons pour une balade revigorante dans un foisonnement coloré de fleurs et de nature, nous plongerons dans l'eau du fleuve Sénégal, et nous embarquerons même pour un voyage intergalactique en l'an 2230. Nous tenterons d'ailleurs de nous initier à travers l'image et la danse aux mystères du mouvement du temps.Pour ce voyage, nous serons en compagnie de  Mad In Pixel et Mohamed Diop, deux artistes Sénégalais mais aussi Madeleine Wilfried Mbida, artiste camerounaise ainsi que le galeriste parisien, Christophe Person.Ils sont les invités de VMDN. La Biennale se tient à Dakar jusqu'au 7 décembre 2024.► Reportage : Direction le 1er étage de l'ancien Palais de Justice de Dakar où se tient l'exposition des collectionneurs, dont le commissaire, Kalidou Kassé, est aussi un artiste, peintre et sculpteur sénégalais. Il a fait faire le tour de l'exposition à notre reporter Damien Roucou.

Depuis l'espace « Causerie » de l'ancien Palais de Justice pour notre seconde émission à la 15e Biennale d'Art Contemporain africain. Nous vous invitons à un voyage sensoriel dans l'espace spatio-temporel pour découvrir le travail d'artistes de la sélection officielle et d'autres artistes présents dans le OFF de cette Biennale. Nous passerons du silence et de l'intimité d'une maison endeuillée au bouillonnement de l'effervescence urbaine ; nous partirons pour une balade revigorante dans un foisonnement coloré de fleurs et de nature, nous plongerons dans l'eau du fleuve Sénégal, et nous embarquerons même pour un voyage intergalactique en l'an 2230. Nous tenterons d'ailleurs de nous initier à travers l'image et la danse aux mystères du mouvement du temps.Pour ce voyage, nous serons en compagnie de  Mad In Pixel et Mohamed Diop, deux artistes Sénégalais mais aussi Madeleine Wilfried Mbida, artiste camerounaise ainsi que le galeriste parisien, Christophe Person.Ils sont les invités de VMDN. La Biennale se tient à Dakar jusqu'au 7 décembre 2024.► Reportage : Direction le 1er étage de l'ancien Palais de Justice de Dakar où se tient l'exposition des collectionneurs, dont le commissaire, Kalidou Kassé, est aussi un artiste, peintre et sculpteur sénégalais. Il a fait faire le tour de l'exposition à notre reporter Damien Roucou.

L'ancien Palais de Justice de Dakar est le centre névralgique de la 15è édition de la Biennale de l'Art africain contemporain. L'évènement propose une programmation riche de 58 artistes issus de quelque 40 pays qui présentent ici leurs œuvres. La directrice artistique de cette Biennale, Mme Salimata Diop et trois artistes sont avec nous pour cette première émission : le plasticien togolais Clay Apenouvon, la Béninoise Sènami Donoumassou, et le photographe Martin Lukongo Masudi de la République Démocratique du Congo. Ils sont les invités de VMDN. La Biennale se tient à Dakar jusqu'au 7 décembre 2024.

durée : 00:46:48 - La 20e heure - par : Eva Bester - Directrice des Beaux-Arts de Paris, Alexia Fabre est aussi commissaire de la 17e édition de la Biennale internationale de Lyon “Les voix des fleuves” jusqu'au 5 janvier 2025. Une choralité d'œuvres réunies par la conservatrice, qui se situe toujours à la lisière entre les artistes et leurs publics.

durée : 01:48:08 - Soft Power - par : Frédéric Martel - La Biennale de Lyon, un voyage artistique en résonance avec notre monde. / Sur LCP, ouvrir les débats de société pour rapprocher les citoyens. - réalisation : Alexandra Malka - invités : Alexia Fabre Directrice de l'Ecole nationale supérieurre des Beaux-Arts de Paris, conservatrice en chef du patrimoine; Emmanuel Kessler Président-directeur général de La Chaîne Parlementaire - Assemblée Nationale (LCP-AN).; Ludivine Gilli Docteure en histoire, spécialiste des États-Unis; Pierre Vimont Ancien ambassadeur de France aux Etats-Unis, ancien secrétaire général exécutif du Service européen pour l'action extérieure, chercheur associé au think tank Carnegie Europe

Toute cette semaine, Aujourd'hui l'économie vous plonge dans le monde de l'art. Comment les musées trouvent leur équilibre économique ? Comment les artistes gagnent-ils leur vie ? Premier épisode au Sénégal, où la quinzième biennale d'art contemporain de Dakar, prévue en avril, a dû être reportée à novembre 2024. Ce n'était arrivé qu'une fois auparavant, pendant la pandémie. Ce report a rouvert le débat sur le modèle économique de cette biennale, entièrement organisée et financée par l'État.

Welcome to the Institute of Black Imagination podcast, beaming in conversations from the galaxy of Black genius. I'm your host, Dario. Today we're honored to introduce our guest, Professor Lesley Lokko. A distinguished Ghanaian-Scottish architect, educator, and bestselling novelist, Dr. Lokko most recently served as the Curator of the 18th Venice Biennale of Architecture, becoming the first Black-identified person to hold the position. She's also the founder and Director of the African Futures Institute (AFI) a pioneering postgraduate school of architecture in Accra, Ghana.Dr. Lokko is also a best-selling novelist with 12 titles under her belt. Her novels have been translated into sixteen languages dealing with themes of love, loyalty, class, race, and cultural identity, transforming the “beach-read” genre into an extension of her architectural, world-building practice. For her contributions to the fields of Architecture and education, she was appointed an Officer of the Order of the British Empire in 2023 and 2024 won the Gold Medal Award, by the Royal Institute of British Architects, one of the highest honors in the world of architecture. And in many ways, that's where today's conversation with Prof. Leslie Lokko begins. The reality of appearing to be at the top, juxtaposed against the sweat and elbow grease required in institution-building and well… being a human being. Prof. Lokko joyfully and deftly takes us on a journey of triumph, career pivots, culture shock, womanhood, and becoming. Connect with us on Twitter and Instagram @blackimagination, subscribe to our newsletter for updates, and support the show by clicking this support link. and explore more content on blackimagination.com. Now, And now, the indefatigable Professor Lesley Lokko. Key LinksDarren Walker - president of the Ford FoundationAfrican Futures Institute - a new model for architectural education centered on three areas: teaching, research and public events.La Biennale di Venezia - Venice Biennale - an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation.Officer of the Order of the British Empire ( OBE )- This is awarded for having a major local role in any activity, including people whose work has made them known nationally in their chosen area.Mellon Foundation -Mellon makes grants to support communities through the power of the arts and humanities.What to ReadBiennale Architettura 2023: The Laboratory of the Future - Lesley LokkoSaffron Skies - Lesley Lokko

For the 27th episode of "Reading the Art World," host Megan Fox Kelly speaks with Eva Respini, author of “Simone Leigh,” published by DelMonico Books in association with the Institute of Contemporary Art/Boston. Eva Respini's book offers a deep dive into the groundbreaking work of contemporary artist Simone Leigh, whose multidimensional artistry challenges conventions, and sparks meaningful conversations about race, gender, and identity. Through Eva's expertise, we'll uncover the complexities of Leigh's art, and gain a deeper understanding of its cultural significance. Eva served as the Curator and Co-Commissioner for the 2022 US Pavilion's presentation of Simone Leigh at the 59th International Art Exhibition of La Biennale di Venezia. It marked the first time a Black woman represented the United States at the Biennale, and Leigh won the 2022 Golden Lion for her groundbreaking work. Eva organized the highly successful mid-career survey of Simone Leigh's works, which opened at the ICA/Boston in April 2023 and will tour across the United States through 2025. In addition to the insightful writing from multiple perspectives of 22 contributing scholars and collaborators of Leigh's, the book is beautifully illustrated with plates that feature Leigh's critically acclaimed work for the Biennale and works made throughout her career. See an album of Simone Leigh's Biennale exhibition. Eva Respini is Deputy Director and Director of Curatorial Programs at the Vancouver Art Gallery. Between 2015-2023, Respini was Deputy Director and Barbara Lee Chief Curator at the Institute of Contemporary Art Boston (ICA/Boston). Prior to her tenure at the ICA/Boston, she served as Curator at the Museum of Modern Art for more than a decade in the department of photography. She currently teaches a seminar on curatorial practice at Harvard University's Graduate School of Design. Other universities where she has taught and lectured include School of Visual Arts, Columbia University; Yale University's School of Art; and the School of Visual Arts, New York. Eva has published numerous books and catalogues and her writing appears in museum publications and periodicals. She received a BA and MA in art history from Columbia University and was a 2014 fellow at the Center for Curatorial Leadership. "Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkellyPurchase “Simone Leigh” at Delmonico Books.Music composed by Bob Golden

L'art et la photographie peuvent-ils nous mobiliser ?

C'est historique : le Bénin participe pour la première fois à la Biennale de Venise avec son propre pavillon national. Pour la 60e édition de l'évènement de renommée mondiale : quatre artistes béninois de différentes générations et une exposition «Tout ce qui est précieux est fragile ». Elle retrace la riche histoire de ce petit pays d'Afrique de l'Ouest, de la traite négrière aux Amazones, en passant par spiritualité vaudou. Le tout, vu sous le prisme du féminisme béninois et de l'art contemporain africain.

Talk Art live at the Venice Biennale, presented by Burberry. Recorded at the St Regis Library, we meet leading artist Sir John Akomfrah CBE RA and Tarini Malik, the curator of the British pavilion 2024.The British Council is delighted to present Listening All Night To The Rain by John Akomfrah at the 60th International Art Exhibition of La Biennale di Venezia 2024.The exhibition runs from 20 April to 24 November 2024.Exploring post-colonialism, environmental devastation and the politics of aesthetics, Listening All Night To The Rain is Akomfrah's boldest and most ambitious commission to date.The exhibition draws its title from 11th century Chinese writer and artist Su Dongpo's poetry, which explores the transitory nature of life during a period of political exile. Organised in a series of song-like movements, or ‘cantos', the exhibition brings together eight interlocking and overlapping multimedia and sound installations into a single and immersive environment that tells stories of migrant diasporas in Britain. It is the result of decades of extensive research by the artist and his team, using historical records to contextualise our experience of the present day.Listening All Night To The Rain weaves together newly filmed material, archive video footage and still images, with audio and text from international archives and libraries. The exhibition tells global stories through the ‘memories' of people who represent migrant communities in Britain and examines how multiple geopolitical narratives are reflected in the experiences of diasporic people more broadly.Each gallery space layers together a specific colour field, influenced by the paintings of American artist Mark Rothko, in order to highlight the ways in which abstraction can represent the fundamental nature of human drama.Listening All Night To The Rain positions various theories of acoustemology: the study of how the sonic experience mirrors and shapes our cultural realities. Akomfrah draws on an acute acoustic sensitivity influenced by a variety of formative experiences, from protests to club culture in 1970s-80s London. Each of Akomfrah's ‘cantos' is accompanied by a specific soundtrack, which layers archival material with field recordings, speeches and popular and devotional music. Extending the sense of hybridity in the filmic collages, Akomfrah's use of sound encourages us to consider the breadth of cultural identity in Britain more broadly.Follow @Smoking_Dog_Films, @AkomfrahJohn @TariniMalik, @BritishArts Presented by @BurberryThanks @Lisson_Gallery and @LaBiennaleLearn more at Lisson: https://www.lissongallery.com/artists/john-akomfrah Hosted on Acast. See acast.com/privacy for more information.

En fouillant virtuellement dans l'atelier de Julien Creuzet, j'ai cru retrouver ces mots d'Edouard Glissant. Le poète choisit, élit dans la masse du monde, ce qu'il lui faut préserver, chanter, sauver, et qui s'accorde à son chant. J'aurais pas dit mieux, merci Monsieur Tout-monde. C'est la fête, champagne, c'est un grand jour En Sol Majeur que de pouvoir choper au vol Julien Creuzet, vidéaste, plasticien, poète, au carrefour des cultures européennes africaines et indiennes - un artiste français quoi - qui a l'initiative de l'Institut Français représentera notre pays à la 60è Biennale internationale d'Art de Venise. Et la radio de préciser mi-figue mi-raisin, qu'il sera le premier homme noir à le faire. Exposé à Londres, Kampala, Bamako, Francfort, Paris, Prix Étant donnés 2022 d'Art Basel et nominé pour le Prix Marcel Duchamp 2021, le sillon de Creuzet est celui d'une hybridité accordée à son chant, poétique et forcément politique...Les choix musicaux de Julien CreuzetChristophe Chassol Pipornithology 1Jacques Coursil Frantz Fanon 1952Jacques Coursil GoréeAnaiis Vanishing.

Macron ha detto una cosa che ha fatto rispondere in coro un po' tutta la Nato, sono uscite le banconote con la faccia di Re Carlo e sono state trovate microplastiche anche nelle placente umane. La Biennale di Venezia si è esposta contro Israele, Fedez e Luis hanno litigato ancora ed è uscita la 13esima puntata di Squattrinati, se volete ascoltarla

Dal 20 aprile al 24 novembre, Venezia ospiterà la sessantesima edizione della Biennale Arte, curata da Adriano Pedrosa, il primo direttore artistico proveniente dal Sud America e anche il primo apertamente appartenente alla comunità queer. Quest'anno la Biennale si concentrerà sulla Storia, sugli eventi che ormai da anni stiamo attraversando, dalle guerre in corso fino alla pandemia. Ma sarà una Biennale che parlerà anche di stranieri, di come ognuno di noi, a un certo punto della sua vita, si possa riconoscere in questa definizione.

Dal 20 aprile al 24 novembre, Venezia ospiterà la sessantesima edizione della Biennale Arte, curata da Adriano Pedrosa, il primo direttore artistico proveniente dal Sud America e anche il primo apertamente appartenente alla comunità queer. Quest'anno la Biennale si concentrerà sulla Storia, sugli eventi che ormai da anni stiamo attraversando, dalle guerre in corso fino alla pandemia. Ma sarà una Biennale che parlerà anche di stranieri, di come ognuno di noi, a un certo punto della sua vita, si possa riconoscere in questa definizione

Welcome to the first episode of a 3-part special on the 2024 International Film Festival of Rotterdam.Host Nadine attended the film festival as a journalist and media maker this year. This series was recorded on site and shares three highlights from the dynamic festival.Madeleine Hunt-Ehrlich is a filmmaker and artist who makes films concerned with the inner worlds of black women. New Faces of Independent Cinema List." Her film "Ballad of Suzanne Césaire" stars Zita Hanrot and Motell Gyn Foster and had it's world premiere at 2024 IFFR. Madeleine's work has been screened all over the world including at the 2023 Berlinale, the 2022 La Biennale di Venezia, the Guggenheim Museum, the Tate Modern and the Whitney Museum of Art. Her films have been awarded special jury prizes for best experimental film at Blackstar Film Festival and New Orleans Film Festival.In this episode, we talk about this review: Jessica Kiang, Variety. You can read Suzanne Césaire's writing in PDF for free: HERE.Watch some of Madeleine's work on Vimeo and visit: www.madeleinehuntehrlich.com for more on her previous works. You can also follow her on Instagram.In the second episode, you'll meet the head of the festival's Hubert Bals Fund - Tamara Tatishvili. In the third episode, you'll hear from Julia de Simone, director behind "Praia Formosa" and winner of the Hubert Bals Fund development program in 2014.Thanks to the IFFR, and its specifically press team, for this opportunity.Nadine Reumer is an actress and producer based in Amsterdam. You can follow the podcast @inherlenspodcast on Instagram. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:03:03 - Les histoires du monde - par : Anthony BELLANGER - L'artiste qui devait représenter la Pologne à la 60e Biennale de Venise a été sèchement viré par le nouveau gouvernement centriste de Donald Tusk. Il sera remplacé par un collectif ukrainien.

durée : 00:03:03 - Les histoires du monde - par : Anthony BELLANGER - L'artiste qui devait représenter la Pologne à la 60e Biennale de Venise a été sèchement viré par le nouveau gouvernement centriste de Donald Tusk. Il sera remplacé par un collectif ukrainien.

AMOUR VIVANT la première biennale d'écologie culturelle en France. Presenté par l'association pour un design soutenable Produit par l'agence Artistik Baazar Scénographie de l'exposition : Laurence Falzon Scénographie des espaces de convivialité : Julien Beller Animée par beaucoup de benevoles merveilleuses et merveilleux

Les liens

durée : 00:04:21 - Le zoom de la rédaction - La Biennale de Danse de Lyon anime aujourd'hui les rues de Lyon avec une parade chorégraphique géante. 3500 participants, danseurs, musiciens amateurs encadrés par des chorégraphes pro. Événement unique préparé pendant des mois. Un reportage sur place de Mathilde Imberty.

AMOUR VIVANT

Quoi de mieux que la rentrée pour vous annoncer une belle nouvelle !! Dans cet épisode je vous propose de plonger dans le lancement de la biennale « Amour Vivant » présentée par l'Association pour un Design Soutenable. Après « Frugal » il y a 2 ans, l'association a fait peau neuve avec un nouveau nom ainsi qu'une toute nouvelle identité. Le concept reste le même : un voyage au pays des solutions pour les temps qui viennent

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with multimedia artist and filmmaker Lynn Hershman Leeson. This was recording during a visit to her show, About Face, at San Francisco's Altman Siegel Gallery. The show covered the last five decades of Lynn's career and work exploring the role of technology in the human condition. Lynn's work is showing now at the SF Altman Siegel Gallery until July 8. CLICK HERE to visit the Viewing Room. Visit Lynn's Website: www.LynnHershman.comFollow Lynn on Social Media: Instagram @Lynn.l.Leeson  of visit her Facebook Profile  About Artist  Lynn Hershman Leeson:Lynn Hershman Leeson has been internationally acclaimed for her art and films. Cited as one of the most influential media artists, Hershman Leeson is widely recognized for her innovative work investigating issues that are now recognized as key to the workings of society: the relationship between humans and technology, identity, surveillance, and the use of media as a tool of empowerment against censorship and political repression. Over the last fifty years she has made pioneering contributions to the fields of photography, video, film, performance, artificial intelligence, bio art, installation and interactive as well as net-based media art. Lynn Hershman Leeson is a recipient of a Siggraph Lifetime Achievement Award, Prix Ars Electronica Golden Nica,  and a John Simon Guggenheim Memorial Foundation Fellowship. In 2017 she received a USA Artist Fellowship, and  the San Francisco Film Society's “Persistence of Vision” Award. In 2022, she was awarded a  special mention from the Jury for her participation in the 59th International Art Exhibition of La Biennale di Venezia – The Milk of Dreams. In 2023, Pratt Institute of Art in NY awarded her with an Honorary Doctorate. Creative Capital awarded her with their Distinguished Artist Award in 2023. SFMOMA acquired the museum's first NFT from Hershman Leeson in 2023.Her six feature films – Strange Culture, Teknolust, Conceiving Ada, !Women Art Revolution: A Secret History, Tania Libre, and The Electronic Diaries are all in worldwide distribution and have screened at the Sundance Film Festival, Toronto Film Festival and The Berlin International Film Festival, among others. She was awarded the Alfred P. Sloan Foundation Prize for writing and directing Teknolust.!Women Art Revolution received the Grand Prize Festival of Films on Art.Artwork by Lynn Hershman Leeson is featured in the public collections of the Museum of Modern Art, The San Francisco Museum of Modern Art, The Zentrum fur Kunst und Medientechnologie, the Los Angeles County Museum of Art, The Tate Modern, The National Gallery of Canada, and the Walker Art Center in addition to many celebrated private collections.--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Tracey Rose, born in South Africa, is best-known for her revolutionary performative practice which often translates to and is accompanied by photography, video, installation, and digital prints. Often described as absurd, anarchic, slapdash and carnivalesque, Rose's work explores themes around post-coloniality, gender and sexuality, race and repatriation. Tracey was born in Durban, South Africa. In 1990 she joined the Johannesburg Art Foundation before obtaining a B.A. in Fine Art from the University of the Witwatersrand in Johannesburg in 1996. In 2004 Tracey attended The South African School of Motion Picture Medium and Live Performance and later obtained her Master of Fine Arts, Goldsmiths College, University of London, UK in 2007. Tracey currently lives and works in Johannesburg, South Africa. Tracey has taken part in several residencies including the WysingArts Centre, Cambridgeshire, UK (2014);  DAAD, Berlin, Germany (2012/13); Darb1718, Cairo, Egypt (2012); Cruzes, Montevideo, Uruguay (2011); KhojInternational Artists Workshop Vasind, India (2005); Africa 2005 Residency, The London School of Hygiene and Tropical Medicine, London, UK, (2004); Hollywood Hills Horrorhouse, Los Angeles, CA, USA (2001); Fresh, South African National Gallery, Cape Town, South Africa (2001) and OK Centrum, Linz, Austria (2000). Tracey has exhibited widely internationally, most notably, May You Live in Interesting Times South African National Pavilion, the 58th La Biennale di Venezia, Venice, Italy (2016); Body Talk -Feminism, Sexuality & Body, 49 Nord 6 Est -Frac Lorraine, Metz, France (2016); False Flag, Art Parcours, Art Basel, Basel, Switzerland (2016); Toro Salvaje, Museum of Modern Art, Buenos Aires, Argentina (2016); Reina Sofi­a Museum, Madrid, Spain (2014); Waiting for God, Johannesburg Art Gallery, Johannesburg, South Africa and Bildmuseet, Sweden (2011); Rose O'Grady (with Lorraine O'Grady),Goodman Gallery, Johannesburg, South Africa (2011); Lubumbashi Biennial, Lubumbashi, Democratic Republic of Congo (2017); Performa 17, New York, USA (2017); Documenta14, Athens, Greece and Kassel, Germany (2017); 11th Biennale de Lyon, Lyon, France (2011); Afro Modern: Journeys through the Black Atlantic, Tate Liverpool, Liverpool, UK (2010); StedelijkMuseum Amsterdam, Netherlands (2008); Africa Remix, The Haywood Gallery, London, UK and Centre George Pompidou, Paris, France(2005); and Africaine, The Studio Museum, New York, USA (2002) to name a few.

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“So for me being born in a place like Naples helped me absorb and to be constantly open and curious about other cultures, simply because they were part of my own culture. So it's a challenging city, I must say. And it's incredible how you more easily communicate with other people when you are in a place that you feel is a public place, but it belongs to you. It belongs to everyone. It's a space for the community. So this was the first lesson that I learned studying architecture because then you start to read the places in a more organized, scientific way. And I think maybe this dimension passed into my DNA.So from my point of view, a prize is not just to establish the most beautiful building, the most expensive building, or the tallest building in the world. It's rather to foster the discussion to bring forward critical points to be discussed. To bring forward contradictions, to really enhance the discussion about what is relevant for our society or for society in a specific moment.So this, for me, is the role of a prize, to highlight critical issues and to foster the discussion, to face them, and to find solutions, to find new paths. So in the case of the Pritzker Prize, the mission has been very clear since the very beginning. So it's to acknowledge a living architect or architects for a body of built work that has produced a consistent and significant contribution to humanity and to the built environment through the art of architecture.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“So for me being born in a place like Naples helped me absorb and to be constantly open and curious about other cultures, simply because they were part of my own culture. So it's a challenging city, I must say. And it's incredible how you more easily communicate with other people when you are in a place that you feel is a public place, but it belongs to you. It belongs to everyone. It's a space for the community. So this was the first lesson that I learned studying architecture because then you start to read the places in a more organized, scientific way. And I think maybe this dimension passed into my DNA.So from my point of view, a prize is not just to establish the most beautiful building, the most expensive building, or the tallest building in the world. It's rather to foster the discussion to bring forward critical points to be discussed. To bring forward contradictions, to really enhance the discussion about what is relevant for our society or for society in a specific moment.So this, for me, is the role of a prize, to highlight critical issues and to foster the discussion, to face them, and to find solutions, to find new paths. So in the case of the Pritzker Prize, the mission has been very clear since the very beginning. So it's to acknowledge a living architect or architects for a body of built work that has produced a consistent and significant contribution to humanity and to the built environment through the art of architecture.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.“We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.We are living in a world that is extremely complex and complicated. So our lives have been halted, regardless of any geography, as a result of growing inequality (political, social, economical), and so on. We live now in a moment of deep shift. And I think that decolonization, decarbonization, social and environmental injustice, and gender equity, these are all terms that belong to daily vocabulary now. So we have to face and address these issues from both a personal and professional point of view, whatever our profession is.”www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enPhoto credit: Anselm Kieferwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“We should all learn to be sustainable in our daily life and find the beauty in what proves to be sustainable. And we really need to start shifting our way of looking at things because sometimes sustainability, which is a priority right now, doesn't really coincide with let's say the cheapest solution or the best economical solution. But we have to decide our priorities. So the priority now is sustainability. We have to start to think about that. If I think back to the most recent winners of the Pritzker Architecture Prize, I can see a lot of really groundbreaking innovative practices being brought to the forefront.We are living in a world that is extremely complex and complicated. So our lives have been halted, regardless of any geography, as a result of growing inequality (political, social, economical), and so on. We live now in a moment of deep shift. And I think that decolonization, decarbonization, social and environmental injustice, and gender equity, these are all terms that belong to daily vocabulary now. So we have to face and address these issues from both a personal and professional point of view, whatever our profession is.”Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.www.pritzkerprize.com www.pritzkerprize.com/jury#jury-node-2236 www.labiennale.org/enwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast