Podcasts about pompeian

This year for Christmas you're getting Hannah's two most popular tabs of 2024 as voted by you the audience! Join us as we revisit the story of how Iceland got the wrong translation of Dracula and Pompeian graffiti got freaky deaky.Episode Tabs:The Literary Mystery of the Icelandic Dracula by Valur Grettisonhttps://grapevine.is/mag/2022/05/09/the-literary-mystery-of-the-icelandic-dracula/What the Graffiti of Ancient Pompeii Teach Us About Our Modern Selveshttps://blog.degruyter.com/graffiti-ancient-pompeii-teach-us-modern-selves/Email your closed tab submissions to: 500opentabs@gmail.comSupport us on Patreon: https://www.patreon.com/500OpenTabs500 Open Roads (Google Maps episode guide): https://maps.app.goo.gl/Tg9g2HcUaFAzXGbw7Continue the conversation by joining us on Discord! https://discord.gg/8px5RJHk7aSUPPORT THE SHOW and get 40% off an annual subscription to Nebula by going to https://nebula.tv/500opentabsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Francine Tint In the Studio Over more than five decades, Francine Tint has created a remarkable body of work. Her paintings display an exhilarating freedom of execution combined with an original and frequently surprising color sensibility, varying in size from 10 inches to nearly 20 feet. Her brushwork ranges from languorous and undulating swaths of paint to aggressive and agitated gestures. Her works speak of a powerful and unwavering commitment to the visual and emotional vocabulary of abstract painting, and they embody the artist's personal and deeply held belief in the power of intuitive creation. ​ Tint's direct heritage may be traced to Abstract Expressionism and Color Field painting. Her admiration for those artists is enormous, but she also reaches more deeply into art history. Artists who are touchstones for Tint include Édouard Manet, Francisco Goya, Pompeian frescoes from the Roman Empire, and especially J.M.W Turner for his reliance on inspiration and radical painting techniques. She is particularly fond of 16th-century Mannerist painters; Jacopo Pontormo's idiosyncratic colors and anatomical and spatial distortions fascinate Tint. She also has a deep interest in Asian brush paintings. Recently, Tint has been mining her books on paleolithic cave paintings where she is captivated by their creators' profound identification with the animals they depicted, an identification which extends to handprints stenciled directly onto the cave walls. She is reminded of the foot and handprints that appear in her paintings. ​ Tint's work has been exhibited in over thirty solo shows in the United States and Europe, and is in the permanent collections of numerous museums including the Clement Greenberg collection at the Portland Art Museum and the Krannert Art Museum in Chicago. Her work is in private and corporate collections including Pepsi Co. and Mount Sinai Hospital. Francine Tint, Golden Flutter, 2024, Acrylic on canvas, 54 X 39 in. (137.2 x 99.1 cm), Copyright Upsilon Gallery Francine Tint, Impressions, 2024, Acrylic on canvas, 52 1/2 x 36 in. (133.3 x 91.4 cm), Copyright Upsilon Gallery Francine Tint, Impressions, 2024, Acrylic on canvas, 52 1/2 x 36 in. (133.3 x 91.4 cm), Copyright Upsilon Gallery

This week we learn about the legendary Hollywood Target that took forever to get built and Pompeian graffiti. A listener email shows us the best dog who gets the most pats.Episode Tabs:The 'Target Husk' in Hollywood Opens at Last, 12 Years After Work Beganhttps://lamag.com/featured/hollywood-target-opensWhat the Graffiti of Ancient Pompeii Teach Us About Our Modern Selveshttps://blog.degruyter.com/graffiti-ancient-pompeii-teach-us-modern-selves/Listener Tabs:https://www.onemillionpats.com/https://en.m.wikipedia.org/wiki/Steeplechase_(athletics)Email your closed tab submissions to: 500opentabs@gmail.comSupport us on Patreon: https://www.patreon.com/500OpenTabs500 Open Roads (Google Maps episode guide): https://maps.app.goo.gl/Tg9g2HcUaFAzXGbw7Continue the conversation by joining us on Discord! https://discord.gg/8px5RJHk7aSUPPORT THE SHOW and get 40% off an annual subscription to Nebula by going to https://nebula.tv/500opentabsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode: 2818 The Pompeian Paradox and Fiorelli's Body Casts.  Today, the Pompeian paradox.

The ancient city of Pompeii is one of the greatest archaeological discoveries on earth. Frozen in time since 79 AD when Mount Vesuvius erupted, its story is one that continues today.In episode one of this special series, Tristan Hughes takes you into its bustling streets: from markets to homes, experience the vibrancy and intricacies of Pompeian life. Meet one of the city's most impressive residents and unearth the textures of everyday existence in a world paused in time, only to be rediscovered centuries later.Discover the past on History Hit with ad-free original podcasts and documentaries released weekly presented by world renowned historians like Dan Snow, Suzannah Lipscomb, Lucy Worsley, Matt Lewis, Tristan Hughes and more. Get 50% off your first 3 months with code ANCIENTS. Download the app on your smart TV or in the app store or sign up here.You can take part in our listener survey here.For more Ancient's content, subscribe to our Ancient's newsletter here. Hosted on Acast. See acast.com/privacy for more information.

Since the first official excavations in 1748, Pompeii has captured the popular imagination of the Western world, and there has never been a better time to visit with new finds still emerging in the current excavations.Much of the site, which for many years was closed to the public, is now accessible and some of the new impressive finds can be viewed in situ or in the newly re-opened museum on site.In this episode, we are joined by Dr Estelle Lazer who has worked on the human remains of the Pompeian victims since 1986. Her current project involves a non-invasive study of all the casts of the victims that have been produced since 1863, using X-ray and CT scan analysis.Estelle discusses some of the new excavations underway, along with new discoveries being unearthed on this amazing site, including a recent fresco find that just might be the precursor to pizza!Academy Travel is a leading specialist in small-group cultural tours, allowing you to travel with like-minded companions and learn from internationally renowned experts. Like our podcast, our tours are designed to appeal to travellers with a strong interest in history, archaeology, architecture, the visual arts and the performing arts.Learn more here - https://academytravel.com.au/

About the Podcast The Stevens Group has been presenting the PR Masters Series Podcast for two years now.  This series is part of the ongoing partnership between The Stevens Group and CommPRO to bring to PR, digital/interactive and marketing communications agencies the wisdom of those who have reached the top of the PR profession.  Today's special guest is Grace Leong, CEO & Partner, HUNTER.   About Our Guest Grace Leong is a passionate advocate for the modern practice of integrated marketing communications.  Recently named a “Champion of PR” by PRWeek magazine, Grace elevates the role of PR in the marketing mix among Hunter's best in class clients in consumer products and services by infusing programs with new technologies, resources and solutions that drive business results. In a career spanning 30 more than years, Grace has conceived and led of dozens award winning communications programs and initiatives for Fortune 100 consumer products companies including 3M, Johnson & Johnson, Church & Dwight and Pompeian. Classically educated and credentialed as both a public relations professional and marketer, Grace embraces her role as the female lead of a diverse communications consultancy which is driven by creativity, exceptional client service and a dedication to achieving measurable business results. Inspired by a foundation in earned media, Grace has driven the evolution of HUNTER into new services, new territories, and new industries through her ability to recognize the sweet spot between her client's evolving communications needs and staff's talents, and funneling investment into their development, while delivering best in class results for the clients that partner with Hunter.   Not a fan of the spotlight herself, Grace believes doing great work every day sets the best leadership example, and is most often found in the “brainstorm room” driving the next big idea or and at the IMC table contributing best-in-class PR strategy.  Her skills as a communications expert come in handy at home as well, as the mother of four young adults who enjoying challenging their parents with their own academic and athletic objectives. An accredited member of the Public Relations Society of America (PRSA) and the Arthur W. Page Society, Grace has served the public relations and marketing industry in numerous leadership positions. In 2016, she was awarded the PRSA-NY John W. Hill Award for lifetime achievement in public relations. Grace earned a BA from the University of Delaware and an MBA from Rutgers University. She was named the Delaware's outstanding alumni in 2013 and inducted in to the University's Alumni Hall of Fame in 2016 for lifetime professional achievement and service to the Blue Hen Community.

About the Podcast The Stevens Group has been presenting the PR Masters Series Podcast for two years now.  This series is part of the ongoing partnership between The Stevens Group and CommPRO to bring to PR, digital/interactive and marketing communications agencies the wisdom of those who have reached the top of the PR profession.  Today's special guest is Grace Leong, CEO & Partner, HUNTER.   About Our Guest Grace Leong is a passionate advocate for the modern practice of integrated marketing communications.  Recently named a “Champion of PR” by PRWeek magazine, Grace elevates the role of PR in the marketing mix among Hunter's best in class clients in consumer products and services by infusing programs with new technologies, resources and solutions that drive business results. In a career spanning 30 more than years, Grace has conceived and led of dozens award winning communications programs and initiatives for Fortune 100 consumer products companies including 3M, Johnson & Johnson, Church & Dwight and Pompeian. Classically educated and credentialed as both a public relations professional and marketer, Grace embraces her role as the female lead of a diverse communications consultancy which is driven by creativity, exceptional client service and a dedication to achieving measurable business results. Inspired by a foundation in earned media, Grace has driven the evolution of HUNTER into new services, new territories, and new industries through her ability to recognize the sweet spot between her client's evolving communications needs and staff's talents, and funneling investment into their development, while delivering best in class results for the clients that partner with Hunter.   Not a fan of the spotlight herself, Grace believes doing great work every day sets the best leadership example, and is most often found in the “brainstorm room” driving the next big idea or and at the IMC table contributing best-in-class PR strategy.  Her skills as a communications expert come in handy at home as well, as the mother of four young adults who enjoying challenging their parents with their own academic and athletic objectives. An accredited member of the Public Relations Society of America (PRSA) and the Arthur W. Page Society, Grace has served the public relations and marketing industry in numerous leadership positions. In 2016, she was awarded the PRSA-NY John W. Hill Award for lifetime achievement in public relations. Grace earned a BA from the University of Delaware and an MBA from Rutgers University. She was named the Delaware's outstanding alumni in 2013 and inducted in to the University's Alumni Hall of Fame in 2016 for lifetime professional achievement and service to the Blue Hen Community.

Nick is one of the owners of Realty Growth Inc. and P&P Hospitality here in Rochester, MN. We talk about Nicks story as well as the impact that his dad made here in the community. We dive into success and how to look at life and business being grateful every step of the way. 

If the idlers of the streets chalked caricature on the walls, we can not be surprised to discover that Pompeian artists delighted in the comic and burlesque. Comic scenes from the plays of Terence and Plautus, with the names of the characters written over them, have been found, as well as a large number of burlesque scenes, in which dwarfs, deformed people, Pigmies, beasts, and birds are engaged in the ordinary labors of men.   This short story is sponsored by our friends at 5amily.com

In this episode we come back to deal with Psychoanalysis and Art, through the work of Louise Bourgeois and a small novel very dear to psychoanalysis: "The Gradiva (a Pompeian fantasy)”, written by W. Jensen in 1903. Patricia O'Donnell presents her paper titled: “Of flies and spiders - Gradiva and Louise Bourgeois" and reports that a particular comment inside the book plus the added role of flies with their multiple meanings in the novel were the triggers for  thinking  about the French artist.  "Maman", for instance, the gigantic sculpture of a spider in steel and marble, is the paradigm of a theme repeatedly evoked in the writings and works of the artist, who gave these attractive and fearsome creatures a variety of interpretations. This presentation, which explores and interweaves some biographical information, such as her mourning, the discovery of the difference between the sexes, her writings, her sculpture "Arch of Hysteria”, is an attempt to give us a glimpse into an artistic universe, which expands like a spider's web. The research into how she constructed the phantasmagoria around the spider constituted a psychoanalytical aesthetic experience with a body of work that invokes a past that travels through time in the face of an unknown future. Perhaps the spider as an apotropaic and talismanic figure is a defence against the fantasies of death and vulnerability that are so poignant in today's world.   Patricia O'Donnell Psychiatrist and Psychoanalyst. Full Member and Training Analyst of the Argentine Psychoanalytic Association (APA). Member of the International Psychoanalytic Association. Coordinator of the APA Culture Commission (2017 - 2020). Associate Professor at the Department of Mental Health at the Hospital de Clínicas José de San Martín  where she created and directed the Free Expression Workshop (2016 - 2020). She has begun psychoanalytic research into naïve art. She started her training in Psychoanalysis and Art with Dr. María Cristina Melgar, who together with Dr. Eugenio López de Gomara, were the pioneers, in 1960, of research into psychotic art in Argentina. She gave lectures and training sessions to the guides for the exhibition: “Louise Bourgeois. The return of the repressed” at the Department of Education in the Proa Foundation (2011). She has presented papers at national and international conferences; and publications, workshops and lectures on psychoanalytic art research in different academic fields. She was shortlisted as a finalist for the Lucian Freud Award, 2014 and is Secretary of the Redes Solidarias Foundation.   She is the co-author of the books: “The New. Lucian Freud. A psychoanalytical reflection on the enigma of the body and the world".   “Psychoanalysis and Art. From the psychoanalytic method to the encounter with the enigmatic in the visual arts”. “Topica. Literature and Cinema. Encounters with Psychoanalysis: Louise Bourgeois and the Arch of Hysteria”. “Women's Forum: Lee Miller”.   Link to the paper https://docs.google.com/document/d/1GOyFfPvc9VEchdeuEcjSBbWWQu-tJuGP/edit?usp=sharing&ouid=112457875385152358388&rtpof=true&sd=true   This episode is available also in Spanish    

Episode: 2818 The Pompeian Paradox and Fiorelli's Body Casts.  Today, the Pompeian paradox.

Diana Wood Conroy, Emeritus Professor of Visual Arts at the University of Wollongong is an artist, author and archaeologist with a long connection to the Chau Chak Wing Museum collections - as an undergraduate student in the 1960s she assisted in the Nicholson Museum stocktake and redisplay of the collection. Since the 1970s Diana has worked primarily in tapestry and has collaborated with Tiwi artists. Her practice explores relationships between classical, Aboriginal and personal worlds in tapestry and drawing, and her works are held in national and international collections.     A fragment of a Pompeian wall painting painted c. 60-79 AD is the starting point to discuss Diana's own archaeological work in Paphos, Cyprus, as well as exploring the concept of the artist in both ancient and modern cultures. In Paphos, Diana has studied and worked to reconstruct Roman wall paintings exposed by Australian archaeologists over the past two decades. Object record: NM80.49 Host: Dr Craig Barker, Head, Public Engagement, Chau Chak Wing Museumand Director, Paphos Theatre Archaeological Excavations. Follow @DrCraig_B on Twitter and Instagram. Guest: Diana Wood Conroy, Emeritus Professor of Visual Arts at the University of Wollongong, artist, author and archaeologist. __ Subscribe to Muse Extra, our monthly newsletter and follow @ccwm_sydney on Instagram, Twitter and Facebook. Learn more about the Chau Chak Wing Museum at sydney.edu.au/museum

This interactive talk explores the myths, legends and scenes of daily life that Romans painted and scratched onto the walls of their houses. Ashmolean After Hours: Carpe Diem! Mount Vesuvius is thought to have begun erupting on 24 October AD 79. Almost two thousand years later, TORCH collaborated with the Ashmolean Museum for a special edition of After Hours to 'seize the day' and celebrate all things Pompeii and ancient Rome, with bite-sized talks from students and researchers, and activities for all to enjoy. This event was part of the Humanities Cultural Programme.

36 BC In the Battle of Naulochus, Marcus Vipsanius Agrippa, admiral of Octavian, defeats Sextus Pompeius, son of Pompey, thus ending Pompeian resistance to the Second Triumvirate. 301 San Marino, one of the smallest nations in the world and the world's oldest republic still in existence, founded by Saint Marinus. 1189 Richard the Lionheart is crowned in Westminster, after the death of Henry II. Jewish dignitaries who showed up bearing gifts for the new monarch were stripped, whipped and banished from the court. As they fled, rumors spread in London that the new king detested "infidels" and meant to kill them all, and a pogrom ensued. The Jews of London were plundered and murdered, their houses were burned down and some were baptized against their will. 30 Jews are massacred after the coronation - Richard ordered the perpetrators be executed. 1650 The English under Oliver Cromwell defeat a superior Scottish army under David Leslie at the Battle of Dunbar. The battle is noteworthy for the fact that more Scottish soldiers died from the forced march and imprisonment after being captured, than in the battle itself. 1777 The American flag (stars & stripes), approved by Congress on June 14th, is carried into battle for the first time at a skirmish at Cooch's Bridge, Delaware. Patriot General William Maxwell ordered the stars and strips banner raised as a detachment of his infantry and cavalry met an advance guard of British and Hessian troops. The rebels were defeated and forced to retreat. 1783 The Treaty of Paris is signed by Great Britain and the new United States, formally bringing the American Revolution to an end. 1914 The French capital is moved from Paris to Bordeaux as the Battle of the Marne begins. 1939 After Germany ignores Great Britain's ultimatum to stop the invasion of Poland, Great Britain declares war on Germany, marking the beginning of World War II in Europe. 1969 Ho Chi Minh, the leader of North Vietnam, dies. 1971 Qatar independence. The Persian Gulf state gained its independence after 55 years of British rule.

Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University.

Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Domesticating Empire: Egyptian Landscapes in Pompeian Gardens (Oxford University Press, 2019) is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Eilís Barrett, Associate Professor of Classics at Cornell University, draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire. Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Grand mansions were a major part of Gilded Age New York. The newly minted millionaires built themselves lavish residences, many of which had interiors inspired by the ancient world. Pompeii's houses were a particularly popular reference point. Also learn about how Henry G. Marquand and Lawrence Alma Tadema created a remarkable Greco-Pompeian room with a piano that would have made Elton John jealous.

We LOVE your questions, tips, photos & contributions to our DTT community. Where would be without you ~ talking to ourselves thats where! So glad you are out there & that you let us know. We answered a bunch of great questions in this episode...if your question didn't get addressed this time stay tuned we are hosting another Listener Question episode real soon! For cleaning your faux arrangements, try this product (http://amzn.to/2ptnO2H). Our episode on duvets is HERE (https://www.decoratingtipsandtricks.com/128). So much info about choosing & using this very important part of your home. Oh HERE (https://www.decoratingtipsandtricks.com/20) is a terrific episode to listen to if you need info on choosing sheets. Everything you need to know about sheet quality & bedding. Find Anita's Pompeian clock base HERE. affiliate links Anita mentioned her sources for pillow forms, duvets, and linens CLICK HERE. You know what would be SO awesome?  If you would share Decorating Tips & Tricks with your friends.  Do it in person or on Facebook using THIS LINK. It is easy just click & share DTT to your page. Thanks in advance!! x Subscribe so you never miss an episode. And please drop us a line and let us know what you think of the podcast. Our email is decoratingtipsandtricks@gmail.com   XOXOXO, Anita, Yvonne and Kelly We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

The way Pompeii was covered by the eruption material ejected by Mt Vesuvius in 79 CE has made it possible to reveal the forms of organic remains preserved in the hardened ash. Pouring plaster of Paris into the voids created by decomposed soft tissue has created casts that were believed to be faithful renditions of those who died. In theory, the skeletons were embedded within the plaster casts of human victims and those of other mammals. In 2015, Estelle Lazer and her team of experts commenced a project to CT scan and X-ray the casts of the Pompeian victims. The initial results of the CT scans and X-rays were surprising as they revealed that the actual production methods for the casts were quite different to the procedures that had been minimally documented in the 19th and 20th centuries. This year, the University of Sydney and the Superintendency of the Pompeii Archaeological Park signed a Memorandum of Agreement, which makes the two institutions partners in this important project. In June 2017, permission was granted for the first time to transport plaster casts of victims from the site to the nearby local hospital for scanning in a state-of-the-art CT scanner that provided much higher resolution than the machine employed in the 2015 study. The results of this season are providing us with new insights into the lives and deaths of these victims, as well as a better understanding of how the casts were achieved. ABOUT THE SPEAKER: Dr Estelle Lazer, author of Resurrecting Pompeii (2009), is an archaeologist best known for her work on the human remains from Pompeii. In 2015, she was appointed as a consultant for the Pompeii Cast Restoration Project. Estelle works for Academy Travel and is an Honorary Research Associate in the Department of Classics and Ancient History at the University of Sydney. This lecture was held as part of the Sydney Ideas program on 28 November: http://sydney.edu.au/sydney_ideas/lectures/2017/dr_estelle_lazer.shtml

Since they were first revealed in 1863, the casts from Pompeii which preserved the forms of the victims in their moment of death have generated huge interest. Stories of their supposed lives and deaths have proved to be persistent not just in novels and movies, but also in some academic treatments of the site. As part of the Great Pompeii Project of 2015, the Superintendency organised the restoration of 86 of the 103 casts. Estelle Lazer and her team were given the opportunity to generate CT scans and x-ray analysis. For the first time, it was possible to carry out a scientific analysis a number of the casts and the remains embedded within them. The results were unexpected. Yes, there were new insights into the victims, their lives and their deaths, but, as this lecture will show, there was also much to learn about archaeological practices at Pompeii in the late nineteenth and early twentieth centuries. A Sydney Ideas lecture co-presented with the Department of Classics and Ancient History and the Nicholson Museum at the University of Sydney

The University of Arkansas has been utilizing the power of the Unity game engine to enable students to recreate sites such as Pompeii to create a virtual, online lab for art historical research.

With time, Elisabeth learns to defend her interests at court and begins to lead a life in line with her own ideas. She now does exactly what she wants and increasingly refuses to fulfil her offical obligations as empress. Franz Joseph and Elisabeth have become estranged. Elisabeth finds the lure of the infinite ocean irresistible and dreams of soaring free like a seagull: I am a seagull, from no land... In order to distract herself Elisabeth goes on long journeys and seeks out refuges, places where she can live in freedom. These include the Hungarian chateau of Gödöllö near Budapest, the Hermesvilla in the Lainzer Tiergarten on the outskirts of Vienna as well as the Achilleion on the Greek island of Corfu. Here she has a magnificent villa built in Pompeian style and named after her favourite figure from Greek mythology, furnishing it with valuable antiques. But only a short time afterwards the increasingly restless empress loses interest in the Achilleion too and has it put up for sale. In the event, it remained unsold until afer her death. www.hofburg-wien.at | Download Tour-Guide (PDF)© by Schloß Schönbrunn Kultur- und Betriebsges.m.b.H.

Professor Kleiner discusses special subjects in Roman wall painting that do not fall within the four architectural styles but were nonetheless inserted into their wall schemes: mythological painting, landscape, genre, still life, history painting, and painted portraiture. The lecture begins with an in-depth examination of the unique Dionysiac Mysteries painting in Pompeii in which young brides prepare for and enter into a mystical marriage with the god Dionysus and simultaneous initiation into his cult. Professor Kleiner then presents a painted frieze from Rome that depicts the wanderings of Odysseus against a continuous landscape framed by Second Style columns. She subsequently analyzes Roman still life, remarkable in its similarity to modern still life painting; a scene of daily life in Pompeii; and a painting depicting a specific historical event--a riot in the Pompeii Amphitheater that caused the arena to be shut down for ten years. The lecture ends with a discussion of painted portraiture on Pompeian walls, including likenesses of two different women holding a similar stylus and wax tablet.

Professor Kleiner discusses special subjects in Roman wall painting that do not fall within the four architectural styles but were nonetheless inserted into their wall schemes: mythological painting, landscape, genre, still life, history painting, and painted portraiture. The lecture begins with an in-depth examination of the unique Dionysiac Mysteries painting in Pompeii in which young brides prepare for and enter into a mystical marriage with the god Dionysus and simultaneous initiation into his cult. Professor Kleiner then presents a painted frieze from Rome that depicts the wanderings of Odysseus against a continuous landscape framed by Second Style columns. She subsequently analyzes Roman still life, remarkable in its similarity to modern still life painting; a scene of daily life in Pompeii; and a painting depicting a specific historical event--a riot in the Pompeii Amphitheater that caused the arena to be shut down for ten years. The lecture ends with a discussion of painted portraiture on Pompeian walls, including likenesses of two different women holding a similar stylus and wax tablet.