Podcasts about movie musicals

Five of this season's guests--William Forrest  (Episode 118: The Sherman Brothers' Movie Musicals for Disney), Rick Rhobajt Widen (Episode 121: Bible Musicals), Tara Krieger (Episode 123: Tim Rice, Benny Andersson, and Björn Ulvaeus's Chess), Nathan Platte (Episode 126: Meet Me in St. Louis), and BethAnn Cohen (Parody in Musical Theater (Ep. 127))--return to discuss topics from the season and answer listener questions and comments. We also discuss the song "Chim Chim Cher-ee" from the 1964 film Mary Poppins. This discussion was held live on Monday, December 22nd on Scene to Song's YouTube channel, and was recorded for this podcast almost in its entirety. Scene to Song will return in January 2026. In the meantime, you can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow us on Instagram at @ScenetoSong and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music you are hearing is by Julia Meinwald. Music played in this episode: "Chim Chim Cher-ee" from Mary Poppins

Last month, WICKED: FOR GOOD, the second part of the film adaptation of the global musical phenomenon Wicked, finally arrived in cinemas.The film, directed by Jon M Chu, stars Cynthia Erivo (The Color Purple) as Elphaba, Ariana Grande (13 the Musical) as Glinda, and Jonathan Bailey (Company) as Fiyero. The supporting cast also includes Marissa Bode, Ethan Slater, Michelle Yeoh, and Jeff Goldblum.In the final installment of his WICKED WEEKENDS series, Mickey-Jo is considering the possibility of more films within the Wicked universe as the two part adaptation becomes a successful franchise, as well as the other films inspired by Wicked which we might see over the next few years...•00:00 | introduction03:15 | will there be a sequel?09:15 | Wicked spin-off ideas14:55 | Wicked inspired films20:37 | more movie musicals24:28 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Weekly Trivia Face-Off: Movie musical editionSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We play TV Name That Tune, DIRT ALERT: "Avengers: Doomsday" teaser trailer drops, and WTF: Movie musical edition -- it's Jason and Colleen vs. Mike and GrantSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Donald Duck memories, WTF warm-up: Movie musicals, a "Star Wars: The Force Awakens" memory, and TikTok goes to the Ellisons (and a few other folks...)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Earlier this month, WICKED: FOR GOOD, the second part of the film adaptation of the global musical phenomenon Wicked, finally arrived in cinemas.The film, directed by Jon M Chu, stars Cynthia Erivo (The Color Purple) as Elphaba, Ariana Grande (13 the Musical) as Glinda, and Jonathan Bailey (Company) as Fiyero. The supporting cast also includes Marissa Bode, Ethan Slater, Michelle Yeoh, and Jeff Goldblum.In the first of a new series called WICKED WEEKENDS, to take place over the next few weekends, Mickey-Jo is rounding up some of the film's more negative reviews and commentary in order to answer the question: why did (some of) the critics hate this film?! Make sure to SUBSCRIBE for more Wicked content coming on Wednesdays over the next month and share your thoughts about the film in the comments!•00:00 | introduction02:47 | The New Yorker13:07 | Time20:52 | Washington Post29:18 | The Telegraph35:14 | The Independent41:06 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Of all the topics to get fired up over, you may not have expected Musicals to be one of the biggest ones in BroMax history. Who knew that two young film bros could be so passionate about a little song and dance on the big screen. Well, now you do. Enjoy the show!Also, our merch is still active on Redbubble, so make sure to have a browse of our range over there.  Also, subscribe on Apple Podcasts, Spotify or Google Podcasts so you never miss an episode! Please feel free to use our Spotify Q&A and rate us 5 stars on whatever platform you use. Also, you can follow us on TikTok (please), where we are posting daily including behind-the-scenes content!  Also, are you on Letterboxd? Follow Joel and Jesse! See our Linktree below.Thanks for listening once again, we really appreciate all your support! And, if you're new, you're in for a ride!https://linktr.ee/bromaxpod

"Rhythm and News" hosts Reya Chand and Genna Edelstein discuss the history of movie musicals, from "The Sound of Music" (1965) to the upcoming "Wicked: For Good," and make predictions on how the highly anticipated movie will "hold space" in our minds before it hits theaters on Nov. 21. This episode was written and hosted by Genna Edelstein and Reya Chand; edited by Wendy Le; produced by Kaylee Eiber, Nathan Elias and Nicholas Corral. “Rhythm and News” is one of three shows on the Daily Trojan podcast network. You can find more episodes anywhere you listen to podcasts, as well as our website, dailytrojan.com. 

My awesome wife and I discuss the 2005 Showtime film, Reefer Madness:  The Movie Musical.  It's a satire musical adaptation of the 1936 propaganda film, Reefer Madness.  In addition to discussing the film, we share a little bit of interesting cannabis history.  

I met Andrew Rannells and live to tell the story! WOW, what a week, Broadway Besties!In Broadway News:

It's Tuesday, so you know what that means — Cast-A-Role is back! This week, Jim turns the tables on Sam and Nick and forces them to watch one of his all-time favourite films. And with the release of Wicked: For Good on the horizon, there's no better time to head back down the Yellow Brick Road and revisit the iconic musical Wicked. Expect big opinions, deep-dive discussions, and more than a few surprises. Before the Wicked fun begins, the guys reveal their brand-new Patreon-exclusive series, “Side Dish,” and catch up on everything they've been watching — from a trip to the cinema to some heavy surfing through Netflix and Amazon Prime. Will this episode be all singing and dancing? Or will the Cast-A-Role trio stir up some controversial opinions along the way? Tune in as we discuss: Ariana Grande's standout performance Cynthia Erivo's immaculate vocals What to expect from the upcoming Wicked sequel Whether Wicked truly has some of the greatest musical numbers ever And of course… the all-important meatball ratings As always, the episode wraps with a new round of Audio Aperitif, where Sam serves up musical tidbits for Jim and Nick to guess — plus a special announcement: a double-bill celebration for our 2-year anniversary. Other Films Discussed: Back to the Future (40th Anniversary release) Caught Stealing Naked Gun Robin Hood Perfect for fans of movie podcasts, musical theatre, Wicked analysis, and the chaotic energy of three friends arguing passionately about film.

Bowen Yang is a comedian, writer, and Saturday Night Live cast member who stars as Pfannee in the movie musical Wicked and its upcoming sequel Wicked: For Good. In this conversation from April 2025, Yang sits down with Willie Geist to reflect on his extraordinary rise to fame, growing up as the son of Chinese immigrants, and the experience of coming out to his parents. He also talks about how a childhood trip to New York that included visiting Broadway, taking the NBC Studio Tour, and sitting in Studio 8H felt like an early glimpse of his future. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Cynthia Erivo is a Grammy, Tony, and Emmy-winning performer who stars as Elphaba in the movie musical Wicked and its upcoming sequel Wicked: For Good. In this sit-down from November 2024, Erivo talks with Willie Geist about stepping into the beloved role, the unforgettable moment of seeing her first Wicked billboards light up Times Square, and what it was like working alongside Ariana Grande as the pair built a meaningful friendship beyond the set. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

To coincide with this week's "Fun for All Ages" episode about movie musicals of 1980, GGACP revisits this hilarious conversation from 2017 about Gil and Frank's' favorite musical misfires. In this episode: Burt Reynolds sings Cole Porter, Gene Kelly laces up his skates, Nipsey Russell follows the yellow brick road and Carol Channing covers the Beatles. PLUS: "Grease 2"! "Paint Your Wagon"! And Gilbert meets Mr. Baseball! Learn more about your ad choices. Visit megaphone.fm/adchoices

deliberate camp camping on naive camp... susan sontag won"Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com Don't forget to check out the Ampliverse Bookshop for further reading!

Songs include: All the Things You Are by Artie Shaw, The Last Time I Saw Paris by Kate Smith, Pick Yourself Up by Fred Astaire, Smoke Gets In Your Eyes by Jo Staffored and Look For the Silver Lining by Chet Baker. 

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.  Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.  Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.  Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.  Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

She wrote the book on Tom Cruise (for Cahiers Du Cinema) and has examined cinema greatness with Paul Scheer on the great film podcast UNSPOOLED, now while in Australia for the Melbourne International Film Festival, Amy Nicholson enters the Last Video Store to talk big screen movie musicals with Alexei Toliopoulos. Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists and follow Amy here. Alexei’s screening at the Sydney Opera House - Saturday Film Club: Children of Men, 6 September 2025 GUEST PICKS: BETTER MAN (music), FOOTLIGHT PARADE (music), HAIRSPRAY (cult)STAFF PICKS: WOMEN HE’S UNDRESSED (Documentary)See omnystudio.com/listener for privacy information.

Send us a textWriter, Director, Producer, Actor, and guest Keiko Green returns for "The Rocky Horror Picture Show," (1975 d. Sharman). Starring: Tim Curry, Susan Sarandon, and Barry Bostwick. We approach the castle lair of Dr. Frank-N-Furter ready to party, for what has to be one of the Dr.'s most jovial, and moist affairs (except Rocky). The spills, the chills, the bumps, the lumps! It's alllllll here, and includes many tapestries! 7/8!**All episodes contain explicit language**Artwork - Ben McFaddenReview Review Intro/Outro Theme - Jamie Henwood"What Are We Watching" & "Whatcha been up to?" Themes - Matthew Fosket"Fun Facts" Theme - Chris Olds/Paul RootLead-Ins Edited/Conceptualized by - Ben McFaddenProduced by - Ben McFadden & Paul RootConcept - Paul Root

Musical Matinee We’re continuing our tenth anniversary celebration with a conversation with Turner Classic Movies Host, Dave Karger. Dave and Brandon both share an affinity for movie musicals and spend time discussing some of their favorites. We also discuss what Dave has coming up on Musical Matinee which airs every Saturday at 12pm est/11am cst … Continue reading Ep. 322- Talking Movie Musicals with Dave Karger →

Just because we 'can' talk about this stuff doesn't mean we 'should' talk about it, but we're gonna anyway. Musicals have come a long way over the years, as has our society, present moment notwithstanding. There are just some narrative subjects, or bits of dialogue or song lyric or casting choices, that you just can't get away with in today's world. We're willing to bet that approximately 0% of the shows we get into in Top Ten Problematic Musicals could be made today. But they are fun to talk about, good or bad. Speaking of fun, ATTT has done the impossible and reunited the Breakfast Cereal Mascot crew to do the dirty work of counting down our favorite Problematic Musicals. Shannon Hurley, Joe Lavelle and Kate Bundy are ready and able to get into some squishy subjects with the appropriate amount of levity. Picks 10-6 are featured here in Part 1.We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Volume 16 came out June 1st featuring our friends Dustin Prince and Candi Bartlett! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation!https://www.facebook.com/groups/940749894391295

Rachel and Jax have OnStage Blog Founder Chris Peterson on to discuss his ranking of the top 50 movie musicals to date, as of May 2025. Rachel and Jax share where they agree and hammer out their disagreements!Read Chris's rankings of #50-#25 here:https://www.onstageblog.com/editorials/2025/5/4/the-top-50-movie-musicals-of-the-past-25-years-50-26#25-#11 here: https://www.onstageblog.com/editorials/2025/5/4/the-top-50-movie-musicals-of-the-past-25-years-25-11#10-#1 here: https://www.onstageblog.com/editorials/2025/5/3/the-top-50-movie-musicals-of-the-past-25-yearsonstageblog.comfacebook.com/onstageblogtwitter.com/onstagebloginstagram.com/onstagebloghttps://www.youtube.com/@onstageblog8213

"What happens when the Cowboys make a surprising trade and Taken becomes a musical?" Dive into the latest episode of The Ben and Skin Show, where hosts Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray bring their unique blend of humor, insight, and camaraderie to your Wednesday afternoon.The team dissects the Cowboys' latest trade for a receiver, with Skin giving a thumbs up and KT offering a rational thumbs up. Krystina adds her own flair with a middle finger up, sparking a lively debate on the implications for the season.Plus, Ben reveals his love for action movies, leading to a hilarious discussion about the best action heroes and their iconic moments. From First Blood to John Wick, the hosts share their favorite scenes and why these movies resonate with them.Ben stumbles upon a musical rendition of the famous Taken speech, and the hosts can't stop laughing at the absurdity. Listen to the musical version of Liam Neeson's legendary lines and the hosts' reactions.

This week on FREAKQUELS, young Vince has his last dance with Mary Jane as Max Roche and the gang cut in to show the lad the cautionary tale, “REEFER MADNESS: THE MOVIE MUSICAL!” 

This week's Empire Podcast (episode 664 if you're keeping score!) is more packed with goodness than your average Easter egg. Not only do Chris Hewitt, Helen O'Hara, and Alex Godfrey get into a discussion about what exactly makes a musical a musical (along with an impromptu visit to a certain mountain), but they tackle the week's movie news, including the revelation that the Oscars will finally have a Best Stunt Design category (note: this was recorded, due to the Easter holidays, before the new Fantastic Four trailer and Star Wars movie news. We'll get to those next week), and review Ryan Coogler's Sinners, Alex Garland and Ray Mendoza's Warfare, and the new Steve Coogan film, The Penguin Lessons. And if that weren't enough, our guest egg overcracketh, as Chris sits down with Steve Coogan and co-star Jonathan Pryce, [21:13 - 33:16 approx] and Sinners' genius composer, Ludwig Göransson, [1:31:25 - 1:45:01 approx] while Alex has an engrossing chat with Warfare's directors, Ray Mendoza and the other Alex G. [52:19 - 1:07:55 approx] And finally, there's an excerpt from Chris' wonderful spoiler special chat with The Monkey director, Osgood Perkins. [1:46:16 - 1:57:31 approx] Our full spoiler special for that movie is now up in our spoiler special feed. Phew, told you it was a packed show. Enjoy!

The movie musical died a long, slow death a long time ago. Right? Well, except that there’s Wicked. And Spielberg’s West Side Story. And Hamilton and In the Heights and Tick, Tick… Boom! And Encanto and Moana 2 and Mufasa. Oh, and Elvis and A Complete Unknown. And those are just from the last five years. And I could keep going. This hour, a long look at the long-dead movie musical. Long live the movie musical. GUESTS: Jeanine Basinger: Founder of the Department of Film Studies at Wesleyan University and the author of many books on film; her latest is Hollywood: The Oral History Steve Metcalf: Founder and director of the Garmany concert series at the University of Hartford’s Hartt School The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show, which originally aired March 5, 2020.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Join Matt and me as we continue our Movie Musicals era, diving into the world of Stephen Sondheim on film. This week, we're watching another documentary: “Original Cast Album: Company”. This famously was supposed to be the pilot to a tv show, but the guy directing it got another gig, so it turned into a one off. I've never seen so many cigarettes being smoked at the same time. Times sure were different then. Don't miss out, and be sure to watch before we discuss!Support The Conner & Smith Show on Patreon: https://www.patreon.com/ConnerandSmith

Book Vs. Movie: GypsyThe 1957 Memoir Vs. the 1962 Movie“Musicals in March!”The Margos celebrate another “Musicals in March” episode with Gypsy. Gypsy Rose Lee's 1957 memoir tells her real-life story of growing up in vaudeville and burlesque under the domineering influence of her mother, Rose Hovick. It paints a detailed picture of her childhood alongside her more naturally talented younger sister, June (later June Havoc), and how Gypsy (born Louise Hovick) eventually became the most famous burlesque performer of her time. The book is witty and self-deprecating and offers an unvarnished yet entertaining look at her complex relationship with her mother. The movie Gypsy is based on the successful 1959 Broadway musical by Jule Styne, Stephen Sondheim, and Arthur Laurents, rather than directly on the memoir. It follows the same structure as the stage show, focusing on Rose Hovick's relentless push to make her daughters stars, culminating in Gypsy's rise to fame. However, because it was a Hollywood film, it softened some of the grittier aspects of Gypsy's story. So, which version did we prefer? Have a listen to find out!In this ep, the Margos discuss:A look at the career of Gypsy Rose Lee The different Broadway productions over the yearsThe cast includes Rosalind Russell (Rose Hovick,) Natalie Wood (Louise Hovick/Gypsy Rose Lee,) Karl Malden (Herbie Sommers,) Paul Wallace (Tulsa,) Ann Jillian (Dainty June,) Morgan Brittany (Baby June,) Parley Bear (Mr. Kringelein,) Harry Shannon (Grandpa,) Betty Bruce (Tessie Tura,) Faith Dane (Mazeppa,) Roxanne Arlen (Electra,) and Jean Willes as Betty Cratchitt. Clips Featured:“Natalie Wood as Gypsy”Ethel Merman on the Perry Como show in 1960Gypsy (1962 trailer)“Dainty June & Her Boys”“Everything is Coming Up Roses” (Rosalind Russell)“Little Lamb” “Let Me Entertain You”Music by Jule Styne & Lyrics by Stephen SondheimFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Join Matt and me as we continue our Movie Musicals era, diving into the world of Stephen Sondheim on film. This week, we're changing things up with a documentary: HBO's Six by Sondheim (2013). This captivating deep dive explores the genius of Sondheim through six of his most iconic songs, blending rare archival footage, personal reflections, and stunning performances. If you're a fan of musical theater, this is essential viewing—a rare glimpse into the mind of a master.Don't miss out, and be sure to watch before we discuss!Support The Conner & Smith Show on Patreon: https://www.patreon.com/ConnerandSmith

Book Vs. Movie: GypsyThe 1957 Memoir Vs. the 1962 Movie“Musicals in March!”The Margos celebrate another “Musicals in March” episode with Gypsy. Gypsy Rose Lee's 1957 memoir tells her real-life story of growing up in vaudeville and burlesque under the domineering influence of her mother, Rose Hovick. It paints a detailed picture of her childhood alongside her more naturally talented younger sister, June (later June Havoc), and how Gypsy (born Louise Hovick) eventually became the most famous burlesque performer of her time. The book is witty and self-deprecating and offers an unvarnished yet entertaining look at her complex relationship with her mother. The movie Gypsy is based on the successful 1959 Broadway musical by Jule Styne, Stephen Sondheim, and Arthur Laurents, rather than directly on the memoir. It follows the same structure as the stage show, focusing on Rose Hovick's relentless push to make her daughters stars, culminating in Gypsy's rise to fame. However, because it was a Hollywood film, it softened some of the grittier aspects of Gypsy's story. So, which version did we prefer? Have a listen to find out!In this ep, the Margos discuss:A look at the career of Gypsy Rose Lee The different Broadway productions over the yearsThe cast includes Rosalind Russell (Rose Hovick,) Natalie Wood (Louise Hovick/Gypsy Rose Lee,) Karl Malden (Herbie Sommers,) Paul Wallace (Tulsa,) Ann Jillian (Dainty June,) Morgan Brittany (Baby June,) Parley Bear (Mr. Kringelein,) Harry Shannon (Grandpa,) Betty Bruce (Tessie Tura,) Faith Dane (Mazeppa,) Roxanne Arlen (Electra,) and Jean Willes as Betty Cratchitt. Clips Featured:“Natalie Wood as Gypsy”Ethel Merman on the Perry Como show in 1960Gypsy (1962 trailer)“Dainty June & Her Boys”“Everything is Coming Up Roses” (Rosalind Russell)“Little Lamb” “Let Me Entertain You”Music by Jule Styne & Lyrics by Stephen SondheimFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Join Matt and I as we continue our “Movie Musicals” era, currently examining the movie musicals of Stephen Sondheim, changing up the pace to a documentary this week. “The Best Worst Thing That Ever Could Have Happened” examines the cast of Merrily We Roll Along in Broadway back in rehearsals for its premiere before its resounding flop, and what those actors lives have been since. If you've never seen this, get your tissues out. 
Support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith

So...Jon just hit record and blacked out. Hope you all enjoy this super special (and very long) episode!Bryan's Instagram: @bryandanielporterPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongoidTikTok: @butasongpodTwitter: @butasongpodNext episode: Merrily We Roll Along (2013)!

This episode is sponsored by Tushy, Mando and Manscaped: Over 2 Million Butts Love TUSHY. Get 10% off TUSHY with the code [HARLAND] at https://hellotushy.com/[HARLAND] Thanks for watching the Harland Highway. Control Body Odor ANYWHERE with @shop.mando and get $5 off your Starter Pack (that's over 40% off) with promo code [HARLAND] at shopmando.com! #mandopod Get 20% OFF @manscaped + Free Shipping with promo code [HARLAND] at MANSCAPED.com! #ad #manscapedpod More Harland Williams: Harland Highway Podcast Video: https://www.youtube.com/c/HarlandHighwayPodcast Harland Highway Podcast Audio: https://podcasts.apple.com/us/podcast/the-harland-highway/id321980603 Instagram: https://www.instagram.com/harlandwilliams Harbling Shirts: https://www.harbling.com Official Website: https://www.harlandwilliams.com Twitter :https://twitter.com/harlandhighway?lang=en #podcast #harlandwilliams Learn more about your ad choices. Visit megaphone.fm/adchoices

Book Vs. Movie: WickedThe 2004 Musical Vs. the 2024 Movie"Musicals in March"The "Wicked" movie is based on Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West; the book (for the play) was written by Winnie Holzman, with music and lyrics by Stephen Schwartz. The show had its initial tryout in San Francisco in 2003 before moving to Broadway, where it has enjoyed a successful two-decade run despite receiving mixed reviews.This success is primarily attributed to its loyal fan base.  Part One concludes with the iconic song "Defying Gravity," setting the stage for Part Two, which explores the consequences of Elphaba's rebellion. The film utilizes CGI and elaborate sets to vividly portray the magical world of Oz in ways that the stage cannot replicate. So, which version did we prefer? Have a listen to find out! In this ep, the Margos discuss:A brief look at the 1995 novel  The path to Broadway to the Jon M. Chu filmThe cast includes Cynthia Erivo (Elphaba,) Ariana Grande (Glinda,) Jonathan Bailey (Fiyero,) Ethan Slater (Boq Woodsman,) Bowen Yang (Pfanne,) Peter Dinklage (Dr. Dillamond,) Michelle Yeoh (Madame Morrible,) Jeff Goldblum (Wizard of Oz,) Marissa Bode (Nessarose,) Bronwyn James (Shenshen) and Andy Nyman as Governor Thropp.Clips Featured:“Glinda makes a ball gown”"Kristin Chenoweth as Glinda at the 2004 Tony Awards""Indina Menzel as Elphaba at the 2004 Tony Awards"Wicked (Part 1 2024 trailer)“What is this feeling?”“Defying gravity”Music by John Powell and Stephen SchwartzFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: WickedThe 2004 Musical Vs. the 2024 Movie"Musicals in March"The "Wicked" movie is based on Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West; the book (for the play) was written by Winnie Holzman, with music and lyrics by Stephen Schwartz. The show had its initial tryout in San Francisco in 2003 before moving to Broadway, where it has enjoyed a successful two-decade run despite receiving mixed reviews.This success is primarily attributed to its loyal fan base.  Part One concludes with the iconic song "Defying Gravity," setting the stage for Part Two, which explores the consequences of Elphaba's rebellion. The film utilizes CGI and elaborate sets to vividly portray the magical world of Oz in ways that the stage cannot replicate. So, which version did we prefer? Have a listen to find out! In this ep, the Margos discuss:A brief look at the 1995 novel  The path to Broadway to the Jon M. Chu filmThe cast includes Cynthia Erivo (Elphaba,) Ariana Grande (Glinda,) Jonathan Bailey (Fiyero,) Ethan Slater (Boq Woodsman,) Bowen Yang (Pfanne,) Peter Dinklage (Dr. Dillamond,) Michelle Yeoh (Madame Morrible,) Jeff Goldblum (Wizard of Oz,) Marissa Bode (Nessarose,) Bronwyn James (Shenshen) and Andy Nyman as Governor Thropp.Clips Featured:“Glinda makes a ball gown”"Kristin Chenoweth as Glinda at the 2004 Tony Awards""Indina Menzel as Elphaba at the 2004 Tony Awards"Wicked (Part 1 2024 trailer)“What is this feeling?”“Defying gravity”Music by John Powell and Stephen SchwartzFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

 On this episode, Albert Evans retuns to Broadway Nation to discuss a topic we don't often broach on this podcast: Movie Musicals. Of course, movie musicals go hand in glove with Broadway musicals and many film musicals originated as Broadway musicals including several we talk about here because our principal topic is Movie Musicals that won the Academy Award for Best Picture. Coming up this weekend we, of course, have the possibility of the blockbuster Wicked becoming another Broadway musical to win Best Picture. It will be fascinating to see what hapens. There are a lot more nominees for Best Picture today than there were when West Side Story, My Fair Lady, The Sound of Music, Oliver! or Chicago won the Oscar. It's an interesting topic, and I knew that Albert was the perfect person to discuss it with me. Like me, he's seen all of these movies, most of them multiple times, and we both did do a bit of reviewing of some of the films we have seen less recently. Let us know if you agree with our assessments! Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Matt and I as we continue our “Movie Musicals” era, currently examining the movie musicals of Stephen Sondheim, exploring the darker parts of the forest of the human psyche as we go “Into the Woods” (2014). 
Support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith

Join Kyle, Kenny, Max, and Michelle from Second Star to the Left as we discuss WICKED, the musical movie adaptation taking the world by storm. You may notice this is a shorter episode. This is our Friday episode of our "Oscars Schedule" where we'll release a Monday, Wednesday, and Friday episode each week as we dive into all 10* Oscar Best Picture nominees!—————

Join Matt and I as we continue our “Movie Musicals” era, currently exploring the movie musicals of Stephen Sondheim, exploring the depths of revenge with our old pal, Sweeney Todd (2007). 
Support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith

Rachel and Jax discuss and debate the merits of the three movie musicals nominated for Best Picture for the 2025 Oscars: Emilia Perez, A Complete Unknown, and Wicked. For a complete breakdown of Wicked Part One, listen here.Check out all OnStage Blog's Wicked and movie musical content on onstageblog.com!onstageblog.comfacebook.com/onstageblogtwitter.com/onstagebloginstagram.com/onstagebloghttps://www.youtube.com/@onstageblog8213

In this episode, writer, dramaturg, and publishing professional William Forrest discusses the Sherman Brothers' Movie Musicals for Disney, tracing their trajectory from their early pop hits to the sophistication of of the book musical in such films as Mary Poppins (1964). We also talk about the song "Soon It's Gonna Rain" from Tom Jones and Harvey Schmidt's 1960 musical The Fantasticks. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald. Music played in this episode: "Pineapple Princess" by The Sherman Brothers "The Parent Trap" from The Parent Trap "Chim Chim Cheree" from Mary Poppins "A Spoonful of Sugar" from Mary Poppins "Valentine Candy" from The Happiest Millionaire  "Soon It's Gonna Rain" from The Fantasticks

Join Matt and I as we continue our “Movie Musicals” era, currently exploring the movie musicals of Stephen Sondheim, kicking it off with “Gypsy”, the Bette Midler 1993 version. 
Support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith

We finish Rhythm of War and Luke was so fucking right you guys. All the stuff at the tower happens and we're wondering why people think nothing happens in this book, although some are less high on the things that happen. We talk about: Being Current, WoW Classic, How They Gacha, MGS3, Movie Musicals, Hitman, The Bazaar, Fruit Metaphors, Jasna & Wit, Rayse, Physical Spren, Descriptive Text, Venli Is Nothing, Moash Isn't Owned, Shash Glyph, Toxic Yuri Ending, WoT Shallan Stuff, The Defeated, Last Of Eshonai, Wit Magic, Predictions,

Happy Thanksgiving! The discussion about our 2025 queer white water rafting trip continues with worries about whether or not we can bring full mattresses to camp on. Bryan discusses the latest attempts by the Texas Legislature to decriminalize gay sex. Erin tells us about Georgia's Maternal Mortality Committee being disbanded after findings about preventable deaths were leaked to the press. For all of our bonus episodes visit www.patreon.com/attitudesSee omnystudio.com/listener for privacy information.

Wicked comes out later this month, so The Cinema Specialists are ranking the top 10 movie musicals of all time. What do you think of our lists? Did we miss one of your favorites? Let us know in the comments. For weekly film content, become a patron: https://www.patreon.com/thespecialists #film #Top100Movies #BestMovies #Musicals #MusicalMovies #Wicked Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/5742935964385280

Bob the Drag Queen asks the handsome hosts about movie musicals, so you KNOW there's going to be singing! Plus beautiful people blowing on dice, slumber parties, and... a Handsome MUSICAL?!Handsome is hosted by Tig Notaro, Mae Martin, and Fortune FeimsterFollow us on social media: @handsomepodMerch: handsomepod.comWatch on youtube: youtube.com/@handsomepodEmail the show: handsomepod@gmail.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.