Podcasts about Gavroche

Les Misérables by Victor Hugo单词提示1.splash 落水声原文Chapter 6: The BarricadesIt is a long night at the barricade in the Rue de la Chanvrerie.The news is bad.More and more soldiers are arriving in the city, but the people stay in their homes.This time, they don't want to fight the government, only the students are still at the barricades waiting for the soldiers, bullets and death.Then a new man arrives at the barricade, a big man in dark clothes.Mario stares,it is Cosette's father, he is certain.Is he a friend or an enemy, who knows?Inside the tavern, Javert, too, waits for death.Rebels shoot spies, he knows that.Does he think about his life? Waiting there in the tavern? Is the law always right? Can a criminal change and be a good man?Does Javert ask these questions, who knows?Daylight comes and the shooting begins.“Rat ta tat, rat ta tat, rat ta tat…”, on the barricade, noise and shouting, cries and screams.Valjean saves Jean Enjolras's life.Two men die,Valjean carries the bodies into the tavern, sees Javert and Javert sees him.Then the shooting stops.The Rebelsneed more bullets, and Gavroche runs out to the front of the barricade.“Come back, Gavroche!”, he doesn't listen and start singing.There are dead soldiers lying in the street, Gavroche takes the bullets from their bags and puts them into his bag.He is small and quick, and his bag is nearly full before the soldiers start shooting at him.“Come back, Gavroche!”, he sings louder, but the fifth bullet hits him and he falls down in the street.He moves once, then falls back.Gavroche is dead.A child of the Paris streets, his singing now stopped forever,just another dead body in the rebellion.Smoke from the guns is everywhere, it is hard to see anything, but Marius runs out into the street, picks Gavroche up and runs back.He puts the small body on a table in the tavern and cries.It is going to be a long day.Behind the barricade, Enjolras talked to the men.“They're going to attack again soon, 60 soldiers to every one of us. Mariusand I are your two leaders, Gavroche brought us bullets, so let's use them well and fight to the end.” “Let's kill the spy now.” said one of the men.Then Valjean spoke, “give him to me. I can do that for you. I'd like to shoot him.”Enjolras looked at him, “You saved my life, friend. You can have the spy.”Valjean took Javert out of the tavern to a little street behind.He took out a knife.“Oh, a knife,” said Javert, “of course, a criminal's way to kill,so kill me and be quick.”Valjean said nothing.He cut the ropes around Javert's arms and legs, then stood up and said “You're free to go.”Javert stared,he could not understand this.“I live in the Rue de l'Homme-Armé. The next time we meet, you can arrest me. Now, go.”Javert turned and walked away.Valjean fired his gun into the air, then went back to the barricade.“It's done.”he told Enjolras.Now the second attack began.The government had more men, more guns, more bullets, and one by one the students began to die.Marius was on top of the barricade.He was one of the last men still alive, but then 1, 2 bullets hit him, and he fell.Two great hands at once, picked him up.Cosette whispered Marius, and then he went into that dark night.Jean Valjean knew Paris well, knew its little back streets, its secret places.He used them now with the dead or dying Marius in his arms.He ran through the back street, watching at every corner.Night came, and the sky was full of the smoke from the guns.Valjean stopped to rest, in Marius's pocket, he found a piece of paper, “Take my body to my grandfather's house.”The address was in the Le Marais, not far away.Valjean began to pick up Marius's body again, and a hand came down hard on his shoulder.Valjean turned, Javert stood behind him.“What are you doing here,” he said, “who is this man?”Valjean stood up.“Inspector Javert,” he said, “I told you I'm tired of running and hiding. You can arrest me, put me back in prison. I ask just one thing, help me to take this young man home, that is all.”“He's dead,”said Javert.“No, not yet,he lives in the Le Marais with his grandfather. Look…”He showed Javertthe piece of paper.Javert read the address, then called to a carriage along the street.They put Marius's body on the back seat and sat side by side on the front seat.At the house of Marius's grandfather, a servant opened the door.She gave a little scream when she saw Marius in Valjean's arms.“It's Monsieur Marius, take the boy in,” said Javert, “I'm waiting for you here at the door.”His voice was different.Uncertain,Valjean looked at him, then carried Marius's body into the house.“Call a doctor quickly!” he said to the servants, “He was out the barricade and has two bullets still in him.”Then he came back downstairs and out into the street.Javert was gone.Valjean looked up and down the street, nothing, nobody.Down by the River Seine, near the Place du Chatelet, Javert stoodon the bridge, looking down into the water.“What must I do?” he thought, but for the first time in his life he had no answer.Valjean's words at the barricade went through his head again and again,“You're free to go, free to go, free to go.”“I can do one of two things,”Javert said to the river, “I can arrest him or I cannot arrest him and say you are free to go. But the law is the law, so I must arrest him. But he gave me my life, so I must give him his life. But the law is the law.”And a voice in Javert's head said, “You worked for the law all your life, but Jean Valjean is a better man than you are.”For a long time, Javert stared down at the river, but the river gave him no answer to his question.Then he took off his hat and put it carefully on the ground.A moment later, he stood high on the bridge, then fell down into the dark river.There was a splash,and that was all.翻译第六章：街垒在尚夫雷里街的街垒，这是一个漫长的夜晚。局势很不妙。越来越多的士兵正在涌入这座城市，但普通百姓都躲在家里不敢出来。这一次，他们不想再反抗政府了。只有那些学生们依然坚守在街垒，等待着士兵、子弹和死亡。这时，街垒上来了一个陌生人，一个穿着深色衣服的高大男人。马吕斯死死盯着他，他确信那是珂赛特的父亲。他究竟是敌是友，谁又知道呢？在酒馆里，沙威也在等待着死亡。他知道，起义者们是会枪毙密探的。在酒馆里苦等的时候，他有没有思考过自己的人生？法律永远都是绝对正确的吗？一个罪犯真的能改邪归正，成为一个好人吗？沙威会问自己这些问题吗？谁又知道呢？天亮了，枪声随之响起。“哒哒哒，哒哒哒，哒哒哒……”街垒上充斥着巨大的噪音、呼喊声和惨叫声。冉阿让救了安灼拉的命。两名起义者牺牲了，冉阿让把他们的遗体抬进酒馆，他看见了沙威，沙威也看见了他。随后，枪声短暂地停歇了。起义者们需要更多的子弹，加夫罗什冲到了街垒的最前面。“回来，加夫罗什！”但他根本不听，反而唱起了歌。街上有几具士兵的尸体，加夫罗什从他们的弹药袋里掏出子弹，装进自己的口袋里。他身形娇小，动作敏捷，在士兵们开始向他开枪之前，他的口袋几乎已经装满了。“回来，加夫罗什！”他唱得更大声了，但第五颗子弹击中了他，他倒在了街上。他挣扎着动了一下，然后重重地倒了下去。加夫罗什死了。这个在巴黎街头长大的野孩子，他的歌声永远地停息了，他成了这场反叛中又一具冰冷的尸体。到处弥漫着枪炮的硝烟，什么都看不清。但马吕斯还是冲到了街上，抱起加夫罗什，又跑了回来。他把那小小的身躯放在酒馆的桌子上，痛哭失声。这将是漫长的一天。在街垒后方，安灼拉对众人说道：“他们很快又会发起进攻。敌军人数是我们的六十倍。马吕斯和我是你们的领袖，加夫罗什为我们弄来了子弹，让我们好好利用它们，战斗到最后一刻。”“现在就把那个密探毙了吧！”其中一个人喊道。这时，冉阿让开口了：“把他交给我吧。我来替你们解决，我想亲自枪毙他。”安灼拉看着他：“朋友，你救过我的命。你可以处置这个密探。”冉阿让把沙威从酒馆里带出来，走到后面的一条小巷。他掏出了一把刀。“哦，用刀啊，”沙威说，“当然，这是罪犯杀人的方式。那就杀了我吧，快点。”冉阿让一言不发。他割断了绑在沙威手脚上的绳子，然后站起身说：“你自由了，走吧。”沙威死死盯着他，完全无法理解这一切。“我住在武人街7号。下次我们再相遇，你可以逮捕我。现在，走吧。”沙威转过身，走了。冉阿让朝空中开了一枪，然后回到了街垒。“解决了。”他对安灼拉说。现在，第二次进攻开始了。政府军拥有更多的人、更多的枪和更多的子弹，学生们开始一个接一个地倒下。马吕斯站在街垒的最顶端。他是最后几个还活着的战士之一，但紧接着，一两颗子弹击中了他，他摔了下去。一双宽大的手瞬间将他接住。“珂赛特……”马吕斯喃喃低语，随后便陷入了无尽的黑暗。冉阿让对巴黎了如指掌，熟悉每一条幽暗的后巷和隐秘的角落。此刻，他正抱着垂死的马吕斯，在这些小巷中穿梭。他背着马吕斯在暗巷中狂奔，在每个拐角处都警惕地观察着。夜幕降临，天空中弥漫着火药的浓烟。冉阿让停下来稍作休息，他在马吕斯的口袋里摸到了一张纸条：“把我的遗体送到我祖父家。”地址在玛黑区，离这里不远。冉阿让重新背起马吕斯，突然，一只大手重重地拍在了他的肩膀上。冉阿让猛地回过头，沙威就站在他身后。“你在这里干什么？”沙威问，“这个人是谁？”冉阿让站起身。“沙威警长，”他说，“我告诉过你，我已经厌倦了东躲西藏。你可以逮捕我，把我重新关进监狱。但我只有一个请求：帮我把这个年轻人送回家，仅此而已。”“他已经死了。”沙威说。“不，还没死。他和祖父住在玛黑区。你看……”他把那张纸条拿给沙威看。沙威看了看地址，然后向街上叫来了一辆马车。他们把马吕斯放在马车后座上，两人并肩坐在前排。在马吕斯祖父的家门前，一个女仆打开了门。当她看到马吕斯躺在冉阿让的怀里时，忍不住发出一声尖叫。“是马吕斯少爷，快把少爷抬进去，”沙威说，“我就在门口等你。”他的声音听起来有些异样。冉阿让疑惑地看了他一眼，然后抱着马吕斯走进了屋子。“快叫医生！”他对仆人们说，“他刚从街垒上下来，体内还留着两颗子弹。”随后，他走下楼，回到了街上。沙威已经不见了。冉阿让环顾街道的两头，什么也没有，什么人也没有。在塞纳河畔、沙特雷广场附近，沙威正站在桥上，低头凝视着脚下的河水。“我该怎么办？”他想，但这是他一生中第一次找不到答案。冉阿让在街垒上说的话在他脑海中一遍又一遍地回荡：“你自由了，走吧，自由了，走吧。”“我只能做两件事中的一件，”沙威对着河水喃喃自语，“要么逮捕他，要么不逮捕他，告诉他‘你自由了'。但法律就是法律，所以我必须逮捕他。但他给了我一条命，所以我必须还他一条命。可是，法律就是法律啊。”沙威的脑海中有一个声音在说：“你一生都在为法律效劳，但冉阿让比你更是一个高尚的人。”沙威久久地凝视着脚下的河水，但河水并没有给他任何答案。然后，他摘下帽子，小心翼翼地放在地上。片刻之后，他站在高高的桥栏上，纵身跃入了黑暗的河水中。只听“扑通”一声水响，一切便归于死寂。

Les Misérables by Victor Hugo单词提示1.barricades 路障2.bullet 子弹3.Arsenal 军火库4.tavern 酒馆原文Chapter 5: Love and RebellionSo what is Marius's idea?It is this.He wants to marry Cosette, but he has no money, his grandfather has money.He must ask his grandfather, but his grandfather is an old man, and old men's ideas do not change easily.He shouts at Marius, Marius shouts back, and that is the end of that.The next evening, he goes as usual to the Rue Plume.There is nobody in the garden.The house is dark, the windows are closed, Cosette and her father are gone.Marius cannot live without Cosette.He wants to die, but Gavroche tells him that his friends need him.It is June 1832, and students and workers are running through the streets of Paris, bringing rebellion to the city and everyone must fight the government.Marius is soon at the barricades with a gun in his hand.He is happy, death can come at any moment with a bullet from a soldier's gun.These are dangerous times.Jean Valjean sees Inspector Javert in a street near the Rue Plume.What is he doing there? Are the police watching his house?Valjean does not wait the same night, he and Cosette leave Rue Plume.They moved to 7 Rue de l'Homme-Armé and begin to get ready for England.How can love find a way in these troubled times?When the soldiers attacked in front of the Arsenal building, the people turned and ran this way and that way through the streets of the city.Marius and his friends came to the Rue de la Chanvrerie, and they built their barricade there.It was, 2 meters high, made of wood and stone.Behind their barricade, the rebels waited for the soldiers.Night came,but nothing happened.Enjolras was the leader of the students, he called Gavroche to him.“You're small,”he said, “nobody sees you. Go and have a look round the city, and then bring us any news.”Just after midnight, Gavroche was back.“The soldiers aren't moving,” he said, “but there are a lot of them.”He stopped suddenly and whispered, “Hey, who's that? That tall man over there?”Enjolras and Marius turned to look.“I don't know him.” said Marius.“People are coming and going all night,” said Enjolras, “Why?Gavroche, do you know him?”“Yes,”whispered Gavroche, “he's not one of us, he's a spy, a police spy, name of Javert. He stopped me once down by the river, put me in prison all night.”“Are you certain about this, Gavroche?” said Marius.“I'm certain right,”said Gavroche “he's a spy.”The rebels did not like spies.Four of Enjolras's men jumped on Javert, pulled him into the tavern behind the barricade, and tied him to the wall.“Louise, shoot him now?” asked one of the men.“Later?” said Enjolras, “he can wait.”They went back outside to the barricade, and listened for the sound of soldiers.Gavroche found Marius at the far end of the barricade.“Marius,” he whispered, “on my way back here, I came past your rooms and went in.”“Why?”whispered Marius.“I was hungry,” said Gavroche, “the woman in your house is nice.She always gives me something to eat. But she had a letter for you. She gave it to me. It came two days ago, she said.”“A letter, a letter from whom?”Suddenly,there was hope in Marius's heart.“Quick, give it to me.”The letter was from Cosette.“My dearest father says we must leave at once. We go tonight to 7 Rue de l'Homme-Armé, and soon to England. Oh,my dear, how can I live without you? Cosette.”Marius read this letter four times and then kissed it.She still loved him.He must write back to her and say his last goodbye.There was still no sound of soldiers in the street.He found some paper and a pencil.“Cosette dearest, I came to the Rue Plume, but you were gone already. We cannot marry. I went to my grandfather, and he said no. I have no money, and you have no money. I love you, I can never forget you. The fighting begins here very soon. When I am dead, don't be sad. Our love was beautiful. Marius.”He called to Gavroche,“I want you to take this letter to the Rue de l'Homme-Armé. Can you do that for me?”“Yes, but, but now…” said Gavroche, “I am staying here for the fighting, I can shoot too, you know?”“Gavroche,you're just a boy, we don't want you to die in the fighting, stay away from the shooting. And this letter is very important to me. It must go now. I want you to put it into Cosette's hands. Please, Gavroche.”“Oh, very well.”said Gavroche.He took the letter, put it inside his shirt, and ran off into the dark.When Valjeanand Cosette left the house in Rue Plumet, Cosette was very sad.Valjean saw this, but he said nothing.In the Rue de l'Homme-Armé, Cosette stayed in her bedroom, Toussaint took her meals up to her in the night.Valjean could not sleep.The city was quiet, but for how long?He went outside the house and stood in the street, listening.There were voices in the next street, and then he heard singing, a boy singing.Gavroche came up the street, looking at the house numbers.He saw Valjean and stopped.“Well, young man, watch the news,” said Valjean,“The news is now I'm hungry.” said Gavroche.Valjean put his hand in his pocket and found a five-franc piece.Gavroche stared at it.He didn't see many five-franc pieces, and he was very pleased to see this one.He put it in his pocket.“You're all right,” he said, “Do you live in this street? Do you know number 7?”“What do you want with number 7?” said Valjean.“Letter for someone.” said Gavroche.“A woman?”Valjean stared at him.He felt cold.“A woman.”“Cosette”, he remembered once, the young man in the Luxembourg, he tried to smile.“That's the letter for Cosette,” he said, “I'm waiting for it.”“Yes, that's her. Well, here you are.” said Gavroche, “It comes from the barricade in the Rue de la Chanvrerie. I'm going back there now. Goodnight, monsieur.”Jean Valjean went back into the house with Marius's letter.He read it quickly.“I love you, I can never forget you…”So Cosette, his dear, dear daughter, was in love, she was his world.Without her, his life was nothing, he could not even think about it.“When I am dead, don't be sad”, those words gave him hope.So the young man was one of the rebels at the barricade.“When the soldiers start shooting,” he thought, “that's the end of all the rebels. I do nothing, I say nothing, I keep this letter and poof, nothing changes in our lives.”But Valjean did not feel easy, he remembered all their happy years as father and daughter.And he saw again Cosette's sad eyes, when they left the Rue Plumet.How could he take her away to England?He turned and went out of the room.A little later, he left the house wearing dark clothes and carrying a gun, and walked away down the street.翻译第五章：爱与反叛那么，马吕斯的计划究竟是什么呢？其实很简单。他想娶珂赛特，但他身无分文，而他的祖父却很有钱。他必须去求祖父，但祖父是个老人，而老人的观念是很难改变的。祖父冲他大吼，马吕斯也毫不退让地顶嘴，结果可想而知，谈话不欢而散。第二天傍晚，他像往常一样来到普吕梅街。花园里空无一人。整栋房子漆黑一片，窗户紧闭，珂赛特和她父亲已经搬走了。没有珂赛特，马吕斯根本活不下去。他万念俱灰，只想一死了之，但加夫罗什告诉他，他的朋友们需要他。那是1832年6月，学生和工人们涌上巴黎的街头，将反叛的火种播撒到整座城市，所有人都起来反抗政府。很快，马吕斯便手持火枪，站在了街垒之后。他感到一种悲壮的决绝，因为士兵的子弹随时都可能夺走他的生命。这是一个动荡危险的时代。冉阿让在普吕梅街附近的一条街上看见了沙威警长。他在那儿干什么？警察是不是在监视他的住处？冉阿让没有等到天亮，当晚便带着珂赛特离开了普吕梅街。他们搬到了武人街7号，并开始为前往英国做准备。在这样的乱世之中，爱情该何去何从？当士兵们在兵工厂大楼前发起进攻时，人群四散奔逃，在城市的街巷中四处乱窜。马吕斯和他的朋友们来到了尚夫雷里街，在那里筑起了一座街垒。街垒有两米多高，由木头和石头堆砌而成。在街垒后方，起义者们严阵以待，等待着士兵的到来。夜幕降临，但什么也没有发生。安灼拉是学生们的领袖，他把加夫罗什叫到身边。“你个子小，”他说，“没人会注意到你。去城里侦察一下，然后把消息带回来。”刚过午夜，加夫罗什就回来了。“士兵们还没行动，”他说，“但人非常多。”他突然停下脚步，压低声音说：“嘿，那是谁？那边那个高个子男人？”安灼拉和马吕斯转头望去。“我不认识他。”马吕斯说。“整晚都有人在街垒周围走来走去，”安灼拉说，“怎么回事？加夫罗什，你认识他吗？”“认识，”加夫罗什悄声说，“他不是我们的人，是个密探，警察的密探，名叫沙威。他有一次在河边把我拦住，把我关了一整夜。”“你确定吗，加夫罗什？”马吕斯问。“我百分之百确定，”加夫罗什说，“他就是个密探。”起义者们最痛恨密探。安灼拉手下的四个人猛扑向沙威，把他拽进街垒后面的酒馆，牢牢地绑在墙上。“路易，现在就把他毙了吗？”其中一个人问。“晚点再说，”安灼拉说，“他可以先留着。”他们回到街垒外，继续倾听是否有士兵逼近的脚步声。加夫罗什在街垒的尽头找到了马吕斯。“马吕斯，”他低声说，“我回来的路上，经过你的住处，就顺便进去了一趟。”“去干什么？”马吕斯问。“我饿了，”加夫罗什说，“你屋里的那个女人人挺好的，总是给我点吃的。不过她有一封给你的信。她说那是两天前到的，就交给了我。”“一封信？谁的信？”马吕斯的心里突然燃起了一丝希望。“快，给我！”那是珂赛特写来的信。“我最亲爱的父亲说我们必须立刻离开。我们今晚就要搬到武人街7号，很快就会去英国。哦，亲爱的，没有你我该怎么活？珂赛特。”马吕斯把信读了四遍，然后深深地吻了它。她依然爱着他。他必须给她写封回信，作最后的道别。街上依然没有士兵的动静。他找来纸笔。“我最亲爱的珂赛特：我去了普吕梅街，但你们已经走了。我们无法结婚了。我去求了祖父，但他拒绝了。我没有钱，你也没有。我爱你，我永远无法将你忘记。这里的战斗马上就要打响了。当我死后，请不要悲伤。我们的爱是美好的。马吕斯。”他叫来加夫罗什：“我想让你把这封信送到武人街。你能帮我这个忙吗？”“能是能，但现在……”加夫罗什说，“我要留在这里参加战斗，你知道吗，我也能开枪的？”“加夫罗什，你只是个孩子，我们不想让你死在战场上，离枪林弹雨远点。而且这封信对我来说至关重要。它必须立刻送出。我要你亲手交到珂赛特手里。求你了，加夫罗什。”“哦，那好吧。”加夫罗什说。他接过信，把它塞进衬衫里，一头扎进了黑夜中。当冉阿让和珂赛特离开普吕梅街的住处时，珂赛特伤心欲绝。冉阿让看在眼里，却什么也没说。在武人街的住处，珂赛特把自己关在卧室里，夜里由老女仆杜桑把饭菜端上去给她。冉阿让无法入睡。城市虽然安静，但这平静又能维持多久呢？他走出屋子，站在街上侧耳倾听。邻街传来了人声，接着他又听到了歌声，是一个男孩在唱歌。加夫罗什顺着街道走来，一边走一边看着门牌号。他看见了冉阿让，便停了下来。“小伙子，有什么消息吗？”冉阿让问。“现在的消息就是：我饿了。”加夫罗什回答。冉阿让把手伸进口袋，摸出一枚五法郎的硬币。加夫罗什盯着那枚硬币。他很少能见到五法郎的硬币，看到它让他非常高兴。他把硬币装进口袋。“你人不错，”他说，“你住在这条街上吗？你知道7号在哪儿吗？”“你找7号干什么？”冉阿让问。“给里面的人送信。”加夫罗什说。“是给一位女士的吗？”冉阿让紧紧盯着他。他感到一阵寒意。“是给一位女士的。”“珂赛特……”他想起了卢森堡公园里的那个年轻人，勉强挤出一丝微笑。“那是给珂赛特的信，”他说，“我在等这封信。”“对，就是给她的。喏，给你。”加夫罗什说，“信是从尚夫雷里街的街垒送来的。我现在得回去了。晚安，先生。”冉阿让拿着马吕斯的信回到了屋里。他飞快地看了一遍。“我爱你，我永远无法将你忘记……”原来，他亲爱的女儿恋爱了。她就是他的一切。如果没有她，他的生命将毫无意义，他甚至不敢去想那种可能。“当我死后，请不要悲伤”，这句话给了他一丝希望。原来，那个年轻人就是街垒里的起义者之一。“一旦士兵们开火，”他想，“那些起义者就全完了。我什么都不做，什么都不说，只要把这封信藏起来，然后‘噗'的一下，我们俩的生活就不会有任何改变。”但冉阿让的心里并不踏实。他回想起了他们作为父女相伴的那些快乐岁月。他又看到了离开普吕梅街时，珂赛特那双悲伤的眼睛。他怎么能就这样把她强行带到英国去呢？他转过身，走出了房间。

Les Misérables by Victor Hugo原文Chapter 4: MariusNine years pass, Valjean and Cosette are living in the Rue Plumet in Paris,in a house with a big garden.It is a quiet street and nobody comes there.This pleases Valjean, because he is still afraid of Inspector Javert.Cosette is now a young woman.She is tall with golden brown hair.She is beautiful, but there are many beautiful faces in the world.The wonderful thing about Cosette's face is her smile, a slow warm gentle smile like sunlight after rain.And now, we must meet Marius and his young friend Gavroche.Marius is a student, a young man with many ideas but no money.Paris is full of young men like this.Marius has a grandfather, his father is dead,But he does not talk to him, their political ideas are very different.At 17, he leaves home with 30 francs, his watch and a small bag of clothes.Now five years older, he lives with other students, and they talk all night about books and ideas, politics and government, life and death.All students are like this.They live for ideas and do a little work here and there when they need to.Gavroche is a child of the Paris streets.He is 11 or 12 years old, and wears a man's trousers and a woman's shirt.A kind woman gave these clothes to him.He lives on the streets, knows everybody,goes everywhere, and enjoys life.Well, why not? He knows no other life, only this one.Marius loved walking through the streets and gardens of Paris, and he often walked in the Luxembourg Garden.One day in the garden, he saw a man with a young girl.The man was about 60, and the girl, Marius thought, was about 17.He did not see her eyes, but he saw her golden-brown hair and her slow gentle smile.He walked past them once and did not look back, but he came to the Luxembourg the next day, and the day after that.And for the next five days, the man and the girl were always there.He could not stop looking at the girl.He wanted very much to see that smile, smile again.On the seventh day, the girl turned her head and looked at Marius.She looked into his eyes across the garden, and that look went like a bullet from a gun into Marius's heart.There were no words, but at once Marius knew, and the girl knew this was love.Life stopped for Marius then.He spent hours in the Luxembourg.And every time he saw her, the sun came out and all the birds in the garden began singing.But the man began to look at Marius too, and his face was not friendly.Marius was afraid and he went to Gavroche.“Gavroche, please, you must help me.”“Why? What's the matter? Monsieur Marius.”“There's a girl, Gavroche. She walks in the Luxembourg every day. I want you to follow her home, and tell me the address.”“Why don't you follow her? I am busy.” said Gavroche.“I'm afraid to,” said Marius, “her father,grandfather, I don't know, is watching me. He doesn't like me.”“Why is this important? Monsieur Marius.” Gavroche said.“He had a big smile on his face. Because I'min love,” shouted Marius, “Please, Gavroche, do it.”Gavroche ran away laughing.Two days later, he came to Marius's rooms,Rue plume.He said, “House at the end of the street,hard to find, you need to look for it.”Spring came and Cosette began to go out into the garden at Rue Plume.She was usually alone.Her old servant Toussaint was always in the kitchen, and Father Jean Valjean was in his room reading.Cosette was sad.She remembered the young man in the Luxembourg Garden, but Father no longer wanted to go there.But that evening, in the Rue Plume Garden something very wonderful happened.She heard a voice, a man's voice.She looked round and it was him.“I'm so sorry,” he said, “please don't be afraid. I just wanted to… You remember the Luxembourg Garden? I saw you therefor the first time, I can't forget you day and night, I think about you. Please don't be afraid, you see, I love you. It just happened to me, I can't stop it. Don't be afraid, please.”Cosette listened to this wonderful river of words and then held out her hand to him.He took her hand, and she pulled it to her and put it against her heart.“Then, you love me?”he said.“Of course, you know that.”A kiss, no words.They did not need words.Later words came, the story of his life, the story of her life, everything between lovers, everything is interesting.When they were done with words,Cosette put her head on Marius's shoulder and asked, “what is your name?”“My name is Marius, and yours?”“Cosette.”Every evening, they met secretly in the garden at Rue Plume.A kiss, a gentle laugh, whispered words of love.It was the spring and summer of their young lives.But around them, outside their garden, there was change.There were angry people, there were police and soldiers on the streets of Paris.And one day, Jean Valjean said to Cosette, “My dearest child, we live in dangerous times. We must leave France and go to England.”Cosette looked at him with frightened eyes.“Must we go, father?” She said.Valjean watched her face.“We must,” he said, “Get ready to leave very soon.”There was a change in Cosette.Valjean remembered the young man in the Luxembourg Garden and he looked at Cosette's beautiful young face.He was afraid, afraid of losing his dear daughter.That evening in the Rue Plume Garden, there were many unhappy tears.“But you must follow us to England,” cried Cosette.“How can I do that?” cried Marius, “I have no money, no passport. Even England to me is like the moon.”They held hands in the moonlight.“Listen, I have an idea,” Marius said slowly,“Wait two days, perhaps.”“Two days?” cried Cosette, “How can I live two days without you?”翻译第四章：马吕斯九年过去了，冉阿让和珂赛特住在巴黎的普吕梅街，那是一栋带大花园的房子。这是一条安静的街道，鲜有人至。这让冉阿让感到安心，因为他依然对沙威警长心存畏惧。如今的珂赛特已经长成了一个年轻女子。她身材高挑，留着一头金棕色的头发。她很美，但这世上美丽的容颜并不少见。珂赛特脸上最动人的，是她的微笑——那是一种缓慢、温暖、轻柔的微笑，宛如雨后初晴的阳光。现在，我们该认识一下马吕斯和他的年轻朋友加夫罗什了。马吕斯是个学生，一个满脑子想法却身无分文的年轻人。巴黎满大街都是这样的年轻人。马吕斯有个祖父，他的父亲已经去世了。但他和祖父互不说话，因为他们的政治理念截然不同。十七岁那年，他带着30法郎、一块怀表和一小包衣服离家出走。如今五年过去了，他和一群学生住在一起，他们整夜整夜地谈论书籍与思想、政治与政府、生与死。所有的学生都是这样。他们为理想而活，只在缺钱的时候才偶尔去打点零工。加夫罗什是个在巴黎街头长大的野孩子。他十一二岁，穿着一条男人的裤子和一件女人的衬衫。这是一位好心的女士给他的衣服。他风餐露宿，认识所有人，哪儿都敢去，而且非常享受这样的生活。是啊，为什么不呢？除了这种生活，他什么也没经历过。马吕斯喜欢漫步在巴黎的街道和花园里，他经常去卢森堡公园散步。有一天在公园里，他看见一个男人带着一个小姑娘。那个男人大概六十岁，马吕斯心想，那女孩大概十七岁。他没看清她的眼睛，但他看到了她金棕色的头发和那缓慢轻柔的微笑。他从他们身边走过，没有回头。但第二天、第三天，他又来到了卢森堡公园。在接下来的五天里，那个男人和女孩总是出现在那里。他无法控制自己的目光，总是忍不住看向那个女孩。他多么渴望能再次看到那个微笑。到了第七天，女孩转过头，看向了马吕斯。她隔着花园望向他的眼睛，那目光就像子弹一样，直击马吕斯的心脏。没有只言片语，但就在那一瞬间，马吕斯明白了，女孩也明白了——这就是爱情。那一刻，马吕斯的世界仿佛静止了。他在卢森堡公园里度过了好几个小时。每一次看到她，他都觉得阳光洒满了大地，花园里的鸟儿都在为他歌唱。但是，那个男人也开始注意到了马吕斯，而且眼神并不友善。马吕斯害怕了，他去找加夫罗什。“加夫罗什，求求你，你必须帮帮我。”“怎么了？出什么事了，马吕斯先生？”“有个女孩，加夫罗什。她每天都去卢森堡公园散步。我想让你跟着她回家，告诉我她的地址。”“你自己怎么不跟着？我很忙的。”加夫罗什说。“我不敢，”马吕斯说，“她父亲，或者祖父，我搞不清楚，一直在盯着我。他不喜欢我。”“这有什么关系吗，马吕斯先生？”加夫罗什说。“因为我恋爱了啊！”马吕斯大喊道，“求你了，加夫罗什，帮帮我吧。”加夫罗什大笑着跑开了。两天后，他来到了马吕斯在普吕梅街的住处。他说：“街道尽头的那栋房子，很难找，你得仔细留意。”春天来了，珂赛特开始走到普吕梅街的花园里。她通常是一个人。老女仆杜桑总在厨房里忙碌，而冉阿让父亲则在自己的房间里看书。珂赛特感到有些忧伤。她想念卢森堡公园里的那个年轻人，但父亲已经不想再去那里了。然而，那天傍晚，在普吕梅街的花园里，一件奇妙的事情发生了。她听到了一个声音，一个男人的声音。她回过头，正是他。“万分抱歉，”他说，“请别害怕。我只是想……你还记得卢森堡公园吗？我在那里第一次见到你，从此日夜都无法将你忘记，脑海里全是你。请别害怕，你看，我爱你。这感情就这样发生了，我无法阻挡。请别害怕。”珂赛特听着这如河水般倾泻而出的动人话语，然后向他伸出了手。他握住她的手，她却将他的手拉向自己，紧紧贴在自己的心口。“那么，你爱我？”他问。“当然，你是知道的。”一个吻，无需言语。他们不需要任何言语。后来，他们终于开口了，讲述彼此的人生故事。恋人之间的一切，都是那么有趣。当话语说尽，珂赛特把头靠在马吕斯的肩上，轻声问：“你叫什么名字？”“我叫马吕斯。你呢？”“珂赛特。”从此，每天傍晚，他们都在普吕梅街的花园里秘密相会。一个吻，一声轻柔的笑，几句耳鬓厮磨的情话。这是他们青春岁月里的春天与盛夏。但在他们周围，在花园之外，世界正在发生剧变。人们群情激愤，巴黎的街道上到处是警察和士兵。有一天，冉阿让对珂赛特说：“我最亲爱的孩子，我们正身处危险的时代。我们必须离开法国，去英国。”珂赛特用惊恐的眼神看着他。“我们必须走吗，父亲？”她说。冉阿让注视着她。“我们必须走，”他说，“准备一下，我们很快就要动身了。”珂赛特变了。冉阿让想起了卢森堡公园里的那个年轻人，他端详着珂赛特年轻美丽的脸庞。他害怕了，他害怕失去自己心爱的女儿。那天傍晚，在普吕梅街的花园里，充满了悲伤的泪水。“但你必须跟着我们去英国啊！”珂赛特哭喊道。“我怎么去得了？”马吕斯也哭喊道，“我没有钱，也没有护照。对我来说，去英国简直就像去月球一样遥远。”他们在月光下紧紧牵着手。“听着，我有个主意，”马吕斯缓缓地说，“等两天，也许只要两天。”“两天？”珂赛特哭喊道，“没有你，我该怎么熬过这两天？”

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durée : 00:29:54 - Les Nuits de France Culture - par : Albane Penaranda - Dans cette causerie intitulée "Des chandelles aux projecteurs" il était question de la grand comédienne française Réjane, (1ère diffusion : 27/11/1963 France III Nationale). - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Épisode anniversaire. Pour ce 100ème Barista, on prend le temps de débriefer à chaud (enfin presque) notre passage à l'ATHX de Paris.Gabriel et Franck reviennent sur ce week-end de compétition, avec une casquette particulière : Gabriel y était à la fois comme coach et comme athlète. Deux rôles, deux angles, et pas mal de leçons à tirer.Au programme de cet épisode :Le vécu côté athlète : la prépa, le jour J, ce qu'on découvre sur soi en compétition → Le vécu côté coach : accompagner les Gavroche pendant qu'on encaisse soi-même les effortsLe constat qui pique : on n'était pas prêts sur la partie force. On vous explique pourquoi, ce qu'on en retient, et ce que ça va changer dans la prépaLe truc qui fait plaisir : voir les athlètes Gavroche qui découvraient la compétition repartir avec le sourire. Ces premières fois qu'on n'oublie pas. Ce que l'ATHX nous apprend sur la méthode Gavroche, et les ajustements qu'on va apporterUn épisode pour celles et ceux qui nous suivent depuis le début, qui s'entraînent avec nous, ou qui se demandent ce que ça fait vraiment de mettre un dossard.Pas de filtre, pas de bullshit. Juste un retour honnête entre deux cafés.Bonne écoute ☕Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Dans cette enquête, l'autrice Typhaine Samoyault déploie le destin éditorial des Misérables, de Victor Hugo, publié en 1862 et devenu un classique...  Les Misérables, roman fleuve de Victor Hugo a été publié en 1862. Devenu un classique de la littérature malgré ses 2 500 pages, ce roman social et historique a été dès sa parution adapté, réécrit, traduit, abrégé de nombreuses fois. Il a également fait l'objet de nombreuses adaptations cinéma ou télé : près d'une cinquantaine. Il y a même eu une comédie musicale.  Réécrire les classiques : une fausse question ? Typhaine Samoyault a lu les Misérables trois fois mais n'a jamais lu la même version ! Dans Toutes sortes de Misérables, elle révèle comment ce roman est devenu l'un des plus réappropriés du monde et interroge : « Faut-il réécrire les classiques ? » Est-ce, en fait, une fausse question ?  Des personnages qui se sont affranchis du roman  Le roman social et historique de Victor Hugo est devenu un classique et ses personnages Cosette, Gavroche, Jean Valjean et autres Thénardier, des icônes de la culture populaire. Leurs noms sont même devenus des expressions ! « Les personnages sont des personnages qui se sont affranchis du texte pour devenir des familiers comme s'ils appartenaient à la réalité, comme s'ils prenaient leur autonomie : c'est la force des grandes œuvres ! » Adaptations et traductions : faire usage des classiques Mais, selon Typhaine Samoyault, si ce roman est devenu un classique ce n'est pas uniquement dû à sa qualité littéraire, c'est aussi grâce à la profusion d'adaptations et de traductions. Dès 1884, il existe déjà même une version adaptée à la jeunesse. « Victor Hugo voulait une réception populaire de son texte. Il a voulu qu'il y ait des éditions bon marché et accessibles de son texte » Ce roman traduit dans toutes les langues, en Chine ou en Russie, ce sont des versions différentes car le texte est adapté. « La langue change le texte : on ne produit jamais de traduction miroir, c'est aussi une occasion pour les traducteurs de proposer une version abrégée. » Une œuvre vivante, c'est une œuvre changeante  Pour Typhaine Samoyault, un classique constamment est reprise. « Il n'y a pas de contre-exemple. Une œuvre qui n'est plus adaptée aux époques ou autres cultures ne peuvent pas des classiques. On garde la mémoire orale de cette littérature ». La littérature doit donc être en mouvement car cela fait vivre les livres, car il ne s'agit pas seulement de les conserver, il faut les faire circuler, les transformer, les réinventer. « Il ne faut pas avoir peur des réécritures, ce n'est pas un phénomène récent ». L'autrice rappelle que de nombreux classiques ont été expurgés de leurs références religieuses lors de la séparation de l'Église et de l'État par exemple...  Invitée : Typhaine Samoyault, directrice d'études de l'EHESS, directrice du Centre de recherches sur les arts et le langage. Elle est aussi romancière et traductrice. Son essai Toutes sortes de Misérables est publié aux éditions du Seuil.  Programmation musicale : L'artiste NeS avec le titre Le bruit et le silence.  

Dans cette enquête, l'autrice Typhaine Samoyault déploie le destin éditorial des Misérables, de Victor Hugo, publié en 1862 et devenu un classique...  Les Misérables, roman fleuve de Victor Hugo a été publié en 1862. Devenu un classique de la littérature malgré ses 2 500 pages, ce roman social et historique a été dès sa parution adapté, réécrit, traduit, abrégé de nombreuses fois. Il a également fait l'objet de nombreuses adaptations cinéma ou télé : près d'une cinquantaine. Il y a même eu une comédie musicale.  Réécrire les classiques : une fausse question ? Typhaine Samoyault a lu les Misérables trois fois mais n'a jamais lu la même version ! Dans Toutes sortes de Misérables, elle révèle comment ce roman est devenu l'un des plus réappropriés du monde et interroge : « Faut-il réécrire les classiques ? » Est-ce, en fait, une fausse question ?  Des personnages qui se sont affranchis du roman  Le roman social et historique de Victor Hugo est devenu un classique et ses personnages Cosette, Gavroche, Jean Valjean et autres Thénardier, des icônes de la culture populaire. Leurs noms sont même devenus des expressions ! « Les personnages sont des personnages qui se sont affranchis du texte pour devenir des familiers comme s'ils appartenaient à la réalité, comme s'ils prenaient leur autonomie : c'est la force des grandes œuvres ! » Adaptations et traductions : faire usage des classiques Mais, selon Typhaine Samoyault, si ce roman est devenu un classique ce n'est pas uniquement dû à sa qualité littéraire, c'est aussi grâce à la profusion d'adaptations et de traductions. Dès 1884, il existe déjà même une version adaptée à la jeunesse. « Victor Hugo voulait une réception populaire de son texte. Il a voulu qu'il y ait des éditions bon marché et accessibles de son texte » Ce roman traduit dans toutes les langues, en Chine ou en Russie, ce sont des versions différentes car le texte est adapté. « La langue change le texte : on ne produit jamais de traduction miroir, c'est aussi une occasion pour les traducteurs de proposer une version abrégée. » Une œuvre vivante, c'est une œuvre changeante  Pour Typhaine Samoyault, un classique constamment est reprise. « Il n'y a pas de contre-exemple. Une œuvre qui n'est plus adaptée aux époques ou autres cultures ne peuvent pas des classiques. On garde la mémoire orale de cette littérature ». La littérature doit donc être en mouvement car cela fait vivre les livres, car il ne s'agit pas seulement de les conserver, il faut les faire circuler, les transformer, les réinventer. « Il ne faut pas avoir peur des réécritures, ce n'est pas un phénomène récent ». L'autrice rappelle que de nombreux classiques ont été expurgés de leurs références religieuses lors de la séparation de l'Église et de l'État par exemple...  Invitée : Typhaine Samoyault, directrice d'études de l'EHESS, directrice du Centre de recherches sur les arts et le langage. Elle est aussi romancière et traductrice. Son essai Toutes sortes de Misérables est publié aux éditions du Seuil.  Programmation musicale : L'artiste NeS avec le titre Le bruit et le silence.  

Mario y los insurrectos. Cosette y Juan Valjean. Gavroche.

Gavroche.

Gavroche.

durée : 00:24:43 - La Série fiction - Gavroche meurt sur les barricades alors que Marius vient de lui confier une lettre pour Cosette. Jean Valjean prête main-forte aux révolutionnaires. - réalisation : François Christophe

durée : 00:24:43 - La Série fiction - Gavroche meurt sur les barricades alors que Marius vient de lui confier une lettre pour Cosette. Jean Valjean prête main-forte aux révolutionnaires. - réalisation : François Christophe

Après plus de 30 ans d'arts martiaux, Thomas a choisi de rejoindre Gavroche pour continuer à cultiver ce qui compte le plus pour lui : rester jeune, fort et en bonne santé le plus longtemps possible.À 53 ans, il nous partage comment l'entraînement fonctionnel l'aide à prolonger sa vitalité et à entretenir son mental de combattant.Mais au-delà de l'effort physique, Thomas insiste sur ce qui l'anime au quotidien : l'esprit copain, la communauté et le soutien collectif qui transforment chaque séance en rendez-vous de discipline et de plaisir partagé.Un témoignage inspirant sur la longévité, la motivation et la force du collectif.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Invité : Baptiste Detombe, essayiste, fondateur du média opinion Gavroche et auteur de "L'Homme démantelé - Comment le numérique consume nos existences" aux éditions Artège   Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

June 16-22Many years ago, I read Les Misérables, by Victor Hugo: the unabridged version which is 1,463 pages long. Next to the scriptures, it was the greatest reading experience of any book I have ever had. I became so close to the characters, Jean Valjean, Monsieur Charles-François-Bienvenu Myriel—the Bishop of Digne (‘deen'), Fantine, Cosette, Gavroche, Marius, Javert and many others that I wept for a long time after I finished the book because I was so sad, I would not be able to meet them in the Spirit World! Maurine reminded me they were fictional characters. I was completely transported into their hearts, their world, their times, their pain, their burdens. Maurine and I even went to Victor Hugo's home in Guernsey Island off the coast of Normandy in the English Channel to get a sense of where he wrote this classic novel. Do you want to know my very favorite moment from the entire 1,463 pages? It has to do with our lesson in this episode.

‘The Brick' is finally finished! Kate and Sheila discuss Les Miserables in its entirety… (spoiler alerts galore-avoid if  surprises you adore) …it has taken us a bit, but so totally worth it!Victor Hugo shows readers that, “Heroes come in all shapes” from the unbelievable bravery of young Gavroche to the mysterious motives of the misunderstood Jean Valjean. Hugo can bloviate like no other author, from Waterloo to the sewers of France! He can also pack quite a punch in  few words:“One cannot goad people into moving faster than they are prepared to go. Woe to him who tries to force their hands.” People will rise to the level of expectations but we must let them rise (like bread in the making) we cannot force anyone's progress! Victor nailed it!“What is Progress? We have just said it. It is the permanent life of all people. But it sometimes happens that the momentary life of individuals is opposed to the eternal life of the human race.”Do we oft times put the pebbles in first? Do we worry and fret over the trivial? Eternal life is one that is lived in harmony with God❤️He is our Rock He must come first!“But a civilizing race must be a masculine race…Those who become effeminate bastardize themselves.” In our society young men are committing suicide 4 times the regular population! The war against toxic masculinity has wreaked havoc by giving young men false  identities, leaving our society with boys.Readers are taken on a journey starting with injustice and evil and falsity and darkness toward justice and goodness and truth and light! What an emotional roller coaster ride for determined readers! Warning: Not for the faint of heart! Let's put on SCUBA gear before embarking on this deeper than deep dive! Thanks for joining us on our quest to read the best! May you have a day that is blessed with a book, a cuppa, and  friends! 

Rob Madge grew up staging living room musicals with wigs, smoke machines, and the unwavering support of their parents and grandmother—but what started as childhood play eventually became the viral, heartfelt, and Olivier-nominated solo show My Son's a Queer (But What Can You Do?). In this episode, Rob shares how those home videos evolved into a theatrical sensation, and how a show born during lockdown has become a powerful celebration of queer joy, family, and radical acceptance—now heading to New York City Center for its limited U.S. debut. We talk about everything from queer theory and comedy as activism to being a theater kid in a small UK village and why their grandmother was the ultimate co-conspirator. Rob opens up about the emotional weight of visibility, the importance of letting kids be themselves, and the unshakable confidence that comes from being loved early and completely. Plus, they reflect on their journey from Gavroche to leading their own story—and the joy of tweaking the show for each new audience. Rob Madge is a writer and performer whose solo show My Son's a Queer (But What Can You Do?) earned an Olivier Award nomination following its West End run. They began their career as a child actor in Mary Poppins, Oliver!, and Les Misérables, and trained at Sylvia Young Theatre School before studying English Literature at Warwick University. Rob also stars as the Emcee in Cabaret on the West End, and continues to explore themes of identity, family, and theatricality through their writing and performance. Connect with Rob Instagram: @robmadge02 Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our next guest is the Executive Chef of the new modern french restaurant Gavroche. He fell in love with cooking at an early age mainly from a functional aspect. He's an alum of Kendall College and has gained experience in kitchens like Alinea, Roister, Boka, Sixteen, and North Pond. He really found his footing when he started a private dining experience with his wife called Mirepoix Gangsters. This is an episode on exploring your identity and becoming a professional at your craft. Please enjoy my conversation with Chef Mitchell Acuña.https://www.instagram.com/gavrochechicagohttps://www.instagram.com/chef_mitchellacuna

Renaud est à l'honneur aujourd'hui sur RTL : il y a 50 ans jour pour jour sortait son premier album "Amoureux de Paname". Le 3 avril 1975, un gamin de 22 ans tout droit sorti du vieux Paris apparaissait sur la pochette, non pas d'un 45 tours comme ça se faisait à l'époque pour démarrer une carrière, non directement sur un 33 tours. Renaud, façon poulbot comme il s'habillait alors dans la vie, avec foulard rouge, casquette de Gavroche, une boucle d'oreille et une clope. Un début de sourire et les yeux qui regarde en l'air... Ecoutez La star du jour avec Anthony Martin du 03 avril 2025.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week's guest seamlessly blends the art of hospitality with the disciplined focus of martial arts, leading a life story that reads like a compelling redemption narrative. Raised above an Irish pub by first-generation Korean immigrant parents, Jason Chan was immersed in the world of hospitality from an early age. His journey led him from working as a nightclub security guard—a role marked by numerous arrests—to becoming a celebrated restaurateur, the force behind acclaimed establishments like Butter and Juno. A harrowing battle with cancer inspired Chan to embark on what may be his culinary swan song: Gavroche, a modern French restaurant in Chicago's Old Town. Jason comes to the studio to tell us about a time he went above and beyond for a guest, share insights into maintaining a competitive edge, muses on an alternative path, and so much more!

Jason Chan has been a notable and beloved figure in the Chicago restaurant scene for decades. In this episode, Chan describes how becoming a master martial artist has gone hand-in-hand with delivering great hospitality. He likens a restaurant to a dōjō, the place where immersive training occurs. Host David Manilow talks to Chan about being a major player in West Loop dining ahead of its time now as a hotspot. Plus, hear about Chan's new French restaurant in Old Town called Gavroche and learn why Manilow says it's a place for adults.

durée : 00:02:12 - Le grand format - Le spectacle inspiré du roman de Victor Hugo, créé à Paris dans les années 1980, est paradoxalement devenu culte en version anglaise, attirant plus de 130 millions de spectateurs principalement à Londres et à Broadway. Ce mercredi, Cosette, Gavroche et Valjean sont revenus sur la scène du Châtelet.

Ch. 28–30 are frustrating and repetitive. We talk about Lan's Lobotomy, Edgelord Moridin, Cringe Gateways, Logain's Dramatic Entrances, Mr. Gavroche, and how the Impotence Metaphor Has Gone Too Far.

Welcome back to My Sister Made Me View It! Today we cover Oathbringer Chapters 87-82. Shallan revels, we see an (old) familiar face that Vasher would be VERY interested in, and Gavroche from Les Miz makes an appearance. Check out the ‘My Sister Made Me a Playlist' on Spotify. We add a new song for each episode. It's a goodie, but a weirdy:https://open.spotify.com/playlist/52qx5mDnpggAl22K7sMGmt?si=87d012c528da4a5c

Cw: description of death, war mention, misogyny This week Hugo predicts the 2024 UK election, the barricade is filled with autistic men who appreciate the engineering of a canon, and Gavroche makes all the boys tremble. And hold on to your garters because we have an extended portion where Victor Hugo tells us in extreme detail what he thinks of young womens' bedrooms.  This podcast was produced by Nemo Martin. The audio direction and intro composing is by JDWasabi. It is a Captain's Collection Creation. Bread & Barricades (@LesMisPodcast) | Twitter Bread & Barricades | Tumblr Ko-fi: https://ko-fi.com/lesmispodcast  Patreon: https://www.patreon.com/LesMisPodcast

Último episódio. O capitão Almeida Santos e os militares que apoiavam a Operação Papagaio conseguem fugir do Forte de Elvas, para onde tinham sido transferidos. Durante meses, o grupo esconde-se numa casa em Trás-os-Montes antes de se instalar finalmente numa vivenda em Rio de Mouro. Apenas quatro dias depois de chegarem à nova morada, o capitão é assassinado. Vinte anos mais tarde, o crime há de dar origem ao polémico romance “A Balada da Praia dos Cães”, de José Cardoso Pires. No final da história, o que aconteceu a “Gavroche”, o mentor da “Operação Papagaio”? E afinal, onde está a gravação revolucionária que deveria ter sido colocada no ar no Rádio Clube Português?See omnystudio.com/listener for privacy information.

Último episódio. O capitão Almeida Santos e os militares que apoiavam a Operação Papagaio conseguem fugir do Forte de Elvas, para onde tinham sido transferidos. Durante meses, o grupo esconde-se numa casa em Trás-os-Montes antes de se instalar finalmente numa vivenda em Rio de Mouro. Apenas quatro dias depois de chegarem à nova morada, o capitão é assassinado. Vinte anos mais tarde, o crime há de dar origem ao polémico romance “A Balada da Praia dos Cães”, de José Cardoso Pires. No final da história, o que aconteceu a “Gavroche”, o mentor da “Operação Papagaio”? E afinal, onde está a gravação revolucionária que deveria ter sido colocada no ar no Rádio Clube Português?See omnystudio.com/listener for privacy information.

Último episódio. O capitão Almeida Santos e os militares que apoiavam a Operação Papagaio conseguem fugir do Forte de Elvas, para onde tinham sido transferidos. Durante meses, o grupo esconde-se numa casa em Trás-os-Montes antes de se instalar finalmente numa vivenda em Rio de Mouro. Apenas quatro dias depois de chegarem à nova morada, o capitão é assassinado. Vinte anos mais tarde, o crime há de dar origem ao polémico romance “A Balada da Praia dos Cães”, de José Cardoso Pires. No final da história, o que aconteceu a “Gavroche”, o mentor da “Operação Papagaio”? E afinal, onde está a gravação revolucionária que deveria ter sido colocada no ar no Rádio Clube Português?See omnystudio.com/listener for privacy information.

Apesar das dificuldades, Gavroche mantém o plano: os operacionais vão entrar no Rádio Clube Português, interromper o programa de rádio mais ouvido do país e pôr a tocar a bobine revolucionária com a gravação a apelar ao fim da ditadura. Mas Artílio Batista volta a falhar e diz que, afinal, não vai conseguir arranjar um carro para a operação. Sem forma de viajarem até à Parede, os homens decidem abortar o plano, na própria noite em que devia ter acontecido. Os militares detidos na Trafaria ficam furiosos e chamam Gavroche ao presídio. Mas, dias depois de fazerem planos para novas operações, ficam a saber que vão mesmo ser julgados por envolvimento no Golpe da Sé e são transferidos para outra cadeia militar, a mais de 200 quilómetros de Lisboa. Se não quiserem ficar presos durante anos, vão ter de arranjar forma de fugir. See omnystudio.com/listener for privacy information.

Apesar das dificuldades, Gavroche mantém o plano: os operacionais vão entrar no Rádio Clube Português, interromper o programa de rádio mais ouvido do país e pôr a tocar a bobine revolucionária com a gravação a apelar ao fim da ditadura. Mas Artílio Batista volta a falhar e diz que, afinal, não vai conseguir arranjar um carro para a operação. Sem forma de viajarem até à Parede, os homens decidem abortar o plano, na própria noite em que devia ter acontecido. Os militares detidos na Trafaria ficam furiosos e chamam Gavroche ao presídio. Mas, dias depois de fazerem planos para novas operações, ficam a saber que vão mesmo ser julgados por envolvimento no Golpe da Sé e são transferidos para outra cadeia militar, a mais de 200 quilómetros de Lisboa. Se não quiserem ficar presos durante anos, vão ter de arranjar forma de fugir. See omnystudio.com/listener for privacy information.

Onde está a verdade? Há quatro versões diferentes da obscura Operação Papagaio que chegaram até aos dias de hoje. Em duas delas, o conhecido surrealista Mário-Henrique Leiria é apresentado como o cabecilha do plano. Leiria era declaradamente anti-regime, já tinha sido detido pela PIDE anos antes, e efetivamente participou em reuniões conspirativas na Parede, numa casa que ficava mesmo ao lado da de “Gavroche”. Mas qual a fronteira entre os mitos e a realidade? Os documentos da polícia política do Estado Novo escondidos até hoje na Torre do Tombo desmontam os vários mitos associados nos últimos 64 anos à Operação Papagaio. Perante as desistências de operacionais à medida que a data combinada para o assalto ao Rádio Clube Português se aproxima, novos elementos têm de ser recrutados à última hora para pôr a operação em marcha. Um deles vai ter o nome de código "Júnior". Vai ser um erro de casting mas, como se verá, nem sequer vai ser o único. Certo é que os boatos já correm pelos cafés de Lisboa: "os surrealistas andam a brincar aos cowboys".See omnystudio.com/listener for privacy information.

Onde está a verdade? Há quatro versões diferentes da obscura Operação Papagaio que chegaram até aos dias de hoje. Em duas delas, o conhecido surrealista Mário-Henrique Leiria é apresentado como o cabecilha do plano. Leiria era declaradamente anti-regime, já tinha sido detido pela PIDE anos antes, e efetivamente participou em reuniões conspirativas na Parede, numa casa que ficava mesmo ao lado da de “Gavroche”. Mas qual a fronteira entre os mitos e a realidade? Os documentos da polícia política do Estado Novo escondidos até hoje na Torre do Tombo desmontam os vários mitos associados nos últimos 64 anos à Operação Papagaio. Perante as desistências de operacionais à medida que a data combinada para o assalto ao Rádio Clube Português se aproxima, novos elementos têm de ser recrutados à última hora para pôr a operação em marcha. Um deles vai ter o nome de código "Júnior". Vai ser um erro de casting mas, como se verá, nem sequer vai ser o único. Certo é que os boatos já correm pelos cafés de Lisboa: "os surrealistas andam a brincar aos cowboys".See omnystudio.com/listener for privacy information.

Jarrod Spector, Hamilton Broadway's current King George III, is on the podcast! This week, Jarrod talks about growing up in Philadelphia where he started performing on the Al Alberts Showcase at barely three years old. From there, he did his Bobby Darin act on Star Search for a while, humbly passed on The Mickey Mouse Club, and at nine years old he landed the role of Gavroche in Les Miserables where he performed in Philly, Chicago, and eventually on Broadway. Jarrod also opens up about his somewhat tumultuous early college experience, (girl, same) and we have a very honest conversation about some tricky life lessons we both learned around the same time. Al Alberts Showcase featuring Al and Jarrod singing "That's Life" (1986) Jarrod Spector singing Mack the Knife on Star Search (1988) Star Search - Jarrod Spector vs. Countess Vaughn (1988) Jarrod on Instagram Full Circle Artists /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

A loura misteriosa que procura Gavroche no trabalho passa a ser o elo de ligação entre os conspiradores. Chama-se Maria Eduarda e é casada com um dos militares que querem entrar no plano da “Operação Papagaio”: atacar o Rádio Clube Português, interromper o programa de rádio mais ouvido do país e substitui-lo por uma gravação com um apelo à revolução. Também ela vai ser importante na noite da operação, e vai ganhar um nome de código: “Alice”. Com a ajuda do primo, Luís Filipe Costa, Gavroche grava a bobine com a mensagem revolucionária. Mas começam a surgir as primeiras contrariedades: há armas que não funcionam e homens que desistem. E os que são chamados para os substituir podem, afinal, não ser de confiança.See omnystudio.com/listener for privacy information.

A loura misteriosa que procura Gavroche no trabalho passa a ser o elo de ligação entre os conspiradores. Chama-se Maria Eduarda e é casada com um dos militares que querem entrar no plano da “Operação Papagaio”: atacar o Rádio Clube Português, interromper o programa de rádio mais ouvido do país e substitui-lo por uma gravação com um apelo à revolução. Também ela vai ser importante na noite da operação, e vai ganhar um nome de código: “Alice”. Com a ajuda do primo, Luís Filipe Costa, Gavroche grava a bobine com a mensagem revolucionária. Mas começam a surgir as primeiras contrariedades: há armas que não funcionam e homens que desistem. E os que são chamados para os substituir podem, afinal, não ser de confiança.See omnystudio.com/listener for privacy information.

This week, we have the pleasure of welcoming the legendary chef, author, restaurateur, and TV star, Michel Roux Jr.Michel joins us fresh from closing the doors on La Gavroche, his iconic two Michelin-starred restaurant in Mayfair, for the final time. He sits down with Kate to discuss some of his wildest stories working in the restaurant, why selling it was never an option, his decision to leave MasterChef, and what's next after spending practically his entire life in the kitchen. Plus, he shares the valuable lessons he learned from Sir Alex Ferguson.***Please take the time to rate and review us on Apple Podcasts or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.

Abril de 1960. “Gavroche” entra em pânico quando descobre que os antigos companheiros da “organização secreta” a que pertencia foram presos e confessaram o homicídio de um dos membros do grupo, responsável pela obscura “Operação Papagaio”. Desde a adolescência que Gavroche — alcunha pela qual Henrique dos Santos Carvalho é conhecido — está envolvido em movimentos de oposição ao Estado Novo. Mas é só depois das eleições de 1958, em que o General Humberto Delgado desafia o regime, que tem a ideia para um plano mirabolante para pôr fim à ditadura.  É no Café Gelo, ao Rossio, um conhecido pouso de artistas surrealistas por aquela altura, que vai recrutar militantes para um movimento que pretende derrubar Salazar. Até que aparece uma loura misteriosa para dar a volta ao plano.See omnystudio.com/listener for privacy information.

Abril de 1960. “Gavroche” entra em pânico quando descobre que os antigos companheiros da “organização secreta” a que pertencia foram presos e confessaram o homicídio de um dos membros do grupo, responsável pela obscura “Operação Papagaio”. Desde a adolescência que Gavroche — alcunha pela qual Henrique dos Santos Carvalho é conhecido — está envolvido em movimentos de oposição ao Estado Novo. Mas é só depois das eleições de 1958, em que o General Humberto Delgado desafia o regime, que tem a ideia para um plano mirabolante para pôr fim à ditadura.  É no Café Gelo, ao Rossio, um conhecido pouso de artistas surrealistas por aquela altura, que vai recrutar militantes para um movimento que pretende derrubar Salazar. Até que aparece uma loura misteriosa para dar a volta ao plano.See omnystudio.com/listener for privacy information.

Abril de 1960. “Gavroche” entra em pânico quando descobre que os antigos companheiros da “organização secreta” a que pertencia foram presos e confessaram o homicídio de um dos membros do grupo, responsável pela obscura “Operação Papagaio”. Desde a adolescência que Gavroche — alcunha pela qual Henrique dos Santos Carvalho é conhecido — está envolvido em movimentos de oposição ao Estado Novo. Mas é só depois das eleições de 1958, em que o General Humberto Delgado desafia o regime, que tem a ideia para um plano mirabolante para pôr fim à ditadura.  É no Café Gelo, ao Rossio, um conhecido pouso de artistas surrealistas por aquela altura, que vai recrutar militantes para um movimento que pretende derrubar Salazar. Até que aparece uma loura misteriosa para dar a volta ao plano.See omnystudio.com/listener for privacy information.

Abril de 1960. “Gavroche” entra em pânico quando descobre que os antigos companheiros da “organização secreta” a que pertencia foram presos e confessaram o homicídio de um dos membros do grupo, responsável pela obscura “Operação Papagaio”. Desde a adolescência que Gavroche — alcunha pela qual Henrique dos Santos Carvalho é conhecido — está envolvido em movimentos de oposição ao Estado Novo. Mas é só depois das eleições de 1958, em que o General Humberto Delgado desafia o regime, que tem a ideia para um plano mirabolante para pôr fim à ditadura.  É no Café Gelo, ao Rossio, um conhecido pouso de artistas surrealistas por aquela altura, que vai recrutar militantes para um movimento que pretende derrubar Salazar. Até que aparece uma loura misteriosa para dar a volta ao plano.See omnystudio.com/listener for privacy information.

Abril de 1960. “Gavroche” entra em pânico quando descobre que os antigos companheiros da “organização secreta” a que pertencia foram presos e confessaram o homicídio de um dos membros do grupo, responsável pela obscura “Operação Papagaio”. Desde a adolescência que Gavroche — alcunha pela qual Henrique dos Santos Carvalho é conhecido — está envolvido em movimentos de oposição ao Estado Novo. Mas é só depois das eleições de 1958, em que o General Humberto Delgado desafia o regime, que tem a ideia para um plano mirabolante para pôr fim à ditadura.  É no Café Gelo, ao Rossio, um conhecido pouso de artistas surrealistas por aquela altura, que vai recrutar militantes para um movimento que pretende derrubar Salazar. Até que aparece uma loura misteriosa para dar a volta ao plano.See omnystudio.com/listener for privacy information.

This week, Gilly is with one of the main players in the story of modern British food, Michel Roux JuniorHis Mayfair restaurant, le Gavroche is a London legend, and its closure last month 57 years after his father and uncle, the Roux Brothers changed the game in British food, is a milestone in the way we eat. At 63, he's ready for the next chapter, and he's marking it with his latest book, Michel Roux at home. I asked him how he's feeling.Head to Gilly's Substack Extra Bites for recipes from Michel's food moments. Hosted on Acast. See acast.com/privacy for more information.

In a few days' time the doors of The Gavroche will close for the last time. Jane Anson talks to Michel Roux Jnr about his legendary restaurant and its amazing cellar of 100,000 bottles. Listen in to find out what is going to become of the cellar and find out which wine Michel has chosen to drink on the last day. A huge thank you to Michel for all the fabulous memories you have given us at The Gavroche – some of our happiest days.Find out more at wine-conversation.com

durée : 00:30:00 - Les Nuits de France Culture - par : Philippe Garbit - Dans cette causerie intitulée "Des chandelles aux projecteurs" il était question de la grand comédienne française Réjane, (1ère diffusion : 27/11/1963 France III Nationale).

Cw: fatphobia, descriptions of war wounds, gender essentialism, descriptions of protest This week, Nemo encounters a time loop version of themself before starting a fun fact corner about Hugo, dates and revolution. What if Victor Hugo was President of France?? Lamarque's funeral continues and we get some precious time with our son Gavroche as he goes on some adventures.    This podcast was produced by Nemo Martin and Julian Yap. The audio direction and intro composing is by JDWasabi. It is a Captain's Collection Creation. Bread & Barricades (@LesMisPodcast) | Twitter Bread & Barricades | Tumblr Ko-fi: https://ko-fi.com/lesmispodcast  Patreon: https://www.patreon.com/LesMisPodcast

Listen in to Omnibus XXIV for all the latest wine news and views. John Stimpfig applauds the launch of the old vine registry, and looks back with Sarah Kemp on the life of Don St Pierre Snr who had such an impact on the fine wine scene in China. They discuss the recent purchase of William Fèvre Chablis by DBR Lafite, and agree it is a smart move. As always, there is a weather watch, with this month's grim news coming from Italy and SW France in the shape of mildew and over-the-pond wildfires in Canada. Elin McCoy discusses E&J Gallo's recent purchase of Rombauer and Massican, and reports on the reasons for the two significant sales. She reveals the new head of Sotheby's wine department plans which include looking at what people are collecting right now. From Bordeaux Jane Anson talks about the September releases from the Place de Bordeaux and names the icon names to look out for. All this and much more… and a teary goodbye to the fine wine trade's favourite restaurant, The Gavroche.Find out more at wine-conversation.com

Dylan and Connor are joined by Julian Lerner (Oliver!, The Wonder Years). In the midst of rehearsals for the highly anticipated New York City Center production of Oliver!, Julian talks the Drama boys all about the show and his role of the Artful Dodger. Working with Raul Esparza, Lilli Cooper, and the extremely talented cast are only the beginning. But that's not all. Julian talks about playing Gavroche in the national tour of Les Misérables when he was nine years old. Nick Jonas is SHAKING. Julian teases season two of The Wonder Years on ABC, dishes on working with Jenna Ortega and Jennifer Garner in Yes Day on Netflix, and talks about his favorite musicals and TV shows (Schmicago, anyone?). The boys wonder about Olivia Rodrigo's whereabouts, giggle over James Marsden in Jury Duty, and Connor reviews White Girl in Danger. Tune in to hear us chat about it allllll.Follow Julian on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by Connor

In this very musical edition of How to Eat an Elephant, the team compares the various attitudes toward revolution that we see in this section as they are expressed by Grantaire, Enjolras, Gavroche, and Marius. Join the Facebook discussion group here!Follow along with our reading schedule: https://www.centerforlit.com/hee

This week we wrestle through Hugo's philosophy of love and follow Gavroche into the nooks and crannies of Paris. Join the Facebook discussion group here!Follow along with our reading schedule: https://www.centerforlit.com/hee