Podcasts about Serail

Die Karriere von Michael Gaedt in der Welt der leichten Unterhaltung kam ihm selbst wie ein einziges Wunder vor. 35 Jahre hat er durchgeschwitzt vorne am Bühnenrand gestanden und sich verausgabt. Nun hat er überraschend zur Oper gefunden und wurde erfolgreich Regisseur bei „Freischütz“ und „Entführung aus dem Serail“. Doch so überraschend ist es nicht, denn die Welten liegen nicht weit auseinander. „Das Neue ist immer dasselbe“, erklärt er. „Ein 3-Minuten-Popsong ist nichts anderes als ein 120-Minuten-Film in Überlänge. Nur zusammengedampft. Es geht immer um die echten Gefühle, um die echte Angst. Wo kommt sie her? Warum habe ich die Furcht? Wie komme ich darüber hinweg? Wo ist die Liebe?“ Eine Sendung für Freunde und Verächter der Oper gleichermaßen. Und für Freunde des Motorrads.

A cura di Paolo PellegriniWolfgang Amadeus Mozart, Die Entführung aus dem SerailBelmonte, Deon van der WaltKonstanze, Inga NielsenBlonde, Lillian WatsonPedrillo, Lars MagnussonOsmin, Kurt MollPasha Selim, Oliver TobiasCoro e Orchestra del Royal Opera HouseGeorg Solti, direttore  

More than four years ago, I published my very first bonus episode on Patreon, which I offer here in a fancy new setting and with a wonderful new coda. When I first published an episode on the great Ileana Cotrubaș in honor of her 81st birthday, I promised a bonus episode which would offer further examples of this treasurable artist's plangent and pathos-filled singing. This episode explores delves deeper into Cotrubaș's artistic legacy, examining roles that she took on later in her career, including Elisabetta in Don Carlo, Nedda in Pagliacci, Amelia in Simon Boccanegra, and Desdemona in Otello. In addition, I play excerpts of roles that lay somewhat outside of her normal repertoire, including Tatyana in Yevgeny Onegin, Konstanze in Die Entführung aus dem Serail, and Tytania in A Midsummer Night's Dream. This is followed by two extended live excerpts of her two greatest roles, Mimì in La Bohème and Violetta in La Traviata. The entire episode is capped with an exquisite example of Cotrubaș singing Bach, in anticipation of a new all-Bach episode at the end of the week. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

DescriptionFrom Mozart To Verdi, Renée Fleming in 60 Seconds. Take a minute to get the scoop!Fun FactRenée Fleming's first professional performance took place in 1986 when she sang the role of Konstanze in Mozart's "Die Entführung aus dem Serail" at the Houston Grand Opera. This debut showcased her remarkable vocal talent and stage presence, quickly earning her critical acclaim and paving the way for a distinguished career in the world of opera. Her performance was a pivotal moment, marking the beginning of her rise to international stardom.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Jermaine Sprosse ist Cembalist und Liebhaber von Musik der komponierenden Bachsöhne. Sprosse hat die erste CD aufgenommen mit ausschliesslich Musik von Johann Christoph Friedrich Bach, dem vielleicht am wenigsten bekannten Bach-Sohn. Darüber müssen wir reden. 00:30 - Muttertagsmusik von Josef Suk 05:00 - Preisregen Die Walliser Brass Band 13 étoiles ist zum 2. Mal Europameisterin geworden Komponist Manos Tsangaris bekommt den Mauricio-Kagel-Preis und Komponist Tyshawn Sorey den Pulitzer Preis. 06:45 - Beethovens 9. Sinfonie ist 200 Jahre alt Wieder ein Beethoven-Jubiläum! Am 7. Mai 1824 war die Uraufführung der 9. Sinfonie. 14:45 - Neuescheinungen Himmelfahrtsmusik von Bach und Telemann mit dem Freiburger Barockorchester (Alpha) Und: Kammermusik von Johanna Senfter mit dem Ensemble Else (cpo) 35:20 - Gespräch mit dem Cembalisten Jermaine Sprosse. 48:55 - Swiss Corner Mozarts Entführung aus dem Serail in Bern. 55:20 - Abschiedsmusik von Leonard Cohen.

Prima puntata del terzo appuntamento dei live della serie della Fondazione Corriere della Sera, registrato il 16 novembre in Sala Buzzati a Milano: il reading in cui vengono ricostruiti gli eventi del passato (di cui cade l'anniversario) attraverso gli articoli pubblicati all'epoca sul nostro quotidiano, il ricordo dei testimoni diretti e l'analisi dei nostri inviati e commentatori. Con Marilisa Palumbo e gli attori Gaspare Del Vecchio e Valeria Perdonò.Per altri approfondimenti:Il Corriere racconta, la serie podcast della Fondazione Corriere della SeraLe iniziative della Fondazione Corriere della SeraIl giovane John Fitzgerald Kennedy e quella ricerca di Harvard sulla felicità

Back with a regular episode of random perfume thoughts and ramblings, a quick run-down on travel scents, and a handful of wishes for our holiday wishlists. Oh, and Jane tries to go lighter with her morning fragrances choices as opposed to her usual routine of bombing out the house with Amber Kiso and Oud Palao.All that and a lighter, friendly version of The Game... (00:00) - - Opening (14:50) - - Holiday Want Lists (27:46) - - Scents of the Week (38:42) - - The Game Fragrances mentioned in this episode:Ouranon by Aesop / Amber Kiso by DS & Durga / Eau d'Hadrien, Bois d'Hadrien, Le Chevrefeuill, and La Violette by Goutal Paris / Eau Papier, Olene, Eau Rose by Diptyque / Sunday Cologne by Byredo / Colonia by Acqua di Parma / Symphonique and Altar Candle by Byredo / Sellier and M/Mink by Byredo / Poudrextase by Marlou Paris / Rotano Candle by Maison d'Etto / Bo Candle by LIIS / Babycat by YSL / Oud Satin Mood and Gentle Fluidity Gold by Maison Francis Kurkdjian / Coromandel by Chanel / Melt my Heart and Lost In Flowers by Strangelove NYC / Salome, Anubis, Bengal Rouge, and Dryad by Papillon Artisan Perfumes / L'Eau d'Hiver, Une Rose, Heaven Can Wait, and Portrait of a Lady by Frederic Malle / Eau Capitale by Diptyque / En Passant by Frederic Malle / Fracas by Robert Piguet / Violet Here, Narcotico, and Odor 93 by Meo Fusciuni / Le Lion and Boy Chanel by Chanel / Bois d'Encens by Giorgio Armani / 212 by Carolina Herrera / Wonderwood by Comme des Garçon / Animalique, Oud Immortel, Inflorescence, and Rouge Chaotique by Byredo / Gloam by Aesop / Pura Lux by Chapel Factory / Copala by Xinú / Nuit de Bakelite, Iris Cendre, Corpus Equus, and Or du Serail by Naomi Goodsir / Sycamore by Chanel / Arbole, Arcadia, and Shangri La by Hiram Green / Eau de Minthé and Eau Rihla by DiptyqueThe Game:Médie by Maison Trudon / Himatsu by Regime des Fleurs / Cuir Velours by Naomi Goodsir / Vetyverso by Laboratorio Olfattivo / Dia Woman by Amouage / Eau Nabati by DiptyquePlease feel free to email us at hello@fragraphilia.com - Send us questions, comments, or recommendations. We can be found on TikTok and Instagram @fragraphilia

Konstanze: Beverly Sills | Blonde: Anne Elgar | Belmonte: John Alexander | Pedrillo: John Lankston | Osmin:  Herbert Beattie | Selim: David Rae Smith | Conductor: Julius Rudel | New York City Opera | 22 October 1966 | In-house recording

Die erstaunlichste Karriere des Osmanischen Reiches: Als Sklavin, wahrscheinlich aus der Ukraine, kommt eine junge Frau in den Serail des mächtigen Sultans Süleyman. Der wirft für seine geliebte Roxelane alle Regeln über Bord... Autorin: Christiane Kopka Von Christiane Kopka.

Unsere Dramaturgin Beate Breidenbach gibt einen Einblick in die Oper «Die Entführung aus dem Serail».

0:00 Intro 1:32 Cynthia Zarazir 26:08 Organization 45:18 Line 29 1:16:43 Baabda 1:42:48 Serail 1:48:34 Hezbollah 1:53:42 Social contract We're with Rawad Taha & Laury Haytayan for Episode 329 of The Beirut Banyan. Click to watch: https://youtu.be/jvDheG_l1x8 We discuss all that is post-elections political terrain and also cover bank heists, the need for more October 17 supporters and groups to organize into political parties, Line 23 vs Line 29, Baabda elections and new potential names for the Serail, Hezbollah's crippling role in sub-state security and reform, and the evolution of Lebanon's social contract. Rawad Taha is a journalist and Laury Haytayan is an oil and gas policy expert. Help support The Beirut Banyan by contributing via PayPal: https://www.paypal.me/walkbeirut Or donating through our Patreon page: https://www.patreon.com/thebeirutbanyan Subscribe to our podcast from your preferred platform. Follow us on Facebook, Instagram & Twitter: @thebeirutbanyan And check out our website: www.beirutbanyan.com Music by Marc Codsi. Animation & illustration by Sana Chaaban.

Diese Woche sprechen wir noch mal über unsere "Chess"-Folge anhand aktueller haarsträubender Mogelvorwürfe im Schach, wir sprechen über die nicht minder haarsträubende Lebensgeschichte von Helen Gloag, die von Piraten entführt und in die Sklaverei verkauft wird. Sie wird die vierte Frau des Sultans und in der Phantasie der Schotten zur "Kaiserin von Marokko". Zum Schluss ziehen wir noch Parallelen zur "Entführung aus dem Serail" und puhlen in Jannys Bildungslücke rum.Mehr musikalischen Kontext zu unseren Folgen findet Ihr hier auf Spotify:https://open.spotify.com/playlist/3V4...Den aktuellen Popkultur-Kontext und viele andere Videos gibt es in dieser Playlist:https://www.youtube.com/playlist?list=PLU4Jvqt24IZyVzNR-S9_Ob2YoURkKooRUAnsonsten erreicht Ihr uns auf Twitter unter @ungenugend , bei Instagram unter  https://www.instagram.com/geschichteungenuegend/ und per E-Mail an geschichteungenuegend@gmail.comSupport the show

Konstanze: Erin Morley Conductor: Philippe Jordan Palais Garnier 24 October 2014 Broadcast

Der Harem in einem Serail, einem Sultanspalast des 18. Jahrhunderts: Ein geheimnisvoller Ort, der die Fantasie anstachelt und Komponisten inspirierte. Die Sopranistin Florie Valiquette hat Arien aus Opern zusammengetragen, die in einem Harem spielen.

Piano Sonata No. 11 in A major, K. 331 (300i), is a piano sonata in three movements. It is uncertain where and when Mozart composed the sonata; however, Vienna or Salzburg around 1783 is currently thought to be most likely. A typical performance of this entire sonata takes about 20 minutes. The last movement of Sonata K. 331 by W.A. Mozart, alla turca, popularly known as the Turkish March, is often heard on its own and is one of Mozart's best known piano pieces: Mozart himself titled the movement Alla Turca. It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time. Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail. In Mozart's time, the last movement was sometimes performed on pianos built with a "Turkish stop", allowing it to be embellished with extra percussion effects.About this Piece

Mozart, Odermatt: Oboe Concerto in F Major (After K. 293) - I. Allegro Mozart: Ave verum corpus, K. 618 (Arr. Spindler for English Horn, Strings and Organ) Mozart: Flute and Harp Concerto, K. 299/297c - I. Allegro (Arr. Spindler for Oboe, Harpsichord and Orchestra) Mozart: Flute and Harp Concerto, K. 299 - II. Andantino (Arr. Spindler for Oboe, Harpsichord and Orchestra) Mozart: Flute and Harp Concerto, K. 299/297c - III. Rondeau. Allegro (Arr. Spindler for Oboe, Harpsichord and Orchestra) Mozart: Ah se in ciel, benigne stelle, K. 538 (Adapt. for Oboe and Orchestra) Mozart: Rondo in C Major, K. 373 (Adapt. for Oboe and Orchestra) Mozart: Ch'io mi scordi di te?, K. 505 - II. Non temer, amato bene (Arr. Spindler for Oboe d'amore, Pianoforte and Orchestra) Mozart: Exsultate, jubilate, K. 165/158a - I. Allegro (Arr. Spindler for Oboe d'amore, Orchestra and Organ) Mozart: Exsultate, jubilate, K. 165/158a - II. Andante (Arr. Spindler for Oboe d'amore, Orchestra and Organ) Mozart: Exsultate, jubilate, K. 165/158a - III. Allegro (Arr. Spindler for Oboe d'amore, Orchestra and Organ) Mozart: Die Zauberflöte, K. 620 - Ach, ich fühl's, es ist verschwunden (Arr. Spindler for Oboe and Piano) Mozart: Die Entführung aus dem Serail, K. 384 - Martern aller Arten (Arr. Spindler for Oboe and Piano) Mozart: Die Zauberflöte, K. 620 - Dies Bildnis ist bezaubernd schön (Arr. Spindler for Oboe and Piano) Mozart: Die Zauberflöte, K. 620 - Der Hölle Rache kocht in meinem Herzen (Arr. Spindler for Oboe and Piano) Mozart: Davidde Penitente, K. 469 - Lungi le cure ingrate (Arr. Spindler for Oboe d'amore and Piano) Mozart: Gran Adagio (Arr. Spindler for Oboe, Violin, Cello and Orchestra After Adagio from Gran Partita, K. 361/370a) Purchase the music (without talk) at:Mozart: Works for Oboe and Orchestra (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

Australian tenor and composer David Hobson is one of Australia's best-known operatic, concert and stage performers, with a repertoire that spans the gamut of musical styles from Baroque through to Pop.Beginning his career in rock and jazz bands, David's potential as a ‘classical' singer was discovered by the Victoria State Opera in the 1980s. He subsequently made his name with Opera Australia in his award winning performance of Rodolfo in La Boheme directed by Baz Luhrmann. Since then he has gone on to become a well regarded classical performer, major recording artist, most recently a music theatre leading man and a frequent television performer on shows like Carols By Candlelight, Carols in The Domain, Spicks and Specks, Dancing With the Stars, It Takes Two, and as a presenter on Foxtel's Studio. He has performed for Her Majesty Queen Elizabeth in the Great Hall in Canberra and sung at the AFL Grand Final.His many operatic roles include Don Ottavio (Don Giovanni), Ferrando (Cosi Fan Tutte), Tamino (The Magic Flute), Don Ramiro (La Cenerentola), Count Almaviva (The Barber of Saville), Nadir (Pearl Fishers), Lindoro (L'Italiana in Algeri), Belmonte (Die Entführung aus dem Serail), Nemorino (l'elisir d'amore), Eisentein (Die Fledermaus), Danilo (The Merry Widow), Frederic (The Pirates of Penzance) Nanki-Poo (The Mikado), Marco (The Gondoliers), Ralph Rackstraw (H.M.S. Pinafore), the Defendant (Trial By Jury), the title roles in Orphee and Candide, The Architect in the world premiere of The Eighth Wonder and, most recently, Caractacus Potts in the Australian premiere of Chitty Chitty Bang Bang. His international roles include Chevalier Danceny in Dangerous Liaisons with Renée Fleming and Thomas Hampson for San Francisco Opera.Recordings include The Promise, A Little Closer, Presenting David Hobson, The Exquisite Hour, Cinema Paradiso, French and Italian Arias, Handel Arias, Inside This Room, Tenor and Baritone (with Anthony Warlow), You'll Never Walk Alone (with Teddy Tahu-Rhodes) and Singing for Love (with Yvonne Kenny).He is Musica Viva's In Schools Ambassador, an Ambassador for Heart Kids and Patron of the Ballarat Arts Foundation.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Australian tenor and composer David Hobson is one of Australia's best-known operatic, concert and stage performers, with a repertoire that spans the gamut of musical styles from Baroque through to Pop.Beginning his career in rock and jazz bands, David's potential as a ‘classical' singer was discovered by the Victoria State Opera in the 1980s. He subsequently made his name with Opera Australia in his award winning performance of Rodolfo in La Boheme directed by Baz Luhrmann. Since then he has gone on to become a well regarded classical performer, major recording artist, most recently a music theatre leading man and a frequent television performer on shows like Carols By Candlelight, Carols in The Domain, Spicks and Specks, Dancing With the Stars, It Takes Two, and as a presenter on Foxtel's Studio. He has performed for Her Majesty Queen Elizabeth in the Great Hall in Canberra and sung at the AFL Grand Final.His many operatic roles include Don Ottavio (Don Giovanni), Ferrando (Cosi Fan Tutte), Tamino (The Magic Flute), Don Ramiro (La Cenerentola), Count Almaviva (The Barber of Saville), Nadir (Pearl Fishers), Lindoro (L'Italiana in Algeri), Belmonte (Die Entführung aus dem Serail), Nemorino (l'elisir d'amore), Eisentein (Die Fledermaus), Danilo (The Merry Widow), Frederic (The Pirates of Penzance) Nanki-Poo (The Mikado), Marco (The Gondoliers), Ralph Rackstraw (H.M.S. Pinafore), the Defendant (Trial By Jury), the title roles in Orphee and Candide, The Architect in the world premiere of The Eighth Wonder and, most recently, Caractacus Potts in the Australian premiere of Chitty Chitty Bang Bang. His international roles include Chevalier Danceny in Dangerous Liaisons with Renée Fleming and Thomas Hampson for San Francisco Opera.Recordings include The Promise, A Little Closer, Presenting David Hobson, The Exquisite Hour, Cinema Paradiso, French and Italian Arias, Handel Arias, Inside This Room, Tenor and Baritone (with Anthony Warlow), You'll Never Walk Alone (with Teddy Tahu-Rhodes) and Singing for Love (with Yvonne Kenny).He is Musica Viva's In Schools Ambassador, an Ambassador for Heart Kids and Patron of the Ballarat Arts Foundation.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

Paolo Mazzarello"L'intrigo Spallanzani"Bollati Boringhierihttps://www.bollatiboringhieri.it/Paolo Mazzarello allestisce una formidabile impalcatura di fonti, restituendo con uno stile garbato e ironico l'esuberante atmosfera del secolo dei Lumi. Un viaggio nella cultura scientifica dell'Italia del Settecento fra sfide della scienza e congiure di potere.«Un libro di storia tanto scrupoloso nella ricerca quanto godibile nella lettura» - Sergio Luzzatto, Corriere della SeraIl leggendario mago della sperimentazione, Lazzaro Spallanzani, era un affermato professore di storia naturale a Pavia quando nel 1785 decise di compiere una lunga esplorazione nei territori dell'impero ottomano. Durante l'avventuroso viaggio fece notevoli osservazioni di biologia marina, geologia e ornitologia. Con il fervore di una mente insaziabile, annotò gli usi delle popolazioni locali e l'amalgama di splendore e fatiscenza delle città, partecipando alla vivace vita culturale che ruotava attorno alle ambasciate occidentali.Quando fece ritorno a Pavia, venne investito dall'accusa infamante di aver rubato degli esemplari naturalistici dal museo dell'Università. Alla base di questo complotto vi erano invidie e rivalità accademiche, non così distanti da quelle odierne, ma anche forti contrapposizioni ideologiche. Caduta ogni accusa, la vicenda si concluse con la vendetta dello scienziato ai danni del suo principale detrattore, Giovanni Antonio Scopoli: una rivincita che, tramite reperti finti e sagaci libretti pseudonimi, presentava la stessa precisione e verve creativa delle sue indagini scientifiche.Gli intrighi dei celebri accademici divennero famosi anche all'estero e – come svelano alcuni recenti ritrovamenti documentali – si spinsero fino all'entourage di un anziano Carlo Goldoni.Paolo Mazzarello allestisce una formidabile impalcatura di fonti, restituendo con uno stile garbato e ironico l'esuberante atmosfera del secolo dei Lumi. Un impareggiabile viaggio nella cultura scientifica dell'Italia del Settecento fra sfide della scienza e congiure di potere.Paolo Mazzarello insegna Storia della Medicina all'Università di Pavia. Fra i suoi libri più recenti, tutti pubblicati da Bollati Boringhieri, ricordiamo: Il genio e l'alienista. La strana visita di Lombroso a Tolstoj (2005), Il Nobel dimenticato. La vita e la scienza di Camillo Golgi (2006 e 2019), Il professore e la cantante. La grande storia d'amore di Alessandro Volta (2009), L'erba della regina. Storia di un decotto miracoloso (2013), E si salvò anche la madre. L'evento che rivoluzionò il parto cesareo (2015).IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Рассказываем вам про линейку ароматов от экстравагантной Наоми Гудсир. Ароматы в выпуске: Naomi Goodsir Bois d'Ascese, Naomi Goodsir Cuir Velours, Naomi Goodsir Or du Serail, Naomi Goodsir Iris Cendre, Naomi Goodsir Nuit de Bakelite. Ароматы вы можете найти в нашем онлайн-бутике Perfume Art (https://perfumeart.ru). Купон c 10% скидкой на первую покупку - SHINEON.

Named as one of Musical America’s Top 30 Innovators in Classical Music, Josh Shaw is the Artistic Director and CEO of Pacific Opera Project (POP), which has been described as "L.A.'s most exciting new opera company." Over the past nine seasons, Mr. Shaw has directed over 35 productions at POP, including The Rake’s Progress, Ariadne auf Naxos, La Calisto, Tosca: A Moving Production; and La Boheme: AKA “The Hipsters”.  Mr. Shaw’s reimagining of Die Entführung aus dem Serail as an episode of Star Trek has gained national attention and has been produced by eight companies selling out houses with record-breaking numbers.  Josh and I talk about innovation in opera, running an opera company during a pandemic, what he looks for in singers during auditions, and much more. Please welcome Josh Shaw.

SECONDA PARTE

Donald Macleod finds connections between Mozart’s operas and the composer’s own life Born in 1756, the theatre was a life-long passion for Mozart. Starting at the tender age of just 11, in the space of 22 years he produced an astonishing 24 theatrical works. His destiny was to follow in his father’s footsteps, as a court musician. Instead, by 1781, after a disagreement over his frequent absences from court, Mozart parted ways with his employer, the Elector of Cologne. He left Salzburg and servitude behind, to set himself up in Vienna, a thriving centre for music. The following year he triumphed with his comic singspiel, Die Entführung aus dem Serail. The succession of works that followed include many of the mainstays of operatic repertory, among them The Magic Flute, which was completed in the year of his death, at the age of 35 in 1791. This week Donald Macleod finds connecting points between the characters Mozart created for the stage and the composer's own experiences in life. He examines how Mozart struggled to be a dutiful son, and how he tackles honour and duty in Idomeneo, Lucio Silla and Mitridate. The ideas of enlightenment that influenced Mozart's own views find expression in the balance of power he depicts between servants and the ruling classes in The Marriage of Figaro. The composer’s thorny path to marriage with Constanze also finds him examining the complexities of love in Die Enführung aus dem Serail and Così fan tutte. Donald ends with Mozart's masterly representation of temptation and evil, as characterised by the ultimate bad boy Don Giovanni and the scheming and manipulative Queen of the Night. Music Featured: Overture to Le nozze di Figaro Le nozze di Figaro, Act 1: Cinque, dieci …. Se vuol ballare, Signor Contino La finta giardiniera, Act 1: Appena mi vedon Così fan tutte, Act 1: Scene 3 (excerpt) Don Giovanni , Act 1: Notte e giorno faticar Don Giovanni, Act 1: Ah! Chi mi dice mai...Madamina, il catalogo è questo Don Giovanni, Act 1: Champagne Aria Die Entführung aus dem Serail, Act 2: Martern aller Arten Le nozze di Figaro, Act 2: Esci ormai, garzon malnato …Signore! Cos’è quell’stupore? Le nozze di Figaro, Act 3: Hai già vinto la causa….. Vedró, mentr’io sospiro Don Giovanni, Act 1: Finale, Riposate, vezzose ragazze La clemenza di Tito, Act 1: Parto, parto Die Zauberflöte, Act 1: Bei mannern, weiche Liebe fühlen Idomeneo, Act 1: Estinto e Idomeneo ….tutte nel cor vi sento ..Pieta! Numi pieta! Così fan tutte, Act 1: Finale, Ah che tutta in un momento … Dammi un bacio Le nozze di Figaro, Act 2: Porgi Amor Die Entführung aus dem Serail, Act 2: Wenn der Freude Tränen fliessen … Ach Belmonte! ach mein Leben! Don Giovanni, Act 1: O sai che l’onore Lucio Silla, Overture Lucio Silla, Act 1: Dall sponda tenebrosa; E tollerare io posso; Il desio di vendetta Mitridate, Rè di Ponto, Act 2: Lungi da te, mio bene La Clemenza di Tito, Act 1: Come ti piaci imponi La Clemenza di Tito, Act 2: Deh per questo istante solo; Ove s’intese mai più contumace; Se all’impero, amici Dei Die Zauberflöte, Act 2:Der Hölle Rache kocht in meinem Herzen Die Entführung aus dem Serail, Act 1: Solche hergelauf’ne Laffen Le nozze di Figaro, Act 1: La Vendetta… via, resti servita Idomeneo, Act 3: Ha vinto amore …. d’Oreste, d’Aiace Die Zauberflöte, Act 1: Finale, Wie stark ist nicht dein zauberton ...Es lebe Sarastro! Sarastro soll leben Don Giovanni, Act 2: Finale II, Già mensa è preparata ... Ah dov’è il perfido? Presented by Donald Macleod Produced by Johannah Smith for BBC Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Wolfgang Amadeus Mozart (1756-1791) https://www.bbc.co.uk/programmes/m000s8w7 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Episode Credits: Blue Danube - Ray Nobel:  https://www.youtube.com/watch?v=_EnYrwyZB3Y Ambient sounds of Stephansplatz: https://freesound.org/people/magedu/sounds/287196/ Take Me Out to the Ball game: https://freesound.org/people/AshFox/sounds/191927/ Die Entführung aus dem Serail, K. 384 "Martern aller Arten" - W. A Mozart, Arleen Auger, Staatskapelle Dresden & Karl Böhm. Available on iTunes/Apple Music Die Entführung aus dem Serail, K. 384 "Nie werd' Ichdeine Huldverkennen"- "Bassa Selim lebe lange" - W. A Mozart, Arleen Auger, Reri Grist, Peter Schreier, Harald Neukirch, Kurt Moll, Renate Krahmer, Hannerose Katterfeld, Dieter Weimann, Hermann Christian Polster, Staatskapelle Dresden, Karl Böhm, Rundfunkchor Leipzig & Horst Neumann. Available on iTunes/Apple Music All other Sounds and Music are property of Phonetic Planet, Susan Shea, and Joshua David Yardy 

Today I am talking to soprano Emily Thorner who specialises in contemporary classical music but is also the CEO of moon rising, her company where she helps people as an intuitive healer. In our chat we talk about various issues, highlighting similarities between growing as an artist through the process of learning and performing music to the process of healing and being fulfilled in life.International "ultra-soprano" (Second Inversion, WA, USA) and "new music rising star" (The Stranger, WA, USA) Emily Thorner is rapidly making her mark as a soloist in contemporary chamber ensembles, orchestras, and modern operas. Known for her command of stratospheric high notes, Ms. Thorner is highly sought-after for world premieres due to her unusual range and fearless virtuosity. Recent performances have included: Acht Brücken festival in Cologne (on WDR radio), Britten-Pears Young Artist Programme at Snape Maltings in the UK with Jessica Cottis and Claire Booth, the Donaueschinger Musiktage with Deutsche Kammerchor, Seattle, USA, singing a world premiere with Kin of the Moon, Gladbeck, Germany performing with the Duisberg Philharmonic and Chorwerk Ruhr for the Ruhrtiennale festival, and in Italy, singing as the Soprano Soloist for "Hotel Paradiso" by Benedict Mason with TransArt under the baton of Clement Power.Additionally, she has also performed in Boston and New York for a double performance of Rumpelstiltskin with Guerilla Opera as The Miller, which has been recorded for Navona Records, the classical label of PARMA records, and Sisa in Noli Me Tangere, which featured her in a mad scene in the Tagalog language. In 2018-2020, she will have made appearances in the United States (Boston, New York, Ohio, North Carolina, Seattle), England, Germany, Italy, The Netherlands, and Austria. Ms. Thorner recently was one of only two vocalists during the Bang on a Can New Music Festival and sang at Impuls Festival in Graz, Austria. She is the second-prize winner of The 2019 North International Music Competition and has been invited to sing in the Aldeburgh Festival (UK) in 2020 as well as SPLICE festival 3 (USA). She was also the first soprano in twenty years to take part in the new music course of the Britten-Pears Young Artist Programme and her entrepreneurial spirit has led her to put together STATE OF BEING, a world tour written for her voice and electronics beginning late 2020. Upcoming world premieres written for her voice include collaborations with composers Julianna Hall (USA), Max Hundelshausen (DE), Alex Mills (UK), James Joslin (UK), Rob Laidlow (UK), Martyna Kosecka (Norway/Poland), Kaley Lane Eaton (USA), Anthony R. Green (USA/NL), and Rita Ueda (Canada).Ms. Thorner released her first album on Itunes with ensemble Kin of the Moon for "FUNERAL SENTENCES FOR DAMAGED CELLS" in 2020. On the radio and in the media, she and has been heard on Wartburg Radio with choir Canto Armonico, MDR in Dresden performing an excerpt of Die Entführung aus dem Serail by Mozart, icareifyoulisten.com (USA) and had an article written about her during Bang on a Can in newsounds.org (USA). A featured soloist with Sound Icon in Boston, she recorded the US premiere of Wolfgang Rihm's Frage, known for its impossibly high tessitura of over twenty-two high F's and beyond. Past collaborations with contemporary chamber ensembles include: Hub New Music, Boston Musica Viva, and Sound Energy at the New Music Gathering as well as performances with recording choir Vox Futura, the Grammy award-winning Hans Zimmer International Tour, and New Hampshire Music Festival.www.emily-thorner.comwww.moon-rising.comInstagram: @emilythornersopranoTwitter: @ThornerEmily

The Abduction from the Seraglio is an opera Singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's Belmont und Constanze, oder Die Entführung aus dem Serail. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Konstanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Dominique Beaulieu - conductor CMD Paris Philharmonic and Chorus in Orleans Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p859/Mozart%3A_The_Abduction_from_the_Seraglio.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

1. Jonathan Bailey Holland - Halcyon Sunhttps://open.spotify.com/track/0gNqRo5CX9g9lehiRN7HbX2. Julius Eastman - Prelude to The Holy Presence of Joan D’Archttps://youtu.be/uD2X0CwLxXI3. Jasmine Barnes - Sometimes I Cryhttps://www.jasminebarnescomposer.com/recordingsYou can listen to these before or after the episode, or you can pause our podcast and go listen to each piece as we introduce them. Panelists:A native of Columbus, OH, Tirzah Washington started singing at a very early age. Tirzah received her Bachelor’s of Music in Vocal Performance and Pedagogy from Oakwood University in 2014. While in college, she enjoyed singing with the Aeolians, the premier traveling choir of Oakwood University. Tirzah was able to sing in many different countries with the choir including Wales, England, and Russia. Tirzah was able to continue training to be an opera singer and voice teacher at Peabody Institute, the School of Music for Johns Hopkins University. Tirzah received her Master of Music in Vocal Performance and Pedagogy from Peabody Institute in 2016. Tirzah loves to perform and has had the opportunity to sing on several stages in the Columbus area. One of her most recent achievements was receiving the Theatre Roundtable Award for Excellence in a Lead Role in a Musical for her performance as Celie in The Color Purple. She has been able to perform in many musicals including The Color Purple (Celie), Dreamgirls (Effie Understudy), Hair (Dionne), The Rocky Horror Show (Magenta), and Saturday Night Fever (Candy). Tirzah believes that music in any form has the power to change the world. She is excited to share her talents in any setting.Baritone Rahzé Cheatham is a performer with a strong foundation in music, theatre art, and dance applications. This 2020-21 season, they appeared on the digital stage in the world premiere of Mallory, a chamber opera by Baltimore-based composer Nathaniel Wolfgang Parks, adapted for the brand new PoCo Podcast of the Podcast Opera Company. Later, Rahzé returns in the premiere another chamber opera, Our Final Thoughts on Arthur S. Hellerman, by James Warner Duquette. Previously, Rahzé joined Marin Alsop’s production of Leonard Bernstein’s ​MASS​ as a blues soloist and a member of the Street Singer ensemble. Further, they were featured as Hannah before in Laura Kaminsky’s chamber opera, ​As One​, opening at the newly redesigned Motorhouse in Baltimore, MD and closing on the John F. Kennedy Center Millennium Stage in Washington, DC. Rahzé currently holds a Bachelor of Music in Vocal Performance and a Music Theory from the Peabody Conservatory of the Johns Hopkins University.Soprano, Carly M. Henderson holds a Bachelors of Music from Peabody Conservatory, under the direction of William Sharp. At Peabody, Carly premiered the role of Louisa in Now We Are Met by Andrew Posner; covered the role of Rose Maurrant in Kurt Weill’s Street Scene; performed as a Sprite in Massenet’s Cendrillion; in the chorus of Mozart’s Die Entführung aus dem Serail; and in the chorus of Poulenc’s Dialogues of the Carmelites. In the 2017-2018 season, she performed as Actor 2/Girl 3 in Courtney Kalbacker’s production of Errollyn Wallen’s Anon, including on the Millennium Stage at the Kennedy Center.More information at pauseandlisten.com. Pause and Listen was created by host John T.K. Scherch and co-creator/marketing manager Michele Mengel Scherch.

Autor: Keim, Stefan Sendung: Kultur heute Hören bis: 19.01.2038 04:14

Many of opera’s greatest and most overwhelming moments happen thanks to the chorus. Seattle Opera Dramaturg Jonathan Dean introduces many of the typical functions of the opera chorus, such as saluting a leader, singing in praise—or fear—of God, providing local color, intensifying the drama, and embodying the multitude. Musical excerpts from three decades of Seattle Opera productions feature the work of Seattle Opera Chorus Masters George Fiore, Beth Kirchoff, and John Keene, in Seattle Opera’s 2015 Nabucco, 2012 Turandot, 2000 Boris Godunov, 2015 Semele, 2007 Iphigénie en Tauride, 2019 Il trovatore, 2014 Tales of Hoffmann, 2013 La bohème, 2011 Porgy and Bess, 1998 Faust, 1994 Lohengrin, 1994 Norma, 2007 Flying Dutchman, 2012 Fidelio, 1989 Die Meistersinger von Nürnberg, and 1990 War and Peace, plus a Decca recording of Die Entführung aus dem Serail conducted by Sir Georg Solti, the Leipzig Radio Chorus and Staatskapelle Dresden performing the Tannhäuser Pilgrims’ Chorus conducted by Silvio Varviso, and the Decca recording of Peter Grimes conducted by Benjamin Britten.

Several weeks ago I began a series on particular vocal and artistic qualities that I find most important in a singer’s artistic profile. I had already done episodes on Charm and Glamour. Then the BLM protests intervened and I felt impelled to respond with two episodes examining Protest in Music. Today I resume my previous series with that all-important artistic trait Pathos. And who better exemplifies Pathos than the great Romanian soprano Ileana Cotrubas, who celebrated her 81st birthday this past week? Cotrubas was a deeply expressive and communicative artist who gained heights and plumbed depths that (in my estimation) no other artist of her generation was able to achieve. In this episode, I examine the earliest projects that brought her to international prominence, including the Glyndebourne production of Cavalli’s La Calisto, in which she sang the title role. I devote ample time to her traversals of Mozart operas, including her surprising (and surprisingly effective) assumption of Konstanze in Die Entführung aus dem Serail. Pausing briefly to acknowledge her work in the French repertoire and the bel canto soubrette parts, I then turn to her two greatest assumptions, Mimì in La bohème and Violetta in La Traviata. In relation to these I offer excerpts from live performances with Carlos Kleiber and Bruno Bartoletti. I conclude with a discussion of how her vocal flaws revealed her humanity in a way that an artist with a more perfect voice and technique might not have achieved, while never compromising musical values. The episode begins with a brief tribute to another singer of a different stripe who also exemplified Pathos: Judy Garland, who celebrated her 99th birthday this past week, and the 51st anniversary of whose death we commemorate next week. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford.

Praised for his "commanding stage presence" and "rich, resonant bass," Kenneth Kellogg is quickly gaining recognition as a sought after young artist.  Born and raised in Washington, D.C, music has been a part of his life since grade school. Nurtured in the public school system by amazing music teachers, he participated in choirs throughout the city and began formal training at the Duke Ellington School of the Performing and Visual Arts as a Vocal and Visual Arts student.  Among his roles, many are staples of opera repertoire:  The title role, in Mozart’s Don Giovanni,  as well as Leporello and  Il Commendatore,  Mephistopheles in Gounod’s Faust, Don Alfonso in Mozart’s Cosi fan tutte, Ramfis and Il Re in Verdi’s Aida, Colline in Puccini’s La Boheme, the title role of Handel’s Hercules, The King in Handel’s Ariodante, Osmin in Mozart’s Die Entführung aus dem Serail, Sarastro and the Speaker in Mozart’s Die Zauberflöte, Sparafucile in Verdi’s Rigoletto, Fasolt in Wagner’s Das Rheingold. He led the cast in the west coast premier of Terence Blanchard’s Champion: An Opera in Jazz, as the champion boxer,  Young Emile Griffith, to rave reviews with Opera Parallele.  He in an Alumnus of the Adler Fellowship Program at San Francisco Opera and the Caftriz Young Artist Program at Washington National Opera.  He also trained at the Academy of Vocal Arts, Wolf Trap Opera and holds degrees from the University of Michigan and Ohio University.

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Ein morgenländischer Sommernachtstraum: Zaimoglu und Senkel verwandeln die «erste deutsche Oper», Mozarts berühmtes Singspiel, in einen poetischen Abenteuertraum widerstreitender Temperamente und Sitten. «La Scintilla dei Fiati» brilliert mit charaktervollen Interpretationen der vertrauten Melodien. Die Harmoniemusik der Oper «Die Entführung aus dem Serail», die sogenannte Donaueschinger Harmoniemusik, wurde um 1785–87 von Wolfgang Amadeus Mozart selbst erstellt. Die aussergewöhnlich hohe Qualität des mozartischen Arrangements, die Lebendigkeit und Aktualität des Stoffes sowie die Tatsache, dass sie noch nie auf historischen Instrumenten aufgenommen wurde, führte zur Entstehung dieses Hörspiels und der Neueinspielung der Musik durch «La Scintilla dei Fiati». Das Libretto von 1782 wurde 2014/2015 von Feridun Zaimoglu zusammen mit Günter Senkel neu geschrieben. Es bleibt im Wesentlichen der Handlung und den auftretenden Figuren der Oper treu, trägt aber nun deutlich eine neue künstlerische Handschrift. Neben der bildkräftigen Sprache Zaimoglus & Senkels wurden die Figuren stärker psychologisch unterfüttert, die Handlungen szenisch konkretisiert und die Komik des Ganzen stärker herausgearbeitet. Mozart hätte seine Freude gehabt. Mit: Aaron Hitz (Fürst Selim Bassa), Juliane Lang (Konstanze, Edelfrau), Lotti Happle (Blonde, englische Zofe), Sebastian Schneider (Belmonte, spanischer Edelmann), André Willmund (Pedrillo, gefangener Diener des Belmonte), Jaap Achterberg (Osmin, Aufseher über das Landhaus des fürstlichen Palastes), Dirk Glodde (Schiffer Klaas/eine Wache) Komposition: Wolfgang Amadeus Mozart - Musik: La Scintilla dei Fiati - Musikalische Leitung: Philipp Mahrenholz - Tontechnik - Musikaufnahmen: Andreas Werner - Tontechnik Hörspiel: Tom Willen - Regie: Susanne Janson - Produktion: SRF 2016 - Dauer: 56'

This month we are covering The Ken and Barbie Killers: Paul Bernando and Karla Homolka. Why were they called the Ken and Barbie Killers? What's up with Canada eh? What would you do for love? All these answers and more in this installment of Murder Is My Sign Killer Couples and Deadly Duos - The Ken and Barbie Killer Couple Part IMusic used in this episode:"Lightless Dawn""Deliberate Thoug"Kevin MacLeod(incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

In Wenen werkt de 25-jarige Mozart aan zijn opera Die Entführung aus dem Serail. Mozart probeert aan alle kanten om het Weense publiek voor zich te winnen, door bijvoorbeeld komische elementen in een redelijk serieus verhaal in te passen en ook de Weense mode van Turkse muziek te gebruiken. In deze brief aan zijn vader beschrijft hij hoe hij het verhaal vakkundig muzikaal naar zijn hand zet.

"The Abduction from the Seraglio" is an opera Singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's Belmont und Constanze, oder Die Entführung aus dem Serail. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Konstanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Dominique Beaulieu - conductor CMD Paris Philharmonic and Chorus in Orleans Download now at: http://www.classicalsavings.com/store/p859/Mozart%3A_The_Abduction_from_the_Seraglio_%28digital_download%29.html

In dieser bescheidenen ersten Ausgabe einer neuen Faselwesen Rubrik reden Podcast-Dauergast Christian und Cordula über Miniaturwelten, Lamas, Eis, Licht und diese eine Entführung aus dem Serail. Ohne den Themenvorschlägen der Hörer annähernd gerecht zu werden, füllen sie immerhin eine knapp halbstündige neue Podcastfolge. Viel Spaß! P.S.: Wenn Ihr auch/noch einen Themenwunsch vermasselt hören wollt, immer her damit!

Mozarts Jugendoper „Entführung aus dem Serail“ löst Völkerverständigungsprobleme durch viel Musik und gemeinsames Singen, egal ob als Spanier oder Engländerin. 1782 am Wiener Burgtheater uraufgeführt gehört die Oper auch heute noch zu den Top-Titeln, wohl auch wegen der witzigen Dialoge von „Ich bin Engländerin und zur Freiheit geboren“ bis hin zu „Warum kannst Du mich nicht leiden?“  - „Du hast ein Galgengesicht (heute etwa: „Hackfresse“), das ist schon genug.“ Es darf gelacht werden, denn selbst wenn der Tod fast bevorsteht kommt immer ein Stück herrlicher Musik von Mozart dazwischen, höchst anspruchsvoll zu singen für alle Beteiligten Blonde, Konstanze, Belmonte, Pedrillo oder Osmin. Und auch tagesaktuell als Konflikt zwischen Orient und Okzident ist das Stück fast schon visionär gewesen. Sopranistin Eleonore Marguerre, selbst oft als Konstanze zu erleben, erzählt viel Hintergrund zur Story.

The Best Way to Stay Focused on Your Deals: https://www.pipedrive.com Try it you will Love it. Listen to The B2B Revenue Leadership Show: https://itunes.apple.com/us/podcast/b2b-revenue-leadership-show/id1174976428?mt=2 Sales Questions PodCast: https://itunes.apple.com/us/podcast/sales-questions-brutally-honest/id336478474?mt=2 Join The Gaggle and Spread The Brutal Truth: http://gaggleamp.com/i/xfpnkxv Get 20% More Leads with Coupon SALES20 and follow this link to LeadFuze: https://www.leadfuze.com/#_l_1i Join the LinkedIn Group “Maverick Sellers” and get two FREE Ebooks. The Ebooks will be emailed to you via autoresponder once you join the group: https://www.linkedin.com/groups/1859052 Subscribe to MaverickMethod channel on YouTube and watch my Free Sales/Social Selling Course. https://www.youtube.com/user/MaverickMethod @BrianGburns on Twitter Connect with me on on LinkedIn and check out my Pulse posts - Brian Burns Here is a Video on How to post a PodCast review on iTunes: https://youtu.be/_ZRG_MMWZSY iPhone & iPad reviews are explained here: https://youtu.be/rXBY9TuXsmI Winning the complex sale training course intro: https://youtu.be/bjnYYNcnWwo FaCE Find and Connect Engage - Video https://youtu.be/qsT1ngLsnhQ For Email automation: https://woodpecker.co/ Finding Someone’s email address http://findthatlead.com/

The Best Way to Stay Focused on Your Deals: https://www.pipedrive.com Try it you will Love it. Listen to The B2B Revenue Leadership Show: https://itunes.apple.com/us/podcast/b2b-revenue-leadership-show/id1174976428?mt=2 Join The Gaggle and Spread The Brutal Truth: http://gaggleamp.com/i/xfpnkxv Get 20% More Leads with Coupon SALES20 and follow this link to LeadFuze: https://www.leadfuze.com/#_l_1i Join the LinkedIn Group “Maverick Sellers” and get two FREE Ebooks. The Ebooks will be emailed to you via autoresponder once you join the group: https://www.linkedin.com/groups/1859052 Subscribe to MaverickMethod channel on YouTube and watch my Free Sales/Social Selling Course. https://www.youtube.com/user/MaverickMethod @BrianGburns on Twitter Connect with me on on LinkedIn and check out my Pulse posts - Brian Burns Here is a Video on How to post a PodCast review on iTunes: https://youtu.be/_ZRG_MMWZSY iPhone & iPad reviews are explained here: https://youtu.be/rXBY9TuXsmI Winning the complex sale training course intro: https://youtu.be/bjnYYNcnWwo FaCE Find and Connect Engage - Video https://youtu.be/qsT1ngLsnhQ For Email automation: https://woodpecker.co/ Finding Someone’s email address http://findthatlead.com/

https://www.alyce.com/ CEO Greg Segall Free Sales Pipeline Academy:  https://www.pipedrive.com/en/sales-pipeline-academy  The Best Way to Stay Focused on Your Deals: https://www.pipedrive.com Try it you will Love it. Free Sales Pipeline Academy:  https://www.pipedrive.com/en/sales-pipeline-academy Listen to The B2B Revenue Leadership Show: https://itunes.apple.com/us/podcast/b2b-revenue-leadership-show/id1174976428?mt=2 Join The Gaggle and Spread The Brutal Truth: http://gaggleamp.com/i/xfpnkxv Get 20% More Leads with Coupon SALES20 and follow this link to LeadFuze: https://www.leadfuze.com/#_l_1i Andrea Austin Co-Author of Align to Achieve Join the LinkedIn Group “Maverick Sellers” and get two FREE Ebooks. The Ebooks will be emailed to you via autoresponder once you join the group: https://www.linkedin.com/groups/1859052 Subscribe to MaverickMethod channel on YouTube and watch my Free Sales/Social Selling Course. https://www.youtube.com/user/MaverickMethod @BrianGburns on Twitter Connect with me on on LinkedIn and check out my Pulse posts - Brian Burns Here is a Video on How to post a PodCast review on iTunes: https://youtu.be/_ZRG_MMWZSY iPhone & iPad reviews are explained here: https://youtu.be/rXBY9TuXsmI Winning the complex sale training course intro: https://youtu.be/bjnYYNcnWwo FaCE Find and Connect Engage - Video https://youtu.be/qsT1ngLsnhQ For Email automation: https://woodpecker.co/ Finding Someone’s email address http://findthatlead.com/

https://www.emissary.io CEO David Hammer joins me. Free Sales Pipeline Academy:  https://www.pipedrive.com/en/sales-pipeline-academy  The Best Way to Stay Focused on Your Deals: https://www.pipedrive.com Try it you will Love it. Free Sales Pipeline Academy:  https://www.pipedrive.com/en/sales-pipeline-academy Listen to The B2B Revenue Leadership Show: https://itunes.apple.com/us/podcast/b2b-revenue-leadership-show/id1174976428?mt=2 Join The Gaggle and Spread The Brutal Truth: http://gaggleamp.com/i/xfpnkxv Get 20% More Leads with Coupon SALES20 and follow this link to LeadFuze: https://www.leadfuze.com/#_l_1i Andrea Austin Co-Author of Align to Achieve Join the LinkedIn Group “Maverick Sellers” and get two FREE Ebooks. The Ebooks will be emailed to you via autoresponder once you join the group: https://www.linkedin.com/groups/1859052 Dylis Guyan - https://uk.linkedin.com/in/dylisguyan Connect with me on LinkedIn: http://www.linkedin.com/in/brianburns Subscribe to MaverickMethod channel on YouTube and watch my Free Sales/Social Selling Course. https://www.youtube.com/user/MaverickMethod @BrianGburns on Twitter Connect with me on on LinkedIn and check out my Pulse posts - Brian Burns Here is a Video on How to post a PodCast review on iTunes: https://youtu.be/_ZRG_MMWZSY iPhone & iPad reviews are explained here: https://youtu.be/rXBY9TuXsmI Winning the complex sale training course intro: https://youtu.be/bjnYYNcnWwo FaCE Find and Connect Engage - Video https://youtu.be/qsT1ngLsnhQ For Email automation: https://woodpecker.co/ Finding Someone’s email address http://findthatlead.com/

@jamesepember www.SpartaSales.com Free Sales Pipeline Academy:  https://www.pipedrive.com/en/sales-pipeline-academy  The Best Way to Stay Focused on Your Deals: https://www.pipedrive.com Try it you will Love it. Free Sales Pipeline Academy:  https://www.pipedrive.com/en/sales-pipeline-academy Listen to The B2B Revenue Leadership Show: https://itunes.apple.com/us/podcast/b2b-revenue-leadership-show/id1174976428?mt=2 Join The Gaggle and Spread The Brutal Truth: http://gaggleamp.com/i/xfpnkxv Get 20% More Leads with Coupon SALES20 and follow this link to LeadFuze: https://www.leadfuze.com/#_l_1i Join the LinkedIn Group “Maverick Sellers” and get two FREE Ebooks. The Ebooks will be emailed to you via autoresponder once you join the group: https://www.linkedin.com/groups/1859052 Connect with me on LinkedIn: http://www.linkedin.com/in/brianburns Subscribe to MaverickMethod channel on YouTube and watch my Free Sales/Social Selling Course. https://www.youtube.com/user/MaverickMethod @BrianGburns on Twitter Connect with me on on LinkedIn and check out my Pulse posts - Brian Burns Here is a Video on How to post a PodCast review on iTunes: https://youtu.be/_ZRG_MMWZSY iPhone & iPad reviews are explained here: https://youtu.be/rXBY9TuXsmI Winning the complex sale training course intro: https://youtu.be/bjnYYNcnWwo FaCE Find and Connect Engage - Video https://youtu.be/qsT1ngLsnhQ For Email automation: https://woodpecker.co/ Finding Someone’s email address http://findthatlead.com/

Es geht hoch her in der altehrwürdigen Mailänder Scala, wenn eine Oper für Kinder auf dem Programm steht, zuletzt etwa die Inszenierung einer "Entführung aus dem Serail". Diese Aufführungen sind der ganze Stolz des Intendanten Alexander Pereira, der der Scala eine Frischluftkur verschrieben hat. Mit Erfolg - wie Henning Klüver findet.

Treue und Standhaftigkeit - darum geht es in Mozarts "Entführung aus dem Serail". Wirklich? Und was ist mit den Gefühlen, die Konstanze und Blonde für ihre neuen Besitzer entwickeln? Regisseurin Sigrid Herzog stellt für ihre Inszenierung am Mainfrankentheater Würzburg eines klar: So einfach ist das mit der Liebe nicht. Peter Jungblut hat die Premiere gesehen.

Activity Based Selling: https://blog.pipedrive.com/2016/06/activity-based-selling/ Free Sales Pipeline Academy:  https://www.pipedrive.com/en/sales-pipeline-academy Listen to The B2B Revenue Leadership Show: https://itunes.apple.com/us/podcast/b2b-revenue-leadership-show/id1174976428?mt=2 Heather Havenwood: http://heatherhavenwood.com/ Join The Gaggle and Spread The Brutal Truth: http://gaggleamp.com/i/xfpnkxv Get 20% More Leads with Coupon SALES20 and follow this link to LeadFuze: https://www.leadfuze.com/#_l_1i Join the LinkedIn Group “Maverick Sellers” and get two FREE Ebooks. The Ebooks will be emailed to you via autoresponder once you join the group: https://www.linkedin.com/groups/1859052 Connect with me on LinkedIn: http://www.linkedin.com/in/brianburns Subscribe to MaverickMethod channel on YouTube and watch my Free Sales/Social Selling Course. https://www.youtube.com/user/MaverickMethod @BrianGburns on Twitter Connect with me on on LinkedIn and check out my Pulse posts - Brian Burns Here is a Video on How to post a PodCast review on iTunes: https://youtu.be/_ZRG_MMWZSY iPhone & iPad reviews are explained here: https://youtu.be/rXBY9TuXsmI Winning the complex sale training course intro: https://youtu.be/bjnYYNcnWwo FaCE Find and Connect Engage - Video https://youtu.be/qsT1ngLsnhQ For Email automation: https://woodpecker.co/ Finding Someone’s email address http://findthatlead.com/