Podcasts about good old summertime

Ferlin Husky - "Love (Your Spell Is Everywhere)" [0:00:00] Sunshine Ruby - "Too Young to Tango" [0:04:17] Music behind DJ: Chet Atkins - "In the Good Old Summertime" [0:08:26] Jack Blanchard & Misty Morgan - "Tennessee Bird Walk" [0:08:38] Dolly Parton - "Control Yourself" [0:11:21] Cowboy Copas - "Old Faithful and True Love" [0:13:46] Charlie Louvin - "See The Big Man Cry" [0:15:21] Kitty Wells - "Paying For That Back Street Affair" [0:17:50] Music behind DJ: Chet Atkins - "Beautiful Brown Eyes" [0:20:29] Roy Orbison - "Communication Breakdown" [0:23:57] Wiley Barkdull & Helen Carter - "I'd Like To" [0:26:57] Conway Twitty - "Go On and Cry" [For Thirsty Dave and Candy ] [0:29:14] Ray Smith - "Rockin' Robin" [0:31:07] Lynn Anderson - "It Wasn't God Who Made Honky Tonk Angels" [0:33:33] Music behind DJ: Chet Atkins - "Tennessee Waltz" [0:35:48] Charlie McCoy - "Cherry Berry Wine" [0:37:44] Carl Butler and Pearl - "We'll Sweep Out the Ashes in the Morning" [0:40:28] Jean Chapel - "Tell It Like it Is" [0:43:04] Waylon Jennings - "Money (That's What I Want)" - S/T [0:45:16] Marijohn Wilkin - "My Long Black Veil" [0:47:34] Music behind DJ: George Jones And Melba Montgomery - "Let's Invite Them Over" [0:51:35] Charlie Rich - "Turn Around and Face Me" [0:53:57] Charlie Rich - "Love is After Me" [0:55:34] https://www.wfmu.org/playlists/shows/138338

Ferlin Husky - "Love (Your Spell Is Everywhere)" [0:00:00] Sunshine Ruby - "Too Young to Tango" [0:04:17] Music behind DJ: Chet Atkins - "In the Good Old Summertime" [0:08:26] Jack Blanchard & Misty Morgan - "Tennessee Bird Walk" [0:08:38] Dolly Parton - "Control Yourself" [0:11:21] Cowboy Copas - "Old Faithful and True Love" [0:13:46] Charlie Louvin - "See The Big Man Cry" [0:15:21] Kitty Wells - "Paying For That Back Street Affair" [0:17:50] Music behind DJ: Chet Atkins - "Beautiful Brown Eyes" [0:20:29] Roy Orbison - "Communication Breakdown" [0:23:57] Wiley Barkdull & Helen Carter - "I'd Like To" [0:26:57] Conway Twitty - "Go On and Cry" [For Thirsty Dave and Candy ] [0:29:14] Ray Smith - "Rockin' Robin" [0:31:07] Lynn Anderson - "It Wasn't God Who Made Honky Tonk Angels" [0:33:33] Music behind DJ: Chet Atkins - "Tennessee Waltz" [0:35:48] Charlie McCoy - "Cherry Berry Wine" [0:37:44] Carl Butler and Pearl - "We'll Sweep Out the Ashes in the Morning" [0:40:28] Jean Chapel - "Tell It Like it Is" [0:43:04] Waylon Jennings - "Money (That's What I Want)" - S/T [0:45:16] Marijohn Wilkin - "My Long Black Veil" [0:47:34] Music behind DJ: George Jones And Melba Montgomery - "Let's Invite Them Over" [0:51:35] Charlie Rich - "Turn Around and Face Me" [0:53:57] Charlie Rich - "Love is After Me" [0:55:34] https://www.wfmu.org/playlists/shows/138338

Join us for WORDS AND MUSIC, Judy Garland's final onscreen appearance with Mickey Rooney, and IN THE GOOD OLD SUMMERTIME, Garland's penultimate film at MGM.

March 21, 1937 - From New York Jack Benny plays his own father in the story of his life. References include Kenny Baker and Phil Harris' upcoming movie "Turn off the Moon", Minsky's Burlesque nightclub, and old songs "(My) Pony Boy" and "In the Good Old Summertime".

As New York continued its march up the island of Manhattan, there were few places where people that couldn't escape to Newport could find somewhere to relax, play, stroll and find some shade.  The development of Central Park  provided some much needed relief but it took some time for it to become a place that was accessible and viable for all of New York's social classes.     Out on the far coast of Brooklyn, the resort of Coney Island developed rapidly and became a truly great escape with its famous amusement parks where one could find adventure and perhaps a bit of romance.  In this episode, returning guest Esther Crain, author and creator of Ephemeral New York, takes us on a journey to visit these spots and spaces where Gilded Age New Yorkers could cool off, forget the realities of life for just a bit, and have a really good time. 

TOMMY NATION TUESDAY LIVESTREAM - Welcomes the progressive & courageous truth telling voice, Keaton Weiss, from the “Due Dissidence” Podcast. We discuss the current manufactured with consent political events, and policies of the day. Join in the discussion always! We are Free-Thinking. Innovative. Open-Minded - New Independent Progressive Media, with channels on #YouTube, #Rumble, #Twitter, #Trovo, & #Facebook - Subscribe! Join the Fight: https://youtube.com/@tommynationpolitics2120 Audio Podcast on Anchor FM: https://anchor.fm/thomas-saulsberry Here Jamarr Jabari's VOC Podcast: https://youtube.com/@JabariVOCPodcast Check out the “Due Dissidence” Podcast: https://youtube.com/@DueDissidence #Podcast #Live #NotmeUs #Politics #USA --- Support this podcast: https://podcasters.spotify.com/pod/show/thomas-saulsberry/support

On this episode of Made in Hollywood Mark and William discuss some of their favorite TV shows. Also, it's War of the Hollywood Christmas Movies Part 2!! You may also hear irrelevant things in this episode about Jamie Tart, Ted Lasso, Scrooged, It's a Wonderful Life, Die Hard, Gremlins, Home Alone, Christmas Vacation, In the Good Old Summertime, Meet Me in St. Louis, Bishops Wife, Preacher's Wife, Family Stone, Bad Santa,  Little Women, Janet Leigh, June Allyson, Elizabeth Taylor, Peter Lawford, Mary Astor, MGM, White Christmas, The Great Rupert, Krampus, 8 Crazy Nights, Adam Sandler, Bruce Willis, Chevy Chase, Donna Reed, Jimmy Stewart, Bill Murray, Rosemary Clooney, Caddyshack, Ground Hogs Day, Bing Crosby, Danny Kaye, Billy Bob Thornton, Jason Sudeikis, Fleabag, Derry Girls, Netflix, Yellowstone, Kevin Costner, Harrison Ford, Dances with Wolves, Dallas, Taylor Sheridan, and Cover Girls

Today! Celebrate America's favorite pastime with WPMT's premiere of “Casey at the Bat!” If it makes you really nostalgic, remember that the start of the season is soon! Today's musical includes, as you may imagine, "Take Me Out to the Ball Game," "The Band Played On" and "In the Good Old Summertime"! Join us for “Casey at the Bat” on Apple, YouTube, Spotify and all other major podcast platforms at 1 PM CT.

This podcast is one of a series looking back at some highlights from the 2021 Blu-ray releases from the Warner Archive.Warner Bros executive George Feltenstein takes us through the August 2021 Blu-ray releases of three films, providing information on the preservation and restoration of the films and insights into the storylines and production.  First is the 1986 whacky comedy, "One Crazy Summer,"  starring John Cusak and Demi Moore.  Next is the 1949 MGM musical "In the Good Old Summertime," starring Judy Garland in her second to last film for MGM.  And finally, the underrated and highly requested 1981 NYC cop corruption drama "Prince of the City " directed by Sidney Lumet and starring Treat Williams.

This week on Kansas City Actors Radio Theatre (KCART), we bring you a romantic holiday classic, “The Shop Around the Corner,” airing this Friday at Noon on KKFI 90.1 FM. Klara and Martin are two shop clerks battling the Christmas sales season and each other. They don't get along at all–except in the anonymous love letters they're unknowingly exchanging! The 1940 MGM movie and abridged radio version originally starred Jimmy Stewart and Margaret Sullavan. “The Shop Around the Corner” is adapted from “Parfumerie” by Miklos Lazlos, and also inspired the musicals “In the Good Old Summertime” and “She Loves Me” and of course the 1998 Tom Hanks & Meg Ryan classic “You've Got Mail!” KCART's rendition of “The Shop Around the Corner” features Bri Woods, Sam Cordes, Khalif J. Gillett, and John Rensenhouse. Directed by Hillary Clemens, sound design by Halley Sylvester, and sound supervision by Mary Robinson. Hosted by Matt Schwader. Happy Holidays! — KCART is made possible in-part by, the Richard J. Stern Foundation for the Arts, the Estelle S. and Robert A. Long Ellis Foundation, the Miller-Nichols Foundation, the Kansas City Neighborhood Tourist Development Fund, ArtsKC, the Missouri Arts Council, Theatre League, and the Breidenthal-Snyder Foundation.

It's Blu-ray time again on the podcast. Erik Childress and Sergio Mims concentrate on just a few studios but a lot of titles including films from a silent film comedian. Sergio goes over some recent musicals released by Warner Archive as well as an Errol Flynn war film. If you ever wanted to see Strother Martin in a horror film, Arrow Video has one for you along with a couple of new 4K titles. One from Dario Argento is there for your Halloween viewing and the other is there to re-evaluate David Lynch's version of the adaptation being hyperbolized to a fault. Is the 1984 Dune as bad as its reputation or does a new sheen make its visuals as impressive as people believe the 2021 version to be? 0:00 - Intro 3:30 – Undercrank (Edward Everett Horton 8 Silent Comedies) 9:10 – Arrow (The Brotherhood of Satan, The Cat O Nine Tails, Dune) 55:08 – Warner Bros. (Mortal Kombat) 1:01:06 – Warner Archive (In the Good Old Summertime, Take Me Out to the Ball Game, Ziegfeld Follies, Objective Burma) 1:45:50 - Outro

From Snow White and the Seven Dwarfs. The dwarfs are on their way home from work on a really hot summers day. The heat is making Grumpy even grumpier and he grumbles all the way. Everyone else is happy so Doc thinks of a way to cool Grumpy down. Listen to find out how.

Welcome to our pool party! We are serving up the BEST summer soundtrack this hour and doing it all pool-side. Swim up to the wet bar and get a tropical drink and grab some Jerk or veggie Kababs from the Bar-B-Q. The pool is perfect and there is loads of room on the patio to dance. Jump in!!! ----------------------------------------------- The Playlist Is: "Good Old Summertime" Lee Diamond with The Challengers - Lola "Bar-B-Q" Wendy Rene - Stax "Long Hot Summer" Joe Simon - Sound Stage 7 "(Love Is Like A) Heat Wave" Martha Reeves & The Vandellas - Tamla "I Love The Summertime" Dean & Jean - Rust "I Wanna Swim With Him" The Daisies - Roulette "Summertime (Cha Cha Cha)" Dave "Baby" Cortez - Roulette "So Nice (Summer Samba)" Connie Fracis - MGM "Barefoot In Baltimore" Strawberry Alarm Clock - Uni "So Is The Sun" World Column - Tower "When Summer's Gone" The Royalettes - MGM "Funky Funky (Hot Pants)" Wee Willie Mason - Jay-Walking "The Cool Off" The Detroit Executives - Pameline "Girls In The City" The Esquires - Lamarr "Sho-Nuff Hot Pants" The Detroit Executives - Pameline "Hot Barbecue" Brother Jack McDuff - Prestige "California Sun" The Rivieras - Delta "Paper Sun" Traffic - Island "Ice in the Sun" The Status Quo - Pye "In The Summertime" Tomorrow's Children - London "Ten Thousand Miles Away From Home" Ruddy & Sketto - Blue Beat "Green Hornet Theme" The Ventures - Dolton

Current Productions (1:30) NOTE: PROJECT PAGE LINKS NO LONGER LINK TO RAVELRY!             Paloma Pullover             Granny Square Blanket             King of Cups Socks             Boxy Chevrons             Cassavetes Cardigan   Events (14:53)  June Playlist: PRIDE! is now LIVE             Kevin's Profile link for Spotify! Stash Dash 2021 (May 28 – August 31) hosted by the KnitGirllls #stashdash2021 Stitches at Home June 11 -13 Tour de Fleece - June 26 - July 18, 2021 #teamsasquatch 2020 Olympic Games July 23 - August 8, 2021 #PanAtheKnit Stitches West 2022 in Sacramento, CA March 3-6, 2022 Nightly Met Opera Streams   Mention of The Knitmore Girls Podcast for training tips!   Hey Look Me Over (21:19)             2016 Revival of She Loves Me                         Mention of the 1940 Jimmy Stewart film, The Shop Around the Corner             Mention of the 1949 Judy Garland musical, In the Good Old Summertime                         Video clip of Liza Minelli's film debut             Mention of the 1998 Tom Hanks – Meg Ryan film, You've Got Mail   Little Known Facts (42:15)             Swatching!   It's De-Lovely (46:01)             I'm moving into my own place!

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture For this month's review, Michael Schwartz, Casey Lee Clark, Dan Bayer and I are back during this holiday season to discuss "She Loves Me." Inspired by Miklós László’s Parfumerie, the show follows in the tradition of "The Shop Around the Corner" and "In the Good Old Summertime" by placing the classic Hungarian play in a new context. With a score by the legendary Sheldon Harnick and Jerry Bock, accompanied by a perfect Joe Masteroff book, "She Loves Me" has stood the test of time to remain one of the most perfect musical comedies to ever grace the Broadway stage. So why does it still feel underrated? We explore that and many other questions and themes around this musical gem. A terrific way to kick off the holiday season. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Have you seen "In the Good Old Summertime"? How about "You've Got Mail"? This week, Shane and Virginia talk about the movie that inspired them both.

The show opens with Jeff talking about turning in the manuscript for new/revised edition of Hat Trick. The guys also talk about Captain Marvel. Will reviews Wanted-Bad Boyfriend by TA Moore and IRL: In Real Life by Lucy Lennox and Molly Maddox. Jeff reviews Diversion by Eden Winters. Jason T. Gaffney and Kevin Held join Jeff & Will to discuss their new movie project, the romantic comedy/paranormal themed Out of Body. They recorded the audiobook of the novelization, which was written by Suzanne Brockmann. We also find out about their history-based podcast, The Bright Side with Kevin and Jason. Complete shownotes for episode 180 are at BigGayFictionPodcast.com. Book Reviews Here’s the text of this week’s book reviews: Diversion by Eden Winters, narrated by Darcy Stark. Reviewed by Jeff Eden Winters Diversion series has been recommended to me for some time now and I finally took the leap. This first book was first published in 2012 but just came out in audio in October 2018 with narration from new to me voice artist Darcy Stark, who does a great job with both the suspense and romance. This enemies-to-lovers, workplace romantic suspense story centers on agents for the Southeastern Narcotics Bureau, Richmond “Lucky” Lucklighter and Bo Schollenberger. Lucky’s nearing the end of his forced stint on the job–forced as it was his way out of jail. Bo is new and eager, but is also at the job because of incidents in his past. They end up working together to bring down a ring of drug diversion and insurance fraud that involves a doctor, a drug manufacturer and a drug destruction company. I fell in love with gruff, no nonsense Lucky right away. He’s extremely good at his job, mostly because he used to be on the other side of the law. He exudes frustration and irritation at what he has to do and why and yet there’s a teddy bear in there too because he cares about getting the job done right. The friction that’s stirred up when Lucky’s saddled with mentoring Bo is sublime. Lucky’s looking to ride a desk during his last few weeks at the bureau, but his boss has other ideas. Bo’s very green in terms of what he has to do here–but he is ex-military so he’s no pushover either. He can take what Lucky dishes out and it pisses the senior agent off… and eventually Bo gives back as good as he gets. The friction gets explosive as Lucky battles with himself about the feelings he develops for Bo. The other thing the friction brings is a ton of humor. Lucky and Bo know how to push each other’s buttons–whether it’s blasting Billy Ray Cyrus, forcing healthy eating habits or being messy. It’s a wonderful odd couple pairing that morphs in a beautiful way as it becomes less about antagonizing and more about a sweet nudging of one another to just maybe move things to another level in their relationships. Both men have complicated backstories that make you feel for even more for them. Lucky ended up at the bureau after going to prison for the part he played in a large scale drug operation. He’d been in love with the guy behind that operation and when it all came crashing down Lucky was sure he wanted no part of loving anyone again. The pain Eden created for Lucky is devastating, which makes him all the more loveable when he’s able to come out of his shell. Bo did illegal things to help an ex and ended up taking illegal substances to the point that it’s very difficult for him to be around the drugs in a Pharmacy, which his job requires. There’s also abuse in his past and Lucky’s careful to keep Bo away from triggers as much as he can. The lengths he goes to keep Bo feeling safe are extremely sweet. Eden takes great care in how backstory is presented. Once the men get past their posturing and disdain for each other, they peel back they reveal themselves in a very natural way–as friends, coworkers and eventually lovers do. The good and bad are offered in equal measure and it’s perfect relationship development. The only thing I wanted in this story that I didn’t get was Bo’s point of view. I would’ve loved to know what was rattling around in his head. Not to take away from Lucky though as he was quite the good narrator and this one point doesn’t take away from my love of the book. The Diversion series is up to book seven as of January 2019–with the third book released in audio in February 2019–so I’ve got some catching up to do. I’m looking very forward to that. IRL: In Real Life by Lucy Lennox & Molly Maddox. Reviewed by Will In Real Life combines the classic alpha billionaire character trope with the time-honored scenario of two characters who are combative in real life, but are secretly corresponding with one another and falling in love. Which is the long-winded way of saying it’s a similar set up as the classic movies Shop Around the Corner, You’ve Got Mail, In the Good Old Summertime, and the musical She Loves Me. The way that the characters write to each other has changed and evolved, but the premise remains the same. There’s also hints of enemies to lovers and opposites attract. This book is ripe with tropey goodness. So what’s it all about you might ask? Nice guy geek Conor is in New York to sell his mother’s bio-med technology to a ruthless CEO. The evening before his big presentation he decides to live a little and begins sexting with who he thinks is the sexy hotel bartender. It’s not. The text exchange he ends up having with a stranger, who he calls Trace, is amazing, and through several flirtatious and super-hot online conversations, they begin a fling. At the meeting the next morning, Wells Grange recognizes Conor thanks to the Dalek tie he is wearing. Conor is the hot and horny guy he sexted with the night before. His first inclination is to use this information as leverage in their business negotiations. But Wells quickly begins to fall for Conor, both the sexy online version and the awkward real-life version. As they work through the contracts for the sale, Wells continues his deception. They spend several days together and get to know one another, Conor unaware that Wells and Trace are the same person. We follow our heroes, almost in real time, as they fall in love while working together, going out to dinner, and taking carriage rides in Central Park. Once the business deal is finalized, Wells and Conor finally give in to their attraction and sleep with each other. Needless to say, it’s amazing and life altering for both of them. But, as is the case in stories like these, Conor finally puts two and two together before Wells can come clean about his sexting alter ego. Conor is humiliated and justifiably furious. He packs his bags and returns to North Carolina, with zero intention of ever speaking to Wells again. And rightly so. I’m going to be super upfront with you guys, there are certain aspects of the billionaire trope that I personally find problematic. I was on board with Wells and Conor for most of the story, but there were moments when I had a hard time dealing with certain aspects of Wells’ alphahole personality. In my view, if the ending of this book was going to be believable, Wells was going to have to move mountains and pull off one of the biggest mea culpas in romance history. It may not have been the biggest, but Lucy Lennox and Molly Maddox crafted a finale that was truly heartfelt and genuinely appropriate for our two heroes. To make amends, Wells makes sure Conor’s sick mom is well taken care of and part of an experimental treatment program (her illness was the reason they needed the money from the business deal). Later, when Conor is unable to attend a Comic convention to unveil an important new development in his gaming business, Wells steps in, and personally gives a rousing presentation on Conor’s behalf. Wells proves he isn’t the billionaire alphahole he seems. Yea for true love and happily-ever-afters! Interview Transcript Jeff: Welcome back to the show, Jason and Kevin. Kevin: Thank you. Jason: Hello. Thank you. Kevin: Nice to be back. How you been? Jeff: Awesome. Jeff: Well, we had you on before, we were talking all about “Analysis Paralysis.” But you guys have a lot more going on besides that movie. You’re actually in pre-production right now on a film called “Out of Body.” Jason: Yeah. Jeff: Tell us what that one’s about. Jason: So “Out of Body” is basically a story where it’s a friends-to-lover rom-com. And basically, Malcolm, who’s Kevin’s character, has his body stolen from him and he kind of ends up as a spirit for a while. And he has to prove that he exists to me, Henry, and then when that finally happens, we do some magic, we fight some demons, we might get the body back, there’s definitely a happily ever after because it’s a rom-com. Kevin: You and your end happily-ever-afters. Jason: Yeah. Jeff: It’s important. Kevin: I know, I know. But I just want to the rom…just one time I want a rom-com to be…it’s mostly romantic and funny but everyone does die. Jason: Or they die hilariously. Kevin: It’s a rom-com drama. Jason: Death by rubber chicken. Jeff: And what was kind of the inspiration behind this movie this time? Jason: I don’t even know how this idea came in my head. But I was sleeping one day and I woke up and I was like, “Oh, that’d be really cool. A movie where someone’s dead but they wanted to be together but then they didn’t get to be together. And then they have to fight to get their body back and come back to life.” And so I wrote a kind of a similar but different kind of script. And we did a table read, and my mom was a part of the table read. And she was like, “I love the story you have here. Can I take it and can I change a lot of it and make it like super romance with the comedy?” And so this particular movie and book and audiobook is definitely heavier on the romance than the comedy, as opposed to “Analysis Paralysis.” But it’s, in my opinion, really, really good because the romance really makes…it’s gripping, it really gets you right in the heartstrings. And she basically saw what I was going for and was able to finesse it and really kind of mold it into what my kind of original vision was and then some. So I’m really psyched about it. It’s got a little bit of everything. Will: Yeah, not too long ago, I talked about the novelization of “Out of Body” here on the show. Jason, your mom, Suzanne Brockmann, of course, wrote that novelization, it was rather amusing. Like, I think in the forward she kind of does like a behind the scenes thing where she kind of tells that story where she says, “Jason, this is great. But do you mind if I take it and make it better?” Kevin: Yeah. Jason: Yeah. And here’s the thing, I am all about that. Like the filmmaking, it’s such a collaborative process and storytelling can be a really collaborative process. And I want to make good movies. And so I was really happy with the script that I had written, but when someone who’s as great of a writer as my mom is comes and says, “I want to have fun with this and let me just see what I can do with it,” I’m like, “Hell yeah. Take it. Have at it.” Yeah. Kevin: And the end result is really a script, a novel, and a script that really looks like if brilliant improviser and plot maker and gay comedy guy let his script be taken over by a bestselling romance novelist, what would happen, it would be this. You know. And so it’s really got great, great aspects of all of those elements. Will: Yeah, I really enjoyed the book and the audiobook as well. And I think it’s a really unique opportunity for people who are interested in “Out of Body,” the movie, to check out the audiobook and sort of, it’s essentially like a preview of what they’re going to be getting when the film comes out to the public. Can you give us a little bit of an idea about what it was like to kind of get into the material early before you even like were thinking about shooting by recording the audiobook? Kevin: I can tell you for my part, like, since I’m not one of the writers on this, which is, you know, traditional for me because I’m not usually the writer on a project that I’m acting in. But it’s completely unprecedented to have a novel that you get to perform about the thing before you even film the script. You know, so we get…like as an actor, it’s a freaking dream because I have…so you know how actors have to create subtext and everything, I just have to go to the book, you know, it’s like, “Don’t worry. I don’t have to make it.” It’s already been written down for me. So if I’m wondering, like, what’s happening for Malcolm now, what’s going on there? What’s the deep, deep part of it? It’s already written out for me now. So I would say, so the book is available. It’s on, it’s called “Out of Body.” It’s on Audible.com. And I would say, don’t deprive yourself of the opportunity to say the book was better. Jason: Yeah. And, you know, it was really cool to do the audiobook in general because it was our first audiobook for both of us as narrators. And when we were talking about doing it, we were talking with my mom about it and I was interested in the idea of recording it in a way where it was more like a radio show where we are our characters’ dialogue voices all the time, even if it’s in the other person’s point of view. Whoever’s point of view reads the descriptive stuff in the chapters. But if Malcolm’s speaking, even though I’m the narrator of that chapter, he still says his line, and he still says the lines of the other characters that he had been assigned and vice versa for me. And that was really kind of fun to do because, you know, how often do you get to do kind of a radio show acting gig? And it was also really fun for me as a director to get to do this with Kevin in advance, because, like, he now really knows the story and I know he knows the story. So I know that when he comes to set, that’s going to be really easy. And I got into the head of the other characters as well reading them, and that’ll help me be able to hold my other actors hands and kind of with them through their parts, and still allow them to bring what they want to bring to the role and have it blossom into how great it can be. Kevin: Yeah, and that’s like all separate and apart from the experience of actually recording the audiobook, which you might think was done him some and then me some on consecutive days or anything, but it was actually live together. So we actually recorded in a space that had two recording booths in it. We could both hear each other so that when I am narrating a section and it’s his line, I can hear him do it. And then I jump back in. So it was live editing, like, to take out any breaths or anything, or mess-ups or anything, so, but we got to…you know, it was amazing because I had him in my head the whole time doing it, too. So that was wonderful. It’s a great experience. Jeff: That’s amazing, especially how it connected to your even now pre-production process that you’re involved in because you’re getting ready to shoot in about a month from when we’re recording. In pre-production, give everybody kind of an idea of what that means. What’s going on as you get ready for your 12 days of shooting? Jason: So basically, what I just did was go through each of the scenes and break them up on a piece of paper so that now I have the page count number, like how many pages each scene is. Kevin: These are them. Jason: Oh, yeah. Little strip paper… Kevin: Each one of these is a scene. Jason: And basically, the page count, when it starts, who is in the scene, all that stuff. Because I need to…you know I don’t have every actor every day. I’m going to have Kevin every day because he’s one of the leads. But there’s other parts in it where they’re only going to film for one day…anywhere from one to three days. And so you have to plan their scenes on the same day. And this time, we’re going to actually be filming in two different locations because our neighbors next door sold their house to flippers and they’re doing construction and it’s been kind of never-ending. So we can’t film when there’s kind of heavy construction going on in this house. So we’re going to do a lot of stuff at my father in law’s house and then will come get the rest of it after they’re done here. And so I’ve been doing that with my dad and breaking it into those days while simultaneously working with my cinematographer Nacia to map out which shots are needed for each scene and what angles are we doing. So I put little maps on the other side of the table here. Basically, me drawing out the room layout and doing little circles with an M for Malcolm and an H or Henry, and the arrows pointing they go here and then they go here… Kevin: Oh my god. And this isn’t even talking about how to deal with SAG paperwork or any of the art direction that he’s doing, or any of the clearances that he’s getting for this or that kind of thing. Jason: We’ve got a, we’re going to have a… Kevin: He’s a bit of a doer. Jason: We got Andrew Christian giving us underwear… Kevin: Oh, yeah, we have Andrew Christian underwear over here. Jason: And I’m working with some other companies too. So Outfit is a gay like sports good wear, they’ve given me a patent to us for the movie. Kevin: He’s been stenciling t-shirts and… Jason: Hand design t-shirts specific to the characters. I’m going to be making him a specific shirt three times because he wears the same outfit the whole movie and so if anything spills on it, it’s got to be good and not spilled upon because he magically can’t get stains. And so it’s intense, there’s a lot going on. Like Pinterest is my best friend. I’ve been learning all about how to make DIY Halloween decorations. Because again, when you’re low budget, you can’t spend, you know, $3,000 on set design. You can spend like $200, and so you have to get a little crafty. You have to start thinking like, “Okay, I’ve got five pages of construction paper and a pair of scissors and some tape, how going to make this look like I spent a lot of money on it?” Kevin: He’s like MacGyver. So that’s his experience with pre-production, mine’s a little bit different because I’m not all the hyphenates. So I’m busy making no changes at all to my daily routine. Jeff: You do have a script to learn. Kevin: Sure, when I get it. Jason: It’s in the mail. Kevin: We’re at your house. Jeff: Oh my goodness. Jason: The creating part, like creating the artwork, it actually makes me feel calm. The paperwork stresses me out. And so Matt, thankfully, jumps on that grenade and deals with SAG-AFTRA and making sure that all the paperwork’s there and all the money is in the right place and all that stuff. So thank you, Matt. Jeff: Now, we should say Matt is your husband, so he’s in the production family. Jason: Yes. Kevin: Yeah. Will: So now that our listeners know how completely awesome and funny this project is going to be, can you give us a little bit of info about the Indiegogo campaign? Jason: We have an Indiegogo campaign, basically we crowd-funded “Out of Body” on Kickstarter first, a successful crowdfunding campaign last year. and Indiegogo came to us and said, “We’d like to do an in-demand campaign for you.” So we have an open-ended campaign on Indiegogo right now, where you can help sponsor the film help and get some fabulous rewards, such as DVDs of “Out of Body” when it finally is all finished, you can get DVDs of “Analysis Paralysis,” our last feature film. Kevin: I’m going to get these down from the thingy here. Jason: So you can show people. Kevin: You can actually, because now we’re in the second feature film that stars the two of us. Like we got other projects that I have to do with like if you’re your fans of “Analysis Paralysis,” or perhaps the audiobook of “Out of Body,” you can get these copies, you can get copies of all that stuff. And so as we are on the way to becoming things of all media. Jason: Yeah, exactly. And yeah, so if you go to indiegogo.com and you go, indiegogo.com/projects/out-of-body-a-feature-length-lgbtq-rom-com-movie/, it’s a very long title. Kevin: Really, why don’t you go to indiegogo.com and search “Out of Body.” Yes. Jeff: Or just come to our show notes, it’ll be much easier. Will: Yes, do that. Kevin: Exactly. Go to “Big Gay Podcast” website and it’s going to be in the show notes. Jason: Another place you can find out information about “Out of Body” in the future and any sort of campaigns we’re having, etc., is if you go to tinyletter.com/mypethippo and join our newsletter, you’ll be able to find out things about “Analysis Paralysis” or “Out of Body,” or our podcast, “The Bright Side with Kevin and Jason,” all sorts of fun stuff. And yeah, so and basically indie film, it’s low budget. So every dollar really does make a difference. Like if we get enough money to buy a better meal for the cast and crew, everybody’s spirits raised, it gets raised up a little higher, you know, or we can afford an extra day of filming, or we can afford…it really does matter. So thank you to everyone who has supported us so far. And thank you to everyone who comes and supports us after this. Kevin: Yes, indeed. Jeff: Now, Kevin had this wonderful term about you guys, you know, essentially taking over media. You mentioned the podcast, “The Bright Side with Kevin and Jason.” It’s a comedy podcast about history. How did this idea spark? Because this just adds to you, I imagine, having to research these historical things. Kevin: Now, Jason does all the research for this, you know, and that’s huge. Like, because basically, he doesn’t have enough to do. But the impetus for the podcast, which is “The Bright Side with Kevin and Jason” is, you know, there’s so much bad news all the time. And my mom taught me how to look on the bright side of stuff, you know. If I got one thing from my mom, it was to…I would always complain about this or that and she would constantly remind me of there’s something good here, you know, and you have to find that. And so that’s really the gem of this, it’s really the heart of that show is that, especially when you look around at the news right now, there’s so much bad stuff that is going on. But you have to also recognize that bad stuff creates the opposite reaction. And so who is making the good out of that? You know, who is looking at that and reacting to it in a way of love, or in a way of furthering acceptance, or you know, who’s looking at the transgender ban, for example, that was finally instituted by the Supreme Court? And who is saying, you know, I want to reach out and tell my trans brothers and sisters that you are people and you are valuable and your service is useful and we love you? You know, so who’s doing that? You know, and so that’s what the podcast really kind of focuses on. We do wallow in some tragedy on the podcast because every week we take a historical episode of some varying degree of tragic-ness and talk about it. But then we also, every episode, find out what good that led to. Jason: And it kind of came about a long time ago after “Analysis Paralysis,” like Kevin mentioned in the last episode, we talked a little bit about how we met on a student film and basically got along really well, really quickly, and then we started hanging out together with our husbands and going on double dates, and so it kind of formed this bond. And after “Analysis Paralysis,” which was so much fun, it was 10 days of basically seeing Kevin and laughing and having a good time, I was like, “I don’t want to wait a year-and-a-half for the next project. I want to do something now with you.” Kevin: The experience of just chatting about a topic on a set or something was so much fun and we thought, “We should bottle this.” And then we thought, “You can.” There’s a method for this that’s called a podcast, and that’s what started. Yeah, you know, so now I get to come over here every damn week. Jason: Yeah, come to the Valley. You’re welcome. Kevin: Yeah, when I moved to Westwood I was hoping that my second bedroom would be a good place to record. But it’s not, it’s not good. Too much noise there. The valley’s a lot of things, but it is quiet. Jason: It is quiet. Unless they’re doing construction next door. Kevin: Right. Jeff: You could just turn that second bedroom into a soundproof area. Kevin: No, actually, currently, we didn’t have any…we moved from a house that had a lot of storage into a house that had another bedroom, but no storage. So that second bedroom has just become basically the id of our house. You know, everything’s like ahhhhh, you know? Jason: It’s like in “Harry Potter,” what’s that closet? Kevin: The room of requirements? Jason: Yes. Kevin: It’s the room of please don’t go in there actually. Will: Now, guys, I’m curious. How do you choose which historical events to feature and how much research goes into each episode? Kevin: That’s 100% question for Jason because though I feel that the podcast is a 50/50 pursuit, because Jason does all of the research for the topics that we do, and I don’t ever know what we’re going to talk about until I get here, but then I do all the web mastering and editing and I put up the shownotes and I do all of that stuff. So I feel like we end up spending around the same amount of time on things. Jason: Yeah. So basically, generally about a day of work I kind of surf the web, I find a topic that…like I kind of search, you know, the rabbit hole as to like what kind of weird historical thing is this? And I’ll like Google really weird stuff so my search history… Kevin: Yeah, they’re coming for you. Jason: …completely messed at this point. But like, you know, I’ll look up like “wild strikes historical funny” to see what I get from it. But honestly, there’s been a ton of them I’ve gotten through recommendations of friends and family and listeners of the podcast, and we really encourage listeners to throw ideas at us because there’s some really obscure events in history that I don’t know about that I would love to know about and I could easily find it if I knew to search for it. And so if anyone out there listening has weird events, definitely tweet me or email me. Kevin: You can find him @jasontgaffney on Twitter, and tell him and I don’t want to know about it. Jeff: That’s right. Kevin has to stay in the dark. Kevin: Right. Jason: So what I look for also, I try to look for topics where there’s a lot of tragedy, but you can still make fun of it. Like, if it’s a natural disaster, I try to find one where people made bad decisions with the natural disaster, not that it’s just, like, everyone got screwed and they tried to do the right thing, but they still got screwed because you can’t really make fun of those people. That’s just sad. Kevin: And mean. And it’s really not. I mean, I know we’re talking about a lot of tragedy, and that’s kind of what we focus on. But it’s not a cruel show. It’s not a Schadenfreude, really, because the ultimate goal is to find out what the hopeful aspect of it, who turned that situation into something good, you know. Jason: And you’d be surprised, like, we generally can find it. I don’t think we found one yet where there’s really nothing, no bright side to it. Kevin: No. Because the arc of history is long and you never know what the end result of a pebble, you know, when a pebble goes into a puddle, you don’t know how farther in they’re going to go, you know, and so, like, we talked about that event but that could lead to something incredible later, you know. Jeff: For you, Kevin, since you come in cold to these, what’s been of the episode so far that you’re like, “What? What did I just hear?” Kevin: Oh, my God. Well, the “Empire” panic, for example, has been insane. Like, I have a feeling when I post the episodes, I have a feeling like I hope…My mom and I listened to the Christmas episode over Christmas. And at the end of it, she said, “That was funny and I learned some stuff.” So that’s what…it was like I was, “Oh, good. There we go.” That’s what I would like people to have from it. Is like, “Oh, I enjoyed that, you know, conversation. That was fun and stuff.” But also, “God, who knew?” Yeah, that’s amazing. Because he’s pretty good at this, every episode there’s gonna be some point where I’m like, “Are you kidding? Human beings did this,” you know? It’s always, “Yes, they did,” good Lord. Jason: It’s also it’s gotten way more fun to do the research than it initially was because I was really nervous the first couple episodes to like, “Oh, my God, is this going to be funny? How can I make this funny?” And I was trying a little like…we actually have a couple of episodes that just never aired because I was trying too hard as opposed to just seeing that, yeah, that was absurd. I don’t need to say anything except what they said. And now that I’ve kind of mastered that to a degree. I mean, I’ll keep getting better as time goes on. But now I can really see like as I’m reading stuff, I’ll be like, “Oh, I know that Kevin’s gonna hear that and go, ‘Stop it.'” And then he’s gonna call it out, call the absurdity of it. I don’t need to do anything except, say, like, you know, “And then she picked up the knife and stabbed her own foot.” And it’s like, “Why?” Kevin: Spoiler alert. Jeff: Did you have a knack for history before this, Jason? Or did this just kind of happen? Jason: So I’ve always loved history. I always love the idea of history. When I was actually a little kid, I used to play with blocks a lot. And it’s probably why I like being a producer and a storyteller. I used to have like this giant castle and a giant village and an army of bad guys and I acted out this soap opera for years with the royal family and all that. And I was fascinated with the Romanovs and stuff so I kind of like did a little spoof on them. And so I kind of created like my own worlds, and history and stuff. And so when I can find sites that tell historical stories like a story, which is what history should be told as because it essentially is our story, it’s really fun. It’s really exciting to read it and be like, “No, oh, my goodness, that person’s totally the villain.” And then you read a couple more paragraphs, and you’re like, “Oh, no, they’re misguided. They have a heart of gold. They didn’t know.” And then five pages later, you’re like, “No, they’re just a dick.” And it’s exciting, it’s riveting, it gets you on the of the edge of your seat constantly with how people just constantly mess up. And then occasionally, you have a hero who’s just like, actually a good person, you’re like, “What’s the catch?” So, yeah, you know, history is really fun, especially when it’s told with a fun storytelling lens because… Kevin: And I think that’s like the thrust of the podcast is also it’s about the topic, sure, but it’s also just about how Jason and I interact with each other. And we just have such a fun friendship. And I don’t mean that it’s fun from the inside. I hope it is, but it’s fun from the inside of it. So I have such a good time with him that whatever we’re talking about is going to be fun for me. Jeff: That’s awesome. So besides “Out of Body” and more podcast episodes, what else is coming up for you both? Kevin: I may never work again. Who knows? Jason: We’ve actually started writing the sequel to “Analysis Paralysis” with the hope of filming it at the end of the year, with the additional hope of trying to film it in Palm Springs. Kevin: First time hearing of that. Really? Jeff: Breaking news. Kevin: I love Palm Springs. Jason: We’re gonna do what we can to make it work. And it would require assistance from the Palm Springs community, sure, help house us and give us locations and stuff. Kevin: It’s gonna be all on the gondola. Only there. Jason: What gondola? Kevin: The gondola up to the mountain thing. Jason: Oh, yeah, that gondola. Kevin: The whole thing is set on the gondola. Jason: I was thinking like the gondola with a little stick… Kevin: Yeah, the canals in Palm Springs. Jason: But another thing that I’m actually working on is my dad and I wrote a couple of novellas that you can get on Amazon. Kevin: What are they called? Jeff: “California Comedy Series.” Jason: The “California Comedy Series.” Yes. And I wrote a version of “Fixing Frank” with the hopes to get that kind of ball rolling. And it’s definitely a film that requires a bigger budget than what we have right now. But I’m starting to get those wheels in motion for you know, movie four, five, six sometime in the near future. And so yeah, that’s kind of what I’m working on. Kevin: We keep cranking them out. If people will keep putting them on screens and things, we’ll keep making them. Jason: The goal is to make people laugh. I feel like that’s why I was put on Earth and I feel like that’s why you were put on Earth. Kevin: Well, yeah. I know am laughing whenever I see you so that’s probably true. Jeff: Do we get new “California Comedy” anytime soon? Jason: I have been talking about that with my dad, we actually have a couple that are in the works, it’s just trying to figure out when we have a good time to sit down and edit it. I think after “Out of Body,” I’ll be able to take a look back at one of them that we wrote a while ago and kind of tweak it because there were a couple of things that just never felt right. And so it’s just figuring out how to fix those kinds of plot holes. And then hopefully that’ll be on the market before the end of 2019. Jeff: Excellent. And Kevin, what about you, anything you want to throw out for people to keep an eye out for? Kevin: Super excited about the podcast, actually. You know, going into production on “Out of Body” is really, really exciting. I don’t have a lot of acting projects coming up after that, that I can think of right now. But that’s kind of the nature of acting projects. Jeff: Sure. Kevin: You know, and so the podcast is where you can find us weekly up until the end…and actually, we make announcements there about projects that do come up for us, you know, in the interim. So, you know, to be a loyal listener to the show would be the best way to find out about what’s new with us. You know. Jason: Oh, and I almost forgot. We’re going to try in some way whether it’s self-published or with some other company helping us, the goal is to turn the “California Comedy Series” into audiobooks as well, similar to “Out of Body.” Jeff: Oh, fantastic. So both of you voicing? Jason: Yeah, for two of them. One of them, the plan is to have my good friend David Singletary come in as the role of Mike since that role is African American. And my friend David Singletary is African American and I’m all about… Kevin: Kevin Held is very much not. Jason: I’m all about own voices reading parts and stuff like that. And he’s great. You’re going to love him. Kevin: He is great. I’m a little jealous, but I’m okay. Jeff: Well, guys, thank you so much for telling us about “Out of Body” and the podcast. We wish you much success with those. Jason: Well, thank you. Kevin: Well, much success with your own podcast, gentlemen. Jason: Thank you, yes.  

A wonderful Christmas love story, The Shop Around the Corner (1940) has been remade a couple of times as In the Good Old Summertime (1949), with Judy Garland and Van Johnson and You've Got Mail (1998) with Tom Hanks and Meg Ryan.   SPREAD THE WORD! If you enjoyed this episode head on over to iTunes and kindly leave us a rating, a review, and subscribe! We would love to get your feedback! Email Click here to subscribe via iTunes Read more at classicmovierev.com 

Songs include: Summertime, Indian Summer, In the  Good Old Summertime, Summer Holiday, Summer Night and Summertime Is Past And Gone.  Performers include: Bill Monroe, Sarah Vaughn, Artie Shaw, Abe Lyman, Greta Keller, the John Philip Sousa Band and Charlie Patton.

Though he may be the water commissioner, Gildersleeves has had trouble with Birdie over a leaky water faucet. Finally the drip, and Birdie, has annoyed him long enough, and there's no more hiding from it. Gildy goes poking around the musty, cluttered basement, and gets distracted by some of the old things stored there.   All those distractions wear him out, and he dozes, dreaming of times and fashions gone by in the year of 1903. Gildy is all duded up in his white linen suit, Leroy in his buster brown suit, and Marjorie in a bustle and listening to that new fangled ragtime music. What are kids coming to these days.   Gildy goes to watch the train come in, which is bringing the new school teacher to town. Along the way he stops in to talk to Peavey before heading down to the station. That practical, sly, old Peavey gets Gildy to buy more stuff than the judge did. Then Gildy parts ways with a quick joke about the president.   At the station, the judge and Gildersleeves argue over the teacher, but Gildy wins out with his high tech, horseless carriage. When the car breaks down, with sound affects resembling Fibber's closet, the Judge rescues the school teacher in his horse drawn buggy.   After the mid show commercial, Gildersleeve's dreaming continues. He makes his way to Floyd's barber shop where the anticipated picnic is described in tantalizing detail. With some inside scoop, Gildersleeves gets an edge on getting in close to the new teacher. (Side note: If you pay attention, you'll learn what Peavey's full name is when he is called on to deliver a limerick.)   The Jolly Boys sing a gay 90's barbershop tune, Rosy You are My Posey. Followed by the big picnic basket auction. Nobody knows who the baskets were made by except the ladies, and the auctioneer. Well, nobody but them and the man with the highest bribe.   Despite missing out on dining with the new teacher, she goes on a canoe ride on the lake with Gildersleeves. Gildy croons to her with a ukeleli, and sings, On Moonlight Bay.   Just when things are getting steamy in his dream, the canoe tips, and Gildy wakens to the harsh reality of being drenched by that leaky dripping faucet. Maybe he'll get it fixed. One of these days.   Bonus Tracks: Billy Murray. 1903. In the Good Old Summertime.   PS: Don't forget, for a lot more great old time radio, visit the home page located at:   http://retro-otr.com

Songs for the end of summer.Artists include: Charley Patton, the Edison Quartet, Bing Crosby, Walter van Brunt and Elizabeth Wheeler.Songs include: The Last Rose of Summer, Any Girl Looks Good in Summer, In the Good Old Summertime and A Faded Summer Love.

An all waltz show.  Songs include  In the Good Old Summertime, School Days, Waltz Me Around Again Willie and My Wild irish Rose.