Podcasts about Bangles

Welcome back to When Words Fail Music Speaks, the show where we combat depression and despair with the healing power of music. I'm your host, James Cox, and today's episode is a truly moving one.We sit down with Mike Gomoll, the visionary founder of Joey Song, a non‑profit born from tragedy and turned into a beacon of hope. After his son Joey was diagnosed with a rare, devastating form of epilepsy—Dravet syndrome—Mike and his family faced unimaginable loss. Rather than letting grief win, they channeled their love of music into a mission: raise awareness, fund research, and support families navigating epilepsy.Mike shares his journey from a college nightclub manager at Madison's legendary Headliners, through a long corporate stint at IBM, to becoming the driving force behind a series of benefit concerts that have raised over a million dollars. He explains how music became Joey's sole language, how “when words fail, music speaks” became the rallying cry for his cause, and why a night of rock legends—Butch Vig, Rick Nielsen, members of the Goo Goo Dolls, the Bangles, and more—volunteer their time to perform for a good cause.We'll hear stories of spontaneous on‑stage magic, the unique “super‑group” covers that turn classic hits into unforgettable tributes, and Mike's vision for expanding Joey Song beyond Madison. Along the way, we'll demystify epilepsy, bust common myths, and discover why a simple “D”—Joey's cue to dance—could be the world's most powerful message.If you've ever wondered how one family turned personal tragedy into a movement that harnesses the universal language of music, this episode is for you. Grab your headphones, get ready to feel inspired, and remember: when words fail, music speaks. Let's dive in.

“Eternal Flame” is another song that came into my head from out of nowhere. It just started playing in my mind on its own. I remembered the song, but I had never heard of (or don't remember) an all-girl band called The Bangles. The group was popular in the 1980s. Susanna Hoff, their lead singer, wrote Eternal Flame with songwriters Billy Steinberg and Tom Kelly. The idea came from a Cyndi Lauper song Hoff admired, and from the eternal flame shrine near the Elvis Presley tomb in Graceland, where The Bangles saw it. “Eternal Flame” became one of The Bangles' biggest hits, reaching #1 in nine countries, including the USA in 1989. I still don't know why “Eternal Flame” barged unannounced into my head, but I'm glad it did. The song is BEAUTIFUL. Here's my cover. Chapters (00:00:08) - Close Your Eyes, Give Me Your Hand

“Eternal Flame” is another song that came into my head from out of nowhere. It just started playing in my mind on its own. I remembered the song, but I had never heard of (or don't remember) an all-girl band called The Bangles. The group was popular in the 1980s. Susanna Hoff, their lead singer, wrote Eternal Flame with songwriters Billy Steinberg and Tom Kelly. The idea came from a Cyndi Lauper song Hoff admired, and from the eternal flame shrine near the Elvis Presley tomb in Graceland, where The Bangles saw it. “Eternal Flame” became one of The Bangles' biggest hits, reaching #1 in nine countries, including the USA in 1989. I still don't know why “Eternal Flame” barged unannounced into my head, but I'm glad it did. The song is BEAUTIFUL. Here's my cover. Chapters (00:00:08) - Close Your Eyes, Give Me Your Hand

Did the ancient Egyptians have B major, or were they just really into papyrus condoms? This week, Andrew and his resident logic-botherer Sam attempt to dissect the musical history of ancient Egypt, mostly concluding that three thousand years of history can't quite be summed up by Bruce Dickinson or an overly loud 90s metal kick drum. Expect a completely uncalled-for bass-tuning intermission, a deep dive into why the 'Woke Police' banned The Bangles after 9/11, and the shocking revelation that ancient Greek war music sounds a bit too much like an Offspring track. We also listen to some genuine electronic pioneer madness involving barking dogs and celestial shapes, plus a bit of Coptic embalming music that sounds exactly like a knife going into some pharaoh's guts. It's educational, it's chaotic, and Andrew actually learns what a pentatonic scale is (sort of).

Send us Fan MailWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!.....The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Dooley by The Dillards (1963)Song 1: Whiskey Glasses by Morgan Wallen (2018)Song 2: Take On Me by a-ha (1984)Song 3: Rehab by Amy Winehouse (2006)Song 4: Crazy by Seal (1990)Song 5: Give a Little Bit by Supertramp (1977)Song 6: Alive by Pearl Jam (1991)Song 7: MMMBop by Hanson (1997)Song 8: Manic Monday by The Bangles (1985)Song 9: Shout by Tears for Fears (1984)Song 10: Fast Car by Tracy Chapman (1988)

Overcoming Loss & Fighting Epilepsy With Music | Michael Gomoll Joey Gomoll died in 2010, just shy of his 5th birthday, after battling a rare form of epilepsy called Dravet's Syndrome his entire life. Upon his passing, his family started  a charity called Joey's Song to help raise money to fund research grants focused on finding treatments and cures for rare, intractable, pediatric epilepsies. In the 15-plus years since Joey's death, Joey's Song has grown from a few acoustic guitars in a sports bar to a multi-day concert series featuring Grammy winners and Rock n Roll Hall of Famers (Members of bands like Cheap Trick, Guns N Roses, The Go-Go's, The Bangles, Tears For Fears, Garbage, Portugal.The Man, Goo Goo Dolls, Eve 6, Everclear and many more). This amazing collection of musicians gathers every January in Madison, WI. They volunteer their time and talent, and form a series of supergroups throughout the weekend for a one-of-a-kind concert event.Since its inception, Joey's Song has been a part of over $ 2 million raised and has had over 10,000 attendees in just the last two years.Links:https://www.joeyssong.org/https://www.instagram.com/joeyssongTagspodcast for creatives,creative podcast,podcast creator interviews,professional podcast,creative podcasts,podcast host interviews,creative podcast ideas,Child Loss,epilepsy,Event Management,Family,Fundraising,Live Music,Music Festivals,Music Interviews,Music Production,Overcoming AdversitySupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

In this episode, we hear words of consolation, as depicted in Sangam Literary work, Aganaanooru 251, penned by Maamoolanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse relates a significant historic incident involving hostilities between the north and south of ancient India. தூதும் சென்றன; தோளும் செற்றும்;ஓதி ஒண் நுதல் பசலையும் மாயும்;வீங்கு இழை நெகிழச் சாஅய், செல்லலொடுநாம் படர் கூரும் அருந் துயர் கேட்பின்,நந்தன் வெறுக்கை எய்தினும், மற்று அவண்தங்கலர் வாழி, தோழி! வெல் கொடித்துனை கால் அன்ன புனை தேர்க் கோசர்தொல் மூதாலத்து அரும் பணைப் பொதியில்,இன் இசை முரசம் கடிப்பு இகுத்து இரங்க,தெம் முனை சிதைத்த ஞான்றை, மோகூர்பணியாமையின், பகை தலைவந்தமா கெழு தானை வம்ப மோரியர்புனை தேர் நேமி உருளிய குறைத்தஇலங்கு வெள் அருவிய அறை வாய் உம்பர்,மாசு இல் வெண் கோட்டு அண்ணல் யானைவாயுள் தப்பிய, அருங் கேழ் வயப் புலிமா நிலம் நெளியக் குத்தி, புகலொடுகாப்பு இல வைகும் தேக்கு அமல் சோலைநிரம்பா நீள் இடைப் போகி,அரம் போழ் அவ் வளை நிலை நெகிழ்த்தோரே. In this trip to the familiar drylands, we take a detour to observe the path of hostile armies, as we listen to the confidante say these words to the lady, when the man continues to remain parted away, having left in search of wealth: “Messengers have gone thither; Thinning arms shall recover; Pallor that spreads on the shining forehead, hemmed by tresses, shall disappear; If he hears of the deep sorrow that spreads in you, making you lose your health and causing your thick ornaments to slip away, even if he were to attain the wealth of Nandan, he will not choose to remain there! May you live long, my friend! Wielding wind-like, well-etched chariots, fluttering with victorious flags, the Kosars ruined the battlefields of enemies, as the sweet-sounding drums thundered and roared amidst the common grounds, spreading with the thick branches of the ancient banyan tree. At this time, as Mokoor refused to submit to them, the Mauryas arrived with their huge armies to rout the enmity, and to ensure the wheels of their etched chariots roll on, they carved paths through mountains, flowing with shining, white cascades. Beyond those mountain paths, a strong tiger, with a radiant hue, which had previously escaped the attack of an esteemed elephant with flawless white tusks, is now gored, making the wide land to break apart into pits, and where that elephant, removed from its protective herd, now resides with arrogance, amidst the jungle interspersed with teak trees. Though he has left to these uninhabited long paths, making your beautiful shell bangles, carved by a saw, slip away, he shall stay not there and shall return to you soon!” Time to take a stroll amidst those barren spaces and learn more! The confidante opens the conversation by talking about how their messengers have left to where the man was, and because of that the sad happenings in the lady’s life, such as her thinning arms and spreading pallor, would be reversed. The confidante says this because she’s convinced that once the man hears of the lady’s sorrowful state, even if one were to tempt him with as much wealth as someone then named ‘Nandan’, he would not choose to remain where he was. Then she goes on to describe where the man is at now, and to do that, she talks of how the Mauryas had waged war on the south, and the Kosars had chosen to rise in their support. At this time, the Tamil king of Mokoor refused to accept their subjugation. To quell this dissent, the Mauryas themselves had decided to come south, and to do that, they carved paths through the mountains so that their chariots could roll on unimpeded. Now the confidante connects saying the man walks beyond those carved mountainous paths, and here a tiger is attacked by the sharp tusk of an elephant, which roves alone, without its herd. The confidante concludes with the words that though the man had gone to such far places, making the saw-cut, shell bangles of the lady to slip away, he would not remain there for long, and would be back in the lady’s fold.  The striking thing in this verse is the mention of the conflict between kings in the north and south of India, even in ancient times. Though the details are sketchy and the focus seems to be more on the roads laid by the Mauryas to come south, it does give a hint of the hostilities of the past. Another subtle reference here is to the saw-cut, shell bangles, in a taken for granted away, but this has current-day implications in the excavation of many such bangles from both the Indus Valley sites in Gujarat as well as Sangam era sites such as Vembakottai in Tamil Nadu, revealing the presence of a nuanced industry to produce decorated bangles from conch shells. Yet again, simple words of consolation throw the spotlight on significant events around trade and war in the ancient world!

We're diving headfirst into the first six months of 1986! Join us as we rewind to January through June and relive the music that made 1986 one of the most memorable years of the decade. It was a time when rock and rap were colliding, metal was still reigning supreme, the Minneapolis funk sound was coming into its own, and pop soundtracks were turning lesser-known bands into superstars!  We cover juggernaut releases like Janet Jackson's Control, Peter Gabriel's So, Van Halen's 5150, and Metallica's Master of Puppets, as well as albums by The Bangles, Ozzy, Elvis Costello, Depeche Mode, Judas Priest, Prince, Run D.M.C., and many others, plus soundtracks such as Pretty in Pink, Labyrinth, and Krush Groove. As always you can follow along and listen to all the music we discuss with our Spotify Playlist for this episode.  What's your favorite albums from the first half of 1986? Let us know! Drop us a line at modernmusicology1@gmail.com or just leave a comment on our socials or whatever podcast platform you're listening to us.  Find us on Facebook: https://www.facebook.com/ModernMusicology  Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/  Follow us on Twitter: https://twitter.com/ModrnMusicology  Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw  Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/  Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition  Stephanie Seymour: www.therearebirds.com   R. Alan Siler: www.kozmiccreative.com   Anthony Williams: https://watchers4d.podbean.com/

Returning Dig Me Out Union patron Josh Page is back from Australia with his second pick, and this one is geo-locked to his home country for most of the world. The Hummingbirdsformed in Sydney in 1986, signed to rooArt Records (the label founded by INXS manager Chris Murphy), and recorded their debut loveBUZZ in 1989 with producer Mitch Easter, the same man behind R.E.M.'s Murmur and Reckoning. The album hit ARIA #31, the single "Blush" reached #19, and they went Gold in Australia. Outside Australia, almost nobody has ever heard it.Jay, Tim, and Chip dig into the record with Josh, covering the intricate boy-girl vocal harmonies that draw comparisons to early R.E.M., The Lemonheads, Throwing Muses, and Belly; the punchy drumming that gives jangle pop some actual weight; and the Lemonheads connection most fans don't know: Robin St. Clair and Nic Dalton co-wrote "Into Your Arms" during this era, Evan Dando recorded it, and it became the biggest hit of the Lemonheads' career.Timestamps: 5:05 Band history and Mitch Easter connection | 6:09 The Lemonheads origin story | 14:19 "Alimony" | 19:17 "Get On Down" | 28:51 "House Taken Over" (and the unauthorized house remix) | 38:48 "If You Leave" | 42:08 VerdictsThe hosts split 2-1, and the community voted 80% Better EP. Head to digmeoutpodcast.com to listen to the full episode and share your take.

There are noteworthy changes in every decade of modern music, but the seismic shifts and chaos of the 1990s were unparalleled. Whether it was the music of your youth, your kids' youth, your parents' youth or even your grandparents' youth, most everyone has noticed (either at the time or now, in retrospect) that the '90s were just different. It was the decade that saw Generation X hand over the music reins to millennials. MTV went from a driving force in music to more of a footnote, and music videos lost importance in the gap years between emphasis on cable channels and the advent of YouTube and streaming in the 2000s. Stylistically, hip-hop was a juggernaut, swinging from gangsta rap to a mainstream phenomenon that permeated into R&B, pop and even rock. Also, fueled by the momentum of Madonna in the 1980s, pop in the 1990s became dominated by women artists - with Whitney Houston, Mariah Carey and Celine Dion taking turns at the top of the charts, and wholesome teen singers like Debbie Gibson and Tiffany, who ushered the genre into the 1990s, had been replaced by decidedly less wholesome singers like Britney Spears and Christina Aguilera by decade's end. Latin artists also became permanent fixtures in the mainstream, and thanks to Garth Brooks, country reinvented itself into yet another huge crossover genre, with "hat acts" ruling the roost in the mainstream. And in rock music, huge shifts came in waves. The "hair metal" bands that controlled rock in the late 1980s were all but wiped out by grunge in the early 1990s, flipping the genre's script from mindless, flashy formula pop-with-guitars to something far more introspective, anxious and angry. But grunge was at the forefront for only a few year, and soon enough all manner of "modern rock," "alt-rock" and "college rock" bands - from Weezer to Radiohead to Beck - brought freshness and ingenuity to the sonic landscape. Meanwhile, the 1990s saw the rise of traveling mega-festivals such as Lollapalooza to the Vans Warped Tour. And the Lilith Fair emphasized the unprecedented prominence of women in rock, who came in hard with gritty sounds and raw self-assuredness beyond the jangly pop-rock of 1980s bands like The Go-Go's and The Bangles. This week on "How We Heard It," your hosts - who were young men in the 1990s and at Ground Zero in the music business - shine a light on what was going on in the tumultuous 1990s and how everything seemed to forever change, across the board, in music.

Išgirsime populiariausias, iki šiol prisimenamas, o ir rečiau atmenamas naujosios bangos dainas, kurios prieš keturiasdešimt metų radijo transliacijų dėka skleidėsi Jungtinėje Karalystėje bei Vakarų Europoje, išvien su pavasariu, ir pasiekė mūsų krantus. Grojaraštyje – Mezzoforte, Journey, Cliff Richard and The Young Ones, Mr. Mister, The Bangles, Level 42, Diana Ross, Falco, George Michael, Mike Oldfield su Jon Anderson.Ved. Lukas Devita

I denne uges udsendelse svinger vi med de røde faner, og det gør vi i anledningen af Arbejdernes Kampdag. Siden 1890 har vi i Danmark fejret denne dag, og derfor har vi lavet en 1. maj special, hvor vi har valgt 15 numre som alle tager udgangspunkt i arbejderen. Både dem der nyder arbejdet, dem der gerne vil have bedre vilkår, dem der synes det er hårdt og dem som bare glæder sig til at komme hjem fra fabrikken igen. Vi prøver at definere, hvad der kendetegner musik til arbejderklassen, med kunstnere som f.eks. Bruce Springsteen, Kim Larsen og The Clash. Men det bliver selvfølgelig også til sange der bare kredser om ”det at arbejde” med kunstnere som Donna Summer, Dolly Parton, John Lennon og Bikstok Røgsystem. Derudover prøver vi også at huske ReBus-konflikten fra 1994, vi mindes vores oplevelser med politiet i Liverpool, vi vurderer hvad det mon koster at købe hele Skærgården, vi serverer morgenmad for Seabass, og så bliver der også lige plads til Arne Würgler fans, Australien, musikalske håndgemæng, skænderier om Big Fat Snake, Jared Kushner som sanger, Erik Clausen som Vincent Price og rengøringsdamen Inga. Playliste: Troels Trier - Arbejdsløs John Lennon - Working class hero ABBA - Money, money, money Elvis Costello - Welcome to the working week Bruce Springsteen - Factory Kim Larsen - Blip-båt Dolly Parton - 9 to 5 The Clash - The magnificent seven Donna Summer - She works hard for the money The Bangles - Manic Monday Billy Bragg - There is power in a union Tracy Chapman - Talkin' bout a revolution Bikstok Røgsystem feat. Erik Clausen - Fabrik Ulige Umre - Os idioter Andreas Odbjerg - Hjem fra fabrikken

Brim and Mr. Greer are back at it again. Apart from all the usual shenanigans, the gang chats about everything in pop culture with all the trimmings as they discuss the weekend's event, upcoming Brimstone appearances, and discuss convention memories. They discuss how Prince wrote Manic Monday for the Bangles, how he also worked with No Doubt, and how Coachella receives penalties for every minute the acts go over time. The crew also chats about Jimmy Fallon surprising the cast of The Voice, the David murder charges, and how that ball player caught the ball entering his jersey at over 100mph. The cast talks about Angela Lansbury and her relation to Charles Manson, former Home Alone house owner ending his life after kiddie pawn allegations, and the Supernatural reunion taking place on The Boys this week. They talk about Russell Brand being a verified scumbag, Funny AF being a terrific show, and the podcaster convicted for a $3.8M unemployment scheme. The crew also discusses New Miami Vice series being discussed, Titanic talk including a mysterious flood and a life jacket being sold for $900k, and John Gotti's grandson gets jail time. The crew chats about entertainment news, opinions and other cool stuff and things. Enjoy.Wherever you listen to podcasts & www.thegrindhouseradio.comhttps://linktr.ee/thegrindhouseradio

Ce 30 avril l'émission redécouvre Kasabian, Oasis, Derek and the Dominos, The 5.6.7.8's, The Hives, AC/DC, Kavinsky, Franz Ferdinand, The Zombies, Mano Negra et Bobbie Gentry. Sont également au programme The Kills, Beck, Nick Cave, Blur et Jet. Marjorie Hache rend par ailleurs un bel hommage au bluesman Muddy Waters, disparu en 1983, en diffusant une version live de "Mannish Boy" enregistrée en 1978. Au rayon des nouveautés, The Black Keys dévoilent "You Got To Lose". Le groupe Archive s'illustre avec "City Walls", tandis que les Vendéens de Dynamite Shakers présentent "Cinema". S'ajoutent Saint Agnes avec "The Ghost" et les métalleux de Korn avec "Reward The Scars". La primeur de la soirée revient aux Rouennais de Mnnqns, qui offrent l'énergique morceau post-punk "Vienna". L'album de la semaine referme la page consacrée au douzième disque des Foo Fighters, "Your Favourite Toy", illustré ce soir par le titre "Amen, Caveman" qui symbolise la persévérance du groupe. Enfin, pour la reprise de la soirée on redécouvre le tube "Manic Monday", rendu célèbre par The Bangles en 1986, dans la version de son véritable créateur, Prince, sortie de ses archives en 2016. The Black Keys - You Got To Lose Kasabian - Fire Muddy Waters - Mannish Boy (Live At Rockplast) The Kills - Black Tar Oasis - Little By Little Derek & The Dominos - Layla The 5.6.7.8'S - Woo Hoo Foo Fighters - Amen, Caveman AC/DC - If You Want Blood The Hives - Walk Idiot Walk Beck - Sexx Laws Dynamite Shakers - Cinema Prince - Manic Monday Kavinsky - First Blood Franz Ferdinand - Love Illumination Archive - City Walls The Zombies - Time Of The Season Nick Cave And The Bad Seeds - Red Right Hand Saint Agnes - The Ghost U2 - Elevation Korn - Reward The Scars MNNQNS - Vienna Blur - Song 2 Mano Negra - Soledad Bobbie Gentry - Bugs Jet - Are You Gonna Be My Girl Matt Schofield - Red DragonHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This is the 2nd of two installments of songs that Steve played on his college radio show but never played on Suburban Underground...but probably should have.  In this show you will hear Simple Minds, Goanna, Hanoi Rocks, New Musik, Robert Ellis Orrall, The Bangles, The Sherbs, Blondie, Alphaville, Australian Crawl, Billy Bragg, Hoodoo Gurus, Peter Godwin, Bow Wow Wow and The Call. On most podcast platforms. Facebook: SuburbanUndergroundRadio     Instagram: SuburbanUnderground     #newwave #altrock #alternativerock #punkrock #indierock

Bon Jovi, Bryan Adams, Starship, The Bangles, Blondie.

Seth and Marc invite very special guests Tim and Joee back on to tackle the nightmare that is Walk Like An Egyptian by all-female supergroup The Bangles. Marking the beginning of the end of the band, this a confusing note to go out on. One part dance craze, one part social commentary, but whole parts steaming hot turd. Special Guests: Joee Patterson and Tim Clark.

Andy sits down in the WCZR studio with Mike Gomoll, the founder of Joey's Song — a Wisconsin-based nonprofit that has raised over $1 million to support families affected by epilepsy and fund research toward a cure.Mike shares the deeply personal story behind the organization: how he lost his son Joseph just days before his fifth birthday to Dravet syndrome, a severe form of epilepsy that left Joey nonverbal — but with an unmistakable love for music. Joey would grab everyone's finger in the room and make sure they were up and dancing with him. That spirit became the heartbeat of everything Joey's Song does.In this interview, you'll hear about:- How Mike went from a $500 fundraising goal to over $1 million raised for epilepsy research and family support- The origin story of the annual Freezing Man Festival in Madison, WI — and how it evolved from a sports bar CD release party into what feels like a Rock & Roll Hall of Fame induction ceremony every January- The legendary musicians who have performed for free, including Butch Vig (Garbage/Nirvana producer), John Rzeznik of the Goo Goo Dolls, Tracy Bonham, Portugal. The Man, Vicky Peterson of The Bangles, Soul Asylum, and many more- Why Mike's son Sam performs at the event every year — and how his first-ever full band performance was backed by Paul McCartney's guitarist Brian Ray with Butch Vig on drums- The behind-the-scenes "beautiful chaos" that makes every Joey's Song show unrepeatable and unforgettable- New limited-edition artist merchandise available now at joeysong.org, designed by artists like Kurt Smith, Vicky Peterson, and Charlie Berens- Mike's dream wish list of future performers (hint: Dave Grohl, Eddie Vedder, and Jason Isbell are on it)If you've never been to a Joey's Song event, people who have will tell you: you cannot understand it until you're there.Learn more, donate, or get on the mailing list: joeysong.orgFollow Joey's Song on Facebook, Instagram, LinkedIn & YouTube: @joeysong

Matthew and Kyle talk a little 1980's pop music as we cover The Bangle's 1985 multi platinum offering, 'Different Light'. Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7Q⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also buy some swag with our logo on it: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/audio-judo-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ As always, let us know what you think by emailing info(at)audiojudo(dot)com. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: https://www.audiojudo.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get in touch on social media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: https://www.facebook.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @audio_jud⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pantheonpodcasts.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew and Kyle talk a little 1980's pop music as we cover The Bangle's 1985 multi platinum offering, 'Different Light'. Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7Q⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also buy some swag with our logo on it: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/audio-judo-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ As always, let us know what you think by emailing info(at)audiojudo(dot)com. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: https://www.audiojudo.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get in touch on social media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: https://www.facebook.com/audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @audiojudo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: @audio_jud⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pantheonpodcasts.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Lundi 13 avril, Pop-Rock Station lance la semaine avec un mélange de classiques et d'actualités. Ouverture avec Foo Fighters et "Of All People", nouvel extrait de leur album "Your Favourite Toy". Côté classiques, Marjorie Hache nous propose The Bangles, Paul McCartney avec Wings et "Mrs Vandebilt", ainsi que AC/DC. L'album de la semaine met en avant Memorials avec "All Clouds Bring Not Rain", porté par Verity Susman et Matthew Simms. Une esthétique entre rock 60s-70s et post-punk. Autres passages marquants : Infectious Grooves, 16 Horsepower, puis Gorillaz avec "Delirium", issu de leur projet "The Mountain". La séquence cover revisite Nirvana avec "Smells Like Teen Spirit", dans une version produite par Trevor Horn et interprétée par Jack Lukeman. Découverte "Fresh Fresh Fresh" avec Björn Yttling et Bobby Gillespie sur "Strange". Enfin, retour aux fondamentaux avec The Box Tops et Strawberry Switchblades, avant une fin d'émission avec Jack White. Foo Fighters - Of All People The Bangles - Walk Like An Egyptian Wings - Mrs. Vandebilt Green Day - Kill The DJ AC/DC - Rock&Roll Train James Brown - Papa's Got A Brand New Bag Infectious Grooves - Violent & Funky Memorials - In The Weeds Pink Floyd - Run Like Hell 16 Horsepower - Clogger Visage - Fade To Grey Gorillaz - Delirium (Feat. Mark E. Smith) Trevor Horn - Smells Like Teen Spirit (Feat. Jack Lukeman) Cold War Kids - Louder Than Ever Fatboy Slim - Right Here Right Now Motionless In White - Afraid Of The Dark Otis Redding - (Sittin'on) The Dock Of The Bay Jeff Buckley - Last Goodbye Aldous Harding - One Stop Golden Earing - Radar Love (1973 Single Edit) Stereophonics - Have A Nice Day Yttling Jazz & Bobby Gillespie - Strange Weezer - A Little Bit Of Love The Box Tops - The Letter Strawberry Switchblade - Since Yesterday The Revels - Comanche Jack White - G.O.D. And The Broken Ribs Deftones - Pink MaggitHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

“I don't think we thought about anything. We just did it!” - Genny Schorr, about her groundbreaking LA punk band Backstage PassBack in February, we had an awesome chat with musician, stylist, and “All Roads Lead To Punk” author Genny Schorr (AKA Genny Body.) With her band Backstage Pass, she was one of the original LA punks; blending punk with glam rock as they terrorized the Sunset Strip and challenging gender roles. Then she was stylist to the stars at the legendary Strait Jacket boutique, dressing the likes of the Bangles, the Go-Gos, Linda Ronstadt, and so so many more. (Check out Kathy Valentine wearing custom Strait Jacket on slide 6!) Genny is a lifelong music and fashion lover and devoted mom. Through it all, she's embodied the punk spirit: doing it yourself and not giving a hoot what anyone else thinks! She's not just “Genny-body,” she's a trailblazer with a story to tell. Plus: Emma recounts the mystery of the multiplying shelf screws? “Backstage Pass: An Interview with Genny Schorr” is available now wherever you stream your podcasts

This week I wanted to stick with movies that came out with soundtracks that felt current when the films were released. Not older songs brought in to set a mood, and not a random collection pulled together afterward, but albums that felt tied to the moment the studio was trying to sell.Fast Times at Ridgemont High, from 1982, is a good example. The soundtrack album came out that July, and Jackson Browne's “Somebody's Baby” reached number 7 on the Billboard Hot 100, so the movie clearly had a connection to what people were hearing at the time. There was also some push and pull behind the scenes. Amy Heckerling later said some of the music choices reflected producer pressure as much as her own sense of the characters, which only makes the film feel more like a real snapshot of the early 1980s.Purple Rain, from 1984, is an even stronger case, because the movie and soundtrack are almost impossible to separate. The album came out on June 25, 1984. “When Doves Cry” was released in May, and “Let's Go Crazy” followed in July, so the film reached theaters with Prince already dominating the culture around it. I also like that “When Doves Cry” came out of a specific request from director Albert Magnoli. It was not just a Prince song sitting around waiting to be used. It was part of the movie as it was taking shape.Less Than Zero, works a little differently. People do not usually talk about its soundtrack with the same reverence, but it was still very plugged into late 1987. The Bangles recorded “Hazy Shade of Winter” for the film, and it went to number 2 on the Billboard Hot 100, which gave the soundtrack real chart power. The rest of the album also feels very rooted in its time, with Rick Rubin producing and artists like LL Cool J and Public Enemy sharing space with a sharper, louder Simon and Garfunkel cover. It really feels like a late 1987 attempt to pull different parts of current music into one package.Then there is Singles, from 1992, which may be the best example here of a soundtrack capturing a scene while it was still happening. The album came out on June 30, 1992, a few months before the movie opened, and it included Pearl Jam, Soundgarden, and Alice in Chains, along with Paul Westerberg, who also worked on the score. Cameron Crowe later called it more of an anti soundtrack, basically a souvenir of that scene instead of a tidy album built to sum up the movie. That feels right to me. It was not trying to seem current. It actually was current. Even the gap between the album release and the film helped give it that feeling.So that is the set this week. Four movies, four different kinds of soundtrack success, and four reminders that music can tie a film to its moment just as much as clothes, locations, or dialogue can. One caught the early 1980s world of radio and mall record stores. One became a hit album right alongside the movie. One used a major single to help define its identity. One caught a local scene before it had even settled into history. Those are the kinds of rentals I always like talking about, movies that bring back not just the film, but the moment when it first showed up.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

It's a very special BONUS episode of Baxie's Musical Podcast with my guest Genny Schorr! In the late 70's Genny was the lead guitarist for Backstage Pass--one of the first all-female Punk Rock bands in history. She's just released her memoir, "All Roads Lead to Punk". It's a book that looks at her fascinating place in music. From auditioning for The Runaways, to turning down a chance to join The Go Go's, to becoming the wardrobe manager for both Linda Ronstadt and The Bangles. It's a hell of a story! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

Welcome to another episode of How Did I Get Here? From The Vault! Today, we go back to episode 1428 on September 20, 2024 with Vicki Peterson (Bangles, Continental Drifters) and Sean Kelly discussing Sean's book, White Noise & Lightning: The Continental Drifters Story about legendary band Continental Drifters. We talk about the Drifter's operatic story, where they are now, the band's connections to Austin, and much more.  Below are my original notes from the show. Musician and author of White Noise & Lightning: The Continental Drifters Story, Sean Kelley and Continental Drifter and Guitar player of The Bangles, Vicki Peterson are my guests for episode 1428. White Noise & Lightning: The Continental Drifters Story follows ten disparate musicians from humble beginnings at a dive bar residency in Los Angeles through lineup changes, addiction, marriages, divorces, and industry letdowns. The Continental Drifters, composed of members of The Bangles, The Cowsills, The Dream Syndicate, The dB's, and more, found each because they'd been burned by the music industry and sought refuge in a freewheeling environment where they could experiment without constraint. When everything fell apart in New Orleans a decade later, they ended up with so much more. White Noise & Lightning: The Continental Drifters Story Drops next Friday, Sept. 27 along with We're All Drifters: A Tribute To The Continental Drifters, a 2 CD tribute album featuring Marshall Crenshaw, Kim Richey, Rosie Flores and more. Find the book HERE. We have a great conversation about the book, the journey of the Continental Drifters and more. I had a blast getting to know Vicki and Sean. I'm sure you will too. Let's get down! Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Go to johnny-goudie.com for all things Johnny.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie  

Rock legends Vicki Peterson of The Bangles and John Cowsill of The Cowsills took some time to talk about a wide-ranging series of topics prior to their performance at Round Lake Farms in Brillion.The two talk about their collaborative album Long After the Fire — a heartfelt tribute to the songwriting of Barry and Bill Cowsill — and share the full story of how they met as teenagers at the Sweetwater Cafe in Redondo Beach, California back in 1978. From the early days of the Paisley Underground to sold-out Beach Boys tours, from recording in an 8x18-foot home studio with aging ProTools to working with legendary photographer Henry Diltz (and Pamela Springsteen!) on the album artwork.John opens up about the pressures of stepping into the spotlight as a front man after decades behind the drum kit, his years touring with the Beach Boys and his current work with The Smithereens, and what it's like being married to your bandmate. Vicki reflects on the Bangles' punk roots, the Paisley Underground scene, the surprise success of Walk Like an Egyptian, and why she'd fight the synthesizers all over again.They also dive into their beloved annual performance at Joey's Song — the epilepsy fundraiser in Madison — share memories of Johnny Cash, Minnie Pearl, Elton John, Bernie Taupin, Hugh Hefner's Playboy After Dark, and much more.Long After the Fire is available now wherever you stream or buy music.WCZR Code Zero Radio is an Independent streaming rock, live from Appleton, Wisconsin.

Interview with  Steve Wynn of the Dream Syndicate. Steve Wynn is a singer, musician and songwriter. He led the band the Dream Syndicate from 1981 to 1989 in Los Angeles, afterward began a solo career, and then reformed the Dream Syndicate in 2001     Steve's info : (links to Medicine Show release ) https://www.stevewynn.net/dream_syndicate_medicine_show.php.   Steve's Bio: Steve Wynn was born in Santa Monica, California in 1960 and got his first guitar (a nylon-string acoustic) when he was nine, shortly after which he wrote his first song "Sing My Blues". He formed his first band "The Light Bulbs" that same year and the band made the circuit of parties and school functions; the band's oldest member was ten years old. By the time he was 13, Wynn had played in bands with such colorful names as Purple Passion and Sudden Death Overtime, alternating between his own early originals and songs by Neil Young, The Rolling Stones and The Who. In the years that followed, Wynn found himself sidetracked by a strong desire to become a sportswriter. Abandoning his electric guitar for a notepad, pen and typewriter Wynn found himself on the other side of the interview, speaking to football, basketball and baseball players and dreaming of one day seeing his name on the masthead of Sports Illustrated. During his high school years, Wynn entertained notions of becoming a sportswriter but the excitement and immediacy of the punk rock explosion of 1977 brought him back into the world of songwriting and performing. He found himself writing and playing guitar for UC Davis (near Sacramento) New Wave pioneers "Suspects", a band for whom Wynn wrote over 100 songs, none of which he has performed since. A move back to Los Angeles with Suspects lead singer Kendra Smith was the first step towards the formation of The Dream Syndicate, the band with whom Wynn would gain national and eventually international acclaim. The Dream Syndicate played together for the first time in December 1981 and within three weeks had recorded its self-titled first EP. The record was released in April 1982 and followed six months later by the band's debut album "The Days of Wine and Roses", an album which fans and critics alike still consider one of the best and most important rock albums of all time. Those early years are represented here by "When You Smile" and "That's What You Always Say," songs which have been covered, respectively, by Concrete Blonde and Luna. The band was almost immediately signed by A&M Records for whom it recorded the landmark "Medicine Show" (the title song opens this compilation), a record that was recently named one of the 40 best rock albums of all time by the London Guardian and whose songs have been covered by REM and The Black Crowes among many others. Several years of worldwide touring (including several trips to Europe and Japan and Australia) followed before the band broke up at the end of 1988. Wynn has said "As proud as I was of The Dream Syndicate, our music and our accomplishments I felt we had reached our peak and everything that followed would have been a disappointment. I wanted to be a band that broke up while we were still doing our best work." In 1990 Wynn came back with his first solo offering "Kerosene Man," an album of incredible diversity that showed Wynn's enormous growth as a songwriter and record-maker. The songs "Carolyn" and "Tears Won't Help" were among the most-played songs that year on Modern Rock radio stations and his video for "Carolyn" was in regular rotation on MTV for six weeks. The follow-up "Dazzling Display" was Wynn's most elaborate production to date, a dizzying synthesis of the best rock music of the previous 30 years featuring the talents of, among others, REM's Peter Buck, Concrete Blonde's Johnette Napolitano and members of The Bangles, The Turtles and the touring bands of Lou Reed and Tracy Chapman. A four-day writing vacation in Richmond, Virginia with the House of Freaks' Bryan Harvey turned into the side-project supergroup Gutterball who released two albums, garnered overwhelming press response and built a frenetic cult following; the Black Crowes took the band out as its opening act even before the first Gutterball record was released. Not one to stand still, Wynn followed the success of Gutterball with the more introspective "Fluorescent", an album whose single "Carelessly" picked up heavy radio play throughout the US and Europe. In 1994, Wynn moved to New York City. He harnessed the excitement and energy of his new home in his record "Melting in the Dark". The two albums that followed,"Sweetness and Light" and "My Midnight", found Wynn settling into the sound that would define the next phase of his solo career. In 2001, Steve went to Tucson and recorded the double album "Here Come the Miracles" which was released to overwhelming critical acclaim. The album was seen as a stunning comeback and appeared on many year-end critics' surveys along with winning Best Alternative Rock Album by the American Federation of Independent Music. The album was followed by "Static Transmission" and "...tick...tick...tick", both also recorded in Tucson with his new backing unit "The Miracle 3" and which were viewed as part of a "Desert Trilogy" that is seen by many as the best work of his career. But Wynn has never been one to settle into an easy or predictable groove. Since the last of the desert trilogy he has recorded "Cast Iron Soul", a new Danny & Dusty album with Green On Red's Dan Stuart, joined forces with his wife and drummer Linda Pitmon and legendary Spanish producer Paco Loco to concoct the twisted pop side project "Smack Dab", and collaborated with the Walkabouts' Chris Eckman in Slovenia on the lush and lavish "Crossing Dragon Bridge", a record that made up a tandem of new releases in 2008 with "The Baseball Project", a baseball song cycle collaboration with Pitmon and also Scott McCaughey and Peter Buck of REM and the Minus 5. In the midst of such a prolific recording career, Wynn has still found time to average over 100 shows a year all over the world. He has found himself as welcome in Rome, Oslo, Athens, Brussels, London and Madrid as he has in Los Angeles, New York City, San Francisco, Chicago and Boston. And for the devoted fans he has made in these and many other cities, his extensive discography of music reflects the consensus among fans: that Steve Wynn is one of the most adventurous, accomplished and exciting songwriters of the last few decades. If all of this is still news to you, just put on this cd and get ready to join the legions of people who have enjoyed Wynn's dazzling display of songs over the last 25 years.  

We're back with some more Gilmore Girls! Join us in this journey on social media - @gilmorethemerrierpod. ABOUT: GILMORE GIRLS (SEASON 1 EPISODE 12 & 13) Episode 12 - Lorelai ends up on a double date with Sookie, Jackson and Jackson's cousin. Meanwhile, Rory also ends up on a double date with Lane, Dean and Dean's friend. Episode 13 - Although Lorelai is quite thrilled about attending a Bangles concert, she generously offers the four concert tickets to Rory and three of her new classmates from school. AIR DATE & NETWORK FOR: GILMORE GIRLS (SEASON 1 EPISODE 12 & 13) Episode 12 - January 18, 2000 | The WB Episode 13 - February 15, 2001 | The WB CAST & CREW OF: GILMORE GIRLS (SEASON 1 EPISODE 12 & 13) Lauren Graham as Lorelai Gilmore Alexis Bledel as Rory Gilmore BRAN'S GILMORE GIRLS (SEASON 1 EPISODE 12 & 13) SYNOPSIS Rory and Lane are hanging out and Lane wants to go out on a date with a guy named Todd. She asks Rory to ask Dean if he could talk to Todd and maybe they could double date! Lorelai is trying to work and study for business school, and Michel comes over and is like we're overbooked! HOW DOES THAT HAPPEN?! She might find out in business school. Lorelai is talking to Sookie when Jackson comes in and the tension is weird. Sookie asked Jackson out to dinner but now it's been weeks, and still no dinner. Lorelai encourages her to talk to him about it! Rory is kissing Dean and she decides now is the time to talk to him about a potential double date with Todd. He is like well whatever gets me back to kissing you, sure let's double date. Sookie tells Lorelai the good news - the date with Jackson is on. The bad news is he wants it to be a double date with Lorelai and Jackson's cousin. She's not thrilled but anything for Sookie. It's date night! Rory and Lane decide not to tell their moms about this double date thing and off they go. When Jackson and his cousin Rune show up, Rune pulls Jackson aside and is horrified to see that Lorelai is tall. Naturally, she hears all of this making her even less excited for the double date. But he's terrible to Lorelai – he asks her shoe size, won't look at her, won't make conversation. At the other double date, Lane is trying to have a good time with Todd but Todd has just nothing going on in that noggin. Lorelai and the gang end up at Luke's. Lorelai tells Luke that her "date" thinks she's too tall. Luke can't believe there's anyone in the world that doesn't think that Lorelai walks on water. Rune ends up leaving which finally gives Luke and Lorelai time to hang out and have some fun, just the two of them. But it doesn't last long when Lane's mother sees Lorelai in the diner and storms in because she was under the impression that Rory and Lane were with Lorelai tonight. They find Rory & Lane. Busted. Lane is grounded, big time. Lorelai attempts to talk to Mrs. Kim but it doesn't go well. But Lorelai's little talk actually seems to have some effect and Lane is allowed to go out in the front yard and use the phone. Big progress. Lorelai is running the town rummage sale & Luke drops off some stuff, including a bag of clothes because HE LOVES HERRRRRRR. Sookie runs in holding 4 amazing tickets to The Bangles. Everyone is PUMPED! At Luke's, Rory teases Luke about having a rummage sale sign in the diner window because HE LOVES HERRRR. But when Lorelai comes in, Luke freaks out on her because she's wearing a jacket that was in the bag he donated. He demands she take it off. Sookie explains to her that the ugly jacket used to belong to Luke's ex-girlfriend, Rachel. She broke his heart because she wanted to move to the big city and Luke refused to leave Stars Hollow. Paris and the other two speaking girls at Chilton show up to work on a project. When Lorelai hears that Rory is seemingly having an ok time with these girls, she decides to invite them to go to the Bangles concert with Rory, because friendship. So they all go, they're having a great time, but the two girls not named Rory or Paris leave with boys. When Lorelai finds out, she's not thrilled. They track 'em down and make them leave. Paris loves it and loves Lorelai. Paris has issues. The episode ends in Stars Hollow at the rummage sale and Lorelai gives Luke the jacket back and they make up. Just kiss already. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Don and Dude keep the “I Love the 80s” journey moving into 1986, when pop music turned glossy, global, and emotionally grown-up while hip-hop kicked down the door to the mainstream and refused to close it. One of us drops the needle on a blockbuster art-pop record that turned a former prog-rock oddball into an MTV-era icon, and the other cranks a Queens rap classic where drum machines, DJ wizardry, and rock guitars collide to launch hip-hop into its album era.The Albums Peter Gabriel – So (1986) Peter Gabriel's fifth solo LP trades full-on prog theatrics for a song-focused blend of art-pop, soul, and worldbeat that still feels intimate and strange even as it aims for stadiums. "Red Rain" and "Sledgehammer" frame the record's range, from cinematic storms and ritual grooves to horn-driven 60s-style soul reimagined as big-budget 80s pop. "Don't Give Up," a duet with Kate Bush, turns Linn drums and warm keys into a slow-motion conversation between despair and reassurance that speaks to unemployment, depression, and stubborn hope. Deep cuts like "That Voice Again," "Mercy Street," "Big Time," "We Do What We're Told," and the Laurie Anderson collaboration "This Is the Picture" keep the emotional arc intact while proving that production maximalism and adult subject matter can still hit like pop.Run-D.M.C. – Raising Hell (1986) By 1986, Run, DMC, and Jam Master Jay had already changed rap once; Raising Hell is where they change the world's idea of what a hip-hop record could be. Peter Piper opens with the bell-driven Bob James break, 808 thump, and nursery-rhyme flips that double as a DJ showcase and statement of intent. "Walk This Way" rebuilds a 70s rock riff into a hip-hop framework, smashing the wall between rock radio and rap while relaunching Aerosmith and blasting Run-D.M.C. into MTV rotation. "It's Tricky" and "My Adidas" sharpen their minimal drum-machine-and-scratch template into pure hooks, while "Proud to Be Black" closes as a history lesson and manifesto that points toward the coming wave of conscious rap.Diggin' Albums Jay Buchanan – Weapons of Beauty (2026) The Rival Sons frontman strips away the big rock theatrics for a rootsier, Americana-leaning solo set, focusing on weathered vocals, open-sky arrangements, and songs that feel like they were written on long drives and sleepless nights.Genesis – Invisible Touch (1986) Phil Collins, Tony Banks, and Mike Rutherford lean fully into shiny 80s pop on their biggest commercial triumph, stacking drum-heavy radio singles and bright synths around a few lingering prog instincts on the longer cuts.Susanna Hoffs – The Lost Record (2024 / recorded 1999) A once-shelved garage-made collection that captures the Bangles singer reshaping her identity at home with a new baby and a circle of songwriter friends, marrying jangly pop, adult introspection, and late-90s alt-rock warmth.Kirsty MacColl – Real (2023 / recorded 1983) Finally released in full decades after being shelved, this early 80s set frames MacColl's sharp, clear voice with icy synths and programmed rhythms, revealing a tougher, more new-wave edge than her later, better-known work.Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing.“Well, I guess that's the difference between you and me. You wanna lose small, I wanna win big.” – Maverick, played by Tom Cruise in 1986's Top Gun.

This week, we tip our hats to the trailblazing all (or mostly) girl bands of alternative rock. Speaking of the trailblazers, today's ceremonial Third Lad certainly is one. As a musician and songwriter, Genny Schorr (aka Genny Body) was a member of one of the first mostly female punk bands in LA, Backstage Pass, along with past O3L guest Marina Muhlfriedel (aka Marina Del Rey), Joanna Spock Dean, and Holly Beth Vincent, later of Holly & The Italians (of “Tell That Girl To Shut Up” fame).  They were critical in the launch of legendary LA punk club The Masque.  They landed a track on Rhino Records' seminal LA punk comp, Saturday Night Pogo.  They played with, and their story intertwines with, a jaw-dropping list of punk, new wave, and rock heroes.  After Backstage Pass, she was invited to be in the Go-Go's.  She owned the influential rock n' roll clothing boutique Strait Jacket with Stiff Records' impresario Jake Rivera, which launched a long career as a wardrobe designer and stylist to the stars.  Many of those stylish videos, album covers, and magazine shoots you love from the ‘80s?  Genny had a hand in sculpting the look.  She lived with and toured with Linda Ronstadt as her personal wardrobe stylist as the singer transformed her image from new wave darling on the Get Closer tour to sophisticated starlet stepping in front of Nelson Riddle's big band.  She styled and toured with the Bangles at their peak.  But ultimately, All Roads Lead to Punk - which just happens to be the title of Genny Schorr's incredible new memoir of sex, drugs, rock n' roll and fashion fromHoZac Books.  It's not only a fantastic page-turner, but the photos and ephemera make it an indispensable time capsule of the era.  If you think the stories Genny shares on O3L are incredible...just wait til you read the book! Learn more about your ad choices. Visit megaphone.fm/adchoices

You jump into this episode balancing the reality of working gigs with the mindset that keeps musicians moving forward. From Dave’s recent experiences playing atypical rooms with Bitter Pill to cramming new material for Casual Gravity, you're reminded that momentum matters even when the crowd is small. Always Be Performing is not about scale, it's about consistency. That theme carries straight into the conversation with Laura Whitmore, whose career has been shaped by connecting people, creating opportunities, and knowing when to pull back just enough to build a sustainable life alongside the work. As Laura walks you through the birth and growth of the She Rocks Awards, you hear what it actually takes to build something lasting. It started small, grew through trust and partnerships, and evolved by treating the event like a show, with pacing, flow, and intention. You dig into what real visibility looks like, how to define success on your own terms, and why borrowed platforms are never enough to build a career. The takeaway is practical and clear: start with a big vision, set measurable goals, build community deliberately, and own your audience. This episode is a reminder that longevity comes from intention, preparation, and showing up with purpose, gig after gig. 00:00:00 Gig Gab 520 – Monday, February 9th, 2026 February 9th: National Pizza Day 00:01:00 Dave's Gig Updates Playing atypical venues with Bitter Pill Learning new songs with Casual Gravity Always Be Performing…even for the small crowds! 00:17:10 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:18:34 Guest co-host: Laura Whitmore 00:22:20 The love of connecting people and making things happen 00:23:08 Pulling back a little…to have a life Backstory in partnership with Guitar World and Parade 00:26:28 The green room at The She Rocks Awards is the ultimate networking event! 00:29:33 The Birth of the She Rocks Awards Writing a women-in-music blog at Guitar World, realizing the women in music didn't know each other… yet! Started as a breakfast (with sponsors…the cheapest meal of the day!). Orianthi performed, serendipitously. After two successful years, NAMM invited She Rocks into the event officially, and The Bangles performed. “You don't really know what you're capable of until you're challenged and take that leap of faith.” – Laura Whitmore 2026 was the 14th year of She Rocks Awards. 170 She Rocks Awards have been presented in the last 14 years. 00:34:51 “Is this ever going to come together?” is scary Reframe it with “how is this ever going to come together?” It takes a village, folks! 00:38:12 Having good partners helps 00:38:59 Create the event for yourself as an audience member That way you've got a stake in how it “feels” to attend, which means the audience is represented 00:41:16 Assembling the featured women Nominations at TheWimn.com Crafting the arc of the night by slotting the right people at the right spot. It's a show! 00:43:49 Managing the flow of the night She Rocks Awards YouTube Channel 00:46:58 People whose names became known after they were on She Rocks Queen Herby (as Amy Heidemann) Beaches PRS Guitars brings in the opening act, with a fantastic Artist Relations team 00:49:40 Defining valuable visibility What's your end goal? What are your metrics? What defines success? For your band, those might be: Did I get contact information? Did I build on success that I had before? Did this exposure opportunity help me grow to a new place/level? Start with big vision, small goals 00:54:16 You don't own social media platforms, so don't leave your audience there. Facebook used to let you message all your followers. Used to! If your audience is a subset of Facebook's audience, that's not your audience. Give them a reason to give you their email address. Gather those email addresses. Keep those pieces of paper – scan them! Spam laws might require you to prove it! 01:00:18 Gear Gab! Laura Whitmore is Sr. VP of Marketing at Positive Grid Spark practice amps (with an app!) Project BIAS X – Standalone or Plugin 01:07:36 Designing high-quality technology for a market with a budget 01:13:02 Gig Gab 520 Outtro Follow Laura Whitmore Check out TheWIMN.com (sign up for the mailing list for free! On Instagram On LinkedIn Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Creating the Room You Want to Be In: Laura Whitmore and the She Rocks Story – Gig Gab 520 appeared first on Gig Gab.

Frank Mills Heart of the City Nick Ingman AHO Lyin' Eyes Ray Conniff Mandy Paul Weston AHO Just Friends Neal Hefti Li'l Darlin' Pat Valentino AHO I've Got You Under My Skin Nat 'King' Cole Ain't Misbehavin' Martin Denny AHO Tenderly Norm Geller AGO You Made Me Love You Norrie Paramor AGO And I Love You So Norma Winstone Far Away Places Neil Richardson AHO Deep Purple Frank Chacksfield AHO I Didn't Know What Time It Was John Fox & BBC Radio Orchestra Someone to Watch Over Me Stephane Grappelli Baubles, Bangles & Beads Matt Monro I'm Glad There Is You Norm Geller AHO I Miss You Percy Faith AHO A Cock-Eyed Optimist Marty Gold AHO I Could Write A Book Pat Boone Blue Moon Eliane Elias That's All The New Christie Minstrels Last Farewell The Fantasy Strings Stephanie's Theme Mark Lindsay Love's Been Good To Me Pat Valentino AHO Wildfire Francis Goya & Carmina Cabrera Yo To Amo (And I Love Her) Anthony Ventura Blue Bayou Nick North AHO Missing You Barry Manilow Memory Norman Luboff Choir Stars and Shadows Paul Weston AHO Theme From "Valley of the Dolls" Barbra Streisand & Hozier The First Time Ever I Saw Your Face The Percy Faith Orchestra Laura Frank Mills Heart of the City

Inspired by the Beatles, Genny Schorr was a member of one of the first female punk bands in LA. She co-owned a vintage fashion store frequented by rock stars, and was wardrobe stylist for the Bangles, Tom Petty, and Linda Ronstadt.Her spouse is Kosh, who was the creative director of Apple Records for the Beatles.Her new book is titled “All Roads Lead To Punk: Riding the First Wave of the Phenomenal Los Angeles Punk Scene Through Music and Fashion" - and she has one fascinating story to tell.We know you want to listen to all the ads in this show. On the off-chance you don't, subscribe ad-free here. Hosted on Acast. See acast.com/privacy for more information.

We dive into the Jets' rebuild as Boomer praises GM Darren Mougey's roster-building strategy. We talk Kirk Cousins potential landing spot, a public rift in Denver between Sean Payton and Bo Nix over his broken ankle, the Knicks' road win in Toronto, and a "Bangles" themed Moment of the Day. We even talk beavers (the animal), Giannis and the Rangers future.

Sean Payton on Bo Nix's ankle annoys the QB. The Knicks beat the Raptors in Toronto. The Moment of The Day: Boomer's Bengals and MTV's Bangles.

Hey, it's the first episode of the Planet LP Podcast for 2026! Host Ted Asregadoo kicks off the new year by looking back at the memorable music-related experiences from 2025 with special guest Jeff Giles, co-host of The Record Player Podcast and author of Jefitoblog. While best-of lists may feel less relevant in today's era of personalized music consumption, Ted and Jeff take a different approach—reflecting on the moments, albums, books, concerts, and documentaries that made 2025 memorable for them personally. Jeff shares an update on his work-in-progress novel, "Largo's Dream," inspired by the 1998 album, Largo, produced by Rick Chertoff and Rob Hyman, which drew inspiration from Dvořák's New World Symphony. Ted dives into his reading highlights, particularly Eric M. Shade's "It's All Over the Place: The Rise of the Bangles from the LA Underground," a detailed chronicle that gave him newfound respect for the band's musicianship and their struggles navigating the music industry's challenges. The guys also talk about that nine-part documentary about The Beatles on Disney+ -- which gets mixed reviews, but was still memorable. The episode also covers Ted's impressive concert year, including the all-day Cruel World festival in Pasadena featuring Midge Ure, a 'Til Tuesday reunion, DEVO, The Go-Go's, She Wants Revenge, Garbage, New Order, and a standout performance from Nation of Language. Ted also recounts seeing Wolf Alice at the Fox Theater in Oakland—a show that turned him into an even bigger fan—and experiencing Belly perform their album "King" in its entirety at the Great American Music Hall in San Francisco. Plus, he shares his thoughts on the prolific and experimental Steven Wilson, whom he saw live at The Masonic Theater in San Francisco. Jeff reflects on Ted's dedication to Rush, noting the $300+ tickets Ted purchased to see them in LA and San Jose—a level of commitment that Jeff admits he can't match, even for his own favorites, such as The Doobie Brothers and Billy Joel. Join Ted and Jeff for an engaging conversation about what made 2025 a memorable year for them. Maybe it'll get you to reflect on your own music experiences, too. Steve Fox's Old School sponsors the Planet LP podcast! Steve Fox's Old School. It's the first place to go to stream R&B dance hits from the 1970s to the 1990s.

Given the MTV buzz and debutantal boom the Bangles experienced during the second half of their run, it's easy to forget their debut LP is a bonafide hitless alt-rock classic. All Over the Place reminds us that the Bangles were a really cool Paisley Underground band before the Egyptian pantomimes and Prince lil' purple penis pageantry.

Pat welcomes Vicki Peterson and John Cowsill back to the show to discuss their new album as a duo "Long After The Fire."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on The Metro, Rev. Jeff Ivins brings you Katrina And The Waves, Deniece Williams, Martha and the Muffins, Oingo Boingo, Sigue Sigue Sputnik, Village People, Bangles, David Bowie, Haircut 100, Modern English, Kajagoogoo, Information Society, Erasure, Corey Hart, Blondie, and finishes off with Generation X.

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Frank Mills Heart of the City John Fox & BBC Orchestra S'Wonderful Chicago Jazz Orchestra Baubles, Bangles & Beads Hollywood Movies Strings Irma La Douce The Lettermen Willow Weep For Me Ray Conniff In The Still of The Night The Chelsea Strings The More I See You Caravelli Trains & Boats & Planes Roger Williams Theme From 'Picnic' Norman Newell AHO Live For Life Starlite Orchestra Secret Love Marty Robbins Return To Me Simon Park Didn't We Almost Have It All Cristy Lane Always On My Mind Franck Pourcel AHO Be My Love Again Barry Manilow Lonely Together Anthony Ventura Via Con Dios Quincy Jones Golden Boy Reg Owens AHO You Oughta Be In Pictures Diana Ross I Won't Last a Day Without You Peter Thomas Sound Orchestra Nevertheless Nicky North Orchestra One Day In Your Life Mel Torme Wait Until Dark Chris Carpenter AHO Nobody Does It Better Ferrante & Teicher Smile a Little Smile For Me 101 Strings When I Fall In Love John Fox & BBC Orchestra A Foggy Day Ray Conniff I Honestly Love You Victor Vanacore AHO Just The Two of Us Perry LaMarca & Steve White Make Believe It's Your First Time Neal Hefti Girl Talk Starlite Orchestra Hello Young Lovers Anne Murray What A Wonderful World Simon Park Caught Up In The Rapture Sounds Orchestral Starglow Frank Mills Heart of the City

Welcome to the penthouse, baby — where bachelor life is in full swing. Tonight, it's all about the soundtrack to my life, velvet lounges, and music spun for the modern playboy. Slip off that dinner jacket, loosen the tie, and let the night unfold and take you wherever it might lead! www.cocktailnation.net Peter Arndell- Bachelor Pad  Frank Wess- The Lizard  Frank Wess- Southern Exposure  Freddie Green- Pin Up  Joe Newman- Low Life  Kenny Burrell- Baubles, Bangles and Beads Joe Newman- Miss Blues  Joe Newman-Blues For A Playmote Ahmad Jamal- I'm Alone With You  Jamal-Sophisticated Gentlemen  Ann-Margret - Bachelor In Paradise  Stan Getz- Penthouse Serenade

Genny Schorr is a guitarist, songwriter, stylist, and a defining voice of the LA punk scene — and now she's chronicling it all in her new book, All Roads Lead to Punk. In this episode, Genny shares the wild, candid story of her path through 1970s Los Angeles: from forming Backstage Pass — one of the first female punk bands in the city — to launching Strait Jacket, the LA boutique that became a style hub for rock's biggest names. She also reflects on her years styling and living with Linda Ronstadt, as well as styling and touring with The Bangles at the height of their success. It's a memorable conversation with someone whose stories bring the era to life in a way only an insider can. Songs in the episode (Backstage Pass singles included when you order the book): Elvis Costello & The Attractions - "Pump It Up" Backstage Pass - "Legend (Come On Up To Me)" The Bangles - "Hazy Shade of Winter" Backstage Pass - "Let Me Show You Love" To learn more about Genny check out her website: https://gennyschorr.com To order the book click ⁠HERE⁠. For more information on My Rock Moment and the Host, Amanda Morck: www.myrockmoment.com For more information on upcoming episodes and your regular dose of rock history follow us on Instagram: https://www.instagram.com/la_woman_rocks Learn more about your ad choices. Visit megaphone.fm/adchoices

Every year WXPN puts out a "Greatest" prompt for the listernship community to chew on and submit their Top 10 list.  The station then compiles, calculates and computes the highest ranking 885 from those submissions.  This year, we are determining the Greatest Cover Songs of all-time.Here's how WXPN is defining a cover: A cover is when an artist performs or records a song created and released by someone else. Full stop. I'll once again be joined by my fav Pod Pals Dan Drago from 25 O'Clock Pod and Nate Runkel from Yo! That's My Jawn to analyze and provide our commentary on the list as it's being released, share our predictions for the ultimate Top 10, and provide the painstaking detail that went in to our own Top 10 lists.In this first half of the livestream, we spend time running through the list thus far (with only 1 day to go!) and we are also joined by special guests, WXPN on-air talen Wendy Rollins and Raina Douris, who both share what this list means to them and the station each year, and what was on their Top 10.Wendy's List"Hazy Shade of Winter" covered by The Bangles"(What's So Funny 'Bout) Peace, Love & Understanding" covered by Elvis Costello"Love Is Blindness" covered by Jack White"With A Little Help From My Friends" by Joe Cocker"Thank You" covered by Tori Amos"Feeling Good" covered by Muse"All Along The Watchtower" covered by Jimi Hendrix"Hallelujah" covered by Jeff Buckley"Success Has Made A Failure of Our Home" covered by Sinead O'Connor"Alone Again Or" covered by The DamnedRaina's List"The Chauffer" covered by Deftones"Common People" covered by William Shatner"Lake of Fire" covered by Nirvana"Tainted Love" covered by Soft Cell"Mad World" covered by Gary Jules"The Hurdy Gurdy Man" covered by Butthole Surfers"Faith" covered by Limp Bizkit"Pursuit of Happiness" covered by Lissie"Log Driver's Waltz" covered by The Hidden Cameras, Feist, Rufus Wainwright, and Mary Margaret O'Hara"Changes" covered by Charles BradleyPlease share your picks for Greatest Cover Songs of All-Time!Text us your thoughts on this episode, and who should be OUR #NextFavBand...As always, our hope is to bring you "your next favorite band". If you tuned in today because you already knew this musician - thank you very much! We hope that you enjoyed it and would consider following us and subscribing so we can bring you your #nextfavband in the future. And check out nextfavband.com for our entire catalog of interviews!If you have a recommendation on who you think OUR next favorite band should be, hit us up on social media (@nextfavband everywhere) or send us an email at nextfavband@stereophiliastudio.com.Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close. It makes everything sound so much better! Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician #singer #guitar #song #newmusic #explorepage #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival

Renowned singer-songwriter, Jules Shear, who will take the stage at the historic Byrdcliffe Theater in Woodstock, New York for one night only – this coming Saturday, December 6 at 8 p.m. From iconic hits such as Cyndi Lauper's "All Through the Night," The Bangles' "If She Knew What She Wants," to Jules' own pop hit, "Steady," Jules Shear's songwriting has left an indelible mark on the world of music.

This week on The Metro, Rev. Jeff Ivins brings you these bands for your time warp to the 1980s: Katrina And The Waves, Madness, The J Geils Band, George Michael, Slow Children, Bangles, Toni Basil, Adam & The Ants, Pretenders, Elvis Costello & The Attractions, Altered Images, Dead Kennedys, Stray Cats, Robert Palmer, Thomas Dolby, […]

The Bangles' lead guitarist talks about making a new record with John Cowsill, why she's a “serial band member,” the magic of songwriting, imposter syndrome, and running your art like a business. Vicki Peterson—lead guitarist and occasional lead singer of The Bangles—joins Rhett to unpack Long After the Fire, the new record with her husband John Cowsill, and a lifetime spent in bands. She talks writing alone vs. collaborating, owning covers you love, combating self-doubt, and why musicians should treat creativity like a job (with a 10 a.m. start time). She also shares what she unexpectedly learned from Paul McCartney. Out now! Listen to Rhett's new album “A lifetime of riding by night” https://rhettmiller.com/ Follow Vicki Peterson @vickiandjohnmusic Wheels Off is hosted and produced by Rhett Miller. Produced by Kirsten Cluthe, Studio Kairos. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. This podcast is available on Apple Podcasts, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it.   Revisit previous episodes of Wheels Off with guests Rosanne Cash, Rob Thomas, Jeff Tweedy, The Milk Carton Kids, and more. If you like what you hear, please leave us a rating or review. Learn more about your ad choices. Visit megaphone.fm/adchoices

From “Manic Monday” to “Eternal Flame,” Susanna Hoffs shares how The Bangles began, life on tour, and the stories behind the music that defined a generation. We would love your feedback... If you enjoyed this episode, tell us why! Leave us a review and make sure you subscribe on your favorite podcast platform. Executive Producers are Riley Peleuses + Ian McNeny for YEA Media Group If you are interested in advertising on this podcast or having Christine and David as guests on your Podcast, Radio Show, or TV Show, reach out to ⁠⁠⁠⁠⁠⁠⁠⁠podcast@yeamediagroup.com Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From “Manic Monday” to “Eternal Flame,” Susanna Hoffs shares how The Bangles began, life on tour, and the stories behind the music that defined a generation. We would love your feedback... If you enjoyed this episode, tell us why! Leave us a review and make sure you subscribe on your favorite podcast platform. Executive Producers are Riley Peleuses + Ian McNeny for YEA Media Group If you are interested in advertising on this podcast or having Christine and David as guests on your Podcast, Radio Show, or TV Show, reach out to ⁠⁠⁠⁠⁠⁠⁠⁠podcast@yeamediagroup.com Learn more about your ad choices. Visit megaphone.fm/adchoices