Podcasts about alla turca

Wolfgang Amadeus Mozart - Piano Sonata No. 11: Rondo alla TurcaPeter Nagy, pianoMore info about today's track: Naxos 8.550219Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

In dieser Folge spiele ich wieder für euch Klavier.

Programa 214. Los tres Tenores a su aire. El Carreras con batería, El plácido en domingo con Mozart y El Carreras a su aire. Disfrute total. ADIVINA PELÍCULA Franck Pourcel – TRES MONEDAS EN LA FUENTE. SAN TORAL Yuja Wang. ALLA TURCA de Mozart-Volodos. Serrat. IRENE. Gene Krupa & Buddy Rich – FAMOUS DRUM BATTLE. Mozart. […] The post Los Tres Tenores 25/01/2023 first appeared on Ripollet Ràdio.

1783 stand in Wien der Orient hoch im Kurs. Man feierte den Sieg über die Türken vor 100 Jahren. Auch Mozart ließ sich zu seinem "türkischen Marsch" inspirieren, der eigentlich das Finale einer seiner originellsten Klaviersonaten ist. (Autor: Christoph Vratz) Von Christoph Vratz.

A rondo with unusual form: ABCBAB. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

In a more somber episode than usual, we conclude our visit with Mozart and explore one of his most well-recognized works. We discuss what war isn't good for, begging your friends for money, and coming to terms with death. Twitter: @PianoRhapsody Email: pianorhapsodypodcast@gmail.com Find PianoRhapsody on SoundCloud for this recording and more!

Imagine: What if you visited a new place and someone you just met played a trick on you? How would you feel? Do you play tricks on people? Are you the fox or the heron? About today's Storyteller: Stephen LaFrenie has performed and taught for over 40 years and toured across Canada, Spain, Australia, France, Hungary, Jamaica, Haiti, and the U.S. He has written and co-created 22 plays and performances and is now a contributing writer to Catch Me In The Kitchen Audio Adventures and Audio Snacks. Learning to cook at an early age, the kitchen has always been a place of joy and creativity. Draw and share... If you'd like to share a drawing you've done from today's story - or any of our stories - you can do that at catchmeinthekitchen.com/fan-art and we will post them on our story fridge! Catch the latest! Subscribe to our newsletter at catchmeinthekitchen.com to get the latest stories, songs, and activities. If you have a minute, drop us a note - we would love to hear from you! Our first audiobook, ‘Pigs, Princesses, and One Tough Turtle', along with a paperback copy, is available through our website. Words are delicious. Les mots sont délicieux! From today's story: Une renarde: a female fox Un grand héron bleu: a great blue heron Les hérons: herons La soupe: soup Un poisson: a fish La soupe de poisson – fish soup Mes amis: my friends Bonjour: hello or good day Impoli(e): impolite or rude Merci beaucoup! Thank you to Stephen LaFrenie for 'The Fox and the Great Blue Heron.' Thanks to Bearkin for the episode illustration. This Audio Snack was directed by Liz Pounsett and performed by Stephen LaFrenie, Bearkin, Ginette Mohr, and Professor Pineapple. Mixed by Tim Freeman. Creative and production support by Ginette Mohr. Music composed and performed by Tim Freeman and Red Velvet Revolution. Piano Sonata no. 16 ‘Facile', K. 545 – III. Rondo performed by Simone Renzi. Mozart's ‘Alla Turca' performed by Markus Staab. Special thank you to musopen.org. See you soon! A bientôt! Support Catch Me in the Kitchen Audio Snacks: an English-French stories podcast for kids by contributing to their tip jar: https://tips.pinecast.com/jar/catch-me-in-the-kitchen-audio-

1783 stand in Wien der Orient hoch im Kurs. Man feierte den Sieg über die Türken vor 100 Jahren. Auch Mozart ließ sich zu seinem "türkischen Marsch" inspirieren, der eigentlich das Finale einer seiner originellsten Klaviersonaten ist. (Autor: Christoph Vratz) Von Christoph Vratz.

Piano Sonata No. 11 in A major, K. 331 (300i), is a piano sonata in three movements. It is uncertain where and when Mozart composed the sonata; however, Vienna or Salzburg around 1783 is currently thought to be most likely. A typical performance of this entire sonata takes about 20 minutes. The last movement of Sonata K. 331 by W.A. Mozart, alla turca, popularly known as the Turkish March, is often heard on its own and is one of Mozart's best known piano pieces: Mozart himself titled the movement Alla Turca. It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time. Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail. In Mozart's time, the last movement was sometimes performed on pianos built with a "Turkish stop", allowing it to be embellished with extra percussion effects.About this Piece

Wolfgang Amadeus Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty, embarking on a grand tour. At 17, Mozart was engaged as a musician at the Salzburg court but grew restless and travelled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in Vienna, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death are largely uncertain, and have thus been much mythologized.

Monday Breakfast 7 June 2021with Kannagi and JacobAcknowledgement of Country and WelcomeHighlights from Students Strike  Vivien Langford brings us Highlights from the recent national SCHOOL STRIKE 4 CLIMATE. Vivien started the journey at Sydney's Pitt St Uniting Church... Sydney's Pitt St Uniting Church with their support for the recent School StrikePacifica Youth leaders We are Not Drowning - We are FightingAllen Hicks  - National Secretary of the Electrical Trades Union speaking there at the recent student strike for climate in Sydney.Gamillaraay Next Generation:Patrick Rudd.  SONG:GET UP! - Millie and Bondi Junction Volunteers who engaged the public in conversations about GAS Errinundra_Alla Turca 02 Jun 2021Ella Tooms speaks with Chris Schuringa from the Goongerah Environment Centre (GECO) about the recent win for the Alla Turca coupe in Errinundra- an injunction came through and logging has stopped.Dirt Radio 01 Jun 2021Sam Cossar-Gilbert from Friends of the Earth joins Phil Evans from Dirt Radio to talk about a historic win that holds the Shell corporation liable for causing dangerous climate change. MUSIC:Little Sunflower by Dorothy AshbyIf It Glitters Its Gold by Dallas WoodsEveryone is Watching by Ajak KwaiBetter Days by  Dallas Woods, Baker Boy, Sampa the GreatPacific Climate Warrior from 350.org  

Turkish Coffee | Episode 2: Love alla Turca by Duvar English

durée : 00:06:56 - Jouons-nous la "Marche Turque" de Mozart... "correctement" ? - par : Christophe Dilys - A l'occasion des dix ans de la disparition de John Barry, le compositeur de la très mozartienne musique du film "Out of Africa" (1985), "Tendez l'oreille" se plonge dans une des partitions les plus célèbres de Mozart : le 3e mvt de la 11e sonate pour piano, K.331, la fameuse "Alla Turca"...

Klasik müzik Türk marşı.

Luna enters Scorpio - advantage Science - side effects and all... transcripts, as always, are available at: http://kristo.com/ (kristo.com) and please take a listen to my other podcasts at:  https://kristo.art/ (kristo.art) and https://betweenthelines.xyz/hgcode-podcast (betweenthelines.xyz) Music and Sound credits: Mozart: https://musopen.org/music/18-piano-sonata-no-11-k-331/ (Piano Sonata no. 11, K. 331 - III. Alla Turca) courtesy of https://musopen.org/music/performer/european-archive/ (European Archive) and http://musopen.org (musopen.org) https://freesound.org/people/Nighteller/sounds/196263/ ("ciao ciao") courtesy of https://freesound.org/people/Nighteller/ (Nighteller) and https://freesound.org/ (freesound.org) - http://creativecommons.org/publicdomain/zero/1.0/ (This work is licensed under the Creative Commons 0 License)

"A deeply feeling & technically skilled pianist that successfully communicates with her audience.” -Prof. Manfred Aust A unique classical musician accompanied by a pinch of scholarly ambition - staging monographic performances illuminated with handcrafted keynote speeches: Birce Polat is the personification of a Renaissance soul with diverse talents. A disciple of the renowned Karl-Heinz Kämmerling école with peerless technical command, she has the fingers for “magical sonorities on the keys”, according to her aficionados. 2020 still flows in the pianist’s own words; “what a year of milestones! For myself, a winter’s tale of well-received debut lecture recitals in my hometown Istanbul & in the capital Ankara!” Between her highly praised graduation recital in Lübeck in 2012 and the return to her homeland Istanbul in 2013 - two of the turning points in her career - Polat made a wholly different kind of debut: “flow state” in psychology being an utmost leitmotif in her life - she published her “Interpersonal Differences of Flow Experience during Musical Practice”. This marked the launch of Polat’s academic career, defined ever since by her eclectic PhD studies parallel to being a recitalist. As a proud alumna of the respected Uskudar American Academy (Istanbul) & Academy of Music in Lübeck (Germany), her profound devotion to her artistic career is mirrored in her intellectual questioning and evergreen curiosity. www.bircepolat.com Classic On is a podcast created by Marija Andjic and Bernhard Kerres. In each episode you meet an outstanding musician from around the world. All are part of the BYOM Community - the Be Your Own Manager community - a community of exceptional musicians who understand that they need entrepreneurship besides their musical excellence. The community and the podcast was created during the COVID19 pandemic.

Please, read this.Hello. If the podcast was helpful for you, I ask you to give some money to a charity. I truly believe we can make a better world with less cynicism and egoism. You can handle several days without coffee. However, that money REALLY can help. Even a few dollars.Where to send and how much is only on you. Children, nature, homeless people. All problems are more real and nearer than you think.Just be a good person. Be a real hero. Peace. 00:00:00 Listz Love dreams no.3 00:04:04 Racmaninoff Préludes, Opus 32, no.13 00:06:35 Debussy Suite bergamasque Claire De Lune 00:10:43 Chopin Ballade G minor, Opus 23 00:19:45 Beethoven Sonata No 5 C minor, Opus 10 mov 1 00:26:18 Mozart Piano Sonata No 14 in c minor, KV 457 Adagio 00:33:05 Shumann Scenes from Childhood, Opus A Tale of Distant Lands 00:34:27 Mozart Sonata No. 11 A major (Alla Turca) , KV 331 00:47:59 Chopin 2 Nocturnes, Opus 27 Larghetto 00:52:37 Beethoven Sonata No. 8 C minor (Pathetique) , Opus 13 Mov 2 00:57:40 Shumann Scenes from Childhood, Opus In Slumberland 00:59:05 Chopin 2 Nocturnes, Opus 27 Larghetto Sostenuto 01:04:02 Mozart Piano Sonata No 14 in c minor, KV 457 Molto Allegro + Repeat

Reference recording for the tab posted--view my tabs here.

Reference recording for the tab posted--view my tabs here.

Reference recording for the tab posted--view my tabs here.

Deze week opent het Geelvinck Muziek Museum in Zutphen een expositie over oosterse betovering van westerse achttiende-eeuwse muziek. Daarbij moeten we bijvoorbeeld denken aan het zeer bekende wijsje Alla Turca van Mozart dat in het museum op een vroeg negentiende-eeuwse Weense fortepiano is te horen. Maar misschien is het wel de laatste tentoonstelling in het museum, want de armlastige gemeente Zutphen heeft het museum de wacht aangezegd. De Gemeente is bijna failliet en wil het museum niet langer faciliteren, zodat het pand waar het is gehuisvest de verkoop in kan. Te gast is Jurn Buisman, algemeen directeur van het museum.

Episodio #3: nos embarcamos en la vida del gran Wolfgang Amadeus Mozart:  ¿Quién fue Mozart? ¿Cómo fue Mozart de niño? ¿De qué murió Mozart? Son algunas de las preguntas que hacen los niños sobre este compositor y ¡vamos a contestarlas todas! Para más información del compositor, pinturas, aun video de La Flauta Mágica, consulta las notas del episodio en allegromagico.com/3 . Y si quieres saber 9 curiosidades de Mozart da click aquí.      En este episodio escucharás:    [00:25] Divertimento in E Flat Major for String Trio, K. 563 VI.Allegro  [00:56]  The Marriage of Figaro, K.492 Overture [02:15]  Serenade no.13 in G Major, K.525 “Eine Klein Nachtmusik” I. Allegro [03:24]  Lucio Silla, K.135, Act.2: “Ah se il crudel periglio” – Arleen Auger [05:30]  Cuarteto para cuerdas no.14, K.387: I. Allegro Vivace [06:21]  Concierto para clarinete K.622: II. Adagio [08:05]  12 Variaciones para piano “Ah, Vous dirai-je mamam” [09:45]  Sonata para piano no.11, K.331: III. Alla Turca [11:00]  Concierto para Oboe, K.314: I. Allegro Aperto [13:00]  Sinfonía no.40, K.550: I. Allegro Molto [14:45]  La Flauta Mágica, K.620 “Der Hölle Rache Kocht in meinem Herzen” – Maszella Holzapfel [16:11]  Réquiem para misa, K.626: VIII. Sequentia. Lacrimosa dies illa. Síguenos en: Facebook, Twitter, Instagram y Pinterest.  Sé parte de la comunidad de Allegro Mágico y la crianza musical en allegromagico.com/comunidad.  

선곡표   1. Richard Rodgers -중에서 ‘Edelweiss' and ‘Do-Re-Mi' 2. Elgar -위풍당당한 행진곡 3. J.S.Bach-바이올린과 오보에를 위한 협주곡 c단조 BWV.10060 중에서 1. Allegro 4. Albeniz-이베리아 (아르보스 관현악 편곡) Albeniz - Iberia (orch. Arbos) - 1. Evocación 5. Badarzewska -소녀의 기도 6. Mozart - Piano Sonata 11번 A장조 K.331 중에서 3악장. Alla Turca. 일명 ‘터키 행진곡' 7. Suppe - 경기병 서곡 8. Mozart -교향곡 40번 g단조 K.550 중 1악장. Allegro moltro molto  9. Chopin -  첼로 소나타 g단조 Op.65 중에서 2악장. Scherzo 

Im 18. Jahrhundert liebte das Wiener Publikum die Musik der Janitscharenkapellen. Mozart nutzte diese Faible für seine Musik."Alla Turca" heißt der letzte Satz seiner A-Dur-Klaviersonate. Und der hat diese Komposition so berühmt gemacht. Was noch alles in der Sonate steckt, darüber hat Ilona Hanning mit dem Pianisten Justus Frantz gesprochen.

This episode of the Toki DragonCast features student performances from the 2017 Talent Show. Plus an update on the Toki Making Spaces and feedback from listeners. Shownotes: 00:00 - Intro/Theme Song & Making Spaces Update 05:50 - “Fight Song” with vocals by Teanna L, Oliver V on Piano, Zach S on Drums, and Cam M on Guitar 10:57 - Ethan Y. playing Mozart’s Alla Turca on Piano 14:32 - Aajiyah V. singing “Halo” 17:55 - Original Hip Hop Performance by The Jackson Twins: jacksontwins608 21:10 - Travis W performing “Eleanor Rigby” on violin 23:34 - Xavier R singing “Hallelujah” 26:47 - Wrap-up & Listener Feedback Our theme music is provided by The altDefault. Check out their demo album on SoundCloud. Additional music is used under Creative Commons license from freemusicarchive.org Album cover art designed with Canva.com We'd love to hear from you! Send us an email at tokidragoncast[at]gmail[dot]com or by using the contact page on our website: tokidragoncast.tk ©2017 Toki DragonCast

音乐是财富、是一种心情、是一个改变自己的方式。 它能表达出你的心情，释放你的压力，找到你的共鸣！

Sonate A-Dur, KV 331 "Alla Turca" | Sonate B-Dur, KV 570 | Sonate D-Dur, KV 576 | Menahem Pressler (Klavier)

http://pascal.forchioni.free.fr/video/2014-07-19.mp4

Doutor em economia e diretor acadêmico da Funcación Bases, o argentino Guillermo Luis Covernton é um dos principais nomes da Escola Austríaca da América Latina. Guillermo é a terceira geração de intelectuais responsáveis por criar e desenvolver na Argentina um pólo acadêmico voltado ao estudo da teoria Austríaca, mais precisamente na Pontificia Universidad Católica Argentina e na Escuela Superior de Economía y Administración de Empresas (ESEADE). Nesta entrevista ao Podcast do IMB, Guillermo falou sobre a história da Escola Austríaca em seu país e seus precursores (foi lá que Ludwig von Mises proferiu as palestras depois reunidas no clássico As Seis Lições), e sobre a recepção e o desenvolvimento do pensamento Austríaco na Católica e na ESEADE, duas boas opções para o estudante brasileiro que deseja estudar com professores vinculados à teoria Austríaca num país próximo e barato de morar. A entrevista também abordou o V Congresso Internacional com o tema? “A Escola Austríaca no Século XXI”, que será realizado em Rosario, na Argentina, nos dias 17, 18 e 19 de novembro. O evento terá palestras de Calvin Hayes (Brock University, do Canadá), Benjamin Powell (Texas Tech University, dos EUA), Pedro Schwartz (Universidad San Pablo CEU, da Espanha), Mark Skousen (Chapman University, dos EUA) e Gabriel Zanotti (Universidad Austral / ESEADE, da Argentina). Também faz parte da programação a apresentação de trabalhos acadêmicos. Outro ponto tratado neste podcast foi a reação dos economistas filiados a outras correntes do pensamento econômico em relação à Escola Austríaca. Quando não ignoram completamente o assunto, rejeitam sem sequer terem estudado adequadamente a teoria. Uma das bobagens mais comuns repetidas é a suposta repulsa dos Austríacos ao uso de dados empíricos e da matemática. Guillermo, que é professor de macroeconomía, finanças públicas, economia política e microeconomia da Universidad Católica em Rosario, explicou qual é o fundamento dessa crítica e a verdadeira posição dos estudiosos da EA em relação ao uso de modelos matemáticos. *** Todos os Podcasts podem ser baixados e ouvidos pelo site, pela iTunes Store e pelo YouTube. E se você gostou deste e/ou dos podcasts anteriores, visite o nosso espaço na iTunes Store, faça a avaliação e deixe um comentário. *** A música da vinheta de abertura é a “Alla Turca”, conhecida como a “Marcha Turca”, o terceiro movimento da Sonata para Piano No. 11 em lá maior, do compositor Wolfgang Amadeus Mozart, aqui tocada pelo guitarrista Yngwie Malmsteen.

with Avner Wishnitzerhosted by Chris GratienIn daily life, time appears as an unavoidable fact. It marches forward uniformly, and much like money, is a fungible commodity that can be spent, wasted, and saved. However, this view often obscures the fact that our engagement with time is mitigated through socially-constructed ways of understanding, measuring, and using time. In this episode, Chris Gratien talks to Anver Wishnizter about his research in this realm of social time--what he describes as "temporal culture"--and the changes in such a temporal culture during the late Ottoman period.*Update* Dr. Wishnitzer's monograph entitled Reading Clocks, Alla Turca has since been published with Chicago University Press. Follow this link to access this new publication.« Click for More »

with Avner Wishnitzerhosted by Chris GratienIn daily life, time appears as an unavoidable fact. It marches forward uniformly, and much like money, is a fungible commodity that can be spent, wasted, and saved. However, this view often obscures the fact that our engagement with time is mitigated through socially-constructed ways of understanding, measuring, and using time. In this episode, Chris Gratien talks to Anver Wishnizter about his research in this realm of social time--what he describes as "temporal culture"--and the changes in such a temporal culture during the late Ottoman period.*Update* Dr. Wishnitzer's monograph entitled Reading Clocks, Alla Turca has since been published with Chicago University Press. Follow this link to access this new publication.« Click for More »

W.A. Mozart Piyano Kooncerto No. 11 Bölüm 3 Alla Turca… The post Müzikle Yolculuk Bölüm 5 – 23 MART 2013 appeared first on Radio Fehu.

Turkish pianist and composer Fazil Say performs solo works, mainly by Mozart and himself.

Vortrag "Jazz - Die klassische Musik der Globalisierung"