Podcast appearances and mentions of margo lion

1817 à Paris. Fantine, une jeune femme belle et pauvre sort avec Félix Tholomyès, un étudiant riche mais sans-coeur. Après une soirée de plaisir, Tholomyès et ses amis abandonnent leurs amantes, dont Fantine, qui attend un enfant. Alors que sa fille Cosette n'a pas encore trois ans, Fantine décide de retourner à Montreuil-sur-Mer, sa ville natale, pour chercher du travail. En chemin, elle confie la petite Cosette aux Thénardier, des aubergistes cupides et méchants. À Montreuil-sur-Mer, Fantine trouve un emploi dans l'usine que dirige Monsieur Madeleine mais elle est renvoyée lorsque l'on apprend qu'elle a un enfant illégitime. ***Fiction radiophonique d'après des morceaux choisis des Misérables de Victor Hugo (Première partie : En l'année 1817, Confier c'est quelquefois livrer, La descente, Javert)- Réalisation : Henri Soubeyran - Adaptation : Roger Pillaudin - Première diffusion : 13/03/1962 sur France III National - Avec : Jean Vilar, Georges Wilson, Bruno Balp, Catherine Le Couey, Dominique Page, Charlotte Clasis, Claudine Delmas, Inès Nazaris, Margo Lion, Dominique Paturel, Georges Chamarat, Roger Pelletier, Jacques Fonson, Jean Roger Caussimon, Sacha Briquet et Robert Chandeau - Un podcast INA.***Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

L'inspecteur Lestrade s'entretient avec Sherlock Holmes sur une étrange affaire qui le laisse perplexe. Un individu s'introduit chez les gens pour détruire les bustes en plâtre de l'empereur Napoléon Ier. Sherlock et son acolyte vont devoir découvrir pourquoi quelqu'un agit de la sorte, surtout qu'un cadavre est retrouvé dans une des maisons délestée d'un buste. *** Fiction radiophonique diffusée dans l'émission "Les enquêtes de Sherlock Holmes" de Maurice Renault - D'après une nouvelle d'Arthur Conan Doyle - Réalisation : Abder Isker - Adaptation : Jean Marcillac - Première diffusion : 24/11/1958 sur la RTF - Avec Maurice Teynac, Pierre Mondy, Georges Hubert, Pierre Leproux, Anne Caprile, Margo Lion, Paul Faivre, Christian Delmas et Marcel Lestan - Un podcast INA.

C'est dans le Kent, que nos deux comparses nous emmènent. Le manoir de l'abbaye, l'un des plus beaux châteaux de la région est le lieu d'un assassinat, celui du propriétaire, Eustace Brackenstall. Sa veuve, blessée, raconte son agression au détective. Trois individus se sont introduits dans le château pour dérober l'argenterie, surpris par la présence des propriétaires, ils leur ont asséné des coups, dont un mortel. Une enquête qui semble évidente, mais pas pour Sherlock Holmes dont le flair va réorienter l'affaire. Le diable est dans les détails. *** Fiction radiophonique diffusée dans l'émission "Les enquêtes de Sherlock Holmes", de Maurice Renault - D'après une nouvelle d'Arthur Conan Doyle - Réalisation : Abder Isker - Adaptation : Jean Marcillac - Première diffusion : 10/11/1958 sur la RTF - Avec Maurice Teynac, Pierre Mondy, Margo Lion, Marcel Lestan, Jean-Louis Calvet, Yves Furet, André Var, Guy Loup,Michel Gatineau et Malka Ribowska - Un podcast INA.

HAIRSPRAY Book by Thomas Meehan & Mark O'Donnell | Music by Marc Shaiman | Lyrics by Marc Shaiman & Scott Whittman  | Based on the New Line Cinema film, Written & Directed by John WatersWorks Consulted & Reference :Hairspray (Original Libretto) by Hugh Wheeler & Stephen SondheimHairspray: The Roots by Thomas Meehan, Mark O'Donnell, Marc Shaiman, & Scott WhitmanThe Secret Life of the American Musical by Jack ViertelMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"You Can't Stop the Beat” from Hairspray (Original Broadway Cast Recording) | Music by Marc Shaiman | Lyrics by Marc Shaiman & Scott Whitmann | Performed by  Marissa Jaret Winokur, Matthew Morrison, Kerry Butler, Corey Reynolds, Harvey Fierstein, Linda Hart, Laura Bell Bundy, Mary Bond Davis, & Ensemble"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Continuing our celebration of the 20th Anniversary of HAIRSPRAY – The Musical, my guest this week is the show's original choreographer JERRY MITCHELL who shares with us a first-hand, behind-the-scenes look into the creation of that Tony Award winning musical -- especially in regard to the how the show's unique staging, choreography, design, as well as many of its most memorable moments were first dreamed up and executed!  You will also get an inside view of Jerry's close collaborations with Hairspray's director, Jack O'Brian, lead producer Margo Lion, set designer David Rockwell, and Tony Award winning songwriters Marc Shaiman & Scott Wittman. You will also have the opportunity to hear excerpts from the show original "demo recording" featuring vocals by Annie Golden and Jenifer Lewis!  20 years ago I had the great privilege of being part of the birth of Hairspray – The Musical because at that time I served as the Producing Artistic Director of Seattle's 5th Avenue Theater where the show received its World Premiere.    This is my 3rd episode celebrating HAIRSPRAY's 20th. Last week I had the great pleasure of having Marc & Scott as my guests, and a few weeks ago, on Episode 71, my guest was one of the show's original producer's, Adam Epstein, who is now the host of his own podcast called Dirty Moderate. Please feel free to listen to these episodes on any order as each of my guests brings their own specific memories and perspectives to the celebration. Jerry Mitchell is a two time Tony Award winner whose work on Broadway includes the choreography for You're A Good Man Charlie Brown, The Rocky Horror Show, The Full Monty, Dirty Rotten Scoundrels, La Cage Ax Folles, and Catch Me If You Can - and the direction and choreography for Legally Blonde, Kinky Boots, On Your Feet, and Pretty Woman.   Learn more about your ad choices. Visit megaphone.fm/adchoices

My guests on Broadway Nation today are the Tony Award winning songwriting team of Marc Shaiman & Scott Wittman who join me to celebrate the 20th Anniversary of Hairspray – The Musical. That's right! It was 20 years ago, during the summer of 2002, that Hairspray first received its World Premiere in June at Seattle's 5th Avenue Theatre (where at that time I had the great pleasure and privilege of serving as that theater's Producing Artistic Director). Then, just three months later, the show became an instant hit when it debuted on Broadway on August 15th at the Neil Simon Theatre, where it would go on to run for 2,642 performances! In this episode Marc & Scott take us inside the creation of Hairspray, how it began, how it developed over four workshops, and how they collaborated with a team of outstanding theatermakers including bookwriters Mark O'Donnell & Tom Meehan, director Jack O'Brian, choreographer Jerry Mitchell, lead producer Margo Lion, and John Waters who wrote and directed the quirky film on which the musical is based. Our conversation is filled with great behind the scenes stories that include: Harvey Fierstein's contributions to the script, how they “tortured” Marissa Jaret Winokur, the many songs they wrote for “Velma Von Tussle” (Linda Hart), the legendary night the Seattle Men's Chorus attended the show, and how Mathew Morrison is a lot like Shirley MacLaine! In short, it was an absolute delight to reminisce with Scott & Marc about that eventful summer 20 years ago that changed all of our lives! The episode ends with the inside scoop about their upcoming show, Some Like It Hot, which will open on Broadway in December.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Jenny Steingart is a powerhouse producer for theater, film, and television. She has worked alongside some of the greatest names in the industry, including Tina Fey, Joel Grey, Sir Patrick Stewart, Josh Groban, and Lin Manuel Miranda. Recent productions include Freestyle Love Supreme on Broadway, a limited engagement of Sir Patrick Stewart's A Christmas Carol, Fiddler on the Roof in Yiddish, Mean Girls and Natasha, Pierre & The Great Comet of 1812. She most recently produced the documentary We Are Freestyle Love Supreme, which premiered at the 2020 Sundance Film Festival. Jenny is the co-founder of Ars Nova, New York City's premier theater for emerging artists and new work. She has also co-founded a Japanese animation studio called Ultra Super Pictures.  Jenny grew up in a creative household, where her mother, a singer and musician, and her father, a broadcaster, strongly encouraged her to pursue her passions. A theater kid, initially not able to conceive of doing anything else except acting, Jenny takes us back to her post college days when she realized performing was actually not going to be for her. She recounts her introduction to producer Margo Lion, for whom she became an assistant, and details how she began her own journey to producing. Jenny chats about the years she has happily devoted to the development and production of FreeStyle Love Supreme, and also candidly speaks about how the pain and grief of losing her brother became a catalyst for founding Ars Nova.  In this episode, we talk about:  The advice her father always gave her  Having powerhouse female producers as role models  Her oldest son's interest in the performing arts  How failing is an essential part of any creative process Her favorite game in Freestyle Love Supreme  Connect with Jenny: IG: @jennysteingart Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

What a full, and at times bittersweet, conversation with Jenny Steingart today about her life in the arts. Jenny spoke about how her mentor, the late Margo Lion, paved the way for her in producing, what most nourishes her about the arts, and the poignant inspiration behind her founding Arts Nova. Jenny produces theater, film, and television. Recent productions include Freestyle Love Supreme on Broadway, a limited engagement of Sir Patrick Stewart's A Christmas Carol, Tina Fey’s Mean Girls, Fiddler on the Roof in Yiddish and Natasha, Pierre & The Great Comet of 1812 starring Josh Groban. She most recently produced the documentary We Are Freestyle Love Supreme, which premiered at the 2020 Sundance Film Festival, and is now available on Hulu. Jenny produced the cult film Black Dynamite and the subsequent animated television series on Adult Swim, and is the co-founding partner of the Japanese animation studio Ultra Super Pictures (Trigger, Sanzigen, Ordet and Liden Films). She is a partner in FLS Academy, a music, improvisation and rap school founded by Lin-Manuel Miranda, Tommy Kail and Anthony Veneziale. Jenny is also the co-founder of Ars Nova, New York City’s premier theater for emerging artists and new work. For 18 years, Ars Nova has launched the careers of such artists as Beau Willimon (House of Cards), Liz Meriwether (New Girl), Billy Eichner, Tommy Kail (Hamilton), Alex Timbers (Moulin Rouge!) along with Pulitzer Prize winners Annie Baker and Lin-Manuel Miranda. Visit ArsNovaNYC or follow Ars Nova on Instagram @ArsNovaNYC for the latest and greatest artists on the rise. Be sure to keep up with Jenny on Instagram @JennySteingart. Learn more about your ad choices. Visit megaphone.fm/adchoices

Leave a voice message and say hi! don't be shy! My guest today: Eric Keen-Louie joined the La Jolla Playhouse in 2018 as Producing Director, overseeing the day-to-day management of the artistic and producing operations of the theater. He spent seven years at The Old Globe, where he started as Associate Producer and later became Associate Artistic Director. At the Globe, he helped guide nearly fifty productions, eleven of which moved to Broadway or off-Broadway, including Bright Star, Allegiance, and the Tony Award-winning A Gentleman’s Guide to Love and Murder. Links about what was discussed during the episode: La Jolla Playhouse: https://lajollaplayhouse.org/ Eric's Mom and pop shop recs: SPICY CITY in Kearny Mesa: http://spicycity.menutoeat.com/ SHWARMA GUYS in South Park: https://www.theshawarmaguys.com/ Eric's causes: Fourth District Seniors Resource Center https://fdsrc.org/ Let America Vote: https://letamericavote.org/ More info on Eric: He co-created the theater’s new play development initiative The Powers New Voices Festival and helped launch the arts engagement programs Community Voices and Globe for All. Keen-Louie spent three years at The Public Theater as the Assistant to the Associate Producer and then Director of Special Projects, working on world premieres by Stephen Sondheim, Richard Nelson and Suzan-Lori Parks, as well as the Broadway revival of Hair and the creation of The Mobile Unit. Independently, he produced Kingdom and the GLAAD Media Award-winning when last we flew. He also assisted Broadway producer Margo Lion on Hairspray and Caroline, or Change. He is a recipient of The Edward & Sally Van Lier Arts Fellowship for Producing and an alumnus of American Express’ Leadership Academy. He graduated with a B.A. in Dramatic Literature from New York University and an M.F.A. in Theatre Management and Producing from Columbia University, where he received a Dean’s fellowship. He is on the Board of Directors for The National Alliance for Musical Theatre and is currently a member of LEAD San Diego’s 2021 Impact San Diego class. Thank you for listening! Love always, Alejandra --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/from-another-zero/message Support this podcast: https://anchor.fm/from-another-zero/support

The "Jelly's Last Jam" production team - general manager Michael David, advertising representative Rick Elice of Serino Coyne, press agent Richard Kornberg, producers Pamela Koslow and Margo Lion, and legal counsel Jean Ward - discuss developing the musical for Music-Theater Group, working with director/performer Gregory Hines, creating a standout ad campaign, and fundraising with multiple workshops and finding corporate investors for the resulting $5 million production budget.

What is the role of a producer? That was the question that started the discussion among four of Broadway's top producers - Roger Berlind, Margo Lion, Jeffrey Richards and Jeffrey Seller - as the conversation turned to whether they produce for profit or passion and how they balance between the two; what the shows they produce reveal about themselves; what the opportunities are for new producers; the increased role the internet and other new media plays in theatre today; the escalating cost of producing a show on Broadway today; and what they feel are the major issues facing theatre producers as they look to the future.

What is the role of a producer? That was the question that started the discussion among four of Broadway's top producers -– Tony Award Winners Roger Berlind (2005 Best Play for Doubt and 2006 Best Play for The History Boys), Margo Lion (for Hairspray in 2003 and Elaine Stritch at Liberty in 2002), Jeffrey Richards (2008 for Best Play with August: Osage County and for the 2009 revival of Hair) and Jeffrey Seller (Best Musicals for Avenue Q and In the Heights) -- as the conversation turned to whether they produce for profit or passion and how they balance between the two; what the shows they produce reveal about themselves; what the opportunities are for new producers; the increased role the internet and other new media plays in theatre today; the escalating cost of producing a show on Broadway today; and what they feel are the major issues facing theatre producers as they look to the future.

The creative team behind the Broadway musical "Hairspray", producers Richard Frankel and Margo Lion, co-book writer Thomas Meehan, choreographer Jerry Mitchell, director Jack O'Brien, co-book writer Mark O'Donnell, composer Marc Shaiman and lyricist Scott Wittman outline the journey the piece took from being a John Waters and Divine cult movie to hitting the Broadway stage; offer a peek at the process that created this smash hit and discuss the social messages that the show sends, both in its content and it's non-traditional casting.

The creative team behind the Broadway musical Hairspray, producers Richard Frankel (Tony Award winner for the 2007 revival of Company) and Margo Lion (Tony Awards for Hairspray in 2003 and Elaine Stritch at Liberty in 2002), co-book writer Thomas Meehan (Tony Awards for Annie, The Producers and Hairspray), choreographer Jerry Mitchell (Tony winner for the 2005 revival of La Cage aux Folles), director Jack O'Brien (Tony Winner for Hairspray, Henry IV in 2004 and The Coast of Utopia), co-book writer Mark O'Donnell (Tony Award for Hairspray) andTony winning-composer/lyricist team Marc Shaiman and Scott Wittman (for Hairspray) outline the journey the piece took from being a John Waters and Divine cult movie to hitting the Broadway stage; offer a peek at the process that created this smash hit and discuss the social messages that the show sends, both in its content and it's non-traditional casting.