Podcasts about Richard Perry

Send us a textLand sovereignty. What does it mean to a First Nation? How can it be achieved?Chief Gerry Duquette Jr. leads his community of Dokis First Nation in Ontario. He has hands-on experience with Canada's flawed Additions-to-Reserve policy. There's a huge backlog of communities that have to get federal approval before adding lands to their reserves – even tiny parcels that could be added in hours, or even days – not decades as is often the case.Chief Duquette sat down with host Richard Perry to share his concerns about the current ATR process and how it can be improved to the benefit of Nations.LINKS:Dokis First NationFirst Nation Lands Management Resource CentreAdditions-to-Reserve Policy Redesign (Canada)

Send us a textPhil Goulais has strong opinions about the need to radically redesign Canada's flawed Additions-to-Reserve policy.He knows the process well. Goulais is a respected former chief of Nipping First Nation, Grand Chief of the Robinson-Huron Territory and former Indian Commissioner of Ontario.He has seen first-hand how Nations are hindered, even blocked from adding critical new land to their reserves –  land needed for economic growth, new housing, cultural protection and many other kinds of development.He spoke with host Richard Perry about his connection to the land and how the federal ATR policy is failing First Nations communities.LINKS:Nippissing First NationFirst Nation Lands Management Resource CentreAdditions-to-Reserve Policy Redesign (Canada)

Send us a textGrand Chief Willie Charlie of Sta'ailes First Nation says a much faster Additions-to-Reserve process will help communities prosper.He has seen the cost of long delays. Politicians have always promised to make ATRs go faster, but he says it's the bureaucracy at different levels that ruins the process.He spoke recently with host Richard Perry. We apologize that the sound quality is less than optimal but the conversation is a definite must-listen!LINKS:Sts'ailes First NationFirst Nations Land Management Resource CentreAdditions-to-Reserve Policy Redesign (Canada)

Send us a textJoseph Tootoosis is a lands and economic strategy advisor with a special interest in sovereignty, land restitution and redress. He also sees the need for a drastic overhaul in Canada's Additions-to-Reserve policy, a complicated process that hurts First Nations trying to add to their reserve land base.Why do ATRs matter to First Nations? What opportunities are Bands missing out on? How does adding land relate to Indigenous sovereignty?We address those questions in this podcast episode. Joseph and host Richard Perry begin by making the connection between land and the United Nations Declaration on the Rights of Indigenous Peoples.LINKS:Joseph Tootoosis on LinkedinFlying Dust First NationKekwetlem First NationFirst Nation Lands Management Resource CentreAdditions-to-Reserve Policy Redesign (Canada)

I am excited and honored to welcome Jeff Schreifels to this episode of Lead with Heart. Jeff is the principal and owner of Veritus Group - a global consulting agency specializing in major gifts and mid-level fundraising strategy. He is a pioneer of relationship-centered fundraising, and under his leadership, Veritus has helped increase mid and major gift revenue and decrease donor value attrition for hundreds of nonprofits worldwide.We're exploring the Veritus way of mid and major gifts fundraising, creating a culture of philanthropy within nonprofit organizations, integrating donors into your mission, and so much more.In this episode:[02:36] The Veritus Group's origin and focus on mid and major gifts[11:10] The difference between major and mid-level gifts[14:45] Key characteristics of a successful major gifts officer[19:11] Building a culture of philanthropy within an organization[31:51] Integrating donors into the mission beyond asking for money[36:19]  Indicators that an organization truly values its employees[39:32] Building relationships with major gifts officers and major donors as a leaderRESOURCESResources from the Veritus Group: https://veritusgroup.com/resources/ It's NOT JUST about the Money by Richard Perry and Jeff SchreifelsSend Haley a suggestion or request via text HERE!My book, Sow, Grow, Lead is live on Amazon! It shares my journey of starting a nonprofit in Malawi and offers practical strategies to help nonprofit leaders turn visions into reality, and create meaningful impact As the fundraising engine of choice for over 80,000 organizations in 90+ countries, Donorbox's easy-to-use fundraising tools help you raise more money in more ways. Seamlessly embed a customizable donation form into your website that reduces donor drop-off with a 4x faster checkout, launch a crowdfunding or peer-to-peer campaign, sell event tickets, raise funds on the go with Donorbox Live™ Kiosk, and much more. Learn more at donorbox.org The EmC Masterclass by Dr. Lola Gershfeld will help you enhance your communication skills to raise more revenue for your mission. This groundbreaking Emotional Connection process has been integrated into top universities' curriculum and recognized by international organizations. Use code LEADWITHHEART to enjoy a -10%.CONNECT WITH HALEYHaley is a Certified Fund Raising Executive (CFRE), Stress Management Coach, and EmC trainer. She founded The Savvy Fundraiser, a nonprofit consulting and coaching business, and has experience with nonprofits in human services, homelessness, and youth sectors. Specializing in EmC, leadership, board development, and fundraising, Haley is dedicated to empowering nonprofit leaders to create thriving organizations.Instagram: @thesavvyfundraiser LinkedIn: Haley Cooper, CFREWebsite: thesavvyfundraiser.comProduced by Ideablossoms

Send us a textThe path to reclaiming land governance is far from easy, but adding lands to a First Nation's land base is essential for a community's long-term sustainability.In this special series, we explore why the federal Additions-to-Reserve policy matters to First Nations. We unpack the intricacies of land rights in conversations with leaders demanding change to an often slow and complex process..which even the Government of Canada admits is broken.In this episode, host Richard Perry speaks with Chief Kelly LaRocca of Mississaugas of Scugog Island First Nation in Ontario.LINKS:Mississaugas of Scugog Island First Nation websiteFirst Nations Land Management Resource Centre websiteFederal Additions-to-Reserve Policy Redesign (Canada)

Independent Baptist Tri-state Fellowship Meeting

In the latest dispatch from the Fortress of Proopitude, Greg and Jennifer rap on rain, Richard Perry and Redd Foxx.

Topics include:FINAL EPISODEJamie Foxx specialAi Users on fb MBU: Jimmy Carter, Richard Perry, Sam MooreSLAPS: SZA ft. Kendrick Lamar, Cymande ft Jazzie B, Japanese breakfast, Rod wave Aloe blaccBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-hustle-season-podcast--2776072/support.

Kirk Buchner and Evan Nolan look at the latest Hall of Fame related news. On this show, they examine the Basketball Hall of Fame preliminary list and the Pro Football Hall of Fame Finalists. What's Inside: Season 6 Premier: A fresh start and new conversations for the season. Sign Language Storytime: Evan shares a fun anecdote about their kids and sign language. Birthday Banter: Celebrating Evan's upcoming 46th birthday and some tequila talk.

Mick is in-studio. Kirk reviews what just happened on the Unnamed Show (00:00:00). It is justified for Kirk to call Megan Makin' Money whatever he wants (00:03:19). The finale for Surviving Barstool next week will be business as usual (00:04:03). The episodes of Surviving Barstool have been lackluster (00:05:40). The Mick mediation from Mayo will still happen (00:06:42). Justin and Mick are working passed their issues (00:08:56). Danny Katz calls in to recruit a pickleball partner (00:11:05). Cam from Alberta calls in about Dave Portnoy (00:12:23). Rico has not reached back out to Kirk (00:14:07). The rest of the episodes of Surviving Barstool are going to be a toss-up (00:15:30). It's clearly weird that Big Cat hid his hometown information for 15 years (00:17:51). A caller proposes that Mick and Justin work together with an exercise (00:20:20). A caller mentions how Big Cat has been a baby for a while (00:21:57). A caller commends Kirk for his authenticity (00:23:00). Matt Damon's character in “The Departed” might be gay (00:24:50). A caller talks about how close Mintzy was to Kirk (00:26:36). Caller asks if “Mystic River” and “The Town” are better than “The Departed” (00:29:03). Caller asks if Kirk would've been less mad at Big Cat if he didn't make it personal (00:30:35). Caller claims he called Richard Perry's death (00:31:57). Jeff left the stream early last night, Kirk is visiting Penn State (00:33:49). Caller provides a segment for a new listener of the show (00:38:14). Mel Gibson cured cancer, experimental treatments are questioned (00:40:22). Caller asks why Kirk didn't go at Dave (00:45:47). A caller has Kirk rate Les Mis performances (00:47:59). A caller asks if Big Cat is upset for leaving the Patriots fandom (00:48:50) A caller has a golf question for Kirk (00:49:49). Jay calls about cancer and Justin's weight (00:52:24). Kirk offers to meet Jay (00:54:30). A caller asks Kirk to put Big Cat out of his misery (00:55:45). John calls in about 90210 fraudulent relationships (00:57:02). Caller invites Mick to bartend for him (00:59:10). A caller tells Kirk he got shot by the big man (01:00:29). Tim calls in to tell his porn theatre story (01:02:26). Dave from Madawaska calls in about Joe the political guest (01:04:35). Mick talks about a trip to New York (01:06:30). There's some contention with the BO Boys and Manhattan (01:10:34). Jason Whitlock calls out the show (01:14:30). The presidents all together are a sight to see (01:16:08). Justin previews the weekend and NFL picks (01:17:00). A preview of Laconia (01:23:40). News round up (01:24:20). A new parody song (01:25:59). Vince McMahon settled with the SEC (01:26:50) Marty Mush calls Kirk must-see tv (01:27:54). Mick gives his pick for Surviving Barstool (01:28:35). Glenny Balls is leaving with Caleb but staying with Barstool (01:30:10). Mick gives his thoughts on Brianna Chickenfry (01:31:51). A preview of the Minifan Network (01:34:48). Justin starts with Factor on Monday (01:36:03). Cullinane is thinking of ditching his basketball team because of a sickness (01:37:45). No Country for Old Men is great (01:42:00)You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/kminshow

After a news segment (update on Julian, Richard Perry), Marv and I sit down for part two of our look back at some of the happenings in the Beatles world over the last twelve months.   A passel full of Documentaries, the 'Living in the Material World" box, Ringo tour pt. 2, and the latest chapter in the "Got Back" tour.     We also chat about Ringo's plans for 2025 (country album, Nashville shows and Spring/Summer tour), the Concert for Bangladesh and some of the other things we are looking forward to.

Happy New Year's Day! In this episode of the Fundraising Masterminds Podcast, we're sharing the top 4 New Year's resolutions for your nonprofit in 2025. Get ready to revolutionize your nonprofit development with these 4 simple ideas. Join us as we discuss the crucial mindset changes that will transform your organization from surviving to thriving. From making use of actionable smart goals to cultivating major donor relationships, we're talking about everything you need to make 2025 your best year ever. Find out why board involvement is crucial for successful fundraising. Explore Jim's top 5 books on nonprofit development and how you can use them to revamp your support-raising mindset. Discover how to build partners for L.I.F.E. And learn how to create a specific, measurable, and attainable dream vision that will keep your supporters inspired for years to come! So whether you're a seasoned director or are just starting out, this episode is full of helpful tips, advice, and mindset changes. Get ready to look at your nonprofit like never before. Let's make 2025 your best year yet! Don't forget to subscribe to our channel for more nonprofit development advice! PODCAST RESOURCES Intentional Living and Giving by Larry O'Nan: → https://larryonan.com/ Intentional Living and Giving (ft. Special Guest Larry O'Nan) | Ep. 60 → https://youtu.be/zOVMoVlsWrQ Nonprofit Board Members Part 2: The Roles and Responsibilities of a Board | Ep. 15 → https://youtu.be/Cd-EUfiP6XE 9 Ways Your Nonprofit Board Members Should Be Involved in Fundraising | Ep. 45 → https://youtu.be/aT_nw9mhv4Y Jim's Top 5 Development Books: Development 101 by John Frank Donors are People Too by Tim Smith Mega Gifts by Jerald Panas It's Not Just About the Money by Richard Perry and Jeff Schreifels Intentional Living and Giving by Larry O'Nan ASK US A QUESTION: ⁠⁠⁠⁠⁠⁠⁠https://www.speakpipe.com/fundraisingmasterminds⁠⁠⁠⁠⁠⁠⁠ NEED HELP WITH YOUR NONPROFIT? Most nonprofits are under-funded. Even if you think your nonprofit is doing well, we've found you could be doing much better. However, most nonprofits don't have a clear development strategy that keeps them grounded. As a result, they "get creative" and "try new things" based on what is popular or trending, or they get comfortable with where they are at and don't realize the dangers they will be facing in just a few short years. The Perfect Vision Dinner Course is a 20-week "live video" course that addresses this problem head on. The course was developed by Jim Dempsey after 38+ years as a Senior Development Director at Cru. After Jim had personally done over 2,500 vision dinners in his lifetime and raised over $1 billion worldwide, Jim and Jason have partnered together to bring you Fundraising Masterminds. Our first course, The Perfect Vision Dinner is a time-tested proven formula that will introduce our development system and grow your nonprofit to its maximum potential. The course includes 20-hours of personalized development coaching from Jim Dempsey and Jason Galicinski and also includes a real-time community group where you have access to everyone attending the course and also our Masterminds throughout the course. The goal for this course is to fully equip you with a Biblical basis for Development so that you can Win, Keep and Lift new partners to higher levels of involvement with your nonprofit. → ⁠⁠⁠⁠⁠⁠⁠https://FundraisingMasterminds.net⁠⁠⁠⁠⁠⁠⁠ FOLLOW US ON SOCIAL MEDIA: → Instagram: ⁠⁠⁠⁠⁠⁠⁠https://instagram.com/fundraising.masterminds⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠→ Facebook: ⁠⁠⁠⁠⁠⁠⁠https://facebook.com/fundraising.masterminds⁠⁠⁠ Episode Keywords: new year's resolutions for your nonprofit, new years resolutions for your nonprofit, resolutions for your nonprofit, nonprofit development, nonprofit mindset changes, major donor, major donor relationships, board involvement in fundraising, top 5 books on nonprofit development, books on nonprofit development, support-raising mindset. --- Support this podcast: https://podcasters.spotify.com/pod/show/fundraising-masterminds/support

Kim Kardashian's fascination with Princess Diana...Travis Barker's 19-year old daughter, Alabama, hospitalized for nicotine withdrawal...The death of a good friend, record executive, Richard Perry.

Among the walnut shells, wrapping paper, dried tangerine peel and broken toys beneath the Christmas Tree Of News we found a few unopened presents, among them … … Marine Homicide Unit solving murders in Scottish waters or former rock star dumping toxic waste? A crime drama Stackwaddy special. … Roy Bittan, Duke Ellington: how musical “professors” date back to ragtime. …'Suzanne' and the other three songs Leonard Cohen gave away. … Mary Martin, unsung connector and catalyst of folk-rock. … how the spare, monochrome simplicity of John Wesley Harding flew against the prevailing wind of Disraeli Gears, Forever Changes and Magical Mystery Tour. … “I'd rather be dead than wet my bed”. … the invention of the “blockbuster album”. … she's only human: what Judy Collins thought when she met Leonard Cohen. … Crowded House, John Fogerty, Ry Cooder, Ian Broudie, Patti Smith … when did having your kids in your band become almost compulsory? … producer Richard Perry's journey from Beefheart to the “surrealistic vaudeville” of Tiny Tim to the pure genius of ‘You're So Vain'. Plus a rare moment - something David Hepworth doesn't know! - and birthday guest Sandra Austin.Tickets for Word In Your Ear live here: https://www.eventbrite.co.uk/e/bowie-in-london-and-hollywood-tickets-1118845138929?aff=oddtdtcreator Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Among the walnut shells, wrapping paper, dried tangerine peel and broken toys beneath the Christmas Tree Of News we found a few unopened presents, among them … … Marine Homicide Unit solving murders in Scottish waters or former rock star dumping toxic waste? A crime drama Stackwaddy special. … Roy Bittan, Duke Ellington: how musical “professors” date back to ragtime. …'Suzanne' and the other three songs Leonard Cohen gave away. … Mary Martin, unsung connector and catalyst of folk-rock. … how the spare, monochrome simplicity of John Wesley Harding flew against the prevailing wind of Disraeli Gears, Forever Changes and Magical Mystery Tour. … “I'd rather be dead than wet my bed”. … the invention of the “blockbuster album”. … she's only human: what Judy Collins thought when she met Leonard Cohen. … Crowded House, John Fogerty, Ry Cooder, Ian Broudie, Patti Smith … when did having your kids in your band become almost compulsory? … producer Richard Perry's journey from Beefheart to the “surrealistic vaudeville” of Tiny Tim to the pure genius of ‘You're So Vain'. Plus a rare moment - something David Hepworth doesn't know! - and birthday guest Sandra Austin.Tickets for Word In Your Ear live here: https://www.eventbrite.co.uk/e/bowie-in-london-and-hollywood-tickets-1118845138929?aff=oddtdtcreator Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Among the walnut shells, wrapping paper, dried tangerine peel and broken toys beneath the Christmas Tree Of News we found a few unopened presents, among them … … Marine Homicide Unit solving murders in Scottish waters or former rock star dumping toxic waste? A crime drama Stackwaddy special. … Roy Bittan, Duke Ellington: how musical “professors” date back to ragtime. …'Suzanne' and the other three songs Leonard Cohen gave away. … Mary Martin, unsung connector and catalyst of folk-rock. … how the spare, monochrome simplicity of John Wesley Harding flew against the prevailing wind of Disraeli Gears, Forever Changes and Magical Mystery Tour. … “I'd rather be dead than wet my bed”. … the invention of the “blockbuster album”. … she's only human: what Judy Collins thought when she met Leonard Cohen. … Crowded House, John Fogerty, Ry Cooder, Ian Broudie, Patti Smith … when did having your kids in your band become almost compulsory? … producer Richard Perry's journey from Beefheart to the “surrealistic vaudeville” of Tiny Tim to the pure genius of ‘You're So Vain'. Plus a rare moment - something David Hepworth doesn't know! - and birthday guest Sandra Austin.Tickets for Word In Your Ear live here: https://www.eventbrite.co.uk/e/bowie-in-london-and-hollywood-tickets-1118845138929?aff=oddtdtcreator Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

AP correspondent Ben Thomas reports on a death in the music world: record producer Richard Perry, at the age of 82. ((opens with music))

The New Year also means a new administration in the White House, the trial for the man accused of the South Florida assassination attempt against President-elect Donald Trump is post-poned, and the music world says goodbye to producer Richard Perry. Stay in “The Loop” from iHeartRadio.

America in the Morning from Westwood One   Trump Criticizes Biden Death Row Pardons  President Trump is vowing to pursue executions for the dozens of federal death row inmates who received pardons from President Biden. Correspondent Haya Panjwani reports.  Biden Vetoes Judiciary Bill  President Joe Biden has vetoed a once-bipartisan effort to add 66 federal district judgeships. The Democratic-controlled Senate passed the measure unanimously in August. But the Republican-led House brought it to the floor only after Republican Donald Trump was reelected to a second term in November. The White House had said at the time that Biden would veto the bill.  Accused Subway Arsonist Appears in Court  The man accused of burning a woman to death on a New York City subway made his first appearance in court. Correspondent Julie Walker has details.  President Clinton Discharged From Hospital  Former President Bill Clinton has been discharged from the hospital after being admitted on Monday. Correspondent Shelley Adler has more.  Biden To Decide Fate of Nippon Steel Deal  President Biden will get to decide on an acquisition deal involving US Steel after a panel failed to reach a consensus. Correspondent Donna Warder reports.  U.S. Citizen Jailed in Russia Recieves Second Sentence  An American citizen imprisoned in Russia has received a new 15-year jail term. Correspondent Charles De Ledesma has more.  Starbucks Barista Strike Expands  A strike by Starbucks workers has expanded to over 300 stores. The baristas are asking for an increase to their minimum wage which the company is calling unsustainable.  Notre Dame Christmas Eve Services  For the first time in five years, Notre Dame Cathedral in Paris held Christmas Eve services. With tourists flocking to the French Landmark. Having been closed to the public since a fire in 2019 nearly destroyed the building, the Medieval Cathedral re-opened to the public earlier this month.   Biden Signs 50 Bills into Law  In one of his final acts of his presidency, Joe Biden spent his Christmas Eve signing 50 bills into law concerning a wide range of areas. John Stolnis has the details from Washington.  American Airlines Hits Holiday Travel Snag  One of the year's heaviest travel days started with brief grounding of all American Airlines flights. Correspondent Shelley Adler reports.  Hotel Worker Strike Coming to a Close  A strike by San Francisco hotel workers appears to be coming to an end. Correspondent Lisa Dwyer has details.  Schedule to Rebuild MD Bridge Announced  According to Maryland Officials, work to collect data to design a new Francis Scott Key Bridge in Baltimore is scheduled to begin in January.  Drug Lord Deported  Legendary drug lord Fabio Ochoa has been deported to Colombia after spending more than 20 years in a US prison. Correspondent Donna Warder reports.  CA High Surf Warnings  California's coastal residents are facing hazardous conditions this week with high surf and costal flood warnings.     Former Hamas Hostage Dies  An Israeli woman who was taken hostage during the Oct. 7 attack in Israel, and freed in a brief ceasefire last year, has died. Correspondent Charles de Ledesma reports.  Tech Gifts For You  Sometimes you don't get what you want for Christmas, so you might have to get it for yourself! Correspondent Chuck Palm has some gift ideas you can buy for yourself, in today's tech report.  Finally  Famed record producer Richard Perry has died at the age of 82. Correspondent Ben Thomas has a look at his life and legacy.    Visitors to Volcanoes National Park on Hawaii's Big Island were rewarded yesterday as Kilauea volcano continued to erupt for the second day spewing lava up to 300 feet in tall fountains that then spread over a 650-acre area.  Correspondent Kevin Carr has a guide on what you can watch and where you can watch it this Christmas.  America in the Morning from Westwood One   Learn more about your ad choices. Visit podcastchoices.com/adchoices

NBA News, NFL News, MLB News, MLB Hotstove, WNBA News, NHL News, A Farewell to Rickey Henderson, David Murphey, Art Evans, Burt, Richard Perry & Waymond Lee! --- Support this podcast: https://podcasters.spotify.com/pod/show/on-the-radar/support

Burton Cummings' voice has been rated among the finest in rock music. Today he continues at the top of his game as performer, singer, songwriter, poet and recording artist. As lead singer and songwriter for Canada's original rock ‘n' roll superstars, The Guess Who, Burton scored an unprecedented string of international hit singles and albums including “American Woman,” “These Eyes,” “Laughing,” “No Time,” “Share the Land,” “No Sugar Tonight/New Mother Nature,” “Clap for the Wolfman”, “Albert Flasher” and others, all written or co-written by Burton. By 1970, The Guess Who had sold more records than the entire Canadian music industry combined before breaking up in 1975. The group achieved a long list of firsts including first Canadian group to reach #1 on Billboard charts -- holding that spot for three weeks - and first to earn a platinum album for U.S. sales of more than one million copies. Rolling Stone magazine hailed The Guess Who as “one of rock's most consistently fascinating maverick bands” with a succession of songs “that has few equals among contemporary North American groups.” Dick Clark described the group as rock innovators and ambassadors of Canadian music. Beginning his career as a solo artist in 1976, Burton continued his winning streak with a gold record for his solo debut single “Stand Tall,” produced by legendary hitmaker Richard Perry who numbered among his clients Barbra Streisand, Carly Simon and Ringo Starr. The choice of producer was evidence of Burton's star power in the music industry. He followed his inaugural solo success with more than a dozen hit singles and albums including “I'm Scared,” “My Own Way to Rock,” “I Will Play a Rhapsody,” “Timeless Love,” “Break It to Them Gently,” “Dream of a Child,” and “You Saved My Soul.” Sold-out tours across Canada and the United States solidified Burton's stature as a top entertainer. He starred in several highly rated television specials and, between 1977 and 1980, earned five Juno Awards for Best Male Vocalist and Best Album, serving as host of the annual Juno gala a record four times. Burton's 1978 album Dream of a Child became the first quadruple platinum-selling album by a Canadian artist. Through the ‘80s and ‘90s, Burton continued to tour and joined Beatles drummer Ringo Starr's All Starr Band. In 1980, a starring role in the feature film Melanie with Miami Vice star Don Johnson earned Burton a Genie Award for Best Original Song. He also launched his acclaimed Up Close and Alone solo concert series. A live album of the same name followed. The success of Lenny Kravitz' cover of “American Woman” in the hit feature film Austin Powers: The Spy Who Shagged Me brought renewed attention to the original Guess Who. The group reunited in 1999 for the closing ceremonies of the Pan-American Games with a television audience numbering in the tens of millions. Several high-profile North American tours followed. As the VOICE of all the classic Guess Who hit songs, Burton has toured with his long-time band, for the past twenty-three years across North America as well as joining Randy Bachman onstage as Bachman Cummings, performing his songs from the original The Guess Who, Bachman-Turner Overdrive and Burton's solo career. Described as Canadian rock ‘n' roll royalty, a national treasure, and a living legend, for Burton Cummings there has always been one constant: he remains true to himself and his own way to rock… and continuing to perform the songs the way they were originally conceived by the artist who sang and wrote/co-wrote them. Burton joins us this week to share his musical story and lets us know about his other passion - writing poetry. For more information head to his website burtoncummings.com

Pat welcomes legendary singer/songwriter Leo Sayer to the "Zoom Room" to discuss his career in music!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The 2023 Induction Ceremony and speeches from the National Wrestling Hall of Fame Honors Weekend in June 2023 in Stillwater, Oklahoma. The National Wrestling Hall of Fame has announced that the Class of 2023 is Distinguished Members Rich Bender, Jimmy Jackson, Patricia Miranda and Joe Williams, Meritorious Official honoree Ed Kelly, Order of Merit recipient Frank Popolizio, Medal of Courage recipient Richard Perry, and Outstanding American honoree Bob Bowlsby.SUBSCRIBE TO THE SHOWApple Podcasts  | Spreaker | iHeartRadio | Spotify  | Android | RSS ContributeAnd if you're a fan of the extensive and broad-based reach of the shows on the Mat Talk Podcast Network, become a contributor today.. There are various levels of perks for the different levels of patronage. If you like wrestling content — scratch that — if you LOVE great wrestling content, consider becoming a contributor. How much you give is solely up to how much you believe it's worth to you. Recorded June 2023.

The Tribute Breakfast for the National Wrestling Hall of Fame Class of 2023 took place at the McKnight Center on the campus of Oklahoma State University in Stillwater, Oklahoma. Speaking for the Class of 2023 honorees were: John Kelly and Joel Weber for Meritorious Official Ed Kelly, Pat Popolizio and Bryan Hazard for Order of Merit recipient Frank Popolizio, Brandon Slay and Jordan Burroughs for Medal of Courage recipient Richard Perry, John Bowlsby and Tim Johnson speaking for Outstanding American Bob Bowlsby. Speaking for the Distinguished Members were: Michelle Bender and Jeff Levitetz for Rich Bender; Jay Jackson, Tela O'Donnell Bacher and Katie Kunimoto for Patricia Miranda; Jim Shields and Darryl Monasmith for the late Jimmy Jackson; Mark Ironside and Hardell Moore for Joe Williams. SUBSCRIBE TO THE SHOWApple Podcasts  | Spreaker | iHeartRadio | Spotify  | Android | RSS ContributeAnd if you're a fan of the extensive and broad-based reach of the shows on the Mat Talk Podcast Network, become a contributor today.. There are various levels of perks for the different levels of patronage. If you like wrestling content — scratch that — if you LOVE great wrestling content, consider becoming a contributor. How much you give is solely up to how much you believe it's worth to you. Recorded June 2023.

Out tomorrow from ProMixAcademy, my new interviews with Grammy winner Leo Sayer take you inside his vocal techniques, his songwriting, how he deals with the business, touring advice, how to develop your own style, the constant exploration at the heart of his creativity! He also talks about working with producers David Courtney, Adam Faith, Richard Perry, Arif Mardin, Alan Tarney, and… his new self productions! Available at ProMix Academy!!! Masterclass with LEO SAYER Watch this episode in video HERE Please Like, Share, and Subscribe to our YouTube channel HERE Buy Richard's acclaimed books HERE Buy Richard's astounding music HERE  Send me enough for a cup of coffee at The Ritz to keep our Radio Richard growing: Via PayPal Via Patreon  

Richard is a UK born Australian who has spent 40 years working globally on Business Improvement across Retail, Supply Chain, Telco, Banking and Education sectors. From this career there emerged a single thread of learning which was so consistent and so impactful that Richard felt compelled to pull it out, capture and share it. The resulting book places Key Behaviour Indicators (KBI's) at the center of an organization's ability to achieve genuine high performance and move towards a target Culture. KBIs are not KPIs for people, they open a window into the Mindset of your organization. They tell you if your Culture is real or dead on a meeting room poster. Link to claim CME credit: https://www.surveymonkey.com/r/3DXCFW3CME credit is available for up to 3 years after the stated release dateContact CEOD@bmhcc.org if you have any questions about claiming credit.

Authors:  Evan Patocka, Daniel GonzalesPodcast staffers Evan Patocka and Daniel Gonzales talk about recent Sacramento State news. Patocka discusses the California Faculty Association's strike that ended abruptly due to a tentative agreement being made. He also talks about the origins of Black History Month and updates on the men's and women's basketball season. RELATED: BREAKING: California Faculty Association reaches tentative agreement with CSUGonzales breaks down President Luke Wood's spring address, as well as the passing of alumnus and Sac State groundskeeper Richard Perry and the new collegiate boxing program. Show notes:Sac State boxing gets another round after 60 yearsFAQ: What's next for Sac State after the CFA cancels its strikeSac State staff and students discuss opinions on CFA tentative agreementBlack History Month 2024Sac State makes finishing touches for Portland State and IdahoIn Memoriam: Sac State alumnus Richard PerrySac State drops two more games to extend its losing streak to sixPresident Luke Wood's spring address outlines campus goals

Episode 171 looks at "Hey Jude", the White Album, and the career of the Beatles from August 1967 through November 1968. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-seven-minute bonus episode available, on "I Love You" by People!. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata Not really an error, but at one point I refer to Ornette Coleman as a saxophonist. While he was, he plays trumpet on the track that is excerpted after that. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. This time I also used Steve Turner's The Beatles: The Stories Behind the Songs 1967-1970. I referred to Philip Norman's biographies of John Lennon, George Harrison, and Paul McCartney, to Graeme Thomson's biography of George Harrison, Take a Sad Song by James Campion, Yoko Ono: An Artful Life by Donald Brackett, Those Were the Days 2.0 by Stephan Granados, and Sound Pictures by Kenneth Womack. Sadly the only way to get the single mix of “Hey Jude” is on this ludicrously-expensive out-of-print box set, but a remixed stereo mix is easily available on the new reissue of the 1967-70 compilation. The original mixes of the White Album are also, shockingly, out of print, but this 2018 remix is available for the moment. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a quick note -- this episode deals, among other topics, with child abandonment, spousal neglect, suicide attempts, miscarriage, rape accusations, and heroin addiction. If any of those topics are likely to upset you, you might want to check the transcript rather than listening to this episode. It also, for once, contains a short excerpt of an expletive, but given that that expletive in that context has been regularly played on daytime radio without complaint for over fifty years, I suspect it can be excused. The use of mantra meditation is something that exists across religions, and which appears to have been independently invented multiple times, in multiple cultures. In the Western culture to which most of my listeners belong, it is now best known as an aspect of what is known as "mindfulness", a secularised version of Buddhism which aims to provide adherents with the benefits of the teachings of the Buddha but without the cosmology to which they are attached. But it turns up in almost every religious tradition I know of in one form or another. The idea of mantra meditation is a very simple one, and one that even has some basis in science. There is a mathematical principle in neurology and information science called the free energy principle which says our brains are wired to try to minimise how surprised we are --  our brain is constantly making predictions about the world, and then looking at the results from our senses to see if they match. If they do, that's great, and the brain will happily move on to its next prediction. If they don't, the brain has to update its model of the world to match the new information, make new predictions, and see if those new predictions are a better match. Every person has a different mental model of the world, and none of them match reality, but every brain tries to get as close as possible. This updating of the model to match the new information is called "thinking", and it uses up energy, and our bodies and brains have evolved to conserve energy as much as possible. This means that for many people, most of the time, thinking is unpleasant, and indeed much of the time that people have spent thinking, they've been thinking about how to stop themselves having to do it at all, and when they have managed to stop thinking, however briefly, they've experienced great bliss. Many more or less effective technologies have been created to bring about a more minimal-energy state, including alcohol, heroin, and barbituates, but many of these have unwanted side-effects, such as death, which people also tend to want to avoid, and so people have often turned to another technology. It turns out that for many people, they can avoid thinking by simply thinking about something that is utterly predictable. If they minimise the amount of sensory input, and concentrate on something that they can predict exactly, eventually they can turn off their mind, relax, and float downstream, without dying. One easy way to do this is to close your eyes, so you can't see anything, make your breath as regular as possible, and then concentrate on a sound that repeats over and over.  If you repeat a single phrase or word a few hundred times, that regular repetition eventually causes your mind to stop having to keep track of the world, and experience a peace that is, by all accounts, unlike any other experience. What word or phrase that is can depend very much on the tradition. In Transcendental Meditation, each person has their own individual phrase. In the Catholicism in which George Harrison and Paul McCartney were raised, popular phrases for this are "Lord Jesus Christ, Son of God, have mercy on me, a sinner" or "Hail, Mary, full of grace, the Lord is with you; blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen." In some branches of Buddhism, a popular mantra is "_NAMU MYŌHŌ RENGE KYŌ_". In the Hinduism to which George Harrison later converted, you can use "Hare Krishna Hare Krishna, Krishna Krishna Hare Hare, Hare Rama Hare Rama, Rama Rama Hare Hare", "Om Namo Bhagavate Vāsudevāya" or "Om Gam Ganapataye Namaha". Those last two start with the syllable "Om", and indeed some people prefer to just use that syllable, repeating a single syllable over and over again until they reach a state of transcendence. [Excerpt: The Beatles, "Hey Jude" ("na na na na na na na")] We don't know much about how the Beatles first discovered Maharishi Mahesh Yogi, except that it was thanks to Pattie Boyd, George Harrison's then-wife. Unfortunately, her memory of how she first became involved in the Maharishi's Spiritual Regeneration Movement, as described in her autobiography, doesn't fully line up with other known facts. She talks about reading about the Maharishi in the paper with her friend Marie-Lise while George was away on tour, but she also places the date that this happened in February 1967, several months after the Beatles had stopped touring forever. We'll be seeing a lot more of these timing discrepancies as this story progresses, and people's memories increasingly don't match the events that happened to them. Either way, it's clear that Pattie became involved in the Spiritual Regeneration Movement a good length of time before her husband did. She got him to go along with her to one of the Maharishi's lectures, after she had already been converted to the practice of Transcendental Meditation, and they brought along John, Paul, and their partners (Ringo's wife Maureen had just given birth, so they didn't come). As we heard back in episode one hundred and fifty, that lecture was impressive enough that the group, plus their wives and girlfriends (with the exception of Maureen Starkey) and Mick Jagger and Marianne Faithfull, all went on a meditation retreat with the Maharishi at a holiday camp in Bangor, and it was there that they learned that Brian Epstein had been found dead. The death of the man who had guided the group's career could not have come at a worse time for the band's stability.  The group had only recorded one song in the preceding two months -- Paul's "Your Mother Should Know" -- and had basically been running on fumes since completing recording of Sgt Pepper many months earlier. John's drug intake had increased to the point that he was barely functional -- although with the enthusiasm of the newly converted he had decided to swear off LSD at the Maharishi's urging -- and his marriage was falling apart. Similarly, Paul McCartney's relationship with Jane Asher was in a bad state, though both men were trying to repair their damaged relationships, while both George and Ringo were having doubts about the band that had made them famous. In George's case, he was feeling marginalised by John and Paul, his songs ignored or paid cursory attention, and there was less for him to do on the records as the group moved away from making guitar-based rock and roll music into the stranger areas of psychedelia. And Ringo, whose main memory of the recording of Sgt Pepper was of learning to play chess while the others went through the extensive overdubs that characterised that album, was starting to feel like his playing was deteriorating, and that as the only non-writer in the band he was on the outside to an extent. On top of that, the group were in the middle of a major plan to restructure their business. As part of their contract renegotiations with EMI at the beginning of 1967, it had been agreed that they would receive two million pounds -- roughly fifteen million pounds in today's money -- in unpaid royalties as a lump sum. If that had been paid to them as individuals, or through the company they owned, the Beatles Ltd, they would have had to pay the full top rate of tax on it, which as George had complained the previous year was over ninety-five percent. (In fact, he'd been slightly exaggerating the generosity of the UK tax system to the rich, as at that point the top rate of income tax was somewhere around ninety-seven and a half percent). But happily for them, a couple of years earlier the UK had restructured its tax laws and introduced a corporation tax, which meant that the profits of corporations were no longer taxed at the same high rate as income. So a new company had been set up, The Beatles & Co, and all the group's non-songwriting income was paid into the company. Each Beatle owned five percent of the company, and the other eighty percent was owned by a new partnership, a corporation that was soon renamed Apple Corps -- a name inspired by a painting that McCartney had liked by the artist Rene Magritte. In the early stages of Apple, it was very entangled with Nems, the company that was owned by Brian and Clive Epstein, and which was in the process of being sold to Robert Stigwood, though that sale fell through after Brian's death. The first part of Apple, Apple Publishing, had been set up in the summer of 1967, and was run by Terry Doran, a friend of Epstein's who ran a motor dealership -- most of the Apple divisions would be run by friends of the group rather than by people with experience in the industries in question. As Apple was set up during the point that Stigwood was getting involved with NEMS, Apple Publishing's initial offices were in the same building with, and shared staff with, two publishing companies that Stigwood owned, Dratleaf Music, who published Cream's songs, and Abigail Music, the Bee Gees' publishers. And indeed the first two songs published by Apple were copyrights that were gifted to the company by Stigwood -- "Listen to the Sky", a B-side by an obscure band called Sands: [Excerpt: Sands, "Listen to the Sky"] And "Outside Woman Blues", an arrangement by Eric Clapton of an old blues song by Blind Joe Reynolds, which Cream had copyrighted separately and released on Disraeli Gears: [Excerpt: Cream, "Outside Woman Blues"] But Apple soon started signing outside songwriters -- once Mike Berry, a member of Apple Publishing's staff, had sat McCartney down and explained to him what music publishing actually was, something he had never actually understood even though he'd been a songwriter for five years. Those songwriters, given that this was 1967, were often also performers, and as Apple Records had not yet been set up, Apple would try to arrange recording contracts for them with other labels. They started with a group called Focal Point, who got signed by badgering Paul McCartney to listen to their songs until he gave them Doran's phone number to shut them up: [Excerpt: Focal Point, "Sycamore Sid"] But the big early hope for Apple Publishing was a songwriter called George Alexander. Alexander's birth name had been Alexander Young, and he was the brother of George Young, who was a member of the Australian beat group The Easybeats, who'd had a hit with "Friday on My Mind": [Excerpt: The Easybeats, "Friday on My Mind"] His younger brothers Malcolm and Angus would go on to have a few hits themselves, but AC/DC wouldn't be formed for another five years. Terry Doran thought that Alexander should be a member of a band, because bands were more popular than solo artists at the time, and so he was placed with three former members of Tony Rivers and the Castaways, a Beach Boys soundalike group that had had some minor success. John Lennon suggested that the group be named Grapefruit, after a book he was reading by a conceptual artist of his acquaintance named Yoko Ono, and as Doran was making arrangements with Terry Melcher for a reciprocal publishing deal by which Melcher's American company would publish Apple songs in the US while Apple published songs from Melcher's company in the UK, it made sense for Melcher to also produce Grapefruit's first single, "Dear Delilah": [Excerpt: Grapefruit, "Dear Delilah"] That made number twenty-one in the UK when it came out in early 1968, on the back of publicity about Grapefruit's connection with the Beatles, but future singles by the band were much less successful, and like several other acts involved with Apple, they found that they were more hampered by the Beatles connection than helped. A few other people were signed to Apple Publishing early on, of whom the most notable was Jackie Lomax. Lomax had been a member of a minor Merseybeat group, the Undertakers, and after they had split up, he'd been signed by Brian Epstein with a new group, the Lomax Alliance, who had released one single, "Try as You May": [Excerpt: The Lomax Alliance, "Try As You May"] After Epstein's death, Lomax had plans to join another band, being formed by another Merseybeat musician, Chris Curtis, the former drummer of the Searchers. But after going to the Beatles to talk with them about them helping the new group financially, Lomax was persuaded by John Lennon to go solo instead. He may later have regretted that decision, as by early 1968 the people that Curtis had recruited for his new band had ditched him and were making a name for themselves as Deep Purple. Lomax recorded one solo single with funding from Stigwood, a cover version of a song by an obscure singer-songwriter, Jake Holmes, "Genuine Imitation Life": [Excerpt: Jackie Lomax, "Genuine Imitation Life"] But he was also signed to Apple Publishing as a songwriter. The Beatles had only just started laying out plans for Apple when Epstein died, and other than the publishing company one of the few things they'd agreed on was that they were going to have a film company, which was to be run by Denis O'Dell, who had been an associate producer on A Hard Day's Night and on How I Won The War, the Richard Lester film Lennon had recently starred in. A few days after Epstein's death, they had a meeting, in which they agreed that the band needed to move forward quickly if they were going to recover from Epstein's death. They had originally been planning on going to India with the Maharishi to study meditation, but they decided to put that off until the new year, and to press forward with a film project Paul had been talking about, to be titled Magical Mystery Tour. And so, on the fifth of September 1967, they went back into the recording studio and started work on a song of John's that was earmarked for the film, "I am the Walrus": [Excerpt: The Beatles, "I am the Walrus"] Magical Mystery Tour, the film, has a mixed reputation which we will talk about shortly, but one defence that Paul McCartney has always made of it is that it's the only place where you can see the Beatles performing "I am the Walrus". While the song was eventually relegated to a B-side, it's possibly the finest B-side of the Beatles' career, and one of the best tracks the group ever made. As with many of Lennon's songs from this period, the song was a collage of many different elements pulled from his environment and surroundings, and turned into something that was rather more than the sum of its parts. For its musical inspiration, Lennon pulled from, of all things, a police siren going past his house. (For those who are unfamiliar with what old British police sirens sounded like, as opposed to the ones in use for most of my lifetime or in other countries, here's a recording of one): [Excerpt: British police siren ca 1968] That inspired Lennon to write a snatch of lyric to go with the sound of the siren, starting "Mister city policeman sitting pretty". He had two other song fragments, one about sitting in the garden, and one about sitting on a cornflake, and he told Hunter Davies, who was doing interviews for his authorised biography of the group, “I don't know how it will all end up. Perhaps they'll turn out to be different parts of the same song.” But the final element that made these three disparate sections into a song was a letter that came from Stephen Bayley, a pupil at Lennon's old school Quarry Bank, who told him that the teachers at the school -- who Lennon always thought of as having suppressed his creativity -- were now analysing Beatles lyrics in their lessons. Lennon decided to come up with some nonsense that they couldn't analyse -- though as nonsensical as the finished song is, there's an underlying anger to a lot of it that possibly comes from Lennon thinking of his school experiences. And so Lennon asked his old schoolfriend Pete Shotton to remind him of a disgusting playground chant that kids used to sing in schools in the North West of England (and which they still sang with very minor variations at my own school decades later -- childhood folklore has a remarkably long life). That rhyme went: Yellow matter custard, green snot pie All mixed up with a dead dog's eye Slap it on a butty, nice and thick, And drink it down with a cup of cold sick Lennon combined some parts of this with half-remembered fragments of Lewis Carrol's The Walrus and the Carpenter, and with some punning references to things that were going on in his own life and those of his friends -- though it's difficult to know exactly which of the stories attached to some of the more incomprehensible bits of the lyrics are accurate. The story that the line "I am the eggman" is about a sexual proclivity of Eric Burdon of the Animals seems plausible, while the contention by some that the phrase "semolina pilchard" is a reference to Sgt Pilcher, the corrupt policeman who had arrested three of the Rolling Stones, and would later arrest Lennon, on drugs charges, seems less likely. The track is a masterpiece of production, but the release of the basic take on Anthology 2 in 1996 showed that the underlying performance, before George Martin worked his magic with the overdubs, is still a remarkable piece of work: [Excerpt: The Beatles, "I am the Walrus (Anthology 2 version)"] But Martin's arrangement and production turned the track from a merely very good track into a masterpiece. The string arrangement, very much in the same mould as that for "Strawberry Fields Forever" but giving a very different effect with its harsh cello glissandi, is the kind of thing one expects from Martin, but there's also the chanting of the Mike Sammes Singers, who were more normally booked for sessions like Englebert Humperdinck's "The Last Waltz": [Excerpt: Engelbert Humperdinck, "The Last Waltz"] But here were instead asked to imitate the sound of the strings, make grunting noises, and generally go very far out of their normal comfort zone: [Excerpt: The Beatles, "I am the Walrus"] But the most fascinating piece of production in the entire track is an idea that seems to have been inspired by people like John Cage -- a live feed of a radio being tuned was played into the mono mix from about the halfway point, and whatever was on the radio at the time was captured: [Excerpt: The Beatles, "I am the Walrus"] This is also why for many decades it was impossible to have a true stereo mix of the track -- the radio part was mixed directly into the mono mix, and it wasn't until the 1990s that someone thought to track down a copy of the original radio broadcasts and recreate the process. In one of those bits of synchronicity that happen more often than you would think when you're creating aleatory art, and which are why that kind of process can be so appealing, one bit of dialogue from the broadcast of King Lear that was on the radio as the mixing was happening was *perfectly* timed: [Excerpt: The Beatles, "I am the Walrus"] After completing work on the basic track for "I am the Walrus", the group worked on two more songs for the film, George's "Blue Jay Way" and a group-composed twelve-bar blues instrumental called "Flying", before starting production. Magical Mystery Tour, as an idea, was inspired in equal parts by Ken Kesey's Merry Pranksters, the collective of people we talked about in the episode on the Grateful Dead who travelled across the US extolling the virtues of psychedelic drugs, and by mystery tours, a British working-class tradition that has rather fallen out of fashion in the intervening decades. A mystery tour would generally be put on by a coach-hire company, and would be a day trip to an unannounced location -- though the location would in fact be very predictable, and would be a seaside town within a couple of hours' drive of its starting point. In the case of the ones the Beatles remembered from their own childhoods, this would be to a coastal town in Lancashire or Wales, like Blackpool, Rhyl, or Prestatyn. A coachload of people would pay to be driven to this random location, get very drunk and have a singsong on the bus, and spend a day wherever they were taken. McCartney's plan was simple -- they would gather a group of passengers and replicate this experience over the course of several days, and film whatever went on, but intersperse that with more planned out sketches and musical numbers. For this reason, along with the Beatles and their associates, the cast included some actors found through Spotlight and some of the group's favourite performers, like the comedian Nat Jackley (whose comedy sequence directed by John was cut from the final film) and the surrealist poet/singer/comedian Ivor Cutler: [Excerpt: Ivor Cutler, "I'm Going in a Field"] The film also featured an appearance by a new band who would go on to have great success over the next year, the Bonzo Dog Doo-Dah Band. They had recorded their first single in Abbey Road at the same time as the Beatles were recording Revolver, but rather than being progressive psychedelic rock, it had been a remake of a 1920s novelty song: [Excerpt: The Bonzo Dog Doo-Dah Band, "My Brother Makes the Noises For the Talkies"] Their performance in Magical Mystery Tour was very different though -- they played a fifties rock pastiche written by band leaders Vivian Stanshall and Neil Innes while a stripper took off her clothes. While several other musical sequences were recorded for the film, including one by the band Traffic and one by Cutler, other than the Beatles tracks only the Bonzos' song made it into the finished film: [Excerpt: The Bonzo Dog Doo-Dah Band, "Death Cab for Cutie"] That song, thirty years later, would give its name to a prominent American alternative rock band. Incidentally the same night that Magical Mystery Tour was first broadcast was also the night that the Bonzo Dog Doo-Dah Band first appeared on a TV show, Do Not Adjust Your Set, which featured three future members of the Monty Python troupe -- Eric Idle, Michael Palin, and Terry Jones. Over the years the careers of the Bonzos, the Pythons, and the Beatles would become increasingly intertwined, with George Harrison in particular striking up strong friendships and working relationships with Bonzos Neil Innes and "Legs" Larry Smith. The filming of Magical Mystery Tour went about as well as one might expect from a film made by four directors, none of whom had any previous filmmaking experience, and none of whom had any business knowledge. The Beatles were used to just turning up and having things magically done for them by other people, and had no real idea of the infrastructure challenges that making a film, even a low-budget one, actually presents, and ended up causing a great deal of stress to almost everyone involved. The completed film was shown on TV on Boxing Day 1967 to general confusion and bemusement. It didn't help that it was originally broadcast in black and white, and so for example the scene showing shifting landscapes (outtake footage from Stanley Kubrick's Dr. Strangelove, tinted various psychedelic colours) over the "Flying" music, just looked like grey fuzz. But also, it just wasn't what people were expecting from a Beatles film. This was a ramshackle, plotless, thing more inspired by Andy Warhol's underground films than by the kind of thing the group had previously appeared in, and it was being presented as Christmas entertainment for all the family. And to be honest, it's not even a particularly good example of underground filmmaking -- though it looks like a masterpiece when placed next to something like the Bee Gees' similar effort, Cucumber Castle. But there are enough interesting sequences in there for the project not to be a complete failure -- and the deleted scenes on the DVD release, including the performances by Cutler and Traffic, and the fact that the film was edited down from ten hours to fifty-two minutes, makes one wonder if there's a better film that could be constructed from the original footage. Either way, the reaction to the film was so bad that McCartney actually appeared on David Frost's TV show the next day to defend it and, essentially, apologise. While they were editing the film, the group were also continuing to work in the studio, including on two new McCartney songs, "The Fool on the Hill", which was included in Magical Mystery Tour, and "Hello Goodbye", which wasn't included on the film's soundtrack but was released as the next single, with "I Am the Walrus" as the B-side: [Excerpt: The Beatles, "Hello Goodbye"] Incidentally, in the UK the soundtrack to Magical Mystery Tour was released as a double-EP rather than as an album (in the US, the group's recent singles and B-sides were added to turn it into a full-length album, which is how it's now generally available). "I Am the Walrus" was on the double-EP as well as being on the single's B-side, and the double-EP got to number two on the singles charts, meaning "I am the Walrus" was on the records at number one and number two at the same time. Before it became obvious that the film, if not the soundtrack, was a disaster, the group held a launch party on the twenty-first of December, 1967. The band members went along in fancy dress, as did many of the cast and crew -- the Bonzo Dog Doo-Dah Band performed at the party. Mike Love and Bruce Johnston of the Beach Boys also turned up at the party, and apparently at one point jammed with the Bonzos, and according to some, but not all, reports, a couple of the Beatles joined in as well. Love and Johnston had both just met the Maharishi for the first time a couple of days earlier, and Love had been as impressed as the Beatles were, and it may have been at this party that the group mentioned to Love that they would soon be going on a retreat in India with the guru -- a retreat that was normally meant for training TM instructors, but this time seemed to be more about getting celebrities involved. Love would also end up going with them. That party was also the first time that Cynthia Lennon had an inkling that John might not be as faithful to her as she previously supposed. John had always "joked" about being attracted to George Harrison's wife, Patti, but this time he got a little more blatant about his attraction than he ever had previously, to the point that he made Cynthia cry, and Cynthia's friend, the pop star Lulu, decided to give Lennon a very public dressing-down for his cruelty to his wife, a dressing-down that must have been a sight to behold, as Lennon was dressed as a Teddy boy while Lulu was in a Shirley Temple costume. It's a sign of how bad the Lennons' marriage was at this point that this was the second time in a two-month period where Cynthia had ended up crying because of John at a film launch party and been comforted by a female pop star. In October, Cilla Black had held a party to celebrate the belated release of John's film How I Won the War, and during the party Georgie Fame had come up to Black and said, confused, "Cynthia Lennon is hiding in your wardrobe". Black went and had a look, and Cynthia explained to her “I'm waiting to see how long it is before John misses me and comes looking for me.” Black's response had been “You'd better face it, kid—he's never gonna come.” Also at the Magical Mystery Tour party was Lennon's father, now known as Freddie Lennon, and his new nineteen-year-old fiancee. While Hunter Davis had been researching the Beatles' biography, he'd come across some evidence that the version of Freddie's attitude towards John that his mother's side of the family had always told him -- that Freddie had been a cruel and uncaring husband who had not actually wanted to be around his son -- might not be the whole of the truth, and that the mother who he had thought of as saintly might also have had some part to play in their marriage breaking down and Freddie not seeing his son for twenty years. The two had made some tentative attempts at reconciliation, and indeed Freddie would even come and live with John for a while, though within a couple of years the younger Lennon's heart would fully harden against his father again. Of course, the things that John always resented his father for were pretty much exactly the kind of things that Lennon himself was about to do. It was around this time as well that Derek Taylor gave the Beatles copies of the debut album by a young singer/songwriter named Harry Nilsson. Nilsson will be getting his own episode down the line, but not for a couple of years at my current rates, so it's worth bringing that up here, because that album became a favourite of all the Beatles, and would have a huge influence on their songwriting for the next couple of years, and because one song on the album, "1941", must have resonated particularly deeply with Lennon right at this moment -- an autobiographical song by Nilsson about how his father had left him and his mother when he was a small boy, and about his own fear that, as his first marriage broke down, he was repeating the pattern with his stepson Scott: [Excerpt: Nilsson, "1941"] The other major event of December 1967, rather overshadowed by the Magical Mystery Tour disaster the next day, was that on Christmas Day Paul McCartney and Jane Asher announced their engagement. A few days later, George Harrison flew to India. After John and Paul had had their outside film projects -- John starring in How I Won The War and Paul doing the soundtrack for The Family Way -- the other two Beatles more or less simultaneously did their own side project films, and again one acted while the other did a soundtrack. Both of these projects were in the rather odd subgenre of psychedelic shambolic comedy film that sprang up in the mid sixties, a subgenre that produced a lot of fascinating films, though rather fewer good ones. Indeed, both of them were in the subsubgenre of shambolic psychedelic *sex* comedies. In Ringo's case, he had a small role in the film Candy, which was based on the novel we mentioned in the last episode, co-written by Terry Southern, which was in itself a loose modern rewriting of Voltaire's Candide. Unfortunately, like such other classics of this subgenre as Anthony Newley's Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Candy has dated *extremely* badly, and unless you find repeated scenes of sexual assault and rape, ethnic stereotypes, and jokes about deformity and disfigurement to be an absolute laugh riot, it's not a film that's worth seeking out, and Starr's part in it is not a major one. Harrison's film was of the same basic genre -- a film called Wonderwall about a mad scientist who discovers a way to see through the walls of his apartment, and gets to see a photographer taking sexy photographs of a young woman named Penny Lane, played by Jane Birkin: [Excerpt: Some Wonderwall film dialogue ripped from the Blu-Ray] Wonderwall would, of course, later inspire the title of a song by Oasis, and that's what the film is now best known for, but it's a less-unwatchable film than Candy, and while still problematic it's less so. Which is something. Harrison had been the Beatle with least involvement in Magical Mystery Tour -- McCartney had been the de facto director, Starr had been the lead character and the only one with much in the way of any acting to do, and Lennon had written the film's standout scene and its best song, and had done a little voiceover narration. Harrison, by contrast, barely has anything to do in the film apart from the one song he contributed, "Blue Jay Way", and he said of the project “I had no idea what was happening and maybe I didn't pay enough attention because my problem, basically, was that I was in another world, I didn't really belong; I was just an appendage.” He'd expressed his discomfort to his friend Joe Massot, who was about to make his first feature film. Massot had got to know Harrison during the making of his previous film, Reflections on Love, a mostly-silent short which had starred Harrison's sister-in-law Jenny Boyd, and which had been photographed by Robert Freeman, who had been the photographer for the Beatles' album covers from With the Beatles through Rubber Soul, and who had taken most of the photos that Klaus Voorman incorporated into the cover of Revolver (and whose professional association with the Beatles seemed to come to an end around the same time he discovered that Lennon had been having an affair with his wife). Massot asked Harrison to write the music for the film, and told Harrison he would have complete free rein to make whatever music he wanted, so long as it fit the timing of the film, and so Harrison decided to create a mixture of Western rock music and the Indian music he loved. Harrison started recording the music at the tail end of 1967, with sessions with several London-based Indian musicians and John Barham, an orchestrator who had worked with Ravi Shankar on Shankar's collaborations with Western musicians, including the Alice in Wonderland soundtrack we talked about in the "All You Need is Love" episode. For the Western music, he used the Remo Four, a Merseybeat group who had been on the scene even before the Beatles, and which contained a couple of classmates of Paul McCartney, but who had mostly acted as backing musicians for other artists. They'd backed Johnny Sandon, the former singer with the Searchers, on a couple of singles, before becoming the backing band for Tommy Quickly, a NEMS artist who was unsuccessful despite starting his career with a Lennon/McCartney song, "Tip of My Tongue": [Excerpt: Tommy Quickly, "Tip of My Tongue"] The Remo Four would later, after a lineup change, become Ashton, Gardner and Dyke, who would become one-hit wonders in the seventies, and during the Wonderwall sessions they recorded a song that went unreleased at the time, and which would later go on to be rerecorded by Ashton, Gardner, and Dyke. "In the First Place" also features Harrison on backing vocals and possibly guitar, and was not submitted for the film because Harrison didn't believe that Massot wanted any vocal tracks, but the recording was later discovered and used in a revised director's cut of the film in the nineties: [Excerpt: The Remo Four, "In the First Place"] But for the most part the Remo Four were performing instrumentals written by Harrison. They weren't the only Western musicians performing on the sessions though -- Peter Tork of the Monkees dropped by these sessions and recorded several short banjo solos, which were used in the film soundtrack but not in the soundtrack album (presumably because Tork was contracted to another label): [Excerpt: Peter Tork, "Wonderwall banjo solo"] Another musician who was under contract to another label was Eric Clapton, who at the time was playing with The Cream, and who vaguely knew Harrison and so joined in for the track "Ski-ing", playing lead guitar under the cunning, impenetrable, pseudonym "Eddie Clayton", with Harrison on sitar, Starr on drums, and session guitarist Big Jim Sullivan on bass: [Excerpt: George Harrison, "Ski-ing"] But the bulk of the album was recorded in EMI's studios in the city that is now known as Mumbai but at the time was called Bombay. The studio facilities in India had up to that point only had a mono tape recorder, and Bhaskar Menon, one of the top executives at EMI's Indian division and later the head of EMI music worldwide, personally brought the first stereo tape recorder to the studio to aid in Harrison's recording. The music was all composed by Harrison and performed by the Indian musicians, and while Harrison was composing in an Indian mode, the musicians were apparently fascinated by how Western it sounded to them: [Excerpt: George Harrison, "Microbes"] While he was there, Harrison also got the instrumentalists to record another instrumental track, which wasn't to be used for the film: [Excerpt: George Harrison, "The Inner Light (instrumental)"] That track would, instead, become part of what was to be Harrison's first composition to make a side of a Beatles single. After John and George had appeared on the David Frost show talking about the Maharishi, in September 1967, George had met a lecturer in Sanskrit named Juan Mascaró, who wrote to Harrison enclosing a book he'd compiled of translations of religious texts, telling him he'd admired "Within You Without You" and thought it would be interesting if Harrison set something from the Tao Te Ching to music. He suggested a text that, in his translation, read: "Without going out of my door I can know all things on Earth Without looking out of my window I can know the ways of heaven For the farther one travels, the less one knows The sage, therefore Arrives without travelling Sees all without looking Does all without doing" Harrison took that text almost verbatim, though he created a second verse by repeating the first few lines with "you" replacing "I" -- concerned that listeners might think he was just talking about himself, and wouldn't realise it was a more general statement -- and he removed the "the sage, therefore" and turned the last few lines into imperative commands rather than declarative statements: [Excerpt: The Beatles, "The Inner Light"] The song has come in for some criticism over the years as being a little Orientalist, because in critics' eyes it combines Chinese philosophy with Indian music, as if all these things are equally "Eastern" and so all the same really. On the other hand there's a good argument that an English songwriter taking a piece of writing written in Chinese and translated into English by a Spanish man and setting it to music inspired by Indian musical modes is a wonderful example of cultural cross-pollination. As someone who's neither Chinese nor Indian I wouldn't want to take a stance on it, but clearly the other Beatles were impressed by it -- they put it out as the B-side to their next single, even though the only Beatles on it are Harrison and McCartney, with the latter adding a small amount of harmony vocal: [Excerpt: The Beatles, "The Inner Light"] And it wasn't because the group were out of material. They were planning on going to Rishikesh to study with the Maharishi, and wanted to get a single out for release while they were away, and so in one week they completed the vocal overdubs on "The Inner Light" and recorded three other songs, two by John and one by Paul. All three of the group's songwriters brought in songs that were among their best. John's first contribution was a song whose lyrics he later described as possibly the best he ever wrote, "Across the Universe". He said the lyrics were “purely inspirational and were given to me as boom! I don't own it, you know; it came through like that … Such an extraordinary meter and I can never repeat it! It's not a matter of craftsmanship, it wrote itself. It drove me out of bed. I didn't want to write it … It's like being possessed, like a psychic or a medium.” But while Lennon liked the song, he was never happy with the recording of it. They tried all sorts of things to get the sound he heard in his head, including bringing in some fans who were hanging around outside to sing backing vocals. He said of the track "I was singing out of tune and instead of getting a decent choir, we got fans from outside, Apple Scruffs or whatever you call them. They came in and were singing all off-key. Nobody was interested in doing the tune originally.” [Excerpt: The Beatles, "Across the Universe"] The "jai guru deva" chorus there is the first reference to the teachings of the Maharishi in one of the Beatles' records -- Guru Dev was the Maharishi's teacher, and the phrase "Jai guru dev" is a Sanskrit one which I've seen variously translated as "victory to the great teacher", and "hail to the greatness within you". Lennon would say shortly before his death “The Beatles didn't make a good record out of it. I think subconsciously sometimes we – I say ‘we' though I think Paul did it more than the rest of us – Paul would sort of subconsciously try and destroy a great song … Usually we'd spend hours doing little detailed cleaning-ups of Paul's songs, when it came to mine, especially if it was a great song like ‘Strawberry Fields' or ‘Across The Universe', somehow this atmosphere of looseness and casualness and experimentation would creep in … It was a _lousy_ track of a great song and I was so disappointed by it …The guitars are out of tune and I'm singing out of tune because I'm psychologically destroyed and nobody's supporting me or helping me with it, and the song was never done properly.” Of course, this is only Lennon's perception, and it's one that the other participants would disagree with. George Martin, in particular, was always rather hurt by the implication that Lennon's songs had less attention paid to them, and he would always say that the problem was that Lennon in the studio would always say "yes, that's great", and only later complain that it hadn't been what he wanted. No doubt McCartney did put in more effort on his own songs than on Lennon's -- everyone has a bias towards their own work, and McCartney's only human -- but personally I suspect that a lot of the problem comes down to the two men having very different personalities. McCartney had very strong ideas about his own work and would drive the others insane with his nitpicky attention to detail. Lennon had similarly strong ideas, but didn't have the attention span to put the time and effort in to force his vision on others, and didn't have the technical knowledge to express his ideas in words they'd understand. He expected Martin and the other Beatles to work miracles, and they did -- but not the miracles he would have worked. That track was, rather than being chosen for the next single, given to Spike Milligan, who happened to be visiting the studio and was putting together an album for the environmental charity the World Wildlife Fund. The album was titled "No One's Gonna Change Our World": [Excerpt: The Beatles, "Across the Universe"] That track is historic in another way -- it would be the last time that George Harrison would play sitar on a Beatles record, and it effectively marks the end of the period of psychedelia and Indian influence that had started with "Norwegian Wood" three years earlier, and which many fans consider their most creative period. Indeed, shortly after the recording, Harrison would give up the sitar altogether and stop playing it. He loved sitar music as much as he ever had, and he still thought that Indian classical music spoke to him in ways he couldn't express, and he continued to be friends with Ravi Shankar for the rest of his life, and would only become more interested in Indian religious thought. But as he spent time with Shankar he realised he would never be as good on the sitar as he hoped. He said later "I thought, 'Well, maybe I'm better off being a pop singer-guitar-player-songwriter – whatever-I'm-supposed-to-be' because I've seen a thousand sitar-players in India who are twice as better as I'll ever be. And only one of them Ravi thought was going to be a good player." We don't have a precise date for when it happened -- I suspect it was in June 1968, so a few months after the "Across the Universe" recording -- but Shankar told Harrison that rather than try to become a master of a music that he hadn't encountered until his twenties, perhaps he should be making the music that was his own background. And as Harrison put it "I realised that was riding my bike down a street in Liverpool and hearing 'Heartbreak Hotel' coming out of someone's house.": [Excerpt: Elvis Presley, "Heartbreak Hotel"] In early 1968 a lot of people seemed to be thinking along the same lines, as if Christmas 1967 had been the flick of a switch and instead of whimsy and ornamentation, the thing to do was to make music that was influenced by early rock and roll. In the US the Band and Bob Dylan were making music that was consciously shorn of all studio experimentation, while in the UK there was a revival of fifties rock and roll. In April 1968 both "Peggy Sue" and "Rock Around the Clock" reentered the top forty in the UK, and the Who were regularly including "Summertime Blues" in their sets. Fifties nostalgia, which would make occasional comebacks for at least the next forty years, was in its first height, and so it's not surprising that Paul McCartney's song, "Lady Madonna", which became the A-side of the next single, has more than a little of the fifties about it. Of course, the track isn't *completely* fifties in its origins -- one of the inspirations for the track seems to have been the Rolling Stones' then-recent hit "Let's Spend The Night Together": [Excerpt: The Rolling Stones, "Let's Spend the Night Together"] But the main source for the song's music -- and for the sound of the finished record -- seems to have been Johnny Parker's piano part on Humphrey Lyttleton's "Bad Penny Blues", a hit single engineered by Joe Meek in the fifties: [Excerpt: Humphrey Lyttleton, "Bad Penny Blues"] That song seems to have been on the group's mind for a while, as a working title for "With a Little Help From My Friends" had at one point been "Bad Finger Blues" -- a title that would later give the name to a band on Apple. McCartney took Parker's piano part as his inspiration, and as he later put it “‘Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie-woogie thing. I got my left hand doing an arpeggio thing with the chord, an ascending boogie-woogie left hand, then a descending right hand. I always liked that, the  juxtaposition of a line going down meeting a line going up." [Excerpt: The Beatles, "Lady Madonna"] That idea, incidentally, is an interesting reversal of what McCartney had done on "Hello, Goodbye", where the bass line goes down while the guitar moves up -- the two lines moving away from each other: [Excerpt: The Beatles, "Hello Goodbye"] Though that isn't to say there's no descending bass in "Lady Madonna" -- the bridge has a wonderful sequence where the bass just *keeps* *descending*: [Excerpt: The Beatles, "Lady Madonna"] Lyrically, McCartney was inspired by a photo in National Geographic of a woman in Malaysia, captioned “Mountain Madonna: with one child at her breast and another laughing into her face, sees her quality of life threatened.” But as he put it “The people I was brought up amongst were often Catholic; there are lots of Catholics in Liverpool because of the Irish connection and they are often religious. When they have a baby I think they see a big connection between themselves and the Virgin Mary with her baby. So the original concept was the Virgin Mary but it quickly became symbolic of every woman; the Madonna image but as applied to ordinary working class woman. It's really a tribute to the mother figure, it's a tribute to women.” Musically though, the song was more a tribute to the fifties -- while the inspiration had been a skiffle hit by Humphrey Lyttleton, as soon as McCartney started playing it he'd thought of Fats Domino, and the lyric reflects that to an extent -- just as Domino's "Blue Monday" details the days of the week for a weary working man who only gets to enjoy himself on Saturday night, "Lady Madonna"'s lyrics similarly look at the work a mother has to do every day -- though as McCartney later noted  "I was writing the words out to learn it for an American TV show and I realised I missed out Saturday ... So I figured it must have been a real night out." The vocal was very much McCartney doing a Domino impression -- something that wasn't lost on Fats, who cut his own version of the track later that year: [Excerpt: Fats Domino, "Lady Madonna"] The group were so productive at this point, right before the journey to India, that they actually cut another song *while they were making a video for "Lady Madonna"*. They were booked into Abbey Road to film themselves performing the song so it could be played on Top of the Pops while they were away, but instead they decided to use the time to cut a new song -- John had a partially-written song, "Hey Bullfrog", which was roughly the same tempo as "Lady Madonna", so they could finish that up and then re-edit the footage to match the record. The song was quickly finished and became "Hey Bulldog": [Excerpt: The Beatles, "Hey Bulldog"] One of Lennon's best songs from this period, "Hey Bulldog" was oddly chosen only to go on the soundtrack of Yellow Submarine. Either the band didn't think much of it because it had come so easily, or it was just assigned to the film because they were planning on being away for several months and didn't have any other projects they were working on. The extent of the group's contribution to the film was minimal – they were not very hands-on, and the film, which was mostly done as an attempt to provide a third feature film for their United Artists contract without them having to do any work, was made by the team that had done the Beatles cartoon on American TV. There's some evidence that they had a small amount of input in the early story stages, but in general they saw the cartoon as an irrelevance to them -- the only things they contributed were the four songs "All Together Now", "It's All Too Much", "Hey Bulldog" and "Only a Northern Song", and a brief filmed appearance for the very end of the film, recorded in January: [Excerpt: Yellow Submarine film end] McCartney also took part in yet another session in early February 1968, one produced by Peter Asher, his fiancee's brother, and former singer with Peter and Gordon. Asher had given up on being a pop star and was trying to get into the business side of music, and he was starting out as a producer, producing a single by Paul Jones, the former lead singer of Manfred Mann. The A-side of the single, "And the Sun Will Shine", was written by the Bee Gees, the band that Robert Stigwood was managing: [Excerpt: Paul Jones, "And the Sun Will Shine"] While the B-side was an original by Jones, "The Dog Presides": [Excerpt: Paul Jones, "The Dog Presides"] Those tracks featured two former members of the Yardbirds, Jeff Beck and Paul Samwell-Smith, on guitar and bass, and Nicky Hopkins on piano. Asher asked McCartney to play drums on both sides of the single, saying later "I always thought he was a great, underrated drummer." McCartney was impressed by Asher's production, and asked him to get involved with the new Apple Records label that would be set up when the group returned from India. Asher eventually became head of A&R for the label. And even before "Lady Madonna" was mixed, the Beatles were off to India. Mal Evans, their roadie, went ahead with all their luggage on the fourteenth of February, so he could sort out transport for them on the other end, and then John and George followed on the fifteenth, with their wives Pattie and Cynthia and Pattie's sister Jenny (John and Cynthia's son Julian had been left with his grandmother while they went -- normally Cynthia wouldn't abandon Julian for an extended period of time, but she saw the trip as a way to repair their strained marriage). Paul and Ringo followed four days later, with Ringo's wife Maureen and Paul's fiancee Jane Asher. The retreat in Rishikesh was to become something of a celebrity affair. Along with the Beatles came their friend the singer-songwriter Donovan, and Donovan's friend and songwriting partner, whose name I'm not going to say here because it's a slur for Romani people, but will be known to any Donovan fans. Donovan at this point was also going through changes. Like the Beatles, he was largely turning away from drug use and towards meditation, and had recently written his hit single "There is a Mountain" based around a saying from Zen Buddhism: [Excerpt: Donovan, "There is a Mountain"] That was from his double-album A Gift From a Flower to a Garden, which had come out in December 1967. But also like John and Paul he was in the middle of the breakdown of a long-term relationship, and while he would remain with his then-partner until 1970, and even have another child with her, he was secretly in love with another woman. In fact he was secretly in love with two other women. One of them, Brian Jones' ex-girlfriend Linda, had moved to LA, become the partner of the singer Gram Parsons, and had appeared in the documentary You Are What You Eat with the Band and Tiny Tim. She had fallen out of touch with Donovan, though she would later become his wife. Incidentally, she had a son to Brian Jones who had been abandoned by his rock-star father -- the son's name is Julian. The other woman with whom Donovan was in love was Jenny Boyd, the sister of George Harrison's wife Pattie.  Jenny at the time was in a relationship with Alexis Mardas, a TV repairman and huckster who presented himself as an electronics genius to the Beatles, who nicknamed him Magic Alex, and so she was unavailable, but Donovan had written a song about her, released as a single just before they all went to Rishikesh: [Excerpt: Donovan, "Jennifer Juniper"] Donovan considered himself and George Harrison to be on similar spiritual paths and called Harrison his "spirit-brother", though Donovan was more interested in Buddhism, which Harrison considered a corruption of the more ancient Hinduism, and Harrison encouraged Donovan to read Autobiography of a Yogi. It's perhaps worth noting that Donovan's father had a different take on the subject though, saying "You're not going to study meditation in India, son, you're following that wee lassie Jenny" Donovan and his friend weren't the only other celebrities to come to Rishikesh. The actor Mia Farrow, who had just been through a painful divorce from Frank Sinatra, and had just made Rosemary's Baby, a horror film directed by Roman Polanski with exteriors shot at the Dakota building in New York, arrived with her sister Prudence. Also on the trip was Paul Horn, a jazz saxophonist who had played with many of the greats of jazz, not least of them Duke Ellington, whose Sweet Thursday Horn had played alto sax on: [Excerpt: Duke Ellington, "Zweet Zursday"] Horn was another musician who had been inspired to investigate Indian spirituality and music simultaneously, and the previous year he had recorded an album, "In India," of adaptations of ragas, with Ravi Shankar and Alauddin Khan: [Excerpt: Paul Horn, "Raga Vibhas"] Horn would go on to become one of the pioneers of what would later be termed "New Age" music, combining jazz with music from various non-Western traditions. Horn had also worked as a session musician, and one of the tracks he'd played on was "I Know There's an Answer" from the Beach Boys' Pet Sounds album: [Excerpt: The Beach Boys, "I Know There's an Answer"] Mike Love, who co-wrote that track and is one of the lead singers on it, was also in Rishikesh. While as we'll see not all of the celebrities on the trip would remain practitioners of Transcendental Meditation, Love would be profoundly affected by the trip, and remains a vocal proponent of TM to this day. Indeed, his whole band at the time were heavily into TM. While Love was in India, the other Beach Boys were working on the Friends album without him -- Love only appears on four tracks on that album -- and one of the tracks they recorded in his absence was titled "Transcendental Meditation": [Excerpt: The Beach Boys, "Transcendental Meditation"] But the trip would affect Love's songwriting, as it would affect all of the musicians there. One of the few songs on the Friends album on which Love appears is "Anna Lee, the Healer", a song which is lyrically inspired by the trip in the most literal sense, as it's about a masseuse Love met in Rishikesh: [Excerpt: The Beach Boys, "Anna Lee, the Healer"] The musicians in the group all influenced and inspired each other as is likely to happen in such circumstances. Sometimes, it would be a matter of trivial joking, as when the Beatles decided to perform an off-the-cuff song about Guru Dev, and did it in the Beach Boys style: [Excerpt: The Beatles, "Spiritual Regeneration"] And that turned partway through into a celebration of Love for his birthday: [Excerpt: The Beatles, "Spiritual Regeneration"] Decades later, Love would return the favour, writing a song about Harrison and their time together in Rishikesh. Like Donovan, Love seems to have considered Harrison his "spiritual brother", and he titled the song "Pisces Brothers": [Excerpt: Mike Love, "Pisces Brothers"] The musicians on the trip were also often making suggestions to each other about songs that would become famous for them. The musicians had all brought acoustic guitars, apart obviously from Ringo, who got a set of tabla drums when George ordered some Indian instruments to be delivered. George got a sitar, as at this point he hadn't quite given up on the instrument, and he gave Donovan a tamboura. Donovan started playing a melody on the tamboura, which is normally a drone instrument, inspired by the Scottish folk music he had grown up with, and that became his "Hurdy-Gurdy Man": [Excerpt: Donovan, "Hurdy Gurdy Man"] Harrison actually helped him with the song, writing a final verse inspired by the Maharishi's teachings, but in the studio Donovan's producer Mickie Most told him to cut the verse because the song was overlong, which apparently annoyed Harrison. Donovan includes that verse in his live performances of the song though -- usually while doing a fairly terrible impersonation of Harrison: [Excerpt: Donovan, "Hurdy Gurdy Man (live)"] And similarly, while McCartney was working on a song pastiching Chuck Berry and the Beach Boys, but singing about the USSR rather than the USA, Love suggested to him that for a middle-eight he might want to sing about the girls in the various Soviet regions: [Excerpt: The Beatles, "Back in the USSR"] As all the guitarists on the retreat only had acoustic instruments, they were very keen to improve their acoustic playing, and they turned to Donovan, who unlike the rest of them was primarily an acoustic player, and one from a folk background. Donovan taught them the rudiments of Travis picking, the guitar style we talked about way back in the episodes on the Everly Brothers, as well as some of the tunings that had been introduced to British folk music by Davey Graham, giving them a basic grounding in the principles of English folk-baroque guitar, a style that had developed over the previous few years. Donovan has said in his autobiography that Lennon picked the technique up quickly (and that Harrison had already learned Travis picking from Chet Atkins records) but that McCartney didn't have the application to learn the style, though he picked up bits. That seems very unlike anything else I've read anywhere about Lennon and McCartney -- no-one has ever accused Lennon of having a surfeit of application -- and reading Donovan's book he seems to dislike McCartney and like Lennon and Harrison, so possibly that enters into it. But also, it may just be that Lennon was more receptive to Donovan's style at the time. According to McCartney, even before going to Rishikesh Lennon had been in a vaguely folk-music and country mode, and the small number of tapes he'd brought with him to Rishikesh included Buddy Holly, Dylan, and the progressive folk band The Incredible String Band, whose music would be a big influence on both Lennon and McCartney for the next year: [Excerpt: The Incredible String Band, "First Girl I Loved"] According to McCartney Lennon also brought "a tape the singer Jake Thackray had done for him... He was one of the people we bumped into at Abbey Road. John liked his stuff, which he'd heard on television. Lots of wordplay and very suggestive, so very much up John's alley. I was fascinated by his unusual guitar style. John did ‘Happiness Is A Warm Gun' as a Jake Thackray thing at one point, as I recall.” Thackray was a British chansonnier, who sang sweetly poignant but also often filthy songs about Yorkshire life, and his humour in particular will have appealed to Lennon. There's a story of Lennon meeting Thackray in Abbey Road and singing the whole of Thackray's song "The Statues", about two drunk men fighting a male statue to defend the honour of a female statue, to him: [Excerpt: Jake Thackray, "The Statues"] Given this was the music that Lennon was listening to, it's unsurprising that he was more receptive to Donovan's lessons, and the new guitar style he learned allowed him to expand his songwriting, at precisely the same time he was largely clean of drugs for the first time in several years, and he started writing some of the best songs he would ever write, often using these new styles: [Excerpt: The Beatles, "Julia"] That song is about Lennon's dead mother -- the first time he ever addressed her directly in a song, though  it would be far from the last -- but it's also about someone else. That phrase "Ocean child" is a direct translation of the Japanese name "Yoko". We've talked about Yoko Ono a bit in recent episodes, and even briefly in a previous Beatles episode, but it's here that she really enters the story of the Beatles. Unfortunately, exactly *how* her relationship with John Lennon, which was to become one of the great legendary love stories in rock and roll history, actually started is the subject of some debate. Both of them were married when they first got together, and there have also been suggestions that Ono was more interested in McCartney than in Lennon at first -- suggestions which everyone involved has denied, and those denials have the ring of truth about them, but if that was the case it would also explain some of Lennon's more perplexing behaviour over the next year. By all accounts there was a certain amount of finessing of the story th

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By leveraging advanced machine learning, data analytics, and business intelligence, we empower businesses to recover funds that would otherwise go unnoticed, significantly enhancing their bottom line. But we're not just about recovering funds – we're also about optimizing operations. Intelligent Audit provides actionable insights to fine-tune shipping strategies, minimize costs, and maximize efficiency. Our team of logistics experts and technologists work in synergy to create an integrated solution that redefines the logistics landscape, helping businesses navigate challenges and thrive in a rapidly evolving market. At Intelligent Audit, we're more than just a service provider; we're a strategic partner, committed to helping businesses achieve logistical excellence and unlock untapped potential. Key Takeaways: The Importance of Freight Bill Audit Intelligent Audit is a technology-driven company that specializes in freight audit and payment services. Intelligent Audit offers a comprehensive suite of solutions that help businesses optimize their transportation spend and improve supply chain visibility. Their services include freight audit and payment, contract optimization, carrier management, and data analytics. Intelligent Audit's advanced technology platform utilizes artificial intelligence and machine learning algorithms to automate the auditing process and identify potential savings opportunities. The company works with a wide range of industries, including retail, manufacturing, e-commerce, and healthcare. Intelligent Audit's clients benefit from increased cost savings, improved operational efficiency, and enhanced visibility into their transportation data. They have a global presence and serve clients across North America, Europe, and Asia. Intelligent Audit has established strategic partnerships with leading transportation management system providers and carriers to deliver seamless integration and enhanced services. Learn More About the Importance of Freight Bill Audit Richard on LinkedIn Intelligent Audit on LinkedIn Intelligent Audit website Sponsor: Tusk Logistics https://youtu.be/C7PFZq7f8pQ   Tusk Logistics is a national network of the best regional parcel carriers that puts Shippers first, with lower costs, reliable service, and proactive support. Tusk save Shippers 40% or more on small parcel shipping. Tusk's technology connects your parcel operation to a national network of vetted regional carriers, all with pre-negotiated rates and reliable, predictable service. Integrating to your existing software takes minutes, and Tusk has your back with proactive shipper support on each parcel, in real time. Episode Sponsor: Greenscreens.ai https://www.youtube.com/watch?v=3JDbZI7NNnE Greenscreens.ai's dynamic pricing infrastructure built to grow and protect margins. The Greenscreens.ai solution combines aggregated market data and customer data with advanced machine learning techniques to deliver short-term predictive freight market pricing specific to a company's individual buy and sell behavior. The Logistics of Logistics Podcast If you enjoy the podcast, please leave a positive review, subscribe, and share it with your friends and colleagues. The Logistics of Logistics Podcast: Google, Apple, Castbox, Spotify, Stitcher, PlayerFM, Tunein, Podbean, Owltail, Libsyn, Overcast Check out The Logistics of Logistics on Youtube

As we head into our brief summer break (we'll be back in early August) we're joined by Brett Baer.  Brett is a Michigan native who now divides his time between Texas and California.  His primary business is construction, property management, and staging high properties to optimize marketability and revenue.  He is also the new owner of the North Branch Outing Club and joins us on the Podcast to talk about this Historical Venue and his plans for the Lodges' future.   This is a great chance to hear what is going on with this beloved historic property.

DeBarge, Diane Warren, Richard Perry, and me.

The Audio Hall of Fame Medal of Courage recipient and former U.S. National Team Member Richard Perry Connecticut native Richard Perry has had a trying five years, but before he suffered an accident at Camp Pendleton in California when the U.S. national team was there training, Perry was a member of the national team who had been rapidly improving. A multiple-time NCAA qualifier at Bloomsburg, Perry didn't start wrestling until he was in his later years in high school and eventually turned into a formidable threat on the senior level. His well-documented recovery from that freak accident and his family's faith and support have lifted Perry back up. He will receive the National Wrestling Hall of Fame's Medal of Courage this coming weekend in Stillwater, Oklahoma. Join Kyle Klingman and Andy Hamilton as they talk about the world of wrestling on the flagship podcast of Trackwrestling.com from FloSports.   Show Segments  0:30 - Andy doesn't look much like a butterball. Why, Kyle? Why? 1:00 - Previewing what's coming up with Richard Perry on this episode.  2:40 - Fan engagement as Kyle rubs salt into the Yankees' wound.  7:45 - Kyle thinks the biggest rivalry in wrestling right now is Virginia Tech vs. NC State. 9:00 - Andy finally comes around to asking about Butterball.  9:35 - Cliff Keen Athletic 10:15 - Richard Perry Interview 54:30 - The Sergeant Duffel from Cliff Keen 55:30 - Interview recap with Andy and Kyle.  Related Story: Olympic hopeful wrestler injured during Camp Pendleton weapon drill gets record $12 million settlement Subscribe to On The Mat and listen anytimeApple Podcasts | Stitcher Radio | Spreaker | Spotify | iHeartRadio | Google Podcasts | RSS

The Audio Hall of Fame Medal of Courage recipient and former U.S. National Team Member Richard Perry Connecticut native Richard Perry has had a trying five years, but before he suffered an accident at Camp Pendleton in California when the U.S. national team was there training, Perry was a member of the national team who […]

Hall of Fame Medal of Courage recipient and former U.S. National Team Member Richard Perry Connecticut native Richard Perry has had a trying five years, but before he suffered an accident at Camp Pendleton in California when the U.S. national team was there training, Perry was a member of the national team who had been rapidly improving. A multiple-time NCAA qualifier at Bloomsburg, Perry didn't start wrestling until he was in his later years in high school and eventually turned into a formidable threat on the senior level. His well-documented recovery from that freak accident and his family's faith and support have lifted Perry back up. He will receive the National Wrestling Hall of Fame's Medal of Courage this coming weekend in Stillwater, Oklahoma. Join Kyle Klingman and Andy Hamilton as they talk about the world of wrestling on the flagship podcast of Trackwrestling.com from FloSports. Show Segments 0:30 - Andy doesn't look much like a butterball. Why, Kyle? Why?1:00 - Previewing what's coming up with Richard Perry on this episode.2:40 - Fan engagement as Kyle rubs salt into the Yankees' wound.7:45 - Kyle thinks the biggest rivalry in wrestling right now is Virginia Tech vs. NC State.9:00 - Andy finally comes around to asking about Butterball.9:35 - Cliff Keen Athletic10:15 - Richard Perry Interview54:30 - The Sergeant Duffel from Cliff Keen55:30 - Interview recap with Andy and Kyle. Related Story: Olympic hopeful wrestler injured during Camp Pendleton weapon drill gets record $12 million settlement Subscribe to On The Mat and listen anytimeApple Podcasts | Stitcher Radio | Spreaker | Spotify | iHeartRadio | Google Podcasts | RSS

In this episode, join in for an exhilarating chat with high school ELA teacher Richard Perry as we delve into the fascinating world of artificial intelligence in the classroom. You'll hear some of Richard's ChatGPT strategies as well as his insightful observations and predictions for the future of AI in education.  Show notes: https://classtechtips.com/2023/04/11/Teacher-Using-ChatGPT-210/  Sponsored by TeacherLists: https://teacherlists.com/win  Follow Richard on Twitter: https://twitter.com/rperry209  Follow Monica on Instagram: https://www.instagram.com/classtechtips/       

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: John ShafranskiHarry Nilsson “Without You" from the  1971 album "Nilsson Schmilsson" released on RCA. Written by Pete Ham and Tom Evans and produced by Richard Perry. Personel:Harry Nilsson – vocalsGary Wright – pianoJohn Uribe – acoustic guitarKlaus Voormann – bass guitarJim Keltner – drumsPaul Buckmaster – string and French horn arrangementsCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Toto “Africa”Aha “Take On Me”Mariah Carey

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: John ShafranskiHarry Nilsson “Without You" from the  1971 album "Nilsson Schmilsson" released on RCA. Written by Pete Ham and Tom Evans and produced by Richard Perry. Personel:Harry Nilsson – vocalsGary Wright – piano John Uribe – acoustic guitarKlaus Voormann – bass guitar Jim Keltner – drums Paul Buckmaster – string and French horn arrangementsCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Jeff BeckDavid CrosbyThe ByrdsCrosby, Stills, and NashGallagherBob DylanThe Beatles “A Day in the Life”The YardbirdsCSNY “So Far”Neil Young “Decade”David Crosby “Almost Cut My Hair”The Byrds “Mr. Tambourine Man”They Byrds “My Page Pages”CSN “Guinneviere”CSN “Deja Vu”The Byrds “We've All Been Burned”Buffalo SpringfieldThe Byrds “Triad”CSN “Wooden Ships”SupermanMonterrey Pop FestivalAmerica the BeautifulBarack ObamaCSNY “Four Way Street”Mariah CareyHarry Nilsson “Everybody's Talkin'”Harry Nilsson “One”Paul McCartneyBadfingerHarry Nilsson “Gotta Get Up”Harry Nilsson “Early in the Monring”Harry Nilsson “Jump Into the Fire”Captain BeefheartFats DominoTiny TimCeline DionTitanticWhitney Houston “I Will Always Love You”Dolly PartonGary Wright “Dream Weaver”John LennonGeorge HarrisonThe Beatles “Revolver”The Traveling WilburysDavid Bowie “Space Oddity”Elton John “Levon”Elton John “Tiny Dancer”Elton John “Your Song”The Rolling Stones “Moonlight Mile”The Rolling Stones “Sway”The Beatles “For No One”Ringo StarrSam CookeRoy OrbisonThe Beatles “Yesterday”The Rules of AttractionJames van der BeekGlen CampbellAfrica “Toto”The Skyliners “Since I Don't Have You”Guns n Roses “November Rain”The Platters “Only You”Billy JoelPhil Collins “Against All Odds”Billy Vera “If You Don't Know Me By Now”Sinead O'Conner “Nothing Compares To You”U2 “With or Without You”BonoO, Holy NightAretha FranklinWhitney HoustonTG Sheppard 

ALVIN TAYLOR Legendary Drummer, Musical Director, Producer Alvin has been a lover of drums since the age of five, and his professional career began at the age of fourteen, when he was discovered by, and toured with Little Richard. His most amazing experience came when he was invited to London by George Harrison (of the Beatles) to both live in his castle and to record the “33 1/3” album … and that album went platinum. Further evidence of Alvin's unique talent is his on-going list of credits and tours with other legendary artists such as: Elton John, Tina Turner, Bob Dylan, Bob Welch, Stevie Wonder, Natalie Cole, Gil Scott Heron, Diana Ross, Barry White, Sly Stone, Leo Sayer, Bill Withers, Andre' Crouch, Ronnie Woods, who is the guitarist with the Rolling Stones, and so many others. While working with Little Richard, Alvin played on the hit album “King of Rock & Roll.” He was then asked to join a band called PG&E (Pacific, Gas & Electric) with lead singer Charlie Allen and guitarist Steve Beckmeier. They went on to record a hit song called “Are You Ready” and also did a remake of the hit song“Stagger-Lee.” Billy Preston, also known as, the 5th Beatle and a Beatles' favorite, was initially responsible for Alvin's introduction to studio dates. Alvin went on to tour and record with Billy Preston on many occasions. He also recorded “I'm Just a Sucker For Your Love” with Tina Marie and Rick James. Shortly after that, Alvin's demand as a studio musician by the best producers in the music industry such as Robert Margouleff, Richard Perry, George Martin, the legendary Motown producer Frank Wilson and Norman Whitfield was relentless, and his calendar was never short of dates. He was a constant guest on hit musical television shows such as the Midnight Special, In Concert, Solid Gold, Don Kirshner's Rock Concert, The Real Don Steele and Soul Train. Alvin was then asked by Jerry Goldstein to play with the famous and long- standing group War. Goldstein produced, managed, and owned the group as well as the record label Avenue Records. Alvin turned down the offer, however, he then joined the Eric Burdon band. They recorded the albums, “Sun Secrets,” “Stop,” and a double album conceived for a movie sound track titled “Mirage.” He also did a world tour with the Eric Burdon Band. While Alvin was touring with Eric Burdon, an A&R man from Capitol Records named John Carter, one of Alvin's biggest fans, signed Bob Welch, the original guitarist with Fleetwood Mac, to a long-term contract with Capitol Records. He then asked Alvin to put a band together for Welch's album project. After Alvin listened to Welch's demos, he asked Carter, “Who are the musicians playing on the demo?” – Carter's response was “That is all Bob Welch, playing the bass, the keyboards and guitars.” Alvin then informed Carter that he had found a band that could do the recording for Bob Welch's solo album called “French Kiss.” That band consisted of Alvin Taylor and Bob Welch, featuring the hit single “Ebony Eyes,” and the album went gold and then platinum. This was the first tangible proof that Alvin has incredible musical direction and production skills in addition to his dynamic drumming talent. Today, he is still an active and passionate drummer, as well as a music director and producer. He continues to do miscellaneous dates and tours with various artists. He is currently working in pre-production as a musical director for a major television show. His life has been so enriched by his musical craft and astounding career as a successful artist, that he is now in the process of writing a book about his life story. He is always seeking to create and develop new artists, and he has a never-ending artistic mind and enduring love for music. MORE KELLY EXECUTIVE PRODUCER BROOKLYN CARDENAS

Anzu Lawson is an Asian-American Singer-Actress/ Stand Up Comic/ Playwright-Screenwriter who got her start opposite Viggo Mortensen in an indie film called American Yakuza for HBO. She's since guest starred on numerous TV shows playing many ethnically diverse characters. Most recently reprising her role as Mariko on Season 10 of NBC's The Blacklist (airing 2/28/23), recurring as Ashley Kim on Chicago Med, & Netflix's Manifest; Season 4 (TBD). After decades of frustration with the lack of leading roles for diverse women in Hollywood, Anzu parlayed her story telling passions by receiving her certificate in screenwriting at UCLA in '09, where she optioned her first script, The Seed Between the Stones, a coming-of-age story inspired by her time with Mick Jagger and her music mentor Richard Perry.

It wouldn't be a Christmas Bank Holiday without a Bond Movie would it?Yes, it's time for this month's Tailoring Talk Bondathon episode and it's another full house as Phil, Jon, Alex and I review the 10th 007 James Bond movie: yes it's time for The  Spy Who Loved Me!We are also thrilled to be joined by Tailoring Talk Superfan, Kevin Foster!WARNING: This episode contains a vast  amount of spoilers so if you haven't seen The Spy Who Loved Me and don't want to know what happens, go watch the movie and come back to the episode straight after!This start to finish run through of Roger Moore's third 007 outing includes the boys discussing the outfits, gadgets, villains and Bond girls plus all the key plot points... and going off on all the usual tangents of course!Enjoy!Get in touch! Got a particular Bond film you love? Would you like to be on the show to review and discuss it with Roberto and our co-hosts? Then what are you waiting for, get in touch!  Email Roberto at  tailoringtalkpodcast@gmail.com or get in touch via the show's  Instagram page @tailoringtalkpodcast ! Links:Roberto on Instagram http://www.instagram.com/robertorevillalondonTailoring Talk on Instagram http://www.instagram.com/tailoringtalkpodcastConnect with Philip Rahman on LinkedIn https://www.linkedin.com/in/philip-rahman-276b871/The Play Pause Turn Podcast https://playpauseturn.showPlay Pause Turn on Twitter https://twitter.com/playpauseturnJon Evans https://twitter.com/jonprevans Alex Hansford https://twitter.com/alexhansfordCredits:Tailoring Talk intro and outro music by Wataboy on PixabayProduced & Edited by Roberto RevillaThe Spy Who Loved Me is an EON ProductionThe Theme Song “Nobody Does It Better” was composed by Marvin Hamlisch with lyrics by Carole Bayer Sager, the song was produced by Richard Perry and performed by Carly Simon. Published by United Artists Music Co and Released by Elektra Records, a division of Warner Communications.Support the show

From Beat the Streets to beating the odds. Gina and Richard Perry through incredible, love and determination share a success story that is one for the ages. Their faith is truly undeniable! Thanks for listening to this episode of the podcast! You can now support the “Blood Time” and “Undeniable” podcasts directly! shorturl.at/dghoK Podcast Feedback? Business Inquiry? Contact Peter “Coach” Cimoroni at (216)-287-1522! Thanks to this episode's sponsors! Bornstein Law: https://bornstein.law Edwins: https://edwinsrestaurant.org Infinite Search Solutions: www.in-finite.com Just For Fun Honda: https://justforfunhonda.com Next Level Continuing Education: shorturl.at/BDLPW Next Level Infinite Banking: (614)-648-2440 The Plug: www.theplugt-shirtstore.com Thinking about starting your own podcast? www.maverickpodcasting.com

Frank Brosens is a co-founder of Taconic Capital, an $8 billion event-driven, multi-strategy hedge fund founded in 1999. Frank started his career at Goldman Sachs, where he joined and later ran Bob Rubin's legendary risk arbitrage desk. That group became one of the top breeding grounds for hedge fund founders, including among its ranks Tom Steyer at Farallon, Richard Perry at Perry Partners, Danny Och at Och-Ziff Capital, Eddie Lampert at ESL, Eric Mindich at Eton Park, and Dinakar Singh at TPG-Axon. Our conversation covers Frank's path to the Goldman risk arb desk, the culture that made it a success, and his eventual decision to leave the firm. We then discuss the founding of Taconic, its partnership and investment philosophy, and its approach to risk management, capital allocation, and the pursuit of opportunities. Along the way, Frank highlights examples that demonstrate the benefits of a carefully aligned culture for teammates and clients across organizational structure, portfolio management, and compensation. Access Stream by AlphaSense Free Trial Learn More Follow Ted on Twitter at @tseides or LinkedIn Subscribe to the mailing list Access Transcript with Premium Membership

Richard Perry is a former National Team member at 86kg, a 3x NCAA qualifier and a Connecticut state champion. In August of 2018, Richard was involved in a training accident that forever shaped he and his family's lives. Richard is joined in this interview by his wife Gina Perry, who writes for Intermat and works for Beat the Streets National. (Photo / Tony Rotundo)

H&LD E71 w/ Richard Perry: Perry explains how his high school coach drew him into the sport of wrestling and how he ended up at Bloomsburg. Going to Bloomsburg was all about beating one team. We talk about how the Overcomer name came about and what the Overcomer Training Center in Connecticut is all about. Perry also explains what his next big goal is!Go follow Richard Perry and Chain Wrestling for Overcomer Apparel:Instagram: @iamrichperryusa @chain_wrestleTwitter: @IamRichPerryUSA @chain_wrestleVisit www.gritathletics.com to register for the GRIT Greengrass to hear more from Richard Perry in Livermore, Colorado.Send me your suggestions for upcoming guests and any other feedback you have to my socialInstagram: @headlock4funTwitter: @headlock4funiTunes users give the show a review and rating!

Welcome to: From The Vaults! Each episode features an early Turned Out A Punk interview. Starting off with the first two people invited on the show: the Arcade Fire's Jeremy Gara and Richard Perry! Listen in to hear the story of how two Southern Ontario Hardcore kids wound up in one of music's most important groups. Also, don't forget to check out Arcade Fire's "We", in store everywhere now! Also, check out the new, Richard Perry produced, Sadies album "Colder Streams", in stores July 22! Also touched on:  The pre-Arcade Fire bands - The metal band that was the Rosetta Stone of Toronto indie rock - Going to shows at ‘Who's Emma' - The Importance of Godspeed You Black Emperor - The "What Would Ian (MacKaye) Do?" guilt. - Food Not Bombs - The lost genius of Okara - Chris Colohan is the greatest dude ever - Shotmaker - Sharing the pit at an Assuck show on the front lawn of a frat house with hardcore legend Tony Erba in the 90's - Brokencyde

We chart Leo Sayer's career from graphic designer to nervous breakdown to John Lennon to Roger Daltrey to Pierrot to Richard Perry to being ripped-off to moving to Australia to... Leo Sayer is a raconteur and a true artist who is still creating, you'll love hearing his story. See omnystudio.com/listener for privacy information.

Many non-profit leaders don't believe in spending money on administrative support for fundraisers. But the truth is, the cost of admin support is a drop in the bucket compared to the revenue you're losing if your fundraisers are focused on other things instead of engaging with your donors. In this podcast episode, Jeff and Richard offer up some numbers to help illustrate the economic impact of hiring back-end office support for fundraisers. If you're looking for a deep dive into managing a fundraising team, check out the latest book by Richard Perry and Jeff Schreifels, It's Not Just About the Donor. You can purchase a copy here. Show Highlights: In this episode, you'll learn about… The economic impact of having dedicated admin staff for your fundraising team The potential revenue loss when fundraisers must spend up to half of their time on administrative tasks A chart we'd love to share that organizes the division of labor between fundraising and admin support staff A summary of tasks that can be handled by an admin support person, freeing up the front-line fundraiser so they can create thoughtful asks, check in with donors, or communicate in a personal way to their donors how they've made a difference.

Richard Perry first started wrestling at his high school in Connecticut. He learned quickly how to succeed on the mat. The 2x State Champion went on to Bloomsburg University where he had over 100 wins and was a 3x NCAA Division 1 Championship Qualifier. He began his international career and took a quick trajectory towards freestyle success. After qualifying to be on the 2018 USA Wrestling National Team, Richard suffered a traumatic brain injury during a training exercise at Camp Pendleton, California. As he continues his rehabilitation from that tragic accident, Richard shares his story of being an overcomer and what it means to be a part of the Pennsylvania Regional Training Center. #RichardPerry #OlympicWrestling #USAWrestling #Overcomer #PRTC #PhillyWrestling

During our long Michigan winters; residents of Lovells gather every other Thursday for a series of talks.  While we await the Trout season Opener, we bring in folks to share stories and presentations.  This episode is the first of this season's Hot Stove talks.   Join John Porteous and Richard Perry as they host this year's "virtual" Hot Stove talks. Our guest for episode one is Jim Renn, an archaeologist with the the US Forest Service.