Podcasts about pathetique

主播｜李叔 嘉宾｜梅二 2024年的倒数第三天，原本要乘坐的航班因故取消，辗转飞往另外一座熟悉的南方城市，在飞机上完成了这期节目的剪辑。在距离节目播出还有两个小时的此刻，终于在一家庙宇对面的咖啡厅做完了配乐的工作。又是匆匆忙忙的一年，66次飞行，50条航线，40座机场，终点却指向了起点的原点。和世界依然有很多摩擦和冲撞，同时也多了一些理解与感悟。活得更加从容，渐渐不再是努力追寻的目的，而是旅途中忽隐忽现的风景。爱的继续爱，恨的继续恨，就这么继续走下去。每个人都抢了单程票，搭上了奔向末日的列车，也许后悔也有人跳车，吹在旅途上是风和日丽的挽歌。新年快乐。|Song List|01.老狼 - 北京的冬天02.蔡依林 - 说爱你03.夹子电动大乐队 - 转吧七彩霓虹灯04.伍佰 - 思念亲像一条河05.Imam Baildi-ΔΕΝ ΘΕΛΩ ΠΙA ΝA ΞAΝAΡΘΕΙΣ (REMIX)06.罗文 / 甄妮 - 铁血丹心07.童孔 / 张雨生 - 两个永恒08.The Cranberries - In the End09.反复攻击小明 - 社会不需要进步10.Nick Cave & the Bad Seeds - Idiot Prayer11.上原ひろみ / Anthony Jackson / Simon Phillips - Beethoven's Piano Sonata No. 8, Pathetique【收听平台】小宇宙｜喜马拉雅｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜酷我音乐｜酷狗音乐｜懒人听书｜微博音频｜三联中读｜听听FM｜猫耳FM｜Spotify｜YouTube｜关注我们｜移步点击日谈公园品牌官网（链接：https://www.ritanbbpark.com），了解更多微信公众号：日谈公园微博：@日谈公园小红书：日谈公园即刻：日谈李小日B站：日谈公园｜商务合作｜欢迎发送邮件至 bbpark@ritanbbpark.com

Gepresenteerd door: Willem de Vries Pynarello Maartje van de Wetering (verteller) Thomas Beijer (tekst) Julian Schneemann - The Moving Staircase (opdrachtwerk) Pjotr Iljitsj Tsjaikovski - Symfonie nr.6 op.74 in b kl.t. ‘Pathétique' Rechtstreeks vanuit de Grote Zaal van TivoliVredenburg in Utrecht.

‘Prelude' is de opmaat naar het AVROTROS Vrijdagconcert! Gastsprekers: artistiek leider van het Pynarello-collectief Lonneke van Straalen en toekomstig artistiek leider en componist Julian Schneemann Het vernieuwde TivoliVredenburg bestaat tien jaar. Pynarello, het meest rebelse orkest van Nederland brengt, samen met een verteller, een spannende voorstelling over de geheimzinnige dood van Tsjaikovski tegen de achtergrond van zijn laatste compositie, de Pathétique. Pynarello Maartje van de Wetering, verteller Thomas Beijer, tekst Julian Schneemann - The Moving Staircase (opdrachtwerk) Tsjaikovski - Zesde symfonie 'Pathétique' Meer info & kaarten (https://www.npoklassiek.nl/concerten/f27f47a4-ac10-4003-a501-2ca7fe4f6cdb/pynarello-pathetique) In deze podcast vertelt presentator Leonard Evers je iedere week meer over de bijzondere stukken die gaan klinken in TivoliVredenburg én op NPO Klassiek. Dat doet hij samen met verschillende gasten die in de studio aanschuiven. Aan de hand van muziekfragmenten word je warm gemaakt voor de mooie composities die je te wachten staan. Abonneer je nu! Alles over het AVROTROS Vrijdagconcert (https://www.nporadio4.nl/programmas/avrotros-vrijdagconcert) Prelude-Spotifylijst 'Leonards luistertips' (https://open.spotify.com/playlist/0HnaH8gzitGVB6zboIzgbu)

SynopsisIn St. Petersburg on today's date in 1893, Peter Ilyich Tchaikovsky conducted the first performance of his latest symphony, his Sixth. From the beginning, this symphony has been commonly known by its French subtitle, the Pathétique, a designation suggested by the composer's brother, Modest.Now, by Pathetique, Modest meant something like “passionate” or “emotional,” with overtones of “pathos” and “suffering,” but in plain old English, “pathétique” translates as “pathetic,” a word with a slew of negative connotations. The French sounds much better, thank you. Tchaikovsky had originally wanted to call it A Program Symphony with, apparently, no intention of cluing anyone in on what that program might be.In any case, nine days after he conducted the premiere, Tchaikovsky was dead. Was his death the result of a fatal glass of unboiled water recklessly drunk during the height of a cholera epidemic? Or was it a deliberate suicide to avoid the scandal of a homosexual affair becoming public? Did his Pathétique Symphony encode the answer?Speculation has raged around Tchaikovsky's last symphony ever since, surrounding this last work with what one critic has called “voluptuous gloom.”Music Played in Today's ProgramPeter Tchaikovsky (1840 – 1893) Symphony No. 6 (Pathétique) - Russian National Orchestra; Mikhail Pletnev, cond. DG 449 967

Harry Connick, Jr.: Songs I Heard- Do-Re-Mi (4:15) Coco Zhao & JZ All Star Big Band: Ming Yue- Ming Yue (8:14) Ai Kuwabara with friends (Bass – Keisuke Torigoe): My First Disney Jazz A whole new world (3:13) Scott Bradlee's Postmodern Jukebox, Gunhild Carling: Blue Mirror: Dancing Queen (3:19) Hiromi, The trio project featuring Anthony Jackson and Simon Phillips: Voice Beethoven's Piano Sonata No. 8, Pathetique (5.13) Eva Cassidy: Songbird: Autumn Leaves (4:43) Leandro Ragusa, Fung Chern Hwei: Intimo: Rio Negro (4:20) Charles Aznavour & The Clayton-Hamilton Jazz Orchestra: La Bohème (5:21)

Episode 2.4 - Rolling Corpse PathetiqueTracks Featured:Ruined PianoYou & YoursBallastOblastMan Godiva & the Rolling CorpseSkinny Soul StealingHowlIn the Second part, Molly O'Brien (Da Music Enjoyer, host of And Introducing and Infinite Cast) reacts to the new record and talks baby shoes, British actors, and the Firm. Shortly after recording, Molly and her husband Chris wrapped up their podcast Infinite Cast, and launched new episodes of their podcast about music/words, Molly can be found on Twitter, The Molly Zone Blog, I Enjoy Music, and The Alternative.Music featured in the second half:There is by Box Car RacerCat Like Thief by Box Car RacerOy Como Va (mono) by SantanaOscillations by Silver ApplesEyesore by WomenI Want You To Suffer by Cindy LeeCochise by AudioslaveSee, My Shadow by Kee AvilThe Alien by Ben Salisbury & Geoff BarrowIngenue by Atoms for PieceTiny Tears by TindersticksTruth Ray by Thom YorkeThe Firm Main Theme by Dave GrusinThe inception Sound (youtube clip) by Greg PorterStranded the Line by Jonny Greenwood Hosted on Acast. See acast.com/privacy for more information.

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.eigenTunes亦听 - 道别 Leaving;2.Ludwig van Beethoven - Adagio Cantabile from Sonata Op.13 (Pathetique);3.Vladimir Horowitz - Consolation in E Major, S. 172 (R. 12), No. 2;4.Maurizio Pollini - Piano Sonata No.1 In F Sharp Minor, Op.11：2. Aria;5.Dan Romer - The Same Answer。

No matter how many times you've heard this work, there is much to discover! John Banther and Evan Keely examine letters from his final year, musical examples, and fascinating compositional techniques in search of answers to this enigmatic symphony. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

This week on The Sound Kitchen, you'll hear a replay of a show aired on 9 November 2019, featuring musical favourites from RFI English journalists Alison Hird, Jan van der Made, and Christina Okello. Just click on the “Audio” button above and enjoy! Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Send me your music requests! I'll make programs of your favorite music when I can't be in the kitchen to cook up something new for you … write to me at thesoundkitchen@rfi.fr This week's quiz: The Sound Kitchen is taking a short break. The quiz will be back next week, 6 August. Here's the music you heard on this week's program: “Feelin' Good” by Anthony Newley and Leslie Bricusse, sung by Nina Simone; “Coyote”, written by and sung by Joni Mitchell; "Rondo" from the Pathetique piano sonata no 8 in c minor, op 13 by Ludwig van Beethoven, performed by pianist Alfred Brendel; “My Favorite Things” from the musical The Sound of Music by Richard Rodgers and Oscar Hammerstein, sung by Julie Andrews; "Buona sera, mio signore" from Il Barbiere di Siviglia by Giacomo Rossini.  

上集邀請到小提琴新生代最受矚目演奏家 Jason 分享他的人生故事， 下集則是樂迷 Hilda 與 Jason 的古典音樂熱情對談！ 溫馨提醒：前半段稍微有比較艱深的音程音律等討論，但很快結束後就有滿滿的音樂及 小故事能欣賞啦

上集邀請到小提琴新生代最受矚目演奏家 Jason 分享他的人生故事， 下集則是樂迷  Hilda 與 Jason 的古典音樂熱情對談！ 溫馨提醒：前半段稍微有比較艱深的音程音律等討論，但很快結束後就有滿滿的音樂及 小故事能欣賞啦

Will God answer your prayer if you don't end with, "In Jesus' name, Amen?" Learn what praying in the name of Jesus really means. I taught this week on the call of Abraham and the development of God's missionary call through the nation of Israel as they were responsible to communicate the truth of God to the cultures around them. They were given that great commission. The great commission didn't start in Matthew 28. It started with Abraham in Genesis 12 —the first three verses there —Abraham, chosen by God to raise up a nation who would then be God's priests to the world so that they would be a blessing to all of the nations. They had a unique role in the great monotheistic religion. The Jews were supposed to reflect morality to the world. Israel was to witness to the name of God. When they talked about the name of God and witnessing to God's name, that does not mean that they were to let everybody know what they called God, "Yahweh." Their goal wasn't to cover the countryside with evangelists who just let everybody know what the right word for God was. It meant something different. ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆ ☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆https://linktr.ee/jacksonlibon-------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- #realtalk #face #instagram #amour #take #couple #dance #dancers #vogue #voguedqnce #garden #tiktok #psychology #beyou #near #love #foryou #money #ForYouPizza #fyp #irobot #theend #pups #TikToker #couplegoals #famille #relation #doudou #youtube #twitter #tiktokers #love #reeĺs #shorts #instagood #follow #like #ouy #oyu #babyshark #lilnasx #girl #happybirthday #movie #nbayoungboy #deviance #autotrader #trading #khan #academy #carter #carguru #ancestry #accords #abc #news #bts #cbs #huru #bluebook #socialmedia #whatsapp #music #google #photography #memes #marketing #india #followforfollowback #likeforlikes #a #insta #fashion #k #trending #digitalmarketing #covid #o #snapchat #socialmediamarketingH

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.Ludwig van Beethoven - Adagio Cantabile from Sonata Op.13 (Pathetique)；2.Kathryn Stott,Gabriel Urbain Faure - Barcarolle No. 1 In A Minor, Op. 26 (1880)；3.Ludwig van Beethoven,Stephen Kovacevich - 33 Piano Variations in C, Op.120 on a Waltz by Anton Diabelli：Variation III (L'istesso tempo)；4.Alicia de Larrocha,Sir Colin Davis,English Chamber Orchestra - Piano Concerto No.23 in A Major, K. 488：II. Adagio。

Adventures In Good Music

"Klassik to Go" - ob unterwegs oder zuhause: Stimmen Sie sich mit der neuen Reihe auf das Konzert ein. Die "Pathetique": Um dieses letzte Werk Tschaikowskys ranken sich etliche Mythen. In der digitalen Werkeinführung klärt Yaltah Worlitzsch einige von auf.

You can learn to play piano even though you don't own one. What is needed is access to a practice room. There are practice rooms in colleges with music programs which may or may not be open to the public. Check it out. Learning to play in public is learned while playing piano in public. It's the best of all worlds as a music student to play (practice) with an audience nearby. One or two people do fine as your confidence builds. This soundtrack is in the Microsoft Music Library. Composer: Johannes Beethoven, Op. 13, one of 32 sonatas written by him. The pianist designates this sonata as No. 8. I strongly encourage students to buy sheet music for all 32 Beethoven Sonatas and recordings. Daniel Barenboim can be seen and heard on YouTube. Visit David Long Music's channel to hear this C Major sonata, adagio cantabile aka PATHETIQUE. Published on August 5, 2013. The posting of this soundtrack meets the requirements of Fair Use. I do not own any copyright licenses for this soundtrack nor do I stand to gain financially from it's posting in any way whatsoever. Thanks for stopping by.

Many of the 2022 Quarterfinalists have participated in previous competitions, but today's featured pianist, Elizaveta Kliuchereva, has a different and unique perspective. In 2017, Elizaveta served on the Junior Jury of the Arthur Rubinstein International Piano Competition in Tel Aviv. In this excerpt, you'll hear Elizaveta perform Scherzo from Symphony No. 6 “Pathetique” by Tchaikovsky arr. Feinberg. -Watch the video edition of this excerpt here. 

Most Americans know Tchaikovsky as the composer of the delightful dances contained within the Nutcracker Ballet. As Fr. John Strickland shows, however, there is much more to be heard in their melodies, and little that was delightful about the emotionally agonized life behind them. Using selections from a variety of works, he explores how the romantic agony came for Tchaikovsky in his boyhood and thereafter never departed. Special attention is given to an analysis of the famous Sixth Symphony, nicknamed Pathetique. First performed just days before the composer's abrupt death, the work brings the generation of the romantics to a heart-rending and emblematic conclusion.

Musikudgivelser der er værd at lægge øre til og kunstnere der er værd at holde øje med. I denne uge bl.a. Tjajkovskijs 6. symfoni, Pathetique. Vært: Claus Berthelsen.

Друзья,включайте свои приемники, плееры, это Новый выпуск Sweetsetsation. Очердная пятница в Sweetsetsation Club. Sweetsetsation Club© Episode #176. #dancewinter we love #ночнойдвиж Премьерные треки Sweetsetsation CLUB#176 - Dark Heart feat. ANML KNGDM - Trouble (Oh No) - KEAN DYSSO, Sinny - LTE - DJ Dark, Mentol - Say It Right - Brohug - Just Bass - Vion Konger, Whiteout - Every Single Day - Volac, Gustavo Mota feat. Breaking Beattz - Like Dis -Vadim Adamov Hardphol feat. Endzhe - Sky Andrey Egorov(c.) слушайте онлайн радиостанцию sweetsetsation© : my.mail.ru/music/play/52195535… radio.yandex.ru/user/ya.fanta2… Andrey Egorov @ Sweetsetsation Club Episode #176 (13.08.2021) Треклист: 001 - Dark Heart feat. ANML KNGDM - Trouble (Oh No) - 002 - Lucas & Steve, Tungevaag - Paper Planes - 003 - DJ Dark, Mentol - Say It Right - 004 - KEAN DYSSO, Sinny - LTE - 005 - Brohug - Just Bass - 006 - Stockanotti, Marc Korn - Lay All Your Love on Me - 007 - Vion Konger, Whiteout - Every Single Day - 008 - Laidback Luke Carta - Kong (Extended Mix) - 009 - Vadim Adamov Hardphol feat. Endzhe - Sky - 010 - Klaas Jona Selle - Out of My Mind - 011 - Steve Aoki - Grave Piano Sonata No. 8 Pathetique - 012 - Volac, Gustavo Mota feat. Breaking Beattz - Like Dis - 013 - Arno Cost & Norman Doray - Apocalypse Sebastien Leger Remix - 014 - Besomage, BRAN - Careless Whisper - 015 - Fedde Le Grand feat. Mitch Crown - Scared Of Me - 016 - Renomty ONEIL - Baby - 017 - VOLAC - Naughty Water (Extended) - 018 - TRFN, Siadou - In the Dark - 019 - MorganJ Longo feat. Martina Corona - What U Wanna Do (Extended Mix) - 020 - Nicky Romero MARF feat. Wulf - Okay -

We begin a series of chamber music by Beethoven, featuring two of his beloved piano sonatas: the nicknamed PATHETIQUE and MOONLIGHT

Peter Tchaikovsky - Symphony No. 6 "Pathetique": 2nd movement Polish National Radio Symphony Orchestra Antoni Wit, conductor More info about today's track: Naxos 8.550782 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording ArkivMusic Amazon

It’s been a while, but Laura comes out swinging with a life-changing rollercoaster and Colin comes out bunting with life-changing incrementalism! ================ Show Notes Mortal Kombat (Movie, 2021) | https://www.mortalkombatmovie.net/ Assassin’s Creed Valhalla | https://www.ubisoft.com/en-us/game/assassins-creed/valhalla Fallout New Vegas | https://fallout.bethesda.net/en/games/fallout-new-vegas Apple Fitness + | https://www.apple.com/apple-fitness-plus/?cid=wwa-us-kwgo-fitness-slid- Beethoven’s Pathetique, Mov I | https://youtu.be/MZD7DArj8DU iMac 2021 | https://www.apple.com/imac-24/?afid=p238%7CslmeqWyPF-dc_mtid_20925top39173_pcrid_516068510797_pgrid_125141428990_&cid=wwa-us-kwgo-mac-slid---Brand-iMac-Avail- Scrubs “A Dog that Learns to Talk” | https://getyarn.io/yarn-clip/360bb5f7-17f3-4b28-8c3b-03c5d68f722b ================ Credits  Share with friends at PodFriend.pizza Follow them on Instagram @howspod   Created by Laura Becker & Colin Ketchen Editing & Original Music by Colin Ketchen

Companion Spotify Playlist “Favorite Favorite Final/Farewell Albums” Link - https://spoti.fi/2L36yj6Today's Picks - Brendan1 - Streetcore (2003) - Joe Strummer and the Mescaleros 2 - I'm New Here (2010) - Gil Scott-Heron3 - The Wind (2003) - Warren ZevonHonorable Mention - Blackstar (2016) - David BowieBrent1 - Symphonic Dances (1946) - Sergei Rachmaninoff2 - Painting of a Panic Attack (2016) - Frightened Rabbit3 - Abbey Road (1969) - The BeatlesHonorable Mention - Symphony No. 6 “Pathetique” (1893) - Peter TchaikovskyHonorable Mention - Symphony No. 9 “Choral” (1824) - Ludwig van BeethovenFreddie1 - Goodbye (1969) - Cream2 - Tropical Brainstorm (2000) - Kirsty MacColl3 - Lee Morgan/The Last Session (1972) - Lee MorganHonorable Mention - Watching You Watching Me (1985) - Bill WithersAdam1 - California (1999)- Mr Bungle2 - America IV (2002)- Johnny Cash3 - Purple Mountains (2019)- Purple MountainsHonorable Mention - Grievous Angel (1973)- Gram ParsonsAaron1 - Figure 8 (2000) - Elliott Smith2 - Pink Moon (1972) - Nick Drake3 - Live At Blues Alley (1997) - Eva CassidyHonorable Mention - Love Lives Forever (1980) - Minnie Riperton

18 Beethoven - Piano Sonata No. 8 (Pathetique) 3 - Rondo by Ruach Breath of Life

We’ll look at the famous “Pathetique” Sonata in C minor, Op. 13.

On November 5, 2020, Dr. Barry Coutinho will present a piano recital at Herberman Conference Center at UPMC Shadyside.  The concert is a benefit for Shoulder to Shoulder Pittsburgh, which helps improve health outcomes in San Jose del Negrito, Honduras and the surrounding rural communities by empowering these communities to provide sustainable comprehensive primary health care.  The recital will feature Beethoven's Sonata #8 Opus 13 "Pathetique," Chopin's Nocturne Opus 9, No. 2. Mendelssohn's Rondo Capriccioso Opus 14, and Gershwin's "Rhapsody in Blue."  WQED-FM's Jim Cunningham spoke with Dr. Coutinho about the recital; his musical background and the latest on the Covid pandemic.  

In this episode we look into the blessings of honest to God Poverty https://betweenthelines.xyz/ (betweenthelines.xyz) transcripts and links available on the website: https://betweenthelines.xyz/hgcode-podcast/10-h-g-code-e004 (here) Music credits: Schubert - https://musopen.org/music/7276-piano-sonata-no-20-in-a-major-d-959/ (Piano Sonata no. 20 in A major, D. 959 - I. Allegro) performed by https://musopen.org/music/performer/paul-pitman/ (Paul Pitman) and courtesy of http://musopen.org/ (musopen.org) Mozart - https://musopen.org/music/2716-idomeneo-k-366/ (Idomeneo, K. 366 - Act III. Torna la pace, Idomeneo I) courtesy of https://musopen.org/music/performer/european-archive/ (European Archive) and http://musopen.org/ (musopen.org) Beethoven - https://musopen.org/music/33-piano-sonata-no-8-in-c-minor-pathetique-op-13/ (Piano Sonata no. 8 in C minor 'Pathetique', Op. 13 - I. Grave) performed by https://musopen.org/music/performer/paul-pitman/ (Paul Pitman) and courtesy of http://musopen.org/ (musopen.org) Schubert - https://musopen.org/music/30922-six-musical-moments-d-780/ (Six Musical Moments, D. 780 - III. Allegro moderato in F minor) performed by https://musopen.org/music/performer/sofja-gulbadamova/ (Sofja Gülbadamova) (licensed under https://creativecommons.org/licenses/by/3.0/ (Creative Commons Attribution 3.0)) and courtesy of http://musopen.org/ (musopen.org)

Please, read this.Hello. If the podcast was helpful for you, I ask you to give some money to a charity. I truly believe we can make a better world with less cynicism and egoism. You can handle several days without coffee. However, that money REALLY can help. Even a few dollars.Where to send and how much is only on you. Children, nature, homeless people. All problems are more real and nearer than you think.Just be a good person. Be a real hero. Peace. 00:00:00 Listz Love dreams no.3 00:04:04 Racmaninoff Préludes, Opus 32, no.13 00:06:35 Debussy Suite bergamasque Claire De Lune 00:10:43 Chopin Ballade G minor, Opus 23 00:19:45 Beethoven Sonata No 5 C minor, Opus 10 mov 1 00:26:18 Mozart Piano Sonata No 14 in c minor, KV 457 Adagio 00:33:05 Shumann Scenes from Childhood, Opus A Tale of Distant Lands 00:34:27 Mozart Sonata No. 11 A major (Alla Turca) , KV 331 00:47:59 Chopin 2 Nocturnes, Opus 27 Larghetto 00:52:37 Beethoven Sonata No. 8 C minor (Pathetique) , Opus 13 Mov 2 00:57:40 Shumann Scenes from Childhood, Opus In Slumberland 00:59:05 Chopin 2 Nocturnes, Opus 27 Larghetto Sostenuto 01:04:02 Mozart Piano Sonata No 14 in c minor, KV 457 Molto Allegro + Repeat

Sabemos que a beleza é um tema muito amplo, e pode ter inclusive uma conotação atribuída ao "gosto pessoal". Porém historicamente se concebe também a beleza como função, como algo que também faz bem e é necessária para o ser humano. Participantes: Fabiano Camilo e Danilo Gomes Trilha Sonora: Tchaikovsky - Sinfonia 6 em B menor op.74 "Pathetique" 2 parte   

To close the Pathétique sonata, Beethoven writes a fast-paced Allegro in Rondo form. The theme is like static electricity, jumping between smaller objects, and throughout the movement we are treated to various adventures in the different episodes. As always your guide Henrik Kilhamn at the piano.

Pianist Henrik Kilhamn reflects on the 2nd movement of Beethoven's famous Pathétique sonata, Op. 13. The theme in the "Adagio cantabile" is one of Beethoven's sweetest melodies, and we can enjoy just floating along those long legato lines. Introduction, Analysis (1:00) and Performance (12.50)

Beethoven took the sonata form from Mozart and Haydn and developed it in a revolutionary way, turning his sonatas into epic tales. The Pathétiqe sonata Op. 13 is a hallmark in the repertoire (Pathétiqe referring to "emotional" rather than the "pathetic"), and in this video Henrik Kilhamn goes through the first movement section by section and explains how they fit in the larger scheme of things. Introduction and analysis (2:04)

We kick off the year with some of the best jazz music on the internet, gua-rohn-teed!!! - Elian and Ines 01 Beethoven’s Piano Sonata No. 8, Pathetique. Hiromi 02 Chant. Robert Glasper 03 Creepin’. SFJAZZ Collective 04 Samba De Paris. Kyle Eastwood 05 Litha. Bill Evans, Stan Getz 06 Samba Em Preludio. Esperanza Spalding 07 Along Came Betty. Quincy Jones 08 Ibelec. Musique Noire 09 Spirit of the Air. Pat Metheny 10 All I Do. Robert Glasper (feat. SiR, Bridget Kelly, Song Bird) 11 Feel Like Making Love. Bob James

Classical Jazz: my jazz ballad arrangement of Beethoven's Adagio Cantabile from the Pathetique Piano Sonata

Beethoven faces a personal crisis. Michael explores a new theory on how Beethoven lost his hearing, and how he handled the resulting social isolation. Even with the support of his friends, Beethoven becomes increasingly frustrated and his musical output is affected. Written, narrated and performed by Michael Chertock Musical excerpts taken from the following: L. Van Beethoven: Piano Concerto No. 4 in G major, Op. 58, I. Allegro Moderato L. Van Beethoven: Symphony No. 6 in F major, Op. 68 “Pastoral”, I. Rev. Canon G. Hill: Timpani Fantasia L. Van Beethoven: Piano Sonata No. 23 in F minor, Op. 57 “Appassionata”, I. Allegro Assai L. Van Beethoven: Piano Sonata No. 7 in D major, Op. 10, II. Largo L. Van Beethoven: Piano Sonata No, 8 in C minor, Op. 13 “Pathetique”, III. Rondo L. Van Beethoven: Piano Sonata No. 3 in C major, Op. 2, II. Adagio L. Van Beethoven: Piano Sonata No, 14 in C# minor, Op. 27 “Moonlight”, I. Adagio sostenuto Piano excerpts recorded at the University of Cincinnati College-Conservatory of Music in the Robert J. Werner Recital Hall. Timpani excerpt recorded at St. Barnabas Episcopal Church, Montgomery, Ohio. Technical production provided by Tom Hughes © 2018 Michael Chertock

What affect did Beethoven’s overbearing father have on his early musical development? Did Beethoven really play for Mozart? What was his relationship with his mother and brothers? Michael addresses these issues surrounding Beethoven’s childhood and eventual arrival in Vienna. Written, narrated and performed by Michael Chertock Musical excerpts taken from the following: L. Van Beethoven: Piano Concerto No. 4 in G major, Op. 58, I. Allegro Moderato L. Van Beethoven: Piano Sonata No. 8 in C minor, Op. 13 “Pathetique”, I. Grave L. Van Beethoven: Piano Sonata No. 1 in F minor, Op. 2, II. Adagio J.S. Bach: Prelude in C Major, BWV 846 W.A. Mozart: Sonata No. 12 in F major, K332 W.A. Mozart: Fantasia in C minor, K475 L. Van Beethoven: Piano Sonata No. 1 in F minor, Op. 2, I. Allegro L. Van Beethoven: Piano Sonata No, 8 in C minor, Op. 13 “Pathetique”, III. Rondo Musical excerpts recorded at the University of Cincinnati College-Conservatory of Music in the Robert J. Werner Recital Hall. Technical production provided by Tom Hughes Marketing Strategies © 2018 Michael Chertock

Keyboard Sonata in g minorThis is a keyboard sonata in g minor. It follows the classical sonata form. Stylistically, it is a blend of pop, neo-romanticism, minimalism, and modernism. It tends to be a bit on the dark side, although there are plenty of spots where the light shines in.I've always greatly appreciated the keyboard sonata as a form. Growing up, I particularly enjoyed the Beethoven piano sonatas. The Eighth Piano Sonata (Opus 13) was a particular favorite of mine. This particular sonata in no way attempts to mirror that one, or even Beethoven generally. If anything, it sounds a bit like Chopin in some places, and perhaps like Rachmaninov in others. Nevertheless, my affinity for the keyboard sonata is directly attributable to the Pathetique. Some Notes on Sonata for Keyboard in g minorThis keyboard sonata is a three-movement sonata that mostly follows the classical standard sonata format. Stylistically, I would describe it as neo-romantic. It has some dissonance, some quartals, some blues harmonies, and some minimalist elements, as well. First Movement - AllegrettoThis movement is in sonata form, where the main theme is in g minor, and the counter-theme is in B Flat Major. It follows the normal trajectory of exposition - development - recapitulation. In the recapitulation, the counter-theme is restated in its original B Flat Major, rather than the native g minor.Second Movement - AdagioThis is a very slow Minuette. The form is AA'BA (where "A'" is a development section) The exposition moves directly into a development section that isn't clearly distinguished from the exposition itself. The "B" section is sharply distinct from the main theme. Where the main theme is somewhat laconic and soft, the second theme is strident and assertive. The recapitulation, rather than being a full recapitulation is more like an elaboration and completion of a previous thought.Third Movement - VivaceThe third movement is typically a rondo. In this case, I depart from the norm. This is a fantasia in the following format: ABA'CA'DEA''[CODA]. Stylistically, this movement is an example of American Populist Modernism (in the vein of Copland or Bernstein) The main theme, which is a powerful, asymmetric march-like theme, is asserted, then gives way to a second theme, then comes back and develops, then gives way to a third theme, and so on and so forth. It almost has a Pictures at an Exhibition kind of feeling, although the demarcations between the main theme and the "pictures" are less pronounced. The final section presents the main theme as a more coherent melodic arch. It is also the darkest statement of the theme. The CODA is a brief variation on the main theme; it is significantly less strident than the original theme. The piece dies with a whimper. Copyright, Philip John Cornell, 2018, some rights reserved. You may download this content freely. If you share it, it must be prominently attributed to "PJ Cornell," and if shared online, a link to the original content must be provided in a prominent location. This audio and video content may not be used for commercial purposes or modified in any way without permission from the copyright owner. Only the latest episodes of this show are on iTunes and Soundcloud. To locate archives of this podcast, visit [http://pjcornell.com/category/asterisked-music/piano-podcast]. Follow me on Soundcloud: https://soundcloud.com/pj-cornellFollow me on iTunes: (Asterisk Piano Podcast)Follow me on Steemit: https://steemit.com/@pjcomposerJoin the conversation on my site: http://pjcornell.com

Keyboard Sonata in g minorThis is a keyboard sonata in g minor. It follows the classical sonata form. Stylistically, it is a blend of pop, neo-romanticism, minimalism, and modernism. It tends to be a bit on the dark side, although there are plenty of spots where the light shines in.I've always greatly appreciated the keyboard sonata as a form. Growing up, I particularly enjoyed the Beethoven piano sonatas. The Eighth Piano Sonata (Opus 13) was a particular favorite of mine. This particular sonata in no way attempts to mirror that one, or even Beethoven generally. If anything, it sounds a bit like Chopin in some places, and perhaps like Rachmaninov in others. Nevertheless, my affinity for the keyboard sonata is directly attributable to the Pathetique. Some Notes on Sonata for Keyboard in g minorThis keyboard sonata is a three-movement sonata that mostly follows the classical standard sonata format. Stylistically, I would describe it as neo-romantic. It has some dissonance, some quartals, some blues harmonies, and some minimalist elements, as well. First Movement - AllegrettoThis movement is in sonata form, where the main theme is in g minor, and the counter-theme is in B Flat Major. It follows the normal trajectory of exposition - development - recapitulation. In the recapitulation, the counter-theme is restated in its original B Flat Major, rather than the native g minor.Second Movement - AdagioThis is a very slow Minuette. The form is AA'BA (where "A'" is a development section) The exposition moves directly into a development section that isn't clearly distinguished from the exposition itself. The "B" section is sharply distinct from the main theme. Where the main theme is somewhat laconic and soft, the second theme is strident and assertive. The recapitulation, rather than being a full recapitulation is more like an elaboration and completion of a previous thought.Third Movement - VivaceThe third movement is typically a rondo. In this case, I depart from the norm. This is a fantasia in the following format: ABA'CA'DEA''[CODA]. Stylistically, this movement is an example of American Populist Modernism (in the vein of Copland or Bernstein) The main theme, which is a powerful, asymmetric march-like theme, is asserted, then gives way to a second theme, then comes back and develops, then gives way to a third theme, and so on and so forth. It almost has a Pictures at an Exhibition kind of feeling, although the demarcations between the main theme and the "pictures" are less pronounced. The final section presents the main theme as a more coherent melodic arch. It is also the darkest statement of the theme. The CODA is a brief variation on the main theme; it is significantly less strident than the original theme. The piece dies with a whimper. Copyright, Philip John Cornell, 2018, some rights reserved. You may download this content freely. If you share it, it must be prominently attributed to "PJ Cornell," and if shared online, a link to the original content must be provided in a prominent location. This audio and video content may not be used for commercial purposes or modified in any way without permission from the copyright owner. Only the latest episodes of this show are on iTunes and Soundcloud. To locate archives of this podcast, visit [http://pjcornell.com/category/asterisked-music/piano-podcast]. Follow me on Soundcloud: https://soundcloud.com/pj-cornellFollow me on iTunes: (Asterisk Piano Podcast)Follow me on Steemit: https://steemit.com/@pjcomposerJoin the conversation on my site: http://pjcornell.com

老少咸宜的古典音乐启蒙节目。庞艳，University of Minnesota音乐学院作曲博士/青年教师。逗喵，心理咨询硕士，音乐爱好者。逗喵提供的是关于古典音乐专业、有趣的知识。会用逗比、简单的方式向你阐述西方古典音乐的前世今生。xv：havefunday_9Q：逗喵音乐教室－巴赫，群号243110857微b：McNallySmith音乐学院庞艳重要单词：波恩Bonn；Johann van Beethoven，约翰凡贝多芬；crashing chord砸下去的和弦；Pathetique，英文是plaintive中文的意思是悲哀的，哀伤的；Billy Joel比利乔；配图1: 波恩地图配图2: 贝多芬爷爷配图3: 贝多芬在波恩的家配图4:贝多芬老爸配图5: 奏鸣曲式

This was a special musical performance at Faith Lutheran Church in Okemos, Michigan by Pastor Ellen Schoepf of Pathetique Sonata, Opus 13 Adagio Cantabile by Ludwig Van Beethoven.

Conductor Fabien Gabel came to Houston to conduct the Symphony in a program of pieces by Mendelssohn and Tchaikovsky. In this episode, he gives a primer on Mendelssohn, talks about what a “Fingal’s Cave” is, and gives the world’s first audible eye roll at the use of the term “Suicide Symphony” (re: Tchaikovsky’s Pathetique). Also discussed: the difference between love and obsession with regard to Mexican food. Music in this episode: Mendelssohn, The Hebrides, Op. 26 “Fingal’s Cave,” Slovak Philharmonic Orchestra Mendelssohn, Piano Concerto No. 1 in G Minor, Rudolf Serkin Tchaikovsky, Symphony No. 6 in B Minor Op. 74, TH.30 (Pathetique), Czech Philharmonic  Audio production by Todd “Todd’s Cave” Hulslander with Indiana Jones-ing by Dacia Clay and assistance from Mark DiClaudio. 

The conversation continues regarding Tchaikovsky's BIG SOUND and BIG TUNES, with a focus on the ballet Romeo and Juliet and the 1812 Overture (heard with a choir.) We close the talk with the great composer's final symphony, "Pathetique," and tragic, controversial death. Did Tchaikovsky conduct his very own suicide note? contact the show at yccb@mauriceriverpress.com

Violinist Karen Gomyo with accompanist Dina Vainshtein visited the WDAV John Clark Performance Studio for a live performance and to chat with host Rachel Stewart. Ms. Gomyo is the feature soloist in the Charlotte Symphony Orchestra's performance of Tchaikovsky's Pathetique , part of the CSO's Classics Series. 

Hur påverkar romsk folkmusik den klassiska musiken och vice versa? Hur skildrar operorna romer? Franske gitarristen Django Reinhardt spelar ett tema ur Tjajkovskijs sjätte symfoni, Pathetique.Ungerske tonsättaren Franz Liszt komponerade Ungerska Rapsodier.Violinisten och tonsättaren Sándor Déki Lakatos komponerade Hommage a Franz Liszt.Ungerske violinisten Roby Lakatos spelar Ungersk Rapsodi Nr 2 av Franz Liszt och Ave Maria, tonsatt av Ilia II, den nuvarande patriarken för kyrkan i Georgien.Tyske tonsättaren Ludwig van Beethoven komponerade ett Rondo i "zigenarstil" i G-dur, Opus 129.Tjeckiska violinisten och sångerskan Iva Bittová spelar Bela Bartoks 44 Duetter för två violiner och Obrázek milého av Leos Janáek.Ungerske pianisten Robert Lakatos improviserar en kadens i Mozarts Pianokonsert nr 21.Spanske violinisten och tonsättaren Pablo Sarasate komponerade Zigeunerweisen. Rumänske violinisten Ion Voicu spelar den vackraste versionen av Zigeunerweisen.Tjeckiske tonsättaren Antonín Dvoák komponerade Zigeunermelodien Op.55.Österrikiske tonsättaren Joseph Haydn komponerade en sats i sin Piano Trio No. 39 i "Zigenarstil".Ungerske Kálmán Balogh spelar en långsam Czárdás på cimbalom.Italienske tonsättaren Giovanni Paisiello skrev den komiska operan I zingari in fiera.Ryske tonsättaren och pianisten Sergej Rachmaninov komponerade operan Aleko. Aleko lever med romer och utvecklas i operan till en svartsjuk mördare.Franske tonsättaren George Bizets opera Carmen är en fantasi om zigenare, det vill säga romer, och den romska kulturen har ofta fått representera det mystiska, erotiska och farliga i den västerländska konsten.Italienska tonsättaren Verdis opera Trubaduren skildrar en romsk kvinna, Azucena, som stjäl ett barn och tänker bränna upp det på bål.Brittiske operakompositören Michael William Balf skrev The Bohemian Girl eller Zigenerskan. Ännu en opera där romer spelar en kriminell och moraliskt förkastlig roll.Svenske tonsättaren Gunnar de Frumerie komponerade operan Singoalla. Om Singoalla-gestalten har det skrivits att porträttet av henne förenar en naiv och oskuldsfull sensualitet med en asocial och förbjuden erotik.Låtlista: 12:03 Esperanza Fernandez, David Pena - Djelem Djelem 12:05 Roby Lakatos - Ungersk Rapsodi Nr 2 (Arr) 12:09 Sándor Déki Lakatos & His Gypsy Band - Hommage À Franz Liszt 12:11 Iva Bittová - A Fair Tale 12:14 Iva Bittová - Teasing Song 12:17 Iva Bittova, Sång. Skampa Quartet - Obrázek Milého 12:17 Quintette Du Hot Club De France, - Medlemmar, Django Reinhardt, Stephane Grappelly, Gianni Safred, Carlo Pecori, Aurelio De Carolis, Quintette Du Hot Club De France - Symfoni Nr 6 H-Moll Op 74: Sats 1, Adagio. Allegro Non Troppo (Arr) 12:20 Jevgenij Kisin - Rondo A Capriccio För Piano Op 129 G-Dur 12:24 Ion Voicu, Heinz Bongartz, Dresdner Philharmonie - Zigeunerweisen (Op 20:1) 12:28 Magdalena Kozena, Malcolm Martineau - Ciganske Melodie (Op 55): Nr 4, Kdyz Mne Stara Matka Zpivat 12:31 Ciganski Diabli - Trio För Piano, Violin & Violoncell Hv Xv:25 G-Dur: Sats 3, Rondo All'Ongarese (Arr) 12:34 Kálmán Balogh - Mezosegi Ciganytanc Es Lassu Csardas 12:37 Robert Lakatos - Piano Concerto No. 20 In D Minor 12:42 Robert Lakatos - Piano Concerto No. 20 In D Minor 12:45 Cecilia Bartoli, György Fischer - I Zingari In Fiera: Chi Vuol La Zingarella 12:48 Joan Sutherland, Richard Bonynge, London Symphony Orchestra - The Bohemian Girl: Akt 2, "I Dreamt I Dwelt In Marble Halls" 12:51 Vladimir Grisjko, Volodymyr Sirenko, Ukrainska Radions Symfoniorkester (Kiev) - Aleko: Nr 12, "Vzgljani Pod Udaljonnym Svodom" 12:53 Yuri Ahronovitch, Stockholms Filharmoniska Orkester, Lasse Bergström, Anne Sofie Von Otter, Catharina Olsson, Inger Blom, Björn Haugan, Anders (1) Andersson, Per-Arne Wahlgren, Erik Saedén, Stig Tyskl - Singoalla 12:56 Roby Lakatos Gabriel Laufer Dominique Corbiau Bryssels Chamber Orchestra - Ave Maria

Klassisk musik och romer. Hur påverkar romsk folkmusik den klassiska musiken och vice versa? Hur skildrar operorna romer? Fjärde programmet av fem av Birgitta Tollan. Franske gitarristen Django Reinhardt spelar ett tema ur Tjajkovskijs sjätte symfoni, Pathetique. Ungerske tonsättaren Franz Liszt komponerade Ungerska Rapsodier. Violinisten och tonsättaren Sándor Déki Lakatos komponerade Hommage a Franz Liszt. Ungerske violinisten Roby Lakatos spelar Ungersk Rapsodi Nr 2 av Franz Liszt och Ave Maria, tonsatt av Ilia II, den nuvarande patriarken för kyrkan i Georgien. Tyske tonsättaren Ludwig van Beethoven komponerade ett Rondo i "zigenarstil" i G-dur, Opus 129. Tjeckiska violinisten och sångerskan Iva Bittová spelar Bela Bartoks 44 Duetter för två violiner och Obrázek milého av Leos Janáek. Ungerske pianisten Robert Lakatos improviserar en kadens i Mozarts Pianokonsert nr 21. Spanske violinisten och tonsättaren Pablo Sarasate komponerade Zigeunerweisen. Rumänske violinisten Ion Voicu spelar den vackraste versionen av Zigeunerweisen. Tjeckiske tonsättaren Antonín Dvoák komponerade Zigeunermelodien Op.55. Österrikiske tonsättaren Joseph Haydn komponerade en sats i sin Piano Trio No. 39 i "Zigenarstil". Ungerske Kálmán Balogh spelar en långsam Czárdás på cimbalom. Italienske tonsättaren Giovanni Paisiello skrev den komiska operan I zingari in fiera. Ryske tonsättaren och pianisten Sergej Rachmaninov komponerade operan Aleko. Aleko lever med romer och utvecklas i operan till en svartsjuk mördare. Franske tonsättaren George Bizets opera Carmen är en fantasi om zigenare, det vill säga romer, och den romska kulturen har ofta fått representera det mystiska, erotiska och farliga i den västerländska konsten. Italienska tonsättaren Verdis opera Trubaduren skildrar en romsk kvinna, Azucena, som stjäl ett barn och tänker bränna upp det på bål. Brittiske operakompositören Michael William Balf skrev The Bohemian Girl eller Zigenerskan. Ännu en opera där romer spelar en kriminell och moraliskt förkastlig roll. Svenske tonsättaren Gunnar de Frumerie komponerade operan Singoalla. Om Singoalla-gestalten har det skrivits att ”porträttet av henne förenar en naiv och oskuldsfull sensualitet med en asocial och förbjuden erotik”.

Klassisk på nettet tager os denne gang med på en lidenskabelig rejse, for hvis der er noget musikken kan, så er det at tale til vores følelser med helt store armbevægelser. Vi drages ind i en verden fyldt med store drømme, fyrig passion og hjerteskærende intensitet. Vi skal bl.a. høre Tjajkovski’s Pathetique symfoni, Beethovens  Pathetique sonate, Fyrst Gremins arie fra Eugen Onegin. Kirsten Rønn tager os som altid kyndigt i...

The HAL 9000 that we use to produce these little gems has met an untimely demise. Fear not! We’ve got a brand new HAL 9001 on order. Until next week, please enjoy this old gold from the Classroom vault. ——————————— Was Tchaikovsky’s Symphony VI (aka “Pathetique”, aka “Suicide Symphony”) a suicide note or did he die of cholera, per the Official Word? You decide after this intweeging lesson with clarinetist and Shepherd School of Music Professor of Music, Michael Webster! Audio production by Todd “Toddsy Woddsy” Hulslander with roof raising by Dacia Clay.

You’re at a classical music concert. The music stops and the crowd goes wild! Wait. No. Only YOU are going wild. And everyone is staring at you. You sink down low in your seat and hide… Don’t let this happen to you! Listen to this enlightening episode of Classical Classroom with MusicLab intern Zoe Miller to find out when it is and isn’t a good idea to clap, and why. Learn about the movements of a symphony and how to tell where you are in a performance. Yaaaay! Audio production by Todd “Tiberius” Hulslander with overzealous applause by Dacia Clay. Music in this episode: – Symphony No. 6, Op. 74 (Pathetique), mvmts 3 & 4, by Peter Tchaikovsky – Symphony No. 3 in F major, Op. 90 by Johannes Brahms – Music from Richard Wagner’s “Parsifal” – Violin Concerto No. 3 in E major by Niccolò Paganini – Bugs Bunny as Leopold Stokowski

Opera Pathetique (the Singing Whale)

Opera Pathetique (the Singing Whale)

Was Tchaikovsky’s Symphony VI (aka “Pathetique”, aka “Suicide Symphony”) a suicide note or did he die of cholera, per the Official Word? You decide after this intweeging lesson with clarinetist and Shepherd School of Music Professor of Music, Michael Webster! Audio production by Todd “Toddsy Woddsy” Hulslander with roof raising by Dacia Clay. All music used in this episode was played by the Houston Youth Symphony, of which Prof. Webster is the Artistic Director and Conductor. Like what you hear? Go hear HYS play this piece (Symphony No. 6 in B minor, Op. 74, Pathétique) live in their Side-by-Side Concert with the Houston Symphony. For more information, go to www.houstonyouthsymphony.com!

Works for solo piano and string quartet performed by pianist Paavali Jumppanen and the Belcea Quartet.Beethoven: Piano Sonata in C minor, Op. 13, “Pathétique”Bartók: String Quartet No. 1 in A minor, Op. 7Surely the feeling of the catharsis is one of the great gifts of art. The arc from darkness towards light provides an opportunity for the listener to savor a satisfying taste of peace, and perhaps a chance for the creator to work through his or her own demons as well. Bartok’s first String Quartet was likely the product of the composer’s own grieving process, after discovering that his love for the violinist Stefi Geyer was unrequited. Bartok is often quoted as describing the first movement as a “funeral dirge,” and though the entire work has a sort of abiding angst, the propulsive final movement certainly expresses a strong will to go on. First, though, we’ll hear one of the best-known solo piano pieces of the repertoire, Beethoven’s “Pathetique” sonata. A sense of melancholy pervades the piece—which accounts for the title—but the glimmering moments of resolution, particularly in the second and third movements, are so deliciously wonderful that they make it a sort of melancholy worth savoring.

Demarest Middle School student James Chen

This recording is the 2nd movement of Beethoven's popular Sonata Pathetique Op. 13 No. 8. The second movement is Adagio cantabile. "Cantabile" indicates that this movement should be played like a song, or something that has a distinct melody that one could sing along with. This piece was composed in 1798 and published the following year. You can read further commentary on this piece, including a dedicatory note by visiting this page of my piano blog. This selection was recorded at my home on my studio upright piano.