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Duane Betts, guitarist/singer/songwriter, heads up his band Duane Betts and Palmetto Motel and is a co-founder of The Allman-Betts Band. He is the son of the late Allman Brothers Band's co-founder, Dickey Betts. Throughout the years you'd find Duane in various bands including Dawes, Puddle of Mudd, Whitestarr, Jamtown and Dickey Betts & Great Southern. Multi-award winning program director Ray White caught up with Duane out on tour with Little Feat in October of 2024 who touched on his early career highlights, being the son of a legendary rock star and his recent albums - Wild and Precious Life and Bless Your Heart. In our showcase segment we feature the frontman from "that little ole band from Texas," ZZ Top's Billy F. Gibbons, whose latest release is Cruising With Billy F. Gibbons. Bringing you the best of Southern Rock, they're Sittin' In With The CAT!
Are they k-i-s-s-i-n-g...?
La Venganza Será Terrible: todo el año festejando los 40 años Estudios AM 750 Alejandro Dolina, Patricio Barton Introducción • Entrada0:01:27 Segmento Inicial • Clases de artes marciales0:15:24 • Oyentes Segmento Dispositivo • La importancia de la precedencia en las cortes europeas0:53:25 • "Primero Yo" ♫ (Canta Edmundo Rivero) Jose Rial (Jun)/Rafael Rossa. Segmento Humorístico • ¿Cómo comportarse en un hospital? Sordo Gancé / Manuel Moreira • Presentación • "La Cuartelera o La Artillera" ♫ (Autor Anónimo) • "(Sittin' on) The Dock of the Bay" ♫ (Otis Redding) • "Vivere!" ♫ (Cesare Andrea Bixio) • "Tico-Tico no Fubá" ♫ (Zequinha Abreu) • "Vaya con Dios" ♫ (Larry Russell/Inez James/Buddy Pepper) Anita O'Day.
Send us a textWe touch on the sales we've seen, discuss what happens to the leftovers after the sale, show season for Barbara, and more!Intro and outro music - “Sittin' on a Couch” by A.M. Feelgood. https://amfeelgood.bandcamp.com/album/albatrossHow to find sales:Estatesales.net Estatesales.orgCraigslistOur Social Media;Instagram: https://www.instagram.com/dead.peoples.thingsFacebook: Dead Peoples ThingsPersonal Instagrams:Louann WorshamBarbara JohnsonTina Cline
Spring is just weeks away and trying hard to push into Florida. Come on Spring! I LOVE having all the windows open! The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/ AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!February 27, 2025, Thursday, sentence two…@The 2:19 - Old Days Comin Back [Revelator]@Foster & Lloyd - I Will Love You Anyhow [Version Of The Truth]@Les Fradkin - You Program Me [Rehearsals For Retirement]@The Lovin' Spoonful - Did You Ever Have To Make Up Your Mind@The Well Wishers - Shuttering [Spare Parts]@Nick Gilder - (You Really) Rock Me@The Bloodrush Hours - I'm The One [Who Folds First]@Jason & The Scorchers - My Heart Still Stands With You@Montrose Avenue - Where Do I Stand@Freeana - Queen Of Sheba [Just Be Yourself]@Babybird - Love Is Not Enough@Monty Vega & The Sittin' Shivas - Too Much Time [Sonic Gloss]@Celadore- Make Sure Your Heart Stayed The Same (@Popboomerang Records)@Kid Gulliver - Stupid Little Girl [Kismet]@TV Neats & @The Excerpts - Who's Courtin' Whom@Teenage Fanclub - I Have Nothing More To Say [Here]@The Zags - It's Over [Small Bags]@Blue Cartoon - The World Goes By [IPO Vol 8]
Vamos a profundizar en un disco clásico e impresionante, que originalmente sería el primer album solista de Steve Winwood pero que terminó siendo de Traffic: John Barleycorn Must Die, publicado en julio de 1970. Presenta Ricardo Portman. Se escuchan Glad, Freedom Rider, Empty Pages, Stranger To Himself, John Barleycorn y Every Mother’s Son + Bonus tracks (Backstage & Introduction, Who Knows What Tomorrow May Bring, Sittin´ Here Thinkin´ Of My Love, I Just Want You To Know). Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ La Música del Arcón - FM 96.9 (Buenos Aires, Argentina) miércoles 18:00 (hora Arg.) Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)
Don't you look super spiffy today! Did you get all dressed up for this? How sweet of you. It is a special edition of Lights Out, this is the last edition recorded in our original office. We're moving to new studios in a new building next week, so here's hoping they don't suck! This week we talk about Nigeria, cruise control, the cast of friends, and good old sittin' lips! So, giddy up partners, let's ride!
John Conte Live on Game Changers With Vicki Abelson What crazy fun to sit down with my old dear friend, bassist John Conte, whom I hadn't seen in decades. How is it possible that he appears to have aged barely a day? Seriously! John took us back to childhood days, his jazz-singing mother, Rosemary, his early days on guitar, and his brother Steve at first on drums. Their first band when John was 8 or 9, their early songwriting, including John's first song, Maryanne, Sittin on a Log, which he gave us a little taste of. He was a boy with a dream of playing arenas with rock stars. He told us how they flipped instruments, with John choosing bass. His college days, jazz-infused, where he gigged around with stellar players like Terence Blanchard. We tripped down memory lane, where we met, in the md-80s at The Rock 'n Roll Cafe on Bleecker Street, 1/2 of The Brothers of Conte, as I affectionately came to call them, with his brother Steve, they were weekly regulars whenever their schedules allowed. John was in Blood, Sweat & Tears, his first major gig, at the time, and told us all about that. Great stories there, including playing Madison Square Garden. Not bad for a 23-year-old. During their tenure at the Rock 'N Roll, late one rainy night they brought in their friend, Phoebe Snow, a life changer for me who had been a diehard fan since high school. The Phoeb's and I became fast friends, and I have the boys to thank for that as well as for years of amazing live music there, and at Spo-dee-o-dee's, Woody's, RockGirl, The Marquee, The Cafe Wha, True Blue and The China Club, where they were also a part of my RockGirl Jam Band. A stellar bassist, with an easy temperament and oh so easy on the eyes, it was always a joy when John was around. I made him tell his requisite Chuck Berry story. At that same time, the Conte brothers, as part of The Hudson River Rats, were laying the foundation for much of the session and road work that was to follow. Like Finding himself in the studio with Tony Visconti and David Bowie. John's description of hearing Bowie vocalize in his ear gave me goosebumps. He talked about laying down tracks with Peter Wolf and Ian Hunter, getting to jam with loads of his heroes. The Conte Brothers connected with Kyf Brewer and Company of Wolves were borne. They did some showcases, got signed, did a tour with Richard Marx, and foreshadowed John's future, one with Southside Johnny and The Asbury Jukes. John talked us through touring with Joan Osbourne (beautiful words here), Roseanne Cash, and Southside Johnny choosing him in 2007, a gig that would take him through to present day. There was a short tour with Billy Joel during his 2012 comeback with our friend, Tommy Byrnes, lovely to hear John's take on it, and great stories about his tenure playing with The Disciples of Soul, the house band for the American Music Honors where he got to play with honorees, Jackson Browne, Mavis Staples, John Mellencamp and Dion, as well as host, Bruce Springsteen and Steven Van Zandt. John's shared the stage with Bruce numerous times before, memorably for an impromptu 45-minute set with Southside. John's recounting of that and of playing with Peter Frampton (and Sheryl Crow) at the Sandy Hook Promise Benefit is another moving, goosebump-inducing tale. I loved every single second with my old friend. It's thrilling to see how his life has played and continues to play out. The young boy living his dream. Southside Johnyy's future may be unsure, but John's certainly isn't. He's always got multiple projects cooking, his own music in the works - check him out here johnconte.bandcamp.com and here Facebook.com/johncontebass I just adore the boy. He'll always be a rockboy to me and damn, he sure still looks like one. John Conte Live on Game Changers With Vicki Abelson ****Wednesday, 1/29/25, 1 PM PT, 4 PM ET**** Streamed Live on my Facebook Replay here: https://bit.ly/4hbKHj6
WE NEED INTRO MUSIC PLEASE HELP. Podcast comes out every Wednesday from now on. Room101show@gmail.com
1 - Monday Woman - Willie Mabon and his Combo – 19532 - Thursday - Phyllis Kenny with Van Alexander and his Orchestra - 19393 - Thursday Evening Swing - The Cats and the Fiddle – 19394 - Ev'ry Sunday Afternoon - Mary Ann McCall with Charlie Barnet and his Orchestra - 19405 - On A Sunday Afternoon – Durelle Alexander with The Archie Bleyer Orchestra – 19356 - Monday Morning Blues - Mary Stafford - 19217 - I'm Gonna Quit Saturday - Bert Williams – 19208 - He May Be Your Good Man Friday (But He's Mine on Saturday Night) - Margaret Young - 19239 - Monday's Wash - Deryck Sampson – 194310 - Sittin' Around On Sunday - The Bennett Sisters with Bill Staffon and his Orchestra - 193511 - Friday Afternoon - Hal McIntyre and his Orchestra – 194212 - I Loved You Wednesday - Nye Mayhew and his Westchester Country Club Orchestra - 193313 - Wednesday Night Hop - Andy Kirk and his Clouds of Joy - 193714 - Sunday Mornin' Blues - Edgar Hayes and his Stardusters - 194915 - Tuesday at Ten - Count Basie and his Orchestra – 194116 - Some Sunday Morning - Joseph C. Smith and his Orchestra – 1917
Happy Last Day of 2024!! For the new year, Rory got botox, Mal's considering a good beard dye, and Demaris is insisting upon catching new bodies come hell or high water. Christmas has passed, & Mal is actively avoiding accountability for his very wrong take on Beyonce's halftime viewership, which also begets the question - why are people so determined to discredit the greats? Speaking of discrediting, Jack Harlow is speaking out in his latest freestyle, claiming to not be bothered about being overlooked as a truly good rapper in hip-hop, and we run through his career to figure out where he went wrong and what could be next in his career. By the way, did you know LIl Wayne had a sports agency? Travis Hunter apparently did, and is under heavy criticism for signing with the company, as well as for his choices in women. We have a voicemail! This one is from a man needing advice on whether his woman is for the streets, or for him. We are then joined by our friend Elliott Wilson for a conversation about the current state of media and entertainment. He bashes Cam'rons ‘It Is What It Is' platform and others, insisting they are not real journalists and don't deserve the opportunities they get. He presses Mal about Drake, helps us decide which anthems from LA are worth getting up to two-step to, + more!For MORE Rory & Mal, make sure you subscribe to our Patreon community, for exclusive episodes, first access to tickets and merch sales, private live chats with the team, + more! https://www.patreon.com/newrorynmalFollow Rory: @ThisIsRoryFollow MAL: @MAL_ByTheWayFollow Demaris on YT: https://www.youtube.com/@DemarisG To watch the podcast on YouTube: https://bit.ly/NewRoryAndMALYouTube Don't forget to follow the podcast for free wherever you're listening or by using this link: https://bit.ly/NewRoryAndMAL Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.
Happy Last Day of 2024!! For the new year, Rory got botox, Mal's considering a good beard dye, and Demaris is insisting upon catching new bodies come hell or high water. Christmas has passed, & Mal is actively avoiding accountability for his very wrong take on Beyonce's halftime viewership, which also begets the question - why are people so determined to discredit the greats? Speaking of discrediting, Jack Harlow is speaking out in his latest freestyle, claiming to not be bothered about being overlooked as a truly good rapper in hip-hop, and we run through his career to figure out where he went wrong and what could be next in his career. By the way, did you know LIl Wayne had a sports agency? Travis Hunter apparently did, and is under heavy criticism for signing with the company, as well as for his choices in women. We have a voicemail! This one is from a man needing advice on whether his woman is for the streets, or for him. We are then joined by our friend Elliott Wilson for a conversation about the current state of media and entertainment. He bashes Cam'rons ‘It Is What It Is' platform and others, insisting they are not real journalists and don't deserve the opportunities they get. He presses Mal about Drake, helps us decide which anthems from LA are worth getting up to two-step to, + more! For MORE Rory & Mal, make sure you subscribe to our Patreon community, for exclusive episodes, first access to tickets and merch sales, private live chats with the team, + more! https://www.patreon.com/newrorynmal Follow Rory: @ThisIsRory Follow MAL: @MAL_ByTheWay Follow Demaris on YT: https://www.youtube.com/@DemarisG To watch the podcast on YouTube: https://bit.ly/NewRoryAndMALYouTube Don't forget to follow the podcast for free wherever you're listening or by using this link: https://bit.ly/NewRoryAndMAL Learn more about your ad choices. Visit podcastchoices.com/adchoices
Happy Last Day of 2024!! For the new year, Rory got botox, Mal's considering a good beard dye, and Demaris is insisting upon catching new bodies come hell or high water . Christmas has passed, & Mal is actively avoiding accountability for his very wrong take on Beyonce's halftime viewership, which also begets the question - why are people so determined to discredit the greats (18:59)? Speaking of discrediting, Jack Harlow is speaking out in his latest freestyle, claiming to not be bothered about being overlooked as a truly good rapper in hip-hop, and we run through his career to figure out where he went wrong and what could be next for him (35:59) . By the way, did you know Lil Wayne had a sports agency? Travis Hunter apparently did, and is under heavy criticism for signing with the company, as well as for his choices in women (1:05:07). We have a voicemail! This one is from a man needing advice on whether his woman is for the streets, or for him (1:26:54). We are then joined by our friend Elliott Wilson for a conversation about the current state of media and entertainment (1:35:35). He bashes Cam'rons ‘It Is What It Is' platform and others (1:42:38), insisting they are not real journalists and don't deserve the opportunities they get. He presses Mal about Drake, helps us decide which anthems from LA are worth getting up to two-step to (2:25:50), + more! For MORE Rory & Mal, make sure you subscribe to our Patreon community, for exclusive episodes, first access to tickets and merch sales, private live chats with the team, + more! https://www.patreon.com/newrorynmal Follow Rory: @ThisIsRory Follow MAL: @MAL_ByTheWay Follow Demaris on YT: https://www.youtube.com/@DemarisG To watch the podcast on YouTube: https://bit.ly/NewRoryAndMALYouTube Don't forget to follow the podcast for free wherever you're listening or by using this link: https://bit.ly/NewRoryAndMAL Learn more about your ad choices. Visit podcastchoices.com/adchoices
Send us a textThe gang is back together! Join us as we reflect on the season, share our finds and sing!Intro and outro music - “Sittin' on a Couch” by A.M. Feelgood. https://amfeelgood.bandcamp.com/album/albatrossHow to find sales:Estatesales.net Estatesales.orgCraigslistOur Social Media;Instagram: https://www.instagram.com/dead.peoples.thingsFacebook: Dead Peoples ThingsPersonal Instagrams:Louann WorshamBarbara JohnsonTina Cline
Jonathan Butler is an amazing vocalist and guitarist who is at the top of his game in the contemporary jazz and gospel genres. Playing publicly as a child in South Africa, he's gained worldwide attention throughout the years, landing on the music charts starting in 1985. Multi-award winning program director Ray White sat down with Jonathan in December of 2023, while out on Dave Koz's Christmas Tour, to talk about his career musical highlights, his homeland, unique guitar sound and his latest album Ubuntu. In our showcase segment, your hostess with the mostest Lisa Davis features saxman Richard Elliot whose latest album is Straight Up Down and closes out the show with the talented trumpet player Tom Browne who just released the single Impulse. World-class contemporary jazz featured on one of the country's premier 30-minute shows - Sittin' In With The Coool CAT!
Regresamos a ese momento de 1971 cuando los astros del rock n’ roll se postraron en Londres ante el señor Chester Burnett, al que seguro conocéis mejor por su nombre de guerra: Howlin' Wolf. Esto es The London Howlin' Wolf Sessions y Ricardo Portman nos cuenta su historia. Escucharemos Rockin’ Daddy, I Ain’t Superstitious, Sittin’ On Top Of The World, Worried About My Baby, What A Woman!, Poor Boy, Built For Comfort, Who’s Been Talking?, The Red Rooster, Do The Do, Highway 49 y Wang-Dang-Doodle + Bonus track. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)
Check out our Patreon: patreon.com/supernpcradio Today, Jeremy Schmidt and Alex Gaskin sit on Santa's lap and tell him what they want for Christmas! The Show: @vgacomedyshow Jeremy Schmidt: @ocarinaofcrime Alex Gaskin: @alex_j_gaskin
Van Sessions is Recorded at The Monarch in Ogden, Utah. ARTIST | Christian Scheller SET LIST Song 1 - (Sittin' On) The Dock of The Bay COVER Song 2 - Count to 10 Song 3 - I'm on Fire COVER Song 4 - Hide Your Sins ARTIST LINKS SPOTIFY: https://open.spotify.com/album/1u8kJBXaTNyi5OhTeUXi39 APPLE MUSIC: https://music.apple.com/us/album/melancozy-ep/1697445984?app=music INSTAGRAM: https://www.instagram.com/fruityasfolk/ YOUTUBE: https://youtube.com/playlist?list=OLAK5uy_lDsEovaAmG9zY1GrcfLNrdmU14FHnt0-I SUPPORTERS The Monarch Building: https://themonarchogden.com/ UTOG Brewing: https://www.utogbrewing.com/ Ogden City Arts: https://ogdencity.com/707/Arts CREDITS Producer / Host: R. Brandon Long, The Banyan Collective Bookings: Todd Oberndorfer, todd@thebanyancollective.com Audio Mix: Scott Rogers, The Proper Way https://theproperwayband.com/studio DOP: Dixon Stoddard, https://www.instagram.com/studios_d21/ Photography: Avery Atkinson https://www.instagram.com/atkinson.photo/ FOLLOW // SUBSCRIBE Van Sessions Instagram: https://www.instagram.com/vansessions/ Van Sessions Facebook: https://www.facebook.com/thevansessions Van Sessions YouTube: https://www.youtube.com/@vansessionspod Tip Jar: https://www.buymeacoffee.com/banyanmedia The drive behind Van Sessions is to create a music discovery community for Northern Utah musicians to share their work, refine their craft, and network with other artists. Van Sessions helps support local musicians, photographers, and videographers through our project. Show your support for local artists by subscribing to Van Sessions on YouTube @vansessionspod or search "Van Sessions Podcast" on your favorite podcast platform. Join us live at the Monarch in Ogden every First Friday to be a part of the free concert and video podcast recording. Bookings: todd@thebanyancollective.com
Van Sessions is Recorded at The Monarch in Ogden, Utah. ARTIST | Christian Scheller SET LIST Song 1 - (Sittin' On) The Dock of The Bay COVER Song 2 - Count to 10 Song 3 - I'm on Fire COVER Song 4 - Hide Your Sins ARTIST LINKS SPOTIFY: https://open.spotify.com/album/1u8kJBXaTNyi5OhTeUXi39 APPLE MUSIC: https://music.apple.com/us/album/melancozy-ep/1697445984?app=music INSTAGRAM: https://www.instagram.com/fruityasfolk/ YOUTUBE: https://youtube.com/playlist?list=OLAK5uy_lDsEovaAmG9zY1GrcfLNrdmU14FHnt0-I SUPPORTERS The Monarch Building: https://themonarchogden.com/ UTOG Brewing: https://www.utogbrewing.com/ Ogden City Arts: https://ogdencity.com/707/Arts CREDITS Producer / Host: R. Brandon Long, The Banyan Collective Bookings: Todd Oberndorfer, todd@thebanyancollective.com Audio Mix: Scott Rogers, The Proper Way https://theproperwayband.com/studio DOP: Dixon Stoddard, https://www.instagram.com/studios_d21/ Photography: Avery Atkinson https://www.instagram.com/atkinson.photo/ FOLLOW // SUBSCRIBE Van Sessions Instagram: https://www.instagram.com/vansessions/ Van Sessions Facebook: https://www.facebook.com/thevansessions Van Sessions YouTube: https://www.youtube.com/@vansessionspod Tip Jar: https://www.buymeacoffee.com/banyanmedia The drive behind Van Sessions is to create a music discovery community for Northern Utah musicians to share their work, refine their craft, and network with other artists. Van Sessions helps support local musicians, photographers, and videographers through our project. Show your support for local artists by subscribing to Van Sessions on YouTube @vansessionspod or search "Van Sessions Podcast" on your favorite podcast platform. Join us live at the Monarch in Ogden every First Friday to be a part of the free concert and video podcast recording. Bookings: todd@thebanyancollective.com
Send us a textLouann and Barbara sit down to recap the different types of estate sales, how they vary and unexpected finds. Intro and outro music - “Sittin' on a Couch” by A.M. Feelgood. https://amfeelgood.bandcamp.com/album/albatrossHow to find sales:Estatesales.net Estatesales.orgCraigslistOur Social Media;Instagram: https://www.instagram.com/dead.peoples.thingsFacebook: Dead Peoples ThingsPersonal Instagrams:Louann WorshamBarbara JohnsonTina Cline
This one is quite relevant to your favorite witches- did you know there are some faux pas when it comes to getting a reading? Maybe it's more like common courtesy versus a faux pas, or maybe you want to call it best practices. But here are a few tips on being respectful, so come sit a spell. --- Support this podcast: https://podcasters.spotify.com/pod/show/witches-talking-tarot/support
After another nail-biting win over the Chicago Bears, the Green Bay Packers sit at 7-3 and currently hold the No. 6 seed in the NFC Playoff Picture. With a big game against the San Francisco 49ers looming, the Packers are currently in a prime position to lock up a playoff spot -- in the relatively-near future -- in a top-heavy NFC. Marques breaks down the current standings, and breaks down the latest win in Chicago with Packers beat reporter Ryan Wood from the Green Bay Press-Gazette. See omnystudio.com/listener for privacy information.
Today on the show - 0.00 - Moving Mares 6.57 - Fight Re-Caps 12.26 - Shark Encounters 15.17 - Tightest Man In The World? 19.13 - Tee Off 22.56 - Terrible Tatts 30.48 - Does Lis Know? 35.40 - Sittin' Inside My Head 40.13 - Tim Southee 47.13 - Swifty Cash 49.10 - Thrown Away 57.04 - Highly Suspect
La disquera Hi-Tide Recordings, ubicada en New Jersey y comandada por Vincent Minervino y Magdalena O’Connell, seguramente sea el mayor baluarte de la música surf y el rock’n’roll instrumental que hay ahora mismo en el planeta. De sus lanzamientos del año 2024 extraemos todo el material con el que cocinamos esta selección de novedades.Playlist;(sintonía) BLOODSHOT BILL “Doomin” (Diary of the doom)BLOODSHOT BILL “Tres tacos” (Diary of the doom)I. JEZIAK and THE SURFERS “Free as the ocean”I. JEZIAK and THE SURFERS “Mummy walk”THE VOLCANICS “Hall pass”ICHY-BONS “Snake eyes”SLOWEY and THE BOATS “I’m an old cowhand” (Slowey goes West)SLOWEY and THE BOATS “Right or wrong” (Slowey goes West)THE BABALOONEYS “Sittin’ in the line” (Late to the party!)THE BABALOONEYS “King of the surf” (Late to the party!)THE HULA GIRLS “Tabou”THE BLACK FLAMINGOS “Tales from the Crypt”MESSER CHUPS “Pink Pantheratu” (Dark side of Paradise)MESSER CHUPS “Dark side of paradise” (Dark side of Paradise)THE SURFRAJETTES “Easy as pie” (Easy as pie)THE SURFRAJETTES “Sugar town” (Easy as pie)Versión y Original; NANCY SINATRA “Sugar town” (1966)THE SOUND MINDS “I’m not a bad guy”THE CHARITIES “It’s your turn”THE BABALOONEYS “Endless winter” (Late to the party!)Escuchar audio
(airdate: 10.18.24) Meryl Streep and Martin Short keep popping up and driving the paparazzi insane! Are they or aren't they knockin' boots? Who cares! Let 'em! Jelly Roll has a tradition of purchasing his music (including his own titles) from a local WalMart. Last week, he stopped in to the store in Wichita, KS, and not only were they out of it but the young WalMart associate didn't recognize him. No worries, plenty of other fans noticed him and got selfies and autographs. And @HalleBerry Listen to the daily Van Camp and Morgan radio show at: AltBossGold.com 92.5TheBlock RockPartyRadio RiverRatRadio The Mix614 Sunny105 Souldies.com KTahoe.com RetroFM 941now.com ZFunHundred Tucka56Radio.com AmericaOneRadio.com TheMix96.com 100az.live Audacy Lite99Orlando.com PlayFMOnline.com Free99EastTexasRadio FrontierCountryOnline.com Hits247fm.com BossBossRadio.com Hot977FM.com CountryBarnyardRadio.com B98KC.com That70sChannel.com iHeartMedia That90sChannel.com CoolJamzRadio GenerationsX.com MagicRadio.rebelmediagroup.us BossCountryRadio.com Retro80sRadio24/7 NCMCountry OasisRadio Z89.3 StarHit1FM 925The Block 247TheSound.com WMQL War Zone Radio WRSR The Rooster DCXRocks FusionRadio Mix96.1 106.5TrisJamz BigRadio.online 389country.com Hawaiian Pacific Radio i92Knoxville The Rose A Mix That Rocks Camaradio.org Express Radio My Spotlight 105 B106 96 Radio Indonesia Carolina Boomer Country Cover By Damian FM TodaysMixx.com KXOK Camaradio.org HitMusicUSA 517Rocks Audilous.com/TheShark Kick Ass Country Classic Rock Planet Mix 106 Radio The Coyote Bold Country Hot106.ca Q100 Seattle Metro411.com Thasis.com TrendingNowHits.com find us at: VanCampAndMorgan.com
Howdy folks! Otis Bidding here, and today we're all Sittin' On The Dock Of eBay together. In this episode, we're getting our Chunktober on by trying to guess the most popular Halloween costumes of the year, and we're placing bids on some iconic (and not so iconic) horror movie props! Then, we're talking about the surprisingly Jason-less Friday The 13th! Carter discovers he can do a pretty passable John Oliver impression! Doz enters the Nutiverse! And Jordan once again demonstrates his ability to guess the price of a movie prop with exact precision! Something for everyone! Yay!In this episode: Sittin' On The Dock Of eBay, Rank You Very Much, Friday The 13thSupport this podcast at — https://redcircle.com/two-chunks-and-a-hunk/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st) Each show opened with an acoustic set followed by two full electric sets. These were the last shows where the Dead played acoustic sets. Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall). Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO: Iko Iko Track #1 0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song. A permanent part of the Dead's repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away. The intro, one verse and back to NFA. Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing. Perfect song for Jerry with the call and response chorus that everyone joined in on. The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey. Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads. But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show. Jerry played it right up until the end. Played: 185 timesFirst: May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast: July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1: Monkey And The Engineer Track #4 0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues". Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well. Good one to get them hooked into the Dead on! Played: 38 timesFirst: December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA MUSIC NEWS: Intro Music: Me and Bobby McGee Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com) 0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said. A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good. Sung by Weir. RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks. In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren. Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes. “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments. Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.” SHOW No. 2: Heaven Help The Fool Track #6 1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow. While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played: 17 timesFirst: September 29, 1980 at The Warfield, San Francisco, CA, USALast: October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3: Cold, Rain & Snow Track #10 0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow. In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played: 249 timesFirst: May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast: June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA MJ NEWS: Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2. Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3. Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4. Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains: Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush. The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high. A sweet grape aroma that blends well with subtle undertones of lemon and pine. MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS. Recommended for late night consumption as it can cause mental cloudiness and detract from productivity. NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997. Its name is inspired by the tragic events in NYC on September 11, 2001. It is a product of crossbreeding Mexican sativa and Afghani landrace strains. Has a unique aroma and taste that sets it apart from the crowd. Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger. SHOW No. 4: Loser Track #12 4:13 – 6:13 David Dodd: The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show. So nicely played and sung by Jerry. Played: 353First: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: June 28, 1995 at the Palace of Auburn Hills, MI OUTRO: Good Lovin' Track #27 3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.” Can't argue with that. Played: 442First: May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Immediate Records, disquera británica fundada por Andrew Loog Oldham a los 21 años. Productor, compositor y representante, recordado especialmente como manager de los Rolling Stones, todo un visionario a la hora de moverse en el negocio de la música. Como capo de esta discográfica licenció en Inglaterra muchos lanzamientos de artistas de EEUU, y editó a numerosos nombres británicos vinculados al folk, el blues, el soul o la psicodelia. Te dejamos con un primer asalto a sus valijas seleccionando singles lanzados entre 1965 y 1967.Playlist;(sintonía) GREGORY PHILLIPS “That’s the one”SMALL FACES “Here comes the Nice”THE FIFTH AVENUE “The Bells of Rhymney”THE MASTERMINDS “She belongs to me”NICO “I’m not saying”THE POETS “Call again”MICK SOFTLEY “She’s my girl”THE MOCKINGBIRDS “You stole my love”CHRIS FARLOWE “Out of time”CHRIS FARLOWE “Ride on baby”TWICE AS MUCH “Sittin’ in a fence”TWICE AS MUCH “Step out of the line”JOEY VINE “Down and out”LES FLEUR DE LYS “Moondreams”THE McCOYS “Sorrow”GOLDIE “Going back”TONY RIVERS and THE CASTAWAYS “Girl don’t tell me”THE TURTLES “You baby”Escuchar audio
Send us a textRevisiting a special guest from Season 1, our friend Chelsea! Catching up on running a small business, being a landlord to 75 vendors and how that changes the hunt for vintage at estate sales. https://instagram.com/eastdallasvintageshophttps://instagram.com/callahanclutterIntro and outro music - “Sittin' on a Couch” by A.M. Feelgood. https://amfeelgood.bandcamp.com/album/albatrossHow to find sales:Estatesales.net Estatesales.orgCraigslistOur Social Media;Instagram: https://www.instagram.com/dead.peoples.thingsFacebook: Dead Peoples ThingsPersonal Instagrams:Louann WorshamBarbara JohnsonTina Cline
(7:20) TOP 5 SONGS FROM BLUEPRINT 3 (28:40) TOP 5 RICH HOMIE QUAN SONGS (51:05) TOP 5 MAZE SONGS ++ FINAL SAY: 1:09:54 ++
Estudios Radio AM 750 Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:09:54 • Del salón en el ángulo oscuro0:11:20 "¿Pero, eso sabe por qué es? Al final del ojo, en el último punto que es, una mezcla de que lo veo y no lo veo, hay un.. empieza una realidad distinta y reveladora que no nos ha sido dado percibir. Entonces a veces, sospechamos esa realidad y la vislumbramos y, otras veces, la confundimos o elegimos creer que se trata de un pelo, que se trata de nuestro cuñado que justo pasó, pero no(...) Señor, ponga un poco de seriedad: yo le estoy hablando de un mundo desconocido y fantasmagórico, y usted me viene con su estúpido gato que se estaba relamiendo." • A veces conseguía buen precio hablando con el dueño: ¿no tiene nada podridito?0:37:30 Segmento Inicial • El arte de hacer la compra semanal en el supermercado0:15:55 • Oyentes0:52:18 Segmento Dispositivo • Una historia que transcurre en Rusia1:00:02 • "Pa' que Bailen los Muchachos" ♫ (Versión instrumental de Aníbal Troilo & Roberto Grela, La Trampera, 1962) Aníbal Troilo/Enrique Cadícamo, 1942. Segmento Humorístico • Natación: todo lo que hay que saber1:14:04 • Nadar de noche: "yo tenía un tío que hacía éso... Iban mis dos tíos, Juan Carlos y Ricardo, y Ricardo nadaba en aguas abiertas, porque sí nomás. Entonces se tiraba en La Costanera a la noche.. se iba, ponéle, nadaba hasta la segunda boya, qué sé yo, y volvía. Y el otro, mi tío Juan Carlos, lo tenía que esperar. Y dice que se pegaba cada susto: empezaba a tardar.. a tardar, y por ahí aparecía. No.. muy peligroso... Pero bueno, así era mi tío Ricardo..."1:31:00 Sordo Gancé / Manuel Moreira • Presentación1:32:20 • "La Fulana" ♫ (Alberto Mastra, 1956) Versión del disco Itinerarios, 2013. • "(Sittin' On) The Dock of the Bay" ♫ ( Otis Redding/Steve Cropper, 1967) • "Tico-Tico no Fubá" ♫ (Choro de Zequinha de Abreu, 1917) Canta Carmen Miranda. • "El Último Café" ♫ (Cátulo Castillo/Héctor Stamponi, 1963) Canta Julio Sosa. • "Cuando Los Santos Vienen Marchando" ♫ (When the Saints Go Marching In; himno góspel estadounidense de origen desconocido) Grabado por Louis Armstrong, 1938. Here come brother Higginbottom down the aisle with his trombone ... Blow it boy...
The gang is back! We've got life updates, podcast news, estate sale adventures on a Sunday and favorite nabs. It was great to be back in the saddle again.Intro and outro music - “Sittin' on a Couch” by A.M. Feelgood. https://amfeelgood.bandcamp.com/album/albatrossHow to find sales:Estatesales.net Estatesales.orgCraigslistOur Social Media;Instagram: https://www.instagram.com/dead.peoples.thingsFacebook: Dead Peoples ThingsPersonal Instagrams:Louann WorshamBarbara JohnsonTina Cline
On this week's show…the crew predicts the 2024 NFL playoff field and previews WWE's upcoming PLE, Bash in Berlin. Watch on YouTube: https://youtube.com/live/5VxG06LOBHw?feature=share Get at us: https://linktr.ee/TECKFoul
Moulz & Mel are back in the Houston swing of things to see what's up with perhaps the trillest White man in hip-hop, Houston's very own Paul Wall, in their review of The Peoples Champ. ----------------------------- Intro (0:00) -- The Rating System, Explained (15:55 - 18:36) -- The Peoples Champ Info (49:16) -- Track 1: "I'm A Playa" (1:06:56) -- Track 2: "They Don't Know" (1:28:20) -- Track 3: "Ridin' Dirty" (1:55:09) -- Track 4: "State To State" (2:12:37) -- Track 5: "So Many Diamonds" (2:21:01) -- Track 6: "Smooth Operator" (2:31:01) -- Track 7: "Sittin' Sidewayz" (2:46:05) -- Track 8: "Internet Going Nutz" (3:19:19) -- Track 9: "Trill" (3:42:28) -- Track 10: "Sippin' Tha Barre" (3:46:51) -- Track 11: "Drive Slow" (3:57:40) -- Track 12: "March N Step" (4:01:33) -- Track 13: "Got Plex" (4:41:12) -- Track 14: "Girl" (4:45:38) -- Track 15: "Big Ballin'" (4:54:19) -- Track 16: "Sip-N-Get High" (5:03:00) -- Track 17: "Just Paul Wall" (5:06:50) -- Ranking The Peoples Champ (5:21:05) -- Outro (5:24:40)
This legendary musician and songwriter was integral to the Staxx Records sound, and has writing credits on "Green Onions" and "Sittin' On The Dock of the Bay".
26 de enero de 1972. Estamos con él en el Alice’s Revisited, un pequeño restaurante y club de música en directo situado en el 950 W de Wrightwood Ave, en Chicago. Sobre el escenario, a sus 62 años, la leyenda del blues, Howlin’ Wolf. Le respaldan Willie Williams y el impecable Hubert Sumlin a las guitarras. La sección rítmica la forman David Myers al bajo y Fred Below a la batería. Y al piano la leyenda del Delta Sunnyland Slim. Todo quedó registrado en el álbum “Live and Cooking”.Playlist;(sintonía) HOWLIN' WOLF “When I laid down I was troubled”HOWLIN' WOLF “I didn’t know”HOWLIN' WOLF “Mean mistreater”HOWLIN' WOLF “I had a dream”HOWLIN' WOLF “Call me the wolf”HOWLIN' WOLF “Don’t laugh at me”HOWLIN' WOLF “Just passing by”HOWLIN' WOLF “Sittin’ on top of the world”HOWLIN' WOLF “The big house”Escuchar audio
Join The Patreon for the Maximum amount of extra content: https://www.patreon.com/MaximumZach We're waiting for our studio to fix their A/C, so it's time for one of the reserves to come out! Not that that makes this episode any less good than another of the others, hell no. In fact, this is one of the best, I'd say, because it has the one and only Khyler Vick. He's an incredible stunt performer, is funny as hell, and a good friend of the show. You may remember him from all of videos jumping from high places into trees, or from when he was on Too Stupid To Die with Zach. Hell, maybe even as the guy who jumped on the board that hit Horse in the nuts on AGT. Anyway, it's a damn good episode, so check it out, okay? Follow Khyler on Instagram: https://www.instagram.com/khylervickFollow Khyler on YouTube: https://open.spotify.com/artist/5No9X0ZejwFDnD1dVllwQA________________________________________________________________________ Zach Holmes, AKA Zackass from Jackass Forever, is on a mission to become the most Maximum Zach he can be. To do so, he'll interview the brightest minds in tech, science & medicine...and if he can't get them, he'll probably just talk to his comedy, Hollywood, porn & skater pals. Join The Patreon for the Maximum amount of extra content: https://www.patreon.com/MaximumZach Subscribe to the channel: https://www.youtube.com/@maximumzachtvListen on Apple Podcasts: https://podcasts.apple.com/us/podcast/maximum-zach/id1707698909 Listen on Spotify: https://open.spotify.com/show/1j2PTiAN8kmvmvr6Un7QLZ?si=b9007e1555a14834 Instagram: https://www.instagram.com/zackass/ https://www.instagram.com/maxzachpod Book Zach On Cameo! https://www.cameo.com/zackass ________________________________________________________________________ See Zach LIVE!More dates coming soon!________________________________________________________________________ Maximum Zach is produced by Cosmic Monkey Recorded at F22 Studios - Burbank, CA #MaximumZach #Zackass #Jackass #KhylerVick
Discussões sobre surfe olímpico são um chute nas partes íntimas, no Boia dessa semana calçamos uma bota bico fino para tratar do assunto. Bem que o João Valente tentou, mas a conexão caía mais que o Neymar, então Bruno Bocayuva e Júlio Adler cuidaram sozinhos do tema. Não poderia faltar os parabéns pro Ian Gouveia pelo seu enorme retorno ao CT, nem a celebração mexicana no US Open. Nas carrapetas, Krs-One Pelo Sublime do sagrado ano de 1992, (Sittin' On) The Dock of the Bay pelo fenomenal Otis Redding de 1968 (gravada em 67!) e Vivien Goldman, com Private Armies de 1981. Menu completo.
Tex from “Tex's Front Porch” joins us to discuss his Bigfoot encounters. Flood Victim Donations - CLICK HERE TO DONATE!PLEASE LIKE, SUBSCRIBE, RATE, AND REVIEW ON ALL PLATFORMS: YouTube, Facebook, Apple Podcasts, Spotify, Spreaker, or wherever you listen!Sean Forker hosts SASQUATCH EXPERIENCE, which also features Matt Arner, James Baker, Vance Nesbitt, and Henry May.Creative Consultants: Matt Knapp (Bigfoot Crossroads) & Les Sincavage (Xplorers: Seekers of the Truth). Show Executive Producer: Brian CorbinSpecial Thanks to all our Patreons:The Experiencers: Jeffreylee Matthis, Got Knockers!, Larry Sharpe, and Tom MihokTrackcasters: Scott Dieterle, Bass1802The Hollers: Cindy Brewer, Gail Frederick, David Hickernell, Bryley Hull, Matt Arner, and Lori WorthingtonWithout their support, this show would not be possible. For as little as $2 per month, please consider becoming one of our supporters: https://www.patreon.com/SasquatchExperience.Our show intro music, “Epic Action Trailer” by Roman Senyk Music, is licensed to us for commercial use. “9-11 Bigfoot Call” is also used under Fair Use. Sean Forker and Gabriel Forker are credited with the intro and exit voiceover work.If you'd like to hear a particular topic or guest, EMAIL US: info@sasquatchexperience.comCheck us out on Social Media:facebook.com/sasquatchexperienceX.com/SquatchEXPInstagram.com/sasquatchexperienceVisit Our Website: http://www.sasquatchexperience.comSasquatch Experience by Sean Forker, James Baker, Vance Nesbitt, Matt Arner, and Henry May is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Based on a work at https://www.spreaker.com/show/sasquatch-experience.Permissions beyond the scope of this license may be available at https://www.sasquatchexperience.com/permission.Become a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-experience--4208641/support.
Michael questions Tom's loyalty.
episode #765. a short list: button maker, cable snake, puzzle bed frame, cap toe suede boot, spork, lawn chair, mp3 player, stainless steel plates and bowls.DOWNLOAD/STREAM RECORDING00:00 (intro by omar)00:20 Dianas "Star Emoji" Baby Baby02:59 orchid mantis "midi memory" compositions on midi and tape04:42 Pezzettino "Quake" Venus07:10 LITTLE WINGS "Light Brang" Explains10:38 Painter "II" Leo Party14:58 BODY LENS "Jiltz" BL DLX18:39 Eminem "hidin’ in the yard" canadian wilderness21:21 Memory Leaks Onto The Rug "leach’s storm-petrel" Rug Leaks Onto The Memory22:57 Terry Malts "In The Waiting Room" Distracted (Plus)26:17 Robert Sotelo "Dear Resident" Dear Resident / Operate Now29:48 Dressage "Chez Lounge" Take Me Home32:55 GABI JR "at&t" may first36:12 New Balance "Turned Over" Heaven’s Shadow39:57 Emotional World "Bit Up" I Want to Believe42:43 whitney ballen "voicemail" voicemail43:16 allegra krieger "push & pull" 12346:02 Perhapsy "radar gun" my Fam, your Fam, SADFAM48:09 Pouty "Awake (version 1)“ Demos Unreleased50:05 Francie Moon "Sittin’ In the Middle" All the Same52:35 Peaer "The Blues" For the Time Being
Its been a while sense you all have heard from this man. So lets catch up. Chill out with Stephens and I as we catch up about am shift life, possible transfers to a different department, CPAP's, urology appointments and a lot more. Its just as crazy as you would think.
Title Sponsor: Scrapin the Coast Our Lifestyle Podcast YouTube Channel ODB provides updates on The Death or Slim Shady album launch Not being a fan of clickbait Various updates + more + Craig Braid talks Sittin' Pretti''s 35th anniversary Sittin' Pretti's Summer Slam Various updates Note: episode 365 artwork created by Jason "ODB" Ballard using various images he took & MORE RIP Mark “Papa Smurf” Ballard! We miss you Dad. Stay On Da Rise!
We have 90's country star, Bryan White, with us on this week's episode of Stories Behind the Songs! I've known Bryan for years - even before I met him, I was learning to play his songs on guitar to impress the girls in my college dorm. In this episode, we discuss some of his biggest songs including “Someone Else's Star” and “Rebecca Lynn” as well as the songs he's written for other big artists like Diamond Rio. We also talk about the challenge of writing uptempo when you're used to writing sad songs, crafting unlikely chord progressions and key changes, having a hit outside of the U.S., and duetting with the legend herself, Shania Twain. Bryan performs a snippet of his song, “Sittin' on Go” as well his personal favorite, “Dustbowl Dreams” which he wrote with Alan Shamblin, and he shares how this one reconnected him with his Oklahoma roots. If you enjoyed this episode of Stories Behind the Songs, make sure to share it with your friends and give us a follow. We are passionate about uplifting songwriters and their stories, and it's because of listeners like YOU that we are able to continue doing it. And, as always, a big shoutout to our sponsors! Thanks to Sennheiser microphones, Alclair in-ear monitors, and Imperfect Aesthetician for all the love! And follow us, Stories Behind the Songs, here: Listen/Subscribe/Follow - HERE SBTSongs TikTok - @SBTSongs SBTSongs Instagram - @SBTSongs SBTSongs YouTube - @SBTSongs Chris Blair's Instagram - @ChrisBlairMusic Chris Blair's Website - https://www.chrisblair.com/ The Listening Room's Website - ListeningRoomCafe.com TLR's Instagram - @ListeningRoomCafe TLR's TikTok - @ListeningRoomCafe Sponsors: Sennheiser Imperfect Aesthetician Alclair In-Ear Monitors --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support
Sittin' down with Andi Peacock and talkin' about their new entry to the Ball Python hobby and plans for an adult only YT Channel about reptiles!
Sittin' down with one of Canada's young top 5!
"Naked Lunch" responds to Apple Music's 100 Best Albums with a little list of their own. Phil and David countdown many of their favorite albums ever -- joined by stand up comedian, actor and musician Andy Kindler. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.
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