Podcasts about octavian

Acts 17:1-9 takes place during the second missionary journey. Here we find the city of Thessalonica – capital of the Roman province of Macedonia. Rome designated it a 'Free City' because it backed the 'winning side' in 42BC at the Battle of Philippi (a Roman civil war) between Mark Antony and Octavian. On the surface, this was an energetic, vigorous Roman city. But below the surface, Thessalonica was a like powder keg - ready to explode. Its volatility stemmed from political tensions, religious compromise, and spiritual darkness.

Following the defeat, the narrative takes on a "film noir" quality as the lovers return to Alexandria. Antony fell into deep melancholy, while Cleopatra focused on the survival of her dynasty, even contemplating exile in India. Octavian used the interim to consolidate power and negotiate with Antony's former allies. A treacherous three-way negotiation began, with both Antony and Cleopatra secretly dealing with Octavian while lying to each other. When Octavian finally invaded Egypt in 30 BC, Antony's remaining forces deserted him. Driven by a false report of Cleopatra's suicide, Antony attempted to kill himself and died in her arms on August 1. Cleopatra eventually committed suicide—likely via a cobra bite—to avoid being paraded in a Roman triumph. Octavian immediately secured the Egyptian treasury and ordered the execution of Caesarion, the 16-year-old heir, to eliminate any rival claims to Caesar's legacy. (7/8)CICERO AND FULVIA

In the aftermath, Octavian artfully transformed the Republic into an Empire, taking the title "Augustus" in 27 BC. He learned from Julius Caesar's mistakes, choosing to rule through authority (auctoritas) rather than raw power, and adopting the humble title of "Princeps" or "first man." Strauss emphasizes the central role of Octavia, who remained a powerful matriarch in Rome, raising the children of both Antony and Cleopatra to secure a stable future dynasty. Augustus succeeded in his goal of transforming Rome from a city of wood into a "marbled wonder." He ruled for decades, dying in 14 AD during the month that still bears his name. Though Antony's memory was officially suppressed, Octavia's descendants—including future emperors Caligula, Claudius, and Nero—ensured that the bloodlines of both families remained at the heart of Roman power. Ultimately, the war at Actium defined the course of Western history for centuries to come. (8/8)CLEOPATRA AND THE ASP

Guest Author Barry Strauss discusses the power struggle between Mark Antony and the young Octavian following Julius Caesar's assassination. Strauss relies on the Greek historians Plutarch and Cassius Dio to reconstruct this era, noting that Plutarch is the best single source for Antony's life. While Antony was a noble consul and Caesar's seasoned lieutenant, Octavian was a slight, 19-year-old great-nephew who lacked military experience but possessed "Machiavellian" cunning. The two joined Lepidus in the Second Triumvirate to avenge Caesar, leading to the Battle of Philippi in 42 BC. Although Antony emerged as the hero of that victory, Octavian allegedly fled the battlefield due to illness. This victory eliminated assassins like Cassius and Brutus, yet it set the stage for a civil war where Octavian'spolitical ambition would eventually overwhelm Antony's social pedigree. Strauss emphasizes that Caesar likely educated Octavian in the "dark arts of power." (1/8)1680 CONSTANTINOPLE

Barry Strauss introduces Cleopatra, the Queen of Egypt and member of the Ptolemaic dynasty, which turned Egyptinto a Mediterranean "gold mine." She was a "tough player" who survived deadly dynastic intrigues to secure her throne. Her spectacular entry at Tarsus on a perfumed barge wowed Antony, establishing a partnership built on both romance and finance. Egypt served as a vital treasury for Antony's ambitions, as the Romans had long viewed the country as a bank. A key political asset was her son, Caesarion, whom she claimed was the son of Julius Caesar—a direct threat to Octavian's legitimacy. Strauss highlights Cleopatra's intelligence through the story of her dissolving a pearl in vinegar to host the world's most expensive dinner. While Roman propaganda painted Alexandria as "effeminate" and "comic," it was actually the scientific and cultural capital of the ancient world. (2/8)1572 CONSTANTINOPLE

Strauss examines the role of Octavia, Octavian's sister, who married Antony in 40 BC to seal a peace treaty. While she is often portrayed as a devoted housewife, Strauss suggests she may have been a "fatal connection" providing intelligence to her brother. During this period, Octavian struggled in Italy against Sextus Pompey, a naval strategist who blockaded Rome's grain supply. Octavian's success was largely due to his friend Marcus Agrippa, a logistical genius who built a new navy and developed harpoons to immobilize enemy ships. Meanwhile, Antony's reputation suffered a major blow during his disastrous campaign against Parthia, where he lost approximately 25% of his army. In contrast, Octaviangained military "marks of honor" by being wounded during the Illyrian war. This shift in prestige allowed Octavian'sstar to rise as he used information warfare to frame Antony as a traitor unmanned by Eastern luxury. (3/8)1599

The conflict reached a turning point in 33 BC when Antony committed what Strauss calls an "unforced error" by divorcing Octavia. This provided Octavian with a "propaganda bonanza," allowing him to frame the coming war not as a civil struggle, but as a crusade to save Rome from an Egyptian queen. Antony viewed the divorce as a "credible commitment" to his Eastern supporters, showing he would never compromise with Octavian. Despite warnings from generals like Ahenobarbus to leave Cleopatra behind, Antony kept her and her treasury close, further fueling Octavian's narrative that Antony had been "unmanned." Octavian strategically declared war on Cleopatra rather than Antony to maintain the moral high ground. Strauss notes that Octavian even mocked Antony's identification with Dionysus, portraying him as a simple drunk rather than a new Alexander. This battle of optics and ideology paved the road to the decisive confrontation at Actium. (4/8)80 BCE SULLA

Strauss highlights that while tactics are for amateurs, logistics are for professionals, citing Marcus Agrippa as the mastermind behind Octavian's strategy. Instead of invading Italy, Antony and Cleopatra waited in western Greece, allowing Agrippa to strike first in early 31 BC. Agrippa launched a daring, pre-dawn amphibious assault on Methone, a vital supply base guarded by the deposed King Bogud. This surprise victory effectively severed Antony's supply lines from Egypt, trapping his fleet at Actium. Antony's forces were soon plagued by hunger and disease in the malarial swamps of the Greek coast. Strauss explains that Agrippa utilized local guides and superior naval training to achieve this logistical "one-two punch." By the time the main battle arrived, Antony was already strategically defeated, his options limited to a desperate breakout attempt rather than a coordinated offensive. Agrippa's foresight turned the naval engagement into a foregone conclusion. (5/8)457 AMBROSIAN ILLIAD

On September 2, 31 BC, the Battle of Actium unfolded as a desperate breakout attempt by Antony and Cleopatra to save their treasury. They waited for the afternoon winds to turn so they could unfurl their sails—an unusual tactic for warships in battle. During the engagement, Cleopatra's squadron, distinguished by purple sails, broke through a gap in the Roman line. In a move that devastated his military honor, Antony abandoned his fleet and army to follow her. Straussnotes that while Antony's sailors continued to fight bravely, Octavian's forces eventually used fire arrows to destroy the remaining galleys. This abandonment of his men was a "major no-no" that permanently scarred Antony's reputation as a Roman leader. Despite the betrayal, the lovers successfully escaped with the Egyptian gold, though Octavian remained the undisputed victor on the sea, effectively ending the military resistance of the Second Triumvirate. (6/8)DIDO AND AENEAS

⁠⁠⁠Help keep our podcast going by contributing to our Patreon! When Augustus rolled into town after defeating Marc Antony and Cleopatra, he was greeted as a hero—because the Senate ordered its people to stand outside the gates and cheer. The reality was, there was fear on both sides. Augustus was afraid to grab power too quickly—or he'd find himself meeting Caesar's fate. The Senators feared bloody proscriptions, like the ones Augustus (Octavian) unleashed with the Second Triumvirate just a few years ago. Standing outside those walls, anything could have happened. Octavian could have been murdered. He could have given Rome back its democracy, just like it was. Just like before. And for a while, it looked like he was going to do that. He kept promising he would. But that's not how it went down. Today we'll explore how you kill a democracy—with a thousand tiny cuts, or one single stab to the heart. Sponsors and Advertising This podcast is a member of Airwave Media podcast network. Want to advertise on our show? Please direct advertising inquiries to advertising@airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ Analytic Dreamz breaks down Drake's most ambitious and mysterious album rollout to date with ICEMAN, set for release on May 15, 2026. Nearly 952 days since For All the Dogs, this project arrives amid the fallout from the 2024 Kendrick Lamar battle, ongoing UMG tensions, and Drake's most experimental marketing campaign yet. From narrative livestreams “Blue,” “Green,” and “Red” to the Toronto Ice Fortress stunt, cryptic symbolism, Pinocchio imagery, and interactive fan experiences, this segment examines the high-concept strategy, hidden clues, and cultural stakes. Analytic Dreamz analyzes potential Kendrick responses, rumored features including Young Thug, Central Cee, and more, producer questions around 40 and Octavian, and whether the music will match the elaborate world-building. With industry pressure mounting, this ICEMAN discussion explores Drake's path to reclaiming momentum in hip-hop.  Privacy & Opt-Out: https://redcircle.com/privacy

The myth says Caesar died and Rome was saved. That's the cover story. Brutus killed a man — he didn't kill the machine. The machine passed to Octavian.This is the story of how Augustus took the most powerful position in Rome and made it look like restoration rather than takeover. The Senate kept meeting. Consuls kept being elected. The fasces still stood on the rostrum. All the forms were preserved. Underneath, something else entirely was being built — and the system Augustus designed lasted nearly 500 years after his death.The pattern at the heart of this story repeats across history: successful transitions don't announce themselves. They resemble continuity. They keep the visible forms while the underlying function shifts. By the time anyone notices, the change is already locked in.This is part of an ongoing series on patterns of power transformation across history. For the deep dive on Constantine and a similar shift two centuries later, watch the companion piece on @TheRomanPattern (link in description).00:00 — The Machine Didn't Stop01:13 — Welcome to Hidden Forces in History01:23 — Caesar's Will Was the Real Weapon03:11 — The Proscriptions: Clearing the Field05:14 — Manufacturing Cleopatra as the Enemy06:27 — The 27 BC "Restoration"08:00 — Three Channels of Power: Literature, History, Currency09:13 — When Opposition Starts Believing11:00 — The Succession Problem12:20 — 500 Years of the Same Pattern13:00 — Same Playbook, Different Century

What happens when inherited wealth, family legacy, pressure, and neurodivergence collide?In this episode of Self Care with Geraldine Hardy, Geraldine speaks with Octavian Sigismund Maria Gotthard Graf Pilati von Thassul zu Daxberg about aristocratic family history, inherited responsibility, family business crisis, neurodivergence, and the personal cost of carrying pressure from a young age.Octavian comes from a historic European family and was pulled into a major family and business crisis in his mid-twenties. That experience shaped his work around antifragile families, family governance, generational wealth, and the importance of building family systems that do not collapse under pressure.The conversation explores the reality behind privilege, succession, family expectations, burnout, decision fatigue, and the emotional weight that can sit behind wealth. Octavian also speaks openly about AuDHD, meaning Autism and ADHD, Mast Cell Activation Syndrome, POTS, sensory overload, alcohol sensitivity, nutrition, and the role self-awareness plays in managing health and leadership.Octavian is the founder of The Antifragile Family®, a publication and framework focused on helping families survive wealth, legacy, crisis, and succession by becoming stronger under pressure. His main website also positions his work around antifragility, generational legacy, family business dynamics, governance, and crisis management. Learn more: Octavian Pilati: octavianpilati.com The Antifragile Family®: antifragilefamily.substack.com Family Hippocampus: family-hippocampus.comThis is a thoughtful conversation for anyone interested in family wealth, family offices, entrepreneurship, succession, neurodivergence, leadership pressure, and the private realities that often sit behind public privilege.Prefer to read? Head to Yachting News on the website: https://www.yachtinginternationalradio.com/yachting-news

In their final discussion, Gaius and Germanicus explore the nature of political violence, comparing the Roman Empire'sorigins to the 21st-century American Republic. Gaius observes that Rome was founded on calculated, physical violence, with Octavian "stepping over bodies" to secure the throne. Conversely, Germanicus argues that modern Americanviolence is largely ritualistic and symbolic, amplified by social media and AI to create an illusion of chaos that contradicts statistically declining murder rates. He contends that the United States has become an "asocial" and risk-averse society where people crave the drama of violent presentations as entertainment to fill "desolate and colorless lives". This "ceremonial violence" is often an orchestrated narrative used for electioneering rather than a genuine precursor to revolution. The speakers also reflect on cultural amnesia, noting how the trauma of the Vietnam War has largely vanished from public discourse and education. They compare current European anxieties—such as the fear of losing electricity—to the 1960s nuclear dread immortalized in The Twilight Zone. Despite the centurions' potential disappointment with a "happy ending," the speakers conclude that narrative power now shapes the empire's reality more than physical conflict. They end their evening in Londinium by promising to return with more existential worries and rosy scenarios for the next debate. 31949 B-36 CARSWELL AFB

⁠Help keep our podcast going by contributing to our Patreon! When Octavian (Augustus) returned home victorious from his final battle against Marc Antony and Cleopatra, he was met by an ecstatic crowd. The Senate had ordered all classes and priesthoods, including the Vestal Virgins, to joyously greet him at the entrance to the city. This was the man who would be responsible for demolishing their democracy and ushering in an imperial military state that would last another 500 years (roughly). What was it like to stand in the shadow of the walls that day? What questions were burning in the people's hearts? What did they think that they did not dare say? Was the mood celebratory? Raucous? Rebellious? Join us as we travel back in time to the gates of Rome, to watch Octavian return. Sponsors and Advertising This podcast is a member of Airwave Media podcast network. Want to advertise on our show? Please direct advertising inquiries to advertising@airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Help keep our podcast going by contributing to our Patreon! ⁠ In this episode, we return to the beach at Actium with author, historian, and academic Barry Strauss as our tour guide. His new book, The War That Made the Roman Empire: Antony, Cleopatra, and Octavian at Actium, discusses the infamous sea battle Marc Antony and Cleopatra fought against Octavian and Agrippa for love, for supremacy, for their very survival. Join us as we deconstruct this battle, paint a vivid picture of ancient war at sea, and tackle the one question everyone's asking: why did Cleopatra flee the battlefield? Sponsors and Advertising This podcast is a member of Airwave Media podcast network. Want to advertise on our show? Please direct advertising inquiries to advertising@airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Are people born alt right or do people have alt right manosphere thrust upon them? This week Brayden leads a breakdown of Octavian the man we all love to hate, with Ava and Niamh providing expert opinions on the origin of mens evils and being red pilled.returntocamp.com

6. At the Battle of Actium in 31 BC, Antony's blockaded fleet is forced into a breakout attempt to save their treasury. During the engagement, Cleopatra's squadron, marked by purple sails, breaks through the line. Antony follows her, abandoning his fleet and army, which Strauss describes as a devastating blow to his Roman honor. Although his sailors continue to fight, Octavian's forces eventually use fire arrows to destroy the remaining ships. This decisive victory allows Octavian to secure total control over the Roman world as the defeated lovers flee back toward Alexandria. (6)

7. Mark Antony and the Divine Spectacle of the East Following Caesar's assassination, Cleopatra wooed Mark Antony with a theatrical arrival on a gilded boat, presenting herself as the goddess Aphrodite. While Antony viewed her as a vital political opportunity, conservative Rome saw her as a dangerous seductress who had caused a Roman general to abandon his principles. Their union was marked by Antony's increasing reliance on Cleopatra for funding his failing military campaigns against the Parthians. Simultaneously, a massive volcanic eruption in Alaska triggered climate cooling and poor Nile floods, leading to famine and further destabilizing the Egyptian economy as Octavian prepared for war. (7)CARTHAGE

  8. The Tragic End of the Ptolemies and the Roman Conquest After their defeat at the Battle of Actium, the saga of Antony and Cleopatra reached its tragic conclusion in Alexandria. Mark Antony died in Cleopatra's arms after being mortally wounded, a scene confirmed by historical records. Realizing Octavian could not be seduced and refusing to be paraded as a captive in Rome, Cleopatra took her own life. Her death marked the end of the Ptolemaic dynasty. Octavian, dismissive of Egyptian traditions, transformed the kingdom into a conquered province. Egypt became the essential "breadbasket" of the Roman Empire, its vast grain reserves used to feed and pacify the Roman populace. (8)CARTHAGE

1. Barry Strauss introduces the power struggle following Julius Caesar's death between Mark Antony and Octavian. Antony, a noble consul and seasoned lieutenant, initially holds a superior social position. Octavian, Caesar's younger great-nephew, is viewed as less of a warrior but possesses extreme ambition and cunning. Using sources like Plutarch and Cassius Dio, Strauss describes the Second Triumvirate's efforts to punish Caesar's assassins at the Battle of Philippi. Although Antony is the hero of that victory, the "Machiavellian" Octavian begins a political game to eventually transform the Roman Republic into an Empire. (1)

3. Octavian utilizes his sister, Octavia, as a diplomatic tool and source of intelligence after she marries Antony to seal a peace treaty. While Antony governs the East from Athens, Octavian faces internal challenges in Rome, including the Senateand Sextus Pompey's naval blockades. Octavian relies on his brilliant friend, Marcus Agrippa, a logistical genius who builds a new navy to defeat Pompey. Meanwhile, Antony's reputation suffers after a disastrous campaign against Parthia, where he loses 25% of his army. Conversely, Octavian gains prestige through military victories and wounds sustained in the Illyrian war. (3)

4. Antony commits a fatal "unforced error" by divorcing Octavia in 33 BC. Octavian exploits this for propaganda, framing Antony as a traitor who abandoned his Roman wife for an Egyptian queen. Antony views the divorce as a "credible commitment" to show his supporters he will never compromise with Octavian. Despite warnings from generals like Ahenobarbus to leave Cleopatra behind, Antony keeps her and her treasury close for the coming conflict. This allow Octavian to present the war not as a civil struggle, but as a crusade to save Rome from "un-Roman" Eastern influences. (4)

5. Marcus Agrippa serves as the logistical mastermind behind Octavian's strategy leading to the Battle of Actium. While Antony and Cleopatra wait in western Greece, Agrippa launches a daring, pre-dawn amphibious assault on Methone, a vital supply base. This surprise victory effectively cuts Antony's supply lines from Egypt. Octavian then strikes the northern coast, pinning Antony's fleet into the bay at Actium. Strauss emphasizes that while tactics are for amateurs, Agrippa's focus on logistics crippled Antony's forces—who were already suffering from disease and hunger—well before the main naval engagement began. (5)

7. Following the defeat, Antony falls into a deep "melancholy," while Cleopatra focuses on protecting her dynasty, even considering exile in India. Octavian consolidates power by securing the loyalty of Eastern client kings and managing restless veterans in Italy. A complex "film noir" negotiation begins, with Antony and Cleopatra separately dealing with Octavian while often lying to each other. When Octavian finally invades Egypt, Antony's remaining forces desert him. Driven by a false report of Cleopatra's suicide, Antony attempts to kill himself and eventually dies in her arms on August 1, 30 BC. (7)

8. Octavian enters Alexandria, securing the Egyptian treasury and ordering the execution of Caesarion to eliminate any rival heirs. Cleopatra commits suicide—likely via a cobra—to avoid being paraded in a Roman triumph. In 27 BC, Octavian takes the title "Augustus," establishing the Roman Empire by artfully using authority rather than raw power. His sister Octavia remains a central figure, raising the children of both families to secure a future dynasty. Augustus transforms Rome from wood into a "marbled wonder," ruling until his death in 14 AD. (8)

THIS WEEK! We continue our 2 part series on Romes first Emperor: Augustus. In The Last Episode we left at The Battle Of Actium. From Klaeopatra, and Marcus Antonius escape, and their demise, to how Octavian would end up with Ultimate power. And his long reign as The First Emperor, of The Roman Empire. All this, and Much, much more on "Well That Aged Well", with "Erlend Hedegart". Support this show http://supporter.acast.com/well-that-aged-well. Hosted on Acast. See acast.com/privacy for more information.

A major thank you to Octavian for sponsoring today's stream. In this stream I dive into the life of Michael the Brave, a man who took on the Ottoman, Austrian, and Polish-Lithuanian Empires all to unite Romania for the first time in history. Make sure to leave a comment and let me know what you think. God Bless

It was so inspiring to have this conversation with the multi-talented singer-songwriter and pianist Vienna Teng . In this episode we're featuring the band Few of a Kind's new album, a beautiful collaboration with Vienna, Brandon Ridenour, Ben Russell, Yousif Sheronick, and Andrew Gutauskas. Vienna takes us inside their creative process with excerpts from each track. She also reflects on what truly makes a great song, how her identity evolved with parenthood, and how she has connected with audiences through her climate action workshops. Vienna also shared insights into two other brilliant recent projects, her unique album We've Got You and “The Riversitter” after Dave Eggers' “The Museum of Rain”.You'll hear the charming story of how she actually found her stage name, some highlights including opening for Joan Baez, performing on the Late Show with David Letterman and especially what it felt like to return to touring and recording after a ten-year hiatus after working in environmental sustainability. Full Show Notes for all the links: Vienna Teng's albums, website, Songwriter podcast, linked episodes with Gabriel Kahane, Jean Rohe, Ida Gillner, Fern Lindzon and Diane Nalini and my Newsletter, Merch store and how you can buy me a coffee to support this series!photo: Sherwin Lainez(00:00) Intro(02:21) Stage name story, David Letterman and early fame, working at Cisco(07:09) Few of a Kind band, with clip track 1 “Transcontinental 1:30 AM”(11:49) life of a singer, Ben Russel with clip of track 4 Two Steps From the Blues(18:31) creative process Few of a Kind, Octavian studios(20:52) environmental sustainability, decision to go back to university(28:07) Few of a Kind, clip of track 2 Alone, Brandon Ridenour(31:32) crafting a life in music with social impact(34:12) other linked episodes and ways to support this series(35:02) what makes a great song, Asian American identity Alex Wong(42:31) climate action workshops connected to concerts(47:20) We've Got You with clips, how Comfort and Spark fit together(54:33) writing “The River Sitter” after David Eggers “The Museum of Rain”(01:00:36) Few of a Kind, with clip of track 3 Five's Alive, Andrew Gutauskis, Yousif Sheronick(01:07:40) touring, opening for Joan Baez(01:12:03) coming back after 10 year hiatus

Book 2 of Triumph of the Tusk is continuing on Patreon! Fresh from their victory at Splitskull Keep, our heroes consider their departure to Urgir and what it means for the people they've met. What awaits them at the capital of Belken? Subscribe at or above the Rum and Coke $5/month tier to continue following the adventures of Char, Drakar, Octavian, and Traskus. Episode 38 available on Patreon now! Website: hideouslaughterpodcast.com Patreon: patreon.com/hideouslaughter Ko-Fi: https://ko-fi.com/hideouslaughterproductions  BESTOW CURSE RSS: https://feed.podbean.com/bestowcurse/feed.xml Etsy: https://www.etsy.com/shop/HideousLaughterPod Discord: https://discord.gg/ruG6hxB Email: thehideouslaughterpodcast@gmail.com Twitter: @laughterhideous Facebook/Instagram: @hideouslaughterpod Reddit: reddit.com/r/HideousLaughter Produced by Allard LaRue @ Lossless Productions Theme Song By Dark Fantasy Studio

The sisters are ecstatic to welcome Nnenna and Pierce Freelon to the show.Nnenna is a GRAMMY nominated  jazz singer, storyteller and grief sojourner. Her latest album is Beneath the Skin. Her new book is Beneath the Skin of Sorrow: Improvisations on Loss.Nneena's son Pierce is a GRAMMY nominated artist, picture book author and podcaster. His GRAMMY nominated children's music albums AnceStars (2023) and Black to the Future (2021) have been featured on Today Show, NPR and Billboard. He has written songs for the PBS Kids animated series' Alma's Way and Work it Out Wombats!The Freelons regal the Browns with tales of the late great architect/husband/father, Phil Freelon, being Maya Angelou's friend, manufacturing space ice cream, living in an Octavian future, having to leave Nancy Drew behind and go off-planet, settling in North Carolina, making puppet art about grief, digging where your tears fall and scatting your way through the universe.---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TRANSCRIPT⁠⁠⁠⁠⁠⁠⁠⁠⁠---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT OUR SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow---HTS ESSENTIALS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT Our Show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PEEP us on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/endoftheworldpc/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

In this preview for our upcoming Lent class, Jesus in Galilee, John Dominic Crossan dives into what he calls "A Tale of Two Gods"—Caesar and Christ. He takes on C.S. Lewis's famous trilemma (Lord, Lunatic, or Liar) and asks the question Lewis never considered: what if there were two contemporary claimants to divinity? Because there were. Before Jesus ever showed up, Caesar Augustus was already being called Son of God, Savior of the World, and Lord. Dom walks us through the Battle of Actium and how Octavian's victory became the foundation for a theology of peace through violent victory—and then sets that against the Jesus movement's counter-claim: peace through distributive justice. It's not just ancient history either; as our live audience pointed out, we're watching the "normalcy of civilization" play out in real time right now. The big question Dom leaves us with is whether our species is sustainable if we keep betting on escalatory violence. Heavy stuff, but exactly the kind of thing we'll be unpacking together throughout Lent. Hope you'll join us at CrossanClass.com—lectures drop soon, and we'll have live Q&As throughout Lent. You can WATCH the lecture and see all the slides on YouTube. ⁠⁠⁠⁠Join us at Theology Beer Camp, October 8-10, in Kansas City!⁠ ⁠UPCOMING ONLINE LENT CLASS: Jesus in Galilee w/ John Dominic Crossan⁠⁠⁠ What can we actually know about Jesus of Nazareth? And, what difference does it make? ⁠⁠⁠This Lenten class ⁠⁠⁠begins where all of Dr. John Dominic Crossan's has work begins: with history. What was actually happening in Galilee in the 20s CE? What did Herod Antipas' transformation of the "Sea of Galilee" into the commercial "Sea of Tiberias" mean for peasant fishing communities? Why did Jesus emerge from John's baptism movement proclaiming God's Rule through parables—and what made that medium so perfectly suited to that message? Only by understanding what Jesus' parables meant then can we wrestle with what they might demand of us now. ⁠⁠⁠The class is donation-based, including 0, so join, get info, and join up here.⁠⁠ This podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Homebrewed Christianity ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠production. Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠the Homebrewed Christianity⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theology Nerd Throwdown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Rise of Bonhoeffer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcasts for more theological goodness for your earbuds. Join over 75,000 other people by joining our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack - Process This!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get instant access to over 50 classes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.TheologyClass.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the podcast, drop a review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, send ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠feedback/questions⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or become a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠member of the HBC Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

January 16, 27 BCE. Octavian is granted the title Augustus by the Roman Senate, marking the beginning of the Roman Empire. This episode originally aired in 2025. Support the show! Join Into History for ad-free listening and more. History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.

ANTONY, FULVIA, AND CLEOPATRA'S END Colleague Daisy Dunn. The conversation turns to Mark Antony'sunpopular affair with Cleopatra and his wife Fulvia, who instigated a war in Italy to counter Octavian. Dunn highlights the Roman propensity for public emotion and early marriage. Following Antony's botched suicide, Cleopatra takes her own life to avoid being paraded as a trophy by Octavian. Dunn suggests the "asp" story might be a myth covering a lethal injection or poison. NUMBER 15 1841 DEATH OF CLEOPATRA

SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR THESDHOW BEGINS WITH DOUBTS ABOUT THE PURPOSE OF WAR-MAKING AS EXPRESSED MOURNFULLY BY HECTOR'S WIFE ANDROMACHE... SHOW 12-30-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 TRANSLATION AND THE SEARCH FOR TROY Colleague Professor Emily Wilson. John Batchelor interviews Professor Emily Wilson about her new iambic pentameter translation of the Iliad. They discuss the historical location of Troy in modern Turkey and the archaeological layers discovered by Schliemann, who wrongly believed he found Agamemnon's mask. Wilson explains that while the Greeks viewed the Iliad as partly historical, it is a poetic imagining composed centuries after the events, designed for oral performance and rhythmic reading. NUMBER 1 HOMER'S NARRATIVE CHOICES AND ORAL TRADITION Colleague Professor Emily Wilson. Wilsondiscusses the "Homeric Question," noting that oral stories existed for centuries before the alphabet arrived in the 8th century BCE. She highlights the Iliad's sophisticated narrative structure, which omits famous events like the Apple of Discord and the Trojan Horse to focus intensely on a specific period of the war. The conversation compares the Iliad'sfocus on Greek infighting with Virgil's Aeneid, noting the distinct goals of each epic tradition. NUMBER 2 TRAGIC COUPLES AND DIVINE INTERVENTION Colleague Professor Emily Wilson. The segment explores key character pairings, starting with Helen's complex view of Paris and her weaving as a metaphor for the story. Wilsonanalyzes the tragic relationship between Hector and Andromache, emphasizing Hector's choice of duty over family. They discuss the gods' roles, particularly Thetis's prayer to Zeus which seals Achilles' fate, and Hera's bargaining with Zeus to ensure Troy's destruction, highlighting the interplay of divine will and mortal suffering. NUMBER 3 APHRODITE, PATROCLUS, AND TROPHY WOMEN Colleague Professor Emily Wilson. Wilson examines Aphrodite's intervention on the battlefield and her representation of baser instincts like lust. The discussion shifts to Briseis, a "trophy" of war, and her relationship with Patroclus, whom Wilson refuses to classify as a "beta male" despite his kindness. Patroclus is described as a brutal killer and Achilles' closest companion. The segment highlights the emotional depth of Achilles, who displays immense vulnerability alongside his capacity for violence. NUMBER 4 AGAMEMNON'S FAILURE AND DIVINE POLITICS Colleague Professor Emily Wilson. This segment details the plot's catalyst: Agamemnon seizing Briseis from Achilles, causing the hero to withdraw from battle. Wilson explains the divine politics, including Hera trading three Greek cities to Zeus to ensure Troy's destruction. They analyze Agamemnon's flawed leadership; while he blames Zeus for his bad decisions, the poem portrays the immense difficulty of holding a disparate army together, leading to disastrous choices that necessitate Achilles' eventual return. NUMBER 5 THE GORE AND GLORY OF BATTLE Colleague Professor Emily Wilson. Wilson discusses translating the Iliad'svivid violence, drawing on insights from combat veterans regarding the trauma of battlefield death. A central theme is the treatment of corpses; possessing and stripping a dead enemy's armor is the ultimate sign of dominance. The conversation touches on the physical nature of the gods, who bleed "ichor" when wounded, and Poseidon's support for the Greeks in contrast to his brother Zeus. NUMBER 6 THE DEATH OF PATROCLUS AND HECTOR Colleague Professor Emily Wilson. The tragedy culminates with Patroclus ignoring Achilles' warning, leading to his death by Hector and the loss of Achilles' armor. Wilson describes Achilles' terrifying return to battle, equipped with new armor from Hephaestus, and his slaughter of Trojans. The segment covers the final confrontation where Achilles kills Hector and, driven by vengeance, drags his body behind a chariot, denying him burial rights and intending to mutilate him forever. NUMBER 7 GRIEF, GAMES, AND ACCEPTANCE Colleague Professor Emily Wilson. After Hector's death, Achilles finds a form of healing through funeral games, which offer a non-lethal model of competition. He even awards Agamemnon a prize without a contest, possibly as a slight. The poem concludes not with victory, but with a "humanitarian pause" for Hector's funeral. Wilson notes the ending focuses on women's lamentations, emphasizing the Iliad's enduring lesson on the struggle to accept human mortality. NUMBER 8 FEMALE AUTHORSHIP AND THE TROJAN WOMEN Colleague Daisy Dunn. Daisy Dunn discusses the legend of Phantasia, a rumored female source for Homer, and the myth of Leda and the Swan. She argues that the Trojan Warlikely reflects real historical conflicts at the site of Hisarlik. The segment highlights key female figures: Andromache, who offers military advice to Hector, and Briseis, the enslaved woman central to the dispute between Agamemnon and Achilles, illustrating the centrality of women to the epic. NUMBER 9 SAPPHO OF LESBOS Colleague Daisy Dunn. Dunn explores the life of Sappho, debunking myths about her appearance and suicide. She explains that Sappho was exiled due to her family's aristocratic background during a time of political revolution. The conversation covers Sappho's disapproval of her brother's relationship with the courtesan Doricha and her professional jealousy when students left her school for rivals. Weaving is presented as a metaphor for women shaping fate. NUMBER 10 ETRUSCANS AND THE WOMEN OF EARLY ROME Colleague Daisy Dunn. Dunn discusses the Etruscans, noting their advanced dentistry and the shock Greeks felt at Etruscan men and women dining together openly. Transitioning to Rome, they recount the violent founding myth of the Rape of the Sabine Women. The segment details the tragedy of Lucretia, whose rape and subsequent suicide led Brutus to overthrow the monarchy and establish the Roman Republic, making her a paragon of virtue. NUMBER 11 DIDO AND THE FOUNDING OF CARTHAGE Colleague Daisy Dunn. Dunn recounts the story of Dido, the clever founder of Carthage who tricked a local king to secure land. When Aeneas abandons her to fulfill his destiny, Didocurses him, foreshadowing the Punic Wars between Rome and Carthage. The segment explores her tragic suicide on a pyre, noting the societal judgment against her for breaking vows of celibacy, while acknowledging her capacity as a talented ruler and builder of cities. NUMBER 12 CORNELIA AND SERVILIA: MOTHERS OF ROME Colleague Daisy Dunn. This segment focuses on Cornelia, the educated "one-man woman" who raised the reforming Gracchi brothers to challenge the Roman elite. Dunn notes Cornelia's heartbreak as she tried to dissuade her second son from following his assassinated brother's path. The discussion shifts to Servilia, Caesar's long-term mistress and mother of Brutus. Servilia is depicted as a politically astute woman caught between her lover and her son, the future assassin. NUMBER 13 CLEOPATRA AND CAESAR Colleague Daisy Dunn. Dunn describes Cleopatra's dramatic entrance from a rug to meet Caesar and secure her rule in Egypt. Despite her intelligence and linguistic skills, the Romans viewed her with suspicion and distaste, labeling her a "whore queen." Dunn challenges the Hollywood image of Cleopatra's beauty, noting coin portraits show a hooked nose, and argues her power lay in her charisma and voice. She remains a figure of admiration today. NUMBER 14 ANTONY, FULVIA, AND CLEOPATRA'S END Colleague Daisy Dunn. The conversation turns to Mark Antony'sunpopular affair with Cleopatra and his wife Fulvia, who instigated a war in Italy to counter Octavian. Dunn highlights the Roman propensity for public emotion and early marriage. Following Antony's botched suicide, Cleopatra takes her own life to avoid being paraded as a trophy by Octavian. Dunn suggests the "asp" story might be a myth covering a lethal injection or poison. NUMBER 15 THE WOMEN OF THE JULIO-CLAUDIAN DYNASTY Colleague Daisy Dunn. Dunn profiles the powerful women of the Julio-Claudian dynasty. Livia is portrayed as Augustus's essential political partner and diplomat. The segment covers the tragic life of Julia, the lechery of Caligula, and the notorious reputation of Messalina. Finally, Agrippina the Younger is described as a co-emperor to her son Nero before he turned against her. Dunn concludes that Roman politics were bloodier but more politically savvy than the Greeks. NUMBER 16

THE DEATH OF CICERO Colleague Josiah Osgood. Following Caesar's death, Cicero returns to politics to oppose Mark Antony, delivering the "Philippics" and allying with young Octavian. This strategy backfires when Octavianreconciles with Antony, leading to a kill order against Cicero for his anti-Caesar rhetoric. Cicero is assassinated, possibly meeting his death with theatrical heroism by extending his neck to the soldiers, a scene likely popularized by his loyal secretary Tiro. NUMBER 8 1880 ASSASSINATION

Show 12-26-25 The show begins in doubts of the veneration of Cicero. and the derogation of Aggripina Minor. 1880 SULLA SACKING ROME ROME BEFORE THE EMPERORS: CICERO'S RISE Colleague Josiah Osgood. John Batchelor introduces Josiah Osgood to discuss Marcus Tullius Cicero, a "new man" who rose to political prominence through legal skill in the 1st century BCE. They examine Cicero's debut defense of Roscius, accused of patricide, a crime punished by being sewn into a sack with animals. Cicero proved Roscius was framed by relatives seeking to seize his inheritance, establishing his reputation for storytelling and detective work. NUMBER 1 THE PROSECUTION OF VERRES Colleague Josiah Osgood. Cicero takes on the corruption trial of Gaius Verres, the governor of Sicily who looted art and money from the province. Although Cicero usually defended clients to earn favors, he prosecuted Verres to align with political shifts demanding reform. Verres was backed by the Senateestablishment and Sulla's followers, making Cicero's move a bold attack by an outsider against a "crooked establishment" to cleanse the government. NUMBER 2 CICERO VS. CATILINE: THE CONSPIRACY BEGINS Colleague Josiah Osgood. Cicero captivated the jury against Verres by describing the governor partying while pirates raided Syracuse, causing Verres to flee into exile. Later, Cicero achieved the consulship by defeating Catiline, an aristocrat who became his bitter rival. Desperate after losing the election again, Catiline conspired with a fashionable group of young men to overthrow the government, leading to a showdown with Cicero in the Senate. NUMBER 3 THE EXECUTION MISTAKE Colleague Josiah Osgood. Cicero ordered the execution of five high-ranking Romancitizens allied with Catiline without a trial, believing them to be traitors who forfeited citizenship. This decision, made despite Julius Caesar's suggestion of life imprisonment, became a major political error. Cicero's gloating and refusal to grant due process alienated the public and powerful figures, turning him into a target for the populist movement and threatening his future career. NUMBER 4 THE BONA DEA SCANDAL Colleague Josiah Osgood. A scandal erupts when Publius Clodius infiltrates the women-only Bona Dea ceremony at Caesar's house disguised as a female musician, allegedly to pursue Caesar's wife. Although Cicero initially hesitated, he testified against Clodius, destroying his alibi that he was out of town. This testimony created a dangerous enemy in Clodius, who, despite the sacrilege charge, managed to secure an acquittal through bribery. NUMBER 5 EXILE AND THE TEMPLE OF LIBERTY Colleague Josiah Osgood. Seeking revenge, Clodius transitions to plebeian status to become a tribune and passes a law punishing anyone who executed citizens without trial, specifically targeting Cicero. Forced into exile, Cicero flees Rome while Clodius destroys his mansion on Palatine Hill. Clodiusdedicates the site to the goddess Liberty as a political coup and a humiliation to Cicero, while also harassing Cicero'swife, Terentia, who remained in Rome. NUMBER 6 THE IDES OF MARCH Colleague Josiah Osgood. Cicero returns to a Rome on the brink of civil war, eventually being pardoned by the victor, Caesar. Resenting Caesar's tyranny, Cicero seemingly encouraged Brutus but was not part of the assassination plot. On the Ides of March, Cicero witnessed the murder in the Senate; Brutus shouted Cicero's name while holding the bloody dagger, linking the orator to the restoration of the Republic in the public eye. NUMBER 7 THE DEATH OF CICERO Colleague Josiah Osgood. Following Caesar's death, Cicero returns to politics to oppose Mark Antony, delivering the "Philippics" and allying with young Octavian. This strategy backfires when Octavianreconciles with Antony, leading to a kill order against Cicero for his anti-Caesar rhetoric. Cicero is assassinated, possibly meeting his death with theatrical heroism by extending his neck to the soldiers, a scene likely popularized by his loyal secretary Tiro. NUMBER 8 THE SABINE WOMEN AND AUGUSTAN HISTORY Colleague Emma Southon. Emma Southon discusses A Rome of One's Own, examining history through women's perspectives. They analyze the myth of the Sabine women, abducted by Romulus to populate Rome. This story, recorded by Livy to flatter Augustus, culminates in Hersilia and the women intervening in battle to unite the warring fathers and husbands. It establishes women as the "glue" holding Romanfamilies and society together. NUMBER 9 LUCRETIA: VIRTUE AND SUICIDE Colleague Emma Southon. The discussion moves to Lucretia, the model of Roman female virtue. During a contest among husbands, Lucretia is found virtuously weaving wool while others party. This leads to her rape by Sextus Tarquinius, who threatens her reputation. To protect her honor, Lucretia confesses to her family and commits suicide, an act Augustus later used to define female virtue and which sparked the end of the monarchy. NUMBER 10 TULLIA AND THE BIRTH OF THE REPUBLIC Colleague Emma Southon. Contrasting Lucretia is Tullia, a figure of female ambition and wickedness. Tullia conspires with her brother-in-law to murder their spouses and her own father, the king, even driving over his body. Her crimes and the subsequent assault on Lucretia by her son, Sextus, justify the overthrow of the monarchy. Brutus uses Lucretia's body to incite the revolution that establishes the Roman Republic. NUMBER 11 CLODIA: THE PALATINE MEDEA Colleague Emma Southon. The segment focuses on Clodia, a wealthy, independent woman and sister of Clodius. Cicero, feuding with her brother, attacks Clodia's reputation during the trial of Caelius. In his speech Pro Caelio, Cicero characterizes her as a "Palatine Medea" and a seductress to discredit her claims of attempted poisoning. Unable to speak in court, Clodia is silenced by Cicero's rhetorical assassination of her character. NUMBER 12 JULIA: THE EMPEROR'S REBELLIOUS DAUGHTER Colleague Emma Southon. Augustus uses his daughter Julia as a political tool, marrying her to Marcellus, Agrippa, and finally the reluctant Tiberius to secure an heir. While she had five children with Agrippa, her forced marriage to Tiberius leads to rebellion. Julia engages in public adulterous affairs to humiliate her father, resulting in her permanent exile and eventual starvation by Tiberius after Augustus'sdeath. NUMBER 13 QUEENS OF BRITAIN: CARTIMANDUA AND BOUDICCA Colleague Emma Southon. This segment contrasts two British queens: Cartimandua and Boudicca. Cartimandua, queen of the Brigantes, collaborates successfully with Rome, understanding they are "not to be defeated, they're to be pleased." Conversely, Boudicca represents resistance; provoked by Roman mistreatment, she leads a rebellion but is defeated. While Tacitus claims Boudicca committed suicide to preserve honor, English schools celebrate her as a symbol of resistance against tyranny. NUMBER 14 WOMEN OF COMMERCE AND THE FRONTIER Colleague Emma Southon. We meet Julia Felix, a Pompeianentrepreneur who ran a luxury bath and dining complex, offering "bougie" experiences to the middle class before dying in the Vesuvius eruption. The discussion shifts to Vindolanda in Britain, where letters between Sulpicia Lepidina and Claudia Severa reveal a vibrant social life for women in military forts, including birthday parties and domestic luxuries like wild swan and imported wine. NUMBER 15 PERPETUA AND THE RISE OF CHRISTIANITY Colleague Emma Southon. The final segment discusses Perpetua, a young nursing mother and Christian convert in Carthage. Defying the Roman mandate to sacrifice to the emperor, she views suffering as redemptive rather than a punishment. Unlike Romans who viewed suicide by poison as honorable, Perpetua and her slave Felicity choose martyrdom in the arena, having their throats cut to demonstrate their faith, signaling the rise of Christianity. NUMBER 16

Professor Toby Wilkinson. Cleopatra seduced Mark Antony with a theatrical entrance as Aphrodite, securing a romantic and political partner. Antony relied on Egyptian wealth for his campaigns but suffered military setbacks, alienating Rome by adopting Eastern customs. Their union produced children and challenged Octavian's authority, leading to inevitable conflict. 2900 SUEZ

Professor Toby Wilkinson. After their defeat, Antony died in Cleopatra's arms. Cleopatra committed suicide to avoid Roman humiliation, ending the Ptolemaic dynasty. Octavian annexed Egypt, dismissing its religious traditions regarding the Apis Bull and exploiting the land solely as a grain source for the Roman Empire. 1900

Caesar Augustus was the first Emperor and founder of the Roman Empire, and the man in power when Jesus was born. He reigned from 27BC until 14AD. Ee53. 15-Minute History podcast available at https://amzn.to/47uUOup Gospel of Luke available at https://amzn.to/45vVii4 ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORY OF NORTH AMERICA podcast: www.parthenonpodcast.com/history-of-north-america Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credits: 15-Minute History podcast (episode: Caesar Augustus-From Clay to Marble, Nov. 1, 2021). Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting. See omnystudio.com/listener for privacy information.

Power Struggle After Caesar's Death: Colleague Barry Strauss introduces the power struggle following Caesar's death, featuring the established noble Mark Antony and the ambitious, though physically slight, Octavian, detailing the Second Triumvirate and Antony's military prestige after Philippi, contrasting it with Octavian's reliance on political cunning and the legacy of his great-uncle. 1700 ANTONY & CLEOPATRA

Antony's Marriage and Octavian's Information War: Colleague Barry Strauss explains that to maintain peace, Antony marries Octavian's sister Octavia, though tensions persist; while Antony suffers military losses in Parthia, Octavian's general Agrippa defeats Sextus Pompey and succeeds in Illyricum, with Octavian launching an information war portraying Antony as a traitor "unmanned" by Cleopatra and luxury.

Antony's Political Error and the Path to Civil War: Colleague Barry Strauss recounts that Antony commits a major political error by divorcing Octavia, allowing Octavian to frame the conflict as a defense of Roman values against a foreign queen; despite internal objections, Cleopatra remains with the fleet at Ephesus, cementing the inevitability of civil war between the factions.

The Deaths of Antony and Cleopatra: Colleague Barry Strauss recounts that back in Alexandria, negotiations fail as Octavian closes in to secure Egypt's treasury; Antony's remaining forces defect, leading to his suicide in Cleopatra's arms, and realizing Octavian plans to parade her in Rome and kill her son Caesarion, Cleopatra commits suicide, likely via snakebite.

Octavian Becomes Augustus: Colleague Barry Strauss explains that Octavian adopts the title Augustus, carefully avoiding the labels of king or dictator while establishing authority; he erases Antony's public memory, while Octavia raises Antony's children, securing a lineage that leads to future emperors like Nero, with the fate of Cleopatra's statue in Rome remaining unknown. 1891 SARAH BERNHARDT AS CLEOPATRA

We are in the process of exploring the context of the birth narrative of Jesus, and we have arrived at the time of the rise of Octavian. He will lead the Roman Republic into its Empire stage. But how does he do that and how does this change the Judean context of Bethlehem where Jesus is born? Explore more about all the projects Dr. Smith is involved in:Great Commission Bible InstituteChristian Travel Study ProgramsOutreach Ministry: www.globalvisionoutreach.orgThrough the Bible: 1hour1book.comContact Cyndi Parker through Narrative of Place.Join Cyndi Parker's  Patreon Team!

A conversation with the bestselling author, classicist and the military and naval historian Barry Strauss about his latest book Jews vs. Rome: Two Centuries of Rebellion Against the World's Mightiest Empire.We explore:Why Julius Caesar became a key patron of the Jews and how his support shaped Jewish life in the Roman EmpireThe pivotal moment when Antipater (Herod's father) saved Caesar in Egypt, and how it changed Jewish-Roman relationsCaesar's assassination: the personal ambitions and fears that drove the conspirators beyond Republican ideologyHerod the Great's extraordinary political survival skills: switching allegiances from Antony to Octavian and always landing on his feetThe ruthless pragmatism of Herod's reign, including the execution of his own talented sonsThe historical plausibility of the "slaughter of the innocents" story and what it reveals about Herod's characterFor Barry's previous appearance, check out episode 81.Subscribe to the Cost of Glory newsletter for detailed maps, images, and analysis of this pivotal moment in ancient history: https://costofglory.substack.com/Get in touch at:Website: https://costofglory.comX: https://x.com/costofglory

On September 2, 31 BC, one of the most important battles in history took place off the coast of Greece.  The forces of Octavian, the posthumously adopted son of Julius Caesar, squared off against the forces of Mark Antony, the former right-hand man of Julius Caesar.  After having been partners in ruling Rome for years, the two developed irreconcilable differences that had to be resolved on the battlefield.  The outcome of the battle influenced the course of the Roman Empire for centuries.  Learn more about the Battle of Actium, what caused it, and how it affected history on this episode of Everything Everywhere Daily. Sponsors Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Get your 3-month Unlimited wireless plan for just 15 bucks a month at mintmobile.com/eed Stash Go to get.stash.com/EVERYTHING to see how you can receive $25 towards your first stock purchase. Newspaper.com Go to Newspapers.com to get a gift subscription for the family historian in your life! Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices

Octavian and Timothy head to a cabin near the Appalachian Trail in Schuylkill County, PA where there have been multiple encounters with bigfoot and other strangeness. There, brothers Donald and Dennis tell about these experiences before sharing a variety of strangeness from their lives, including: graveyard doppelgängers, a pterodactyl sighting, shadow people, and other entities. If you would like to help us continue to make Strange Familiars, get bonus content, t-shirts, stickers, and more rewards, you can become a patron: http://www.patreon.com/StrangeFamiliars SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. spectrevisionradio.com linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

TWO THOUSAND YEAR-OLD ROMANCE:   2/8: The War That Made the Roman Empire: Antony, Cleopatra, and Octavian at Actium  by  Barry Strauss https://www.amazon.com/War-That-Made-Roman-Empire/dp/1982116676 The Battle of Actium had great consequences for the empire. Had Antony and Cleopatra won, the empire's capital might have moved from Rome to Alexandria, Cleopatra's capital, and Latin might have become the empire's second language after Greek, which was spoken throughout the eastern Mediterranean, including Egypt.