Recording of a stage musical by the cast
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Neil Berg's latest musical The Sabbath Girl: The Musical, written with book writer/co-lyricist Cary Gitter, just finished an incredible, sold-out run at The Penguin Repertory Theatre (directed by Joe Brancato), before transferring to NYC for a six-week summer run Off-Broadway at 59 East 59th Theaters to rave reviews. The Original Off-Broadway Cast Recording of The Sabbath Girl: The Musical is available on Centerstage Records. Producers are now in the process of moving the show for an open-ended commercial run. Neil is the composer/co-lyricist, along with Pulitzer Prize/TONY-winning playwright Robert Schenkkan, of the award-winning new musical The 12, which just finished a very successful pre-Broadway tryout to critical and audience acclaim at the Goodspeed Opera House, directed by TONY award-winning director John Doyle, produced for Broadway by Cody Lassen & Joe Grano. The 12 previously ran at The Denver Center to unanimous rave reviews and won the 2015 HENRY Award for best new play or musical. Original Cast recording will be available in the winter of '24. Broadway opening anticipated in 2025/2026 season. Neil is currently in development as the composer of the new Broadway-bound musical version of My Cousin Vinny, based on the iconic movie, with book/lyrics by original screenwriter, Dale Launer. Neil has a new commissioned musical, How My Grandparents Fell in Love, opening in July of '25 at The NJ Rep Theater, collaborating again with book writer/co-lyricist Cary Gitter, directed by Artistic Director SuzAnne Baribas. Neil's other new musical, Charlie Hustle, with book/lyrics by Ryan Noggle, is about controversial baseball icon Pete Rose and the story of his gambling addiction that led to his downfall. Charlie Hustle will have its first developmental production in Detroit, Michigan in the fall of '24. Neil is the composer for the popular musical version of Grumpy Old Men: The Musical, based on the Warner Brothers movie classic starring Jack Lemmon and Walter Matthau, which had its official U.S. Premiere at The Ogunquit Playhouse in Maine to rave reviews, and La Mirada Theater in LA, starring Cathy Rigby. Other actors include F. Murray Abraham, TONY Award winner George Hearn, Marilu Henner, and Carole Kane. It is currently produced/licensed at many regional & community theaters across the United States. Licensing rights are with TRW (Theatrical Rights Worldwide). The Original Cast Recording of Grumpy Old Men: The Musical is available on Centerstage Records. Neil Berg is also the composer/lyricist of the hit Off-Broadway musical The Prince and the Pauper, which ran for two years at the Lambs Theater in New York City. The New York Times raved that The Prince and the Pauper "[soars] on wings of theatrical fun." The original cast CD is released internationally on Jay Records, sheet music published by Hal Leonard, and licensing by Samuel French Inc. Songs from this show are also featured with many other classic songs in the official Off-Broadway Songbook, published by Hal Leonard. CARY GITTER is the playwright-in-residence at Penguin Rep Theatre in Stony Point, New York. His plays include THE STEEL MAN (Penguin Rep); GENE & GILDA (George Street Playhouse, Penguin Rep); THE VIRTUOUS LIFE OF JOSEPH ANDREWS (Penguin Rep), adapted from the Henry Fielding novel; and THE SABBATH GIRL (off-Broadway, 59E59 Theaters; Penguin Rep; Invisible Theatre; Theatre Ariel; published by Stage Rights). His musicals include THE SABBATH GIRL (59E59, Penguin Rep) and HOW MY GRANDPARENTS FELL IN LOVE (New Jersey Repertory Company), both written with composer/co-lyricist Neil Berg. His play HOW MY GRANDPARENTS FELL IN LOVE was a New York Times Critic's Pick as part of the Ensemble Studio Theatre's (EST's) 36th Marathon of One-Act Plays. It was later recorded for the acclaimed podcast Playing on Air, as was his one-act THE ARMY DANCE. He has received commissions from the EST/Alfred P. Sloan Foundation Science & Technology Project, Penguin Rep, and West of 10th. He is an alumnus of EST's Obie Award-winning Youngblood playwrights' group. His full-length plays have been developed by the Berkshire Playwrights Lab, the Chameleon Theatre Circle, the Cincinnati Playhouse in the Park, EST, the Jewish Ensemble Theatre, the Jewish Plays Project, the Levine Jewish Community Center, NJ Rep, NYU, Seven Angels Theatre, West of 10th, and Wordsmyth Theater Company. He is a three-time O'Neill semifinalist and a two-time Jewish Playwriting Contest finalist, and he has received NYU's John Golden Playwriting Prize and honorable mentions for the New England Theatre Conference's Aurand Harris Memorial Playwriting Award and the Kennedy Center's Rosa Parks Playwriting Award.
originally released: May 5, 2021 Two Guests for the price of one! Chris & Holly from the podcast Out for Blood: The Story of Carrie the Musical are here for a show they did at Edinburgh Fringe that bears more than a passing resemblance to said Stephen King musical. CW: sexual assault. Topics include: Holly as the lead, singing Wicked during Bat Boy, does Off-West End exist?, bags of wigs, and Carrie (of course). Out for Blood: The Story of Carrie the Musical Big Diva Energy Podcast Featured recordings: Bat Boy - Original Cast Recording (2001) • Bat Boy - Original London Cast Recording (2004) DO YOU LIKE MOVIE MUSICALS? DO YOU LIKE SONDHEIM? Then you will love our PATREON podcast The Original Cast at the Movies because 2021 is all about Sondheim Movie Musicals!! Our latest Sondheim-excursion has Logan Culwell-Block (Little Shop of Horrors) and Sophie Schulman (Funny Girl) digging into Sondheim's fabled TV-mini-musical Evening Primrose (1966). Patreon • Twitter • Facebook • Email
part 1 originally released: January 10, 2018 Dramaturg Lauren Halvorsen is here for the first of our epic, two-part dive into both musical versions of THE WILD PARTY. Here we cover not only Andrew Lippa's off-Broadway take on Queenie, Burrs, Black, et al.; we also talk through Joseph Moncure March's novella-length poem upon which both musicals are based. part 2 originally released: January 17, 2018 The thrilling conclusion to our deep-dive into THE WILD PARTY. We talk the La Chuisa/Wolfe Broadway version, Mandy Patinkin, the philosophy of adaptation, Mandy Patinkin, which we prefer, and Mandy Patinkin in . . . (not a joke, wish it was) blackface. Poem excerpts read and recorded by Lee Liebeskind. Featured recordings: THE WILD PARTY - Original Cast Recording (2000) THE WILD PARTY - A Decca Broadway Original Cast Album (2000) FORBIDDEN BROADWAY - Vol. 5: Forbidden Broadway Cleans Up Its Act! (1999) PATREON! Twitter.com/OriginalCastPod Facebook.com/OriginalCastPod OriginalCastPod@gmail.com
Once again, we find ourselves back at Natasha, Pierre, and the Great Comet of 1812, the show that we just can't escape, nor would we wish to. This time, we're finishing our miniseries on Second Act Openers with the excellent "Letters," where Dave Malloy crams so much content into only 6 minutes that we're almost left a little speechless. Almost. All clips are from the 2013 Original Cast Recording of Natasha, Pierre, and the Great Comet of 1812 featuring Dave Malloy as Pierre, Phillipa Soo as Natasha, Gelsey Bell as Princess Mary, Lucas Steele as Anatole, and Manik Choksi as Dolokhov and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Buy/listen to the performance on Amazon! Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com
originally released: June 28, 2017 Helen Hayes Award-winner Doug Wilder brings us our third Zeitler! A tiny, dark comedy musical about a serial killer and a cop and the woman the cop loves and the mother of the serial killer and also the cop's mother. Topics include: earnest love, montage theory, and DEATH TO SMOOCHY. Featured recordings: NO WAY TO TREAT A LADY - Original Cast Recording (1997) Twitter.com/OriginalCastPodFacebook.com/OriginalCastPodEmail: OriginalCastPod@gmail.com
originally released: March 29, 2017 Sound designer Kenny Neal comes by to talk about what he describes as “nobody's favorite musical.” Topics include: “What?,” “Why?,” “Really?,” “He does?,” “They are?,” and “I don't get it.” Featured recordings: STARLIGHT EXPRESS - The Original Cast Recording (1984) Twitter.com/OriginalCastPodFacebook.com/OriginalCastPodEmail: OriginalCastPod@gmail.com
originally released: June 10, 2020 Director/podcaster Robert W. Schneider is here for a musical whose legacy may be unfairly besmirched by an infamous Tony speech. Topics Include: George Hearn, staging the overture, cutting the entr'acte, and maybe revoking Rob's gay card live on the air! Featured Recording: La Cage Aux Folles - Original Cast Recording (1983) MERCH! T-shirts! Totes bags! BASEBALL SHIRTS! ETCETERA! DO YOU LIKE MOVIE MUSICALS? Join us on PATREON to get our patrons-only podcast The Original Cast at the Movies! Right now you can hear Kimberly Cooper Schmidt (The Light in the Piazza) and Jay Schmidt (The Full Monty) talk about the best mockumentary ever made This is Spin̈al Tap (1984)! Patreon • Twitter • Facebook • Email
Can two brilliant minds outsmart the law? In 1924 Nathan Leopold and Richard Loeb, two wealthy University of Chicago students, sought to commit the perfect crime simply for the thrill of it. They meticulously planned the kidnapping and murder of 14-year-old Bobby Franks, a distant relative of Loeb. Despite their careful plotting, a pair of eyeglasses left at the crime scene linked them to the murder. Their trial captivated the nation, especially with the famous defense attorney Clarence Darrow arguing against the death penalty. The chilling lack of remorse and intellectual arrogance displayed by Leopold and Loeb turned this case into one of the most notorious in American history! Two of my passions are True Crime and the stage. In this segment of Murder Most Foul, I have been able to combine them into one podcast. Lizzie Borden can boast numerous plays, an Opera and a Ballet choreographed by the legendary Agnes DeMille inspired by her crimes. My guest today, Stephen Dolginoff, turned the story of thrill-killers Leopold and Loeb into theatrical musical, entitled appropriately “Thrill Me,” which is still thrilling audiences today. He also recently wrote a fascinating book on the 30-year odyssey of taking his vision from first draft to the stage and beyond. ----------------------------------------------------------------- The musical interludes throughout the podcast are from the Original Cast Recording starring Stephen Dolginoff as Leopold and Doug Kreeger as Loeb.
Justin is the oldest brother on the My Brother, My Brother and Me podcast but is also a best-selling author, voice actor, and community theatre director. And he's here with a show that rode the early-90s obsession with the late-60s to Tony glory! Topics include: how Tommy is like Joseph from a protagonist standpoint, seeing the original Broadway production of Smokey Joe's Cafe, the jauntiest song about molestation, and (weirdly) the State Farm's Super Bowl commercial. The McElroy Dot Family Featured recordings: The Who's Tommy - Original Cast Recording (1993) • Tommy - The Who (1969) • Who's Next - The Who (1971) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2024 is THE YEAR OF *BARBARA* celebrating the filmography of Tony winner and Oscar nominee Barbara Harris! Patreon • Twitter • Facebook • Email
This week wraps up my chat with Jonathan Butler-Duplessis (Hamilton Broadway: Aaron Burr, George Washington, and Mulligan/Madison) and he's taking questions from The Patreon Peeps so we're all over the map. There's lots of pizza talk (obviously), Jonathan gives advice about being weird and authentic and finding your people, he talks about his fascination with the 2019 Cats movie, manifests his dream of playing Elphaba, and confesses how many times he's read that erotica book that's onstage at Hamilton. Plus! Jonathan explains why he sees his Broadway debut as Burr as a return on a lot of people's investments, and he does some deep introspection about relating to the frustration and ambition of Aaron Burr, a role Jonathan never thought he'd play because according to him, "no one is ever gonna let him LEAD a show." Counting Stars by Nujabes A tribute to J-Dilla and Nujabes Patzeria Perfect Pizza aka Scientology Pizza No Good Deed from the Original Cast Recording of Wicked What The Internet Did To Garfield A Beginner's Guide to the Monogatari Series /// Jonathan on Instagram Jade Armor The Plate Show Podcast /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps
Stephen is the incoming President & CEO of the Music School of Delaware of which Patrick is an alumnus (but Stephen doesn't know that when we start so keep it under your hat). Topics include: sensitive kids, deceptive simplicity, passing on Rooster, mom's lullabies, George C. Wolfe's Annie, and the teachers who poured themselves into us. The Music School of Delaware Featured recordings: Annie - Original Cast Recording (1976) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2024 is THE YEAR OF *BARBARA* celebrating the filmography of Tony winner and Oscar nominee Barbara Harris! Patreon • Twitter • Facebook • Email
It is impossible for me to overstate how special it was to speak with Austin Pendleton. An actor's actor, playwright, director, and a wonderfully kind human being. I hope you enjoy this episode as much as I do. Topics include: working with jazz artists, Salvador Dalí on the phone at 4:00am, trying to blow off Jerome Robbins (and failing), promises made to Zero Mostel, Barbara Harris & Hunter College, acting with Kermit the Frog, and Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad. Austin Pendleton's Wikipedia page Featured recordings: The Last Sweet Days of Isaac - Original Cast Recording (1970) • People - Barbra Streisand (1964) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2023 is THE YEAR OF BARBRA celebrating the filmography of Ms. Barbra Joan Streisand! Patreon • Twitter • Facebook • Email
Patrick and Patrick have been friends for multiple decades and they talk entirely about Swing! and they don't almost immediately diverge into talking about the Harry Connick Jr/Jessie Mueller revival of On a Clear Day You Can See Forever that Patrick was in and I don't know how these rumors get started. Topics include: the dark corners of Joe Allen's, the concrete floors of Toby's, Anne Hampton Calloway, dinner-theatre CATS, the St. James Theatre (aka: the horseshoe of death), meeting Jessie Mueller, Almost Famous, being “the kiss of death,” and Harry Connick Jr's assistant. Patrick O'Neill Dot Me Ben Brantley's 2011 review of On a Clear Day You Can See Forever Featured recordings: Swing! - Original Cast Recording (1999) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2023 is THE YEAR OF BARBRA celebrating the filmography of Ms. Barbra Joan Streisand! Patreon • Twitter • Facebook • Email
This is a fun one… (but, they've all been fun for me). It's being performed by the immortal Stubby Kaye, or “Unkie” as he's known around our house because he's the great uncle of my daughter-in-law. Her brother is the spitting image of the musical comedy great, which demonstrates the endurance of Stubby's DNA. The other performer on the recording is Mr. Jonny Silver. This jaunty track, composed by one of Broadway's brightest bards, Frank Loesser, is served up with gravity-defying lyrics that are sensuously juicy, surprising, and ever-joyfilled: (“Call is hell, call it heaven, it's a probable 12 to 7, that the guy's only doin' it for some doll!”) Of course, the raw material from Damon Runyon ain't bad, either - a good time was guaranteed to Broadway theatergoers during the season of 1950. Stubby had a bright, clarion voice - like a cornet - a necessary quality for yesterday's unamplified thespians wanting to hit the back row - and the man performs lustily with his megaphone of mirth. He was a staple of the Great White Way, and this one of a kind performance was captured on film as well. Funny story: I auditioned for a dinner theatre production of Guys and Dolls once - I was responding to an open call in Backstage. I didn't know the title song, but I thought it'd be a fine idea to listen to the recording at the Lincoln Center Library to bone up before attempting it at the appointment. Who was I kidding? These lyrics required a lot more preparation than a couple of silent run-throughs, and when I got in the room and begun: “What's playin' at the Roxy…?” My mind went blank, and I just kept repeating that question, like a mantra, as the flop sweat poured over my eyebrows into my mouth. I was out of my league.
CHICAGO Book by Peter Stone | Music & Lyrics by Sherman Edwards | Based on a concept by Sherman EdwardsWorks Consulted & Reference :1776 (Original Libretto) by Peter Stone & Sherman Edwards"The Making of America's Musical - 1776: The Story Behind the Story" by Jeffrey KareMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Sit Down, John" from 1776 (Original Broadway Cast Recording) | Music & Lyrics by Sherman Edwards | Performed by Sherman Edwards, William Daniels, 1776 Ensemble, Peter Howard"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
FUNNY GIRL Music by Jule Styne | Lyrics by Bob Merrill | Book by Isabel Lennart from an original story by Miss Lennart Works Consulted & Reference :Funny Girl (Original Libretto) by Isabel Lennart & Bob MerrillJule: The Story of Composer Jule Styne by Theodore TaylorMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording (Original Cast Recording / Deluxe) | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr. | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording) | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording) | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Don't Rain on My Parade” from Funny Girl (Original Broadway Cast Recording) | Music by Jule Styne | Lyrics by Bob Merrill | Performed by Barbra Streisand"Maria" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff
Off Book as a weekly released podcast is coming to a joyous conclusion at 300 episodes. Tune in as we book some all time faves for a fantastic finale!-But we could never just fully say goodbye! We'll be hosting all episodes for free forever!-We'll continue to perform LIVE and all those eps will be published-We're working on tour dates now! We'll be trying to reach some new cities as well as revisit others -Watch the space for future FamBand Livestream shows-Please take this opportunity to cancel your Memberful if you'd no longer like to sponsor us. We totally get it! The original description of the Memberful will no longer exist but if you'd like to support us by helping to cover hosting fees we appreciate it, if not, no worries! -Launching this summer on the same feed we'll be publishing episodes of a BRAND NEW venture. Zach and Jess write a new musical and you listen in and help them shape it, with the goal of an Original Cast Recording at the end of the year. Finally, thank you thank you to the BEST fans in the world. You've created an amazing, kind, supportive and hilarious community. You've helped us shape what Off Book is and we don't have the words for what you mean to us. We hope you'll stick with us as we transition into the next phase but we'll be forever grateful for what you've given us over the past (almost) 6 years. We love you!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Liz is an actor, writer, and musical theatre kid from way back. And she's here with a show that is possibly more relevant now than when it debuted. Topics include: going into the City by yourself when you're 13, Little Sally, Urinetown the place, transferring at Jamaica, Brechtian (in the true sense), and is this show ahead of its time? Liz on Medium Featured recordings: Urinetown the Musical - The Original Cast Recording (2001) • Songs in the Key of Springfield - The Simpsons (1997) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2023 is THE YEAR OF BARBRA celebrating the filmography of Ms. Barbra Joan Streisand! Patreon • Twitter • Facebook • Email
Debra is the author of the new biography Robert Preston: Forever the Music Man. And she's here to talk about Preston's most famous flop from the team that brought you Hello, Dolly!. Topics include: working actors, voicemails from Rosemary Harris, journalism, Robert Preston not getting cast in things over and over again, and Christopher Walken. Buy Robert Preston: Forever the Music Man! Featured recordings: Mack & Mabel - Original Cast Recording (1974) • The Music Man - Original Broadway Cast (1957) • Mame - Original Motion Picture Soundtrack (1974) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2023 is THE YEAR OF BARBRA celebrating the filmography of Ms. Barbra Joan Streisand! Patreon • Twitter • Facebook • Email
This episode is also available as a blog post: https://thecitylife.org/2023/01/12/between-the-lines-original-cast-recording-will-celebrate-album-release-at-54-below/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
Season 2, Episode 3 - Geoff Smith, Katie Pinder Brown, and Ken Gustafson join Matt to talk about the longstanding tradition of the piano bar. Topics includethe allure and accessibility of the show, multiple strategies for an ideal performance,balancing entertainment and musicality,and how a piano bar show can affect an audience.GuestsGeoff Smith is a prolific American music producer and performer. His work includes custom music creation for all forms of media and live- musical performance. Geoff's most recent projects include producing the new Cast Recording for the Musical KINGDOM COME and touring with the Wallflowers on bass guitar.Geoff grew up in Franklin in a musical family and studied music at Boston Conservatory and Berklee College of Music in the early 90s. While in college, Geoff began working for Opryland/Gaylord as a theme park performer in their Nashville and San Antonio, Texas parks. While in Texas, Geoff joined Howl At The Moon Dueling Pianos in 1995 and became the founding Entertainment Director for Crazy Pianos in Rotterdam, Holland, in 1997. While living in Europe, Geoff studied songwriting and studio production at Paul McCartney's Liverpool Institute for Performing Arts. Upon returning to the States, Geoff Smith became one of the original founding members of The Big Bang Dueling Piano Bar management team in 2001 (www.thebigbangbar.com). He co-founded Rock and Roll Pianos, a live event music company (www.rockandrollpianos.com). Geoff is a session musician and educator in Nashville and has been the touring bassist for the Wallflowers in 2018 and 2019. Other artists Geoff has played with include Will Lee, Phil Keaggy, Gabe Dixion, Sugar and the Hi-Lows, and Jim Messina. Geoff teaches grammar school music at Franklin Classical School. He is also a partner and the producer of www.ringtonefeeder.com - an innovative ringtone service. Geoff Smith has been an active supporter and composer for the Songs of Love Foundation since 2006. Geoff has had TV and commercial placement for his music (heard on the Voice, American Pickers, MTV Awards, and various ads for companies such as Blackberry and GoDaddy.) Geoff has produced the Original Cast Recording of the musical KINGDOM COME by well-known CCM and Soul Musician and his father, Moose Smith. Awards include:Winner of the Big Gig Jingle Contest for the Nashville MTA 2008 Winner of the 2007 Carolina Beach Music Award For Best Duo and Collaboration for the song "Rhythm" with the Impressions.You can find out more about Geoff can be found at his website: www.thegeoffsmith.comKatie Pinder Brown is an accomplished, versatile singer and piano entertainer based in Orlando whose dynamic voice, charismatic presence, and impressive repertoire have dazzled and delighted international audiences. Katie adeptly tackles various genres, from musical theatre and jazz to pop/top 40, from classical to rock 'n' roll. She has made a name for herself in Florida and beyond as a vocal chameleon, a human jukebox, and a musical Jill-of-all-trades. So far, her career has brought her to 25 US states, 18 countries, and four continents, and her goal is to rock all seven before she retires. She hopes her newly created Carole King tribute show Natural Woman will take her all the way. As a dueling piano player, she facilitates an extraordinary range of song requests with aplomb and expertly collaborates with countless partners instantaneously on her travels. She also founded her Certified Women-Owned production company Piano Party, which is emerging as an industry leader in world-class piano entertainment and specializing in all-female shows.Katie comes from a very musical family in Georgia who soweSupport the show
This episode is also available as a blog post: https://thecitylife.org/2022/11/19/between-the-lines-original-cast-recording-due-from-ghostlight-records-in-2023-now-available-for-pre-order-dads/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
Paul was the editor and publisher of the famed Sondheim Review and he's written a book about his relationship with the master entitled Sondheim & Me (which is great and you should buy it and read it)! And he's here with one of the first musicals he saw that engendered a life-long vocation. Topics include: seeing Do I Hear a Waltz? In its original Broadway run, translating Sondheim lyrics, donating your media, Greek mythology, and the time Stephen Sondheim got SO mad. Paul's works on Bookshop Dot Org Featured recordings: The Golden Apple - Original Cast Recording (1954) • Off Broadway - Jerry Orbach (1963) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where this year we're talking musical sequels and musical biopics! Patreon • Twitter • Facebook • Email
Stephanie is an actor, musician, and theatre practitioner who is here for a one-act, five-actor musical telling the true story of a future saint, her friend locked in a church, and her eye, hand, and mouth. Topics include: anchoresses, nuns, Catholic college, intentional dissonance, wrestling with songs, and staying true to yourself in the midst of it all. Stephanie Ridgeway Johnson Featured recordings: In the Green - Original Cast Recording (2019) • Novelty Idols - Stephanie Ridgeway Johnson (2021) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where this year we're talking musical sequels and musical biopics! Patreon • Twitter • Facebook • Email
NEXT TO NORMAL COMPOSER: Tom Kitt LYRICIST: Brian Yorkey BOOK: Brian Yorkey DIRECTOR: Michael Greif CHOREOGRAPHER: Sergio Trujillo PRINCIPLE CAST: Alice Ripley (Diana), J. Robert Spencer (Dan), Aaron Tveit (Gabe) OPENING DATE: Apr 15, 2009 CLOSING DATE: Jan 16, 2011 PERFORMANCES: 733 SYNOPSIS: Diana, a suburban wife and mother, is so devoted to her teenage son Gabe that she has neglected her other family members. What makes matters even more complicated is that Gabe died when he was two years old. As Diana slips further and further away from reality her family must try to save her. Lyricist and book writer Brian Yorkey discusses his collaboration with composer Tom Kitt and director Michael Greif and the challenges in musicalizing a mental health crises in Next to Normal. Yorkey reflects on the delicate balancing act between presenting heavy subject matter and introducing levity to a narrative through humor without belittling mental illness. The development process of the musical helped the creative team realize the themes they were most invested in exploring. Controversial subject matter studied through a rock musical earned the surprise attention from the Pulitzer Prize committee and expanded the potential thematic focus of future Broadway musicals. Brian Yorkey received the 2010 Pulitzer Prize for Drama, as well as the 2009 Tony Award for Best Score, for Next to Normal. He was also nominated for the Tony Award for Best Musical and Best Book of a Musical for Next to Normal, and his work on the show earned him the Outer Critics Circle Award for Best Score. He's a graduate of Columbia University, an alum of the BMI/Lehman Engel Musical Theatre Workshop and a proud member of the Dramatists Guild and the WGA. SOURCE Next to Normal, Original Cast Recording, Ghostlight Records (2009) Next to Normal by Tom Kitt and Brian Yorkey, published by Theatre Communications Group (2010) Learn more about your ad choices. Visit megaphone.fm/adchoices
IN THE HEIGHTS COMPOSER: Lin-Manuel Miranda LYRICIST: Lin-Manuel Miranda BOOK: Quiara Alegria Hudes DIRECTOR: Thomas Kail CHOREOGRAPHER: Andy Blankenbuehler PRINCIPLE CAST: Robin De Jesus (Sonny), Mandy Gonzalez (Nina), Lin-Manuel Miranda (Usnavi), OPENING DATE: Mar 09, 2008 CLOSING DATE: Jan 09, 2011 PERFORMANCES: 1,184 SYNOPSIS: Washington Heights, New York is the diverse environment that holds an eclectic group of citizens. Usnavi, the show's narrator and bodega manager, observes the lives of his neighbors as they begin to forge new paths in and out of the barrio. In the Heights was the first Broadway musical to rely on rap as its primary mode of storytelling. Composer Lin Manuel Miranda first began developing the show while a student at Wesleyan University with a desire to share his perspective as a child of immigrants and emphasize a universal desire to find belonging. Devon Hunt traces In the Heights' seven year development process, collaborators Thomas Kail and Quiara Alegría Hudes, and outlines the significant cultural influences which informed the work. The musical is significant as a Latinx-authored, authentic telling of Latinx immigrant stories and its success laid the groundwork for Miranda's later artistic accomplishments. Devon Hunt is an Assistant Professor of Theatre at Oklahoma State University. His areas of research include secondary musical theatre educator training and Black contributions to early 20th-century musical theatre. Selected regional acting credits: She Loves Me (SDSU), A Chorus Line (Welk Resorts Theatre), The Producers (Moonlight Amphitheatre), and the world premiere of The Tale of Despereaux (The Old Globe/PigPen Theatre). Devon holds an MFA in Musical Theatre from SDSU and an MM in piano performance from the University of Maryland. He is an Equity Membership Candidate and a proud member of the Musical Theatre Educators' Alliance. SOURCES In The Heights by Quiara Alegria Hudes and Lin Manuel Miranda, published by Applause Libretto Library (2013) In The Heights, Original Cast Recording. Ghostlight Records (2008) Learn more about your ad choices. Visit megaphone.fm/adchoices
JERSEY BOYS COMPOSER: Bob Gaudio LYRICIST: Bob Crewe BOOK: Marshall Brickman, Rick Elice DIRECTOR: Des McAnuff CHOREOGRAPHER: Sergio Trujillo PRINCIPLE CAST: Christian Hoff (Tommy), Daniel Reichard (Bob), John Lloyd Young (Frankie) OPENING DATE: Nov 06, 2005 CLOSING DATE: Jan 15, 2017 PERFORMANCES: 4,642 SYNOPSIS: The rise and fall of The Four Seasons, a real-life band that dominated the 1960s music scene, is told through rotating narrators, who all offer their own theories as to why the band succeeded and subsequently dissolved. The early 2000s saw an onslaught of failed jukebox musicals which aimed to capitalize on the disposable income of former rock fans by luring them to the theatre with familiar songs. Jersey Boys was successful because it tells the true, engrossing story of the Four Seasons and juxtaposes the violence of the narrative against the sterile, cherry tunes for which the band was known. Rick Elice examines how contradicting stories from the three living band members lent the show a multi-perspective narrative frame. The show set the standard for jukebox musicals which tell the story of the artists behind the music and led a fleet of such shows to Broadway for decades such as Beautiful and Tina. Rick Elice co-wrote Jersey Boys (winner 2006 Tony Award, 2007 Grammy Award and 2009 Olivier Award for Best Musical) with Marshall Brickman. His play, Peter and the Starcatcher, received nine 2012 Tony Award nominations (including two for Rick) and won five, more than any play of the season. It's currently playing in New York and on tour across North America. Also on Broadway, Elice wrote The Addams Family (with Marshall Brickman, music and lyrics by Andrew Lippa), currently touring North America, with productions in Europe and South America. In 2014, the Old Globe Theatre in San Diego presented the world premiere of his new musical, Dog and Pony (music and lyrics by Michael Patrick Walker). Rick is currently writing a musical for Disney Theatricals with Benj Pasek and Justin Paul, based on the film Make Believe, and Super Fly (co-written with Seth Zvi Rosenfeld), directed and choreographed by modern dance legend, Bill T. Jones. Heartfelt thanks to those whose work in the theatre makes him grateful for the day he was born: Sondheim, Stoppard, Bennett, Prince, Fosse, Robbins, Nichols, Tune, Nunn, Laurents, Stone, Kushner, Taymor, Papp, Schumacher, Schneider, Coyne, Brickman, Timbers and Rees. Rick thinks about them a lot. He never thought about Jersey much. He does now. SOURCES Jersey Boys, Original Cast Recording. Decca Records (2005) Jersey Boys starring Erich Bergen and John Lloyd Young, directed by Clint Eastwood. Warner Brothers (2014) Jersey Boys: The Story of Frankie Valli & The Four Seasons by David Cote, published by Broadway (2007) Learn more about your ad choices. Visit megaphone.fm/adchoices
WICKED COMPOSER: Stephen Schwartz LYRICIST: Stephen Schwartz BOOK: Winnie Holzman SOURCE: Gregory Maguire's book Wicked: The Life and Times of The Wicked Witch of The West (1995) DIRECTOR: Joe Mantello CHOREOGRAPHER: Wayne Cilento PRINCIPLE CAST: Norbert Leo Butz (Fiyero), Kristin Chenoweth (Glinda), Idina Menzel (Elphaba), OPENING DATE: Oct 30, 2003 CLOSING DATE: Still running as of this publication PERFORMANCES: +6000 SYNOPSIS: Elphaba is a guarded young lady who is inflicted with green skin. Her roommate Glinda is an outgoing, popular student. Together, they navigate life at Oz's Shiz University. Their rocky partnership is made even more tumultuous when they discover they are both in love with Fiyero, a fellow classmate. Though its tryouts and opening were met with mixed reviews, Wicked has maintained international popularity. Beginning with composer and lyricist Stephen Schwartz's first encounter with Gregory Maguire's book, Wicked's path to Broadway included some of the American theatre industry's most notable talents, including Kristin Chenoweth, Idina Menzel, Joe Mantello, and Wayne Cilento. Lauren Haughton makes the argument that the inclusion of screenwriter Winnie Holzman as the librettist for Wicked allowed the show to examine the relationships of adolescent girls in a uniquely authentic way, positing the musical as a pioneering exploration of feminine friendship. The musical's employment and subversion of standard musical theatre conventions is outlined through a feminist lens and broad ideologies of mainstream feminist movements are applied to the show's storyline. Winnie Holzman is an American dramatist, screenwriter, and poet. She is known for having created the ABC television series My So Called Life which led to a nomination for a scriptwriting Emmy Award in 1995, as well as her work writing for thirtysomething and Once and Again Holzman has garnered fame for her work on Broadway, most notably for co-writing the smash stage musical Wicked. Lauren Haughton Gillis is currently an Assistant Professor of Musical Theatre at Indiana University. She has served on faculty at Northwestern University and San Diego State University. As a director/choreographer she recently finished a fellowship at the La Jolla Playhouse on their production of Fly. Earlier this season she choreographed She Loves Me at San Diego Musical Theatre, was the associate director on Jesca Prudencio's PDA at the La Jolla Playhouse Without Walls Festival and directed and choreographed the world premiere of The Magic Hummingbird. As a performer, Lauren appeared on Broadway in Wicked, at the Goodman Theatre in Turn of the Century (with Tommy Tune), at The Old Globe in Sammy (with Leslie Bricusse), and at Maine State Music Theatre in Hans Christian Anderson (with Maury Yeston) Lauren holds an MFA in Musical Theatre from San Diego State University and a BFA in Musical Theatre from Syracuse University. SOURCES Wicked, Original Cast Recording, Decca (2003) Wicked: The Grimmerie, a Behind the Scenes Look at the Hit Broadway Musical by David Cote and Joan Marcus, published by Hachette Books (2005) Unnaturally Green: One Girl's Journey Along a Yellow Brick Road Less Traveled by Felicia Ricci, published by Felicia/Ricci (2011) A Little Bit Wicked: Life, Love, and Faith in Stages by Kristin Chenoweth, published by Touchstone (2010) How Wicked Made It to the Stage by Jeri Freedman, published by Cavendish Square Publishing (2018) Wicked: A Musical Biography by Paul R. Laird, published by Scarecrow Press (2011) Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked by Carol de Giere, published by Applause (2018) Learn more about your ad choices. Visit megaphone.fm/adchoices
Jane is a graduate of the University of Michigan where she earned her BFA in Musical Theatre before relocating to New York City. She is signed to CGF Talent and has been consistently working as an actor, primarily doing new work. Prior to the pandemic, she made her Broadway debut in the Alanis Morissette musical “Jagged Little Pill”, after appearing in the World Premiere at American Repertory Theater. She's also appeared in and contributed music for “Original Sound” (Cherry Lane, Drama Desk Nominee for Best Music in a Play), The Other Josh Cohen (Off-Broadway), The Ballad of Little Jo (Two River Theatre, Original Cast Recording), and The Theory of Relativity (Goodspeed Opera House). During the pandemic she also appeared as a Guest Star on Law and Order: SVU, in the episode “The Only Way Out is Through”.Follow Jane Bruce on Instagram, Facebook, Twitter, Apple Music, and Spotify. You can find Jane Bruce's website HERE. Jane Bruce's new album, "My Bed" is out now and can be streamed everywhere! Here is a Spotify link to the album. The Ballad of Little Jo (Original Cast Recording) featuring Jane Bruce.This episode was sponsored by Agora Art & Ceramic Studio. Check out their handcrafted ceramics, jewelry, and paintings at agorastudio.art and use the code 'party15' to receive 15% off your purchase (valid until August 1, 2022). You can find Andrea's music on Spotify, Apple, Amazon, YouTube, and anywhere else that music can be streamed or downloaded!Follow Andrea on Instagram, Facebook, Twitter, and TikTok. Andrea's official website can be found at AndreavonKampen.com. Finally, if you would like to receive updates about new music, tour dates, podcast episodes, and more you can sign up for Andrea's mailing list HERE.
MAMMA MIA COMPOSER: Benny Andersson, Bjorn Ulvaeus LYRICIST: Benny Andersson, Bjorn Ulvaeus BOOK: Catherine Johnson DIRECTOR: Phyllida Lloyd CHOREOGRAPHER: Anthony Van Laast PRINCIPLE CAST: Judy Kaye (Rosie), Karen Mason (Tanya), Louise Pitre (Donna) OPENING DATE: Oct 18, 2001 CLOSING DATE: Sep 12, 2015 PERFORMANCES: 5,758 SYNOPSIS: Sophie is about to be married and wants her father at the wedding except she doesn't know who that might be. Limiting it to three men that her mother knew intimately, she invites them all to her wedding to see if she can figure out which one is her real dad. Using the hits of Swedish pop group ABBA to tell a fictional story, Mamma Mia! was heralded as Broadway's first mega-hit jukebox musical. After the rocky reception of their first Broadway endeavor, Chess, band members Benny Andersson and Björn Alvaeus gave complete freedom to book writer Catherine Johnson, believing the plot of the musical was the key to its success, not the music. Upon opening, though the show was mocked by critics and ultimately overlooked by awards shows, the musical was a major commercial success. Malcolm Womack explores how its financial successes encouraged producers to mine the discographies of successful artists to guarantee Broadway hits with such musicals as All Shook Up, Lennon, Come Fly Away, and Movin' Out. Malcolm Womack is an Assistant Teaching Professor at the Penn State School of Theatre. He has been published in the academic journals Film & Theatre and the Journal of Popular Culture, and has contributed several entries to the African American National Biography. Malcolm has written about Mamma Mia! previously twice, providing an article for the journal Studies in Musical Theatre and a chapter for the edited collection Mamma Mia! The Movie: Exploring a Cultural Phenomenon. He received his doctorate from the University of Washington with a dissertation on Harlem's Cotton Club. SOURCES Mamma Mia, Original Cast Recording, Decca Records (1999) Mamma Mia! How Can I Resist You: The Inside Story of Mamma Mia And The Songs Of ABBA by Judy Craymer, Benny Anderson, and Bjorn Ulvaeus, published by WN (2006) Mamma Mia starring Pierce Brosnan and Meryl Streep, directed by Phyllida Lloyd, NBC Universal (2008) Learn more about your ad choices. Visit megaphone.fm/adchoices
THE PRODUCERS COMPOSER: Mel Brooks LYRICIST: Mel Brooks BOOK: Mel Brooks, Thomas Meehan SOURCE: Mel Brooks' film The Producers (1967) DIRECTOR: Susan Stroman CHOREOGRAPHER: Susan Stroman PRINCIPLE CAST: Matthew Broderick (Leo), Cady Huffman (Ulla), Nathan Lane (Max) OPENING DATE: Apr 19, 2001 CLOSING DATE: Apr 22, 2007 PERFORMANCES: 2,502 SYNOPSIS: Broke Broadway producer Max Bialystock meets accountant Leo Bloom who offhandedly mentions that under the right circumstances a Broadway show that fails could make more money than one that succeeds. Seeing a way out of his current financial situation, Max decided to produce a musical that is guaranteed to flop: Springtime for Hitler. Finding waning success in Hollywood, Mel Brooks was eventually convinced to adapt his Academy Award winning screenplay, The Producers, into a musical. Kasey RT Graham follows the ways Brooks, director Susan Stroman, and co-writer Thomas Meehan reinterpreted the cult classic film into a two act Broadway musical. Additionally, analysis of The Producers as a uniquely comic piece among the weightier subject matters of other popular Broadway musicals in the early 2000s and a look at how the 9/11 terrorist attacks at the World Trade Center affected attendance at Broadway shows is provided. The musical's record-breaking success at the Tony Awards, including for Nathan Lane, heralded a wave of musical comedies based on Hollywood films such as Thoroughly Modern Millie, Hairspray, and Shrek. Kasey RT Graham is a director, music director, writer, and educator. Associate and resident director credits include the Broadway revival of On the 20th Century, the national tour of The Phantom of the Opera, and the US and Australian tours of Dirty Dancing. Conducting credits include the national tours of Oklahoma, The Producers, The Wizard of Oz, and Spring Awakening. Kasey is head of the Musical Theatre department at the University of Nevada - Reno. His book Small Talk is available on Amazon. SOURCES The Producers, Original Cast Recording, Sony (2001) The Producers: The Book, Lyrics, and Story Behind the Greatest Hit on Broadway by Mel Brooks and Thomas Meehan, published by Miramax (2001) The Producers, starring Matthew Broderick and Nathan Lane, directed by Susan Stroman, Universal Pictures (2005) Recording The Producers, starring Matthew Broderick and Nathan Lane, directed by Susan Froemke, Rhombus International (2001) A Year With The Producers: One Actor's Exhausting (But Worth It) Journey From Cats to Mel Brooks' Mega-Hit by Jeffry Denman, published by Routledge (2002) Learn more about your ad choices. Visit megaphone.fm/adchoices
SEUSSICAL COMPOSER: Stephen Flaherty LYRICIST: Lynn Ahrens BOOK: Lynn Ahrens and Stephen Flaherty SOURCE: The stories of Dr. Seuss (c. 1950s) DIRECTOR: Rob Marshall CHOREOGRAPHER: Kathleen Marshall PRINCIPLE CAST: Kevin Chamberlain (Horton), Janine LaManna (Gertrude), David Shiner (The Cat in the Hat) OPENING DATE: Nov 30, 2000 CLOSING DATE: May 20, 2001 PERFORMANCES: 198 SYNOPSIS: The wild world of Dr. Seuss comes to life as Seuss' various characters come together to tell the story of Horton, a lonely elephant, and Gertrude McFuzz, a shy bird, as they fall in love with one another. Nathan Brewer argues for Lynn Ahrens and Stephen Flaherty's Seussical as a significant show that, despite lackluster reviews and box office sales, went on to find financial success as a staple within community theatre and educational institutions, especially through the work of director Marcia Milgrom Dodge. Seussical's ability to redefine theatrical financial success, and public exposure, after its failure on Broadway, offered shows that were not commercially viable to become regionally successful such as Little Women, The Addams Family, and Be More Chill. Nathan Brewer is a director of theatre, opera, concerts, film, and events. Directing credits include Lincoln Center, The Kennedy Center, Washington National Opera, Park Avenue Armory, Theatreworks/USA, New York Musical Theatre Festival, numerous symphonic and pops concerts, and televised award shows. Nathan is on the musical theatre faculty at The New Studio on Broadway at NYU/Tisch, and The College of New Jersey. He has previously taught at Penn State and Westminster Choir College. Assisting credits include Aladdin (Broadway), and Relatively Speaking (Broadway). Nathan is the Founder & Artistic Director of Recreational Arts, a performing arts educational organization, with programs in New York, New Jersey, and Pennsylvania. Stephen Flaherty is the composer of the Broadway musicals Ragtime (Tony, Drama Desk, OCC Awards, two Grammy nominations), Seussical (Grammy, Drama Desk nominations), Once on This Island (Tony nomination, Olivier Award, Best Musical) and Rocky. Additional Broadway includes Chita Rivera: The Dancer's Life (original songs) and Neil Simon's Proposals (incidental music). Stephen has also written four musicals at Lincoln Center Theatre: The Glorious Ones (OCC, Drama Desk nominations), Dessa Rose (OCC, Drama Desk nominations), A Man of No Importance (OCC, Best Musical, Drama Desk nomination) and My Favorite Year. Other theater includes In Your Arms (Old Globe), Little Dancer (Kennedy Center), Lucky Stiff (Playwrights Horizons) and Loving Repeating: A Musical of Gertrude Stein (Chicago's Jefferson Award, Best New Musical.) Film includes Anastasia (two Academy Award and two Golden Globe nominations), the documentary After The Storm and Lucky Stiff. Mr. Flaherty's concert music has premiered at the Hollywood Bowl, Boston's Symphony Hall, Carnegie Hall, the Guggenheim Museum and Symphony Space. This year celebrates Stephen's 32-year collaboration with lyricist-librettist Lynn Ahrens. Stephen and Lynn are members of the Dramatists Guild Council and co- founders of the Dramatists Guild Fellows Program. In 2015 they were inducted into the Theater Hall Of Fame. Upcoming: the stage adaptation of Anastasia. AhrensAndFlaherty.com. SOURCES Seussical, Original Cast Recording, Decca Records (2000) Learn more about your ad choices. Visit megaphone.fm/adchoices
RENT COMPOSER: Jonathan Larson LYRICIST: Jonathan Larson BOOK: Jonathan Larson SOURCE: La Boheme by Giacomo Puccini (1896) DIRECTOR: Michael Greif CHOREOGRAPHER: Marlies Yearby PRINCIPLE CAST: Adam Pascal (Roger), Anthony Rapp (Mark), Daphne Rubin-Vega (Mimi) OPENING DATE: Apr 29, 1996 CLOSING DATE: Sep 07, 2008 PERFORMANCES: 5,123 SYNOPSIS: Mark and Roger are two bohemian artists living in New York's lower East Side at the height of the AIDS epidemic. Mark is a documentary filmmaker and Roger is an HIV positive songwriter. When Roger meets Mimi, a drug addict, he falls madly in love but is unsure if he should tell her of his impending mortality. Composer Jonathon Larson set out to bring musical theatre to a new generation with Rent, a rock opera based on Puccini's La Boheme and set in Lower Manhattan's East Village. The musical helped break taboos and stigma around queerness, trans liberation, and AIDs. Jordan Dragutsky chronicles Larson's quest for giving his generation a voice that sounded like the popular music of the time with the sophistication of musical theatre composition, the advocacy of Rent by New York Theatre Works, the unique casting and design process that was helmed by director Michael Greif, and how the unexpected death of Larson catapulted Rent, and its stars, to global popularity. Born and raised in Los Angeles, Jordan Dragutsky grew up surrounded by the entertainment industry and relocated to New York in 2010 after graduating from UCIrvine (BA Drama/Minor Queer Studies). Jordan has assisted in press offices and production/merchandising for over 30 Broadway, Off-Broadway, dance, and touring productions including: Harry Potter & The Cursed Child, Hair, Wicked, and Book of Mormon. He joined the administrative staff at the New York Film Academy in 2012, and from 2015-2020 he served as Senior Dept. Coordinator for the Musical Theatre department. Jordan is a proud member of SAG/AFTRA with experience working on over 100 TV/Film sets. Featured credits include The Cobbler (Goth Guy), Only Murders In The Building (Hulu), and The Marvelous Mrs. Maisel (Ocarina Player). SOURCES Rent, Original Cast Recording, Dreamworks Records (1996) Rent by Jonathan Larson, published by It Books (1997) Rent starring Adam Pascal and Anthony Rapp, directed by Chris Columbus, Columbia Pictures (2005) Rent Filmed Live on Broadway starring Will Chase and Adam Kantor, directed by Michael John Warren, Radical Media (2008) Rent Live starring Jordan Fisher and Brennin Hunt directed by Michael Grief, 20th Century Fox Television (2019) Without You: A Memoir of Love, Loss, And The Musical Rent by Anthony Rapp, Simon & Schuster (2006) Rent FAQs: All That's Left To Know About Broadway's Blaze of Glory by Tom Rowan, published by Applause (2007) On Broadway: From Rent to Revolution by Drew Hodges, published by Rizzoli (2016) Learn more about your ad choices. Visit megaphone.fm/adchoices
BEAUTY AND THE BEAST COMPOSER: Alan Menken LYRICIST: Howard Ashman, Tim Rice BOOK: Linda Woolverton SOURCE: Disney's animated film Beauty and The Beast (1991) DIRECTOR: Robert Jess Roth CHOREOGRAPHER: Matt West PRINCIPLE CAST: Gary Beach (Lumiere), Susan Egan (Belle), Terrence Mann (Beast) OPENING DATE: Apr 18, 1994 CLOSING DATE: Jul 29, 2007 PERFORMANCES: 5,462 SYNOPSIS: Belle is a young girl who stumbles into a castle and is kept captive by its owner, a monster who was once a prince. Along with his staff, once humans now physical objects due to a witch's curse, Belle will try to teach the Beast to love again before the Prince permanently stays as a monster. This episode traces the way musical theatre artists Alan Menken and Howard Ashman reinvigorated the mass-appeal of Disney's animated films, which in turn lead to a profitable pipeline between the children's media conglomerate and New York City, beginning with a stage adaptation of the animated box office hit, Beauty and the Beast. The planned 1994 opening of Beauty and the Beast at the Palace Theatre directly influenced Mayor Rudy Giuliani's prioritization of the commercial cleansing of Times Square, Disney's exclusive access to the newly-renovated New Amsterdam Theatre, and the creation of Disney Theatrical Productions, which continues to adapt Disney films for the stage. Though critically panned, Eden Hildebrand demonstrates how the musical signaled a new age for Broadway's reliance on spectacle, a future for family-friendly tourist entertainment, and a new definition of robust merchandising presence in the commercial theatre. Eden Hildebrand is a Canadian performer, choreographer, director, and pedagogue. She holds a Master of Fine Arts in Musical Theatre from San Diego State University, and both a Bachelor of Arts in Dance (with a concentration in Choreography and Performance) and a Bachelor of Arts in History from the University of Calgary. MARCIA MILGROM DODGE's work as a director & choreographer has been seen throughout the United States, in Canada, England, Asia, Denmark and the Middle East, in theatres on Broadway, Off-Broadway, at acclaimed regional theatres such as the New York City Opera, John F. Kennedy Center of The Performing Arts, Arena Stage, Goodman Theatre, Denver Center Theatre Company, Glimmerglass Festival, La Jolla Playhouse, Pittsburgh Public Theatre, Repertory Theatre of St. Louis, Cincinnati Playhouse in the Park, Huntington Theatre, Bay Street Theatre, Maltz Jupiter Theatre, Goodspeed Musicals, Music Circus, Flat Rock Playhouse and abroad at the Nanta Theatre-Seoul, S. Korea, Fredericia Teater-Denmark, Royal Opera House-Muskat, Oman, Wintergardens Theatre-Blackpool, England. Evan Ruggiero began dancing at the age of five in his hometown studio and by age ten, he was accepted into the famed New Jersey Tap Ensemble. Upon entering his sophomore year at Montclair State University while pursuing a Bachelor of Fine Arts in Musical Theatre, Evan was suddenly diagnosed with Osteosarcoma, a rare bone cancer of the right leg. Enduring nine surgeries in a six-month period in an effort to save the leg, the cancer returned more aggressively than the original diagnosis. He was faced with the ultimate decision of amputation in order to stop the cancer and save his life, as well as undergoing chemotherapy for sixteen months. Eighteen months after the amputation, and only two days after receiving his “peg-leg”, Evan was tapping again. SOURCES Beauty and the Beast: The Broadway Musical, Original Cast Recording. Walt Disney Records (1994) Beauty and the Beast, starring Emma Watson and Dan Stevens, directed by Bill Condon. Walt Disney Pictures (2017) Disney's Beauty and The Beast: A Celebration of the Broadway Musical by Don Frantz, published by Disney Editions (1995) Learn more about your ad choices. Visit megaphone.fm/adchoices
THE SECRET GARDEN COMPOSER: Lucy Simon LYRICIST: Marsha Norman BOOK: Marsha Norman SOURCE: Frances Hodgson Burnett's book The Secret Garden (1911) DIRECTOR: Susan H. Schulman CHOREOGRAPHER: Michael Lichtefeld PRINCIPLE CAST: Daisy Egan (Mary), Alison Fraser (Martha), Mandy Patinkin (Archibald) OPENING DATE: Apr 25, 1991 CLOSING DATE: Jan 03, 1993 PERFORMANCES: 709 SYNOPSIS: After her family dies of cholera, young Mary Lennox is sent to live with her austere, widowed Uncle Archibald. At night she is convinced that she hears the sounds of crying and discovers that Archibald's bed ridden son, Colin, has been locked up out of sight for many years. Determined to bring sunshine to the boy, Mary begins to discover the other secrets the house protects. Director Susan H. Schulman traces the development of The Secret Garden as the first collaboration between an all-female creative team in a Broadway musical. Amongst a female writing team (Marsha Norman/Lucy Simon), producer (Heidi Landesman), and design team (Florence Klotz/Tharon Musser), there are noted recurring instances of significant memories reading Frances Hodgson Burnett's novel about a little girl struggling with life in a new home. By broadly describing the educational and professional obstacles overcome by three women involved in the premiere of the musical in their studies at Yale School of Drama, a bleak case is outlined for gender parity within commercial American theatre. Despite mixed reviews, audience responses to The Secret Garden were collectively positive and led the show to international success. This chapter examines the ways later female-helmed Broadway productions, such as Waitress, have benefited from or even overshadowed The Secret Garden. Susan H. Schulman: Broadway credits: the Tony Award-winning musical The Secret Garden as well as its highly-successful U.S./Canadian national tour (Drama Desk nomination), the revival of Sweeney Todd†at Circle in the Square (Tony Award, Drama Desk nomination), the revival of The Sound of Music (Tony nomination Outstanding Revival) and Little Women and its successful national tour. For her direction of the premiere of Violet at Playwrights Horizons (New York Drama Critics' Circle Award for Best Musical), Susan received a Drama Desk nomination for Best Director. She received an Obie Award for directing Sondheim and Furth's musical Merrily We Roll Along at the York Theatre. Susan also directed the national tour of Sunset Boulevard with Petula Clarke as well as three productions for City Center Encores. She has directed for regional theatres throughout U.S.A., Canada and Australia, and most recently a new musical in Denmark. Susan is a graduate of Yale Drama School, Hofstra University and New York's famed High School of Performing Arts. Susan holds a full professorship at Penn State University where she heads the Graduate Program in Directing for the musical theater stage. SOURCES The Secret Garden, Original Cast Recording, Columbia (1991) The Secret Garden by Marsha Norman and Lucy Simon, published by Samuel French Inc (2010) Learn more about your ad choices. Visit megaphone.fm/adchoices
Podcaster and filmmaker Jesse McAnally is here for a musical about sexuality based on an early 20th-century play that is NOT Spring Awakening and the movie based on that musical that is also not Spring Awakening but does have Audra McDonald, T.R. Knight, and Martha Plimpton and that's very good. (We do jump between the movie and the stage show a lot.) Topics include: leitmotif, The Wild Party, Mandy, Marla Singer, “post-coital enlightenment,” and do the author(s) of this musical know what this show/movie. Jesse's profile on the Broadway Podcast Network Musicals With Cheese episode about the Meat Loaf feud(?) Featured recordings: Hello Again - Original Cast Recording (1994) • Hello Again - Original Motion Picture Soundtrack (2018) • The Wild Party - A Decca Broadway Original Cast Album (2000) Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where this year we're talking musical sequels and musical biopics! Patreon • Twitter • Facebook • Email
David has a unique place in Broadway history. No only has he music directed some of your favorite Broadway shows of the last 20+ years (Ragtime, Company 1995, She Loves Me 1993, to name a few) but he is also the originator of the three roles on the Broadway stage in Master Class, Curtains, and Merrily We Roll Along. Topics include: Stro's kitchen table, touring with Scott Ellis, wanting to be Paul Gemignani, and the 7-hour version of Curtains. Get David's memoir Facing the Music Featured recordings: The Scottsboro Boys - Original Cast Recording (2010) • Curtains - Original Broadway Cast Recording (2007) Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where this year we're talking musical sequels and musical biopics! Patreon • Twitter • Facebook • Email
This episode is also available as a blog post: https://thecitylife.org/2021/10/13/with-the-new-york-return-of-the-phantom-of-the-opera-the-longest-running-show-in-broadway-history-the-original-cast-recording-is-available-on-remastered-2cd-and-digital-platforms/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
Music legends Alan Silvestri and Glen Ballard kindly joined the admins of the Back to the Future The Musical Fans Facebook group to have a chat and answer questions about writing the music and lyrics for Back to the Future The Musical and recording the upcoming Original Cast Recording album. Recorded: 7th October 2021 Originally released to YouTube: 11th October 2021
A lot of us never saw the source material for the excellent Documentary Now parody "Co-Op" - we finally get a chance to ingest this vision of Broadway in the 1970s.Twitter: @freshmoviepod || Instagram: @abreathoffreshmovieEmail: abreathoffreshmovie@gmail.comTheme Music, "A Movie I'd Like to See" by Al Harley.
This episode is also available as a blog post: https://thecitylife.org/2021/07/23/ume-announces-the-original-cast-recording-of-diana-the-musical-will-be-released-on-september-24/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
We're here! Episode 1! Welcome aboard the NY Mystery Machine! In this episode, we are going all the way back to 1799 in Manhattan, New York! After Gulielma Sands goes missing and is found eleven days later in the Manhattan Well, it sparks the first Murder Trial in United States History. This episode features guest appearances by a few of our nations most famous figures (Here's a hint: they were bosom buddies(ish) before a fateful day in Weehawken)! Be sure to Subscribe, Rate, & Review on iTunes! Don't forget to follow them on all the socials: Instagram: @NYMysteryMachine Twitter: @NYMysteries Facebook: @NYMysteryMachine Have a theory as to what happened? Tweet us or Email us NYMysteryMachine@gmail.com Show Notes: This episode uses a short audio clip from the Original Cast Recording of Hamilton, Music & Lyrics by Lin Manuel Miranda; Produced by Atlantic Records. All rights are owned by the Author/Label.
On this week's episode, Jamie and Rob chat with Broadway actor and activist Raymond J. Lee. Together, they discuss Ray's career, his deep love for Disney, the challenges of being a parent during a pandemic, and the importance of representation on stage. From “Mamma Mia!” to “Aladdin”, “Groundhog Day”, “Soft Power”, and Britney Spears ... Ray's got the range, and he's optimistic about Broadway's future. This week's music: “Part Of The World”, “Disney's The Little Mermaid: Motion Picture Soundtrack”, “Anything Goes” from “Anything Goes, New Broadway Cast Recording”. “I'm with Her”, “from “Soft Power”. “Hawaii/Waiting for You”, from “Honeymoon in Vegas, Original Broadway Cast Recording”. “Nobody Cares”, and “Day One”, from “Groundhog Day”, “Old Fashioned Lesbian Love Story” from “The Wild Party” (Encores). “Good Guy With A Gun”, “Democracy, reprise”, both from “Soft Power”. “Volez Vous” from “Mamma Mia, Original Cast Recording”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: office@fabulousinvalid.com Jamie DuMont Twitter: @jamiedumont Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode, Jamie and Rob continue their season-long theme of their “favorite things” by paying tribute to the singular life and work of Broadway dancer, actor, choreographer, director, and Fosse muse Ann Reinking, who passed away in December 2020. In addition to sharing their own reflections on Ann's remarkable career, Jamie and Rob are joined by Candy Brown (“Pippin”), Marilu Henner (“Over Here!”, “Chicago”), Bebe Neuwirth (“Sweet Charity”, “Chicago”), and Michael Berresse (“Chicago”) who share their own intimate remembrances of their dear friend and colleague. “We Got Annie” is a celebration of one of Broadway's greatest legends, the unique gifts of her talent, and the indelible impact she made upon theatre history. This week's music: “Magic To Do”, and “War Is A Science” from “Pippin”, “Long Ago and Far Away” by James Taylor. “Charlie's Place” from “Over Here! Original Broadway Cast”. “Voices and Visions” from “Goodtime Charley, Original Cast Recording”. “Hot Honey Rag”, “Me and My Baby” from “Chicago, New Broadway Cast Recording”. “Sing Sing Sing” from “Fosse”, “They'll Be Some Changes Made” from “All That Jazz, Original Soundtrack Collection”, “We Got Annie” from “Annie Motion Picture Soundtrack”. “There's Gotta Be Something Better Than This” from “Sweet Charity, 1986 Broadway Cast”. “Entr'acte”, “All That Jazz”, “Roxie”, “I Am My Own Best Friend”, and “Nowadays” from “Chicago, New Broadway Cast Recording”. “Everything Old Is New Again” from “All That Jazz, Original Soundtrack Collection”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: office@fabulousinvalid.com Jamie DuMont Twitter: @jamiedumont Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Learn more about your ad choices. Visit megaphone.fm/adchoices
For a special, two-part show, Jamie and Rob take an in-depth look at the life, work, and legacy of Broadway composer and lyricist Jerry Herman—“the poet of the showtune”. They chat with performers Joel Grey, Florence Lacey, Lee Roy Reams, and Alix Korey, music director Andy Einhorn, producer Barry Brown, and actress and cabaret star Molly Pope. Part one focuses on “Hello, Dolly!” and “Mame”, two of Jerry's biggest hits, and “The Grand Tour”, one of his biggest flops. Tune in to discover why there really is no tune like a showtune! This week's music: “Overture”, “Mame, Original Cast Recording”. “I Wanna Make the World Laugh”, “Mack & Mabel, Original Cast Recording”, “Dancing”, and “Put on Your Sunday Clothes”, from “Hello, Dolly! New Broadway Cast (2017)”, “Mame”, “Mame, Original Cast Recording”. “It's Today” from “An Evening with Jerry Herman”, and “It's Today”, from “Mame, Original Cast Recording”. “Showtune”, from “Parade”. “We Need A Little Christmas”, from “Mame, Original Cast Recording”. “Just Leave Everything to Me” and “Before the Parade Passes By”, from “Hello, Dolly! Original Motion Picture Soundtrack”. “If He Walked Into My Life” from “The Best of Eydie Gormé”. “Hello, Dolly! from “Hello, Dolly! New Broadway Cast (2017)”. “I'll Be Here Tomorrow”, “Mrs. S L Jacobowsky”, “I Belong Here”, and “Marianne”, all from “The Grand Tour Original Broadway Cast”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: office@fabulousinvalid.com Jamie DuMont Twitter: @jamiedumont Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Learn more about your ad choices. Visit megaphone.fm/adchoices
For a special, two-part show, Jamie and Rob take an in-depth look at the life, work, and legacy of Broadway composer and lyricist Jerry Herman—“the poet of the showtune”. They chat with performers Joel Grey, Florence Lacey, Lee Roy Reams, and Alix Korey, music director Andy Einhorn, producer Barry Brown, and actress and cabaret star Molly Pope. Part two focuses on his lesser known shows, “Milk and Honey”, “Dear World”, and “Mack and Mabel”, and his ultimate comeback hit: “La Cage aux Folles”. Tune in to discover why there really is no tune like a showtune! This week's music: “Overture”, “Milk & Honey”, Shalom”, “Let's Not Waste A Moment”, all from “Milk & Honey, Original Cast Recording”. “Overture”, “Each Tomorrow Morning”, “I Don't Want to Know”, “Dear World”, all from “Dear World, Original Cast Recording”. “I Promise You A Happy Ending” from “Gifts of Love”. “Look What Happened to Mabel” from “Mack & Mabel, 1995 London Cast Recording”. “Just Go to the Movies” from “A Day In Hollywood/A Night in the Ukraine, Original Cast”. “Two A Day”, and “Kiss Her Now”, and “Jerry's Girls” from “Jerry's Girls”. “It's Today” from “An Evening with Jerry Herman”. “Finale”, “Prelude”, “A Little More Mascara”, “The Finale”, all from “La Cage aux Folles, Original Broadway Cast”. “The Best of Times” courtesy of Molly Pope. “I Am What I Am” and “Look Over There”, from “La Cage aux Folles, Original Broadway Cast”. “Miss What's Her Name”, from “Miss Spectacular”. “I'll Be Here Tomorrow” sung by Jerry Herman. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: office@fabulousinvalid.com Jamie DuMont Twitter: @jamiedumont Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode, Rob and Jamie go in deep with all things “Mack & Mabel”, discussing Jerry Herman's legendary flop as it returns to New York for the first time in 46 years with a new production at New York City Center's Encores! They speak with Jack Viertel, Artistic Director of Encores!; book reviser Francine Pascal, sister of the late bookwriter Michael Stewart; Rob Berman, long time musical director at Encores!; Josh Rhodes, director and choreographer of this new production; and actors Douglas Sills, Alexandra Socha, and Lilli Cooper. Time heals everything ... but loving “Mack & Mabel”! This week's music: “Overture”,“When Mabel Comes in the Room", ”Time Heals Everything”, “I Won't Send Roses”, “Movies Were Movies”, “I Want to Make the World Laugh”, “Tap Your Troubles Away”, “Look What Happened To Mabel”, from the Original Cast Recording, Alexandra Socha singing, “I Won't Send Roses, reprise”, and “Hit ‘Em on the Head”, from the 1995 London Cast Recording. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: info@fabulousinvalid.com Jamie Du Mont Twitter: @jamiedumont Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Jennifer Simard Twitter: @SimardJennifer Instagram: @thejennifersimard Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode, Rob, Jennifer, Jamie, and guest co-host Jo Ann Venezano sit down with Jennifer Laura Thompson and Michael Park, stars of Dear Evan Hansen. Jo Ann, who won an Audience Rewards contest to come on our show, is a “Super Fan” or “Extreme Theatergoer” as The New Yorker characterized her; she has seen Dear Evan Hansen 45 times and Spring Awakening over 500 hundred times. Michael Park (who joins us for our topics section), Jamie, Rob, and Jennifer talk with Jo Ann about her theatergoing habits. A bit later, we chat with Jennifer Laura Thompson and Michael Park about being with Dear Evan Hansen from the beginning, and what it's like today in the Murphy household. And, finally, Rob gives us more information on the Audience Rewards program. This week's music: “The Heat Is On” from “Miss Saigon: The Definitive Recording”, and from the Original Cast Recording of Dear Evan Hansen: “Waving Through A Window”, “Anybody Have A Map”, "Requiem”, “To Break In A Glove”, and “Finale”. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week's show features our sit down with Heather Hitchens, President and CEO of the American Theatre Wing, and Patrick Pacheco, a journalist and award-winning commentator who served as editor of American Theatre Wing, an Oral History, a beautiful book published last year to celebrate 100 years of The Wing—an organization dedicated to supporting excellence and education in theater. We discuss the mission of the Wing over the last one hundred years, diversity, inclusion, education, and what the future looks like. But before that, Jennifer, Jamie, and Rob each share the show that “did it” for them. This week's music: Irene Ryan singing “No Time At All” from “Pippin”, “Charming” from “Natasha, Pierre and the Great Comet of 1812”, and “Far From the Home I Love” from the Original Cast Recording of “Fiddler on the Roof.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Solea Pfeiffer and Ryan Vasquez are here! Solea originated Eliza on the First National Tour of Hamilton aka The Angelica Tour. On that same tour Ryan covered Alexander Hamilton, Aaron Burr, George Washington, James Reynolds, Philip Schuyler, and The Doctor. Ryan is now in Hamilton's Broadway company covering those same roles and this amazing couple came over to talk to me about their relationship, careers, and what it was like for a real life couple to play Hamilton and Eliza on stage. @HamiltonAsDogs tweets: https://twitter.com/hamiltonasdogs/status/947214093936615424 https://twitter.com/hamiltonasdogs/status/851516338673598464 https://twitter.com/hamiltonasdogs/status/845067399724359681 https://twitter.com/hamiltonasdogs/status/818906991267459072 Bedknobs and Broomsticks - "Portobello Road" https://www.youtube.com/watch?v=LYBECKl0zFo Phillipa Soo - "No One Else" from Natasha, Pierre, and the Great Comet of 1812 (Original Cast Recording): https://www.youtube.com/watch?v=bF8ta_5D7og
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