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Kieran was joined on The Hard Shoulder by Irish chef Paul Flynn, author of ‘Butter Boy', a brand new cookbook and owner of The Tannery in Waterford...
Hi, long time! Phew, October is always the wildest cookbook month—it's even officially dubbed National Cookbook Month—and we've been a bit quiet around here. With two little ones running around the house, germs have been rampant, and my voice just hasn't been cooperating. So we're catching back after falling a bit behind on our fall release schedule and thrilled to share today's chat with Hetty Lui McKinnon with all of you.And now, somehow, it's Oct. 31 - Halloween! I'm a sucker for anything fall. We're in a judgment-free zone, of course, so I'll readily admit that I'm happily ordering pumpkin-spiced lattes. I made chili as soon as the temps dipped a bit after our recent heat wave. I broke out my extra warm sweaters, put them away (see: heat wave), and broke them out again.Tonight, I'm making a big batch of Eric Kim's Creamy Baked Macaroni and Cheese, which keeps it simple with cheddar and Velveeta. It feels equal parts crowd-pleasing (we're talking actual toddlers here) and nostalgic. (Usually, for holidays, Martha Stewart's baked mac is my trusted go-to.)Ah, and costumes. How fitting that we're talking with Australia-born Hetty today as my family prepares to transform into the animated, hilarious Australian sheepdog family of Bluey, Bingo, Chili, and yours truly, Bandit. Wish us luck on the trick-or-treat streets!
En este programa hablaremos de la gran eclosión que ha experimentado el boxeo femenino desde los años noventa hasta la actualidad. Rendiremos homenaje a la gran pionera y luchadora Lady Tyger. Posteriormente, la conocida "Hija del Minero", Christy Martyn, se va a convertir en una figura fundamental en este proceso. Su fichaje por Don King y su inclusión en las veladas televisadas supuso la elevación del boxeo femenino al mayor de los escenarios. Por su estilo agresivo y espectacularidad, Martin fue la primera boxeadora que alcanzó el estatus de superestrella. Pero, paralelamente, su vida es una auténtica novela dramática en la que tuvo que superar abusos, relaciones tóxicas y hasta un gravísimo intento de asesinato, antes de volver a remontar el vuelo. También hablaremos de otras grandes boxeadoras que derribaron barreras como Jane Couch, Regina Halmich o Lucia Rikjer. La inclusión del boxeo femenino en el programa olímpico supuso el punto de inflexión final. Los históricos juegos de Londres 2012 vieron cómo se coronaban tres auténticas megaestrellas: Nicola Adams, Katie Taylor y Claressa Shields. Y por supuesto tendremos un recuerdo muy especial para las pioneras españolas. Corte 1: “96 Tears”, Big Maybelle Corte 2: “Cherry Bomb”, The Runaways Corte 3: “Butter Boy”, Fanny Corte 4: “Du hast den Farbfilm vergessen”, Automobile (Nina Hagen) Corte 5: “Dejame vivir con alegria”, Vainica Doble
We have another guest for you to meet today! He joins us for Bernard's hearing, and the arc that will follow. Today, we focus on the aforementioned hearing, as Bernard's future as an agent, and perhaps his life, hang in the balance.
Shane Lee & Tim Gilbert discuss the England vs Australia T20 series, the flaws of the AFL draft, drama at Manly Sea Eagles + much more! Hosted on Acast. See acast.com/privacy for more information.
Dan and Ryan are joined by Lauren Lapkus (@laurenlapkus) and Seth Morris (@sethismorris) to chat about cults of personality, saving phone numbers, talking shit on stage and making friends. --- Send in a voice message: https://anchor.fm/mandogpod/message
We start with a tragedy, then a cautionary tale of the world not ready for a band. We then find more positive inspiration from an artist who delivers a huge seller. We end with a legend. Janis Joplin dies just before releasing her magnum opus, “Pearl.” A band called Fanny is ready to rock, but a culture poisoned by the patriarchy isn't yet ready to accept them. Carole King makes Tapestry, a sincere, modest, and deeply personal album that hits huge and becomes a milestone for women. We complete the story with a profile of one of the giants of 20th Century Music, Joni Mitchell. We discuss her artistic and commercial peak in the early 70s with “Blue,” “For the Roses,” and “Court and Spark.” We admire all of these women for kicking down the door, and we celebrate the progress we've made since them, but there is still a long way to go. Now for some general remarks about the research and writing.To the best of our ability, we tried to center women in this chapter. We'll leave it to the listener to decide how we did with that.There's a diversity of opinion about this, but we think it's fair to say the second wave of feminism hits the crest during the period we are covering, and it is not at all a coincidence that women really start to make big and important contributions to Rock Music right around this time too. Roe vs Wade was decided right around here, about fifty years ago. We are painfully aware of the US Supreme Court's recent decision to overturn Roe, stripping many millions of American women of their fundamental human rights to bodily autonomy and medical privacy.As we move forward with our chapters, we will document that half century of regressive backlash and how it got us here; it's part of the story. Like we often say, Rock N Roll reflects back on, interacts with, and affects the larger society. And vice versa. In the late Sixties and early Seventies, it seemed like the progress would be permanent, and that more progress was on the way. Some of us were naive enough to believe that. We would do well now to remember the words of the anti slavery activist Frederick Douglass, way back in 1857: This struggle may be a moral one, or it may be a physical one, and it may be both moral and physical, but it must be a struggle. Power concedes nothing without a demand. It never did and it never will. SongsJanis Joplin: “Move Over,” from Pearl, 1971Janis Joplin: “Mercedes Benz,” from Pearl, 1971Janis Joplin: “A Woman Left Lonely,” from Pearl, 1971Janis Joplin: “Buried Alive in the Blues,” from Pearl, 1971Janis Joplin: “Pearl,” from Pearl, 1971Janis Joplin: “Get it While You Can,” from Pearl, 1971Janis Joplin: “Me & Bobby McGee,” from Pearl, 1971Fanny: “Blind Alley,” from Fanny Hill, 1972Fanny: “Hey Bulldog,” from Fanny Hill, 1972Fanny: “Ain't That Peculiar,” from Fanny Hill, 1972Fanny: “Cat Fever,” from Charity Ball, 1971Fanny, “Butter Boy,” from Rock and Roll Survivors, 1974Collage of Carole King Songs:One Fine Day - ChiffonsWill You Love Me Tomorrow - The ShirellesThe Locomotion - Little EvaI'm Into Something Good - Herman's HermitsPleasant Valley Sunday - The MonkeesUp on the Roof - DriftersDon't Bring Me Down - The AnimalsTake Care Good Care of My Baby - Bobby VeeChains - BeatlesJust Once in My Life - Righteous Brothers.Go Away Little Girl - Steve LawrenceOh No Not My Baby - Dusty SpringfieldOne Fine Day - Carole KingCarole King: “You've Got a Friend,” from Tapestry, 1971Carole King: “I Feel the Earth Move, from Tapestry, 1971Carole King: “It's Too Late,” from Tapestry, 1971Carole King: “Beautiful,” from Tapestry, 1971Carole King: “So Far Away,” from Tapestry, 1971Carole King, “Tapestry,” from Tapestry, 1971Joni Mitchell, “California,” from Blue, 1971Joni Mitchell, “The Circle Game,” from Clouds, 1970Joni Mitchell, “All I Want,” from Blue, 1971Joni Mitchell, “You Turn Me on I'm a Radio, from For The Roses, 1972Joni Mitchell, “Free Man in Paris,” from Court and Spark, 1973Joni Mitchell, “Raised on Robbery,” from Miles of Aisles, 1974Joni Mitchell (with The Band), “Coyote,” from The Last Waltz, 1978Herbie Hancock (with Wayne Shorter, and Corrinne Bailey Rae), “River” from River: The Joni Letters, 2007Joni Mitchell: “Help Me,” from Court and Spark, 1973Voice TalentRichard Evans as L.A. County CoronerStephanie Pena as Alice EcholsStephanie Meyers as the voice of Creem MagazineAmanda Morck as Meredith OchsChristy Alexander Hallberg as the voice of the IMA mission statementCarole King as HerselfErin Alden as Tanya PearsonLynley Ehrlich as Carol HanischThessaly Lerner as Judy KutulasHolly Cantos as the voice of the New York TimesOnline ResourcesRock's Back PagesCoroner's Report, archived at janisjoplin.net ABC Nightly News Report, from October 4th, 1970Deeper Digs in Rock: 'Rock N Roll Woman: The Fifty Fiercest Female Rockers' with Meredith OchsThe Institute for the Musical Arts1416 N. La Brea Ave, Hollywood50 years ago, the Sylmar earthquake shook L.A., and nothing's been the same sinceWomen of Rock Oral History Project"That's the Way I've Always Heard It Should Be": Baby Boomers, 1970s Singer-Songwriters, and Romantic RelationshipsCarol Hanisch The Personal is PoliticalNew York Times “Albums as Mileposts in a Musical Century”Deeper Digs in Rock: Reckless Daughter - A Portrait of Joni MitchellJonimitchell.comJoni Mitchell, Woman of Heart and MindBooksJoan Didion, “Slouching Towards Bethlehem”Alice Echols: “Scars of Sweet Paradise”Carole King: “Natural Woman”Meredith Ochs: “Rock And Roll Woman: The Fifty Fiercest Women Rockers”Sheila Weller: “Girls Like Us”Jerry Wexler: “Rhythm and the Blues”David Yaffe: “Reckless Daughter”Documentaries and FilmsFanny: The Right to Rock
We start with a tragedy, then a cautionary tale of the world not ready for a band. We then find more positive inspiration from an artist who delivers a huge seller. We end with a legend. Janis Joplin dies just before releasing her magnum opus, “Pearl.” A band called Fanny is ready to rock, but a culture poisoned by the patriarchy isn't yet ready to accept them. Carole King makes Tapestry, a sincere, modest, and deeply personal album that hits huge and becomes a milestone for women. We complete the story with a profile of one of the giants of 20th Century Music, Joni Mitchell. We discuss her artistic and commercial peak in the early 70s with “Blue,” “For the Roses,” and “Court and Spark.” We admire all of these women for kicking down the door, and we celebrate the progress we've made since them, but there is still a long way to go. Now for some general remarks about the research and writing.To the best of our ability, we tried to center women in this chapter. We'll leave it to the listener to decide how we did with that.There's a diversity of opinion about this, but we think it's fair to say the second wave of feminism hits the crest during the period we are covering, and it is not at all a coincidence that women really start to make big and important contributions to Rock Music right around this time too. Roe vs Wade was decided right around here, about fifty years ago. We are painfully aware of the US Supreme Court's recent decision to overturn Roe, stripping many millions of American women of their fundamental human rights to bodily autonomy and medical privacy.As we move forward with our chapters, we will document that half century of regressive backlash and how it got us here; it's part of the story. Like we often say, Rock N Roll reflects back on, interacts with, and affects the larger society. And vice versa. In the late Sixties and early Seventies, it seemed like the progress would be permanent, and that more progress was on the way. Some of us were naive enough to believe that. We would do well now to remember the words of the anti slavery activist Frederick Douglass, way back in 1857: This struggle may be a moral one, or it may be a physical one, and it may be both moral and physical, but it must be a struggle. Power concedes nothing without a demand. It never did and it never will. SongsJanis Joplin: “Move Over,” from Pearl, 1971Janis Joplin: “Mercedes Benz,” from Pearl, 1971Janis Joplin: “A Woman Left Lonely,” from Pearl, 1971Janis Joplin: “Buried Alive in the Blues,” from Pearl, 1971Janis Joplin: “Pearl,” from Pearl, 1971Janis Joplin: “Get it While You Can,” from Pearl, 1971Janis Joplin: “Me & Bobby McGee,” from Pearl, 1971Fanny: “Blind Alley,” from Fanny Hill, 1972Fanny: “Hey Bulldog,” from Fanny Hill, 1972Fanny: “Ain't That Peculiar,” from Fanny Hill, 1972Fanny: “Cat Fever,” from Charity Ball, 1971Fanny, “Butter Boy,” from Rock and Roll Survivors, 1974Collage of Carole King Songs: One Fine Day - ChiffonsWill You Love Me Tomorrow - The ShirellesThe Locomotion - Little EvaI'm Into Something Good - Herman's HermitsPleasant Valley Sunday - The MonkeesUp on the Roof - DriftersDon't Bring Me Down - The AnimalsTake Care Good Care of My Baby - Bobby VeeChains - BeatlesJust Once in My Life - Righteous Brothers. Go Away Little Girl - Steve LawrenceOh No Not My Baby - Dusty SpringfieldOne Fine Day - Carole KingCarole King: “You've Got a Friend,” from Tapestry, 1971Carole King: “I Feel the Earth Move, from Tapestry, 1971Carole King: “It's Too Late,” from Tapestry, 1971Carole King: “Beautiful,” from Tapestry, 1971Carole King: “So Far Away,” from Tapestry, 1971Carole King, “Tapestry,” from Tapestry, 1971Joni Mitchell, “California,” from Blue, 1971Joni Mitchell, “The Circle Game,” from Clouds, 1970Joni Mitchell, “All I Want,” from Blue, 1971Joni Mitchell, “You Turn Me on I'm a Radio, from For The Roses, 1972Joni Mitchell, “Free Man in Paris,” from Court and Spark, 1973Joni Mitchell, “Raised on Robbery,” from Miles of Aisles, 1974Joni Mitchell (with The Band), “Coyote,” from The Last Waltz, 1978Herbie Hancock (with Wayne Shorter, and Corrinne Bailey Rae), “River” from River: The Joni Letters, 2007Joni Mitchell: “Help Me,” from Court and Spark, 1973Voice TalentRichard Evans as L.A. County CoronerStephanie Pena as Alice EcholsStephanie Meyers as the voice of Creem MagazineAmanda Morck as Meredith OchsChristy Alexander Hallberg as the voice of the IMA mission statementCarole King as HerselfErin Alden as Tanya PearsonLynley Ehrlich as Carol HanischThessaly Lerner as Judy KutulasHolly Cantos as the voice of the New York TimesOnline ResourcesRock's Back PagesCoroner's Report, archived at janisjoplin.net ABC Nightly News Report, from October 4th, 1970Deeper Digs in Rock: 'Rock N Roll Woman: The Fifty Fiercest Female Rockers' with Meredith OchsThe Institute for the Musical Arts1416 N. La Brea Ave, Hollywood50 years ago, the Sylmar earthquake shook L.A., and nothing's been the same sinceWomen of Rock Oral History Project"That's the Way I've Always Heard It Should Be": Baby Boomers, 1970s Singer-Songwriters, and Romantic RelationshipsCarol Hanisch The Personal is PoliticalNew York Times “Albums as Mileposts in a Musical Century”Deeper Digs in Rock: Reckless Daughter - A Portrait of Joni MitchellJonimitchell.comJoni Mitchell, Woman of Heart and MindBooksJoan Didion, “Slouching Towards Bethlehem”Alice Echols: “Scars of Sweet Paradise” Carole King: “Natural Woman”Meredith Ochs: “Rock And Roll Woman: The Fifty Fiercest Women Rockers”Sheila Weller: “Girls Like Us”Jerry Wexler: “Rhythm and the Blues” David Yaffe: “Reckless Daughter”Documentaries and FilmsFanny: The Right to Rock
In this episode Gino, Pete, and Em discuss The Artful Escape. We cover the game's decision to keep gameplay light and consequence free. We also examine how that choice allows the game to focus on expressiveness, visuals, and audio quality. We wrap up by discussing how the game can be read as a trans journey and how each of our characters grew into themselves. You can read the article we discussed in the show here: https://www.thegamer.com/the-artful-escape-trans-queer/ If you've been enjoying the podcast, please consider supporting us at https://www.patreon.com/DeepListens
The Scorpion speaks. Whether his rebuttal can contend with DONDA is up to our listeners. Both artists may have come up short, or perhaps they have surpassed themselves. The crew were definitely divided. This episode didn't take about two hours for nothing. Tune in and find out what all the fuss was about. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Welcome back to the first episode following the Butter Boy's return to campus. We will try to upload as regularly as we can! Today, we discuss everything from the worst pull-out disaster since our own conception to Kanye's new album.
Butter Boy. Hidden Polygamy. Idiot Poetry.
Evan is at home on the toilet. Relieving
This is an audio version of Far Lands or Bust #805: https://youtu.be/kKRa3ZynAFM FLoB Season 8 Charity Fundraiser: https://tiltify.com/@kurtjmac/flob8 This podcast edition is presented thanks to support from fans at Patreon: https://patreon.com/kurtjmac Visit https://farlandsorbust.com to learn more about the series! Introduction provided by Phedran: https://www.twitch.tv/phedran Music: "Go Cart" by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0http://creativecommons.org/licenses/by/3.0/
Who's the better hook up- Horny Grandma or Butter Boy? Find out and hear the creepiness in this week's Craigslist Missed Connections!
Taxi!! This week we're giving you a ride through the world of cabbie vernacular. We're testing our Knowledge, taking you through the Oranges & Lemons right up to the Gasworks. But you better not be a Butter Boy taking advantage of this leather-arse who's on a Churchill… A Somethin' Else production Susie's Trio: Beeking - to bask in the sun or the warmth of the fire Nurdle - the perfect swoosh of toothpaste on a toothpaste advert Dasypygal - having hairy buttocks If you'd like to get in touch with a question for Susie and Gyles for a future episode, email purple@somethinelse.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Taxi!! This week we’re giving you a ride through the world of cabbie vernacular. We’re testing our Knowledge, taking you through the Oranges & Lemons right up to the Gasworks. But you better not be a Butter Boy taking advantage of this leather-arse who’s on a Churchill… A Somethin’ Else productionSusie’s Trio:Beeking - to bask in the sun or the warmth of the fireNurdle - the perfect swoosh of toothpaste on a toothpaste advertDasypygal - having hairy buttocksIf you’d like to get in touch with a question for Susie and Gyles for a future episode, email purple@somethinelse.com. See acast.com/privacy for privacy and opt-out information.
Fanny special with in conversation with David Eastaugh. Fanny was an American rock band, active in the early 1970s. They were one of the first all-female rock groups to achieve critical and commercial success, including two Billboard Hot 100 top 40 singles. The group was founded by guitarist June Millington and her sister, bassist Jean, (who had been playing music together since they moved from the Philippines to California in the early 1960s). After playing through several variations of the band, they attracted the interest of producer Richard Perry who signed them to Reprise Records in 1969 as Fanny. The band recorded four albums together before June Millington quit the group, leading to the original line-up splitting. Following a final album, Fanny disbanded in 1975. The Millington sisters have continued to play music together since the split, and with a former drummer, Brie Howard Darling, formed the spin-off group Fanny Walked the Earth in 2018. The group has continued to attract critical acclaim for rejecting typical girl group styles and expectations of women in the rock industry generally, and emphasizing their musical skills. Later groups, such as The Bangles and The Runaways, cited Fanny as a key influence. Sisters June and Jean Millington moved with their family from the Philippines to Sacramento, California, in 1961. They began to play music together on ukuleles as they found it helped them gain friends. In high school they formed an all-female band called the Svelts with June on guitar, Jean on bass, Addie Lee on guitar, and Brie Brandt on drums. Brandt left to get married and was later replaced by Alice de Buhr. When the Svelts disbanded, de Buhr and Lee formed another all-female group called Wild Honey. The Millington sisters later joined this band, which played Motown covers and eventually moved to Los Angeles. Frustrated by a lack of success or respect in the male-dominated rock scene, Wild Honey decided to disband after one final open-mic appearance at the Troubadour Club in Los Angeles in 1969. They were spotted at this gig by the secretary of producer Richard Perry, who had been searching for an all-female rock band to mentor. Perry convinced Warner Bros. Records to sign the band, still known as Wild Honey, to Reprise Records. The group won the contract without the label hearing them play, on the grounds of being a novelty act, despite their genuine musical talent. Prior to recording their first album, the band recruited keyboardist Nickey Barclay. The band was then renamed Fanny, not with a sexual connotation but to denote a female spirit. The initial lineup consisted of June Millington on guitar, Jean Millington on bass, de Buhr on drums, Barclay on keyboards, and Brandt on lead vocals and percussion. Perry dismissed Brandt because he wanted the group to be a self-contained four piece band like The Beatles. The Millingtons and Barclay all assumed lead vocal duties on alternating songs, while de Buhr sang lead occasionally on later albums. Perry produced the band's first three albums, beginning with Fanny in 1970. Because of the connection to Perry and Reprise Records, Barclay was invited to tour with Joe Cocker as a backing singer, and consequently appeared on the album Mad Dogs and Englishmen. The group's cover of Cream's "Badge" from the first album had significant radio airplay. The follow-up album, Charity Ball was released the following year, and its title track reached #40 on the Billboard Hot 100. The members of Fanny also worked as session musicians, and played on Barbra Streisand's 1971 album Barbra Joan Streisand, after Streisand had wanted to record with a small band. The group continued to pick up well-known fans; David Bowie sent the group a letter admiring their work and invited the band to a post-show party where he showed them mime techniques. With young engineer Leslie Ann Jones as their road manager and live sound mixer, Fanny toured worldwide, opening for Slade, Jethro Tull and Humble Pie, gaining widespread popularity in the United Kingdom. A 1971 article in Sounds remarked that the group "seems that they are the support group to everyone these days". The group made several live television appearances during tours, including The Sonny and Cher Show, American Bandstand, The Old Grey Whistle Test and Beat-Club. The group's third album, Fanny Hill (1972) featured the Beatles' engineer Geoff Emerick in addition to Perry's production. It included a cover of "Hey Bulldog" and Marvin Gaye's "Ain't That Peculiar". The latter featured regular Rolling Stones saxophonist Bobby Keys, and was released as a single, reaching #85 on the Billboard Hot 100.[16][17] Fellow Stones sideman Jim Price also played brass on the album.Rolling Stone wrote a rave review of the album, praising the group's musical skills and particularly June Millington's ability to play both lead and rhythm guitar. Their fourth album, Mother's Pride (1973), was produced by Todd Rundgren. By the time Mother's Pride was released, June Millington was feeling constrained by the group format. The record label wanted her to wear certain designer clothes and adopt a hard rock image, which she resisted. She decided to quit the group, later saying "I needed to figure out who I was" and regularly clashed with Barclay, who had a different personality to her. June moved to Woodstock to study Buddhism, but insisted the group continue without her. de Buhr also left the band, with Brandt returning on drums. Patti Quatro (sister of Suzi Quatro) replaced June on guitar. This lineup signed with Casablanca Records and released the final Fanny album, Rock and Roll Survivors, in 1974. The first single, "I've Had It" reached #79 on the Billboard Hot 100. Brandt left the band shortly after the album's completion when she married composer James Newton Howard, and was briefly replaced by Cam Davis. Barclay quit the group at the end of 1974, thinking it was not working without June Millington. The second single, "Butter Boy" was written by Jean Millington about Bowie, and became their biggest hit, reaching #29 on the Billboard Hot 100 in April 1975. By the time that was released, the group had split.
Is it gassy in here, or is it just our podcast? Talk Dairy to Me is getting gassy — and buttery? If you think that’s a weird combination, you’ll want to listen to the August episode of Talk Dairy to Me, available now. This month you’ll meet our new host and spend some time with a couple of the startup founders who joined us in the 2019 DFA Accelerator class. We’ll talk enteric emissions (yep, we mean cow burps) with Dr. Elizabeth Latham, and then hear from the Butter Boy himself, Josh Green. If you haven’t subscribed yet, get your life together and search Talk Dairy to Me wherever you listen to podcasts.
**NOTE: Things get a little more spoilerish than usual in the questions segment of this episode. "be warned"** We did it! A whole season in the qiankun bag! We're talking about the season 1 finale, "Beautiful Tranquility," where we hit up the Jim Henson Zombie Workshop and stop by JiaojiaoCon before we embark on Roy 'n' Rey's Transmigration Adventure. Stay tuned after the recap for some announcements! They're not necessarily super fun, but neither is watching everybody be sad and angry at each other this whole episode, so it's themes. To us. Fallon's Ko-Fi/Energy Sword Depository Intro: Carly Rae Jepsen - I Really Like You, arr. & perf. by Olivia Lin Outro: Radiohead - Karma Police; arr. & perf. by Noel Arevalo Noisespace | Tumblr | Discord | Twitter | Fallon | Roy
Chad’s favorite metrosexual joins him to discuss body butter, oils, lotions, and stories from the road. Learn more about your ad choices. Visit megaphone.fm/adchoices
With Riel in the process of healing, the Nightbirds are ready to head back home. But Selvetarm still needs his power back. We welcome back Kat from the excellent Dames and Dragons podcast reprising her role as Bastet/Lolth! In this bizarre episode, Coen remembers 90's movie remakes, Skumk gets a promotion, and Jelly writes a book.
Today we dive into danger with that classic conversation starter, Corn on the Cob. We are still in the milk stage as we fight against the Niblet Nabber with butter pats and Silver Spoons. But wait! The dreaded Butter Boy makes an appearance and all we have are cobshanks! Links: Childish Gambino - This Is America Spilled Milk: Episode 21: Corn off the Cob Butter Boy® Corn Butterer Foolproof Boiled Corn | Cook's Illustrated Grilled Mexican Street Corn (Elotes) Recipe | Serious Eats
Local Show Preview Show #6!!!! For the month of June!!!!Make sure you post a comment on the Word On the Street Facebook page https://www.facebook.com/wordonthestreetpodcast comments are my oxygen!!! Thanks!Patreon: https://www.patreon.com/thezimFriday - Sunday, June 1 - 3 at 7 PM 2018 Substation (14:09)https://www.facebook.com/pg/downstreammusicfestDay 1 https://www.facebook.com/events/1704697362929271/Mind Beamshttps://mindbeams.bandcamp.comDay 2 https://www.facebook.com/events/158701578133846/Whispah The Rulerhttps://www.facebook.com/Whispertheruler/Day 3 https://www.facebook.com/events/408275939620584/Visceral Candyhttps://visceralcandy.bandcamp.comWednesday, June 13 at 7 PM 2018 KEXP (32:00)https://www.facebook.com/events/585765181802024/Among Authorshttps://amongauthors.bandcamp.com/Sassyblackhttps://sassyblack.bandcamp.comKatie Kuffelhttps://katiekuffel.bandcamp.comFriday, June 15 at 7 PM 2018 The Crocodile (45:41)https://www.facebook.com/events/383639622154393/Gabriel Wolfchild & The Northern Lighthttps://www.facebook.com/pg/gabrielwolfchildDevin Sinhahttp://music.devinsinha.com/Katie Kuffelhttps://katiekuffel.bandcamp.comFriday, June 29 at 7 PM 2018 Redmond Old Fire House Teen Center (1:05:12)https://www.facebook.com/events/364883380670945/LocoMotivehttps://locomotive.bandcamp.com/Splitting Silencehttps://splittingsilence.bandcamp.com/Butter Boyhttps://www.facebook.com/ButterBoyOriginal/
In What's Up, we find out Jack is a Butter Boy and Hao is a Butter Man. We pose hypotheticals to each other in a brand new segment we call Would You Rather? We pick a terrible thing and it's the botched deinstitutionalization of psychiatric patients in the United States. Downers is a production of Only Children, Inc. Subscribe; rate us on iTunes; stay ant-free out there. Follow us @downersradio on Twitter or email us at downersradio@gmail.com. #cluffx
downloadon iTunesThank you for time- and space-travelling back to New Orleans of April 2015 to listen to this podcast live & in person, where Billy Ray Stupendous & I caught up w/ Phil B and Lauren M of el jay fame, & Paul G of two-sport fame (football/trombone), to marvel @ th chart success of Laurie Anderson, th cross-cultural transcendence of Anne Murray, and th unlikely history of Branson, MOWe tried something new and inserted songs right in th middle of th 'cast -- enjoy, use yr whole heart, control yr gun, spread wings, get loved, be good to yr ears Table of contents:00:00:00 "Spasticus Autisticus" performed by Ian Dury00:05:05 Texas, Missouri, & Toronto | favourite Canadian band | bad bands from America | John Tesh 00:13:24 New show format | earliest musical memories00:22:04 "Fly Robin Fly" performed by Silver Convention00:25:51 Hairless down there area | when disco was a thing 00:27:16 What is music, anyhow ? | chopping time up | Time, mortality, & harmony | tribes again00:31:16 Th insignificance of lyrics | What about hip-hop ? | rapgenius00:41:07 Scientific fact: singing along feels good00:44:00 The Dusty Triangle 00:45:52 "You're Dead" performed by Norma Tanega00:48:12 "Walking My Cat Named Dog" | how to discover music | what we know bout Kate Bush00:55:24 "Running Up That Hill" performed by Kate Bush01:00:16 MTV | Maxwell | Velvet Underground type of deal | "Why Should I Love U?" | "... all the friends I was girls with ..." | Sandman & The Dreaming01:07:58 Gloomy Spectrum Disorder, Goonies Spectrum Disorder | baby on th podcast 01:12:44 Ginger Baker and ⚡ time ⚡ | "Th sun is God" -- JMW Turner 01:15:42 Censorship for babbies | Nevermind | rock stars who namedrop bands01:21:24 File-collecting vs social life | Austin Psych Fest01:26:00 Music is Children's Music | gift from an adult | parental record collections 01:32:49 Country | Staunton VA | Branson MO | Bald Knobbers01:39:49 "Old Aunt Dinah" performed by Butter Boy01:41:11 Metal Machine Music | "O Superman" 01:44:33 Th race card01:46:33 Culture as taking | Kurt Cobain's problems | growing up in bumfuck | 120 Minutes01:52:49 Trombone & American football01:58:52 Nerds & th experience of music02:03:07 Why do you think so many people are total assholes ...? | Grouper & Bob Dylan | free Belle & Sebastian image consultation02:13:55 Hip-hop, St Louis, Ferguson, and involuntary political awareness 02:25:11 Bonus Track: "Ok Denn" performed by Pill