Podcasts about gija

Thank you for listening to this track produced by the Art Gallery of South Australia. Join artist Peter Adsett and Nici Cumpston, Curator of Aboriginal and Torres Strait Islander Art and Artistic Director, Tarnanthi, in conversation to discuss the significant new display Two Laws One Big Spirit. Image: left: Rusty Peters, Gija people, Western Australia, born Springvale Station, Western Australia, 1935, died Kununurra, Western Australia 2020, Different Languages for Aboriginal and non-Aboriginal People from the series Two Laws One Big Spirit, 2000, Humpty Doo, Northern Territory, earth pigments on linen, 135.0 x 122.0 cm © the artist/Copyright Agency. right: Peter Adsett, born Gisborne, Aotearoa New Zealand 1959, Painting number 8, from the series Two Laws One Big Spirit, 2000, Humpty Doo, Northern Territory, synthetic polymer paint on linen, 135.0 x 122.0 cm © Peter Adsett. Gift of GRANTPIRRIE through the Art Gallery of South Australia Contemporary Collectors 2024. Donated through the Australian Government's Cultural Gifts Program.

Spēlē piedalās: Gints Rasa, Jānis Zicāns, Gija Ābele un Liene Mekša.  

Day 2 of EACD 2024.An interview with Dr Sarah McIntyre and Dr Gija Rackauskaite.Detailed show notes to come!Producer Ed apologises for the audio quality as the backstage room caused a lot of (audio) reflections that resulted in the more than usual echo in the podcast recordings!

Spēlē piedalās: Dāvis Emīls Zīle, Edgars Batkovskis, Gija Ābele un Mārtiņš Priedols.  

Stāsta rotu māksliniece un pētniece, Latvijas Mākslas akadēmijas lektore Ginta Grūbe. 20. gadsimta otrajā pusē zelta cena četru gadu laikā vairāk nekā četrkāršojās. Šis cenu kāpums kalpoja par stimulu rotu māksliniekiem strādāt ar tēraudu, alumīniju un plastmasu zelta vietā. Zelta cenas aptuvenais kāpums varēja būt no 19 uz 88 eiro par gramu zelta nepilnā piecgadē. Pieprasījums pēc zelta kā investīciju objekta pieaug grūtos laikos, jo akciju tirgi kļūst mazāk pievilcīgi. Tādējādi zelts tiek uzskatīts par labu ieguldījumu krīzes apstākļos. Ievērojamais kāpums 1980. gadā notika pēc padomju militāristu iesaistīšanās Afganistānā, pēc desmit gadus ilgas inflācijas, naftas [tirgus] satricinājumiem un amerikāņu militārajām neveiksmēm, kas arī izskaidro zelta cenas kāpumu. Cena kļuva arī par vienu no iemesliem rotās neizvēlēties zeltu, aizbildinoties ar tā iziešanu no modes un vēlmi radīt rotas, kas pieejamas visiem – neatkarīgi no sociālā stāvokļa. 20. gs 70. gados Nīderlandē darbojās vairāki rotu mākslinieki, kas savu radošo darbību nostatīja līdzās vizuālajai mākslai – nevis amatniecībai, kā tas tika darīts līdz šim. Pārmaiņu laiks bija pateicīgs brīdis materiāla izvēles maiņai, jo tas palīdzēja izcelt atšķirīgo pieeju rotu mākslā. Dizaineru pāris Gijs Bakers (Gijs Bakker) un Emmija Van Lērsuma (Emmy van Leersum) bija vieni no aktīvākajiem eksperimentētājiem. Viņi organizēja izstādi ar nosaukumu “Objekti, ko valkāt”. Nosaukums mums atklāj, ka autori tiecās mainīt fokusu no rotas kā dekoratīva rotājuma vai statusa simbola uz rotu kā autonomu objektu, kas iemieso autora radošo ideju. Gan Emmija un Gijs, gan citi viņu laikabiedri tiecās mainīt rotaslietu paradigmu, mainot arī vidi, kur rotas tiek demonstrētas. Rotas no veikaliem un darbnīcām tika pārnestas uz galerijām un muzejiem, līdzīgi kā tas jau bija noticis ar keramiku, stikla un tekstila darbiem. Gija Bakera darbi, bieži humoristiski un ironiski, reti dekoratīvi, bet uzdod būtiskus jautājumus: Kāpēc cilvēki valkā rotaslietas? Ko rotaslietas dara ar cilvēkiem? Kāda ir juveliera loma šajā procesā? (Liesbeth den Besten, “Metalsmith Magazine Vol. 7. No. 1”, 1987. gads.) Industriālo materiālu un tehnikas pārnese rotās izpaudās, piemēram, Gija izstrādātajā nerūsējošā tērauda aprocē, fiksējot to, izmantojot punktmetināšanu. Viņš eksperimentēja, arī laminējot fotogrāfijas ar dārgām karaliskās ģimenes kaklarotām. Bakers ironizēja par zelta cenu, veidojot darbu ar nosaukumu “Neredzamās rotas”, kas sastāvēja no zelta stieples, ko bija paredzēts stingri uztīt uz rokas un pēc laika noņemt, – nospiedums uz rokas bija viņa izpratne par rotu. Lai iegūtu apjomīgajām, apkaklei līdzīgajām rotām košas krāsas, viņš izmantoja alumīnija anodēšanu, kas industriālajā ražošanā un arhitektūrā tika izmantota jau kopš starpkaru perioda, tomēr rotaslietās tas bija jaunums. Mēbiusa lente arī kļuva par iedvesmu formas pētniecībai un pārnesei alumīnijā un tēraudā, līdzīgi kā bezgalīgās virsmas ideju savos darbos ilustrēja grafiķis Ešers. Mēbiusa lentes motīvs bija pateicīgs aproces formai. Rotu mākslinieks un grafiķis Roberts Smits, kurš arī darbojās Nīderlandē 20. gs. otrajā pusē, uz laiku pilnībā pārtrauca rotu mākslinieka karjeru un atgriezās pie tās pēc vairāku gadu pauzes. Viņš kritizēja tolaik radikālo holandiešu laikmetīgo rotu attīstības virzienu, kurā zelts bija teju nepieņemams materiāls. Gijs Bakers pārmeta Smitam, ka viņš cenšas saglabāt novecojušo rotas kā statusa simbola pozīciju, turpinot izmantot rotās zeltu, kaut arī ļoti plānās, folijai līdzīgās kārtās. 20. gs. otrās puses holandiešu radikālā pieeja rotu mākslai neapstiprināja viņu sākotnēji uzstādīto hipotēzi, ka, ja rotas tiks izgatavotas no lētākiem pieejamajiem materiāliem un izgatavošanā tiks izmantotas industriālajā ražošanā aizgūtas metodes, tad šādu laikmetīgu rotu popularitāte un pieprasījums strauji augs. Mākslinieku eksperimenti palika galeriju un muzeju sienās. To ražošanas apjomi nepietuvojās sākotnēji cerētajam. Toties šajā laikā tapušās rotas iezīmē jaunas ēras sākumu rotu mākslā, kur atļauti visi materiāli un mākslinieka idejas lidojums netiek ierobežots.

Spēlē piedalās Gija Ābele, Jānis Novicāns, Alberts Auziņš un Morics Roberts Mūrnieks.

Warnarral Ngoorrngoorrool is the result of a six-year intercultural collaboration between Indigenous and non-Indigenous artists, performers and musicians who have transformed an old car wreck into a significant cultural object shaped by sound and stories of cars, transport and Country from Gija and Miriwoong communities. Over 3 weeks (August 24 – September 16), Warnarral Ngoorrngoorrool will make its way from Kununurra to Perth through the Kimberley, Pilbara, Gascoyne, Mid-West and finally onto Boola Bardip, the Western Australian Museum's Perth site.

Spēlē piedalās: Gija Ābele, Jānis Romanovskis, Vilnis Bērziņš un Ingrīda Žaggere.

Following several years of underwhelming visitation due to the COVID-19 pandemic, more guests are returning to the iconic rock and cultural heart of Australia.

In this episode CEO Káti Gapaillard speaks with guest Greg Bridge. Káti and Greg discuss the balance of our work life and being a parent, and the impact of workplaces on our own health and wellbeing, as well as our children and family's.Greg is an indigenous man from the Gija people of the East Kimberley region of Western Australia. Author of two books, Yes Health Matters in the Workplace and Growing up Together, and co-founder and director of Legendary Training, and other business ventures based in Perth.He has over twenty years' experience passionately commentating and facilitating his human behaviour excellence programs which promote positive workplace changes and self-development, with the objective of health and wellness in mind. 

Elizana Baldiserra, a Gija, Cooperada Coplacana e Fundadora do Movimento e agora Associação “De Olho no Material Escolar” Prosa gravada durante a abertura do CoplaCampo, a grande feira dinâmica da Coplacana, em Piracicaba. Fala aí, Elizana.

Spēles dalībnieki: Renārs Reklaitis, Gija Ābele, Matīss Vecvagaris un Andris Bogdanovs.  

Subtítulos사라: 엄마 대체 왜 그래? 2층에는 왜 올라가? Sara: Mamá, ¿qué te pasa? ¿Por qué diablos subiste al segundo piso?기자: 우리 세종이 주려고 장난감 하나 사왔어.그 핑계로 세종이 방도 구경하고 내 강아지 체취도 좀 느껴보고 겸사겸사.Gija: Es que compré un juguete para regalárselo a mi Sejong.Y de paso, aprovechando la ocasión, quise ver cómo era el cuarto de Sejong y sentirle a mi cachorrito más de cerca.사라: 엄마 미쳤어? 여기 보는 눈이 몇인데?! 내가 정말 엄마 때문에 못 살아!Sara: ¿Te has vuelto loca, mamá? ¡No te das cuenta que hay ojos en todas partes!¡Me sacas de quicio!Expresión de la semana겸사겸사 Pronunciación: gyeomsagyeomsaTraducción: Aprovechando la ocasiónExplicación gramatical겸사겸사 es un adverbio que tradujimos como ‘aprovechando la ocasión’, pero también equivale a ‘de paso’, ‘al mismo tiempo’, ‘simultáneamente’, o sea, hacer dos cosas a la vez. Esta expresión se utiliza para indicar que quien la dice está haciendo varias cosas en forma simultánea. En el episodio que extrajimos de la serie “El caballero y la doncella” Gija, la madre de Sara, le dice a esta última que le compró un juguete a Sejong (el benjamín de la familia Lee) y ya que estaba de paso, aprovechó para entregárselo en persona y husmear alrededor de la habitación del pequeño. De esta manera explica su intención de querer hacer dos o más cosas al mismo tiempo.Podemos usar el adverbio ‘겸사겸사’ para terminar una oración pero también lo podemos colocar en el medio, agregándole más contenido como en el siguiente ejemplo:“병원에 온 김에 겸사겸사 다른 검사도 해 보려고 해요” (Voy a hacerme otras pruebas ya que he venido al hospital) Además, se puede emplear este adverbio junto al verbo 하다 (hacer), de la siguiente manera: 겸사겸사하다. En este caso, generalmente decimos ‘겸사겸사해서’ y con esto expresamos que hacemos varias cosas a la vez aprovechando la ocasión. Por ejemplo, podemos enunciar de la siguiente forma: “네가 궁금하기도 하고 얼굴 본 지도 오래됐고 겸사겸사해서 왔어.”(Me preguntaba cómo estarías y como ha pasado mucho tiempo desde que nos vimos, vine aprovechando la ocasión)

Subtítulos대란: 조실장 엄마.Daeran: Madre de Sara.기자: 조실장 엄마가 뭐냐. 그냥 편하게 이름 불러.Gija: ¿Por qué me llamas así? Llámame más cómodamente.대란: 그래 기자야. 나 우리 세련이한테 가봐야 하는데 어쩐다니?Daeran: Sí, Gija. Lo siento, pero tengo que ir a ver a Seryeon.기자: 왜 딸한테 무슨 일 있어?Gija: ¿Por qué? ¿Le ha ocurrido algo a tu hija?대란: 으...응. Daeran: Pues… sí.기자: 그래. 오늘만 날이냐? 우리 이제 옛날처럼 자주 보면 되지.무슨 일인지 모르지만 얼른 가봐 얼른.Gija: Bueno. ¡Hoy no es el único día! Ya tendremos más tiempo en adelante para encontrarnos como antes. Espero que no sea nada grave. Vé rápido. 대란: 어 그래. Daeran: Sí, gracias.Expresión de la semana오늘만 날이냐? Pronunciación: oneulman narinya?Traducción: ¡Hoy no es el único día!Explicación gramaticalEsta frase empieza con el sustantivo ‘오늘’, que corresponde a ‘hoy’ y a este le sigue ‘만’, una partícula auxiliar que indica que algo está limitado o restringido y sería el equivalente a ‘solo’ o ‘único’. Luego tenemos otro sustantivo, ‘날 (día, jornada),’ y que va acompañado de la terminación ‘-이냐’, la cual se usa cuando hacemos una pregunta en lenguaje informal de tuteo. Esta expresión se utiliza para indicar que hoy no es el único día para hacer algo ya que habrá más oportunidades en el futuro. Justamente en la escena que protagonizan Daeran y Gija, ambas tenían previsto pasar el tiempo juntas pero a la primera le surge un imprevisto y deber irse. Entonces, Gija le dice que está bien, que no pasa nada, ya que luego tendrán más oportunidades para reunirse. Recuerden que la terminación -이냐 se usa principalmente en el lenguaje hablado y en el registro informal de tuteo, o sea entre personas de la misma edad o más jóvenes, pero nunca ante personas mayores, desconocidas o con las que mantengamos un trato deferencial. Por cierto, en lugar de ‘오늘만 날이냐? podemos optar por decir ‘오늘만 날이니?’, que aunque tiene exactamente el mismo significado, posee un matíz mucho más amable y agradable.

Nova is a woman of many firsts — an Olympic gold medallist and Northern Territory Senator. She continues to strive for excellence while showing up for mob and standing with her people

Spēlē piedalās Kristiāns Kareļins, Jānis Barons, Anita Zaļaiskalne un Gija Ābele.

Spēlē piedalās Juris Tomiņš, Andris Spricis, Gija Ābele un Ģirts Kasparāns.  

Gija artist Nathan Thomas talks to Raymond Zada in one of a series of interviews with artists whose work features in Tarnanthi 2021. His work, among a display of boab nuts engraved to look like birds, is at the Art Gallery of South Australia. Music: Ngana Nyunyi by Tilly Tjala Thomas

What a blast. This section of the story is so fun. And informative! We get our first dragon in the funniest chapters/funniest episode of the story so far. The White Dragon's king has returned, and he's a little girl! Thank you for the comedy, Gija. Sorry about your haircut. You know the deal by now. His us up on Twitter or email us (theyonapod) or on Tumblr (theyonapodcast). Also, please consider rating and reviewing the podcast if you enjoyed it, or telling a friend. We're tiny and new, so any support is helpful. Thanks, and see you next week!

Ep. 39  Jahna Cedar OAMJahna Cedar is a Nyiyaparli/Yindjibarndi woman from the Pilbara region of Western Australia, with family connection to the Gija people of the Kimberleys, and is recognised as a strong Indigenous community leader. She has worked for over 20 years advocating for equal rights and reconciliation of Indigenous people and has represented Indigenous Australia at the United Nations in New York, on three occasions. In 2012, Jahna was the youngest person to be elected into the West Australian International Women's Day Hall of Fame and in 2017 proudly won Business news 40 under 40, First amongst equals. Jahna was also awarded Telstra Business Women Awards WA – For Purpose and Social Enterprise Winner in 2017.She has such a strong sense of purpose and real suggestions and advice on how we can make our relationship with indigenous people so much better which is the to the benefit of ALL Australians.   This was a fascinating and educational conversation. Jahna refers to IPS Management Consultants. Their website is:www.ipsau.com.au#Reallyinterestingwomen #RIW #Jahnacedar #ipsau #Nationalreconciliationweek #NRW #socialjustice #standstrong #celebratesuccess #rapport #truthtelling #trust #shareyourstory #richardinstagraham #lindaburney #indigenous #indigenousvoicetoparliament

S.L.A.M.A sa Vama! Umjesto simfonije, sarkazmi i ironije! ...o zanju ZNAMO sve samo jedno ne sa KOJIM alatom i mi se bavimo (tim) zanatom... S.L.A.M.A sa Vama! By Vladimir Kreća

Tegemist on viienda ehk viimase viie osalisest saatest Andrues Vanaga, kus võtame ette teema, kuidas elada nii, et elu oleks lihtne ja kerge. Saated annavad teadmised ja ettekujutuse sellest, kuidas maailm on tehtud ning mismoodi neid teadmisi praktikas rakendada, et Sinu elu oleks lihtne ja kerge, täis rõõmu, armastust ja küllust. Eelmised saated leiad siit: OSA I - Ausad-mehed – 149-selgeltnagija-ja-spirituaalne-opetaja-andrues-vana-lihtne-elu-osa-i OSA II - Ausad-mehed – 152-selgeltnagija-ja-spirituaalne-opetaja-andrues-vana-lihtne-elu-osa-ii OSA III - https://soundcloud.com/ausad-mehed/154-selgeltnagija-ja-spirituaalne-opetaja-andrues-vana-lihtne-elu-osa-iii OSA IV - https://soundcloud.com/ausad-mehed/andrues-vana-vol4 NB! Kui tunned, et soovid "Ausad mehed" podcasti tegemisi toetada, siis saad seda teha järgnevale konto kaudu. Iga summa aitab, aitäh! Konto, millele toetust saata: IBAN: GB68REVO00997013422585 BIC: REVOGB21 SAAJA: Chris Kala SELGITUS: Oma facebooki nimi Facebook: www.facebook.com/podcastausadmehed/ www.facebook.com/chriskkala Instagram: www.instagram.com/chriskkala Jälgi Andrues Vana tegemisi: www.andruesvana.com www.facebook.com/andrues.vana/

Tegemist on neljanda, viie osalisest saatest Andrues Vanaga, kus võtame ette teema, kuidas elada nii, et elu oleks lihtne ja kerge. Saated annavad teadmised ja ettekujutuse sellest, kuidas maailm on tehtud ning mismoodi neid teadmisi praktikas rakendada, et Sinu elu oleks lihtne ja kerge, täis rõõmu, armastust ja küllust. Eelmist kaht saadet kuula siit: OSA I - Ausad-mehed – 149-selgeltnagija-ja-spirituaalne-opetaja-andrues-vana-lihtne-elu-osa-i OSA II - Ausad-mehed – 152-selgeltnagija-ja-spirituaalne-opetaja-andrues-vana-lihtne-elu-osa-ii OSA III - https://soundcloud.com/ausad-mehed/154-selgeltnagija-ja-spirituaalne-opetaja-andrues-vana-lihtne-elu-osa-iii Kui soovid tellida endale jõulude ilmuva "Ausad mehed" podcasti raamatu "Kontaktis endaga", siis leiad selle võimaluse ka siit: www.hooandja.ee/projekt/kontaktis-endaga#tab-1-tab NB! Kui tunned, et soovid "Ausad mehed" podcasti tegemisi toetada, siis saad seda teha järgnevale konto kaudu. Iga summa aitab, aitäh! Konto, millele toetust saata: IBAN: GB68REVO00997013422585 BIC: REVOGB21 SAAJA: Chris Kala SELGITUS: Oma facebooki nimi Facebook: www.facebook.com/podcastausadmehed/ www.facebook.com/chriskkala Instagram: www.instagram.com/chriskkala Jälgi Andrues Vana tegemisi: www.andruesvana.com www.facebook.com/andrues.vana/

Tegemist on esimese, viie osalisest saatest Andrues Vanaga, kus võtame ette teema, kuidas elada nii, et elu oleks lihtne ja kerge. Saated annavad teadmised ja ettekujutuse sellest, kuidas maailm on tehtud ning mismoodi neid teadmisi praktikas rakendada, et Sinu elu oleks lihtne ja kerge, täis rõõmu, armastust ja küllust. Kui soovid tellida endale jõulude ilmuva "Ausad mehed" podcasti raamatu "Kontaktis endaga", siis leiad selle võimaluse ka siit: www.hooandja.ee/projekt/kontaktis-endaga#tab-1-tab NB! Kui tunned, et soovid "Ausad mehed" podcasti tegemisi toetada, siis saad seda teha järgnevale konto kaudu. Iga summa aitab, aitäh! Konto, millele toetust saata: IBAN: GB68REVO00997013422585 BIC: REVOGB21 SAAJA: Chris Kala SELGITUS: Oma facebooki nimi Facebook: www.facebook.com/podcastausadmehed/ www.facebook.com/chriskkala Instagram: www.instagram.com/chriskkala Jälgi Andrues Vana tegemisi: www.andruesvana.com www.facebook.com/andrues.vana/

Tegemist on esimese, viie osalisest saatest Andrues Vanaga, kus võtame ette teema, kuidas elada nii, et elu oleks lihtne ja kerge. Saated annavad teadmised ja ettekujutuse sellest, kuidas maailm on tehtud ning mismoodi neid teadmisi praktikas rakendada, et Sinu elu oleks lihtne ja kerge, täis rõõmu, armastust ja küllust. Kui soovid endale soetada Andrues Vana äsja ilmunud raamatut "Lihtne elu 1", siis leiad selle siit: Tinyurl.com/lihtneelu Kui soovid tellida endale jõulude ilmuva "Ausad mehed" podcasti raamatu "Kontaktis endaga", siis leiad selle võimaluse ka siit: www.hooandja.ee/projekt/kontaktis-endaga#tab-1-tab NB! Kui tunned, et soovid "Ausad mehed" podcasti tegemisi toetada, siis saad seda teha järgnevale konto kaudu. Iga summa aitab, aitäh! Konto, millele toetust saata: IBAN: GB68REVO00997013422585 BIC: REVOGB21 SAAJA: Chris Kala SELGITUS: Oma facebooki nimi Facebook: www.facebook.com/podcastausadmehed/ www.facebook.com/chriskkala Instagram: www.instagram.com/chriskkala Jälgi Andrues Vana tegemisi: www.andruesvana.com www.facebook.com/andrues.vana/

Tegemist on esimese, viie osalisest saatest Andrues Vanaga, kus võtame ette teema, kuidas elada nii, et elu oleks lihtne ja kerge. Saated annavad teadmised ja ettekujutuse sellest, kuidas maailm on tehtud ning mismoodi neid teadmisi praktikas rakendada, et Sinu elu oleks lihtne ja kerge, täis rõõmu, armastust ja küllust. Kui soovid endale soetada Andrues Vana äsja ilmunud raamatut "Lihtne elu 1", siis leiad selle siit: Tinyurl.com/lihtneelu Kui soovid tellida endale jõulude ilmuva "Ausad mehed" podcasti raamatu "Kontaktis endaga", siis leiad selle võimaluse ka siit: https://www.hooandja.ee/projekt/kontaktis-endaga#tab-1-tab Facebook: www.facebook.com/podcastausadmehed/ www.facebook.com/chriskkala Instagram: www.instagram.com/chriskkala Jälgi Andrues Vana tegemisi: www.andruesvana.com www.facebook.com/andrues.vana/

Täna istume taaskord stuudios selgeltnägija Andrues Vanaga. Eelmises saates rääkisime maailmast kui neutraalsest nähtusest; universumi baasreeglitest; egost; vaimsest ärkamisest; mõistusest; negatiivsetest ja positiivsetest kogemustest; külgetõmbeseadusest ehk peegeldus seadusest; Andrues on spirituaalne õpetaja, kes räägib sellest, kuidas see maailm, kus me elame tehtud on ja millised peenmaailma, energia ja sageduslikud reeglid siin kõigile kehtivad. Ühtlasi räägib ta ka sellest, kuidas nende reeglitega arvestades ise oma maailma ja tulevikku luua. Ta õpetab ja juhendab oma teadlikkusega kuidas seda elamise asja teha nii, et see oleks kerge ja lihtne. Andrues on kirjutanud ka raamatu “Päev peale ärkamist.” ning tal on ka ilmumas uus, või õigem oleks öelda uued raamatud, millest täna ka räägime. Oma igapäeva töös panustab ta väga palju Facebooki vahendusel erinevate mõtete edastamisele, mida jälgib üle 5000 inimese. Ta kanaldab enda kõrgemat mina, esineb aeg-ajalt ka seminaridel ning näeb tulevikku. Seda kui palju ja mis mahus ning detailides ta seda näeb, katsume täna veelkord puudutada. Kuula ka eelmist episoodi: https://soundcloud.com/ausad-mehed/andrues-vana-selgeltnagija-102 Tegemist on tasulise saatega, kui soovid kuulata tervet episoodi ja ka kõiki teisi tasulisi külalistega saateid, siis leiad need kõik suletud Facebooki grupist: www.facebook.com/groups/ausadvestlused/ Ligipääsu saamiseks tuleb sooritada väike tasu järgnevale kontole: IBAN: GB68REVO00997013422585 BIC: REVOGB21 SAAJA: Chris Kala SUMMA: 12€ / kuus SELGITUS: Oma facebooki nimi NB! Swedbank omanikel soovitan sooritada makse läbi arvuti ja valida eraldi välismakse, muidu võib tekkida probleeme kande sooritamisel. Head mõtted Andruesilt: ”Nii kui sa inimesena suu lahti teed, ja rääkima hakkad, oled sa (oma jutuga) automaatselt minevikus ja kohas, kus sa tegelikult olla ei taha.” ”Head tunnet ei saa saada, see on võimatu. Hea tunne saab olla. Ükskõik kui palju, kasvõi millimeeter liikudes heale tundele lähemale, oled sa automaatselt heast tundest ära. Hea tunne saab olla nüüd ja praegu. Sa pead valima hea tunde, mitte ootama või minema, et seda saada.” ”Tunne tekib mõttest, tunne ei teki asjadest.” ”Sinu asi on olla egoist. Sinu tunne juhatab sind alati kõige paremat, lahedamat, kergemat ja meeldivamat teedpidi just sinna, kuhu sa soovid saada. Seda kõike sõltumata sellest, kas sa usud seda või mitte.” ”Kui sa hoiad vana asja käes, ei saagi uus tulla.” ”Sa oled täpselt nii vaba, et sa võid otsustada, mida sa tahad.” ”Vaata elu kui mitte joonlauda, vaid hunnikut fotosid.” ”Ära võitle nende asjadega, mida sa ei soovi, vaid lisa juurde seda, mida sa soovid. Läbi selle võtad sa koguaeg tähelepanu ära sellelt, mida sa ei soovi ja see lahkub sinu elus ise. Teistmoodi pole võimalik.” ”Fear of missing out ehk hirm ilmajäämise ees, see on hirm tuleviku ees kõrgemas pilotaažis. Selle mõttega sa annad teada, et miski tulevikus tuleb, ja see teeb mulle hea. See arusaam on juba eos vale, aga nüüd keerad sa selle asja veel tugevamaks öeldes, et ma kardan, et jään ilma sellest, mida mul ei ole veel olnudki.” Lisaks, kui sa tunned, et saade, mida kuulad pakub sulle väärtust, siis too meieni üks sõber, kes võiks saates oleva informatsiooniga resoneeruda. See aitab meil enda ja külaliste sõnumit edasi viia. Facebook: www.facebook.com/podcastausadmehed/ www.facebook.com/chriskkala https://www.facebook.com/elise.lompp Instagram: www.instagram.com/chriskkala www.instagram.com/eliselomp/ Jälgi Andrues Vana tegemisi: www.andruesvana.com www.facebook.com/andrues.vana/

Gloria is a Gija woman living the dream. She is one of twelve and has hundreds of grandchildren throughout the Kimberley. Her son was the first aboriginal weightlifter to compete at an olympics (Sydney 2000), she has four grandsons currently playing in the AFL and heaps more cool stuff is happening in that space. We yarn about all of this as well as what it was like to welcome Nick Cummins into her mega family, her important role within her workplace, her love of the bush, the food, the lifestyle and her favourite things to do. I trust you'll enjoy this yarn. Your feedback is always well received and thanks so much to everyone who has rated us on Apple Podcasts. Very grateful. Enjoy! --- Send in a voice message: https://podcasters.spotify.com/pod/show/bushyarns/message

Eesti ehitustel on kasutatud kümme aastat värvi, mis muudab uued majad tuleohtlikuks. "Pealtnägija" ühe põhiteema tagamaid tutvustab kell 8.15 Mihkel Kärmas.

Eesti ehitustel on kasutatud kümme aastat värvi, mis muudab uued majad tuleohtlikuks. "Pealtnägija" ühe põhiteema tagamaid tutvustab kell 8.15 Mihkel Kärmas.

Seekord istume stuudios maha selgeltnägija Andrues Vanaga. Andrues on spirituaalne õpetaja, kes räägib sellest, kuidas see maailm tehtud on ja mis reeglid siin kehtivad. Kuidas nende reeglitega arvestades ise oma maailma ja tulevikku luua. Ta räägib sellest, kuidas seda elamise asja nii teha, et see oleks kerge ja lihtne. Andrues on kirjutanud ka raamatu "Päev peale ärkamist.". Oma igapäeva töös on ta panustab väga palju Facebooki vahendusel erinevate mõtete edastamisele, ta kanaldab enda kõrgemat mina, esineb ka seminaridel ning näeb väidetavalt tulevikku. Tegemist on tasulise saatega, kui soovid kuulata tervet episoodi ja ka kõiki teisi tasulisi külalistega saateid, siis leiad need kõik suletud Facebooki grupist: www.facebook.com/groups/ausadvestlused/ Ligipääsu saamiseks tuleb sooritada väike tasu järgnevale kontole: IBAN: GB68REVO00997013422585 BIC: REVOGB21 SAAJA: Chris Kala SUMMA: 12€ / kuus SELGITUS: Oma facebooki nimi NB! Swedbank omanikel soovitan sooritada makse läbi arvuti ja valida eraldi välismakse, muidu võib tekkida probleeme kande sooritamisel. Head mõtted Andruesilt: - Maailmas eksisteerivad lihtsad ja sügavad baasreeglid, millega arvestades ei pea inimeseks olemine olema nii keeruline. - Inimesena ei ole sa kunagi üksi – sinuga koos on alati ka sinu mittefüüsiline osa, teadvus kui selline. - Mõistus on nagu mootorsaag, mille sa hommikul käima tõmbad, aga mida ei oska enam käest panna. - Universum toetub vaid ühele seadusele ja see on peegelduse seadus ehk külgetõmbeseadus. - Tõde on lõputus koguses, aga mõistusega ei hooma sa seda kunagi, sest mõistuses on kõik asjad alguse ning lõpuga. - Sinu elu on algusest lõpuni filmilint. Läte näeb kogu filmilinti, sina aga vaid seda, mis on ära olnud, üht kaadrit. Sina vahetad justkui kaadreid. - Me elame sageduste maailmas. Kui sa saad aru sagedustest, siis sa saad aru, kuidas universum töötab. - Kui sa tahad, et su lapsel oleks hea, pead sina esimesena enda heale keskenduma. - Külgetõmbeseadus on erapooletu seadus, mis on absoluutselt kogu sinu kogemus elust: sinu maailma on joonistanud energiaosake, kes vaatab seda, mida sina välja kiirgad. Ta vaatab, mis näoga sina peegli ees seisad ja teeb sellest peegelpildi. - Päeva lõpus sa saad aru, et me kõik oleme lihtsalt mingi energia, mis võngub tühjuses – füüsikalises mõttes. - Meie loomulik olek on heasoovlikkus. Raamatud, millest oli podcastis juttu: E. Tolle „Siin ja praegu: kohaloleku jõud“ A. Vana „Päev peale ärkamist“ Sa asud kuulama podcasti Ausad Mehed, mille eesmärgiks on motiveerida ja inspireerida kuulajaid olemaks rohkem ausam enda vastu ning võtmaks suuremat vastutust enda isikliku elu ees. Kui tunned, et saade pakub sulle väärtust, siis too meieni üks sõber, jagades saadet kellegagi, kes võiks saates oleva informatsiooniga resoneeruda. See aitab meil enda ja külaliste sõnumit laiema kuulajaskonnani edasi viia. Ausad Mehed: www.chriskala.com www.martinpukspuu.ee Facebook: www.facebook.com/podcastausadmehed/ www.facebook.com/chriskkala Instagram: www.instagram.com/chriskkala/ www.instagram.com/martinpukspuu/ Jälgi Andrues Vana tegemisi: www.andruesvana.com www.facebook.com/andrues.vana/

Desmond is in conversation with Gija Melnupe who is an aspiring garden designer and also works in the property training arena. They talk about how learning can be there but you have to be receptive to it for it to make a difference and why everyone should get a chance to make their own impression, one that is free from preconceived views that are usually incorrect.  This is a fascinating conversation and well worth a listen.    KEY TAKEAWAYS  I love to garden and garden design I now realise it was something that was always there, it was the thing I should be doing but it wasn’t until someone else saw it in me that I was able to understand I could be doing it.  Everybody wants the same thing in their garden – an entertainment space, a space for the kids and anything else is an add on  It’s good for kids to have their own space and it’s even better if it’s not a square.  People think carefully about their interior design and because there are items we all have such as a sofa in the living room there is a starting point.  Gardens can be much more challenging people can find it challenging to identify what they want.  As a designer, it’s important to guide them to the best solution.  Working in the training environment can be very motivating but only if you are open to it.  Having the opportunity to hear good content and ideas repeatedly is what helps. You don’t always absorb the information fully when you first hear it.  If you have heard it repeatedly you gain a good understanding that can be effectively actioned.  If you are motivated you can use what you learn as inspiration to move you and your life forward.     BEST MOMENTS  Being around someone who is inspiring won’t necessarily  mean you listen to it  ‘If people ask where I’m from in a conversation I know I’m winning’  ‘ You’ve got to be the most trained person in the UK’  ‘There are not the same opportunities in Latvia and I’ve been very lucky about where I work and the opportunities that are open to me’     VALUABLE RESOURCES  More With Moreira Podcast     ABOUT THE HOST  I don’t know how this works, but you’re here now listening (hopefully) about my exciting life, so I’m going to try and make this worth your while. I never got inspired at school, I was too busy trying to impress my peers, chasing girls, and being a fool to get inspired. I rejected school. But let me tell you something for free! That was a mistake! I spent the next 15 years in jobs I hated, with no direction, lacked purpose, and motivation for life. Yes, big words, but that was me in a box. A slave to the system! Fast forward to today, and well, I’m not sitting in my ivory tower or anything, but I love life and my career. Yeah, it’s both painful and exciting rolled and wrapped up into one giant subway, and who doesn’t love subway rite? The point is, you only get one life, don’t waste it pursuing things you care nothing for, invest in YOURSELF and grow as a person, be the best YOU by putting YOU first!       CONTACT METHOD  http://desmondmoreira.co.uk  https://www.youtube.com/channel/UCo6eVOt1YEQD0dxNkRXevVg/featured  https://twitter.com/Desmondmoreira  https://www.instagram.com/desmondmoreira 

Läti 100.

Läti 100.

Gruusia tuntud helilooja Gija Kancheli meenutab, et Raimonds Pauls oli esimene jazzpianist, kes tuli Tbilisissse esinema. Poole sajandi jooksul sai kahe muusiku koostööst sõprus.

Gruusia tuntud helilooja Gija Kancheli meenutab, et Raimonds Pauls oli esimene jazzpianist, kes tuli Tbilisissse esinema. Poole sajandi jooksul sai kahe muusiku koostööst sõprus.

In the remote community of Warmun in the East Kimberley, the art centre has been working to strengthen Gija language among the next generation.

In the remote community of Warmun in the East Kimberley, the art centre has been working to strengthen Gija language among the next generation.

Raimonds Paulsi poole sajandi pikkune sõprus Gija Kancheliga

Raimonds Paulsi poole sajandi pikkune sõprus Gija Kancheliga

Saate teemaks on Venezuela troopilise rohtla mitmesugused imetajad. Eelkõige ikka need, keda Hendrik oma silmaga nägi - sai kohtutud puu otsas magava pesukaruga, vees pladistava kapibaaraga, kes on maailma suurim näriline, ja suure sipelgaõgijaga, kelle välimus on uskumatult fantastiline.Saate autor on Hendrik Relve, helirežissöör Maris Tombach. Kuula 8. novembril kell 14.05. Foto: suur sipelgaõgija (pildistas Hendrik Relve).

Saate teemaks on Venezuela troopilise rohtla mitmesugused imetajad. Eelkõige ikka need, keda Hendrik oma silmaga nägi - sai kohtutud puu otsas magava pesukaruga, vees pladistava kapibaaraga, kes on maailma suurim näriline, ja suure sipelgaõgijaga, kelle välimus on uskumatult fantastiline.Saate autor on Hendrik Relve, helirežissöör Maris Tombach. Kuula 8. novembril kell 14.05. Foto: suur sipelgaõgija (pildistas Hendrik Relve).

Hector Jandany, Gija/Kija people, 1925/1929–2006, Ascension [Kimberley] 1993. Painting, natural earth pigments and binders on canvas, 190.0 h x 196.0 w cm. Purchased 2005 © Hector Jandany, Licensed by VISCOPY, Australia.

Paddy Jaminji, Gija people (1912–1996) and Rover Thomas [Joolama], Kukatja/Wangkajunga peoples (1926/1928-1998), The Dreaming Kangaroo at Nine Mile, near Wyndham [No 8 in the series of ten paintings of The Krilkril Ceremony] 1983. Painting, natural earth pigments and binders on composition board, 120.0 h x 60.0 w cm. Purchased 1984 © the artist's estate, courtesy Warmun Art Centre.

Rusty Peters, like many East Kimberley painters, spent his youth working as a stockman on cattle stations throughout the Kimberley, and earned a reputation as an accomplished horse breaker. Along with other Gija community elders, Peters was influential in establishing the Ngalangangpum bicultural school – the first school at the main Gija community Warmun (Turkey Creek) – ensuring that instruction in Gija law and culture was prominent in the curriculum. In 1989, Peters moved to Kununurra, where he worked as an assistant at Waringarri Aboriginal Arts, a community owned Aboriginal art cooperative. He often worked closely with Rover Thomas, the East Kimberley's most renowned painter and a co-founder of the regional contemporary painting movement. Although Peters occasionally produced small canvases during this period, he did not begin painting in earnest until 1998, after he had left Waringarri to join the newly founded Jirrawun Aboriginal Arts. Since then he has had a series of successful group and solo exhibitions, including the 2000-02 travelling exhibition 'Two Laws ... One Big Spirit', in which he collaborated with artist Peter Adsett. In his most ambitious canvas to date, the immense, twelve-metre long 'Waterbrain', 2002, Peters departs from the specific themes of country and Ngarrangkarni that normally form the focus of East Kimberley painting. Instead, he chooses to explore the cycle of life and learning that is universal to all peoples. Read from left to right, the canvas presents a chronology of the process of birth, growth and learning from conception to adulthood. At the lower left are waterweeds among which, according to Gija belief, the spirits of unborn children reside before entering the mothers womb to become the spirits of human beings. The next panels deal with birth and infancy, when a child moves from crawling, to walking, to running, although his or her brain has yet to begin to absorb the teachings of his or her culture. The large circular motif at the centre shows the adult brain – the child has grown up and is beginning to have his or her own ideas. The next panels deal with the education that transforms a child into a full member of adult society. As a symbol of the culmination of the individual's education. in the final panels Peters depicts the artefacts his elders taught him to make and which, before the coming of European settlers, all Gija men needed to know how to create in order to survive. Eric Kjellgren in 'Tradition today: Indigenous art in Australia', Art Gallery of New South Wales, Sydney, 2004 © Art Gallery of New South Wales

Rusty Peters, like many East Kimberley painters, spent his youth working as a stockman on cattle stations throughout the Kimberley, and earned a reputation as an accomplished horse breaker. Along with other Gija community elders, Peters was influential in establishing the Ngalangangpum bicultural school – the first school at the main Gija community Warmun (Turkey Creek) – ensuring that instruction in Gija law and culture was prominent in the curriculum. In 1989, Peters moved to Kununurra, where he worked as an assistant at Waringarri Aboriginal Arts, a community owned Aboriginal art cooperative. He often worked closely with Rover Thomas, the East Kimberley's most renowned painter and a co-founder of the regional contemporary painting movement. Although Peters occasionally produced small canvases during this period, he did not begin painting in earnest until 1998, after he had left Waringarri to join the newly founded Jirrawun Aboriginal Arts. Since then he has had a series of successful group and solo exhibitions, including the 2000-02 travelling exhibition 'Two Laws ... One Big Spirit', in which he collaborated with artist Peter Adsett. In his most ambitious canvas to date, the immense, twelve-metre long 'Waterbrain', 2002, Peters departs from the specific themes of country and Ngarrangkarni that normally form the focus of East Kimberley painting. Instead, he chooses to explore the cycle of life and learning that is universal to all peoples. Read from left to right, the canvas presents a chronology of the process of birth, growth and learning from conception to adulthood. At the lower left are waterweeds among which, according to Gija belief, the spirits of unborn children reside before entering the mothers womb to become the spirits of human beings. The next panels deal with birth and infancy, when a child moves from crawling, to walking, to running, although his or her brain has yet to begin to absorb the teachings of his or her culture. The large circular motif at the centre shows the adult brain – the child has grown up and is beginning to have his or her own ideas. The next panels deal with the education that transforms a child into a full member of adult society. As a symbol of the culmination of the individual's education. in the final panels Peters depicts the artefacts his elders taught him to make and which, before the coming of European settlers, all Gija men needed to know how to create in order to survive. Eric Kjellgren in 'Tradition today: Indigenous art in Australia', Art Gallery of New South Wales, Sydney, 2004 © Art Gallery of New South Wales

Rusty Peters, like many East Kimberley painters, spent his youth working as a stockman on cattle stations throughout the Kimberley, and earned a reputation as an accomplished horse breaker. Along with other Gija community elders, Peters was influential in establishing the Ngalangangpum bicultural school – the first school at the main Gija community Warmun (Turkey Creek) – ensuring that instruction in Gija law and culture was prominent in the curriculum. In 1989, Peters moved to Kununurra, where he worked as an assistant at Waringarri Aboriginal Arts, a community owned Aboriginal art cooperative. He often worked closely with Rover Thomas, the East Kimberley's most renowned painter and a co-founder of the regional contemporary painting movement. Although Peters occasionally produced small canvases during this period, he did not begin painting in earnest until 1998, after he had left Waringarri to join the newly founded Jirrawun Aboriginal Arts. Since then he has had a series of successful group and solo exhibitions, including the 2000-02 travelling exhibition 'Two Laws ... One Big Spirit', in which he collaborated with artist Peter Adsett. In his most ambitious canvas to date, the immense, twelve-metre long 'Waterbrain', 2002, Peters departs from the specific themes of country and Ngarrangkarni that normally form the focus of East Kimberley painting. Instead, he chooses to explore the cycle of life and learning that is universal to all peoples. Read from left to right, the canvas presents a chronology of the process of birth, growth and learning from conception to adulthood. At the lower left are waterweeds among which, according to Gija belief, the spirits of unborn children reside before entering the mothers womb to become the spirits of human beings. The next panels deal with birth and infancy, when a child moves from crawling, to walking, to running, although his or her brain has yet to begin to absorb the teachings of his or her culture. The large circular motif at the centre shows the adult brain – the child has grown up and is beginning to have his or her own ideas. The next panels deal with the education that transforms a child into a full member of adult society. As a symbol of the culmination of the individual's education. in the final panels Peters depicts the artefacts his elders taught him to make and which, before the coming of European settlers, all Gija men needed to know how to create in order to survive. Eric Kjellgren in 'Tradition today: Indigenous art in Australia', Art Gallery of New South Wales, Sydney, 2004 © Art Gallery of New South Wales