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Every once in a while a film comes along that simply transports you with its sheer brilliance — the brilliance of the sea shining on a bright, crisp Gloucester morning CODA is one such film that approaches perfection. CODA (Children Of Deaf Adults) is many things at once, a coming of age story of a child finding her way into adulthood and independence; a rollicking chronicle of a loving hard working family; a damn funny movie that will in turn, touch, move, inspire and awe you. The success of a film like this hinges not so much on the story (it is a tale we have seen often), but on the casting of these wonderful roles who inhabit a world most of us have never experienced. Ruby is the only hearing member of her family where her dad Frank, her mom Jackie and her older brother Leo are all deaf. Those three roles are played by actors who are deaf in real life — which may seem like obvious casting choices, but in reality, actors who are deaf rarely get a chance to play roles this beautifully drawn. They rarely get to show off their astonishingly talent. But in this film, Troy Kotsur (who Lisa is starting a campaign right now for an Academy Award for this performance), Marlee Matlin and Daniel Durant all get a chance to shine brightly. The precocious Ruby is portrayed in a tour-de-force by Emilia Jones. As final treat, look out for the spellbinding performance of Eugenio Derbez as Bernardo Villalobos, Ruby's music teacher. In lesser hands, this film could easily have wallowed in mediocre cliche, but under the assured direction of Sian Heder and with that stellar cast, what shouldn't work does. What should be hackneyed, soars and what could easily be mawkish, will move you to tears. Joining us to give a true perspective on the portrayal of deaf characters in this film, is the amazing actress/writer/producer Antoinette Abbamonte who is also part of the deaf acting community in Hollywood. And a special shout out goes to our ASL interpreter Nicole Pancino who joined us for Antoinette's interview. We could go ON for hours about this exquisite film .. in fact we almost do ! So stop reading this and listen in to our podcast right now. If you are reading this and are deaf or hard of hearing please find a complete transcript of this interview on our website here. #CODA film #AntoinetteAbbamonte #EmiliaJones #TroyKotsur, #MarleeMatlin #DanielDurant #EugenioDerbez #SianHeder #OscarForTroy #CODA film #Antoinette Abbomonte #EmiliaJones #TroyKotsur, #MarleeMatlin #DanielDurant #Eugenio Derbez #SianHeder ****************** Episode Transcript ******************** [Scene from the film ‘CODA'] FADE IN: INT. Home of Ruby's teacher Bernardo Villanova (aka ‘MR. V) –- MORNING MR V sits at his piano in a large light filled room, accompanying Ruby Rossi as she sings‘Both Sides Now' by Joni Mitchell. RUBY
Добрый день уважаемые слушатели. Представляем новый выпуск подкаста RWpod. В этом выпуске: Ruby What’s new in Interactive Ruby Shell (IRB) with Ruby 2.7, Ruby 2.7 adds Integer#[] to support range values, Rails 6 adds add_foreign_key and remove_foreign_key for SQLite3, Puma 4.2.0 и Behind-the-scenes of ‘Geared Pagination’ in Rails Best practices when writing a Dockerfile for a Ruby application, Erubi - a ERB template engine for ruby и The Journey to One Million by Samuel Williams (video) Web V8 release v7.8, Node v12.11.0, Wikipedia’s JavaScript initialisation on a budget и Why JavaScript Tooling Sucks 15 Must-Have Vue Directives That Will Significantly Maximize Your Productivity, GPU.js 2.0, OGL - a small, effective WebGL framework, Repeater.js - a missing constructor for creating safe async iterators, Robot - fast 1kB functional library for creating Finite State Machines и React-Toastify 5.4.0
Welcome to Eastenders Weekly, the weekly podcast all about Eastenders. This week we discuss episodes of EastEnders from 19th to 23rd November Walford feels like it has been turned up to 11, getting all the stories into a row ready for Christmas or dare we say it… ‘Oates'? Starting with Tiff stirring trouble and leading Bernie astray as she discovers Evie's World might not be as glamorous as she first thought. That time again where we look at the confusing storyline of Ruby - What is the plan and can we get back on track and learn more about what had happened that fateful night? Part two of our new feature “Julia's Legacy” - This week 1990 - 1994 where Julia's Theme was used for an ending to the show and the stories behind them! If you have suggestions for the show please...Contact us on Twitter @eastendersweek - Instagram @eastendersweeklypodcast - E-mail eastendersweekly@gmail.com Our MERCH STORE IS OPEN, and great for any EastEnders fans this Christmas! Please check out our Original ‘Queen Vic Bust' design available on everything you can think of! Start shopping > https://shop.spreadshirt.co.uk/eastendersweeklypodcast FINALLY, it's back and more thrilling than ever before - SHE-AN-UUUUU! However, someone else has reared their ugly head too! How will this unravel and will the lovers ever be the same again. A special round of “Ian Beale's Real Deal - Winston Edition” - this time Ben has to guess whether chart releases by the resident of the Square charted higher or lower? (All music credits below) A little plot seed has been laid, just in time for Christmas! The ‘Walford Warblers' have been born and one member is being played for potential love? The Carters and Linda had finally revealed her plan, but will it go down well with Shirley? Each week we announce our winner of the “Poll of the Week” - did you vote and if not why not!? Find it every Monday when EastEnders is broadcast in the UK (8:00pm GMT) on our Twitter @eastendersweek. Twitter @eastendersweek - Instagram @eastendersweeklypodcast - E-mail eastendersweekly@gmail.com We have received lots of great messages and we try to reply to them all and read out your tweets or messages on our podcast… So please keep them coming! We LIVE TWEET every Monday, Tuesday, Thursday and Friday when EastEnders is broadcast in the UK. Please leave a review on iTunes... Subscribe, Follow and Share… and for all things ‘Enders visit: https://eastendersweekly.podbean.com/ Huge Thanks to https://soundcloud.com/kelly-taylor-25 for our Podcast Theme TIME STAMPS (Don't skip too much, you might miss something you'll like!) 00:00:00 - Hello and Welcome, to the weekly round up of Walford! 00:02:51 - Tiff Plays Bernie 00:12:12 - Ruby Moves In 00:20:50 - “Julia's Legacy” - Part Two 1990 - 1994 00:42:02 - Keanu and Sharon Drinkin' and Lovin' 00:57:14 - Game “Ian Beale's Real Deal - Winston Edition” 01:06:07 - Ian's Out of Tune 01:12:30 - Linda's Got a Secret 01:25:42 - ‘Poll of the Week' (We also take a minute talking about ‘Classic EastEnders') and this week's ‘Duff Duff' MUSIC CREDIT Anita Dobson - “Anyone Can Fall In Love” Sid Owen - “Good Thing Going” Letitia Dean and Paul Medford - “Something Outa Nothing” Michelle Gayle - “Do You Know” Tom Watt - “Subterranean Homesick Blues” John Altman and the Heavy Metal Kids - “Uncontrollable”
Welcome to Eastenders Weekly, the weekly podcast all about Eastenders. This week we discuss episodes of EastEnders from 19th to 23rd November Walford feels like it has been turned up to 11, getting all the stories into a row ready for Christmas or dare we say it… ‘Oates’? Starting with Tiff stirring trouble and leading Bernie astray as she discovers Evie’s World might not be as glamorous as she first thought. That time again where we look at the confusing storyline of Ruby - What is the plan and can we get back on track and learn more about what had happened that fateful night? Part two of our new feature “Julia’s Legacy” - This week 1990 - 1994 where Julia’s Theme was used for an ending to the show and the stories behind them! If you have suggestions for the show please...Contact us on Twitter @eastendersweek - Instagram @eastendersweeklypodcast - E-mail eastendersweekly@gmail.com Our MERCH STORE IS OPEN, and great for any EastEnders fans this Christmas! Please check out our Original ‘Queen Vic Bust’ design available on everything you can think of! Start shopping > https://shop.spreadshirt.co.uk/eastendersweeklypodcast FINALLY, it’s back and more thrilling than ever before - SHE-AN-UUUUU! However, someone else has reared their ugly head too! How will this unravel and will the lovers ever be the same again. A special round of “Ian Beale’s Real Deal - Winston Edition” - this time Ben has to guess whether chart releases by the resident of the Square charted higher or lower? (All music credits below) A little plot seed has been laid, just in time for Christmas! The ‘Walford Warblers’ have been born and one member is being played for potential love? The Carters and Linda had finally revealed her plan, but will it go down well with Shirley? Each week we announce our winner of the “Poll of the Week” - did you vote and if not why not!? Find it every Monday when EastEnders is broadcast in the UK (8:00pm GMT) on our Twitter @eastendersweek. Twitter @eastendersweek - Instagram @eastendersweeklypodcast - E-mail eastendersweekly@gmail.com We have received lots of great messages and we try to reply to them all and read out your tweets or messages on our podcast… So please keep them coming! We LIVE TWEET every Monday, Tuesday, Thursday and Friday when EastEnders is broadcast in the UK. Please leave a review on iTunes... Subscribe, Follow and Share… and for all things ‘Enders visit: https://eastendersweekly.podbean.com/ Huge Thanks to https://soundcloud.com/kelly-taylor-25 for our Podcast Theme TIME STAMPS (Don’t skip too much, you might miss something you’ll like!) 00:00:00 - Hello and Welcome, to the weekly round up of Walford! 00:02:51 - Tiff Plays Bernie 00:12:12 - Ruby Moves In 00:20:50 - “Julia’s Legacy” - Part Two 1990 - 1994 00:42:02 - Keanu and Sharon Drinkin’ and Lovin’ 00:57:14 - Game “Ian Beale’s Real Deal - Winston Edition” 01:06:07 - Ian’s Out of Tune 01:12:30 - Linda’s Got a Secret 01:25:42 - ‘Poll of the Week’ (We also take a minute talking about ‘Classic EastEnders’) and this week’s ‘Duff Duff’ MUSIC CREDIT Anita Dobson - “Anyone Can Fall In Love” Sid Owen - “Good Thing Going” Letitia Dean and Paul Medford - “Something Outa Nothing” Michelle Gayle - “Do You Know” Tom Watt - “Subterranean Homesick Blues” John Altman and the Heavy Metal Kids - “Uncontrollable”
MRS: 012 Simon Moro This episode is a My Ruby Story with Simon Moro. Simon is an Australian record producer and mixer. He has been teaching himself Ruby for the last 18 months, Rails framework, and is a frustrated aspiring entrepreneur. Through negative experiences with outsourcing and finding tech co-founders, he wanted to empower and educate himself. How did you get into programming? He remembers that the first computer in his home was actually called a dinosaur. His first experience with a computer made him intrigued. He was a lot of gaming consoles when he was young. Personally liked Sega and his best friend liked Nintendo. It was like an early Apple vs. Android rivalry. He was introduced to visual basic in an InfoTech class in high school. His high school didn’t have a strong tech department so it was a very simple class. There was a button that you would click which would display a dialogue box with a calculator. He was fascinated by the way you could write instructions. He had always been full of ideas. The idea that you could create a digital product just by writing text fascinated him. He started borrowing books from the library and even bought a few. He tried to teach himself. When he got older he used HTML and found WordPress useful as a music programmer and for the digital products he created. It wasn’t until 18 months ago that he thought he would try to learn a language and build something. Connection Between Music and Programming There are a lot of programmers that are also musicians. People don’t often acknowledge that there is creativity in code. Music and code may be appealing to people for the same reasons: because there is both science and creativity in both areas. Music is about agreements within a culture. Musicians agree that certain notes blended with each other either do or do not work. This is how they program symphonies and refactor sheet music to make it easier to read. Music is a process of solving problems creatively using a structure where if you go outside of that structure it won’t work. This is similar to front-end frameworks. In musical theory a lot of things are mathematical. There is a science of music and what makes it sound good. This is foundational in the same way math is the foundation in computer science. Did you start programming in WordPress or did your interest in programming come from something else? Simon did little in WordPress in terms of learning to program. He delved into CSS and changed themes using Envarto. He outsourced those tweaks to people from freelancing websites. He did try to learn PHP for his wife’s product but realized he didn’t do it correctly. He was involved in Melbourne startup world and heard about Ruby on Rails through that. He researched it after he heard about it and read about the philosophy behind it. He raised capital to build a product production management tool for music producers. He built it in Ruby on Rails, and a company in Deli built that for him. He had to fire them and start again. Because he’d been exposed to it, decided he’d delve into it and teach himself because if he’d started his learning at the same time he’d hired the company he could have taken over once he fired that company. He tells people that they can teach themselves if they have time and has people they can ask for help if they get stuck. Are you building the mbp for your own product? Simon built it himself. He had found a tech co-founder 18 months ago but it went south. Five weeks ago he finally decided to do it himself. He focused on one particular feature for receiving client feedback on a work in progress for music. A band that’s sending demos to each other can upload a song and add comments of change requests within the site. How did you come to Ruby? What was it about Ruby and how did you find it that made you decide to want to do this type of work in Ruby as opposed to PHP or something else? Simon started reading the philosophy around Ruby; then looked at the code. He thought the Ruby language and the Rails code made sense compared to PHP. He believed that PHP had too much code. He also likes the elegance of Ruby and the Rails framework, the organization, and the syntax. What kinds of things have you done with Ruby? Is this your first and only product/project? Have you done other things? Ways to learn? He believes that the way he is learning is most useful to beginners. The first thing that he did is to jump into a Ruby on Rails course through Treehouse. He found it confusing but he completed the course. A friend told him he thought it’d be helpful to learn Ruby through lynda.com. After that, he could separate Rails and Ruby. He started making quick prototypes to help learn and putting together budgets for projects apps, which he used for himself. Do you find that the courses were enough or did you have to find groups of people who were coding or find a mentor? It has helped by having people he could reach out to. He hasn’t had formal meetings with mentors. He had a problem with Track Bits and his friend Rahj helped find a solution to a problem one day. He has had moments where he’s been stuck like that and had someone help him. It is difficult to know what questions to ask Google to get the answers. Having someone to point the things out he doesn’t know that he doesn’t know is helpful. What was it that made you get to the point that you said, “I’m pretty comfortable with this, and I think I can do a good job with it.” He graduated from audio production in 2000. He has generally been the opposite of confident. He always assumes that he can always learn more, when he started out he was more confident than he is now in his craft. He now knows how important his role is in his client’s potential for connecting with an audience and his client’s potential for going further in their career. When he was younger he thought he could do things because he was trained so he could do things. Picks Simon: Kevin Skoglund Lynda.com https://www.lynda.com/Ruby-training-tutorials/303-0.html Official documentation: http://ruby-doc.org/ Cycling Zwift: www.zwift.com Charles: Envarto: www.envato.com Free Music Archive: www.freemusicarchive.org YouTube: www.youtube.com Links: Track Bits: www.trackbits.com
MRS: 012 Simon Moro This episode is a My Ruby Story with Simon Moro. Simon is an Australian record producer and mixer. He has been teaching himself Ruby for the last 18 months, Rails framework, and is a frustrated aspiring entrepreneur. Through negative experiences with outsourcing and finding tech co-founders, he wanted to empower and educate himself. How did you get into programming? He remembers that the first computer in his home was actually called a dinosaur. His first experience with a computer made him intrigued. He was a lot of gaming consoles when he was young. Personally liked Sega and his best friend liked Nintendo. It was like an early Apple vs. Android rivalry. He was introduced to visual basic in an InfoTech class in high school. His high school didn’t have a strong tech department so it was a very simple class. There was a button that you would click which would display a dialogue box with a calculator. He was fascinated by the way you could write instructions. He had always been full of ideas. The idea that you could create a digital product just by writing text fascinated him. He started borrowing books from the library and even bought a few. He tried to teach himself. When he got older he used HTML and found WordPress useful as a music programmer and for the digital products he created. It wasn’t until 18 months ago that he thought he would try to learn a language and build something. Connection Between Music and Programming There are a lot of programmers that are also musicians. People don’t often acknowledge that there is creativity in code. Music and code may be appealing to people for the same reasons: because there is both science and creativity in both areas. Music is about agreements within a culture. Musicians agree that certain notes blended with each other either do or do not work. This is how they program symphonies and refactor sheet music to make it easier to read. Music is a process of solving problems creatively using a structure where if you go outside of that structure it won’t work. This is similar to front-end frameworks. In musical theory a lot of things are mathematical. There is a science of music and what makes it sound good. This is foundational in the same way math is the foundation in computer science. Did you start programming in WordPress or did your interest in programming come from something else? Simon did little in WordPress in terms of learning to program. He delved into CSS and changed themes using Envarto. He outsourced those tweaks to people from freelancing websites. He did try to learn PHP for his wife’s product but realized he didn’t do it correctly. He was involved in Melbourne startup world and heard about Ruby on Rails through that. He researched it after he heard about it and read about the philosophy behind it. He raised capital to build a product production management tool for music producers. He built it in Ruby on Rails, and a company in Deli built that for him. He had to fire them and start again. Because he’d been exposed to it, decided he’d delve into it and teach himself because if he’d started his learning at the same time he’d hired the company he could have taken over once he fired that company. He tells people that they can teach themselves if they have time and has people they can ask for help if they get stuck. Are you building the mbp for your own product? Simon built it himself. He had found a tech co-founder 18 months ago but it went south. Five weeks ago he finally decided to do it himself. He focused on one particular feature for receiving client feedback on a work in progress for music. A band that’s sending demos to each other can upload a song and add comments of change requests within the site. How did you come to Ruby? What was it about Ruby and how did you find it that made you decide to want to do this type of work in Ruby as opposed to PHP or something else? Simon started reading the philosophy around Ruby; then looked at the code. He thought the Ruby language and the Rails code made sense compared to PHP. He believed that PHP had too much code. He also likes the elegance of Ruby and the Rails framework, the organization, and the syntax. What kinds of things have you done with Ruby? Is this your first and only product/project? Have you done other things? Ways to learn? He believes that the way he is learning is most useful to beginners. The first thing that he did is to jump into a Ruby on Rails course through Treehouse. He found it confusing but he completed the course. A friend told him he thought it’d be helpful to learn Ruby through lynda.com. After that, he could separate Rails and Ruby. He started making quick prototypes to help learn and putting together budgets for projects apps, which he used for himself. Do you find that the courses were enough or did you have to find groups of people who were coding or find a mentor? It has helped by having people he could reach out to. He hasn’t had formal meetings with mentors. He had a problem with Track Bits and his friend Rahj helped find a solution to a problem one day. He has had moments where he’s been stuck like that and had someone help him. It is difficult to know what questions to ask Google to get the answers. Having someone to point the things out he doesn’t know that he doesn’t know is helpful. What was it that made you get to the point that you said, “I’m pretty comfortable with this, and I think I can do a good job with it.” He graduated from audio production in 2000. He has generally been the opposite of confident. He always assumes that he can always learn more, when he started out he was more confident than he is now in his craft. He now knows how important his role is in his client’s potential for connecting with an audience and his client’s potential for going further in their career. When he was younger he thought he could do things because he was trained so he could do things. Picks Simon: Kevin Skoglund Lynda.com https://www.lynda.com/Ruby-training-tutorials/303-0.html Official documentation: http://ruby-doc.org/ Cycling Zwift: www.zwift.com Charles: Envarto: www.envato.com Free Music Archive: www.freemusicarchive.org YouTube: www.youtube.com Links: Track Bits: www.trackbits.com
MRS: 012 Simon Moro This episode is a My Ruby Story with Simon Moro. Simon is an Australian record producer and mixer. He has been teaching himself Ruby for the last 18 months, Rails framework, and is a frustrated aspiring entrepreneur. Through negative experiences with outsourcing and finding tech co-founders, he wanted to empower and educate himself. How did you get into programming? He remembers that the first computer in his home was actually called a dinosaur. His first experience with a computer made him intrigued. He was a lot of gaming consoles when he was young. Personally liked Sega and his best friend liked Nintendo. It was like an early Apple vs. Android rivalry. He was introduced to visual basic in an InfoTech class in high school. His high school didn’t have a strong tech department so it was a very simple class. There was a button that you would click which would display a dialogue box with a calculator. He was fascinated by the way you could write instructions. He had always been full of ideas. The idea that you could create a digital product just by writing text fascinated him. He started borrowing books from the library and even bought a few. He tried to teach himself. When he got older he used HTML and found WordPress useful as a music programmer and for the digital products he created. It wasn’t until 18 months ago that he thought he would try to learn a language and build something. Connection Between Music and Programming There are a lot of programmers that are also musicians. People don’t often acknowledge that there is creativity in code. Music and code may be appealing to people for the same reasons: because there is both science and creativity in both areas. Music is about agreements within a culture. Musicians agree that certain notes blended with each other either do or do not work. This is how they program symphonies and refactor sheet music to make it easier to read. Music is a process of solving problems creatively using a structure where if you go outside of that structure it won’t work. This is similar to front-end frameworks. In musical theory a lot of things are mathematical. There is a science of music and what makes it sound good. This is foundational in the same way math is the foundation in computer science. Did you start programming in WordPress or did your interest in programming come from something else? Simon did little in WordPress in terms of learning to program. He delved into CSS and changed themes using Envarto. He outsourced those tweaks to people from freelancing websites. He did try to learn PHP for his wife’s product but realized he didn’t do it correctly. He was involved in Melbourne startup world and heard about Ruby on Rails through that. He researched it after he heard about it and read about the philosophy behind it. He raised capital to build a product production management tool for music producers. He built it in Ruby on Rails, and a company in Deli built that for him. He had to fire them and start again. Because he’d been exposed to it, decided he’d delve into it and teach himself because if he’d started his learning at the same time he’d hired the company he could have taken over once he fired that company. He tells people that they can teach themselves if they have time and has people they can ask for help if they get stuck. Are you building the mbp for your own product? Simon built it himself. He had found a tech co-founder 18 months ago but it went south. Five weeks ago he finally decided to do it himself. He focused on one particular feature for receiving client feedback on a work in progress for music. A band that’s sending demos to each other can upload a song and add comments of change requests within the site. How did you come to Ruby? What was it about Ruby and how did you find it that made you decide to want to do this type of work in Ruby as opposed to PHP or something else? Simon started reading the philosophy around Ruby; then looked at the code. He thought the Ruby language and the Rails code made sense compared to PHP. He believed that PHP had too much code. He also likes the elegance of Ruby and the Rails framework, the organization, and the syntax. What kinds of things have you done with Ruby? Is this your first and only product/project? Have you done other things? Ways to learn? He believes that the way he is learning is most useful to beginners. The first thing that he did is to jump into a Ruby on Rails course through Treehouse. He found it confusing but he completed the course. A friend told him he thought it’d be helpful to learn Ruby through lynda.com. After that, he could separate Rails and Ruby. He started making quick prototypes to help learn and putting together budgets for projects apps, which he used for himself. Do you find that the courses were enough or did you have to find groups of people who were coding or find a mentor? It has helped by having people he could reach out to. He hasn’t had formal meetings with mentors. He had a problem with Track Bits and his friend Rahj helped find a solution to a problem one day. He has had moments where he’s been stuck like that and had someone help him. It is difficult to know what questions to ask Google to get the answers. Having someone to point the things out he doesn’t know that he doesn’t know is helpful. What was it that made you get to the point that you said, “I’m pretty comfortable with this, and I think I can do a good job with it.” He graduated from audio production in 2000. He has generally been the opposite of confident. He always assumes that he can always learn more, when he started out he was more confident than he is now in his craft. He now knows how important his role is in his client’s potential for connecting with an audience and his client’s potential for going further in their career. When he was younger he thought he could do things because he was trained so he could do things. Picks Simon: Kevin Skoglund Lynda.com https://www.lynda.com/Ruby-training-tutorials/303-0.html Official documentation: http://ruby-doc.org/ Cycling Zwift: www.zwift.com Charles: Envarto: www.envato.com Free Music Archive: www.freemusicarchive.org YouTube: www.youtube.com Links: Track Bits: www.trackbits.com
Jarvis Sulcer, Allison Scott, Hailey Shavers, Ruby Alcazar, join us from the Level Playing Field Institute to discuss the year round STEM program in Bay Area High Schools for minority women. We discuss the program, how to apply, and get an idea of what it is like from Hailey and Ruby. lpfi.orgTranscriptSpeaker 1: Spectrum's next Speaker 2: [inaudible].Speaker 1: Welcome [00:00:30] to spectrum the science and technology show on k a l x Berkeley, a biweekly 30 minute program bringing you interviews featuring bay area scientists and technologists. Speaker 3: Good afternoon. I'm Rick Karnofsky. Brad swift and I are the hosts of today's show stay. We're talking about science education of underrepresented minorities with the level playing field institute who run the smash. Some are math and science honors Academy that happens here [00:01:00] at Cau and at Stanford, UCLA and USC. We have the executive director, Jarvis saucer, the director of research and evaluation, Alison Scott and scholars, Ruby Alcazar and Haley Shavers. Jarvis, why don't you tell me a little bit about LPI? Speaker 4: It's a level playing philosophy to them. Our mission is to remove barriers for students of color who are pursuing degrees in stem and stem being science, technology, engineering and math, and to untapped their potential for the advancement [00:01:30] of our nation and the organism. We're founded in 2001 by Freada Kapor Klein focused on issues in the workplace around diversity and we started off Smash Academy at Berkeley in 2004 and we've continued to run the program and they've expanded to UCLA, USC and Stanford for the last couple of years.Speaker 5: Can someone summarize what Smash Academy is? So Speaker 4: smash you. They three year five week residential program for low income students with color who have we interested in pursuing stem degrees [00:02:00] in college and so we support these students through our five week residential program starting in the summer after ninth grade year and they stay with it for three years. Then we brought in additional support in the first two years of college and one of our strategic partners. Speaker 5: And can you tell me how scholars get involved in the program? Speaker 4: Most scholars come from the nine payer counties and they are first nominated by their teachers think they have to get a math and science recommendation and they go through a rigorous application process similar to what a senior in high school [00:02:30] with experience going to college. And then there's a application, they complete math assessment group interviews with staff and even current scholars than a program. And then we make a selection of the students who are about a 30% acceptance rate of students who apply. Speaker 5: How did you do find out about the program? I was friends with Rachel seems nice and she told me about the program and she said, Haley, I know you math [00:03:00] and I know you really like this so you should apply. And I was kind of skeptical. I was like, that's my summer. I'm trying to go places. She's like, just do it. And I did. I got in and it's best. It's the best. I like it. I like it a lot. Yeah.Speaker 6: Well my sister was actually a scholar before I was and so I found it from her. She's four years older than I am. The way she found out was through her guidance counselor at a high school. What kind of activities do take place over that five weeks? Speaker 7: [00:03:30] I think scholarships speak to that because they live and breathe it, breathe it. Speaker 6: It's been different almost every summer. Our schedules. We have classes five days a week, sometimes even on Sundays. So those classes include the core class like math and science and our science writing class. But we also take like tech media, engineering electronics, and then we also have guest Speakers, we call them Speakerseries. We listen to different than people that come from like stem fields and what they're doing with their lives and their careers. And [00:04:00] we also go on a lot of field trips. What's your favorite activity? Speaker 5: I think my favorite activity would have to be a field trip we took to Pixar, we got to tour the place in Emeryville and we also got to sit in on a presentation by one of the programmers who worked on brave. It was, it was really fun to see the inside of Pixar and just to see how they've created all the great movies that I've watched since I was little. Speaker 2: Yeah. [inaudible] Speaker 8: [00:04:30] you are listening to spectrum on k a l LX Berkeley. We're talking to the level playing field institute about science education of underrepresented minorities.Speaker 7: So a lot of research shows that our students come to us from schools. [00:05:00] Those are typically under-resourced, which means that they lack oftentimes access to high quality teachers, advanced placement courses that would prepare them for success in college. Um, in addition to extracurricular activities such as the ones that the scholars described that they participate in smash though, including things like computer science or robotics, which they might not have it there, high schools. And so that's a really great way smash is found to remove some of the barriers that face these students. Speaker 6: [00:05:30] Awesome. Can you talk to us a little bit more about the specific audience of underrepresented students of color that smash hopes to educate? How are their needs different? How are what they already have access to different? Speaker 7: One of the things that we find or that research demonstrates is that if you look at the science and engineering workforce, African American and Latinos make up only 7% of the entire science and engineering workforce, which is really concerning number considering that those populations [00:06:00] are rapidly growing and that the needs of our, our economy and our nation are trending towards stem occupations. And so, um, just that statistic alone speaks to the fact that, that we are leaving behind this significant person of our population and not preparing them for the skills that they'll need in the future. Speaker 4: And another interesting stat is that only being willing or harder to come to valley with copies of found almost every day that company founded by two individual colors, that's [00:06:30] the 1% and so the half and mostly who found, who found comfortable, who start companies in the bay or in the valley, people with typically with stem backgrounds. And so we have a, as Allison mentioned, a [inaudible] amount of potential in students who could be founders of their own company and really transform not only their lives but the lives of many in their community and beyond. Speaker 6: Is there something special about the bay area that would inspire programs like this to start here? Speaker 4: [00:07:00] I think that the diversity of the type of students we have in the barrier and the fact we have multiple cities represented. I mean there are students in our program say from the East Bay who we never set foot on Berkeley campus, even though it's a boat ride away. Or you have students who live in, I don't know, Penis Lou, who we never stepped foot on Stanford's campus. So that opportunity to have two world class universities in our backyard, so to speak, in our scholars, have an opportunity to experience those campuses in terms of the labs [00:07:30] and access to graduate students. And even faculty, I think makes the very unique place. Speaker 7: And in addition, there's the, obviously we have silicon valley in our backyard, so we have access to a lot of companies and employees of those companies who are very willing to come and speak to our scholars and provide [inaudible] Speaker 6: role models and back to the scholars. Um, do you participate in science and math events outside of both smash and, and the school year? Um, I actually just [00:08:00] got an internship for um, building like a teen website and my like hometown Palo Alto. I also do this thing at my school called college pathways. It's um, run by my guidance counselor and is specifically also for minorities and people of color. We go visit different campuses and uh, kind of similar to Speaker series, we have guest Speakers that we listened to. Um, a lot of them have been like engineers and entrepreneurs. Speaker 5: Um, so for me, other than smash casts, which introduced me to a lot of new programs, [00:08:30] I tend to just experiment. If I see something that I like, I'll research it and find out what's behind it and how can I learn. And that's, that's been my whole mindset since I guess my sophomore year of high school and it hasn't stopped. You have examples I have made to three mobile apps. They're very like simple. [00:09:00] I made them, so I felt like I feel really accomplished. I show like a bunch of my friends and they kind of just look at me like, this doesn't do anything. It just, you know, moves from like, you know, this is a lot of work. I've made these, I spend countless hours, you know, fixing it, make sure it doesn't have any errors. And it's, it's been good. I, my parents, they support me and even though I'm like the techie of the house, they don't really understand what I'm talking about, but [00:09:30] I explain it and they get it after a while and they're like, oh, this makes so much sense. Speaker 5: And then they start bragging to all their friends, but, but it's been good. Yeah. So you've mentioned smash cast a few times, but I don't think we've actually talked about what that is. So did you want to give a summary of smash? I think I can. Um, so smash cast is almost like the extension of our taking media class that we take over the summer and the cast stands for communications [00:10:00] and social technology. I want to say we also experiment and like get exposed to different programs. So right now we're diving into corona, which is a mobile app programming and we've learned some of the terminology and we've had a few mobile app companies come and visit us and they've talked about how they've created some of their games and we got to like test their games and uh, give them feedback. Speaker 2: [00:10:30] [inaudible] Speaker 8: you are listening to spectrum on k Alex Berkeley. We're talking with Jarvis, Alison Rubian, Hayley about smash the summer math and science honors academy. Speaker 2: [inaudible]Speaker 5: and what's it like [00:11:00] returning back to your regular high school after the end of the summer? He was kind of weird. How was so used to seeing the same faces? Six, six 30 but like seven ish in the morning until, you know, lights out at 11 o'clock. I guess it, I mean it's nice to go back to high school at the same time. I would always really miss smash. Smash is always what I'd look for too during the entire year. I guess it's kind of me going back to my classes also because I was the only like person of [00:11:30] color and a lot of my classes especially then like my science classes. Um, for me it was, it was kind of disappointing because my high school is, it's really small and I, I like the small atmosphere yet again. I like being surrounded by people who are driven to do better. Um, and my high school I attend, I have a small group of friends and at times they kind of have a lack of motivation to do better. Speaker 5: So I'm always there to push them. I'm like, come on you guys, [00:12:00] let's do this work, let's get it done. Um, but that smash, it was kind of vice versa. We pushed each other to a point where we did our best and we got the work done and we still had fun. And also the classes at my escort are kind of disappointing being that I have a computer science class yet there's only like five people and maybe two out of the five are really interested in the class. And then also for my math class it's [00:12:30] me and what other one other junior, because we take a higher level and we're kind of more advanced than the seniors, which is kind of disappointing being that they're kind of kind of our role models, but they're, they lack that motivation to apply for the colleges and they procrastinate a bunch and it's not good. But I think my junior class will be a really good senior class because I'm a part of it. So [00:13:00] there's LPF I help students after they go on to college. Speaker 4: Yes, we do. We have a strategic partner called beyond 12 and their primary focus is to provide support to first generation college students. I mean, effort to get to college because the city show that if a student can make it through their first two years of college, there is the chance of graduating from college significantly increases. Speaker 6: Hailey Hailey, how did you get started in stem? Speaker 5: It would have [00:13:30] to be my big cousin. He makes like custom computers for different people and I would always go over his house and just be interested in what he was building that day and he would make them look really interesting and show me all the parts. And from there I joined this weekend program that was held at a college and we just got to experience different forms of science and engineering and math and we got to take apart a computer and put it back together. [00:14:00] And I think from there I've always wanted to know how a computer works from the inside and see what I can make for other people to use. I like game design and game programming being that you play game and there may be some errors, but for the most part it's smooth and I want to be that person behind that game, writing that code so you can play. Speaker 6: How about Ruby? What got it going for you? Well, I had a really, [00:14:30] really good math teacher my eighth grade year, so middle school and I grew really close with her. It was just like a friendship that we had beyond like student teacher. I'd go to her when I have issues and we just talk like I just sit in a classroom and talk with her during lunch or something. I sweat. That initially kind of started thinking like, well she's so cool. She does too. Like I can do that. And then is that, so my math interest specifically like math has always been one of my favorite subjects. My mom actually forced me [00:15:00] to take a computer class my eighth grade year. Oh Web design class. I actually ended up enjoying it a lot. I was actually grateful for that. And so that kind of snowballed and and then my sister during my middle school years, she kinda accepted into smash and then she'd come back like every weekend telling me all these stories. And so I was like, oh well my sister basically my biggest role model and so I wanted to experience that too. Speaker 8: You are listening to spectrum on k a l x [00:15:30] Berkeley. We're talking with representatives from LPF by the liberal clean field institute. Speaker 9: Jarvis. I was, I was really intrigued with your mentioning of steam by adding the a for art into stem. And do you feel that that's maybe the next wave of creativity coming into stem now? It'll become steam? Speaker 4: I think so. I mean there's been local religion [00:16:00] around that and um, there's definitely a lot of value because of the, again, the creativity piece I think just look at, you know, iPhone, you know Steve Jobs that was inspired by the calligraphy classmate that he had at one point that led to a lot of what, you know, did some design, right? So you couldn't have that class. Who knows what may have with the rest. She may have taken it. So I think there's this one example of how it was the art that inspired and even some of the designs of other types of devices. It's not coming [00:16:30] naturally from engineers per se, but those who had this art sort of angle ass, another flavor and 11 other level of creativity. I finish. And use my creative. But I mean you look at the creativity, you mean even for engineer who's in a, you know, hardcore class they have in that part they can add another level of dimension to their own repertoire so to speak. I think design, no different types of devices and things of that nature. Speaker 9: How about Hayley? Do you think art is something you'd be interested in including in your [00:17:00] stem, getting some studio work somehow, you know, something design oriented? Speaker 5: Uh, definitely. I think if I have a piece of art included with my programming, I could create a lot of things. Like Games are some visual. Exactly. Exactly. Yeah. And if it's art that I like and that I've made, then I can say I've made a whole entire game about myself or at least with a whole team and [inaudible]. [00:17:30] Yeah, that'd be really, yeah, art is very important. Speaker 9: What sort of tools and discipline has smash provided for you as you know, as individuals kind of personal tools to help you succeed? Speaker 5: It definitely time management because of all of our classes we have homework and almost each class and we will always have to manage our time because we do have free time, but if you're not going to do your homework then you're procrastinating and then that's not good. But [00:18:00] then also teamwork because we work in groups and almost every class and you have to push your group members so we can all get the project done in a timely manner. So time management ties back into that too. Speaker 6: Any advice for people who are considering joining us? Yes. For any prospective applicants are scholars, definitely time management because those things come up really quick. Getting your teacher recs in on time, getting you essays done on time [00:18:30] I guess to the future scholars or they just keep an open mind. There's a lot of different people that come and go through the program and just to take all that you can from all these different people because you're not always going to get this chance if you got accepted, like there's a reason why you're there and so take as much as you can from it. Speaker 9: He is his level playing field on Facebook and Twitter. Speaker 4: Yes, I can go to a website. Um, that'd be the LPL [inaudible] [00:19:00] dot org and you received the links there too. They connected. Speaker 6: And Are you trying to recruit either new scholars or new volunteers or anything like that? Speaker 4: Yes, we're trying to recruit new donors, so anyone who, who like what they've heard today and want to impact more scholars Kotaku website and donate. Also looking for volunteers, those who want to get connected and volunteer their time, their resources Speaker 6: and we're obviously always looking for more talented scholars like Ruby and [00:19:30] Haley, everyone from LTF Jarvis and Ellison and Ruby and Hayley, thanks for joining us. Thank you very much. Thank you. Thank you. Speaker 2: [inaudible]Speaker 8: students wishing to apply to the Smash Academy can visit www dot [inaudible] dot org slash smash online registration closes Friday, February 15th at midnight. Online applications are due Friday, March 1st [00:20:00] I had been dating potential donors can also visit the LPI website to learn more. Speaker 2: [inaudible]Speaker 8: Brad Swift joins me for some science news headlines. Speaker 9: UC Berkeley News Center reports the publication of a study by University of Texas. At Austin and University of California Berkeley researchers, Shalani Sha and Claire Kremen in the Journal, p a n a s shows landscapes with large amounts of paved roads and impervious construction [00:20:30] have lower numbers of ground nesting bumblebees, which are important native pollinators. The study suggests that increasing the number of species rich flowering patches in suburban and urban gardens, farms and restored habitats could provide pathways for bees to forage and improve pollination services over large areas. The findings have major applications for global pollinator conservation on a rapidly urbanizing planet. Though it may seem obvious that pavement and ground nesting [00:21:00] don't mix. Joss said our understanding of the effects of pavement and urban growth on native bees has been largely anecdotal, bumblebees nest in the ground and each colony contains a queen and a force of workers. Unlike honeybees, which are not native, bumblebees, do not make harvestable honey. They do, however, provide important pollination services to plants to study the bumblebees. Joe Did not scour the landscape for a nest in the ground, which has proved in the past to be very difficult, especially over large [00:21:30] areas. Instead, she analyzed the genetic relatedness of bees foraging in the landscape GI use this information plus the B's location to estimate the number of bee colonies in an area and determine how far a field the individual bees were foraging. Speaker 8: The UC Berkeley News Center reports on findings presented on Monday, December 17th at the American Society for Cell Biology's annual meeting in San Francisco. Researchers from cal and Lawrence Berkeley showed [00:22:00] that mechanical forces can revert and stop out of control. Growth of cancer cells, professor of bioengineering, Dan Fletcher, said that Tissue Organization is sensitive to mechanical input from the environment at the beginning. Stages of growth and develop the team grew Milligan breast epithelial cells in a gelatin lake substance that had been injected into flexible silicone chambers. The flexible chambers allowed the researchers to apply a compressive force [00:22:30] in the first stages of cell development. Over time, the compress malignant cells grew into more organized healthy looking structures. The researchers used time lapse microscopy over several days to show that early compression also induced coherent rotation in the malignant cells. The characteristic feature of normal development. The new center added that it should be noted that the researchers are not proposing the development of compression bras as a treatment for breast cancer. Compression in and [00:23:00] of itself is not likely to be a therapy said flusher, but this does give us new clues to track down the molecules and structures that could eventually be targeted for therapies. Speaker 9: Here's another UC Berkeley News Center report I simple, precise and inexpensive method for cutting DNA to insert genes into human cells could transform genetic medicine making routine. What now are expensive, complicated and rare procedures for replacing defective genes [00:23:30] in order to fix genetic disease or battle diseases like aids. Discovered last year by Jennifer Doudna and Martin genic of the Howard Hughes Medical Institute and University of California Berkeley and the manual Carpentier of the laboratory molecular infection medicine in Sweden and published in science. The new technique was proven to work cutting bacterial DNA. Two new papers published last week in the journal. Science Express demonstrated that the technique also works [00:24:00] in human cells. A third new paper by Doudna and her team reporting. Similarly successful results in human cells has been accepted for publication by the new open access journal Elife. The key to the new technique involves an enzyme called CAS. Nine Doudna discovered the cas nine enzyme while working on the immune system of bacteria with evolved enzymes that cut DNA to defend themselves against viruses. Speaker 9: These bacteria [00:24:30] cut up viral DNA and stick pieces of it into their own DNA from which they make RNA that binds and inactivates the virus. This is a poster child for the role of basic science in making fundamental discoveries that affect human health. Doudna said irregular feature of spectrum is a calendar of some of the science and technology related events happening in the bay area over the next two weeks. Here's Brad Swift [00:25:00] on selected Saturdays from 9:30 AM to 1:30 PM experienced the beauty and rich natural history of Audubon Canyon ranches. 535 Acre Bovary preserve. Participants are divided into small groups and paired with a trained bovie air volunteer to explore the mixed evergreen forest flower, carpeted oak, woodland and rugged chaparral guided natural walks range from two to five miles. Visitors of all ages are welcome. [00:25:30] There is no charge, but donations are appreciated. See the website for reservation information go to ygritte.org the next three hikes are on Saturday, January 12th March 9th and March 20 third@websiteagainygritte.org here's a presentation on over-confidence in the frailty of knowledge. Speaker 9: While self confidence is a prized human attribute, too much confidence can be obnoxious, pernicious, and even deadly. This audience participation [00:26:00] skeptic will present a simple 10 question quiz to measure an important aspect of individual self confidence. With analysis and discussion of these measurements, audience members will be better able to calibrate properly their personal levels of self confidence. The ultimate goal will be a healthier skepticism towards one's own depth of knowledge about the world. This event is a joint production of the bay area skeptics and wonder fest. The Bay area beacon of science. The Speakers are Dr [00:26:30] Maryland Cologne, California State University, East Bay lecturer in psychology and Tucker Hyatt, Stanford visiting scholar and wonder fest. Founding executive director. This will be held Wednesday, January 16th at 7:30 PM until approximately 9:30 PM the location is La Pena Lounge 31 oh five Shattuck avenue in Berkeley, Speaker 3: the American Association of University Whitman Presents. Do Girls Love Science. You Bet Ya. Come here. Stanford's Dr [00:27:00] Siegrid close. Explain why Dr [inaudible] close is the cohost of the 2011 series known universe which aired on the National Geographic Channel. She is an assistant professor at Stanford's Department of Aeronautics and Astronautics where she heads up the space environment and satellite systems lab. This event happens Thursday, January 17th at the Sunnyvale Heritage Park Museum five 70 Remington drive in Sunnyvale, California. The doors open at seven [00:27:30] announcements at seven 15 Speaker at seven 30 for more information on this free event, visit www.auw-sv-cupt.org. Speaker 9: The next science at cal lecture will be on January 19th the talk will be given by Dr Mark less girl art and is entitled the shape of our thoughts, visual perception of geometric shape. Most people think that seeing is something that happens [00:28:00] in the eyes, but many aspects of our perception of the world are determined by neural computations that occur in the brain. The visual Cortex, the part of the brain that processes vision takes up nearly a third of our cerebral real estate. Different regions of the visual cortex respond to different aspects or features of visual stimuli, less crow art. We'll discuss his work which shows how intermediate visual processing areas in the visual cortex respond to variation and object silhouettes [00:28:30] and 3D surface orientations. This lecture will happen at 11:00 AM on January 19th in the genetics and plant biology building room 100 on the UC Berkeley campus. Speaker 2: [inaudible]. The music you [00:29:00] heard during say show was [inaudible] and David from his album book and acoustic is released under a creative Commons license version 3.0 spectrum was recorded and edited by me, Rick Karnofsky and by Brad Swift. Thank you for listening to spectrum. You're happy to hear from listeners. If you have comments about the show, please send them to us via email, right. Email address is spectrum [00:29:30] dot klx@yahoo.com join us in two weeks at this same time. [inaudible] [inaudible]. See acast.com/privacy for privacy and opt-out information.