Podcasts about Fantine

Broadway star and Olivier nominee Sierra Boggess is In The Frame!Sierra is preparing to return to London for a one-night-only concert at the Theatre Royal Drury Lane.She is one of Broadway and the West End's most beloved sopranos, best known for originating the role of Ariel in Disney's The Little Mermaid on Broadway, for which she received Drama Desk and Drama League nominations, as well as the Broadway.com Audience Award for Favourite Female Breakthrough Performance.Sierra has a long history with The Phantom of the Opera, having played Christine Daaé on Broadway and in London for the special 25th anniversary concert at the Royal Albert Hall. She also originated the role of Christine in Love Never Dies in the West End, receiving an Olivier Award nomination for her performance.Her many other credits include Fantine in the West End production of Les Misérables alongside Broadway productions of Master Class, School of Rock, Harmony and It Shoulda Been You. Sierra has also performed concerts across the world, including appearances at the BBC Proms, Carnegie Hall and Lincoln Center.In this episode Sierra discusses her return to London and her incredible concert career. She also reflects on her journey through theatre, the pressures of playing iconic roles such as Ariel and Christine, social media, sustaining longevity in the industry and lots more.Sierra performs at the Theatre Royal Drury Lane on Sunday 31st May. Visit www.lwtheatres.co.uk for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

First up, we weigh in on Kate Hudson’s ick, she knows it's controversial, and yet she said it anyway. Plus, after a year of intense online harassment, a certain Irish star has finally sat down to address the "dirty laundry" surrounding his high-profile breakup. We unpack whether the internet's take down of Barry was called for or did the pile-on go too far.And finally, the trailer for the new Colleen Hoover adaptation is here and it’s reignited a debate about one of our most iconic leading ladies. We unpack why the "Hatha-hate" narrative is resurfacing in 2026 and question why society is still so quick to turn on women at the height of their success (plus Laura spills on what Anne is actually like behind closed doors).Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. SUBSCRIPTION GIVEAWAY:Win a $2,000 Bed Threads voucher. Subscribe to Mamamia here before April 30 to be automatically entered. Current subscriber? You're already in the draw. T&Cs apply. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mamma Mia. Welcome to the Spill your daily pop culture fix. I'm Laura Brodney. 00:06Speaker 2 And I'm Tina Probus and coming up on the show today, poor little Barry Kerrigan has given a bit of a tell interview to Benny Blanco about why he had to escape Hollywood even though he's in the midst of filming one of the biggest movie franchises that is going to hit our screens in the coming years. 00:22Speaker 1 So we're getting into that because there's a few layers, there's a few secret videos. 00:26Speaker 3 I'm glad you said his name first. From here and out, he would just be Barry. 00:29Speaker 1 Yeah, let's just pull that young young or Baz, because the thing is when he says his name, we's got such an irish little to it. And I wouldn't dare. I wouldn't dare trying to speak like that man. Plus, Anne Hathaway a new trailer for one of her highly anticipated movies, one of the five movie shows coming out this year has just dropped, and of course The Devil Wears prior to two is out this week. But it started a very uncomfortable conversation around her that we're gonna jump into. But first, some important breaking news, and no, it's not the fact that Laura Dern has been confirmed to replace Helena Bondum Carter on the White Lotus season, even though that was breaking news this morning. But we have something more important to discuss. 01:07Speaker 3 Yes, we are looking at what of Kate Hudson's X, which I personally am a fan of X. I think we should all be allowed to have something that we just draw as a boundary. It's okay to have boundaries. 01:18Speaker 1 Yes, So Kate Hudson, who I'm going to say, I love a Kate Hudson interview because that's the lovely thing about growing up as the golden child of a NEPO baby family is like that girl can say whatever she wants in the nicest way possible. So Kate Hudson went on Watch What Happens Live with Andy Cohen this week because she's still doing promo for Running Point season two. If anyone hasn't seen that, it's on Netflix now. It's so, so, so good and she's so good in it. But one of the questions was about X, and you can see that she was like, I'm taking a stand. 01:47Speaker 3 What male behavior gives you an immediate ex Oh, oh oh, I have a Okay, I'm not this is this is going to go bad and I'm going to see it anyway and maybe headline It's fine, Okay. 02:00Speaker 1 I have a real issue with guys who like really lead with their spirituality in a in a way. 02:10Speaker 3 That you're like, why are you? I don't know, what are you doing? 02:13Speaker 1 Why am I? 02:15Speaker 3 I'm like it just immediately a red flag like something's off, yes, not right. Yeah, I have no issue with that. Thank you, Kate Hugs. 02:26Speaker 1 I love how much she had to carry out that, Like she's like, should I say it? Should I not say it? Should I speak on it? Should I? She's like, I know this is going to cause headlines. Like when I saw that, I like leant up in my seat. Yeah, what is this girl going to say? That's going to ignite these international headlines? And I'm gonna say it. Wasn't overly disappointed, Like I was not expecting her to say spirituality just because of who she is, everything we know about her for her entire life. 02:50Speaker 3 You know, surely she has someone very specific in mind. She was that one guy exactly. 02:55Speaker 1 I feel like there's a backstory here. Okay, First of all, what do you think of that as an it would that turn you off? 02:59Speaker 3 I guess in terms of spirituality, are we talking religion or more like woo woo? 03:04Speaker 1 I think in her case, I'm thinking like super woo woo. 03:07Speaker 3 I feel like both might put me a little bit off to leave with that, like it's not your whole personality. 03:13Speaker 1 Yeah, I think I think there's a bit of a backstory there we're not getting. But I can read between the lines is that this woman has been in the dating pool at many times of her life in a really specific place, like in the kind of Hollywood world of like La. She's been raised in that area, and I think what she has encountered is a lot of men who were also raised in this kind of rich, famous Hollywood kind of those echelons of they don't have they've never like confronted in their life. They've never had to think about what to do with their lives and so or like make money and all that sort of stuff. And so that type of man or person, to be honest, like men and women can do it is that they then start to sort of be like, well, what else is there? What they like grab on to this very intense form of spirituality and that's fine, but then they make it everyone else's probes. That's when Anti Cohen, I think, says. 04:04Speaker 3 Like saying it's douchey, I feel like doo sheey. It was probably definitely a subshot, and they lead with it. 04:09Speaker 1 When he said, oh, they lead with it, and she was like, yes, So it's the kind of guy that you go on a first date with. And I just like Kate Hudson sitting down and she's a good time girl, Like she seems so fun. 04:17Speaker 3 I love her. 04:18Speaker 1 She talks out the fact that she loves to like go out and have a drink and dance and like, you know, she's just a real fun person. And I think she said some of a guy who was like, let me tell you about my ten steps. 04:27Speaker 3 Which makes me interesting. 04:29Speaker 1 I never asked you one question. I think that's who she's talking about. 04:32Speaker 3 I agree. I think that's totally fair to lead with that. I also think, like for me, someone that this sounds bad, actually no saying it. 04:39Speaker 1 If Kate Hudson can take a stand, you can mind's worse. 04:42Speaker 3 I think, oh, you're well, this isn't my ick, but just someone that has a lot of goals, like men with lots of goals. Like I dated so On once and they had like a list on their wall of like their goals, And I kind of put that on par with like spiritual thing because it's probably too far. 04:58Speaker 1 I can just hear a bunch of really fragile mens screaming right now, like we can't win. The thing is if I had no goals like being there, I think leading with it is what she's saying, and that's what you're saying too, Like if he had mentioned you in a conversation like, oh, I really want to do this one day, what's one of your goals? I'm assuming that would be fine. 05:15Speaker 3 I think it's like having interests verse, you know, outlining like this is my way of life, and like assigning your whole personality to a spirituality verse like it organically coming up at a conversation. Yeah, so maybe it's the nuance to it exactly. 05:29Speaker 1 And I just feel like after a while, like Kate hasn't has said for herself, like she was in the dating pool for like a good thirty years there from when she was a teen, and she has dated a lot of really big Hollywood celebs, a lot of musicians as in like tortured kind of musicians, and she had children with like two different musicians who seem nice but kind of get the vibe of being like very much like me and me like my art, my music. And that woman has had access to like every kind of hot man in Hollywood, and she's ended up with her friend's brother who's like out of the Hollywood world. And I like, there's a lesson in that we should love for all of us that she looked away from. And she'd known this guy for years, Danny, and they have a kid. I love bought it together now and she was just like after a while that she just kind of realized it's him. It's my friend's brother who's like not famous at all. 06:13Speaker 3 What a movie on that? 06:14Speaker 1 Yeah, yeah movie. So anyway, she's taken a stand on the biggest ick, and like people have really reacted to it. Some people in the comments are like, yeah, this is my biggest ick too, and then some people like this is awful, what a terrible thing to say. But I just think, let the woman speak, turn you off the spirituality thing. I think what she's saying too, if it's the main topic of conversation, there's no one thing. If the person's right, I think it turns you off, but I know, I know so well the kind of cuy she's talking about, who would sit down and make the whole conversation about their spirituality and like if you don't agree with everything, they think that you're wrong and they're more enlightened than you, and they'd probably do yeah, exactly exactly, and like they do, and you're just like, just chill and tell me what TV show you're watching, Like I don't need to hear your ten step spirituality and why you're going to have And I'm going to burn in hell because where you're going I don't want to go. Sorry, it sounds bad. 07:05Speaker 3 For the past year, the internet has been piling on to Barry They've been piling onto that man. 07:11Speaker 1 Coward my god key, well, he says in such a husky voice. 07:17Speaker 3 Well, some people say, some people shaking Barry Yeah, Barry Kay. And it has been piling on to Barry Kay following his split from Sabrina Carpenter, where there was swirling rumors of a cheating scandal, and they have just not left that man alone, and up until now he has never addressed the rumors. He's definitely come out and like talked about the online harassment that his face and the scale of bullying that he's come up against, which has sounded really hard, but it hasn't really slowed the pace of everything down. But now he has sat down with Benny Blanco and his podcast Friends Keep Secrets and done a little bit of a heart to heart. 07:54Speaker 4 Just on a serious note. You know, I feel in the safe space to see this. And you know what, I have been avoiding stuff. I have been like, you know, I came off Instagram, you know, on social profiles. I stopped going to events. I've stopped you know, just socializing. And again it's because you know, there was a narrative out there that was never really sort of even spoken on a narrative that's not true, and I never confirmed or said anything about it, and you know, I just disappeared. 08:29Speaker 1 So there's a lot of interesting things about that podcast. Clip one is just the fact that that podcast in general, like I've watched Benny Blanco's podcast a few times, those men just sit on the floor. 08:39Speaker 3 It's kind of chill vibes. 08:40Speaker 1 Yeah, but that's not how you podcast. And I'm not getting quite try that. Yeah, I wooden floor exactly about us, and we had to record during all those years of lockdown, like building a pillow fort, building a mattress tent, all those sorts. 08:55Speaker 3 Of things, because they're in pants, they're not inside. 08:58Speaker 1 That's not why sometimes I can just not just men famous people can just really do the better of them going through that. I mean, Barry did look very relaxed. He's sitting cross legged on the floor. But this is one interesting thing where it's like watching the podcast does give you a bit more than just listening to show there's people in the background just making tea in the kitchen and all those things. They must have excellent microphones not to pick up that background noise. But watching Barry's kind of like he his shoulders really slump. He puts his head down. You can see that he's like having difficulties speaking about it. But he's obviously had this really pent up inside and it's something that like he hasn't spoken on since the breakup with him and Sabrina Carpenter happens. So in that interview he kind of confirms they did date for over a year. He doesn't get into any of the specifics of why they broke up or anything. Like that. But he is in the midst of filming the Beatles movies, which is a huge, huge role that like every actor in Hollywood was going out for those Beatles roles, and it's going to be just kind of like this huge movie moment. So he's been in big movies before, but he's about to be in like a blockbus essentially, and so I think he knows that, like, he's got huge rounds of press in the next couple of years coming, and he also just needs to be in the public eye for his job in general. So wonder this was a bit like trying to clear the conversation before he goes back into. 10:14Speaker 3 That, and the scale of the harassment is it's quite disgusting because he has grown up with a lot of adversity. He speaks a bit in this interview about how people, you know, dragging his late mother into things she was an addict, and then he also has his own struggles with addiction. So I think stooping to that level and having to be constantly faced with that kind of commentary would be really hard when you know you've got this massive press run coming up. 10:40Speaker 1 Yeah, exactly, And it was, Yeah, it was kind of interesting. When he and Sabrina broke up, because they were never like overly overly public about their relationship, but they were photographed together a lot, and they did like when she did her Vogue with Come like he's in the video clip as well, Well, he's in the video clip, yes, yes, But prior to that, like they did there, like they were never like posing the heaps couple photos. They were never like on each other's Instagram stories. She never said like, this is my boyfriend Barry. That's like the three year master yeah, celebrity exactly. But the first time they really confirmed their relationship in a very public way was when she was doing a get Ready with Me behind the scenes video with Vogue before the Met Gala, and he walked into the room so it looked like he had an joining room, and he walked in and they were like, you know, the little kiss and a little to get like very clearly, very coupply. And then they've been photographed together since then, but never in like a like that was their kind of big moment. And then when they read the video clip together that was obviously huge. Yeah, and just like kind of like a cute, floirty thing. But I think one of the reasons why their breakup was so so public, there's a few different reasons. One is that, like we had song lyrics to fall back on, and as anyone who's daily Taylor Swift or any musician knows, that's gonna get you every time. Because she was like, please don't embarrass me, and everyone's like, and he did, and that was like a battle cry that people got really ferocious about. 11:56Speaker 3 Yeah, I think as well. It's something so relatable for people, and that's why it's like easy to latch onto it because everyone probably has someone in their life from their past that they kind of share those feelings towards. So when it's music, you I mean, I'm the kind of person that listens to music. I'm like, this is about my life. 12:12Speaker 1 Yeah, well, I guess I'm just thinking that a good song, you're like, yeah, that just hits in the right place. 12:17Speaker 3 If you're in a bas you're like looking out the window. 12:19Speaker 1 There's some lyrics that are just universal, and they're usually about heartbreak. They're always about that. One thing I thought was super interesting is he was talking about and he never gets into like the depths of him and Sabrina. But like if anyone knows anything about their relationship. You can kind of read between the lines of when they broke up. There was a huge amount of allegations that he had cheated on her, and she never came out and said it. But sometimes like she would be on stage, like she was on stage in Ireland once and she was sort of joking about like not wanting to date Irish boys again, that they were kind of like a bit of a bad idea, just like really how she A lot of people probably share that thought, Yeah, and exactly, and she was, you know, she was catering to her audience and stuff, but she never said the words Barry cheated on me. But what did happen that he brought up in this interview that I thought was really interesting is he said that a video went out from a woman who said that he had cheated with her, and that did go everywhere. And what he said I thought was really interesting and something we bring up on this pot a lot is that he said she then released a attraction video saying that she was a lion. She made it up, but no one picked up on that, which is so the case when these stories kind of they break, they come out, they burn hot and bright and a lot of times when something like that or a rumor or a misunderstanding or something happens, there is another part of the story that comes later, whether it's a retraction, a clarification, someone saying they were lying, like the full interview being released. There's always a second part to the story. But the second part of the story never gets the same traction as the first. 13:41Speaker 3 So I guess theys a lot about how people consume things as well, Like even when you see a headline, you may actually not have ever read the full story, Like you just see the headline and then that's your truth that you move forward. 13:49Speaker 1 Yeah. 13:50Speaker 3 Yeah, I remember seeing the video that went up and like there was just not really any grounds to truth with it. But if you just get that kind of like headline out of it, it kind of like takes on this whole life of its own. It is just crazy, the flow on effect that it's hard on, like you forget he's a real person. 14:05Speaker 1 Yeah, exactly. And that's why we say, like people do just read the headlines, and a lot of the time I'm just like, well, sometimes with like fame and money and everything like that is sort of just unfortunately, like the price you paid. But I thought it was really interesting where he was like, this woman came out and gave a retraction and no one, like, no one saw that, no one pitched. 14:21Speaker 3 He's so strong for one not fighting on that, well he did. 14:26Speaker 1 Yeah, And I mean, obviously I wonder if there's like how much a PR team is involved, or maybe it is also I don't know this man. Maybe this was his thought, like it was very like holier than thou, kind of a nice way to say it, because he was like, I don't know what this woman has gone through in her life, so I'm not that holy call her out. Well, yeah, I don't think yeah, to give her Barry Kaye the benefit of the doubt. That was really nice of him, if indeed that was his own thought, is like I'm not going to pull this woman through the mud and set the internet off on her because I don't know what she's been through, what's going on with her. It's sort of interesting because that's sort of this huge chain of reaction of people hating Barry. And before that he was really having a moment. He had been in an Oscar nominated movie and everyone was like, oh my god, he's a great actor and then after Saltburn, he was having such a fun cultural moment and everyone was like, oh, that tiny evil man, like so cheeky and fun, like everyone loved him, and so when he and Sabrina got together, everyone's like, oh, it's just we love that she's obsessed with like that little gremlin boy. It was really a moment on the internet too, like everyone boy is crazy, yeah, but in an endearing way, like everyone was upset in the way that only men can be, like you know, like rat Boy, fort of stuff and it's all endearing. 15:34Speaker 3 Your face was always coming up in the Rat Boy, yeah exactly. 15:37Speaker 1 So it was all that. And then stuff came out, yes, about his family and like drug abuse and all this sort of stuff, all these allegations, and he talked about it, but at the same time, like people were sort of using then his own words against him, and then people were also bringing out the fact that he was which again cernificants brought up for any other men in Hollywood. I don't know if all of a sudden we decided that Barry was going to take the flack for absent fathers everywhere? Is that? But also people were like, well, where is your son, Like he is because he has a son. People were like, you're off with Sabrina, You're not looking after your son, You're an absent father. I think at one stage he was talking about having to be away and working, but he was doing that for his son, and people were like, you're just making excuses, and all of a sudden, that like became this huge lynch pin. In a way, it's not for other men in Hollywood. Like, I'm not defending him for if he doesn't see his son, but I'm just like. 16:23Speaker 3 That's most in Hollywood. Yeah, Yeah, they're not at home raising their kids every day when they're filming movies months on end. 16:30Speaker 1 Yeah. I just think felt like it became just another thing to add to this kind of like it's very personal Eylon and like when we thought he was cute and sexy, no one cared about that. But when we thought he cheated on Sabrina carp and all of a sudden, everyone's like, you come from a drug addict family and you're a bad parent. Yeah, he was like where we were next. 16:47Speaker 3 It's a really low blow. And obviously in the industry, people are getting away with a lot more and not having you know, so many people cracked down on them. It's almost like it's easier to attack, attack on this. 17:00Speaker 1 Yeah, and again I think like a song lyric will really change the game, Like it became sort of like cute and fun to hate on Barry, and I think because it's also very easy, like there was no except for him personally, there was no stakes for anyone else Whereas I kind of looked at like the attacks on Barry, and I was like, where is this for like men in Hollywood who are like abusive towards women, or where is this for like men who have been accused and sometimes found guilty of like sexual assault or all these other things, or like physical assault, all these other things, Like they tend to sort of get more of it because sometimes that's a murky issue and interesting. 17:35Speaker 3 It's like if people don't have all the information on something that's higher stakes, then they weren't common on it at all. 17:41Speaker 1 Yeah. 17:42Speaker 3 But then if something's lower stakes and you don't even have any information at all, yeah, feel free to go wild. 17:48Speaker 1 Yeah exactly. That's I just found such an interesting and just like which parts of the internet pick up which topics, because sometimes like a man will be accused of sexual assault and not even not found guilty, but just sometimes there's not enough evidence to get to court, which is not the same thing, and everyone will be like, well, that's not ruin his life. But then everyone's like, wait, did Barry kiss someone else? Yeah, stone him to death, Like it's very because again that feels like there's less consequences for the audience. So yeah, I thought it was interesting, and I like the fact that he did come out and have that conversation and like kind of be a bit vulnerable in that way because he's really trying to gun towards this very famous act not famous, he's obviously famous, but more kind of serious actor kind of vibe, and a lot of times that comes with like not giving like being only out of DiCaprio and not giving an interview since a teen magazine like thirty years ago, and not kind of speaking on anything, only ever talking about your movies and your craft and never talking about yourself. It felt like he was kind of and like Paul mescal and other actors who are in his Jacob e. Lordie, like other actors who are in that young Hollywood about to be that next level of very famous man are all going that we don't speak in interviews. 18:53Speaker 3 Keeping it very personally. 18:54Speaker 1 Yeah, exactly. 18:55Speaker 3 He lifted the veil a bit, and I think he's a really powerful story so it would be really nice if he's able to speak about it without people throwing stones in. 19:02Speaker 1 Yes, exactly what the little man. I mean. We get maybe he did, maybe he cheated horribly on her. 19:07Speaker 3 We don't know, and if that's the case, then. 19:11Speaker 1 Exactly. But we'll like the full interview in our show notes. Who will listen to the full thing because there's a lot more than that little moment. But yeah, interesting when the Beatles movies come. 19:19Speaker 3 Out, Yes, I'm so excited. 19:20Speaker 1 Yeah, I actually think that'll be a tony hoot for him. I think people will see him in the Beatles movies, they'll love the movie and they'll be fine. 19:26Speaker 3 Yeah. 19:28Speaker 1 So it's been a huge well it's been a huge month year, but also week this week for Anne Hathaway because The Devil West Prota two is finally I'm not gonna do it this movie. Huge week for us. We went to the premiere of The Devil Wears Pritor two this week. We can't say anything about it today, but that review many many thoughts on that are coming. So the Devil Wes Protor two is out starring Anne Hathaway. Of course, it's one of the many movies she has coming out this year, so Mother Mary, where she plays a pop star, The Devil Wes Protor two, obviously, The Odyssey, Christopher Nolan's new movie, which is going to be an absolutely huge blockbuster packed with Hollywood talent. She's in that Flower Veil Street, which is more of a sci fi mystery. This's got range. 20:07Speaker 3 Yeah, she's got range. 20:08Speaker 1 He's got range. And also Verity, which is coming out in October, which is a new thriller based on Colleen Hoover's best selling book of the same name. So the trailer came out this week. It was our first look at There's been so much hype around this particular adaptation of Colleen Hoover's novel, just because it's so beer loved and has such a twisted mystery, and also the casting, because we've got Dakota Johnson playing Low and Ashley who was hired by a man called Jeremy Crawford played by Josh Hartnett. I'm loving the Josh Hartnett come back in the way Why did he ever go away? I do love that man, and so she's hired by him to ghost write novels for his best selling author wife called Verity played by Anne Hathaway. Because she's an accident, she's unable to finish, and so Dakota Johnson's character moves into the Crawford's home to work on the book, only to discover that, of course, all is not as it seems, and there is a mystery with Verity. And the trailer is like really creepy and like atmospheric, and it also has a pretty lovely pash between Dakota Johnson and Hathaway. 21:09Speaker 3 Love that they put that in the trailer. 21:11Speaker 1 Yeah, they were like, we know exactly what you guys want to see, and here it is at the top of the trailer. 21:15Speaker 3 So I haven't read the book. It looks quite dark though, like a horror. 21:19Speaker 1 Yeah, Like it's like a kind of like a horror thriller, kind of like that old school like a Rebecca type kind of like you know, mystery of like what's happening in the home. 21:27Speaker 3 Kind of thing. It's interesting seeing what people are already saying in terms of like what they expected, Like some people like this is way scary than I thought it would be like people interpreted different in their heads. 21:36Speaker 1 So and it was one of those things where like when their casting was announced that it was Anne Hathaway Duco Johns and people that quite lost their minds of that because they were very kind of like territorial overut who would play these characters. So on paper, this should actually be the best year of Anne Hathaway's life professionally. 21:52Speaker 3 She's busy because of all. 21:53Speaker 1 These movies coming out, and there's this kind of just felt like when she was on The Devil Wears prior to press to her, there was this like inten hence love and admiration for her and so on paper, everything is perfect, but of course there's a bit of a different conversation bubbling around in the background. Do you remember, like it was nearly eight years nine years ago now that the Half a Hate started? Do you remember this dark time. 22:18Speaker 3 In our history this time? 22:19Speaker 1 Yeah, well, hopefully not on the internet because it was not a nice stay. 22:22Speaker 3 I don't think I was part of this movement because I wouldn't want to stand for that slander. Well no, exactly exactly. 22:27Speaker 1 So it was a dark time in history where Anne Hathaway had grown up as one of the most beloved actresses because we were introduced to her in The Princess Diaries, iconic Disney film Perfection Can Do No Wrong, and then obviously she had other movies like Ellen Enchanted, so you know, she really a lot of people really grew up with her as their actress, as the person that they would like. You know, people would be like, the first time I went to the movies was to see Ella Chanted, or like the first time, like my friends and I had to sleepover, we watched The Princess Diaries, like it was that kind of way. 22:55Speaker 3 She had a very like soft transition into womanhood as well from that, like Disney Girl. 23:00Speaker 1 And then when she got The Devil Wears Prata, which was it became a huge iconic movie and it was a big deal at the time, but not like it kind of became when the movie came out, and she has spoken very openly that she was about fifth on the list of actresses, so like they had to a lot of people had to say no to the role, and she had to go through like a lot of negotiations and auditions to get that role, and then that kind of was her big star making turn because that movie was sush a blockbuster. She's so great in it, and then she went on to like have all these other big movies that followed it. It was around the time of when she was starring in lay Miz that she won her first Oscar for it was her first Oscar nomination, was the first time she won. It was during the press one for that that people started to really turn against her. 23:44Speaker 3 Yeah, right, and all. 23:46Speaker 1 Of a sudden. I mean, the thing is, she was campaigning very hard for an Oscar, which is what you have to do to win. No one wins at a campaigning, even if you step aside and let your team campaign for you, you have to have a campaign. But she was front and center campaigning, and she run lot of awards leading up to the Oscar and lay Mis won a lot of awards, and people started to tire of her. They were like, she's a tryhard, she's annoying, she has theater kid energy. And one of the worst allegations against her was when Laye Miz won an award and as they were wrapping up, she jumped in on the end and thanked someone from her team, like personally, like thanked one of her managers. And there was this huge backlash, and it wasn't til years later that came out that person had been diagnosed with cancer and she just wanted to give them a shout but also even. 24:28Speaker 3 If they had it, like, let her give a shout out, Yeah, let her give a. 24:31Speaker 1 Shout out to someone in her teen And when she won the Oscar, that's also when the tables turned because she got up on stage and she and also people hated her dress. And that's neither he nor there. But the story was I didn't love it. No, okay, I just think he didn't photograph well. And but the backstory is it was, it was fine. It's a fun It's one of those engages that she is such a she's such a red carpet staple glam kind of and she'd had so many great dresses leading up to the Oscars that I just thought that wasn't the dress. It just photographs strangely because of the darts at the front. It made it look like her boobs were sticking out and the front, no, you do you know the dress't talking about? 25:08Speaker 3 No, it was a I think it. 25:10Speaker 1 Was Prada, which is ironic, and it was like straight down, pale pink column dress and it was just the way the darts were sitting. It made it look like she had breast, which I actually think is quite fun. And then it was it had a lot of detail at the back, but you couldn't see it. And so the story goes that they were rehearsing for le A mis because they were doing a music home in the Oscars, and Amanda Seifered, who was also in the movie, showed Anne hath the Way a picture of her dress that she was wearing to the Oscars the next day, and apparently Anne like lost her mind and I'm assuming just lost her mind and like, oh my god, shit, like because it was nearly identical to her dress, so different designers. Tina's just looking at a picture of the dress. 25:51Speaker 3 Now the dress is quite average. Yeah, I mean, but maybe the back, I don't know. If it was. 25:56Speaker 1 No destroying the woman's life for five years from put that it was okay. 26:02Speaker 3 Yeah. Also a lot of people. 26:04Speaker 1 Wear dresses to the Oscars because it's very serious things. A lot of times that people wear a bit more of a kind of and they want it to look timeless. 26:10Speaker 3 And and she looks beautiful, like if she was in the room she was wearing that phenomenal beautiful. 26:16Speaker 1 She looked beautiful, and I think it's fine. But what happened was, Yes, the story goes that Amanda seiphred and Anne has a way to confirm this happened, but she's never said it was Amanda, but we know, we know showed her photo and Anne was like, oh my god, that's nearly identical to my dress. And we're in the same movie and we're walking the carpet near each other and we're seeing next to each other, like, what am I going to do? So apparently she left and Amanda also left because they were both like, we can't deal with this right now. And so the night before the Oscar she had to find a new dress and that was the pink column dress, and again she won lovely moments. She's always wanted to win an Oscar. Sorry, that's fine, that's fun. That the people started hating her because she got up on stage and it was clearly a rehearsed moment, but she's an actress. What do you want from her? It was clear rehearse moment. She up and instead of speaking, she took a moment of silence. She looked down the Oscar and it's like and she just stared at and then she goes it came true, as in, like I wish for this and it came true. 27:10Speaker 3 Yeah, oh again, is that so fine? 27:13Speaker 1 You? Like she had her Yeah. I just think people were just like. 27:16Speaker 3 Winning an oscar. Just let them do what they want with that moment. Yeah, pretty one. Just let them have antense. 27:22Speaker 1 And I thought that her speech was lovely. It was really heartfelt. She was very overcome, as you would be. And and I feel I can speak like this now because can I say I've always been on the right side of history. I defended Anne Hathaway before it was cool. Yeah, and then she spoke about like sex work and like because her character obviously in the movie, she's like, let Fantine's story kind of be like a reminder to us about this, and like she'd obviously really thought like what is this moment about, what is this character about, and what is the bigger issue? So she did all that, and then people were just like, we're so sick of her, we can't stand her. She's a try hard and the hard thing is is that she kind of I think knew the tide was turning a little bit, but it was until she like a year or so later, when the internet had been hating her for a year or so and very blatant, and was that she sat down to google something about herself because I think it was she was going to do an SNL sketch and she wanted to find a headline about herself to kind of like she had an idea for a joke. She wanted to parry it, so she googled Anne Hathaway and she said all that came up like fill the screen was like ten reasons why we hate Anne Hathaway. Here's why everyone decides they've hated Anne Hathaway. Here's the worst thing about Anne Hathaway. And she was like, oh, sorry, my god, Like yeah, she said. It was really kind of confronting to her to realize how fast spread the hate was. And then she ended up having to do like a magazine cover where she's kissing on it. I think it was Elle where she's kissing and she's like, let's kiss and make up. And I was like, girl, you have nothing to apologize. 28:44Speaker 3 No, no, and hath a ways to apologize. 28:46Speaker 1 Yeah, It's weird that, like again, we see all these men like do and I know that's like kind of a tied take that men and women get treated differently, But it's it's unfortunately very true. Is that we see like men get accused of like they screamed at this one on set, like Adam Driver threw a charity and a donner. 29:02Speaker 3 Literally, why are we not talking about that anymore? 29:04Speaker 1 Well, yes, it was part of their like rehearsal, and she's not angry at him. But also, like you know, and we have all these things of like you know, men cheating or men doing things, or even other actresses sometimes doing worse things. And the worst thing in Hathaway did was just love her to work too much. 29:18Speaker 3 She's just going to work. I've got Jacob Elodie in a million movies right now where like keep going exactly. 29:23Speaker 1 And I also and yes, there are allegations that she was rude and difficult, but we don't have any like there's no proof of that that I can also. 29:32Speaker 3 Rude or difficult or just at work being professional and asking for what. 29:36Speaker 1 She Also, no one's that I can see, No one's gone on the record to say that she was difficult to work with. In fact, it came up in a press conference once. I think it was for Interstellar. I came up on a press conference where a journalist is like, what is it like to be No One as someone who's really difficult to work with it? And it's like oh, and then Jessica Chustin jumps in and she's like, I just want to speak on this that I've worked with this woman twice now and she's not difficult to work with. But it's like saying like that part of the story of never took off, Like No One sort of was like, oh, Jessica Chustin defends Anne Hathaway. They were just like she's. 30:07Speaker 3 There these speculations of her just being lovely to. 30:10Speaker 1 Work Yeah, And there is that interview that went you know, that moment in time where like all the Blake Lively interviews were coming out around like oh, she's awful at interviews, and you watched a super cut of interviews. And it really depends how people edit things a lot of the times and the context around them. But an old interview came up with Anne hathawayen a journalist. It was four laid miss and the journalists keep saying to her it was the same journalist that Blake Lively was accused of being you know, the whole baby interesting and then they were like, oh, look like Blake Lively is getting crucified for being rude to this journalist, which she kind of was that's fair enough. And they were like, look when this like Anne Hathaway was also rude to this journalist. And this clip went viral and it was the journalist saying to Anne Hathaway like, can we can we sing our responses to each other? And apparently other people in lay Miss did it and Anne was like, oh, you can do that. I'm not going to do it. 31:00Speaker 3 That's what I would say. Yeah, yeah, I don't want to sing no. 31:04Speaker 1 And I actually think that's so fine, Like it's it's a hard line of like you're in an interview, sometimes you have to go with the bits. But I also think saying to something like maybe going into an interview and saying to someone, especially if like it's not a pre approved kind of thing, like going into a junkert where it's like every five minutes you're talking to a new journalist and a journalist coming in and saying like can we sing our interview and her being like no, thank you, And it's fair. 31:26Speaker 3 Enough because then it could go in the wrong way, and then that will be the story that spirals out of control, Like you've got to be like thinking a couple of steps ahead on Yeah, what's the output of this got to look like? And a people gonna hate on before it? 31:39Speaker 1 Yeah, exactly, And it's so interesting obviously, things like I haven't seen like the full full clip of that in terms of like it wasn't released, Like I haven't seen what happened before the cameras started rolling the cameras afterwards, So I don't know if she was rude or not, but no one cared about that was that isolated clip. And she ended up apologizing to the journalist. Yeah, and because I think she was like, oh god, this is gonna you know, I think. 31:58Speaker 3 The journalist would know as you as well, though, like this could be yes, this could be an I'm gonna shoot my shot. 32:03Speaker 1 I just think it was a moment in time. And then everyone's so back on the inn Hathaway train, as they should be, Like mymorphus loves being held to account for bad behavior. But I just don't know if there's any. 32:14Speaker 3 Bad blockbuster movies that I've seen from her. 32:18Speaker 1 There's nothing that I've seen from her that justifies the level of hatred, except that she just seems to try really hard and she's really earnest and she's a theater kid energy. 32:26Speaker 3 Which I love. 32:27Speaker 1 But I will say, like, having interviewed her myself personally, now. 32:30Speaker 3 She has her friends lovely. 32:33Speaker 1 She was really lovely, and yes, she was very kind of and I've seen her be like this in other interviews. I think because my questions were a bit more serious, which was fine because that's why I wanted. But she gave me really thoughtful answers and I really appreciated that. But I walked in the room to interview her and Meryl for Devil Words prior to too, and there was a bit of a change with the time, and I kind of got when I went in the room, I wasn't sure. I thought I was going into you know how like can go into a junk and you think it's gonna be like a holding area first, and then someone and often there's like a screen and there's all this and the PR person walks around introduces you, and then they take you in and then you're like, oh, okay, like now we're starting. Whereas I open the door and it's just Maryland's oh, right in front of me away, and they were just like oh hell. And I was the first one, so they were just like oh. They were still like settling down, putting their waters down, like Merret was drinking her water because they'd been doing a full day of press. And I was like, oh, hello, and then I didn't even introduce myself because I was like, oh, I'm yeah, and I'm like to the camera and I talked to the camera person instead of them because I said are you filming now? Because I don't want to miss my interviews? And Anne was like like really rolling yeah, you know, it's like high stakes in that room. And Anne was like, oh, sorry, what is your name? And I was like, oh, I'm sorry, it's Laura, and she is all lovely to meet you, Laura. I'm Anne, and this is Meryl. That's really I do know, but like nice to like she was sort of making sure that we had that moment of like seeing each other's names and saying hello. And then I found her really thoughtful and I just watched her because I saw her during that press day. I saw her like do a whole bunch of interviews in the morning and then do all the junk kids and then go and do a fan event that night, and I could feel that she was really like not being cautious, but really trying to make sure that she gave really thoughtful answers and that she was acknowledging people, and that she was giving people what they expected of having their moment with Anne Hathaway in a really intense way of someone who knows what it's like when that goes the wrong way. So I really appreciate it that that's lovely, and I just think it's kind of like now that I'm seeing like even like, so we put up all our Devil Wears prid of clips from the interview that was on the spill, and most of the comments are like lovely and really supportive. But I have this one clip that's got a lot of traction online where I asked her and Meryl, like, because they can't watch The Devil Wes Prita as their favorite comfort movie, what is their like what is their version of The Devil Wears Prata? And Anne gave some really lovely answers. One of them was Moonstruck that she says she watches in bed and with ice cream, which I did over the weekend I haven't seen Moonstruck for ages, but I watched it and I got some ice cream and I was like this, girls on stop like man' the same Shelle. There's also a bunch There was also like a bunch of comments under a TikTok video of people like, look how Ovalish's polite she's been to that interviewer. Look how careful she's been. And then other people were like, oh, yeah, it's because she's like got in trouble before. And everyone's like, oh, I'm getting so sick of her. 35:14Speaker 3 And I was like, guys, none of these are bad things, so she's being too careful. 35:19Speaker 1 Yeah, And I can just see that the tide is not turning against her. But I can just see because she has to be so public this year because she's mailed these movies and just the way the release schedule has fallen, they're all coming out in one go. 35:31Speaker 3 Yeah, even when people like you're so busy this year, like these have been filmed probably over the past like five. 35:36Speaker 1 Years, And I just yeah, And I just find it really interesting that we're even having this conversation in twenty twenty six about like whether or not the table should turn on and Hathaway because she hasn't done anything to deserve that, and it's just justice. 35:49Speaker 3 For Anne Yeas twenty twenty six. 35:52Speaker 1 And it's just it's interesting. As much as we keep having this conversation, it's still like the worst thing that a woman can do in Hollywood is be like two in your face and two in your in terms of like be everywhere and having to promote a movie successful also walking that fine line between like having to be like a little bit self deprecating but also like sometimes very earnest, and it's like everyone's watching you walk this tight rope of like and if you put a foot too far the other way then you have to go. And other actresses have said before, like it's anything happened to Jennifer Lawrence, Like do you remember that when she was everywhere and she won her oscar? It's always when a women wins an. 36:26Speaker 3 Oscar, whenever they're successful, people just want to like really narrow and on things. And I think that's what makes it hard again, just going back to the fact that Anna's just working, she's doing good jobs, she's booking great roles. Why would she turn them down? Yeah, She's got her biggest year ahead of her. There is absolutely no reason to hate someone based on those things. 36:45Speaker 1 No, No, and that thing is like when you ask people because people have just because I've written a lot about this in the past, Like I wrote a big piece about the haf of hate when it first was starting and being like, we need to stop this because all the reasons why, And that piece still bops up on search a lot. Whenever she's in a movie of people like Big Year for You, then yeah, guys read yeah, like I read that piece like eight years ago and every word is still correct of what people have said. But yeah, and whenever like she's in a movie or like when I've interviewed her, like the first people say like, oh, what was she really like? And I was like, she was lovely in a way that you've No one's ever asked me in that tone about any other actress I've interviewed. I've interviewed some mean actresses, to let me tell you, and no one cares about that. But yeah, I just think it's interesting of like how like women come to this moment in Hollywood, like a Jennifer Lawrence, like an nn Hathaway where they searched to popularity and then we decide that they've had too much time in the sun, or they're too quirky, or they're too earnest, and then they have to go and like hide away, I don't want and then they decide to come back again. 37:49Speaker 3 Yeah, they've got it. They've got to buy their time. 37:51Speaker 1 Yeah, so go see Devils prior to go see all of Ann Hathaway's movies. I guess, and I just hope this conversation Petere's out now. 38:00Speaker 3 Thanks so much for listening to the Spill today, And if you want to watch as well as listen, you can now watch us on Apple Podcasts. Just make sure that your iPhone is up to date and switch over to video to see our beautiful faces, or head to the YouTube channel to catch more of our video content, including celeb interviews. The Spill is produced by Minisha Zworn with video production by Michael Keene. We'll see you next time. Bye bye,Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Le top musique: les sons qui ont accompagné les études et les parcours des invités!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Fantine nous raconte son parcours. Elle débute son cursus par des études littéraires, avant de connaitre l'éveil d'une petite flamme scientifique qui l'amènera à des études d'ostéopathie puis de médecine.Elle est actuellement en 3eme année de médecine, elle nous raconte!Parallèlement il y a du sport, beaucoup de sport, qui lui même fait suite à quelques folies festives.Elle a notamment participé aux championnats du monde d'Hyrox et pose également pour des photographes.Encore un parcours qui inspire et nous donne envie de réaliser nos plus grandes amnbitions.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Today, I'm thrilled to announce my interview with two-time Tony nominee Daphne Rubin-Vega, who is currently starring in THE ADDING MACHINE at The New Group. Tune in to hear some of the stories of her legendary career, including the relevance of Elmer Rice's play, gaining early stardom with RENT, identifying with Magenta in THE ROCKY HORROR SHOW, working with Philip Seymour Hoffman on JACK GOES BOATING, starring on screen in SMASH, being directed by Emily Mann in A STREETCAR NAMED DESIRE, finding her take on Fantine in LES MISERABLES, and so much more. Don't miss this entertaining conversation with one of Broadway's best.

Lucie Jones is back In The Frame for her fourth episode, making her our most featured guest!There's lots to catchup about; Lucie has returned to the West End production of Les Misérables (Sondheim Theatre) to reprise her performance as Fantine. She is also preparing to play her biggest solo show yet at the London Palladium on Monday 16th February. And it doesn't stop there… because she's doing all of that whilst pregnant with her first child!Lucie burst on to our screens in the 2009 series of The X Factor (ITV) and has gone on to become one of the most renowned leading ladies in British musical theatre. She made her West End debut as Cosette in Les Misérables and went on to play roles including Meat in We Will Rock You (International Arena Tour), Victoria in American Psycho (Almedia Theatre), Molly in Ghost (Asian Tour), Elle Woods in Legally Blonde (Leicester Curve & UK Tour), Holly in The Wedding Singer (UK Tour), Maureen in Rent (St James Theatre & UK Tour), Lou in Girlfriends (LMTO), Heidi in Title Of Show (Digital Production) and The Ghost Of Christmas Past in A Christmas Carol (Dominion Theatre). Lucie had an acclaimed run as Jenna in Waitress (Adelphi Theatre / UK & Ireland Tour). She has also played Elphaba in Wicked (Apollo Victoria Theatre) and Fantine in Les Misérables (Sondheim Theatre), the staged concert of Super You (Lyric Theatre) and Catherine in the Pippin 50th Anniversary Concert (Theatre Royal Drury Lane). Most recently Lucie played Geneviève in The Bakers Wife (Menier Chocolate Factory) and Jenna Rink in the world premiere of 13 Going on 30 (Manchester Opera House).Lucie represented the United Kingdom at the Eurovision Song Contest in Kyiv, Ukraine in 2017 and released the album Lucie Jones Live At The Adelphi in 2020. She has played solo concerts at the Adelphi Theatre and His Majesty's Theatre in the West End as well as on tour with the 50-piece Fulltone Orchestra. She even played a set at Glastonbury in 2025!In this episode Lucie discusses her return to Les Misérables, what's going to be different about her London Palladium show as well as her pregnancy, the latest roles she's played, her favourite dressing room and lots more. Lucie plays the London Palladium on Monday 16th February. Visit www.lwtheatres.co.uk for info and tickets. You can also see Lucie in Les Misérables at the Sondheim Theatre.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Los Miserables sigue la historia de Jean Valjean, un exconvicto que busca redimirse tras salir de prisión. Perseguido incansablemente por el inspector Javert, Valjean reconstruye su vida mientras cuida a Cosette, la hija de Fantine, una mujer explotada por la pobreza.

On the Saturday January 17, 2026 edition of The Richard Crouse we’ll meet author Joe Hill. His bestselling novels & short stories have inspired hit adaptations like “Locke & Key,” “Horns,” and “The Black Phone,” as well as “In the Tall Grass” (which he adapted for film and co-wrote the novella of with his father Stephen King.) Today we’ll talk about “King Sorrow,” a genre-bending horror epic that spans 25 years. It follows six college friends who summon a dragon using a book bound in human skin. Each year, they must choose a sacrifice—or become one. Then we spend time with Louise Pitre. Often hailed as Canada’s first lady of musical theatre, she is a Tony-nominated actress renowned for her powerful performances on Broadway and across North America and Europe. Best known for originating the role of Donna Sheridan in “Mamma Mia!,” she has also played Fantine in “Les Misérables” and Edith Piaf in “The Angel & the Sparrow” among many others. Today we talk about herb latest work, “Kimberly Akimbo,” the Tony Award-winning musical about a bright but physically aging teenage girl with a rare genetic condition, similar to progeria, who navigates a dysfunctional family, first love, and the challenges of finding happiness and connection despite her unique circumstances and limited time.

On the Saturday January 17, 2026 edition of The Richard Crouse we'll meet author Joe Hill. His bestselling novels & short stories have inspired hit adaptations like “Locke & Key,” “Horns,” and “The Black Phone,” as well as “In the Tall Grass” (which he adapted for film and co-wrote the novella of with his father Stephen King.) Today we'll talk about “King Sorrow,” a genre-bending horror epic that spans 25 years. It follows six college friends who summon a dragon using a book bound in human skin. Each year, they must choose a sacrifice—or become one. Then we spend time with Louise Pitre. Often hailed as Canada's first lady of musical theatre, she is a Tony-nominated actress renowned for her powerful performances on Broadway and across North America and Europe. Best known for originating the role of Donna Sheridan in “Mamma Mia!,” she has also played Fantine in “Les Misérables” and Edith Piaf in “The Angel & the Sparrow” among many others. Today we talk about herb latest work, “Kimberly Akimbo,” the Tony Award-winning musical about a bright but physically aging teenage girl with a rare genetic condition, similar to progeria, who navigates a dysfunctional family, first love, and the challenges of finding happiness and connection despite her unique circumstances and limited time.

No século XIX, enquanto a fumaça das fábricas cobria as cidades e histórias como a de Fantine, de Os Miseráveis, escancaravam a miséria urbana, um grupo de pensadores tentou imaginar saídas para além do improviso: Charles Fourier, Robert Owen e Henri de Saint-Simon. Este vídeo visita a vida real por trás da Revolução Industrial — jornadas exaustivas, workhouses, epidemias — e apresenta os projetos que propuseram comunidades organizadas, educação infantil, higiene, novas formas de associação e participação nos resultados. Sem panfletos e sem demonizações, investigamos o que esses experimentos queriam resolver, por que empolgaram tanta gente e por que muitos fracassaram.Também mostramos como essas ideias dialogaram (e colidiram) com correntes liberais de Smith e Ricardo, e depois com a crítica de Karl Marx, que trocou a esperança gradualista pelo choque revolucionário, que acabou por parir uma ideologia que matou milhões de pessoas. O objetivo é entender as perguntas que permanecem atuais: como conciliar produtividade com dignidade? o que políticas públicas e iniciativa privada aprenderam com New Lanark, New Harmony e os falanstérios? e por que a promessa de “sociedades perfeitas” volta e meia ressurge em novas roupagens?Se você curte história econômica e quer enxergar além do meme “capitalismo vs socialismo”, este episódio é para você. Inscreva-se, deixe seu comentário e diga: qual experiência histórica mais te surpreendeu e o que dela ainda faz sentido hoje?

Allyson Ava-Brown is starring as Nell/Elizabeth in Coven. Described as a "scorching" new musical, Coven is based on England's most notorious witch trials. The show kicks off its run at the Kiln Theatre later this month for a limited two-month run. Coven is written by Rebecca Brewer and Daisy Chute, with the production directed by Miranda Cromwell. Allyson most recently has a lengthy run as Angelica Schuyler in the West End production of Hamilton (Victoria Palace Theatre). Her other theatre credits include Glinda/Evillene in The Wiz (Birmingham Rep/West Yorkshire Playhouse) and Fantine in Les Miserables (Queens Theatre) as well as A Midsummer Night's Dream (Lyric Hammersmith), 23.5 Hours (Park Theatre), The Quiet House (Birmingham Rep/Park Theatre), Etienne Sisters, Dangerous Lady and Crowning Glory (Stratford East), Snakes and Ladders (UK tour) and Julius Caesar, The Tempest, Antony and Cleopatra (RSC/Tour/West End). Allyson has also worked at the National Theatre, Park Theatre, Watford Palace Theatre, Yorkshire Playhouse, Liverpool Playhouse, Theatre503, Riverside Studios and Hackney Empire. Recorded after a busy day of rehearsals, in this episode Allyson discusses all-things Coven. She also talks about her relationship with singing and musical theatre, why being in Les Miserables was a challenging time and the impact of her run in Hamilton. Coven runs at the Kiln Theatre 31st October - 20th December. Visit www.kilntheatre.com for info and tickets. Watch the video of Allyson performing Care from Coven here: https://youtu.be/VHIvS5KKmGA?si=AX1DafugwwxcRlt9This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

In this episode of our Villain Series, Kris and Anna dive deep into the Vengeful Martyr archetype—the second villain in the Inner Villain Transformation System. Rooted in the abandonment wound, the Vengeful Martyr reveals what happens when giving turns into resentment, guilt, and destructive cycles of over-responsibility.Key Themes CoveredThe Vengeful Martyr in Archetypes & SystemsEnneagram Type 2 (The Helper)Human Design: Sacral CenterCore wound: AbandonmentThe second half of the codependent cycle, following the Obedient CriticCultural & Story ExamplesStar Wars: Anakin Skywalker's descent into Darth VaderLes Misérables: Fantine's self-destruction through over-givingThe Giving Tree: The ultimate cautionary tale of depletionThe Shadow FormsSuccessful Antagonist (The Banker): Keeps score, tallies good deeds, and expects repayment—often doing things no one asked for.Wounded Child (The Abandoned): Believes they must become indispensable to avoid being left again.Covert Form (The Apologetic): Withdraws into burnout, endlessly justifying rest but never truly allowing it.Villain PatternsGuilt-tripping as a primary tool of influenceOver-functioning to secure love or loyaltyCreating credit for actions others didn't request, fueling resentmentAttachment patterns: anxious-leaning, often paired with avoidant partnersTransformation PathHero Form (The Selfish): Learning to establish boundaries, honor one's own needs, and balance giving with receiving.Legend Form (The Nourisher): Giving from overflow instead of depletion; embodying the affirmation “I am enough”; allowing energy and abundance to flow in cycles of give and take.Modern IllustrationsAn “Am I the Asshole?” Reddit post on college funds, addiction, and guilt dynamics as a lens for the Vengeful Martyr.Real-life parallels of guilt-driven self-sacrifice and difficulty resting.Why It MattersThe Vengeful Martyr may appear as the glue of community, but unchecked, this archetype sacrifices itself to exhaustion, resentment, and martyrdom. By reclaiming self-worth and learning the art of healthy boundaries, the Vengeful Martyr transforms into the Nourisher—someone who sustains life and energy without losing themselves in the process.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this powerful episode of Sisterhood of S.W.E.A.T., host Linda Mitchell welcomes Lea Salonga, Tony Award winner, Disney Legend, and iconic vocalist whose career spans Broadway and film. From Miss Saigon to Les Misérables, and from voicing Disney Princesses Jasmine and Mulan to her current Broadway and TV work (Old Friends, Pretty Little Liars: Original Sin, Yellow Rose), Lea's artistry has inspired generations. Now, she takes her fans on a musical journey with her Stage, Screen & Everything in Between tour — a celebration of her landmark roles, timeless songs, and evolving creative voice. Join us as Lea reflects on groundbreaking moments, the power of representation in theater, and what it means to sustain a legendary career across decades.

durée : 00:23:31 - La Série fiction - L'inspecteur Javert arrête Fantine qui se livre à la prostitution après avoir été renvoyée de la fabrique sans que Monsieur Madeleine ne le sache. - réalisation : François Christophe

durée : 00:24:29 - La Série fiction - Pour payer la pension de Cosette aux Thénardier, Fantine trouve du travail dans la fabrique de Monsieur Madeleine alias Jean Valjean. devenu maire de la ville.

durée : 00:24:29 - La Série fiction - Pour payer la pension de Cosette aux Thénardier, Fantine trouve du travail dans la fabrique de Monsieur Madeleine alias Jean Valjean. devenu maire de la ville.

durée : 00:23:31 - La Série fiction - L'inspecteur Javert arrête Fantine qui se livre à la prostitution après avoir été renvoyée de la fabrique sans que Monsieur Madeleine ne le sache. - réalisation : François Christophe

On the Saturday July 19, 2025 edition of The Richard Crouse we meet Louise Pitre. Often hailed as Canada's first lady of musical theatre, she is a Tony-nominated actress renowned for her powerful performances on Broadway and across North America and Europe. Best known for originating the role of Donna Sheridan in “Mamma Mia!,” she has also played Fantine in “Les Misérables” and Edith Piaf in “The Angel & the Sparrow” among many others. Today we talk about “Natasha, Pierre and The Great Comet of 1812,” an innovative musical from Mirvish that follows Natasha's scandalous affair and Pierre's existential crisis amidst the backdrop of 19th-century Moscow, drawn from Tolstoy's “War and Peace.” Then, we'll meet British author, academic, and adventurer Robert Macfarlane. A Cambridge University fellow, Macfarlane's work often reflects his deep engagement with wild places, from ancient pathways to subterranean realms, earning him acclaim for his evocative prose and environmental advocacy. Today we talk about his new book “Is a River Alive?” a book that suggests rivers are not mere matter for human use, but living beings, who should be recognized as such in both imagination and law.

It's hard to believe that after a career as iconic as Anne Hathaway's—whether as the ambitious intern in The Devil Wears Prada, the beloved royal in The Princess Diaries, or the tormented Fantine in Les Misérables—her most challenging role, by her own admission, is still to come. The August cover star of Vogue, Hathaway opens up to writer Maya Singer about transforming into a global pop sensation in the upcoming film Mother Mary. On this episode of The Run-Through, Chloe and Vogue's Deputy Editor Taylor Antrim chat with Maya about what it was like spending time with Anne (they bonded over their favorite Criterion Collection films), what this transformative moment in her career means, and her adorable friendship with actor Bradley Cooper.  Learn about your ad choices: dovetail.prx.org/ad-choices

Kerry Ellis is one of the biggest stars of musicals from the West End to Broadway. She originated the role of Meat, in Queen's We Will Rock You and was the first British Elphaba in the West End smash, Wicked, for which Kerry won the 2008 Whatsonstage.com Award for ‘Best Takeover in a Role'. She then immediately transferred to Broadway and played Elphaba at the Gershwin Theatre for 6 months, where she won the Broadway.com Audience Award for Favourite Female Breakthrough Performance. Her many other leading role credits include Nancy in Oliver! at Drury lane, Eliza Doolittle My Fair Lady, Ellen in Miss Saigon, Fantine in Les Miserables and Grizabella in Cats at the London Palladium. Kerry's first major CD release was the amazing Wicked in Rock, a collaboration with long time friend and Queen guitarist, Brian May. Her debut album Anthems was released in 2010 on Decca Records. The success of the album, which reached No.15 in the UK album chart, and No.10 in the UK pop club charts, led to a major tour which kicked off at the Royal Albert Hall. She has performed internationally, including performances at the Royal Variety Performance, at the Laurence Olivier Awards, duetting with Barry Manilow on BBC Television and Radio, at G.A.Y., on Loose Women, Alan Titchmarsh Show, BBC Breakfast, at the Henley Festival alongside John Barrowman and the Queen's Jubilee Concert at Buckingham Palace .Kerry Ellis is our guest in episode 503 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .For Kerry's tour dates, music, book and more, visit. - https://kerryellis.com .Follow Kerry Ellis on Instagram: @kerryellis79 & Twitter/X: @kerryjaneellis1 .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

June 16-22Many years ago, I read Les Misérables, by Victor Hugo: the unabridged version which is 1,463 pages long. Next to the scriptures, it was the greatest reading experience of any book I have ever had. I became so close to the characters, Jean Valjean, Monsieur Charles-François-Bienvenu Myriel—the Bishop of Digne (‘deen'), Fantine, Cosette, Gavroche, Marius, Javert and many others that I wept for a long time after I finished the book because I was so sad, I would not be able to meet them in the Spirit World! Maurine reminded me they were fictional characters. I was completely transported into their hearts, their world, their times, their pain, their burdens. Maurine and I even went to Victor Hugo's home in Guernsey Island off the coast of Normandy in the English Channel to get a sense of where he wrote this classic novel. Do you want to know my very favorite moment from the entire 1,463 pages? It has to do with our lesson in this episode.

Jessica Daley (Evita / I Should Be So Lucky) co-hosts The West End Frame Show!Andrew and Jessica discuss the latest news about Jessie J turning down the role of Sally Bowles, Remember Monday, casting for Here and Now, Rob Houchen and Anna Jane Casey doing Sweeney Todd and lots more.They also talk about the Society of London Theatre and UK Theatre's report with analysis on the current state of theatre in the UK.Fifteen years ago, Jessica was a finalist on Over The Rainbow, BBC1's search for Dorothy in The Wizard of Oz. Her theatre credits include: Ali in Mamma Mia! (West End), Maria in The Sound of Music (UK Tour), cover Fantine in Les Miserables (International Tour), Frenchy in Grease (Dubai), Lynette in An Officer and a Gentleman (Curve Leicester), Eva Person in Evita (International Tour), Billy's Mum in Billy Elliot (Leicester Curve) and Betty Haynes in White Christmas (UK Tour)More recently Jessica was in The Wizard of Oz at the London Palladium covering the Wicked Witch of the West and Glinda, she toured as Britney in I Should Be So Lucky and played Daisy in Lady Be Good in Sicily. She's also a podcaster in her won right, having hosted Park & Bark which is available wherever you get your podcasts.Follow Jessica on Instagram: @jessicacaca7This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Chaque vendredi, Nicolas Carreau vous présente le livre audio de la semaine. Ce vendredi, "Les misérables" de Victor Hugo.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Kerry Ellis is In The Frame!Kerry is preparing to perform her latest solo show Queen Of The West End at the Vaudeville Theatre on 21st April as part of Westway Music's season of concerts. Later in the year Kerry is taking the show on another extensive tour of the UK. In August Kerry is uniting with two other iconic Elphabas – Rachel Tucker and Louise Dearman – for a one-night-only West End concert Gravity at Theatre Royal Drury Lane.Kerry originated the role of Meat in We Will Rock You and is celebrated for being the first British Elphaba in the West End and Broadway productions of Wicked.A few of Kerry's other theatre roles have included Grizabella in Cats (London Palladium), Nancy in Oliver (Theatre Royal Drury Lane), Ellen in Miss Saigon (UK Tour), Fantine in Les Miserables (Queen's Theatre), understudy Eliza in My Fair Lady (Theatre Royal Drury Lane), Sara in Murder Ballad (Arts Theatre), Alice in Wonderland (UK Tour) and Gwendolen in The Importance of Being Earnest (UK Tour). More recently Kerry played Reno Sweeney in the London revival of Anything Goes (Barbican Centre), Titania in A Midsummer Night's Dream (Stafford Gatehouse) and Cruella in 101 Dalmatians (Theatre Royal Brighton). Earler this year she starred as Elizabeth in the UK premiere of If/Then In Concert at the Savoy Theatre.Alongside her theatre work, Kerry has a major concert and recording career; she has released albums and toured the world, regularly collaborating with Brian May from Queen.In this episode Kerry discusses why she loves her Queen Of The West End show, why performing If/Then was such an overwhelming experience and how she's feeling about working with Tucker and Dearman on the Gravity concert... and she also gives us the gossip about being in Wicked: For Good plus more!Kerry performs Queen Of The West End at the Vaudeville Theatre on Monday 21st April. Visit www.nimaxtheatres.com for info and tickets. Kerry is taking the show on the road later in the year and is also performing Gravity at the Theatre Royal Drury Lane on 31st August. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Please join Kate and Sheila as they discuss parts 2 & 3 of Victor Hugo's unforgettable tale of woe, Les Misérables. Today we meet the young girl, Cosette, who was left with the cruel innkeepers. The Thenardiers have taken money from Cosette's young mother under false pretenses. They make Cosette work tirelessly, and use money sent from her mother for themselves. Jean Valjean is at last free to rescue Fantine's daughter as he promised. Cosette was a “fly trembling in a spider's web”. The Bible tells us in Exodus 22:23, “Do not take advantage of the widow or the fatherless. If you do, they will cry out to Me, I will certainly hear their cry.” Cosette does just that, after her prayer the paths of Jean Valjean and Cosette meet and the poor waif is removed from the sinister selfish family at last!“The bishop had taught him (Jean Valjean) the meaning of virtue; Cosette had now taught him the meaning of love.” Life was briefly sweet for the pair, as a devoted grandfather with his grateful granddaughter, until the detective, Javert, relentlessly tracked them down. Danger popped their new found joy like a pin in a balloon. How will they escape this unmerciful fame-seeking man? Next, we meet Marius, whose grandfather raised him until he disinherited him. “The rigors of his present life gratified and pleased him.” Time has passed and the despicable Thenardiers end up as Marius' next door neighbors. The showdown between the grafters along with their thugs-for-hire, kind-hearted Jean Valjean, and the unstoppable detective is viewed by an anything but calm Marius through a peephole in the wall connecting the rooms! Hugo challenges his readers, of yesterday and today, by addressing topics that many would   rather sweep under the rug than be exposed for all to see. Are you ready to jump into the fray? 

Carrie Hope Fletcher is a true triple threat: a powerhouse performer, a bestselling writer and an inspiring voice off stage too.She's been in the spotlight since she was seven years old and has made her name as a West End star playing iconic roles…Éponine and Fantine in Les Misérables, Veronica Sawyer in the original West End production of Heathers: The Musical, and she originated the role of Cinderella in Andrew Lloyd Webber's Cinderella. Beyond the theatre, Carrie's a big social media personality and has a massive YouTube following and she's also a bestselling author. Her older brother Tom Fletcher is lead vocalist and guitarist of the band McFly but will any of their hits make it into her Inheritance Tracks?Inherited: Sophia by Nerina Pallo Passed on: Dancing in the Moonlight by ToploaderProducers: Ben Mitchell and Ribika Moktan

After three years of manifesting this interview, Mickey-Jo finally had the chance to sit down with Carrie Hope Fletcher.Currently starring in the UK and Ireland Tour of CALAMITY JANE, Carrie Hope Fletcher is known to many for her hugely popular YouTube channel as well as her stage performances as Éponine and Fantine in LES MISÉRABLES, Veronica in HEATHERS, and as the original star of Andrew Lloyd Webber's CINDERELLA.Check out this full interview to find out what they talked about moments after meeting for the first time...About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Les Misérables | The Bishop; Javert || Broadcast: July 23, 1937; July 30, 193701:20 || The Bishop -- Orson Welles (Jean Valjean), Alan Devitt (Judge), Agnes Moorehead (Old Woman, Madame Magloire), Frank Readick (Bishop of Digne), others31:40 || Javert -- Hiram Sherman (Letter Deliverer, Factory Official, Idler who torments Fantine), Betty Garde (Favourite), Alice Frost (Fantine), Agnes Moorehead (Marguerite), Ray Collins (Traveling Dentist, Fauchelevent), Martin Gabel(Inspector Javert), Orson Welles (Jean Valjean [Monsieur Madeleine])Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's 1862 novel, directed the series, and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio.#victorhugo #orsonwelles #lesmiserables #duaneoldtimeradio: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

¡Sean ustedes bienvenidas al episodio adicional al número 93 de esta temporada! En este episodio hablaremos de Fantine, una de las protagonistas de la obra literaria “Los Miserables”, de Victor Hugo. ¡Muchas gracias por ser parte de esta comunidad! No lo olvides. ¡Estamos juntas en esto! Todos los derechos reservados. Copyright 2025 © Estíbaliz Delgado Amaya

durée : 00:03:27 - Les P'tits Bateaux - par : Camille Crosnier - L'architecte Christine Lecomte répond à Fantine, 10 ans, qui se demande comment construire des maisons parasismiques. Tout réside dans les normes de construction, la nature des fondations, l'utilisation d'amortisseurs et la forme des bâtiments. - réalisé par : Stéphanie TEXIER

For our final episode of 2024, we're rounding out the year with the legendary Adam Goodall who shares the good work on Mothers' Instinct (2024) starring Anne Hathaway and Jessica Chastain.  Housewives Alice and Celine are best friends and neighbours who seem to have it all. However, when a tragic accident shatters the harmony of their lives, guilt, suspicion and paranoia begin to unravel their sisterly bond. Available now on Prime Video, these mothers and their instincts must be seen to be believed so wee woo wee woo spoiler alert if you're listening without watching first cause this story GOES places. Will these two recent Oscar winners be able to build on their success or is this a misstep for Fantine and Tammy Faye? Who of the two child actors is serving and who is merely sulking and why couldn't Alice make it through that hedge in time? All this and more in our final ep for 2024! Look out for a full recap of the year of films and pop culture coming shortly.  Finally, huge thanks to Adam for being such a delightful and insightful guest! You can follow Adam on Twitch and don't forget to keep on eye out for him on January 24th on The Macaroni Prince's stream for Dunkmaster, their version of Taskmaster. Ka kite and see you in the new year!

durée : 00:03:33 - Les P'tits Bateaux - par : Camille Crosnier - Le squelette est indissociable de l'être humain. Mais comment sait-on s'il s'agit d'un homme ou d'une femme ? C'est la question que se pose la jeune Fantine. - invités : Evelyne Heyer - Evelyne Heyer : Professeure en anthropologie génétique au Muséum national d'Histoire naturelle - réalisé par : Stéphanie TEXIER

Somewhere beyond the barricade, is there a world you long to see? There's no more overtly theological (or more popular) musical than Claude-Michel Schönberg & Alain Boubil's 1980 Les Misérables, based on Victor Hugo's 1862 novel. From Valjean and Javert to Eponine and Fantine, this musical crams more pathos, prayer, and bad wigs into three hours than any other musical we know. Do you hear the people sing? _________________________________________ We talk about: Prologue (the Bishop) / Stars / Javert's Suicide – Javert, the police inspector, embodies a law-and-order version of the Christian gospel (shout-out to our Jansenist followers!) – and ultimately, the mercy he is shown destroys him. Are these competing atonement theories, or is there more subtlety in Les Mis' treatment of the Christian gospel and its consequences? I Dreamed a Dream / On My Own / A Little Fall of Rain – Fantine gets one, brief, shining moment before she dies (it's a weeper), and Eponine stands in for every alto who dreams of being the soprano – and then she dies, too. Why do most of the women in Les Mis end up dead? Turning, Turning – "What's the use of praying if there's nobody who hears it?" In a musical where women are mostly prostitutes or virgins, the women's chorus gives voice to one of the show's darkest and most provocative theological questions. Bring Him Home / Do You Hear the People Sing? – What does an evangelized life look like on the ground – and what does “somewhere beyond the barricade” really mean? _________________________________________ You'll hear Colm Wilkinson, Phillip Quast, Lea Salonga, Michael Ball and Judy Kuhn from the 1995 “Dream Cast Recording.” You'll also hear Anne Hathaway sing “I Dreamed a Dream” from the 2012 film soundtrack because she won an Oscar for it, and attention must be paid. _________________________________________ Never miss an episode! Sign up for our email list to get updates when new episodes are released, info about upcoming special events, and more. _________________________________________ Check out some of our all-time favorites! Phantom of the Opera Joseph and the Amazing Technicolor Dreamcoat Jesus Christ Superstar! Schmigadoon! (Season 1 / Season 2) West Side Story! Yentl! Frozen! Barbie!

Aimée Fisher is In The Frame!After graduating from ArtsEd, Aimée made her professional debut as cover Fantine in the West End production of Les Misérables (Sondheim Theatre). She went on to understudy Elphaba in Wicked (Apollo Victoria Theatre), Jenna/Dawn in Waitress (UK & Ireland Tour) and Jovie in Elf (Dominion Theatre). Aimée also played Joelle and understudied Rita in the London revival of Groundhog Day (Old Vic). In this episode, Aimée discusses her path into the industry, understudying some of the most iconic roles in musical theatre and she speaks candidely about navigating periods of time without performing work... and there's lots more along the way. Follow Aimée on Instagram: @aimeelynfisher Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

fWotD Episode 2675: Rachelle Ann Go Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Saturday, 31 August 2024 is Rachelle Ann Go.Rachelle Ann Villalobos Go (born August 31, 1986) is a Filipino singer and actress. Known primarily for her work in theater, she has starred in musicals on Broadway and in the West End. She began her career as a pop artist in her native country and has received many accolades, including an Aliw Award, an MTV Pilipinas Music Award, two Awit Awards, and five Myx Music Awards. Tatler magazine named her one of the most influential people in Asia in 2021.Go started performing in singing competitions as a child, and first gained recognition after winning the television talent show Search for a Star (2003). She signed with Viva Records in 2004 and released her self-titled debut studio album, supported by the cover single "Don't Cry Out Loud". Go then competed at the 2004 Shanghai Music Festival and the 2005 Astana Song Festival, winning the Silver Prize and Best Song in each competition. Under the same record label, she released four more studio albums—I Care (2006), Obsession (2007), Falling in Love (2009), and Unbreakable (2011)—and performed rock-influenced covers on the live album Rachelle Ann Rocks Live! (2008). Apart from music, she also took on roles in the television series Diva (2010), Nita Negrita (2011), Biritera (2012), and Indio (2013).On stage, Go made her theater debut playing the lead role of Ariel in the local production of The Little Mermaid in 2011, followed by the Meralco Theater's 2013 staging of Tarzan, in which she starred as Jane Porter. Go had her international breakthrough as Gigi Van Tranh in the West End revival of Miss Saigon in 2014, reprising the part on Broadway in 2017. She gained further recognition for her portrayal of Eliza Schuyler in the original 2017 West End production of Hamilton. Go has also played Fantine in various stagings and tours of Les Misérables, including the show's 30th anniversary at the Sondheim Theatre.This recording reflects the Wikipedia text as of 00:41 UTC on Saturday, 31 August 2024.For the full current version of the article, see Rachelle Ann Go on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Ivy.

From Broadway to classics, on stage and in concert, Lisa Vroman has established herself as one of America's most versatile voices. She starred on Broadway, LA and SF as Christine Daaé in The Phantom of the Opera and garnered theater critics' awards for her portrayal. Her Broadway debut was in Aspects of Love and she was the first to play both Fantine and Cosette in Les Misérables. She has starred in major productions as Marian Paroo in The Music Man, Lili Vanessi in Kiss Me Kate, Birdie in Regina, Josephine in HMS Pinafore, Anna 1 in The Seven Deadly Sins, Rosalinde in Die Fledermaus, Laurey in Oklahoma, Anna Leonowens in The King and I, Mary Turner in Of Thee I Sing and Rosabella in The Most Happy Fella. Lisa appeared on PBS as Johanna in the Emmy Award winning production of Sweeney Todd and was featured in the London Royal Gala, Hey! Mr. Producer. She has played, sang and danced opposite Dick Van Dyke as Mary Poppins at the Hollywood Bowl Disney's 75th, and played the role of Maria Callas in Terence McNally's award-winning play, Master Class. Lisa is a frequent guest with symphonies including SF, Nashville, Philadelphia, Dallas, Utah, St. Louis, Houston, Pacific, Atlanta, Hong Kong, Cleveland, National, Florida, Cleveland, BBC Concert Orchestra, Boston Pops, Philly Pops, and the NY Pops. She is a graduate of the Crane School of Music, SUNY Potsdam (BM, Hon. Dr. of Music, Minerva Award), Carnegie-Mellon University (MFA), and is a George London Competition winner. Lisa has become an active mentor and sought-after clinician with many colleges and universities across the country and around the world. She has acted as a judge in both the Lotte Lenya Competition for the Kurt Weill Foundation and UCLA's Walter Jurmann Competition, and regularly performs Weill's music with symphonies throughout the country. Recent performances have included symphony concerts celebrating the music of George Gershwin, and her 2024 Bistro Award-winning cabaret, “Ingénue…Ingé-not-so-new!”, in NY. www.lisavroman.com Lisa also gave us the scoop on the upcoming "Broadway and Beyond" benefit for the Richmond/Ermet Aid Foundation. It's happening on July 14th at the Marines Memorial Theater, and it's set to be a night filled with incredible talent and heartwarming performances, all for a good cause. Trust me, you won't want to miss this intimate look into Lisa's world and the wonderful community she's part of. Head over to reef-sf.org for more details on the event. Let's support the arts together! Contact Ray at Green Room on Air: greenroomonair@gmail.com Leave a review on Apple Podcasts (iTunes) Visit Green Room On Air website: http://greenroomonair.com Connect with us on Facebook: https://www.facebook.com/raysgreenroom/

Jenna Innes is currently starring as Veronica Sawyer in Heathers!Heathers is back in the West End at @SohoPlace ahead of a tour. Jenna is reprising her performance as Veronica, having played the role in last year's UK & Ireland tour. Having trained at the MTA, Jenna's theatre credits include: Charlotte Donne in Animus  (Bridewell Theatre), Young Molly in Some Lovers (The Other Palace), A Spoonful of Sherman (National Tour) and Lili von Vondergraff in Plastered (MT Fest).Jenna was part of Les Misérables between 2019 and 2023, understudying Éponine in the West End and on tour. In an emergency situation, Jenna also played Fantine for one day only with just a few hours notice! In this episode, Jenna discusses her journey with Heathers, the iconic roles she played in amdram as well as the day she played Fantine… plus lots more!Heathers runs in the West End at @SohoPlace until 6th July and tours until 23rd November 2024. Visit www.heathersthemusical.com for info and tickets. Past Present FeatureA filmmaker appreciation podcast hosted by Emmy-winning director...Listen on: Apple Podcasts Spotify

Fresh from her runs as Elphaba and Fantine, Lucie Jones is preparing to play two solo concerts at Cadogan Hall in May. Lucie is renowned for her solo shows; in recent years she has performed solo concerts at the Adelphi Theatre and His Majesty's Theatre in the West End as well as on tour with the 50-piece Fulltone Orchestra. Lucie has also launched the Lucie Jones Academy and is busy teaching workshops alongside industry friends across the UK and beyond. Lucie burst on to our screens in the 2009 series of The X Factor (ITV) and has gone on to become one of the most renowned leading ladies in British musical theatre. She made her West End debut as Cosette in Les Misérables and went on to play roles including Meat in We Will Rock You (International Arena Tour), Victoria in American Psycho (Almedia Theatre), Molly in Ghost (Asian Tour), Elle Woods in Legally Blonde (Leicester Curve & UK Tour), Holly in The Wedding Singer (UK Tour), Maureen in Rent (St James Theatre & UK Tour), Lou in Girlfriends (LMTO), Heidi in Title Of Show (Digital Production) and The Ghost Of Christmas Past in A Christmas Carol (Dominion Theatre). Lucie had an acclaimed run as Jenna in Waitress (Adelphi Theatre / UK & Ireland Tour). Her most recent credits include starring as Elphaba in Wicked (Apollo Victoria Theatre) and Fantine in Les Misérables (Sondheim Theatre). Lucie also recently starred in the workshop of 13 Going On 30, the staged concert of Super You (Lyric Theatre) and is about to play Catherine in the Pippin 50th Anniversary Concert (Theatre Royal Drury Lane). Lucie represented the United Kingdom at the Eurovision Song Contest in Kyiv, Ukraine in 2017 and released the album Lucie Jones Live At The Adelphi in 2020. Marking her third time In The Frame, in this episode we rewind to Lucie's early days post X Factor and how she took control of her career early on. Lucie also discusses her final Elphaba show, her run as Fantine, hustle culture and the friends she has picked up throughout her career...and so much more!You can see Lucie in concert at Cadogan Hall on Sunday 12th May 2024. Visit www.cadoganhall.com for info and tickets. For details about The Lucie Jones Academy visit www.luciejones.com/academy Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  46s Film Making 46s: Filmmakers talk origins, challenges, budgets, and profits.Listen on: Apple Podcasts Spotify

On this episode I talked with Kate about when she realized she could work professionally as a theatre performer, choosing to go to school at OCU to study theatre, her most valuable takeaway from going to school there, playing Grizabella in Cats The Musical on a Cruise, joining the 2016-2017 tour of “Into The Woods”, working with actors and actresses she admires, the intricacies of playing characters in "Into the Woods" and "Les Misérables," focusing on the emotional depth and vulnerability required for characters such as The Baker's Wife and Fantine, her audition journey for the role of Rachel in MJ the Musical, the personal growth and enriching experience she continues to gain from being a part of the cast of MJ The Musical, the importance of enjoying performances, the unique perspective she brings to the MJ The Musical as Rachel and how it resonates with non-theater-going audiences, the perseverance and dedication required to navigate the performing arts industry, and much more!  --- Support this podcast: https://podcasters.spotify.com/pod/show/backstagewithbeccab/support

And we're back! Folks, after over 5 months of actress-less episodes, we are finally back with the iconic Lea Salonga. You Might Know Her From Aladdin, Mulan, Crazy Ex-Girlfriend, Pretty Little Liars: Original Sin, and Broadway productions of  Here Lies Love, Miss Saigon, Les Miserables, and Flower Drum Song. Lea was the coolest and gave us all the behind-the-scenes scoop on her Tony-winning turn as Kim in Miss Saigon, Madame Thenardier and the Broadway hat trick we hope to live to see, and whether playing Mouse's mom is a play on her legend status with the House of Mouse. All that plus, auditioning as both Jasmine and Fa Mulan, the secret Les Mis chorus track (and did Patti Lupone do it?), and her favorite drag queens. Anne and Damian, we twin flames writing this, are just pleased as ever to be back and interviewing actresses. Thanks for being along for the ride and please know that glycolic acid can also be applied under the armpits to stop odor and it works.  Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this week: SAG contract has been ratified  Lea was in Here Lies Love over the summer (it just closed on Broadway) She is currently in Old Friends in London with Bernadette Peters Escaping Twin Flames on Netflix Megan Fox calls Machine Gun Kelly her “Twin Flame”  Wild Wild Country on Netflix Keith Raniere from Nxivm (doc: The Vow) Ethan Slater with Ariana Grande I did look up “The Fifth Dimension” aka “5D” Love Has Won on HBO Lea was on tour with Il Divo  Here Lies Love producer Clint Ramos  Dee on Pretty Little Liars: Original Sin Eric Johnson voice on Assassins Creed. Lea's a gamer  “Cry and Die” as Eponine and Fantine  (she was also “Bullet Boy” in ensemble!) Has NOT seen Katie Holmes sings “On My Own” in Dawson's Creek Ready to do the Broadway Hat Trick and play Madame Thenardier Originated role of Kim in Miss Saigon. Lots of music in show was written for her voice Nicholas Heitner's Helicopter is to Miss Saigon as Chandelier is to Phantom of the Opera All Asian cast for 2002 Flower Drum Song revival in is one of Anne's favorite  We love Pat Suzuki who played Linda Low in the OBC Singing voice of Princess Jasmine and Fa Mulan Gets free admission to DisneyWorld for her lifetime (and +3) Ming-Na Wen (speaking voice of Fa Mulan) is a great poker player  Gold Gala in Los Angeles Hey Mr Producer is one of the best musical theatre concerts of all time Performing “You Could Drive a Person Crazy” with Ruthie Henshall, Millicent Martin, and Maria Friedman  Hugh Jackman pre fame did Curly on Hey Mr Producer  Cameron Mackintosh produced a tribute to himself Loves Jinkx Monsoon but hasn't done Drag Race Phillipines yet Absolute/Perfect pitch Jongkook from the Calvin Klein ads Eva Noblezada don't reach out about Broadway revival of Miss Saigon Would choose to originate role on Broadway over a hit album or hit tv show Crazy Ex-Girlfriend bit Played Annie as a kid in Philippines Played Grace at Hollywood Bowl Annie Singing with Big Bird on Sesame Street  Riffed as Sandy in1995 production of Grease in Manila the third bridge (3:00) Damian loves glycolic acid almost as much as Mother God loves colloidal silver  

WATCH THE INTERVIEW https://rb.gy/tpooa ABOUT PATRICE TIPOKIWebsite: https://patricetipoki.com/Facebook: https://www.facebook.com/PatriceTipokiInstagram: https://www.instagram.com/patricetipokiarkinsPaul Cardall is joined by Patrice Tipoki, on of Australia's beloved Broadway Stars. They  discussher musical family upbringing and her journey from being a Maori girl in New Zealand to becoming one of Australia's beloved Broadway stars. Sir Cameron Mackintosh's invitation to play Fantine in Les Miserables marked a turning point, leading to other iconic roles like Elphaba in Wicked, Belle in Beauty and the Beast, and her current portrayal of Satine in Moulin Rouge, prompting a fond laugh about her time with Australia's GIRLBAND signed to Sony.As for Patrice Tipoki, her early exposure to the entertainment industry set the stage for a remarkable career, blending her Maori/Irish heritage with a newly discovered Chinese background. From her debut at 7 in The King & I to being one of the youngest graduates from WAAPA's Music Theatre course, she swiftly ascended to lead roles in renowned musicals worldwide. Sir Cameron Mackintosh's invitation to play Fantine in Les Miserables broadened her international presence, performing in various locations including the West End in London. Her diverse musical credits include Nala in Disney's The Lion King, alternating as Elphaba in Wicked, Belle in Beauty and the Beast, and recently, Erzulie in Once On This Island. Now, she's excited to be part of the Australian Premiere of Moulin Rouge: The Musical as the Satine Alternate.Beyond her stage performances, Patrice's passion for recording led to several successful singles and albums. Her signing with Sony BMG as a part of GIRLBAND was a significant chapter, featuring hit singles, TV shows, and a clothing range. Notably, her collaboration with Paul Cardall garnered recognition from the Gospel Music Association, contributing to an award-winning album. Patrice's charity efforts, including a cover of Ed Sheeran's “I See Fire,” showcased her commitment to giving back.Amidst her artistic pursuits, Patrice treasures her role as a wife and mother of four, finding balance and joy in Queensland, Australia, when not on tour. ABOUT THE HOST & PIANISThttp://www.paulcardall.comhttps://www.facebook.com/PaulCardallMusic/https://www.instagram.com/paulcardall/ LISTEN TO HIS MUSIC:SPOTIFYAPPLE MUSICAMAZON Paul Cardall: A Journey of Healing through MusicPaul Cardall is a Dove Award-winning musician, composer, and producer, known for creating music that invites introspection, spiritual reflection, and peace. His compositions, often categorized as Classical, Christian, and New Age, have garnered over 3 billion lifetime streams and have earned him a position as one of the most listened-to recording artists of our time.Early Life and Health StrugglesPaul's music is deeply personal, born out of a life marked by resilience and compassion. He was born with a congenital heart condition, essentially having half a heart. His infancy was marked by numerous surgeries to save his life, and this pattern of hospital visits and surgeries continued throughout his life. In 2009, he received a life-saving heart transplant, an experience that profoundly influenced his music and purpose.Paul's own struggles with chronic illness have fueled his commitment to creating music that serves as a source of healing, both physically and emotionally, for himself and others.Musical Journey and AchievementsIn 1999, Paul founded Stone Angel Music, an independent record label aimed at producing, marketing, and distributing his recordings. His music gained significant recognition when he signed a multi-album deal with Narada, an affiliate of Virgin Records. Notably, his album "The Christmas Box" debuted at #22 on Billboard's New Age Chart.Over the years, Paul has released a string of successful albums, including "Primary Worship," "The Hymns Collection," "Living for Eden," and "New Life," many of which have secured top positions on the Billboard charts.Paul's collaborative efforts with Grammy-winning artists such as CeCe Winans and Rachel Yamagata have further solidified his place in the music industry. His dedication extends beyond music, with involvement in charitable causes, scholarships for students affected by medical bills associated with congenital heart disease, and collaborations with organizations like Operation Underground Railroad.Legacy and "Return Home"In September 2019, Paul released "Peaceful Piano," an album of improvised piano solos reflecting on his decade surviving with a donor heart. This marked a turning point in his creative process, inspiring him to record a series of improvisational pieces reflecting on his European heritage and ancestry.The resulting album, "Return Home," is a profoundly introspective work featuring 13 pieces for piano. The unique aspect of this album lies in the fact that Paul entered the studio without any preconceived material, allowing the music to flow organically. The pieces take listeners on a cinematic journey through the lands of his ancestors, incorporating various musical styles and influences that pay homage to his heritage.Paul Cardall's musical journey is a testament to the power of perseverance, resilience, and the ability of music to heal and connect us to our roots.Conclusion and Continued PhilanthropyApart from his musical endeavors, Paul continues to be actively involved in philanthropy, partnering with organizations like The Ryan Seacrest Foundation to provide keyboards to children's hospitals and establishing scholarships for students affected by congenital heart disease.For more about Paul Cardall and his musical journey, visit Paul Cardall's official website.   

THE ANGEL BABIES SHOW - Haley Dortch, Fantine in Les Misérables Today the Elise & Ava Lynn welcome Haley Dortch, Fantine in Les Misérables! Elise talks about health tips for performing and acting choices with Haley. Ava & Elise quiz each other on famous movie quotes, “Guess the Movie?” Game Ava Lynn premieres her A Capella group's new single" The After School Specials premiere "Everybody Wants You" Ava Lynn chooses the music soundtrack today and explains what each song means to her personally. Featuring music from @OliviaRodrigo, @MorganWallen, @halcyon, @TedeschiTrucksBand, @ElvisPresley, @JazmineSullivan, @TheAfterSchoolSpecials Elise on Instagram: @elisethuresson Ava Lynn on Instagram: @avalynnthuresson Hosts - Elise Thuresson & Ava Lyn Thuresson 
 Executive Producer - Jeremiah D. Higgins
 Senior Sound Engineer - Richard Dugan evolve entertainment https://linktr.ee/jeremiahdhiggins

ICYMI: Later, with Mo'Kelly Presents – An in-depth conversation with actress Haley Dortch, who makes her National Tour debut playing Fantine in the world's most popular musical, Les Misérables; which makes its long-awaited return to Southern California at The Pantages in Hollywood (August 1 – September 10, 2023) and Segerstrom Center for the Arts in Orange County (September 19 -October 1, 2023)...PLUS – Tickets to see Taylor Swift's ‘Eras Tour' are going for insane prices - on KFI AM 640 – Live everywhere on the iHeartRadio app

Every night our mind enters another world, a strange place of images, memories, ideas, often a place filled with anxiety or unease, but also sometimes a place of artistic inspiration, love, and hope. Today on the podcast we'll be discussing that strange in-between state of dreaming - and how we use the word 'dream' in the waking world - MLK Jr's "I have a dream" and Fantine's "I dreamed a dream"... to rowing merrily down the stream, life is but a dream... to Christopher Nolan's Inception. This a sound rich episode inviting you to meditate, wonder, and get a little lost in some dreamscapes of your own.    -----   History of "row row row your boat" https://americansongwriter.com/behind-the-meaning-of-the-nursery-rhyme-row-row-row-your-boat/    Martin Luther King Jr. "I have a Dream" Speech https://www.youtube.com/watch?v=vP4iY1TtS3s  Anthony Hopkins reciting Hamlet's soliloquey https://www.youtube.com/watch?v=Lp06Yoj8yWU  Original Broadway Recording "I Dreamed a Dream" https://www.youtube.com/watch?v=5fiWR5iyFf0    Recommendation:   Thomas Newman - Meet Joe Black - "Cold Lamb Sandwich" https://www.youtube.com/watch?v=S2XmueM7X_M    ------   “I think we dream so we don't have to be apart for so long. If we're in each other's dreams, we can be together all the time.”  ― A.A. Milne, Winnie-the-Pooh   “I dream my painting and I paint my dream.”  ― Vincent Willem van Gogh   “Hope is a waking dream.”  ― Aristotle   “To know that one is dreaming is to be no longer perfectly asleep.”  ― C.S. Lewis, The Four Loves   “It does not do to dwell on dreams and forget to live.”  ― J.K. Rowling, Harry Potter and the Sorcerer's Stone   “All that we see or seem is but a dream within a dream.”  ― Edgar Allan Poe

Getting to midlife means recognizing that your voice, your body, and your ideas deserve to take up space in the world. Public speaking coach Casey Erin Clark of Vital Voice Training offers three tools to express yourself with confidence, clarity, and charisma. Casey is a singer, actor, and public speaking coach who knows that powerful public peaking is not just for Broadway; it's a key skill for work, board meetings, PTA meetings, Zoom calls, for wedding toasts, and beyond. Bonus! We hear about her role touring as Fantine in Les Miz! SHOW NOTES + TRANSCRIPT acertainagepod.com FOLLOW A CERTAIN AGE: Instagram Facebook LinkedIn GET INBOX INSPO: Sign up for our newsletter AGE BOLDLY We share new episodes, giveaways, links we live, and midlife resources CONTACT US: katie@acertainagepod.comSee omnystudio.com/listener for privacy information.

U Guys! This week's episode features a special Pride edition of the BroadwayWorld Recap, brought to you by BroadwayWorld.com! Then, Jayke is joined by Bway performer, Hannah Shankman, to talk about her incredible career on Broadway, The West End, and across the country! Hannah shares about her time in Les Mis, covering both Fantine and Eponine, as well as what it was like to cross the pond with Hair The Musical on The West End. She touches on learning to pace herself, both onstage and off, and how being patient has been a key component to her success. She also shares what it was like to be covered in fake tattoos every night as the original Tattooed Lady in Sideshow on Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

24601 is the prisoner number and protagonist of the famous novel "Les Misérables" by Victor Hugo. His real name is Jean Valjean. Throughout the novel, Jean Valjean undergoes a profound transformation from a bitter and hardened criminal to a compassionate and virtuous man. There are several factors that contributed to Jean Valjean's transformation. Firstly, he was shown mercy and kindness by the bishop of Digne, who forgave him for stealing his silverware and gave him a second chance. This act of mercy moved Jean Valjean deeply and inspired him to change his ways. Secondly, Jean Valjean was deeply affected by the suffering of Fantine, a young woman he had promised to care for before she died. This experience opened his eyes to the plight of the poor and vulnerable in society, and he made it his mission to help others in need. Thirdly, the love and trust of Cosette, the orphaned daughter of Fantine whom he adopted, helped Jean Valjean to develop a sense of purpose and responsibility. He became determined to create a better life for Cosette and to protect her from harm. Finally, Jean Valjean was motivated by his own desire for redemption and his belief in the power of personal transformation. He recognized the harm that he had caused in the past and committed himself to living a life of compassion, integrity, and service to others. Through these experiences and the influence of the people around him, Jean Valjean learned to become a better man. He was able to overcome his past mistakes and live a life of meaning and purpose, inspiring others to do the same. How to connect with AgileDad: - [website] https://www.agiledad.com/ - [instagram] https://www.instagram.com/agile_coach/ - [facebook] https://www.facebook.com/RealAgileDad/ - [Linkedin] https://www.linkedin.com/in/leehenson/

The first time was revelatory. The first time you watched Mad Men. Or The Godfather. Or cracked open Marcus Aurelius' Meditations. Or heard Tom Petty's Free Fallin' or listened to Fantine sing, I Dreamed a Dream from Les Mis. Or stood in front of a Caravaggio painting.It hit you with all the power that new and brilliant art has. It shook you. It opened up something in you. It taught you something. But in some way, the power of these moments is actually overrated or at least overstated. It's powerful because it's new and immediate. But what's actually more transformative is what happens when you return to those works of art, lingering as Seneca said, on the words of the master thinkers.---And in today's Daily Stoic Journal excerpt reading, Ryan discusses how the practice of treating the luxurious things that we yearn for with contempt through thoughtful and intentional language serves to remind us of what really matters in life.

I hope you're ready to do a deep dive on Angelica like never before, because Ava Brennan returns for the second half of our chat and is about to change your LIFE! Ava walks us through booking Hamilton and then lets us in on her emotional journey to capture the heartbreak and sacrifice of Angelica Schuyler. That experience led her to Fantine in Les Miserables and Ava discusses the similarities, difficulties, and triumphs of both roles. The Hamilcast Goes to London Ava on Instagram Gillian on Twitter Gillian on Instagram The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

With Summer slipping away, Matt & Bowen get tactile to embrace and discuss culture. The girls make some much needed apologies (and accusations) before swearing to never apologize again, clarify their love of Beyoncé's Renaissance for all you Kayteighs out there with doubts, and get into it about therapy. Also, Matt & Bowen reveal some of their Emmy votes, stan Brandy, discuss RHOBH and the recent weaponization of Lisa Rinna's grief, and examine Kathy Hilton's recent and (rumored) upcoming transgressions. All that, the recent Hollywood Reporter cover story on Wendy Williams, a strong case against homeopathy, how Fantine was actually Homeless AND Toothless, what happens when gorgeous nieces emerge from their terrible twos, and an absolute Stephen Sondheim lovefest as our hosts gush over Broadway's Into The Woods and examine what happens when Sondheim's work is adapted to film. Where do you stand in the war of bidets vs. flushable wipes? What would you order between the sizzling chicken shrimp and the watermelon feta salad? Are *you* Sorry? Check this episode out, Kayteighs! Or, readers! Or, publicists! We'll figure it out...See omnystudio.com/listener for privacy information.