Podcast appearances and mentions of hamilton broadway

Jarrod Spector (King George III in Hamilton Broadway) is back for round two. In this episode, Jarrod talks about heading to New York City to study at the Atlantic Theater Company and starting his Broadway career. After being fired from Jersey Boys before he even started, Jarrod went on to play a record-breaking 1500 performances at Frankie Valli. We also talk Beautiful: The Carole King Musical, The Cher Show, and collaborating with his fantastic wife Kelli Barrett. Jarrod also discusses landing KGIII in Hamilton, explains why the role is like "starting on third base", and reflects on his long history of playing real people. Plus, he takes questions from the Patreon Peeps and talks about what's inspiring him. Fosse/Verdon A Killer Party Jarrod on Instagram Full Circle Artists /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Jarrod Spector, Hamilton Broadway's current King George III, is on the podcast! This week, Jarrod talks about growing up in Philadelphia where he started performing on the Al Alberts Showcase at barely three years old. From there, he did his Bobby Darin act on Star Search for a while, humbly passed on The Mickey Mouse Club, and at nine years old he landed the role of Gavroche in Les Miserables where he performed in Philly, Chicago, and eventually on Broadway. Jarrod also opens up about his somewhat tumultuous early college experience, (girl, same) and we have a very honest conversation about some tricky life lessons we both learned around the same time. Al Alberts Showcase featuring Al and Jarrod singing "That's Life" (1986) Jarrod Spector singing Mack the Knife on Star Search (1988) Star Search - Jarrod Spector vs. Countess Vaughn (1988) Jarrod on Instagram Full Circle Artists /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

This week wraps up my chat with Jonathan Butler-Duplessis (Hamilton Broadway: Aaron Burr, George Washington, and Mulligan/Madison) and he's taking questions from The Patreon Peeps so we're all over the map. There's lots of pizza talk (obviously), Jonathan gives advice about being weird and authentic and finding your people, he talks about his fascination with the 2019 Cats movie, manifests his dream of playing Elphaba, and confesses how many times he's read that erotica book that's onstage at Hamilton. Plus! Jonathan explains why he sees his Broadway debut as Burr as a return on a lot of people's investments, and he does some deep introspection about relating to the frustration and ambition of Aaron Burr, a role Jonathan never thought he'd play because according to him, "no one is ever gonna let him LEAD a show." Counting Stars by Nujabes A tribute to J-Dilla and Nujabes Patzeria Perfect Pizza aka Scientology Pizza No Good Deed from the Original Cast Recording of Wicked What The Internet Did To Garfield A Beginner's Guide to the Monogatari Series /// Jonathan on Instagram Jade Armor The Plate Show Podcast /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Jonathan Butler-Duplessis (Hamilton Broadway: Aaron Burr, George Washington, and Mulligan/Madison) is back for round two! In this episode, we kick off talking about his experience playing Jim Conley in Parade. It was a really intense audition process, Jonathan couldn't afford contacts for the first half of the run so could barely see and the audience looked like blobs, and he had to deal with several instances of the cops being called on him for existing while Black. But according to Jonathan, all of this craziness actually *helped* his performance.  We also dive into his Hamilton story, which starts with the belief that he was wrong for absolutely every part in the show. Of course that wasn't the case because we eventually hear the story about how Jonathan was giving Lin-Manuel Miranda shit for eating Sicilian style pizza at the Richard Rodgers so things worked out pretty well! Side note: Jonathan takes his Chicago pizza very, very seriously. Jonathan also has an incredibly moving debut experience, and talks about what it was like to play Aaron Burr for the first time. He explains his connection to Wait For It and how he carries his past with him as he moves forward. /// Jonathan on Instagram Jade Armor The Plate Show Podcast /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Jonathan Butler-Duplessis is currently in the Broadway company of Hamilton covering Aaron Burr, George Washington, and Mulligan/Madison.  Jonathan grew up in Chicago singing in church and  got his first break thanks (in part) to his grandmother's babysitting gig. He did a lot of community theatre but by the time he graduated from high school, he stopped performing. After a quick (not great!) experience at a Christian bible college, Jonathan had the opportunity to audition for the University of Illinois and he took it. He worked hard, he wanted to learn, he used the tools they gave him, and he kicked off his prolific career. Jonathan has this No Shortcuts mantra and it's definitely the vibe of his three episodes. From professional wrestling, to a metaphysical discussion of Beyonce's Renaissance, to his love of small details, it all seems to come back to how all of these things effect his performance in Hamilton and everything else he does. /// Jonathan on Instagram Jade Armor The Plate Show Podcast /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

As we wrap up our chat, Alexander Ferguson (Hamilton Broadway) takes questions from the fantastic Patreon Peeps. He explains why he thinks Hamilton isn't actually a history piece, talks about the characters he relates to the most, tells me why he turned down the opportunity to be on MasterChef, and speaks the truth about why our friends can be so inspiring. Alexander's Linktree Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

This week, Alexander Ferguson (Hamilton Broadway) talks about his experience taking a leave from the Broadway company to spend a few months on tour in Australia and New Zealand including adorable koalas, terrifying spiders, Flight of the Conchords, incredible restaurants, and loving audiences. And yes, we finally get to Alexander's impressions! We talk about his viral YouTube videos, how he figured out he could actually *do* so many impressions, and the many influences and inspirations behind his sense of humor. Plus, more about Alexander's animation, filmmaking, and other creative endeavors. Alexander's Linktree Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Alexander Ferguson has been with Hamilton since 2018. From the Angelica Tour to Broadway to Australia and New Zealand and back to Broadway again, he's been Man 5 and he's played Hamilton, Burr, King George III, Laurens/Philip, James Reynolds, and Philip Schuyler. A creator through and through, Alexander is also a talented impressionist, animator, and filmmaker. This week, Alexander explains his journey from regional theatre to Hamilton, including all the personal growth he's experienced along the way. Alexander's Linktree Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Brandee Danielle Huston loves being Hamilton Broadway's Hair Supervisor, but it wasn't an easy journey getting there. As Brandee tell us in this episode, things are a lot different for people of color, women, LGBTQ+ folks, and those in women-dominated fields. From poor work conditions to pay disparities to unpleasant interactions, there is inequity all over this industry. It's so important making someone feel confident going on stage, and the work is very personal, but that isn't always acknowledged. Since working at Hamilton, though, Brandee finally feels like she's been set up for success. Brandee tells us how she got there, and walks us through how she earned the trust of the cast as a white woman working with BIPOC hair. /// Brandee on Instagram Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

aBrandee Danielle Huston is currently the Hair Supervisor at Hamilton Broadway, and has been in the entertainment industry her entire life. She grew up in a 5th generation carnival concession business and has been working since she was two years old. Inspired by painting people's faces at carnivals, she started working in theatre, and when she saw that there was a job in fixing the Santa beards for the famous Rockettes show and she thought, "Why am I not doing THIS?!" Brandee did everything from pushing boxes backstage, electrical work, sound, handling props, driving a forklift, you name it... all while going to cosmetology school. There's not a guidebook for breaking into the industry and working with the unions but this episode is definitely a very good start. IATSE Yellow Cards /// Brandee on Instagram Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Tamar Greene (Hamilton Broadway's George Washington) is a classical trained pianist, an opera singer, a voice teacher, a founding member of Ham4Progress, and a guy who appreciates the revitalization that comes with embracing the unexpected. That's what his three episodes have been all about. Tamar started his career in music literally hiding behind a piano because it was easier on his stage fright. For years, he resisted accepting his vocal talent. So, he got a bachelor's degree in computer information systems but the music stuff was still nagging at him. On his way to class, he'd walk the halls of the music department, admiring the beautiful pianos and listening to other vocalists and thinking, "you know maybe I *could* make a living in music." Tamar embraced everything he was interested in and now he's accepted that he can be passionate about all of it. Being in bands like Bitchin' Kitchen means he learned, as he says "the business of the business." - traveling, booking, splitting the door money with the band, all that stuff. A degree in computer information systems means that he could put on concerts during lockdown without worrying about the tech side of things. So I guess what I'm saying is that Tamar Greene knows what he's talking about and he also walks the walk so you should take what he says to heart. This week, Tamar talks about performing orchestral versions of South Park Songs, his favorite SNOBs (Saturday Night on Broadway), leading with love, and he unexpectedly walks us through his Washington's mental and emotional arc leading up to One Last Time. Plus, Tamar talks about grappling with the colonizing slave owning history of the founding fathers, the power of a Black man playing George Washington, and how this ties into his role as an original member of Ham4Progress. Orchestral Versions of South Park Songs Mandy Gonzalez SNOB Sweeney Todd SNOB Jonas Kaufmann - Turandot, Atto III: "Nessun Dorma" /// #HamiltonCHI Episodes: Party in Chicago! Tamar Greene's Website Tamar Greene on Instagram Ham4Progress Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Tamar Greene (Hamilton Broadway's George Washington) talks about checking in with yourself to reassess and possibly change course, which can actually be very rejuvenating. In fact, that's what led him to musical theatre, from auditioning in stairwells to going out on tour and eventually landing on Broadway. Remember the guy who didn't think he could sing or make it professionally as a musician? Seems like a lifetime ago. And of course, we dive into his long history with Hamilton. He went from knowing nothing about the show and turning down tickets to see it, to winning the lottery and falling in love with it, then passing on a callback after years of auditions, to finally stepping into the role of Washington in Chicago and making the transition to Broadway. So get ready, because this week you're gonna hear about how Tamar made his way to acting on stage, something that has yet to come up in his long list of interests and career choices. #HamiltonCHI Episodes: Party in Chicago! Tamar Greene's Website Tamar Greene on Instagram Ham4Progress Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Tamar Greene, Hamilton Broadway's current George Washington, returns to The Hamilcast! Tamar was first on the podcast back in 2019 when I saw Hamilton in Chicago and threw a big party recording with the cast. Those are episodes 181-185 if you're interested. That party was so much fun but it's hard to do a deep dive with someone in those recordings, so it's always nice to be able to sit down one on one and really get into it... and that's exactly what's happening with Tamar because he's been on a JOURNEY.  Tamar's mother was a singer and a pianist who ended up retiring as a nurse, and his father was a DJ and promoter focusing on Jamaican artists. He owned a record store and threw parties and events in the community. Growing up, Tamar and his nine siblings all had to learn an instrument. He chose the piano because, as he says, it was easy to hide behind. Throughout Tamar's life, the people around him kept encouraging him to sing but he fought them every step of the way. Even as he was studying for his BA in Computer Information Systems (which he has, by the way), he found himself wandering the halls of the music department... always drawn to this life he didn't know how to live. Is it even possible to do music professionally? What does that look like? #HamiltonCHI Episodes: Party in Chicago! Tamar Greene - National Anthem at Chicago Bulls Game Othmar Schoeck - Rastlose Liebe, Tamar Greene (tenor) Bitchin Kitchen  // Tamar Greene's Website Tamar Greene on Instagram Ham4Progress Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Cristina is currently Hamilton Broadway's Assistant Wardrobe Supervisor, with over 20 years of experience and a lifetime of good taste in pretty much everything. So far we've talked about Hamilton, Shakespeare, temperamental fabrics, favorite silhouettes, clothes as self expression, boundaries of all kinds, backstage logistics, stage door stories, destroying the patriarchy… and we did it all referencing Mad Men, Damn Yankees, Taylor Swift, and 1994's cult classic Reality Bites. This week, Cristina is breaking down the structure of her work day and gives insight into all the different roles in the wardrobe department: dressers, day workers, accessories, shoes, hats, stitchers, repairs, you name it. You know how we always talk about how gorgeous the costumes are? It takes a lot of work to keep them that stunning! Plus, with more questions from the Patreon Peeps, Cristina talks about her love of Shakespeare, and gives advice on how to make a living doing what you love. New York Shakespeare Exchange Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Welcome to Cristina Lundy's second episode! Cristina is Hamilton Broadway's Assistant Wardrobe Supervisor and this week we're diving into what it means to work in wardrobe: Cristina explains how she got into the union, how she started working on Broadway, how she got the gig at Hamilton, and what it's been like working at a show with a lot of power and a lot of influence. From hidden costume details, to why the wardrobe department is the heart of the building, (plus a well timed and under appreciated reference to Damn Yankees), Cristina has great stories and even better advice. Because, as she says, it's not just about living the dream but living the life. New York Shakespeare Exchange Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Cristina Lundy is currently Hamilton Broadway's Assistant Wardrobe Supervisor. Cristina has been doing theatre since she was ten years old, and started working in her costume shop in college. But she's always been, as she says, “costuming herself” as a form of self expression. Cristina is also the artistic director of the New York Shakespeare Exchange, an independent Shakespeare company with a focus on inclusion and a mission to stop gatekeeping Shakespeare (even if you're the one gatekeeping yourself, which tends to happen with the Bard).  This week we talk about everything from the phenomenal clothes and aesthetic of Mad Men, to what makes a good director, the gospel of Taylor Swift, and we contributed to the endless effort to burn down the patriarchy… among other things. New York Shakespeare Exchange Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Julius Thomas III / @juliusthomas3 recently ended his time with Hamilton where he played the title character, Alexander Hamilton. Julius Thomas III is a NAACP Theatre award Nominated actor from Gary, In. He stars as Alexander Hamilton in the smash hit musical, Hamilton. He is one half of the critically acclaimed entertainment team, The Kings of Soul & Swing. Recently Julius has appeared as the lead of the mega box office hit, Motown: The Musical, as Berry Gordy. TV appearances include Modern Family, Sesame Street, Odd Mom Out, The Capitol Fourth Celebration, and more. His resume boasts 4 Broadway Show, 6 Broadway National Tours, and a host of Regional Theatre appearances. As a teaching artist, Julius has given lectures, master classes, and private lessons to students of Wichita State University, Indiana University, Cal State Fullerton, Southern Methodist University, and more. A passionate fan of the arts, Julius prides himself on passing on what he's learned to the performers of today, and tomorrow. http://www.juliusthomas3.com/ https://builtforthestage.com/ - fill out the form and ask about our next fitness challenge! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Julius Thomas III / @juliusthomas3 recently ended his time with Hamilton where he played the title character, Alexander Hamilton. Julius Thomas III is a NAACP Theatre award Nominated actor from Gary, In. He stars as Alexander Hamilton in the smash hit musical, Hamilton. He is one half of the critically acclaimed entertainment team, The Kings of Soul & Swing. Recently Julius has appeared as the lead of the mega box office hit, Motown: The Musical, as Berry Gordy. TV appearances include Modern Family, Sesame Street, Odd Mom Out, The Capitol Fourth Celebration, and more. His resume boasts 4 Broadway Show, 6 Broadway National Tours, and a host of Regional Theatre appearances. As a teaching artist, Julius has given lectures, master classes, and private lessons to students of Wichita State University, Indiana University, Cal State Fullerton, Southern Methodist University, and more. A passionate fan of the arts, Julius prides himself on passing on what he's learned to the performers of today, and tomorrow. http://www.juliusthomas3.com/ https://builtforthestage.com/ - fill out the form and ask about our next fitness challenge! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Join HPR All Things Considered Host Dave Lawrence as he welcomes the original Hamilton Broadway Producer, Jeffrey Seller, as the hit show takes the stage at the Neal S. Blaisdell Concert Hall in Honolulu! Hear about the show, his inventive approach to ticketing during the debut era of Rent that revolutionized the theater industry, and he offers some fun stories of working with Sting on his production The Last Ship.

We all know (or should know) about the famous duel between Alexander Hamilton and Aaron Burr. Mostly from the mega smash hit Hamilton Broadway play...However Madison is going to tell us exactly what happened.  - Find us on Instagram and Facebook Get an additional episode every week here!  All additional info and merch can be found here! - Content: 00:00 - Intro 05:11 - Start of Case 07:23 - Hamilton Background 09:39 - Distraction 12:26 - Back to Case 14:30 - Aaron Burr Background 15:37 - Start of Feud 24:41 - Lead Up To Duel 28:49 - Duel 36:28 - Post Duel 39:46 - Burr's Career 41:03 - Wrap Up - Intro by the amazing Rux Ton - Logo by Sloane of The Sophisticated Crayon - SOURCES: https://en.wikipedia.org/wiki/Burr%E2%80%93Hamilton_duel    https://www.history.com/this-day-in-history/burr-slays-hamilton-in-duel    https://www.britannica.com/event/Burr-Hamilton-duel    https://www.britannica.com/list/10-things-you-need-to-know-about-the-hamilton-burr-duel-according-to-hamiltons-burr  https://www.hamiltonburr.org/duel/

Broadway's Johanna Moise discusses what new things she learned about Hamilton by being in the room where it happens, gives a track-by-track break down of who does what as Woman One through Woman Five on and off stage, explains how she keeps so many roles fresh in her mind, and more as she takes questions from the Patreon Peeps. Ma Rainey's Black Bottom on Netflix Secret Magic Control Agency on Netflix Johanna Moise Johanna on Instagram Johanna on TikTok Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Hamilton Broadway's Johanna Moise recounts how she went from growing up in Florida, to chasing her dreams as a Hamilton super fan to join the cast on Broadway straight out of high school, and tells all about her first encounters with the creatives, cast, and crew.   Ma Rainey's Black Bottom on Netflix Secret Magic Control Agency on Netflix Johanna Moise Johanna on Instagram Johanna on TikTok Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

In today's episode, I am interviewing a dear friend, Lily Ling, who is music director and conductor of the Hamilton Broadway show. I was connected with Lily through the mentorship program offered by the Maestra Music, an organization supporting women and non-binary musicians working in musical theater. They offered a lot of great webinars during the pandemic, and I was fortunate to be accepted into their program as a first cohort mentee. Full disclosure, I am not terribly familiar with the industry or practices of musical theater, but through Maestra Music I have made friends in the field. In my conversation with Lily, you will hear me asking lots of questions based on my assumptions of the profession, and her insider responses and her genuine sharing are just something that I love about her as a person and a great musician.Lily Ling is a Toronto based musician and the current Music Director and Conductor for the And Peggy tour of Hamilton. She is the first female to hold the title of Music Director and also the first person of East Asian descent to conduct the production. Most recently, Lily served as the Vocal Music Coordinator for the Netflix movie adaptation of 13: The Musical.  Other theatrical credit highlihts include Music Director and Conductor for 20th Anniversary Off-Broadway revival of john & jen and Associate Music Director and Vocal Coach for the Chinese language premiere of The Lion King. She holds a BMus in Piano Performance from the University of Toronto and an MFA in Music Direction from Penn State University. She is currently pursuing a Doctor of Education degree in Music and Music Education at Teachers College, Columbia University.

In part three Krystal Joy Brown talks about her favorite parts of the job, why she loves playing roles based on real people, how she learned to love writing, the importance of representation in theatre, and why she believes why access to mental health care is vital for the industry as it seeks to change the way it cares for artists. EPISODE TRANSCRIPT CASA Vote Riders New York Immigration Coalition Unlikely Heroes The Equalizer on CBS How We Do This podcast She-Ra and the Princesses of Power  Broadway Impact Krystal Joy Brown Linktree Krystal on Twitter Krystal on Instagram  Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps 

In part two, Krystal Joy Brown discusses how she balances her mental health and daily routine to give her all as Eliza on Broadway, the shows that inspired her to pursue a life in theater, growing up in Virginia, her journey to The American Musical and Dramatic Academy, and joining the Hamilton family. EPISODE TRANSCRIPT T.I. - Live Your Life How We Do This podcast She-Ra and the Princesses of Power  Broadway Impact Krystal Joy Brown Linktree Krystal on Twitter Krystal on Instagram  Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps  

Krystal Joy Brown discusses the upcoming re-opening of Broadway, her visit to Good Morning America, the work happening behind-the-scenes at Hamilton over the last year, why seeing yourself on stage matters, and the importance of investing in artists doing the work to make theatre a better experience for all. EPISODE TRANSCRIPT Broadway shows to reopen - Good Morning America How We Do This podcast She-Ra and the Princesses of Power  Broadway Impact Krystal Joy Brown Linktree Krystal on Twitter Krystal on Instagram  Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

In part three, Jonathan Groff takes questions from the Patreon Peeps, reflects on his roles in Looking, Spring Awakening, and Frozen, talks about why the stage door is important to him, and explains how Little Shop of Horrors was an out of body experience. EPISODE TRANSCRIPT Little Shop of Horrors (The New Off-Broadway Recording) Jonathan Groff Channels His Inner Sutton Foster to Perform "Anything Goes" The Wild Party Off-Broadway Cast Recording Frozen on Disney+ Hamilton on Disney+ Mindhunter on Netflix Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Jonathan Groff reflects on what it was like to be part of the show as Hamilton on Broadway's popularity grew, navigating multiple busy shooting schedules from Mindhunter to the Tony awards, and the Hamilton live capture, and reveals his favorite places to hide out in the Richard Rodgers Theatre. EPISODE TRANSCRIPT Hamilton on Disney+ Mindhunter: Inside the FBI's Elite Serial Crime Unit Mindhunter on Netflix I Love Lucy - Headdress Drama Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Broadway's original King George III, Jonathan Groff, tells the story of how he met Lin-Manuel Miranda, how he became a part of the Hamilton cast, taking over Off Broadway for Brian d'Arcy James. Plus: how he found his inspiration for the role and stories from backstage. EPISODE TRANSCRIPT Hamilton on Disney+ Lin-Manuel Miranda on The Hamilcast Heights Cool Musical Too (Bet On It) Barbra Streisand - "When The Sun Comes Out" Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Hamilton Broadway's associate company manager Holli Campbell joins me to talk about what has been happening  behind-the-scenes of Hamilton since the shutdowns, how the various Hamilton companies have been keeping in touch in 2020, and recounts her time as the company manager for Freestyle Love Supreme on Broadway. Holli Campbell on The Hamilcast: #116, #117 The Actor's Fund Broadway Advocacy Coalition Freestyle Love Supreme Vote Riders Holli on Twitter Holli on Instagram Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

In part two of our conversation Brandon Victor Dixon tells all in #BurrsCorner, we discuss the ways social justice work and arts meet, the importance of getting involved and working to get out the vote, Brandon reflects on his postshow plea to the VP-elect four years later, and BVD takes questions from the Patreon Peeps. WalkRunFly I Can't Breathe I Will Vote Vote Riders When We All Vote The Big Send Mi Familia Vota We Are Foundation We Are Foundation on Instagram Brandon Victor Dixon on Instagram Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Brandon Victor Dixon joins me to discuss his time as Burr on Broadway, takes us back to his early workshop audition, tells how he later came to be part of the show just weeks after closing his Tony nominated performance in Shuffle Along, and Brandon dissects Burr's Judas complex. We Are Foundation Heaven Help Us All - Stevie Wonder Jesus Christ Superstar Live in Concert I'll Cover You (reprise) - Brandon Victor Dixon I Will Vote Vote Riders When We All Vote The Big Send Mi Familia Vota Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

This is the second half of my chat with Hamilton Broadway's Deon'te Goodman (Ensemble and cover for George Washington/Hercules Mulligan/James Madison/and Aaron Burr). We go in even more in his Hamilton journey, and then take deep dives into EACH of the characters he plays. You do not want to miss this. Enjoy!! Freedom Riders and Bayard: https://www.facebook.com/FREEDOMRIDERSbayard/

This week is my first episode with Hamilton Broadway's Deon'te Goodman (Ensemble and cover for George Washington/Hercules Mulligan/James Madison/ and Aaron Burr)! We talk about his training in classical music, how he chooses roles that lead to important conversations, his audition process for Hamilton, and so much more! Come hang!!  Kyle Scatliffe episode #202 “Me for Me” from Bayard: A New Musical https://www.facebook.com/FREEDOMRIDERSbayard/videos/614201272411164/   Bayard Rustin:  https://kinginstitute.stanford.edu/encyclopedia/rustin-bayard https://www.biography.com/activist/bayard-rustin https://www.history.com/news/bayard-rustin-march-on-washington-openly-gay-mlk http://rustin.org/   Freedom Riders and Bayard: https://www.facebook.com/FREEDOMRIDERSbayard/   “Nothin' But Nothin'” from Freedom Riders: The Civil Rights Musical https://www.youtube.com/watch?v=iT5VL2_rkuQ&list=TLPQMTEwMTIwMjD87X5wQBIQXg&index=1   Photo with Daveed Diggs https://www.instagram.com/p/BWyPIaQDfFm/   Sam Smith - I'm Not the Only One https://www.youtube.com/watch?v=nCkpzqqog4k

This week wraps up my completely joyous chat with Jennie Harney-Fleming (Hamilton Broadway's Angelica/Eliza/Peggy cover)! We go in on how she prepares to play each sister, working with Carvens Lissaint on his Target Practice album, and of course... more Bob's Burgers! Come hang!!   Jennie Harney-Fleming singing “Black Coffee.” https://www.youtube.com/watch?v=k8UavOcxQRk   Carvens Lissaint - Can We Be Free (feat. Jennie Harney-Fleming) https://www.youtube.com/watch?v=F1BxwmzVYx8   Target Practice by Carvens Lissaint https://www.spdbooks.org/Products/9781947312005/target-practice.aspx   Alpine Theatre Project: http://www.atpwhitefish.org/

This week kicks off my INCREDIBLE episodes with Jennie Harney-Fleming (Hamilton Broadway's Angelica/Eliza/Peggy standby)! This week we talk about her Brooklyn roots and passion for teaching, making her debut in Hamilton on Broadway and then immediately being flown out to San Fransisco, and her journey to making her Broadway debut in The Color Purple! Enjoy!!   Spirits of Christmas from Bob's Burgers https://www.youtube.com/watch?v=Lud3bgEJeTg   The Oz Project https://www.youtube.com/watch?v=oUi9Yg6TYy4

Part Two of my hang with Austin Scott (Hamilton Broadway's Alexander Hamilton) is here! Austin is taking a deep dive into Alexander Hamilton himself: was he really a womanizer? How did it all change between Hamilton and Burr? What is going through his mind during the final duel? Not to mention Eliza's final moment! We also talk Austin's appearance on FX's Pose, how crystals and meditation are his self care, and how much he loves the stage door.

Austin Scott (Hamilton Broadway's Alexander Hamilton) is on the pod this and next week! This week we're talking all about the Cabinet Battles, we show love for Andy Blankenbuehler and Thomas Kail, and learn why people at the Richard Rodgers confuse Austin for Nik Walker. We also have a super real conversation about slavery and the many flaws of The Founding Fathers. “They Found Hell” https://www.imdb.com/title/tt5113926/ “Prep School” https://www.imdb.com/title/tt2577668/ Does the Dog Die? https://www.doesthedogdie.com/ Freestyle Love Supreme now on Broadway! https://freestylelovesupreme.com/ The Reynolds Pamphlet https://founders.archives.gov/documents/Hamilton/01-21-02-0138-0002 Hamilton's “Best of Wives, Best of Women” letter https://founders.archives.gov/documents/Hamilton/01-26-02-0001-0248 As plantations talk more honestly about slavery, some visitors are pushing back via The Washington Post https://www.washingtonpost.com/history/2019/09/08/plantations-are-talking-more-about-slavery-grappling-with-visitors-who-talk-back/

Wrapping up my hangout with Marc delaCruz we take questions from the Patreon Peeps, talk about the massive impact of Hamilton around the world, and the importance of telling your story. 

In Marc's second episode, Marc talks about how it still doesn't feel real that he's in Hamilton. He also tells me about the pressure and responsibility of playing Hamilton on Broadway and we have a long and meaningful conversation about the importance of representation. Marc opens up about growing up as an Asian-American and how the lack of representation played a large role in how he saw himself and others. 

Marc de la Cruz recently made history as the first ever Asian American actor to play the role of Hamilton on Broadway. After falling in love with In the Heights and realizing what was possible on Broadway, he wondered if he'd ever get the chance to work with The Cabinet and SPOILER it's happening!! In Marc's first episode, we talk about his journey to Broadway and his experiences with High School Musical, If/Then, and Allegiance.  via YouTube OnQ Talent Agency Published on Nov 23, 2014 Allegiance features music and lyrics by Jay Kuo, book by Marc Acito, Kuo and Lorenzo Thione, direction by Stafford Arima, choreography by Andrew Palermo and music supervision, arrangements and orchestrations by Lynne Shankel.

Euan Morton (KGIII in Hamilton Broadway) is back again this week! We talk Taboo, Hedwig and the Angry Inch, Doctor Who, and tons of Hamilton stories including forgetting King George III's crown (twice!) and how Euan will occasionally fangirl over his fellow castmates at the stage door. Grand Canyon Trust https://www.grandcanyontrust.org/  

Euan Morton, Hamilton Broadway's current King George III stops by for some conversation, cocktails, and general mischief. We laugh our way through everything from his Hamilton audition to Wayne Newton. Enjoy part one!    Iain Loves Theatre's Rewrite of Hamilton performed by Lin-Manuel Miranda and Leslie Odom Jr: https://www.youtube.com/watch?v=1yqXlN7NdG4   Wayne Newton - Danke Schoen (1968) Live: https://www.youtube.com/watch?v=LRPILZS1hc8      

The theme of Kurt Crowley's third episode (and all of his episodes, really) is "beautifully nerdy." We talk Kurt's impeccable mashups, conducting big moments in the show (the big WAITs in "Wait For It" and that final moment with Eliza), and Kurt gives advice for anyone who wants to be a Broadway musician.     

Kurt Crowley is back for round two and this week we're talking about how Hamilton has its very own Department of the Treasury (aka the music department) and how they are - still! - constantly making sure the music is on the up and up. Kurt also gives insight into the rehearsal process now that HamFans are being cast in the show and they have to unlearn the album, which is a lot harder than you may think. AND! Kurt goes in on the "Toronto/Company Screams in Chaos" part of "The Room Where it Happens" to make sure we know *exactly* when to chime in with our approved location.   

Kurt Crowley, Hamilton Broadway's music director, kicks of 2019 with three mindblowing episodes. In this first episode Kurt pulls back the curtain on the #SNOB tradition (Saturday Night on Broadway), tells stories from the earliest days of Hamilton, goes in on his friendship/working relationship with Alex Lacamoire, and plays tons of motifs and musical gems because OF COURSE I MADE SURE THE KEYBOARD WAS PRESENT!

YOU GUYS LIN-MANUEL MIRANDA DJ'D DEANNA'S WEDDING AND SHE TELLS THE WHOLE STORY AND IT'S AMAZING. We also talk about Deanna's fantastic problem solving skills, how to balance work and friendship, and The Naked Wall™ (yes it's a thing and yes you get all the details!).   

Hamilton Broadway's assistant stage manager, Deanna Weiner, is back again with more stories from the early development stages of the production. From Lin-Manuel Miranda padding around in his slippers to the importance of a Burger King crown for director Tommy Kail, Deanna was actually in the room where it happened. 

Deanna Weiner, the assistant stage manager for Hamilton on Broadway, is here to blow your mind. Deanna has been with the show since the early workshop days at The Public (we're talking 2013, fam) and has so much intel it's crazy. This episode covers Deanna's journey to Hamilton (oh hai Meryl Streep and Brian Cox and Stephen Sondheim and Ariana Grande to name a few) and how being randomly assigned to work on reading of a little thing called The Hamilton Mixtape changed her life.  HAMILTON Ham4Ham 9/11/15 “Love for the Techies Day” with the entire company (filmed by Howard Sherman): https://www.youtube.com/watch?v=XqE-mGI5OaM