Podcasts about everything is free

Threadings. and quite literally everything I do is free! I only can do this because people voluntarily pay! Wow! Thank you!!!!Transcription below because someone asked for the still words.Long time no see. Hi there. If you're new here, which if you're here, I doubt you're new. I mean, but just in case. My name is Ismatu. E-S-M-A-TU. I like E, S like S, not like Z. Not Ismatu, not Ismatu, Ease, like Easter egg. Ease-matu. One day.I will be an Ismaltu that other people can say, oh yeah, like Ismaltu, like Ismaltu Gwendolyn. It's gonna be a great day, hi. I have pistachio tea on screen, a stack of notebooks, a increasingly worn copy of How to Go Mad without Losing Your Mind, and a need to situate myself such that I'm not making so much noise with the mic. Hold on, hold on.Okay, starting now. I should have put my glasses. Hi there. Grab your tea, I'm having pistachio as per usual. It also has roasted almonds in it because I'm on the go right now. I didn't bring all my florals. I do so love a nutty floral. Long time no see. I generally don't like being on video because my face and voice are now public record in a way that alarms me. But we can't go backwards. Hi, it's good to see you.I'm out here making housing and security look very cute. It looks like a cute place, right? You're sitting in the window sill right now. It's a lovely winter's day in Brooklyn. I would otherwise be really excited to be here if I were not here for the passing of a loved one. Which thank you for your condolences, by the way. I'm receiving a lot of kind messages. None of this feels particularly real. And if the past is any indication.This is just gonna be something that I remembered. I'm gonna be going about my day going, God, I really wanna talk to Baba about, oh right. Oh my gosh, I can't wait to tell Baba, oh right. Let me text Baba and tell him I was thinking.like that.I'm making this video not to cry on camera. So you all know how much I love that.but to talk to you all about some changes that I am making existing online. Which is, I really have been, I don't want to say slacking, but sincerely deep prioritizing being here with the patrons and the substachians, the substichites, the substichanders.Stubstiganders is actually very cute and I'm keeping it. The Patreons, the Stubstiganders, mostly because I am not compelled by money. So the idea of making extra content to reward people for giving me money was always just such a low burner, especially with the other things that's on my plate. You know, familial duties, personal duties, the reading and writing for short form and long term projects, organizing on the continent and also in the United States for some, I just like-for some care infrastructure that I've been feeling is necessary. More on that later as per usual. So that means that like making extra content for people that pay to support me was always kind of like a, when I get the extra energy, when I get the extra time, when I get the extra focus, I will give you my extra, you know, you're paying for extras. And I find that uncompelling for a couple of reasons. The first being thatbecause I am not compelled by money, it never really becomes a priority. You know what I'm saying? If the idea is, oh, I make extra things so that people who wish to support me continue to have incentive to support me, I actually don't care about being broke. As you can see, again, chronic housing insecurity. I'm more housed than I have been since I lived in Chicago, and it's still quite precarious. It is tough to not have a permanent address in the United States, it makes everything difficult. And I shouldn't be surprised at how long it's taking me to come back into like fully fledged housing, but it's again, really tough. Like I still don't make enough to qualify for renting. So I mean, I should be motivated. I should be motivated. And I just am not. And then secondly, it undermines what I want to do with this space.So people that pay to support me, especially at this point in time, because I give you so little, I have to imagine that you're here because you want me to be well. Because even if I don't care about being poor and destitute, you all are like, that's not a reality that we want you waiting in. Because in honesty, you're right. I shouldn't be skating towards financial disaster and catastrophe all the time. I agree. There should be many layers of safety between me and death by preventable disease.death by hypothermia, death by substance abuse, because truly the only way that you can survive chronic housing insecurity and or homelessness is drugs. It's drugs, it's the only thing that makes it tolerable, et cetera. So you're right. I keep coming back to this email that I got a while ago, sometime in like, I think like October or some shit. And they said,you can't die. If you die, you don't understand there's nobody that does what you do. There's nobody to replace you in your online spaces and in your real life spaces. You actually cannot move like this. You have to consider yourself more precious. It's essentially the text of the email. I haven't stopped thinking about that. I'm trying to reconcile that with, yes, but I'm not motivated by money. So why?Yeah, I just, I think what's happening for me is that I don't want you all to be motivated by production from me. Cause what kind of has happened less and less so, but like, especially at the beginning of things, you know, I would set up paid spaces and I would promise perks. And my ability to fulfill those perks, which I'm still behind on fulfilling, I still work on it, especially cause the perks that I have in mind and the perks that I promise.are labor intensive and time intensive. They take like a lot of time and care, so I can't do them very fast. And so many people wrote me letters and I just, I refuse to half-ass that. So if I write three letters a week, that means, and I got 300 letters, it takes a long time to get back to people. But I still am. What happens is the emphasis is on my production. You did it to get something extra for me so that if that thing comes slowly or not at all, then subscription drops.And then it makes it something that I can't actually depend on consistently and like I already said I'm already not motivated by money in the first place. So I just You understand what I'm trying to say I hope so what I want is to take Support from of me and my work away from the idea of production So I have decided that we're starting over with the patreon and with the sub stack. I was sharingthe things that I was sharing, A, to practice, just to get my feet wet with what it feels like to create things consistently, to create audio, to create visuals, to do all these things. And all I really had was the models of content creators and influencers that came before me. Now, I don't fuck with either of those two terms. My primary job on the internet, I do not think is content creation. My primary job on the internet is not influencer. I don't...I'm not really here to change the minds and hearts of the populace. I'm here existing in public because it keeps me accountable to the public. And I'm here sharing what I learned, which is not feel like content. Like we don't call authors content creators. We don't call music production content creators. So I'm not a content creator because I'm an essayist or because I'm existing online content. The idea of entertainment.is so superfluous to what I am actually doing here. I am a public teacher. This is actually what I wanted when I was graduating from grad school and thinking about the job market and looking at jobs that just like bored me. There was exactly two jobs that I was really excited about. And I got really far like in the processes for being considered before they, you know, went to people that have more experience than me because I was just graduating. Job market's tough.One was in curriculum development for English and teaching that curriculum to like high school level students and one was in a policy think tank for public health that was localized to a specific urban region. And remarkably both of those things are things that I do now with my day today. So I'm not a content creator, I'm a public educator.That's what I'm doing here. I have a syllabus that lives, that is directly affected by the questions that you all ask me and the ways that you engage with me. And I have projects and capstone projects that you all are and will be, continue to be involved in, that have to do with public health and safety. And obviously there comes a lot of education within that as well, because that is my field of study. I have two degrees in public health now, global health, and one degree in English.So I'm doing what I want to be doing. None of that is about the creation of like things that are designed to entertain. None of that is about content. I just, the fact that I am existing in video and audio format is just the medium, the vehicle in which I can come to you with the things that I hope and dream for myself and for us as a collective. What I'm finding is that short form video land, so TikTok and Instagram, and even long form video land with YouTube, which...I keep promising a return. It's gonna happen. It's just that I can't come back to YouTube without finishing up the Malcolm X series. One, the person that I wanted to talk to about that is Babaseku. So give me a second. And then two.Yeah, give me a second. All forms of video and just existing online in a way that the public can interact with me.suck like respectfully like uh any kind of video i think because it's so ubiquitous to society at this point in time because we view these people that are making art as content creators instead of artists opens you a lot like opens you to the wide heights and depths of the internet it opens you to being recirculated in ways that you do or do not consent to um and it makes it soquestion, comment, recommendation that is helpful to my thinking and to my praxis. Every actual thing that I find helpful has a couple on this side and a couple on this side. And this side is like the angelification of me, the me becoming like a deity or a legend or someone that is above critique, where I can do no wrong and that is dehumanizing. And then the other side in which I am.the devil incarnate, an agent of chaos, someone who is actively out to sabotage the collectives of liberation that I am a part of via identity. And that is also dehumanizing. I don't enjoy either of those things. And they, if I read too much of that, it warps my sense of personhood. That sort of consumption of what people feel about themselves projected onto me is...not really something I wish to engage in, which means that I can't really read the comments on TikTok and Instagram anymore. I don't read YouTube comments. I don't check my notifications. I don't see, like I can't actually interact with people in the ways that I would like to. So I think what I'm going to be using these spaces for is to talk about the things that I am learning in real time. Because usually by the time that I've like made a video about something and it's circulating on these short form. Um.places because I know that my reach is wide and far. I'm well read. I am well situated. I feel comfortable enough to say, to make a claim, to state a thesis statement. I'm still comfortable to be wrong. I can be wrong about anything, but I'm definitely not. If I'm ever talking about a text in public, I've read it at least twice, usually three times. SoI want spaces where I can learn in real time and have first draft thoughts because first draft thoughts are not safe for the general internet. And I think that's what I'm going to use those spaces for. These spaces for. The Patreon, the Substaganders, that's what I would like to be doing here. And I think these are also spaces that are niched down enough, not quite small, not quite large, but just like the people that engage with me on Patreon, the people that engage with me on Substack are here because they like...what I have to bring to the table and they want to discuss with me. I think that you all work to see me as someone who is just like a finite person and not someone that solely exists in their video screen or someone who has much stock in the idea of being legendary. I'm just a person.The conundrum that I've been having is, well, that's educational work. Like I'm just, I'm talking about my thoughts, I'm learning in public by proxy. People also learn as I do that. So how do I charge for that if my work is free? Like if everything educational, if my best work is the work that I think that people can learn from is free and is free on purpose, why wouldn't I just give that away for free? And that's been at loggerheads because it's like, these paid spaces are supposed to be paid and they're supposed to incentivize people to support me and da da. That's why you make extra stuff.but the whole extra thing doesn't compel me to do it because then I'm motivated by money and I'm not motivated by money. And if the thing that I actually want to be doing in these spaces is essentially like long form book clubs, listen, this is an amazing text. Hey, remember when I said she cute and she thick? This is dense and good. It is prose, it's prose poetry, prose, prose poetry. Okay, it's so like, you can see how haggard this is becoming. Ben's terps, okay.A Ripper 2, Doodles and the Margins. Okay, I love this book. I keep returning to it. I keep rereading it. And I don't have time to talk about the rest of the text. Most people, especially with academic books like these, they only read the first chapter because it's a prolonged thesis. And that's good. If you only read the first chapter, lovely. And also I wanna read the whole book. I don't have time to do that on my big social media. I have a syllabus to get through that I'm already, I don't wanna say behind on.But we have work to do, you know what I'm saying? I have projects, I'm working with multiple kinds of people on the things that we're gonna be talking about. So I wanna take these spaces to talk about what I'm reading. I also have Thomas Sankara in the corner over there. I started talking about that in live on TikTok. I want a space to be able to repost my lives without fear of them getting redistributed in big ways. You know what I'm saying? And all of that's very educational work. It's work that I enjoy. It feels like an office hours situation.and you don't pay to go to office hours.So I'm starting over with the Patreon and with the sub stack. Everything that I think should, I've gone through it again and I've made free what I think should stay up and things that I made with a specific audience in mind. Like also one of the reasons I was posting specifically to paid tiers is because it denotes at least some sense of adulthood. If you have your own money to be able to spend to give me a couple dollars a month, you are likely in...in have enough agency over your life to have your own bank account and your own finances. So I was kind of using that as a metric for like making sure that like kid kids aren't here because there are some kids that follow me and like to engage with my work. And I was not about to be, some things are for adults. But I just like, I don't really wanna have conversations without kiddos. I like the kids, I like the teeny boppers. I like that like 12, 13, 14 year olds are here. I think your ideas are incredible.and I wanna hear what you have to say. And I don't wanna exclude you from the learning because you can't afford to pay for it. What is it? When I was 12, $5 was a million dollars. When I was 12, $5 was like a cupcake, a very big cupcake from the bakery that I could walk to. And that is about a million dollars as 12, as a 12 year old. So, I'm just gonna do all of this for free. I hope that you weren't here specifically because you felt like you had special East Montsue content because I'm not.Any more special in the space I am in big spaces? I don't really want the incentive on your side to be exchange for extra. I want the incentive to be because you care about me. And I'm here. I want my incentive for being here to be because I care about you.So it's all just gonna be free.We're starting over. And this frees me up a lot to just exist without having to make a product or something compelling or fancy or what have you. And I can just breathe. And you'll know that when I'm here, it's because I wanna be here and not because I feel like I have to.Yeah. All right, well.What time is it? That's about all. In terms of loose life updates, I'll talk about those ones when I feel like talking about my.Nothing is easy. There's a lot of ease, but it's not easy, if that makes sense. Even amidst tumultuous circumstances and difficulties.This is the most blessed I've ever been. You know what I mean? Blessed in the original etymology of the world is someone played in blood for the amount of freedom that I get to have every day. And it's my job to continue the work of making sure that everybody that interacts with me and comes after me, however much after actually exists because colonialism really fucked up time.I want freedom to be contagious. Just like hope.Thank you for watching. I wanna do more of this.And I'm excited to be back in spaces, Patreon, subscandies, where you all can talk to me and I can see you and I don't have to worry about being assaulted with the ways I am more or less than little h human. It's very nice to just exist without complexities or pride.The internet continues to grow bigger and bigger and bigger. And I stay the same size. And everything growing means that I have me that goes outside of me. And that's difficult for my brain to reconcile. And I have never been so well suited to make my dreams reality. So I can't go backwards.It's just gonna help for me to have as much little space as I can possibly hold onto because there's gonna come a day where I'm not on the internet anymore, where I don't do this, where I can't talk directly to you like this. So I'm gonna enjoy it while it's here.I hope the work of your day passes through your hands with these, okay? Have a great day.or whatever time of day you're listening to this. If it's three in the morning, have a good three in the morning. Goodbye. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit ismatu.substack.com/subscribe

On this episode of Our American Stories, Jonathan Mattox is co-chairman of The Christmas Store, founded in 1975. Jonathan tells us about this annual event that gives out toys to families in need during Christmas. Support the show (https://www.ouramericanstories.com/donate)See omnystudio.com/listener for privacy information.

Doc Watson has been gone for more than a decade, and yet his music and legacy remain more alive and relevant than ever. And thanks to the ongoing MerleFest, which brings a wide-ranging cast from the Americana world to Doc's North Carolina stomping grounds every April, that's not going to change anytime soon. We consider the enduring impact of Doc through conversations with some of those who bear his stamp, including Gillian Welch and Jerry Douglas, in this special episode of Carolina Calling.Music featured in this episode:Doc Watson - "Sittin' on Top of the World"Doc & Merle Watson - "Jimmy's Texas Blues"Gillian Welch - "Everything Is Free"Andrew Marlin - "Erie Fidler"Doc Watson - "Tom Dooley"Doc & Merle Watson - "Sheeps In The Meadow / Stoney Fork"Doc & Merle Watson - "Poor Boy Blues"Doc Watson - "And Am I Born to Die"Doc Watson - "My Home's Across the Blue Ridge Mountains"Jerry Douglas - "A New Day Medley"Doc Watson - "The Last Thing On My Mind"Carolina Calling is produced by The Bluegrass Situation and Come Hear NCAdvertising Inquiries: https://redcircle.com/brands

Www.verywisealternatives.com Everything is FREE Plus Herbalist Viola cares & Love my Brothers and Sisters --- Support this podcast: https://podcasters.spotify.com/pod/show/verywisealternatives/support

Song 1 - “To Love Somebody,” (Bee Gees COVER) Song 2 - “Everything Is Free,” (Gillian Welch COVER) Song 3 -  “Dublin Blues,” (Guy Clark COVER) Song 4 - “Sweet Revenge,” (John Prine COVER)   The Proper Way // Van Sessions at The Monarch   Recorded during Ogden's First Friday Art Stroll. Supported by a generous grant from Ogden City Arts along with love from The Monarch, and Roosters Brewing.   Thanks to everyone who came out to the live show! Join us every First Friday for recordings at The Monarch Building in Ogden, Utah.   ARTIST | The Proper Way   WEBSITE: https://theproperwayband.com/ INSTAGRAM: https://www.instagram.com/theproperwayband/ FACEBOOK: https://www.facebook.com/theproperwayband/ YOUTUBE: https://www.youtube.com/channel/UC2dYiq1_zmMVeGIbnQgAehg?view_as=subscriber SPOTIFY: https://open.spotify.com/artist/6BrPKZOFfJ7ufCiIsME0hF?si=7vEYVV4eTqiybShRZqadfA   SUPPORTERS Roosters Brewing: https://www.roostersbrewingco.com/ The Monarch Building: https://themonarchogden.com/ Suntea's Music Booch: https://www.instagram.com/suntea.love/ Ogden City Arts: https://www.ogdencity.com/707/Arts   CREDITS Producer / Host: R. Brandon Long, The Banyan Collective Logistics / Bookings: Todd Oberndorfer, The Banyan Collective Audio Mix: Scott Rogers Video Assistant: Ben Bauter Video Assistant: Isla Long   FOLLOW // SUBSCRIBE Van Sessions Instagram: https://www.instagram.com/vansessions/ Van Sessions Facebook: https://www.facebook.com/thevansessions Van Sessions YouTube: https://www.youtube.com/@vansessionspod   Our “Patreon,” Like what you hear, buy us beer: https://www.buymeacoffee.com/banyanmedia   The drive behind Van Sessions is to create a music discovery community for Northern Utah musicians to share their work, refine their craft, and network with other artists.   Van Sessions helps support local musicians, photographers, and videographers through our project. Show your support for local artists by subscribing to Van Sessions on YouTube @vansessionspod or search "Van Sessions Podcast" on your favorite podcast platform.   Join us live at the Monarch in Ogden every First Friday to be a part of the free concert and video podcast recording.   Bookings: todd@thebanyancollective.com

The Proper Way // Van Sessions at The Monarch   Recorded during Ogden's First Friday Art Stroll. Supported by a generous grant from Ogden City Arts along with love from The Monarch, and Roosters Brewing.   Thanks to everyone who came out to the live show! Join us every First Friday for recordings at The Monarch Building in Ogden, Utah.   ARTIST | The Proper Way   WEBSITE: https://theproperwayband.com/ INSTAGRAM: https://www.instagram.com/theproperwayband/ FACEBOOK: https://www.facebook.com/theproperwayband/ YOUTUBE: https://www.youtube.com/channel/UC2dYiq1_zmMVeGIbnQgAehg?view_as=subscriber SPOTIFY: https://open.spotify.com/artist/6BrPKZOFfJ7ufCiIsME0hF?si=7vEYVV4eTqiybShRZqadfA   SUPPORTERS Roosters Brewing: https://www.roostersbrewingco.com/ The Monarch Building: https://themonarchogden.com/ Suntea's Music Booch: https://www.instagram.com/suntea.love/ Ogden City Arts: https://www.ogdencity.com/707/Arts   CREDITS Producer / Host: R. Brandon Long, The Banyan Collective Logistics / Bookings: Todd Oberndorfer, The Banyan Collective Audio Mix: Scott Rogers Video Assistant: Ben Bauter Video Assistant: Isla Long   FOLLOW // SUBSCRIBE Van Sessions Instagram: https://www.instagram.com/vansessions/ Van Sessions Facebook: https://www.facebook.com/thevansessions Van Sessions YouTube: https://www.youtube.com/@vansessionspod   Our “Patreon,” Like what you hear, buy us beer: https://www.buymeacoffee.com/banyanmedia   The drive behind Van Sessions is to create a music discovery community for Northern Utah musicians to share their work, refine their craft, and network with other artists.   Van Sessions helps support local musicians, photographers, and videographers through our project. Show your support for local artists by subscribing to Van Sessions on YouTube @vansessionspod or search "Van Sessions Podcast" on your favorite podcast platform.   Join us live at the Monarch in Ogden every First Friday to be a part of the free concert and video podcast recording.   Bookings: todd@thebanyancollective.com

i wrote a whole thing but i deleted it. the words in your head feel so important one moment and so trivial the next. i’m going to try to spend my day outside. minimal words. and maybe i’ll come back to it another time. byeeee!DOWNLOAD/STREAM RECORDING00:00 (intro by omar)00:20 Cool Original “Never Stop Hanging Out” I Never Said I Didn’t Care03:25 Lomelda “Too Bright” They Can’t Sing Like Me06:11 VVD WNDWS “The Sad Poetry of Violence” Blue Landscape08:25 4th Curtis “Nonstop” Invisible Ax12:11 Dig Nitty “Angel Calling” Cold Gold15:31 Chain “Tiny” Chain17:00 Milk Flud “Control Freak” Supportive Nature20:09 American Grandma “Forrest” Superdog24:19 WET FRUIT “Water” WET FRUIT27:16 Ducks Unlimited “Get Bleak” Get Bleak30:18 Buffet Lunch “Hotel At The End Of The Universe” Snap EP33:00 Jetstream Pony “I Close My Eyes” I Close My Eyes / It’ll Take More Than a Friday35:29 Dragnet “Delicate” All Rise For Dragnet37:02 Shake the Baby Til the Love Comes Out “The Only Good Cop” Growth and Healing Through Bringing Others Down40:32 Lately Kind of Yeah “Star” Uncurse42:55 Brunch Club “Logan” Another Wasted Summer44:51 Scott & Charlene’s Wedding “Boundary Line” When in Rome, Carpe Diem48:44 The Finks “I’ll be your baby tonight” Affectations52:27 Special Moves “I Don’t Have Any Other Words” Everything Is Free53:47 Jon Bafus “Pit 9” PUSH / PULL55:59 Nesey Gallons “PATSY CLINE” BLACK MOUNTAIN RETURN59:24 Beverly Tender “Leaky, omnipresent voice in the sewers. An Instruction. A Recipe?” Little Curly/boy is a Bird62:42 Kolb “Long Coat” Going Places64:18 Woolen Men “Space Invader” Human To Human66:43 Fauvely “What the Living Do” This is What the Living Do

Michelle Robinson, founder of Bountiful Blessings, joins The 1 Girl Revolution Podcast to share her inspiring life story and how she rose above addiction, homelessness, and all of the other struggles in her life to help others through her nonprofit organization, Bountiful Blessings.   Bountiful Blessings is a community outreach organization that offers free clothing, baby formula, diapers, household goods, resources and anything else that the people of the community need - all for free. Bountiful Blessings helps women, children, families, and individuals in every way they possibly can - with whatever they need. And they are an example that we can all emulate the work they're doing by helping our neighbors, our family, and people in our own community.  You don't want to miss this inspiring episode! In this episode, you'll hear: Michelle's inspiring life story;  About her life and how she overcame homelessness, abuse, and addiction to get to where she is now and helping others; How Bountiful Blessings came to be and all about their great work; Stories of people that have been helped by Bountiful Blessings; And so much more. For more information about Bountiful Blessings, please visit: www.1girlrevolution.com/bountifulblessings The 1 Girl Revolution Podcast is available on Apple Podcasts, Spotify, Stitcher, iHeartRadio, YouTube, and everywhere you listen to podcasts.   

Amelia, Nato, and Row take a trip to Columbia, but only venture to the hotel bar to get drunk on tonight's episode of The Gay Anarchist Yoga and Erotic Cooking Association. GAYECASocial Facebook & Twitter: @GAYECAPod Amelia Instagram: thenefariousnavigator Row Facebook & Twitter: susqueenrow   Music and Sound Effects by Pond5

Who knew Cartagena had so many Americans!  One of them is Brian Jordan Alvarez, who writes, directs and stars in a sexy comedy in which he is constantly under threat of being beaten to death by his best friend.  How funny is that, we ask you?  Join Bil and Daniel as they discuss Everything Is […]

This week, we talked about the 2017 movie Everything is Free. When Ivan, an American painter living in Colombia, is visited by his straight best friend, Cole, and Cole's supposedly straight younger brother, Christian, Ivan and Christian start confusingly falling in love. Also they meet a cult leader who worms his way into their house, but that doesn't really matter to the plot that much. Topics discussed: "Do you make me horny?" Sex sounds Chris names some nu metal bands he knows Spit as lube We used to think straight people existed The Twilight Zone We Read Movies This podcast is hosted by ZenCast.fm

On this week's episode, Suzanne Downing and special co-host Scott Levesque discuss the latest $3.5 trillion spending bill and the infrastructure bill. Also, they discuss the heartbreaking Knik Little League story and the latest in Alaska politics, including Kelly Tshibaka and Bill Walker. All that and more!

Don't take out that wallet, because like this week's movie, listening to our show is FREE! And this week we're joined by Twitch streamer Ian Watson to discuss Brian Jordan Alvarez's "Everything Is Free", as well as silencers/straws, bullying on Mostly Speakin' Sentai, 80s hair, landfill wigs, crowns/helmets, quirky comedies, chickens, PSA for lubricant, hearing siblings, opening trauma to others, Eating Out, kids rollercoasters, & more! Watch Ian stream at Twitch.tv/itsIanWatson! Recorded live on Twitch, see the video and be apart of the live spectacle on Twitch.tv/corwyning. Follow us on Twitter & Instagram @ThisMoviesGay! Give us recommendations for movies! Support us on Patreon and get exclusive podcasts every week! Head over to Patreon.com/MLMpod and sign up now! Learn more about Saltbox Theatre, the theater company Corwyn works with, at SaltboxTheatre.org & follow them @SaltboxTheatre! Find out about all of our sister podcasts (that James also co-hosts) on www.mlmpod.com! Listen to James' other podcast Mostly Speakin' Sentai with his co-host/best friend/life partner Nicole! They are an irreverent look at the Super Sentai series, which is the Japanese source material for Power Rangers. Follow the podcast @MSSPod on Twitter & Facebook as well as Instagram @MSSPodcast. You can listen on the app you're listening to This Movie's Gay on! Check out "What The Hellmouth?!" with James & TC to hear them talk about anything but Buffy the Vampire Slayer on a Buffy podcast. These podcasts can be found on what ever podcast app you're listening to This Movie's Gay on! Check out James' rap music! Find Marsh Land Monster on Spotify, Apple Music, YouTube, SoundCloud, & Facebook! Also, watch James play video games on Twitch over on the Mostly Speakin' Sentai channel!

Skoden and Dually head out for their appointment with Dr. Vangelos. But you can't go anywhere in Night City these days, it seems, without running into some group of bozos...  Our head-canon version of Trace ("Tayce") Santiago: https://bit.ly/34bezZi Note: This week's technical issues took the form of David having to use a backup mic. Apologies for the somewhat rough vocals on his end. Join Our Discord Server!  Support our Patreon! Follow us on social media! Facebook  Twitter  Instagram  Featuring:  Des as Miracle Worker Rainy as Dually Santiago as Skoden

""For by grace you have been saved through faith. And this is not your own doing; it is the gift of God, not a result of works, so that no one may boast." Ephesians 2:8-9 This grace message isn't a new trend, it's throughout the Gospel. Grace is more than enough! * How do you answers people who say God's Grace is hear to help us fulfill the Law? * United https://basicgospel.net/united/ * Can you have to much Grace? * Can you get tattoos?

ARTWORK - linesbyher aka Kimmy Elliotthttps://www.instagram.com/linesbyher/?hl=enFollow Ed https://www.instagram.com/ed_washingtonii/?hl=enEd's Musichttps://streamlink.to/edwashingtonFollow Nick https://www.instagram.com/mediumbuild/?hl=enNick's Musichttps://open.spotify.com/artist/3C6wmSgnZuqxVQyBWujBsn

Everything Is Free by Gillian Welch and David Rawlings Performed and recorded by Cathryn Beeks 1/2 Fast Studio in Lucerne Valley 3/2020 ListenLocalRadio.com

Sue rants on the new St. Paul plan to give "free" money to newborns. Rep Cal Bahr joins the conversation with why this happens. Single subject is also discussed.

Sue rants on the new St. Paul plan to give "free" money to newborns. Rep Cal Bahr joins the conversation with why this happens. Single subject is also discussed.

Like what we do? Show us how much we mean to you by supporting our Patreon Page. Just $5/month would be a HUGE help, plus you get some cool perks! Check it out here: https://www.patreon.com/loulombardi Today we answer the question, "How can you possibly make any money in this business when no one wants to buy your music?"Check out the podcast link here   https://youtu.be/0ewIkAae148Topics Discussed:-perceived value...what are people willing and able to pay?-don't be to be too cheap!-deliver quality...don't skimp!-give extras...t-shirts, sweets, make it personal, -"LET people pay"-Make they feel part of something bigger than themselves-LEAH... world building-Playing live... sometimes the still the best way-combine print on demand with personal items-give them an experience at every level-parallel with comic books-be an "author"-release small pieces of your product to get interest (loss leader)-sell for small price-have a larger "back end" product(s) services-what you DON'T give away: commissioned work get SOMETHING out of it  

Like what we do? Show us how much we mean to you by supporting our Patreon Page. Just $5/month would be a HUGE help, plus you get some cool perks! Check it out here: https://www.patreon.com/loulombardiToday we answer the question, "How can you possibly make any money in this business when no one wants to buy your music?" Check out the video here  https://youtu.be/7jSCnkI4DoATopics Discussed:-The Curve by Nicholas Lovell http://www.thecurveonline.com/#free-The lessons learned from centuries of busking-offer more for FREE with up sale-get them hooked with a lot of free... then charge them to feed the addiction-build anticipation, interest and excitement THEN ask for money-flatter people by giving them a choice-Amada Palmer's TED talk: TED TALK VIDEO-Pitch it as you are going to do it anyway, but support will make it better and reach more people-Free: The Future of a Radical Price https://www.amazon.com/Free-Future-Radical-Chris-Anderson/dp/1401322905  

Pumpkin is soul food?, Pride Parade, Everything Is Free, Shit Gets Weird Hit The Hotline 203-594-6977 Grab Some Merch https://www.gbiclothing.com Get a Free Stock on the Robinhood App https://share.robinhood.com/samuelm1117 Sign Up To Drive or Deliver food with Uber Eats https://partners.uber.com/i/samuelm35151ue Get $5 Free With Cash App cash.me/app/JGVLNFB

Recorded live from Pete’s Candy Store! Doug and Jordan talk to Baffler columnist Liz Pelly about our new future where everything is free but nobody gets paid. Appropriately and at Liz's request, Doug covers Gillian Welch's modern classic "Everything Is Free" and premieres his new song “Los Angeles” which is about convincing yourself that if you move to LA it will solve all your New York problems, or whatever. Additional music from the truly fantastic Thelma. This is a fun but weird one! Listen and watch out for Jordan who was clearly on the verge of a nervous breakdown when we were taping! Check out Liz Pelly online (website / Baffler articles / Twitter / Instagram) and Thelma too! (Bandcamp / Facebook / Twitter / Instagram) timestamps 0:00 “Theme From Special Delivery” by Dougie Poole 2:51 “Los Angeles” by Dougie Poole 8:14 “Laptop” by Dougie Poole 11:17 Jordan does a really bad job with the intro to the show 13:20 Liz Pelly Reads reads segment from “The Problem with Muzak” 18:00 conversation between Doug, Jordan and Liz 34:21 “Everything Is Free” by Gillian Welch cover by Dougie Poole 41:14 "No Dancing Allowed" by Thelma 45:26 "Stranger Love" by Thelma 50:30 "Orlando" by Thelma 54:04 "Sway" by Thelma 57:37 "Chosen Ones" by Thelma

Alexi is joined by actress, comedien, professional muse, talent and gender fluid inspiration: Freckle. Freckle currently stars on the Gay and Wondrous Life of Caleb Gallo (available on YouTube), Jordan Firstman’s film “Call Your Father”; and can be seen in Brian Jordan Alvarez's upcoming movie “Everything Is Free”, as well as Season Two of Search Party on TBS, and the soon to be released Grizzly Bear music video alongside Busy Phillips. Alexi and Freckle talk gender pronouns, coming of age, acting, gender fluidity, Eckhart Tolle, American Idol auditions gone by, trans advocacy, gender non binary and neutrality, identity, self help, doing the internal work, self acceptance, finding your place and purpose, homophobia, vigilance, shame, being a performer, the fact that we both went to the same high school, parents, friends, lovers, relationships, dating, souls, monogamy, jealousy, passion, internal spirals, tv, movies, gay men, lesbian women, bisexuality, debunking stereotypes, insta stories, self love, doing the internal emotional work to be happy and healthy and so much more! Follow Freckle on Instagram @AuntFreckle

GILLIAN WELCH. EVERYTHING IS FREE – 4:40Time (The Revelator), Acony, 2001 ROBYN HITCHCOCK. TELEVISION – 6:20Spooked, Yep Roc records, 2004 THE FEELIES. ON THE ROOF – 2:50The Good Earth, Coyote, 1986 LUNA. MOON PALACE – 4:20Penthouse, Beggars Banquet, 1995 PATTI SMITH. MY MADRIGAL – 5:05Gone Again, Arista, 1996 R.E.M. WORLD LEADER PRETEND – 4:15Green, Warner […] Cet article Errance #91 : De Gillian Welch à Jessica Moss est apparu en premier sur Eldorado.

On this week's episode of Bootstrapped, we talked with Aviva Goldfarb, founder of the Six O'Clock Scramble. This online meal planner offers busy parents health-conscious solutions for the daily scramble of cooking a family dinner. Aviva admits "my biggest competitor is free." Aviva monetized her idea through a membership model, offering dietitian-approved recipes that can be made quickly, along with a mobile grocery list. By requiring customers to submit a credit card to activate their free trial, Aviva has managed to gain a sizable following with a 60-70% customer retention rate. 

Tuesday’s show was bound to sell out because Berklee forces arrived with a couple hundred students, faculty and alumni and because their very distinguished alums Gillian Welch and Dave Rawlings asked if their performance and award presentation could be nested in a special Roots show. That means a lot to us, and both parties pulled out the stops to create one of the finest and most meaningful shows we’ve ever put on. Liz Longley has a song with a chorus that starts “You’ve got that way…” and wow, so does she. Armed with an acoustic guitar and her cool, smoky and nimble voice, she took the stage for our first set. The songs have become hits for me from repeated listening to her debut album. “Memphis” and “Bad Habit” are new soul folk standards. “Skin And Bones” has a darker Appalachian edge. Then it was on to a very different voice in Sierra Hull, with her musically entwined new string trio and songs from her fascinating new Weighted Mind album. After the title track we heard the baroque and intricate composed interplay of “Queen of Hearts/Royal Tea” (thank you Berklee training) and the silk pillow of a song that is “Lullaby.” We were only one song into Maureen Murphy’s set when Photographer Tony whispered to me that we were experiencing the finest singer in the show’s history. There’s a case to be made. I’ve rarely seen so much refinement and technique mingled with so much power and passion. Murphy delivered four very different songs with a rocking, versatile quartet, but the capstone was her ode to her singing idol Lisa Fisher “How Can I Ease The Pain.” The song’s free form gave Maureen ample ways to shape and craft and massage and emote. It was simply breathtaking in its range of textures, from delicate to forceful. And she got to hit a classic money note in Martin Sexton’s “Smoke.” It would have been difficult to pack more musical range or magic into 20 minutes. I’ve been watching Gillian and Dave perform for twenty years, and it’s always riveting. Certainly, seeing the MCR logo behind them was extra inspiring and gratifying. They opened with spectral unison singing on “The Way It Will Be,” making the harmonies of “The Way It Goes” and “Miss Ohio” all the more bloom-like. When Berklee President Roger Brown presented the school’s American Master Awards to them (as individuals by the way not a group), he cited Dave’s harmonically rich and inventive guitar playing. And yes, that’s one thing I’ve always loved about it – close, dissonant intervals delivered with bebop command and a staccato attack, like Bill Monroe downstrokes on Eddie Lang’s guitar. And on this night I got to be about 20 feet from his shredding solo on “Red Clay Halo,” one of my favorite Gill and Dave songs. Their final number “Everything Is Free” includes the line “we’re gonna do it anyway, even if it doesn’t pay,” and that’s how GW and DR always sounded to me. Their old friend T Bone Burnett, who collected the night’s other Master Award, played amiable electric guitar strokes and sang a bit on that final tune before adding a whole new verse about a certain orange presidential candidate in the rollicking Nashville Jam on “I’ll Fly Away.”

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