Podcast appearances and mentions of Lucian Freud

There have been periods throughout history when cultural aficionados of the time proclaimed that painting was dead! Yet, the artform has risen over and over again. What is it about painting that makes it so timeless and gives it the ability to continuously evolve? Why, after centuries, can we still be awestruck by the right combination of brushstokes? Art critic Martin Gayford has interviewed many artists over his lifetime about their craft. His books explore painting through a multitude of eras and even gives a personal account of what it's like to sit for a painting in Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud. His latest book, How Painting Happens (and why it matters), compiles wisdom from numerous artists past and present. Martin and Greg discuss the challenges of writing about a non-linguistic medium like painting, the unique, often physical process of painting, and insights Martin has gleaned from his conversations with contemporary artists, including what makes a painting a great one.*unSILOed Podcast is produced by University FM.*Episode Quotes:The silent intensity of painting16:13: You don't have to talk or put things in words to think. There is such a thing as physical thinking, and painting is probably a very good example of that. That was one of the points that struck me when I was posing for Lucian Freud, which I—was a very long, drawn-out process. As you can imagine, it took about 18 months to produce two paintings. And Lucian was very slow, but it wasn't that he was painting all the time very slowly. Most of the time in a sitting, he'd spend thinking, looking. And then, after quite a while, and mixing up the paints and contemplating the situation—looking at me, looking at the painting—then he'd dart forward and put a stroke on, quite fast actually. But probably 95% of the time, he wasn't doing that. He was considering the situation.Why we still need painting in a world of screens42:43: It's arguable that, therefore, paintings, sculptures, unique works of art are what we need now. 'Cause they're the opposite of phones and screens and endless deluge of imagery and distraction, which the modern world offers us. A painting is—if it's good enough—it's something you can just look at for the rest of your life, and if it's really good enough, it'll carry on being rewarding.Painting as a language without words02:02: Painting or visual art isn't exactly a language. It's certainly not a verbal language, but it's a means of communication. And as such, it doesn't necessarily neatly translate into words.How artists reshape art history to suit themselves39:37: Although artists—practicing artists, rather—may have tremendous insights, and the insights of a kind which nobody else has access to, they're going to see art history and the art, the work of all other artists, from the point of view of their own art. And they'll be utterly out of sympathy, therefore, with quite large sections of the art of the past and of the present. To an extent, that's true with critics. They'll have certain idioms, certain styles, certain media they like more than others. But a critic can be a little bit less prejudiced. Oh, I'd like to think critics can be a bit more open-minded about what they're looking at. An artist will pretty well instinctively refashion the whole of art history so that it leads up to what they're doing today in their studio. But we don't all have to do that.Show Links:Recommended Resources:Lucian FreudPatrick HeronWillem de KooningClement GreenbergTracey EminJames TurrellDamien HirstPierre BonnardBridget RileyPeter Paul RubensRobert RauschenbergGary HumeGuest Profile:Professional WebsiteHis Work:How Painting Happens (and why it matters) Man with a Blue Scarf: On Sitting for a Portrait by Lucian FreudModernists and Mavericks: Bacon, Freud, Hockney and the London PaintersShaping the World: Sculpture from Prehistory to NowVenice: City of Pictures A History of Pictures: From the Cave to the Computer ScreenThe Pursuit of Art: Travels, Encounters and Revelations

In this first episode of the new series of A brush with…, Ben Luke talks to the painter Celia Paul about her influences—including writers as well as contemporary and historic artists—and the cultural experiences that have shaped her life and work. Paul was born in 1959 in Trivandrum, India, and now lives in London. She makes intense yet ruminative paintings of people close to her, the spaces in which she lives and works, and landscapes of poignant significance. Her paintings are made from life but are pregnant with memory, poetry and emotion, which she imbues in her distinctive painterly language. Her art possesses a rare tranquillity in which one perceives deep feeling; Paul wrote in her memoir that her paintings are “so private and personal that there's almost a ‘Keep Out' sign in front of them”. At once a singular figure yet also connected to strands of recent and historic figurative painting in Britain, she has been admired widely throughout her career but only recently been recognised as a major figure in British art of the past 40 years. She discusses the fact that she began painting before she knew about art, but when she was introduced to Old and Modern Masters, she discovered El Greco and Paul Cezanne, who remain important to her today. She also reflects on the compassion in Rembrandt and Vincent van Gogh, the stillness and scale of Agnes Martin and the elementary power of the novels of the Brontë sisters. She also describes her response in painting to the artists of the School of London, including Lucian Freud, with whom she was once in a relationship, and Frank Auerbach.Celia Paul: Colony of Ghosts, Victoria Miro, London, until 17 April 2025. Celia Paul: Works 1975–2025, published by MACK, £150 (hb) Hosted on Acast. See acast.com/privacy for more information.

Today we're joined by arguably the most iconic female chef in the country in the legendary Sally Clarke, who's been the owner and chef patron at Clarke's in Kensington for over 41 years. Sally ironically failed her O level in cookery and yet has gone on to become one of the most successful chef and restaurant owners in the country. Clarke's is a London institution and the restaurant is the favourite of everyone from Mick Jagger to Bono - David Hockney to Paul Smith and all in between. In only her 2nd ever audio interview, Sally reveals how she fell in love with food through the books of Elizabeth David and her travels across France as a child. However it was when she headed to study at Le Cordon Bleu in Paris in the early 70s when she knew that this was going to be her life. Having worked at 3 of the most famous restaurants in the City she came back to London to work alongside Pru Leith at her cookery school, but within a year found herself moving to live in California to work at some of the greatest new age restaurants. It was here she met and fell in love with Alice Waters and Chez Panisse, and was inspired 5 years later in 1983 to return to London and set up Clarke's following in the same farm to table ethos and daily changing set menu as her culinary hero and friend. However, setting up a restaurant as a female head chef and owner wasn't easy in the early 1980s and we hear about; the disastrous problems she encountered, and rude sexist male customers and suppliers she had to deal with. We also hear about her friendship with Lucian Freud who used to eat breakfast and lunch at the restaurant everyday and how she had the privilege of being the last person ever to sit for him. Also, alongside the restaurant Sally runs an incredibly successful commercial bakery that sells over 90,000 handmade Mince Pies each year and beat all her Parisian competition to provide the pastries for the Eurostar. Sally very kindly also shares her secrets to success including; how to create the ultimate menu, the 'Art Of The Table, how to treat your customers and why she never ever gives her customers the bill. ------------------Please leave us a great rating and a comment and share it with your friends - it really helps us grow as a show.If you're in the industry and are looking for the greatest POS system in the world than look no further as Blinq are tearing up the rulebook—no long-term contracts, no hidden fees, and no per-device charges. Just £49 a month for unlimited devices and 24/7 UK-based support that's always there, in person when you need it.Built for hospitality, by hospitality, blinq is the fastest, easiest POS system on the market—so intuitive, anyone can use it. And while others take weeks to get you up and running, with blinq, you're live in just 2 hours.Join the hospitality revolution today & use the code GOTOBLINQ to get your first month free - https://blinqme.com/ Hosted on Acast. See acast.com/privacy for more information.

Today we're joined by the greatest restaurateur of his generation in Jeremy King OBE, the genius behind the success of such places as; Le Caprice, The Ivy, The Wolseley, J Sheekey, Brasserie Zedel, The Delaunay and much more. For the first time ever he reveals his ind epth career story from working the floor at Joe Allens in the late 70s to becoming the most successful restaurateur in the world to his feud with Richard Caring & his fallout with his Thai investors he reveals it all. Plus we hear delightful memories of his intimate friendship with Lucian Freud, his plans to reopen the iconic Simpsons on the Strand next year, his days gokarting against Princess Diana, how he made The Ivy the coolest restaurant in the world in the 90s, the terrifying day he was chased by his psychotic head chef with a meat cleaver, recalls his rudest ever customers, reveals why you should never giveaway a majority in anything, gasps over the most shocking sexism he's ever witnessed and much much more... Plus he reveals all his secrets to industry success and what it takes to make money in todays market, so sit back, relax and enjoy his genius.  ------ Please leave us a great rating and a comment and share it with your friends - it really helps us grow as a show.  If you're in the industry and are looking for the greatest POS system in the world than look no further as Blinq are tearing up the rulebook—no long-term contracts, no hidden fees, and no per-device charges. Just £49 a month for unlimited devices and 24/7 UK-based support that's always there, in person when you need it. Built for hospitality, by hospitality, blinq is the fastest, easiest POS system on the market—so intuitive, anyone can use it. And while others take weeks to get you up and running, with blinq, you're live in just 2 hours. Join the hospitality revolution today & use the code GOTOBLINQ to get your first month free - https://blinqme.com/

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with painter Kirstine Rainer Hansen, as they discusses her transition from design and illustration to becoming a self-taught artist specializing in 'Disrupted Realism.' Born in Denmark, Kirstine has lived across various countries, ultimately settling in Carmel, California. Her path to art was unconventional; due to financial and societal pressures, she initially studied design but shifted to painting after struggling to find work during a recession. Kirstine's work, influenced by artists like Rembrandt, Francis Bacon, and Lucian Freud, is currently on display at the Jack Fisher Gallery at the Minnesota Street Project in San Francisco. She talks about how moving to San Francisco shaped her artistic style, transitioning from classical realism to a more fragmented, collage-based approach. Kirstine also dives into "Three Questions" talking about her artistic identity, influential works, and inspiring locations in the Bay Area.About Artist Kirstine Reiner Hansen:Kirstine Reiner Hansen is an artist based on the Central Coast of California, US. Born in Odense, Denmark, she received a BA in Design and Illustration at Kolding School of Design. Her work has been exhibited in numerous galleries, most recently she had 2-person exhibition at Jack Fischer Gallery, San Francisco. In 2012 she received the Lillian Orlowsky and William Freed Foundation Grant and was twice a semi-finalist for the Outwin Boochever Portrait Competition. She has been featured in Juxtapoz Magazine, BloPop Magazine and the Asian Curator as well as in the book ‘Distrupted Realism' by John Seed, 2019. Her work is featured in the movie ‘Meaning of a Ritual' by Berlin director Natalie MacMahon, 2023.Visit Kirstine's Website:  ReinerHansen.comFollow  on Instagram:  @ReinerHansenArtFor more about her current exhibit "Atmospheric Disruptions" at the Jack Fischer Gallery, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

For the 34th episode of "Reading the Art World," host Megan Fox Kelly speaks with Sebastian Smee, Pulitzer Prize-winning art critic for The Washington Post and author of "Paris in Ruins: Love, War, and the Birth of Impressionism,” published by W. W. Norton.This fascinating conversation explores the violent political upheavals of 1870-71 Paris — the Siege of Paris and the Paris Commune — and how they influenced the Impressionist movement. Smee shares insights into the lives of the artists who survived these dramatic days, including Edgar Degas, Édouard Manet and Berthe Morisot, who were trapped in Paris; Pierre-Auguste Renoir and Frédéric Bazille, who joined regiments outside of the capital; and Claude Monet and Camille Pissarro, who fled the country just in time.Through rigorous research into personal letters and historical documents, Smee illuminates the human context behind familiar masterpieces of light created during this dark period. He offers a fresh perspective on why the Impressionists, with their newfound sense of the fragility of life, turned toward transient subjects of modern life, leisure, fleeting moments and the impermanence of all things in the aftermath of such devastating events.ABOUT THE AUTHOR Sebastian Smee is an art critic for The Washington Post and winner of the 2011 Pulitzer Prize for Criticism. His previous works include "The Art of Rivalry" and books on Mark Bradford and Lucian Freud. He was awarded the Rabkin Prize for art journalism in 2018 and was a MacDowell Fellow in 2021.PURCHASE THE BOOK https://wwnorton.com/books/9781324006954SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Sue Tilley was a confidante and collaborator of Leigh Bowery, an avant-garde performance artist, designer, and nightlife icon known for his flamboyant and provocative costumes that challenged traditional notions of art, fashion, and identity.Leigh introduced her to artist Lucian Freud who had painted Leigh. And it was Freud's iconic painting Benefits Supervisor Sleeping, which immortalised Sue, making headlines in 2008 when it was sold at auction for $33.6 million, setting a record at the time for the most expensive work by a living artist.This podcast is about Sue's life, her relationship to Leigh Bowery who died 30 years ago on New Year's Eve 1994.To watch - go here!Sue Tilley; Leigh Bowery, Art, friendship, Lucian Freud & wild times of the 1980s London club scenehttps://youtu.be/nFw0Vy8F83Q Hosted on Acast. See acast.com/privacy for more information.

In the hot, dry summer of 1976, Mary Joy Langdon made a very bold decision: she joined the fire service. She was the first woman in the UK to work as a professional operational fire-fighter. Then, after eight years, she changed course - and became a nun.In 1989, as Sister Mary Joy Langdon, she founded the Wormwood Scrubs Pony Centre, introducing inner-city children and young people with disabilities to horse riding. Recently it helped children traumatised by the Grenfell Tower fire. The Centre also attracted one of Britain's most acclaimed painters – Lucian Freud - who came to draw the horses. Mary Joy's music selections include Mozart, Strauss, Bach and Grieg.Presenter Michael Berkeley Producer Clare Walker

My guest today is the fashion designer Bella Freud. Bella launched her eponymous label in 1990. Over thirty years later it remains resolutely independent, one of the very few that hasn't been subsumed by a fashion conglomerate.  Bella's clothes are for wearing and have become a byword for women who want to be glamorous but not girly with a bit of added wit. Her iconic word jumpers are one of the most covetable individual fashion items bar none. (As her instant-sell out collaboration with M&S proved.) Bella has always played with her heritage (her father, the artist Lucian Freud designed her famous dog logo and great-grandfather was Sigmund Freud, widely credited as the inventor of psycho analysis) and now she's launched a podcast - Fashion Neurosis with Bella Freud - where she literally puts celebrities on the couch to analyse their relationship with style. Eric Cantona, Zadie Smith and even Kate Moss have succumbed and, I have to say, it's an eye-opener. I met Bella at home in North West London to talk about growing up outside convention and how she finally shook off her childhood coping mechanisms. We discussed the “wonderful feeling of progress” that's come with ageing, what we can gain from unravelling life's knots and the impact of losing both of her parents in one week. Bella also told me how her body image shaped her designs and how she's learnt to appreciate her body as she's aged. Fashion is a magic carpet, she says, and she's the living proof. * You can buy all the books mentioned in this podcast at The Shift bookshop on Bookshop.org, including the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at www.theshiftwithsambaker.substack.com • The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Juliette Nicholls @ Pineapple Audio Production. If you enjoyed this podcast, please rate/review/follow as it really does help other people find us. And let me know what you think on twitter @sambaker or instagram @theothersambaker. Learn more about your ad choices. Visit megaphone.fm/adchoices

OOOoooffff what a week! We're just over here like all of you trying to figure out how to keep the peace at that Thanksgiving table, and I know a sure-fire way for me has always been to have a good old fashioned FRIENDSGIVING! So if that election has you down, just know you are not alone. We are here with you and to deliver some NASTY ass tea to get your mind off of your worries.  Come join us as we dive into all the GROSS, HaWt, SeXy TEA on these two passionate famous amazing painters.  There will be laughs, there will be gambling addictions, there will be pots and black kettles and the like.  We love you!  Xoxo, The Baroque B's

Jorge Molder, Lisboa, 1947. Licenciado em Filosofia pela Faculdade de Letras da Universidade de Lisboa. A partir do final dos anos 70 dedica-se à fotografia, alicerçando todo o seu trabalho na pesquisa sobre a auto-representação, frequentemente evocando personagens do mundo literário e artístico como Joseph Conrad, Samuel Beckett, Lucian Freud e Francis Bacon, através da construção de narrativas seriadas ficcionadas. As diferentes séries articulam-se numa sequência performativa na qual o artista constrói um universo a partir das suas referências filosóficas, cinematográficas e literárias. Neste jogo de ambivalências encontramos também a própria fotografia e a sua história, no confronto entre o registo documental da realidade e a sua dimensão espectral. Entre 1990 e 2009 foi o diretor do Centro de Arte Moderna da Fundação Calouste Gulbenkian. O artista representou Portugal nas Bienais de São Paulo (1994) e de Veneza (1999). Em 2007, recebeu o prémio da AICA/Associação Internacional de Críticos de Arte, em 2010 o Grande Prémio EDP/Arte, e em 2014 o Prémio da Sociedade Portuguesa de Autores.A sua obra tem sido exibida em exposições nacionais e internacionais em instituições de renome, entre outros, MAAT, Lisboa, Centre Georges Pompidou, Paris, Centro Cultural de Belém, Lisboa; Serralves, Porto, Hamburger Kunsthalle, Hamburgo, Palazzo Fortuny Veneza, Palais des Beaux-arts de Bruxelas, e Fundação Calouste Gulbenkian, Lisboa; e está representada em diversas coleções públicas e privadas, nacionais e internacionais. Links: https://www.miguelnabinho.com/jorgemolder/ https://www.publico.pt/1999/05/28/jornal/o-fotografo-e-o-seu-duplo-em-veneza-134104 https://rr.sapo.pt/noticia/vida/2023/04/10/jorge-molder-revela-22-obras-ineditas-na-exposicao-grandes-planos/327107/ https://www.publico.pt/2013/01/26/culturaipsilon/noticia/fotografia-de-jorge-molder-e-primeira-obra-de-arte-portuguesa-a-entrar-na-colecao-da-unesco-1582181 https://aica.pt/awards/aica-mc-millennium-bcp https://www.fundacaoedp.pt/pt/edicao-premio/grande-premio-fundacao-edp-arte-2010 https://gulbenkian.pt/cam/artist/jorge-molder/ https://contemporanea.pt/edicoes/04-05-06-2023/conversa-com-jorge-molder https://www.serralves.pt/ciclo-serralves/2104-jorge-molder-obras-da-colecao-de-serralves/ Episódio gravado a 26.09.2024 Créditos introdução: David Maranha - Flauta e percussão Música final: Nardis, Interpretado por Bill Evans Trio, Escrita por Miles Davis, Produzida por Orrin Keepnews http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa Financiamento:República Portuguesa – Cultura / DGArtes – Direcção Geral das Artes

Sebastian Smee is an art critic for the Washington Post and the author of "Paris in Ruins: Love, War and the Birth of Impressionism" (Norton) and “The Art of Rivalry: Four Friendships, Betrayals, and Breakthroughs in Modern Art” (Random House), which was translated into a dozen languages. He won the Pulitzer Prize for Criticism while at the Boston Globe in 2011, after being runner up in 2008. Living in the UK between 2000 and 2004, he worked for the Daily Telegraph, The Art Newspaper, The Guardian, The Independent, The Times, The Financial Times, Prospect, and The Spectator. In Australia, he worked as the art critic for the Sydney Morning Herald and the Australian. He was awarded the Rabkin Prize for art journalism in 2018 and was a MacDowell Fellow in 2021. He taught the Garis Seminar for Creative Non-fiction at Wellesley College between 2010 and 2022.  He has authored books on Mark Bradford and Lucian Freud and contributed essays to books on an array of other artists. He has been invited to speak at, among other places, Harvard University, Boston College, the Metropolitan Museum of Art, the National Gallery of Art in Washington DC, and the American Academy of the Arts and Sciences. 

上集 PODCAST節目中，我們與高雄市立美術館策展人崔綵珊老師一起探討《瞬間－穿越繪畫與攝影之旅》特展中的展覽作品。今天從大衛．霍克尼 David Hockney《藝術家肖像（泳池與兩個人像）》開始講起，我們探討藝術家創作的過程集畫中人物的故事，一路聊到盧西安．佛洛伊德 Lucian Freud與已逝英國女王伊麗莎白二世的軼聞趣事。最後以Jeff Wall 傑夫．沃爾 A Sudden Gust of Wind (after Hokusai) 突如其來的一陣風（借鑒鑑葛飾北齋）作為結語。探討這些藝術家如何創作藝術作品，使作品穿梭在虛實之間，讓觀者錯落在攝影與繪畫的境界之中。╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆《瞬間－穿越繪畫與攝影之旅》展覽期間｜2024.06.29-11.17展覽地點｜高雄市立美術館101-103展覽室（高雄市鼓山區美術館路80號）更多資訊｜高雄市立美術館╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆

上集 PODCAST節目中，我們與高雄市立美術館策展人崔綵珊老師一起探討《瞬間－穿越繪畫與攝影之旅》特展中的展覽作品。今天從大衛．霍克尼 David Hockney《藝術家肖像（泳池與兩個人像）》開始講起，我們探討藝術家創作的過程集畫中人物的故事，一路聊到盧西安．佛洛伊德 Lucian Freud與已逝英國女王伊麗莎白二世的軼聞趣事。最後以Jeff Wall 傑夫．沃爾 A Sudden Gust of Wind (after Hokusai) 突如其來的一陣風（借鑒鑑葛飾北齋）作為結語。探討這些藝術家如何創作藝術作品，使作品穿梭在虛實之間，讓觀者錯落在攝影與繪畫的境界之中。╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆《瞬間－穿越繪畫與攝影之旅》展覽期間｜2024.06.29-11.17展覽地點｜高雄市立美術館101-103展覽室（高雄市鼓山區美術館路80號）更多資訊｜高雄市立美術館╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆╭★╭♬ ╭☆

Das Kunstverbrechen-Team nimmt die Suche nach einem gestohlenen Gemälde von Lucian Freud nach über 35 Jahren wieder auf. Eine heiße Spur könnte zum Täter in diesem Cold Case führen, aber es gibt noch viele Fragezeichen und Puzzlestücke. Erstmals öffnen wir in diesem Fall die Akten der Polizei und sprechen mit Verdächtigen - eine investigative Suche nach einem weltweit bedeutenden Kunstwerk. In der neuen und dritten Staffel von Kunstverbrechen verfolgen eure Hosts Lenore Lötsch und Torben Steenbuck die Spuren des ältesten und bisher ungelösten Cold Case von Kriminalkommissar René Allonge, dem Diebstahl eines 1988 gestohlenen Gemäldes von Lucian Freud, das seinen Freund, den Maler Francis Bacon zeigt. Es ist ein fast perfektes Verbrechen, da bei dem Diebstahl aus der Neuen Nationalgalerie in Berlin keine Spuren hinterlassen wurden. Obwohl das Bild am helllichten Tag gestohlen wurde, hat niemand den Dieb bei seiner Tat beobachtet. Erst Jahre später taucht eine Spur auf, die zum Dieb des Bildes führen könnte. Wir nehmen euch mit auf eine spannende Recherchereise zwischen Berlin, London, Hamburg und anderen Orten, die jetzt noch nicht genannt werden können. Zum ersten Mal behandeln wir bei Kunstverbrechen in einer Staffel nur einen Fall, diesen aber in 7 Episoden und seiner ganzen komplexen Tiefe. Es wird ein True-Crime Doku-Podcast, der noch dichter und spannender erzählt wird als die vorherigen Folgen. Der Fall zeigt, was hinter den Kulissen eines internationalen Kunstdiebstahls passiert und wie er Beteiligte auch nach Jahrzehnten noch verletzen kann. Ob es uns am Ende gelingt, das gestohlene Porträt zu finden? Los geht's am Dienstag, den 13. August 2024, mit den ersten beiden Folgen "Ein Diebstahl in Berlin" und "Die Spur". Jetzt Kunstverbrechen in der ARD Audiothek abonnieren: https://1.ard.de/kunstverbrechen Weitere Infos bei NDR Kultur unter: https://www.ndr.de/kultur/epg/Kunstverbrechen,sendung1321034.html

This episode is kindly sponsored by Field Recruitment, the best art recruiters in the business - www.fieldnewyork.comI LOVED deep diving into PILAR ORDOVAS's mind, one of the leading gallerists of her generation. We discuss her early years, travelling to see art all over the world with her father, how she rose to the top of Christie's, (including winning a consignment as a junior against the then chairman of Sotheby's,) her deep relationship with Lucian Freud, why 'Benefits Supervisor Sleeping' sold for $33,000,000, her advice on staying at the top, what she looks for in a work of art and much, much more! Download, it's a MASTERPIECE.Photo © Pilar OrdovasMusic by Robin KatzProduced by Martin Lumsden Hosted on Acast. See acast.com/privacy for more information.

En tidig morgonpodd när Susanna står i startgroparna för att leda Kulturdagarna i Borrby. Det blir Johan Tralau, Anita Goldman, Björn Ranelid, Magnus Ranstorp och Owe Gustafson på litteraurdagen och Jan Troell, Thomas Nordanstad och Owe Gustafson — igen — på filmdagen. Expressen har en semestervikarie — tror vi — Wilhelm Nyström, som skrivit klarspråk om överutbildningen av svenskarna. Microsoftkollapsen visar, igen, hur sköra vi gör våra samhällen när vi litar på algoritmer och AI. Visst kan vi preppa, men det är ett samhällsproblem. Och ingen gör något åt det, vi blir bara mer och mer beroende av datorer. Vi tror inte heller på AI-översättningar, särskilt inte när det ör författare med ett starkt eget språk, som Martin Amis, eller Edward St Aubyn. Det blir inte ens enklare att rätta till svenskan efter att AI grovöversatt. Trump firar triumfer och Republikanerna är inte "övertaget" av Trump numera, det är helt enkelt ett populistiskt, arbetarklassinriktat och nationalistiskt parti, som Peggy Noonan påpekar. Vi har sett Civil War med Kirsten Dunst och Jesse Plemons och är skakade över hur trovärdig berättelsen är. Valet av J D Vance, författare till Hillbilly Elegy, som vicepresidentkandidat är intressant. Åsa Linderborg förstår Vance, men är han bara ute efter makt? Och apropå makt, vad krävs för att kultureliten ska erkänna att de har makt (och därmed ansvar) och hur många bryr sig? Vi recenserar debatten i frågan. Och vi förundras över att inget — absolut inget — händer i det offentliga Sverige, samtidigt som Systemet är sprängfullt redan två minuter över tio. Till sist kan till och med Human Rights Watch komma fram till att Hamas ledde terrorattacken mot Israel och att den medvetet riktades in på civila. Vi tvivlar på tvåstatslösning, men tycker att Bo Rothstein skrivit intressant i ämnet. Och så Lucian Freud, som erkände 14 barn, men bara två inom äktenskapet och 12 med olika älskarinnor. Kanske inte i alla delar ett föredöme, men en fantastisk konstnär. Och en typisk representant för den korta period under efterkrigstiden då bohemeri, kaos och anarkism ansågs helt OK, även om det t ex drabbade minderåriga, antagligen därför att samhället i övrigt var så stabilt. Nu är det inte så stabilt längre och förtjusningen över utmanande beteenden mindre. Become a member at https://plus.acast.com/s/hakeliuspopova. Hosted on Acast. See acast.com/privacy for more information.

We meet author/art critic Jennifer Higgie and Sotheby's Chloe Stead to discuss an inspiring new exhibition which has just opened ‘London: An Artistic Crossroads' runs until 5th July at Sotheby's New Bond Street.Sotheby's, in partnership with Art UK and twelve museums across the country, are staging a month-long exhibition, open to the public and free of charge, shining a spotlight on the UK as a centre of creative cross-pollination.The exhibition, ‘London: An Artistic Crossroads', brings together an assemblage of remarkable works by artists who passed through or settled in the UK during their lifetime. The earliest of the works is a vivacious portrait by Flemish artist Marcus Gheeraerts the Younger, who became one of the most sought-after portraitists in England during the 16th century. It is joined by a vibrant landscape by André Derain, for whom London was a place of explosive transformation, as well as an iconicComposition by Piet Mondrian who, out of fear of German invasion and encouraged by Ben Nicholson, left Paris for Hampstead in 1938. Lucian Freud, Francis Bacon and Dame Lucie Rie are included in the line up, all émigrés, Freud from metropolitan Germany, Bacon from rural Ireland and Rie from Vienna, in addition to Frank Bowling, R.B. Kitaj and Dame Magdalene Odundo, among others.The exhibition coincides with NG200 - the Bicentenary celebrations of London's National Gallery - which it is intended to complement. As the National Gallery launches its National Treasures programme, where 12 of the nation's most iconic and well-loved paintings from the collection are lent to 12 venues across the UK, this exhibition does the reverse: bringing 12 works from major regional collections together in the capital city.The National Gallery has long provided a source of inspiration for creatives, who look to its rich collection to further enhance their own practices. Many of the artists presented in Sotheby's exhibition publicly acknowledged the museum's influence over their own styles and practice, including Bacon, Freud (the subject of a landmark National Gallery exhibition – ‘New Perspectives' – in 2022/23), Kitaj (who selected paintings for ‘The Artist's Eye' exhibition at the National Gallery in 1980), Bowling and Auerbach, who was even invited to show his interpretations of some of the National Gallery's paintings in 1995.Jennifer Higgie is an Australian writer. Previously the editor of Frieze magazine, and the presenter of Bow Down, a podcast about women in art history, she is the author of a 2021 book on women's self-portraits, 'The Mirror & The Palette: Rebellion, Revolution & Resistance, 500 Years of Women's Self Portraits'. Her latest book 'The Other Side: Women, Art and the Spirit World', was published in 2023. Jennifer has been a judge of the Paul Hamlyn Award, the Turner Prize and the John Moore's Painting Prize.Chloe Stead is Global Head of Private Sales, Old Masters Paintings for Sotheby's. She actively works with collectors, institutions, and dealers in buying and selling works of art internationally.Follow @Jennifer_Higgie and to learn more about the exhibition visit: @Sothebys‘London: An Artistic Crossroads' is open now and runs until 5th July at Sotheby's New Bond Street.Learn more: https://www.sothebys.com/en/articles/twelve-artistic-treasures-meet-in-london Hosted on Acast. See acast.com/privacy for more information.

This episode is all about the 2 PLS conference events that took place on 13-15th March 2024 at the University of Hull.  Professor Douglas Bell, now back home in the city of Ningbo in China, reflects on visiting Hull City centre and Cottingham for the first time in over 30 years, having graduated from the University of Hull in 1991. Rachael Galletly, PLS Trustee and merchandise officer talks about speakers David Quantick, Blake Morrison, our actors Daniel Wain and Lynne Harrison, and the contribution made by our wonderful artist D J Roberts. Helen Cooper reflects on her research into larkin, Lucian Freud and cancel culture, as well as the allure of Larkin bookends and  Lucy Keating gives us her view of Larkin as someone who has also worked for many years in academic libraries as well as being a fan of classic English pop. We end with Professor Graham Chesters, our chair, and his thoughts about not just the main conference but also the schools and colleges post-16 education day that we also held that week, with an amazing story about a very special pair of  letters, one written to Larkin and one written by Larkin in response. Professor Douglas Bell is Professor of Education at the School of Education & English, The University of Nottingham, Ningbo China Bell, D.E. (2024) ‘One of those old-type natural fouled up guys': A Comparative Investigation of Larkin's poetic persona and voice in ‘The Whitsun Weddings' and ‘High Windows'.  A recording can be accessed at: Professor Douglas Bell - 'One of those old-type natural fouled up guys.' - YouTube Rachael Galletly has been a trustee of the Philip Larkin Society since 2015 and works for a national educational charity. Helen Cooper was one of the first thirty girls to join King Henry VIII School in Coventry in 1975. It was when she returned to the School as the Librarian in 2014 that she began to develop her interest in Philip Larkin. The first Larkin event she organised at the School was a Symposium to commemorate the 30th anniversary of his death in 2015 and her last, shortly before she left the School and moved to live in London, was the PLS AGM during Larkin's centenary in 2022.  Lucy Keating is originally from Birmingham, where she first encountered Philip Larkin's poetry at school in the 1980s. She spent her career working mainly in academic libraries and related projects, and now lives in Newcastle upon Tyne.  Professor Graham Chesters is the chair of the PLS and taught at the University of Hull from 1972 to 2007.  Our next event is the society AGM which takes place in Oxford on Saturday June 8th 2024, 11.30am at the Bodleian Library in Oxford. The event is free to all members. The PLS events group is planning lots more for later in the year so if you want to keep informed then please sign up to the mailing list at our website or, of course, become a member. Music: Knockin A Jug, On the Sunny Side of the Street from Larkin's Jazz Disc 1 (I Remember, I Remember), Petit Fleur (Sidney Bechet) played by Monty Sunshine Produced by Lyn Lockwood and Gavin Hogg Please email Lyn at ⁠lynlockwood70@yahoo.co.uk⁠ with any questions or comments PLS Membership and information: philiplarkin.com  Theme music: 'The Horns Of The Morning' by The Mechanicals Band. Buy 'The Righteous Jazz' at their Bandcamp page: ⁠https://themechanicalsband.bandcamp.com/album/the-righteous-jazz

For the 26th episode of "Reading the Art World," host Megan Fox Kelly speaks with Martin Gayford, author of “Venice: City of Pictures,” published by Thames & Hudson in November of 2023.Their conversation shines a special spotlight on the magical, cultural city in advance of the Venice Biennale, opening April 20, 2024. Martin Gayford's book brings the richness and complexity of Venice's centuries of history to life with his rumination on the paintings, sculpture, and architecture of that city that are both familiar and unfamiliar to us, revealing in his writings entirely new ways to think about those objects, buildings, and stories of the city that have captivated artists and visitors for hundreds of years. Since the advent of the Venice Biennale in the 1890s, the city has become a shop window for the contemporary art of the whole world.Martin Gayford is an author and journalist. He studied philosophy at Cambridge and art history at the Courtauld Institute of London University. He's written prolifically about art and jazz, contributed regularly to the Daily Telegraph, and also to many art magazines and exhibition catalogs. He was art critic of the Spectator from 1994 to 2002, subsequently at the Sunday Telegraph before becoming chief art critic for Bloomberg News until 2013.Martin's publications and writings include studies of the lives and works of van Gogh, Gauguin, Constable, Michelangelo, Lucian Freud, Antony Gormley and several beautiful collaborations with David Hockney."Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications.  Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our "Of Interest" page for new posts.Follow us on Instagram: @meganfoxkellyPurchase “Venice: City of Pictures” at Thames & Hudson.Music composed by Bob Golden.

In Episode Ten we shared Sue Tilley's fun-filled life story, and now it's time for you to hear from Sue herself! Host Grace Anna speaks with the lovely Sue Tilley about her time modeling for Lucian Freud, her portrait's record breaking sale, and her adventure packed life at large. We are so excited to be able to share Sue's own words with you. Listen to ArtMuse's official interview with Sue Tilley. ArtMuse is produced by Kula Production Company. Please FOLLOW and RATE ArtMuse on Spotify and SUBSCRIBE and REVIEW our show on Apple Podcasts. Instagram/ Website/BuyMeACoffee

In 2008, Lucian Freud's Benefits Supervisor Sleeping broke a world record for the most expensive painting sold by a living artist. While this sale turned Freud into a household name, the woman featured in Freud's painting has been unjustly overlooked as an integral part of what makes the work so remarkable. In this ArtMuse episode, we give Sue her rightful dues in our appreciation of Freud's famed work. But Sue has lived a robust and adventure-filled life outside of her role as Lucian Freud's model. Though a benefits supervisor by day, Sue was a club girl by night, and could be found in London's most notorious nightclubs of the 1980's, alongside icons like Boy George, and was at the heart of London's New Romantic movement. The time is far overdue for Sue's riveting life story to be shared, and for us to be lucky enough to experience a small fraction of the magic that is Sue Tilley. ArtMuse is produced by Kula Production Company. Please FOLLOW and RATE ArtMuse on Spotify and SUBSCRIBE and REVIEW our show on Apple Podcasts. Instagram/ Website/BuyMeACoffee

A rare interview with Frank Auerbach, one of the world's greatest living painters. At 92 years old, he has been painting for over 70 years and still works every day. A child refugee from Nazi Germany whose parents were killed in Auschwitz, he made his name alongside his friends and fellow painters Francis Bacon, Lucian Freud and Leon Kossoff in the 1950s. He's well known for the thick layers of the paint used to create his portraits and images of the streets around the studio in Camden Town where he has worked since 1954.Frank Auerbach talks to John Wilson about his fragmentary memories of his early childhood in pre-war Berlin and his education at the boarding school Bunce Court in Kent, where he arrived aged 7. He recalls the huge impression that a black and white reproduction in a children's encyclopaedia of Turner's The Fighting Temeraire made on him as a boy, making him want to "do better and be less superficial". Auerbach also discusses the influence on him of the artist David Bomberg who taught him at London's Borough Polytechnic, and his friend and fellow student Leon Kossoff. He also talks about his friendships with Francis Bacon and Lucian Freud and why he still paints and draws in his studio seven days a week.Producer: Edwina Pitman

¿Cómo influye la evolución del discurso sobre la sexualidad en la práctica y la formación psicoanalíticas? En una era en la que la disforia sexual parece estar en aumento, particularmente entre las generaciones más jóvenes, surgen preguntas sobre el posicionamiento actual de la teoría pulsional de Freud y el estatus de las cuestiones sexuales en la formación psicoanalítica. ¿Estamos asistiendo a un cambio en el que la sexualidad pierde su lugar central dentro del pensamiento psicoanalítico? La atención se centra en la posible disminución de los temas sexuales en los informes de casos psicoanalíticos, como se ha observado en los últimos años, y sus implicaciones para la metodología psicoanalítica. El discurso se originó en la conferencia de supervisores y analistas en formación de 2021 de la Asociación Psicoanalítica Alemana (DPV) en Colonia, Alemania, que rápidamente se extendió a otros lugares, reflejando preocupaciones globales sobre el menor énfasis en la sexualidad en los informes de los candidatos para poder cualificarse. El artículo que hoy presentamos revisa algunas piedras angulares de las teorías seminales de Freud, pero también examina las teorías y técnicas psicoanalíticas más modernas que enfatizan las dinámicas de transferencia-contratransferencia para la comprensión de las fantasías e identidades sexuales. Se analiza críticamente el papel de los cambios sociales, los cambios en la identidad sexual y el impacto de los medios de comunicación en el comportamiento y la expresión sexual. El trabajo presentado en este episodio se presentó anteriormente en varios eventos, incluido un seminario web de la SPP y en el 53º Congreso de la IPA en Cartagena. Ha sido traducido y publicado en varias revistas psicoanalíticas. Acompañado de dos comentarios de Alicia Killner y otro de Beatriz Zelcer, fue publicado en la Revista de psicoanálisis, LXXX (3-4), julio-diciembre, pp. 111-126, con el título: "El lugar de la sexualidad en el tratamiento y la formación psicoanalíticos en la actualidad: se observa una desaparición de la sexualidad en los informes de casos y en la supervisión".  ⁠https://revista-de-⁠ Rotraut De Clerck es una renombrada psicoanalista de la Asociación Psicoanalítica Alemana (DPV) y ha sido invitada durante mucho tiempo a la Sociedad Psicoanalítica Británica (BPS). Su trabajo cruza notablemente el psicoanálisis con la cultura. Ha realizado el ciclo “Psicoanálisis en la Literatura – Literatura en Psicoanálisis” en la Literaturhaus de Frankfurt, fomentando el diálogo entre los escritores contemporáneos y los textos de Freud. Los intereses clínicos de De Clerck incluyen teorías sobre la interacción dinámica del narcisismo y el amor objetal, del inconsciente y los cambios en la sexualidad, incluida la homosexualidad, las “neosexualidades” y los conceptos de masoquismo. Las contribuciones de De Clerck se extienden a retratos psicoanalíticos de figuras literarias como Albert Camus, Virginia Woolf, pintores como Maria Lassnig y, en particular, Lucian Freud. Preside el grupo de “Psicoanálisis y Literatura” de la EPF y se desempeña como consultora en el Comité de Cultura de la IPA. Sus proyectos recientes se centran en el lugar de la sexualidad en la teoría y la práctica psicoanalíticas actuales.Este artículo ha sido leído en español para el podcast por Alicia Killner. Link to the paper https://docs.google.com/document/d/1jwtEt3rBf0BSGsl_uFxv6xwVrPPr_dvR/edit?usp=drive_link&ouid=112457875385152358388&rtpof=true&sd=true Esta Serie de Podcasts, publicada por la Asociación Psicoanalítica Internacional, es parte de las actividades del Comité de Comunicación de la IPA y es producida por el Equipo Editorial de Podcasts de la IPA. El coordinador del equipo editorial de Podcast es Gaetano Pellegrini. Edición y Post-Producción: Massimiliano Guerrieri. Este episodio ha sido realizado en colaboración con Ana María Martín Solar.

Live at The New York Studio school with Ukrainian born artist, Alla Broeksmit, and sister and poet, Stella Hayes. “The New York Studio School was founded in 1964 by Mercedes Matter, in collaboration with a group of students and faculty, during a time of cultural ferment. To this day, it is bound by a sense of mission, one that has often stood in counterpoint to the prevailing tastes of the art world. During the heyday of Pop, conceptual art, and minimalism, the School emphasized drawing, working from life, and a sustained studio practice. To delve into the history, however, is to become aware of the contradictions inherent in a school run by some of the most passionate minds of the New York art world.“ Jennifer Sachs Samet Closely held memories of childhood in Kyiv and deeply rooted remembrances of family and beloved places fuel the dreamlike imagery of Alla Broeksmit's art. Gestural brushwork and the tactility of hand-mixed pigments in the muted palette of faded frescoes lend texture and atmosphere to her expressively rendered paintings, evoking a sense of time past, recalled to the present. Broeksmit has pursued painting since the 1990s, studying at Parsons School of Design in New York City, then co-founding the Lots Road Group with fellow artists from the Heatherly School of Fine Art after moving to London in 1997. During this period, her paintings were primarily figurative and focused on portraiture, taking inspiration from the heavily impastoed, psychological portraits of Lucian Freud. In 2017, Broeksmit received her MFA from the New York Studio School, where Dean Graham Nickson encouraged her to work on a larger scale and to take “a more instinctual, visceral approach” to painting. Instructors Judy Glantzman, Kyle Staver, and Elisa Jensen were also instrumental in her development of an individualized visual language and in exposing her to the descriptive and emotional expression of color, as seen in her work. Stella Hayes is the author of a poetry collection, One Strange Country (What Books Press, November 2020). Hayes earned a creative writing degree at University of Southern California. Her work has been nominated for the Best of the Net and for the Pushcart Prize, as well as appeared in Prelude, The Poetry Project's The Recluse, The Lake and Spillway, among others, and is forthcoming from Stanford's Mantis and Poet Lore. She began her life in a book-filled home in an agricultural town an hour outside of Kiev, then part of the Soviet Union. In 1977, her family of five — her father excluded — left for the U.S., settling first in Chicago. At USC, she studied creative writing with a focus on poetry with celebrated poet David St. John, chancellor of the Academy of American Poets. More recently, she has taken advanced classes in poetry and fiction at 92Y and was asked to do a reading there in the spring of 2018. She is a graduate student at NYU M.F.A in poetry and is assistant fiction editor at Washington Square Review. theartcareer.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jane South: ⁠⁠@janesouth⁠ New York Studio School: @ny_studioschool Alla Broeksmit: @artallastudio Stella Hayes: stellahayes.com Follow us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theartcareer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcast host: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@emilymcelwreath_art⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Editing: ⁠⁠⁠⁠⁠⁠⁠⁠@benjamin.galloway⁠

The place of sexuality in psychoanalytic treatment and training today: Can we observe a disappearance of sexuality in case reports and supervisions?      How does the evolving discourse on sexuality influence psychoanalytic practice and training? In an era where sexual dysphoria is seemingly on the rise, particularly among younger generations, questions arise about the current positioning of Freud's drive theory and the status of sexual issues in psychoanalytic education. Are we witnessing a shift where sexuality loses its central place within psychoanalytic thought? In this episode of the IPA Talks On Psychoanalysis podcast series, we explore these questions through a comprehensive discussion. The focus is on the potential diminution of sexual themes in psychoanalytic case reports, as observed in recent years, and its implications for psychoanalytic methodology. The discourse originated in the 2021 supervisors' and training analysts' conference of the German Psychoanalytical Association (DPV) in Cologne, Germany and quickly spread to other places, reflecting global concerns about the reduced emphasis on sexuality in candidates' reports for qualification. This exploration revisits some cornerstones of Freud's seminal theories but also examines the more modern theories and psychoanalytic techniques that emphasize transference-countertransference dynamics for the understanding of sexual fantasies and identities. The role of societal changes, shifts in sexual identity, and the impact of media on sexual behaviour and expression are critically analyzed. The paper featured in this episode has been previously presented at various events, including a SPP Webinar and the 53rd IPA Congress in Cartagena. It has been translated and published in several psychoanalytic Journals. The IPA Talks On Psychoanalysis podcast series now offers it to its listeners in German, English, Spanish and Italian. You can access the recent edition of the APA's Journal of Psychoanalysis, featuring a publication with two accompanying commentaries by Alicia Killner and Beatriz Zelcer, at this link: https://revista-de-psicoanalisis.apa.org.ar   Rotraut De Clerck is a renowned psychoanalyst of the German Psychoanalytical Association (DPV) and has been a long-term guest to the British Psychoanalytic Society (BPS). Her work notably intersects psychoanalysis with culture and public discourse. She has carried out the “Psychoanalysis in Literature – Literature in Psychoanalysis” series at the Literaturhaus Frankfurt, fostering dialogue between contemporary writers and Freud's texts. De Clerck's clinical interests include theories on the dynamic interplay of narcissism and object love, of the unconscious and changes in sexuality, including homosexuality “neo-sexualities” and the  concepts of masochism. De Clerck's contributions extend to psychoanalytic portraits of literary figures like Albert Camus, Virginia Woolf, painters like Maria Lassnig and notably Lucian Freud. She chairs the EPF's  “Psychoanalysis and Literature group and serves as a Consultant on the IPA Culture Committee. Her recent projects focus on the place of sexuality in psychoanalytic theory and practice today.   Link to the paper https://docs.google.com/document/d/1F3Icy8j1RZEWLMcWWboxkG94E9suAEVA/edit?usp=sharing&ouid=112457875385152358388&rtpof=true&sd=true   This episode is available also in: German Spanish Italian   A subtitled version of this podcast is available on our YouTube channel: https://youtube.com/playlist?list=PLhxiwE76e0QaOquX3GujdwNLFsgxUQNXz&si=yf381EDu3pess6Yz   This Podcast Series, published by the International Psychoanalytical Association, is part of the activities of the IPA Communication Committee and is produced by the IPA Podcast Editorial Team. Head of the Podcast Editorial Team: Gaetano Pellegrini. Editing and Post-Production: Massimiliano Guerrieri.

In another life, the German-born architect Annabelle Selldorf might have been a painter or a profile writer. In this one, she expresses her proclivity for portraiture as the principal of the New York–based firm Selldorf Architects, which she founded in 1988. Renowned for its work in the art world—from galleries for the likes of David Zwirner and Hauser & Wirth to cultural institutions including The Frick Collection in New York, the National Gallery in London, and the Hirshhorn Museum and Sculpture Garden in Washington, D.C.—Selldorf's firm has also designed a wide variety of residential projects and civic buildings. Many of these designs serve as architectural depictions of their respective clients, revealing each one's inner nature and underlying ethos.On this episode, Selldorf discusses the links she sees between Slow Food and her architecture, the intuitive aspects of form-making, and why she considers architecture “the mother of all arts.”Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes: [00:31] Selldorf Architects[08:19] The Frick Collection[10:42] Lucian Freud[17:45] Dia Beacon[18:43] Art Gallery of Ontario expansion[18:54] Two Row[18:57] Diamond Schmitt[26:08] Sunset Park Material Recovery Facility[30:03] CSO Red Hook[30:05] CSO Owls Head[34:31] National Gallery, London[35:17] One Domino Park[37:15] John Russell Pope[37:28] Thomas Hastings[43:13] I.M. Pei[55:38] Ludwig Mies van der Rohe[58:54] Neue Galerie

What are the foundational rules of storytelling and can Ayn Rand's philosophy serve as an inspiration to fiction authors? Henrik Knightingale, who just released his first play, is an objectivist with a keen interest for the work of Ayn Rand. He sits down with Jan-Ove Tuv and Carl Korsnes to discuss her ideas about literature and reveals how he went from being a modernist to a writer with structure and a clear goal in mind. Henrik Knightingale's debut play "In His Own Shadow" is now available on Amazon: https://www.amazon.com/dp/B0CGYPVSZT

We meet living legend Sue Tilley and artist Rui Miguel Leitão Ferreira!!!Sue Tilley (b. 1957), also known as Big Sue, is an artist, artist's model and writer. Most notably, she modelled for painter Lucian Freud. Tilley collaborated, and was best friends, with performance artist and club promoter Leigh Bowery. In 1997, she published Leigh Bowery: The life and times of an Icon, a biography. Freud painted several large nude portraits of Tilley, the first being Evening in the Studio (1993). Benefits Supervisor Sleeping, painted in 1995, was sold at auction for £35 million ($56 million USD). We discuss a brand new exhibition at The Sunday Painter in South London - the first painting show of Portuguese artist Rui Miguel Leitão Ferreira (b.1977) in the UK. Curated by Daniel Malarkey, the exhibition sees Ferreira further develop his self-portrait series Posing for Sue. The works on show explore Ferreira's relationship with close friend and mentor Sue Tilley – widely known for her long-standing professional relationship with Lucian Freud – whilst subtly manipulating and subverting the complex dialogue between the three subjects traditionally involved in portraiture: the portrayed, the artist and the observer. The artist first met Tilley at a charity event in 2013. An in-depth exploration into the experiences of life models within the realm of fine art had recently prompted Ferreira to begin modelling himself, a disquieting endeavour that left the artist feeling increasingly vulnerable and directionless when it came to his own practice. Ferreira found solace in Tilley's gaze, eventually leading the two to forge a close friendship. Inspired by the powerful artist-model dynamic between Freud and Tilley – whose iconic four-year professional relationship saw Freud produce perhaps some of his most acclaimed and psychologically charged nude portraits – Ferreira sought to capture the intimacy of time spent between artist and sitter through the specificity of paint.Rather than simply mirroring the pair's relationship, however, the Posing for Sue series attempts to subvert art history's long established traditions of portraiture – one of the oldest enduring art forms – by reconsidering the roles of all those involved. Ferreira begins his artistic process by filming a video piece in which he undresses in front of Tilley, with each recording capturing the collaborators reacting and responding to each other's physical presence. Ferreira then paints from carefully chosen film stills, allowing him to analyse the process in motion rather than focusing on one particular viewpoint. By undressing in front of Tilley and remaining completely exposed throughout each filmed session, the source of the gaze, usually strictly maintained by the artist, is intentionally displaced to the model.Posing for Sue explores the notion of shared experience between artist and sitter, tapping into the deep-rooted human desire to capture the complexities of expression via mimetic representation. Through the act of being observed in his most vulnerable state – both by the model and by the viewer – Ferreira utilises his body as an instrument to explore the heights and depths of the human psyche.Follow @SueTilley1 and @RuiMiguelLeitaoFerreiraVisit @TheSundayPainter for info on the new exhibition and their website: https://thesundaypainter.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

J'ai l'immense plaisir et la fierté d'accueillir Nicolas Milovanovic, conservateur en chef au musée du Louvre. Durant des siècles, les peintres ont représenté le chien, cet animal fidèle dans leurs œuvres, que ce soit comme compagnon de chasse, gardien de troupeau ou animal de compagnie. Quelle est la représentation du chien aux origines de la peinture, et comment a-t-elle évoluée au fil du temps y compris lors des mouvements artistiques modernes les plus marquants ?   Que vous soyez amateurs d'art ou amis des animaux, cet épisode vous réserve de nombreuses anecdotes et de passionnantes découvertes, grâce à Nicolas Milovanovic que je remercie encore pour son éclairage et sa pédagogie.   -- Vous pouvez retrouver Nicolas Milovanovic sur Instagram  ou sur linkedin  -- On en parle dans l'épisode : - Livre : The Invaders  de Pat Shipman - Tableau : "La chambre des époux" de Andrea Mantegna dans le Palazzo Ducale de Mantoue. - Le tout premier portrait de chien indépendant au Louvre : "Les deux chiens de Bassano"  - Dog days de David  Hockney - Le peintre et son Carlin  est un autoportrait réalisé en 1745 par William Hogarth - Le whippet Pluto de Lucian Freud  - Portrait EOS de Sir Edwin Landseer   - High Life et Low life de Sir Edwin Landseer à la Tate (Angleterre) - L'exposition « Rosa Bonheur » présentée au musée d'Orsay (du 18 octobre 2022 au 15 janvier 2023) permet de découvrir la grande production de l'artiste animalière connue pour sa peinture, ses dessins, mais qui pratiquait aussi, on le sait moins, la sculpture. - Musée Cognacq Jay : retrospective consacrée à Jean-Baptiste Huet (peintre animalier important) en 2016.  Chateau de By , le chateau de Rosa Bonheur en Seine-et-Marne - L'exposition Portraits of Dogs: From Gainsborough to Hockney (du 29 mars 2023 au 15 octobre 2023) présentée à Wallace Collection (Londres) ici  - Livre : La Princesse de Palatine- protectrice des animaux de Nicolas Milovanovic à commander ici  --- Si le podcast vous plait, le meilleur moyen pour me soutenir et pour me le faire savoir, c'est de laisser 5 étoiles et un commentaire sur Itunes ou apple podcast. Cela encouragera surement d'autres passionnés de chiens à venir découvrir et écouter CHUU. Pour me poser des questions et suivre mon aventure en images, je vous invite à vous abonner à ma page instagram @chuu_podcast 

Scores of painters and photographers over the last seventy years have grappled with the formal portrayal of Queen Elizabeth II from life. These range from the celluloid fantasies of Cecil Beaton to the directness of Lucian Freud; the Renaissance-inspired divinity of Pietro Annigoni to the naturalism of Annie Leibovitz.Underlying all her official portrayals is an artistic conflict: the requirements of royal iconography and the demands of the usually conservative institutional commissioner, versus modern expectations for artistic self-expression and psychological authenticity. A lecture by Philip Mould OBE recorded on 2 March 2023 at Barnard's Inn Hall, London.The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/watch-now/elizabeth-portraitsGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

No hay en España una prensa que dé cuenta factual de las muertes, el dolor y la ruina que pueden provocar las drogas. Aun con sesgo, está convencido del gran prestigio con el que se las trata en el arte y en los papeles. La pútrida literatura intersticial sobre ellas debe acabarse. También está harto de los intentos de hundir en la miseria la Transición política española, con relatos que la califican de violenta u oscura. ¡Cómo se puede tener esa desvergüenza! Hubo gente que moría, porque en tiempos normales la gente muere, y en aquella época lo hacían principalmente por el terrorismo de izquierdas. Y a propósito de terrorismo, la decana de la facultad de Políticas de la Complutense censuró en su feudo un acto que quería conmemorar a sus víctimas. Bien está que esto pase en Madrid, porque así se prueba la unidad esencial del género humano. No todo fue drama. Se habló de sexo y de dick pics. Santos hizo caso y fue a ver la exposición de Lucian Freud en el Thyssen, aunque la modelo Sue Tilley ya no sea gorda en la museografía, sino “belleza no normativa”. Y fue así que Espada yiró.See omnystudio.com/listener for privacy information.

The art market has been holding its breath for nearly three months. How will the global economy affect the art market in 2023? With the important London auctions now on view, we speak to Sotheby's Helena Newman, Phillips's Cheyenne Westphal, Christie's Keith Gill, Olivier Camu and Tessa Lord, as well as Sotheby's James Sevier to learn more about the upcoming lots including a $45 million Kandinsky on offer through restitution, a several Gerhard Richter abstract paintings at different price points, a very early work by Lucian Freud, a collection of diverse Surrealist talents assembled by a San Francisco "tech" couple and much more.

"What is it like to be a young artist growing up - what are your reference points and how do you take ownership and claim that history?” Taking inspiration from 1950s porn magazines, Lucian Freud and her grandfather, the young British artist Somaya Critchlow creates intimate paintings that reclaim ownership of the Black female nude.Danielle visits The Lightbox, the regional contemporary art gallery in Surrey,  where recently-appointed director Sarah Brown  made the unconventional decision to showcase an exhibition of works by Lucian Freud alongside an adjacent exhibition, curated by the young British female artist, Somaya Critchlow. Running until the 19th March 2023, the Freud side of the exhibition features a range of portraits, nudes and photos, spanning the artist's career; while the Soul as Sphere, which sits in the same room, is filled with works by Somaya's grandfather, the artists and expert in sacred geometry Keith Critchlow, as well as pieces by his contemporaries such as Frank Auerback and Leon , and some by Somaya herself. The effect is highly complimentary and serves to afford the viewer the chance to look at Freud through a fresh - namely female and contemporary - lens. Speaking separately to both Sarah and Somaya, Danielle gets to hear about their motivations and inspirations behind the project. Image courtesy of the artist and Blau International. Photography: Lewis Ronald

The novelist and journalist Susie Boyt tells Michael Berkeley about her lifelong passions for music, theatre and dancing. Whether she's writing black comedies about dysfunctional families or about her intense love of Judy Garland, Susie Boyt is unafraid to address the big questions in all our lives. Her seven novels explore how we can best take care of people, how we can survive life's inevitable traumas and how we might live alongside the loss of people we love. Susie chooses pieces by Mozart, Beethoven and Britten as well as music from the ballet Giselle that conjures up the fragility and vulnerability of childhood. Susie's father was the painter Lucian Freud and we hear a song by the music hall star Gus Elen which recalls the many hours she sat for him in his studio sharing their love of song lyrics. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Ruth Millington's wonderful book uncovers the hidden figures behind art history's masterpieces. We tend to forget that each great artist, whether from the past or present, has their own unique muse who inspires them, gives them energy and influences their creativity. For Picasso it was Dora Maar; for Rodin it was Camille Claudel; for Frida Kahlo it was her illness. Those muses had a significant impact on the artists we love, but they often get hidden behind the shadows of giants whom they inspired. In this interview, Ruth and I talked about Muses who inspired artists such as Frida Kahlo, Pablo Picasso, Lucian Freud, Tim Walker, and many others. Ruth spent years researching the relationship between artists and their Muses. I asked her to give us some tips about how you and I can mimic great artists so we can connect with our own Muses too. You can get Ruth's book here Ruth's ARTIDOTE page GET IN TOUCH WITH ME

Frieze Masters presents Love Lucian: The Letters and Early Life of Lucian Freud in partnership with the Freud Museum (@freudmuseum) . This episode features Hannah Rothschild in conversation with Martin Gayford and David Dawson, speaking on their new publication and the first exhibition of Lucian Freud's works at the Freud Museum London.  Exploring the overlapping themes present in both Love Lucian and the exhibition, the discussion draws out some interesting and lesser-known facets of Lucian's early life. Having uncovered illustrated letters to friends, love letters, and even telegrams, Dawson and Gayford's latest research will offer an intimate glimpse of the artist's personality and creative practice in the early part of his career.  "[We] wanted to show the humour in him, the quick-wittedness in him, and how that sort of shapes his painting...just so that you get a real feel of what Lucian was like, as a young boy, young man, and what comes after." – David Dawson  David Dawson is Director of the Lucian Freud Archive and was Freud's longstanding assistant, Martin Gayford is an author and the exhibition's curator, and Hannah Rothschild CBE is a British writer, documentary filmmaker, businesswoman and philanthropist.    About the Frieze Masters Podcast Exploring themes of identity, originality, geopolitics and Blackness through a historical lens, the new Frieze Masters Podcast is now available. Bringing together some of today's most celebrated artists, art historians and curators, the podcast launches with the Talks programme from the 2022 edition of Frieze Masters – one of the world's leading art fairs – and offers compelling insight into the influence of historical art on contemporary perspectives and creativity.     www.frieze.com  @friezeofficial

This week, Ashley and Mike are joined by Rich Cohen, who reports on the “Fitbit murder” and the Connecticut man who was sure he had the perfect alibi to his wife's killing, only to be undone by the silent, technological tattletale on her wrist. Then Ivana Lowell takes us inside her beautiful young mother's brief but dramatic marriage to the renowned painter Lucian Freud, which began when they eloped to Paris, in 1952. Finally, Rachel Johnson recounts her recent adventures traveling from New York to the U.K. on the Queen Mary 2. All this and more make this week's show one you won't want to miss. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We meet emerging artist Nash Glynn, from her studio in New York's Seaport! Nash Glynn (b.1992) is a transdisciplinary American artist currently working in NYC. Working across painting, photography, and video, Glynn is best known for her groundbreaking nude self-portraits of her experience and life as a transgender woman, an underrepresented figure in the Western art canon until recently. Glynn was born and raised in Miami, Florida and learned to paint while working at her father's set design shop. Speaking about their work, the artist says, ‘I use paint as I use my body, and as such the possibilities for spontaneity of form and change become inexhaustible. By crafting affective figures I seek to create empathy. The work serves as an affirmation, a reminder that representation has no outside, meaning we choose the reference, add and remove as we please, manipulate each stroke with unique gesture and tone. A process of painting, also known as self-determination.'Nash Glynn (b.1992) received her BFA in 2014 from the School of the Museum of Fine Arts, and in 2017 her MFA from Columbia University. She has had solo shows at Participant Inc. in 2019, OCD Chinatown in 2020, and an upcoming exhibition at Vielmetter Los Angeles in Fall 2021. Her work has been in publications such as Artforum, Candy Transversal Magazine, and New American Paintings. Glynn was the recipient of the Leslie-Lohman Museum Artist Fellowship in 2017."Interiors, with its plural title, belies the singularity of Glynn's point of view. Lately, she sticks to painting what she sees from the swivel stool she's positioned between window and easel, things like: apples in a bowl, closed door, knife. Herself in a mirror, or her mind's eye. Mostly windows. Yet this self-imposed agreement comes with a proviso to also see with her eyes closed, so as to produce landscapes that look mental. Glynn's intuitive aversion to the rules of the physical world finds its clearest expression in her palette, which has the firmness of a signature. Alice Neel's cobalt, Paul Gauguin's vermillion, Lucian Freud's mauve are all her colours now. Mixing: as little as possible. Earth tones: no. When she concedes the need for green in a landscape, the shade she uses is not actually grass but jade, à la Ferdinand Hodler; the resulting swath of field looks undulant and cold enough to pass for ocean. Then of course there is white. Rauschenberg's white, or Ryman's. The white of a well-rested eye, of the sand under the sun, of nothing said. Glynn has, over the past several years, developed a style of both still life and portraiture in which objects and/or subjects are exquisitely rendered and then set out on a ground that is white except for traces of shadow, so that the knife or flower or girl appears surfaced from memory." Excerpt from Catalogue Essay by Sarah Nicole Prickett from show Interiors.Follow Nash on Instagram: @NashGlynnVisit Nash's official website: http://www.nashglynn.com/View images at Vielmetter, LA: https://vielmetter.com/exhibitions/nash-glynn and @Vielmetter Hosted on Acast. See acast.com/privacy for more information.

We meet Alex Rotter, Chairman of Christie's 20/21 Art Departments, to discuss Christie's New York forthcoming auction 'Visionary: The Paul G. Allen Collection' which runs from 9–10 November 2022 at Rockefeller Center. The collection of philanthropist Paul G. Allen, co-founder of Microsoft, includes more than 150 masterpieces spanning 500 years of art history. Reflecting the depth and breadth of Paul G. Allen's collection, the auctions connect this visionary innovator to a range of ground-breaking artists, joining Paul Cezanne with David Hockney, Alberto Giacometti with Louise Bourgeois, Georges Seurat with Jasper Johns and Agnes Martin with Yayoi Kusama. Valued in excess of $1 billion, The Paul G. Allen Collection is poised to be the largest and most exceptional art auction in history. Pursuant to his wishes, the estate will dedicate all the proceeds to philanthropy.From 29 October – 8 November 2022, view The Paul G. Allen Collection in-person at Christie's Rockefeller Center galleries in New York. Follow @ChristiesInc and visit their official website: https://www.christies.com/en/events/visionary-the-paul-g-allen-collection/overviewFrom Canaletto's famed vistas of Venice and Paul Cezanne's magisterial vision of the Mont Sainte-Victoire to Gustav Klimt's Birch Forest, Georgia O'Keeffe's 'Red Hills with Pedernal, White Clouds', and latterly, David Hockney's joyful depictions of his native Yorkshire, the collection highlights landmark moments in the development of landscape painting through centuries. Botticelli's Madonna of the Magnificat, Georges Seurat's pointillist masterwork Les Poseuses, Ensemble (Petite version) and Lucian Freud's Large Interior, W11 (after Watteau) demonstrate the enduring power of the human figure in art, while the polyvalent practice of artists such as Max Ernst and Jasper Johns show how artists can subvert tradition to move art forward. We explore some of our own personal favourite works by Georgia O'Keeffe, Agnes Martin, David Hockney, Louise Bourgeois, Bridget Riley and Barbara Hepworth.Alex Rotter grew up in a family of art dealers in his native Austria, and studied at the University of Vienna. He currently lives in New York and is responsible for overseeing a global team of specialists spanning the full scope of 20th and 21st Century art. Rotter's progressive approach to presenting extraordinary works of art to the market has yielded many of the most groundbreaking moments in auction history. Career highlights include the 2017 sale of Leonardo da Vinci's Salvator Mundi , which sold for $450 million, becoming the most expensive object ever sold at auction, and Jeff Koons' Rabbit from the Collection of SI Newhouse, which sold for $91.1 million and set a world auction record for a living artist. Hosted on Acast. See acast.com/privacy for more information.

Serge Strosberg is an acclaimed international artist who is known for his realist and expressionist portraits. After growing up in the US and Europe, he "received classical training at the prestigious Academie Julian in Paris and Ecole Nationale Superieure des Beaux-Arts. In 2008, he exhibited his work at the Felix Nussbaum Museum (Germany) and the Musee de Pontoise (Paris) in Germany with Lucian Freud, Philip Pearlstein, Chaim Soutine, Alex Katz in major group exhibitions of realist painting." He works with oil and egg tempura to create large-scale commissioned pieces for institutions or families. His goal in each painted portrait is to include the personality of the person; not just a photo likeness. Beyond this, his portfolio is full of concepts that critique the elite extremes of American culture (fashion, the 1%..) through figurative pieces that consider both composition and location as a means of questioning high society and cultural norms. He offers a candid description of what it is like to work on his own terms with the support of cultural organizations, the struggle of working within the established gallery system, and the gift of being able to spend his life making art. The cover art of this episode is one of Serge's paintings- a portrait of Blake Byrne --- Send in a voice message: https://anchor.fm/thestolenhourspodcast/message

As a host of new exhibitions of the work of Lucian Freud opens across London to mark his centenary, this episode is all about this leading figure in post-war British painting. Ben Luke takes a tour of the major show at the National Gallery, which promises new perspectives on his work, with its curator, Daniel Herrmann. Martin Gayford discusses Freud's little-explored letters, gathered in Love Lucian, a new book that Gayford has co-edited with Freud's former assistant David Dawson. And this episode's Work of the Week is the painting Mare Eating Hay (2006). The gallerist Pilar Ordovas, who worked closely with Freud in his later years, discusses the centrepiece of her new exhibition, Horses and Freud.Lucian Freud: New Perspectives, National Gallery, London, 1 October– 2 January 2023David Dawson and Martin Gayford (eds), Love Lucian: The Letters of Lucian Freud 1939-1954, Thames & Hudson, 392 pp, £65/$95 (hb)Freud and Horses, Ordovas, until 16 December.Other Freud exhibitions in London this autumn:Lucian Freud: The Painter and His Family, Freud Museum, until 29 January 2023; Lucian Freud: B.A.T, Lyndsey Ingram, until 4 November; Lucian Freud: Interior Life, with photographs by David Dawson, Hazlitt Holland-Hibbert, 6 October-16 December; Lucian Freud: Plant Portraits, Garden Museum, 14 October-5 March 2023; Friends and Relations: Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews, Gagosian Gallery, 18 November-28 January 2023 Hosted on Acast. See acast.com/privacy for more information.

Historiquement Vôtre consacre une émission spéciale à une reine qui vient d'entrer définitivement dans l'Histoire : la Reine d'Angleterre, Sa Majesté Queen Elizabeth II (1926-2022), en racontant le destin si particulier de la souveraine de l'histoire britannique restée le plus longtemps sur le trône. Une immersion dans la vie hors-norme de celle qui n'aurait jamais dû être appelée à régner, qui ne l'a évidemment pas choisi mais s'y est entièrement dévouée durant 70 longues années. Mais aussi ce que la Reine a dû affronter au sein même de la famille royale, l'évolution de son image, ou encore les artistes qui l'ont immortalisée et ont fait passer Sa Majesté à la postérité : du plus sérieux avec le photographe Cecil Beaton lors de son investiture au plus décalé, avec le peintre Lucian Freud et sa toile "étonnante" que la Reine n'a jamais pu oublier...

Stéphane Bern, entouré de ses chroniqueurs historiquement drôles et parfaitement informés, s'amuse avec l'Histoire – la grande, la petite, la moyenne… - et retrace les destins extraordinaires de personnalités qui n'auraient jamais pu se croiser, pour deux heures où le savoir et l'humour avancent main dans la main. Aujourd'hui, Cecil Beaton et Lucien Freud, deux artistes qui ont immortalisé la reine Elizabeth II.

Kate Moss came to fame in the 1990s, and her distinctive look went on to embody the era of Cool Britannia. She has appeared on the cover of hundreds of magazines and starred in campaigns for many of the top fashion houses. She has made cameos on film and television and inspired artists including Lucian Freud, Tracey Emin and Marc Quinn. Kate was born in Croydon in 1974. When she was 14, she was spotted at JFK airport by Sarah Doukas who signed her to her modelling agency. Two years later Kate was on the cover of the style magazine the Face – one of a series of photographs shot on Camber Sands by Corinne Day. The images were raw and natural and Kate's slight, delicate build, in stark contrast to the curvaceous supermodel silhouette that had defined the decade, heralded a new era in modelling. Kate moved on to high profile campaigns for the designers Calvin Klein and Marc Jacobs. In 1993 she appeared on the cover of British Vogue for the first time. Later her waif-like figure attracted criticism from some commentators who thought some of her photographs glamorised thinness. In 2013 Kate received a Special Recognition award at the British Fashion Awards, acknowledging her 25-year contribution to fashion. Kate set up her own talent agency in 2016 and one of the agency's first signings was her daughter Lila. DISC ONE: Back to Life by Sunday Service and Jazzie B (Soul II Soul mix) DISC TWO: A Whiter Shade of Pale (Live) by King Curtis DISC THREE: Harvest Moon by Neil Young DISC FOUR: Life on Mars by David Bowie DISC FIVE: Oh! Sweet Nuthin' by The Velvet Underground DISC SIX: Sympathy for the Devil by The Rolling Stones DISC SEVEN: My Sweet Lord by George Harrison DISC EIGHT: Madame George by Van Morrison BOOK CHOICE: The Little Prince by Antoine de Saint-Exupéry LUXURY ITEM: A cashmere blanket CASTAWAY'S FAVOURITE: My Sweet Lord by George Harrison Presenter: Lauren Laverne Producer: Paula McGinley

The role of National Poet of Wales is demanding: ‘to represent the diverse cultures and languages of Wales at home and abroad, take poetry to new audiences, encourage others to use their creative voice to inspire positive change, be an ambassador for the people of Wales, advocating for the right to be creative and spread the message that literature belongs to everyone.' Front Row will reveal who will be taking up that challenge, announcing who will be following Ifor ap Glyn as the new National Poet for Wales and talk to them about the role, their work and ambitions. A new exhibition at The Freud Museum in London entitled, Lucian Freud: The Painter and his Family features paintings, drawings, family photographs, books and letters. Front Row speaks to the curator, Martin Gayford about this highly personal exhibition which includes items never, or rarely seen artefacts from Lucian Freud's life. The future of The Royal Cornwall Museum in Truro is now uncertain because of a change in how the local county council is funding culture. We hear from councillor Carol Mould and Bryony Robins, the Artistic Director of the Royal Cornwall Museum. The composer Laura Bowler and librettist Laura Lomas discuss The Blue Woman - their new opera for the Royal Opera House which explores the psychological impact of violence against women. Presenter: Samira Ahmed Producer: Kirsty McQuire Main Image The Painter's Mother Resting (1975-76) Copyright: The Lucien Freud Archive All Rights Reserved 2022/Bridgeman Images.

My guest today is Sally ClarkeSally has been described as the unsung hero of British food, and her cooking a masterclass in simplicity. She was just 14 when she envisaged the restaurant that she would one day open and this year Clarkes celebrates it's 37th year. Despite the prevailing fad for Nouvelle Cuisine at the time she opened in December 1984 , she never waivered in her mission to showcase fresh and seasonal ingredients, cooked simply and in her trademark unpretentious style. It's no wonder her restaurant was Lucian Freud's favourite haunt In the 25th year of being in business, she was awarded an MBE in the queens birthday honours list for services to hospitality – an award she modestly states she shares with everyone involved in the running of Clarkes. Alongside the restaurant, she runs a booming bakery business which has over 120 wholesale customers, and sees them making over 60,000 mince pies during the run up to Christmas. . If you've ever tucked into a pain au chocolage on the Eurostar, chances are it was one of Clarkes.She has just written her third and self proclaimed final book. It has been said that she is a quietly successful restaurateur, described by Jason Atherton, amongst others as Britain's answer to Alice Waters.---Thank you to Cooks Matches for sponsoring this season of Desert Island Dishes See acast.com/privacy for privacy and opt-out information.

Painter Celia Paul rejoins the show for the US debut of her new book, Letters To Gwen John (NYRB). We talk about how Celia found herself through corresponding with the late artist (d. 1938), the parallels between her life and Gwen's, especially their respective relationships with Lucian Freud and Rodin, the notion of aesthetic solitude and artistic sacrifices and the loneliness of pandemic life, why men aren't great at sitting for artists, her new exhibition, Memory & Desire (Victoria Miro Gallery), how Hilton Als got her to finally come to America and how much she enjoyed Santa Monica, the ambiguity of her previous memoir, Self-Portrait, what letters and paintings have in common, and more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal

The debate over sex and gender filters through to many areas of our lives today whether its about women-only spaces, trans athletes competing in sporting events or our use of language to define what a woman is. It's now being put centre stage of the local elections next month by a new campaign called "Respect my Sex if you want my X”. The campaign run by Women Uniting UK is urging voters – both men and women - to quiz prospective candidates canvassing on the doorstep with questions like “What is a woman?” or “What is more important, sex or gender?” The Labour MP Rosie Duffield talks about her support for the group and why she believes the issue could have an impact next month as well as on the wider political landscape. The sequel to Johnny Depp and ex-wife Amber Heard's bitter legal battle is coming to America. - Virginia to be more precise. After losing the first round - a libel trial set in the UK - Depp, is suing Heard, for $50m (£38m) over a piece she wrote in The Washington Post in which she claimed to be a victim of domestic abuse. She is suing back, with a $100m counterclaim against him. His legal team successfully argued that the trial should be held in Virginia - home to two Washington Post offices and where the paper is physically published. It's expected to last up to seven weeks and will in many ways be a rerun of the London trial, exposing lurid details about their relationship, with accusations of abuse aimed at both sides. BBC Media and Arts Correspondent, David Sillito joins Woman's Hour standing outside Fairfax County Circuit Court in Virginia. Anya Taylor-Joy's decision to leave school at 16 to pursue a career in acting has certainly paid off. In 2020, in the first month of its release – a staggering sixty-two million households watched her play chess prodigy Beth Harmon in the Netflix mini-series 'The Queen's Gambit'. More recently, you may have seen her play Gina Gray in the final series of 'Peaky Blinders'. She discusses her latest film – The Northman - a brutal and bloody viking revenge epic. The artist Celia Paul currently has an exhibition at the Victoria Miro Gallery in London, called Memory and Desire, and her latest book is called “Letters to Gwen John”. Gwen John was a Welsh artist who worked in France for most of her career. Her brother Augustus John was more famous during her lifetime, but her beautiful paintings, mainly of female sitters, often reading in domestic settings, have gained wider attention since her death. Celia Paul shares much in common with Gwen John: both studied at the Slade, and both were models and lovers of older artists - Gwen had a relationship with Auguste Rodin and Celia with Lucian Freud. Celia joins Emma. Presenter: Emma Barnett Producer: Kirsty Starkey Interviewed Guest: Rosie Duffield Interviewed Guest: David Sillito Interviewed Guest: Anya Taylor-Joy Interviewed Guest: Celia Paul

Pulitzer Prize-winning art critic Sebastian Smee joins the show to talk about his career and the notions of artistic rivalry, influence and love, and how they came together in his 2017 book, The Art of Rivalry: Four Friendships, Betrayals and Breakthroughs in Modern Art. We get into how he got his start in art criticism in Australia, his love for Matisse and Manet, his friendship with Lucian Freud, why American has the best museums, the joy of writing for The Washington Post and why his wonderful Great Works, In Focus series needs a better name, his new project about Berthe Morisot, and more! Follow Sebastian on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal