Podcasts about renaissance europe

What are the origins of one of history's most glittering, and for a time, most powerful families in Europe; the Medici? How were they able to seize supreme power in the Republic of Florence , one of the most dazzling cities in the world, during the 15th century, at the height of the Renaissance? When did Florence's explosive growth begin, and how? Who was Cosimo Medici, the Godfather of the family, who through cunning, blood, betrayal and sheer will, pulled his family to the forefront of Florentine politics?  Join Dominic and Tom for the first episode of their new series on one of history's most glamorous, most colourful, most devious, and frequently most dastardly families in history - the Medici - and their rise to the highest echelons of wealth and power in Renaissance Europe.  The Rest Is History Club: Become a member for exclusive bonus content, early access to full series and live show tickets, ad-free listening, our exclusive newsletter, discount book prices on titles mentioned on the pod, and our members' chatroom on Discord. Just head to therestishistory.com to sign up, or start a free trial today on Apple Podcasts: apple.co/therestishistory. For more Goalhanger Podcasts, head to www.goalhanger.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude  Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode we trace the early development of magnetism and the compass—from ancient Chinese navigation to the groundbreaking insights of medieval and Renaissance Europe. The episode highlights the work of Peter Peregrinus, a 13th-century scholar whose detailed experiments with magnets laid the foundation for future magnetic science, and Robert Norman, who devised a method to reveal the mysterious “dip” of the magnetic needle. It also explores early efforts to understand magnetic declination, map its behavior, and investigate the nature of Earth's magnetic forces. From the legends surrounding the compass's invention to the precision of William Gilbert's De Magnete, this episode examines how magnetism evolved from a mystical force into a measurable, mappable phenomenon—marking a crucial step on the path to modern science. Contact: thecompletehistoryofscience@gmail.comTwitter: @complete_sciMusic Credit: Folk Round Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

On this month's episode of Magus we are travelling all about Renaissance Europe and up through the layers of the heavens to undertake divine revelations into the life, times, and accomplishments of Giordano Bruno!From Bruno's early life as a Dominican priest, forced to flee one of six popes he thoroughly annoyed, right up to his horrid execution in the Campo de' Fiori, we're running through a wild highlights reel of his accomplishments - both in the development of his pioneering mnemonic memory systems through to creation of his occult philosophy, rooted in 'Egyptian Magic.'It's a wild journey, ranging from forbidden texts, hidden in the walls of a latrine, back through time to the birth of Renaissance Magic care of the likes of Pico and Ficino, into the heart of the French and English courts, to all the Universities where Bruno made himself so unpopular, wizardry aside this would still be a fascinating story. Yet, Giordano Bruno also preached a unique gospel, informed by the mythology of Hermes Trismegistus, which involved using hieroglyphics to talk to angels, flirting with Queen Elisabeth I, writing pretty ripe poetry, and trying to debate the failings of Christianity with the Pope himself...With examples of Bruno's wilder mystic beliefs as well as examples of how he shaped Renaissance science and culture, and even inspired aspects of Philip Pullman's His Dark Materials trilogy, if you know nothing about Bruno then this one is going to be a face-melter. And if you do, we bet the wealth of a mid-rank Medici that there will be things in this episode that will still surprise you! The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week I welcome Dr. Una McIlvenna, historian and senior lecturer at the Australian National University, to dismantle the myths surrounding one of Renaissance Europe's most iconic women: Catherine de Medici. We delve into the misconceptions that have plagued Catherine's legacy, particularly the myth of her "flying squadron" of seductive ladies-in-waiting.Episode Highlights:Introducing Dr. Una McIlvenna: Una shares her journey from her doctoral thesis on the French court of Catherine de Medici to her current research on execution ballads as news media.The Myth of the Flying Squadron: Una passionately debunks the myth that Catherine de Medici employed a troupe of seductive women to manipulate noblemen for political gain, arguing that it is a sexist and reductive fantasy.Catherine's True Political Influence: Discover how Catherine navigated the treacherous waters of French politics, exercising power through relentless negotiation and strategic marriages, despite the constraints of Salic Law.The Medici Legacy: Explore why the Medici family, with their rapid rise to power and influence, became the subject of so many conspiracies and myths, rivalling even the infamous Borgias.Art Patronage and Legacy: Catherine's contributions to art and architecture, including the magnificent spectacles she organized, are highlighted as part of her enduring legacy.Join us as we peel back the layers of myth and uncover the true story of Catherine de Medici, a woman whose political acumen and relentless dedication have been overshadowed by centuries of historical distortion.Connect with Dr. Una McIlvenna:Purchase her book "Scandal and Reputation at the Court of Catherine de Medici"Twitter: @UnaMcIlvenna and Bluesky: @unamcilvenna.bsky.socialSupport the ShowIf you're fired up by this episode, consider joining the 'Angry Mob' on Patreon at patreon.com/historyrage for exclusive content, early access, and the iconic History Rage mug.Follow the Rage:- Twitter: @HistoryRage- Instagram: https://www.instagram.com/historyrage/- Facebook: https://www.facebook.com/HistoryRage- Bluesky: https://bsky.app/profile/historyrage.bsky.socialStay Angry, Stay Informed - History Rage Hosted on Acast. See acast.com/privacy for more information.

Episode: 1040 Ancient Greece and Renaissance Europe: virtues and vices.  Today, an old Greek mummy tells us about the Renaissance.

Lesbians and Sex Work The Lesbian Historic Motif Podcast - Episode 309 with Heather Rose Jones In this episode we talk about: Four motifs that connect women loving women and sex work in historic sources Sources used Bennett, Judith and Shannon McSheffrey. 2014. “Early, Erotic and Alien: Women Dressed as Men in Late Medieval London” in History Workshop Journal. 77 (1): 1-25. Beynon, John C. 2010. “Unaccountable Women” in Lesbian Dames: Sapphism in the Long Eighteenth Century. Beynon, John C. & Caroline Gonda eds. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Blackmore, Josiah. 1999. “The Poets of Sodom” in Queer Iberia: Sexualities, Cultures, and Crossings from the Middle Ages to the Renaissance ed. Josiah Blackmore and Gregory S. Hutcheson. Duke University Press, Durham. ISBN 9780822323495 Boehringer, Sandra (trans. Anna Preger). 2021. Female Homosexuality in Ancient Greece and Rome. Routledge, New York. ISBN 978-0-367-74476-2 Burford, E.J. 1986. Wits, Wenchers and Wantons - London's Low Life: Covent Garden in the Eighteenth Century. Robert Hale, London. ISBN 0-7090-2629-3 Cheek, Pamela. 1998. "The 'Mémoires secrets' and the Actress: Tribadism, Performance, and Property", in Jeremy D. Popkin and Bernadette Fort (eds), The "Mémoires secrets" and the Culture of Publicity in Eighteenth-Century France, Oxford: Voltaire Foundation. Choquette, Leslie. 2001. “'Homosexuals in the City: Representations of Lesbian and Gay Space in Nineteenth-Century Paris” in Merrick, Jeffrey & Michael Sibalis, eds. Homosexuality in French History and Culture. Harrington Park Press, New York. ISBN 1-56023-263-3 Craft-Fairchild, Catherine. 2006. “Sexual and Textual Indeterminacy: Eighteenth-Century English Representations of Sapphism” in Journal of the History of Sexuality 15:3 DeJean, Joan. 1989. Fictions of Sappho, 1546-1937. Chicago: University of Chicago Press. ISBN 0-226-14136-5 Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Engelstein, Laura. 1990. "Lesbian Vignettes: A Russian Triptych from the 1890s" in Signs vol. 15, no. 4 813-831. Garber, Marjorie. 1992. Vested Interests: Cross-Dressing and Cultural Anxiety. Routledge, New York. ISBN 0-415-91951-7 Faderman, Lillian. 1981. Surpassing the Love of Men. William Morrow and Company, Inc., New York. ISBN 0-688-00396-6 Gilhuly, Kate. 2015. “Lesbians are Not from Lesbos” in Blondell, Ruby & Kirk Ormand (eds). Ancient Sex: New Essays. The Ohio State University Press, Columbus. ISBN 978-0-8142-1283-7 Habib, Samar. 2007. Female Homosexuality in the Middle East: Histories and Representations. Routledge, New York. ISBN 78-0-415-80603-9 Haley, Shelley P. “Lucian's ‘Leaena and Clonarium': Voyeurism or a Challenge to Assumptions?” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Ingrassia, Catherine. 2003. “Eliza Haywood, Sapphic Desire, and the Practice of Reading” in: Kittredge, Katharine (ed). Lewd & Notorious: Female Transgression in the Eighteenth Century. The University of Michigan Press, Ann Arbor. ISBN 0-472-11090-X Jones, Ann Rosalind & Peter Stallybrass. 1991. “Fetishizing gender: constructing the Hermaphrodite in Renaissance Europe” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Jones, Heather Rose. 2021. “Researching the Origins of Lesbian Myths, Legends, and Symbols” (podcast). https://alpennia.com/blog/lesbian-historic-motif-podcast-episode-201-researching-origins-lesbian-myths-legends-and Katritzky, M.A. 2005. “Reading the Actress in Commedia Imagery” in Women Players in England, 1500-1660: Beyond the All-Male Stage, edited by Pamela Allen Brown & Peter Parolin. Ashgate, Burlington. ISBN 978-0-7546-0953-7 Klein, Ula Lukszo. 2021. Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature. University of Virginia Press, Charlottesville. ISBN 978-0-8139-4551-4 Kranz, Susan E. 1995. The Sexual Identities of Moll Cutpurse in Dekker and Middleton's The Roaring Girl and in London in Renaissance and Reformation 19: 5-20. Merrick, Jeffrey. 1990. “Sexual Politics and Public Order in Late Eighteenth-Century France: the Mémoires secrets and the Correspondance secrète” in Journal of the History of Sexuality 1, 68-84. Merrick, Jeffrey & Bryant T. Ragan, Jr. 2001. Homosexuality in Early Modern France: A Documentary Collection. Oxford University Press, New York. ISBN 0-19-510257-6 Rizzo, Betty. 1994. Companions without Vows: Relationships among Eighteenth-Century British Women. Athens: University of Georgia Press. ISBN 978-0-8203-3218-5 Sears, Clare. 2015. Arresting Dress: Cross-Dressing, Law, and Fascination in Nineteenth-Century San Francisco. Durham: Duke University Press. ISBN 978-0-8223-5758-2 Shapiro, Michael. 1994. Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages. Ann Arbor. Van der Meer, Theo. 1991. “Tribades on Trial: Female Same-Sex Offenders in Late Eighteenth-Century Amsterdam” in Journal of the History of Sexuality 1:3 424-445. Vanita, Ruth and Saleem Kidwai, eds. 2000. Same-Sex Love in India: Readings from Literature and History. St. Martin's, New York. ISBN 0-312-22169-X Velasco, Sherry. 2011. Lesbians in Early Modern Spain. Vanderbilt University Press, Nashville. ISBN 978-0-8265-1750-0 Wahl, Elizabeth Susan. 1999. Invisible Relations: Representations of Female Intimacy in the Age of Enlightenment. Stanford University Press, Stanford. ISBN 0-8047-3650-2 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

Henry VIII is infamous for his obsessive quest for a male heir—but he was far from the only Renaissance monarch haunted by fertility struggles. Across Europe, kings faced intense pressure to produce sons, especially in France, where Salic law strictly required male succession. From Louis XII's desperate annulment and Anne of Brittany's heartbreaking losses, to Catherine de' Medici's decade-long battle with infertility, this episode explores how fertility issues shaped royal marriages, alliances, and even wars. Discover how these intimate struggles in royal bedchambers changed the political landscape of Europe forever.https://www.englandcast.com/springbreak2025 for information on the Spring Break adventure. Hosted on Acast. See acast.com/privacy for more information.

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/van-leer-institute

In Tudor England, during the reign of Elizabeth I, there lived in the very heart of her court a magician, alchemist and polymath, bent upon conversing with the angels of heaven and other supernatural beings. His name was John Dee, and he would prove to.be one of the most remarkable men of his age, living long enough to witness both the dying days of the reign of Henry VIII, and the succession of Elizabeth's heir. Throughout it all, he existed near the very epicentre of English royal power and religious controversy, dabbling with both treason and heresy, and the gruesome punishments for both, on multiple occasions. His life therefore holds a tantalising mirror up to the tumultuous periods through which he lived, and features some of the great stars of Tudor England. From the religious persecutions of Bloody Mary, when Dee came closest to destruction, to the rise of Elizabeth I, a learned scholar in her own right, who looked to him to explain the signs of the universe to her, and the birth of the British Empire - with Dee one of its earliest champions. His obsession with reading the divine language of heaven and thereby understanding the very deepest secrets of the universe, would see him scrying in mirrors to read the future at the risk of his immortal soul, travelling to Prague - Europe's bastion of magic - and forging his famous relationship with the wily Edward Kelly. But, was it angels or demons who lured Dee across Europe, and into the very deepest depths of the occult..? Join Tom and Dominic as they discuss England's very own Merlin; John Dee, and his extraordinary life as the court magician of Elizabeth I, during a time of dawning empires and clashing religions. EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/restishistory Try it risk-free now with a 30-day money-back guarantee! _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode we look at Louise of Savoy, the mother of Francis I, and one of the most powerful women in Renaissance Europe. Hosted on Acast. See acast.com/privacy for more information.

With their colourful uniforms and pomp, the Vatican's iconic Swiss Guards might seem more decorative than dangerous today - but their origin is far from ornamental. On January 22nd, 1506, 150 elite Swiss mercenaries marched into the City, and were blessed by ‘Warrior Pope' Julius II at sunset to protect the Pope during a tumultuous era of political strife. The Swiss were Renaissance Europe's answer to modern special forces. Renowned for their phalanx formations and halberds, they could dismantle charging cavalry with precision. Their reputation as fierce fighters had already drawn the attention of earlier popes, including Sixtus IV and Alexander VI, who hired Swiss mercenaries to bolster their armies.  In this episode, Arion, Rebecca and Olly revisit the lethal Sack of Rome in 1527; explain how Jules Repond revived and reformed the Guards in the 20th century; and consider the strict qualifications for candidates to become a member of their ranks… Further Reading: • 'A history of the Vatican's Swiss Guard' (Daily Telegraph, 2011): https://www.telegraph.co.uk/news/worldnews/europe/vaticancityandholysee/8873853/A-history-of-the-Vaticans-Swiss-Guard.html?msockid=23c525cc0876634208c637a40951628f • ‘The Swiss Guard' (Suisse Société): https://houseofswitzerland.org/swissstories/society/swiss-guard • 'Ex-guards march to mark 500th anniversary' (Associated Press, 2015): https://www.youtube.com/watch?v=WyF8VDovJqM Love the show? Support us!  Join 

Lesbians and the Law The Lesbian Historic Motif Podcast - Episode 305 with Heather Rose Jones In this episode we talk about: Evidence for how romantic and sexual relations between women were treated in legal systems in western culture References Benbow, R. Mark and Alasdair D. K. Hawkyard. 1994. “Legal Records of Cross-dressing” in Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages, ed. Michael Shapiro, Ann Arbor. pp.225-34. Benkov, Edith. “The Erased Lesbian: Sodomy and the Legal Tradition in Medieval Europe” in Same Sex Love and Desire Among Women in the Middle Ages. ed. by Francesca Canadé Sautman & Pamela Sheingorn. Palgrave, New York, 2001. Boehringer, Sandra (trans. Anna Preger). 2021. Female Homosexuality in Ancient Greece and Rome. Routledge, New York. ISBN 978-0-367-74476-2 Borris, Kenneth (ed). 2004. Same-Sex Desire in the English Renaissance: A Sourcebook of Texts, 1470-1650. Routledge, New York. ISBN 978-1-138-87953-9 Brown, Kathleen. 1995. “'Changed...into the Fashion of a Man': The Politics of Sexual Difference in a Seventeenth-Century Anglo-American Settlement” in Journal of the History of Sexuality 6:2 pp.171-193. Burshatin, Israel. “Elena Alias Eleno: Genders, Sexualities, and ‘Race' in the Mirror of Natural History in Sixteenth-Century Spain” in Ramet, Sabrina Petra (ed). 1996. Gender Reversals and Gender Cultures: Anthropological and Historical Perspectives. Routledge, London. ISBN 0-415-11483-7 Crane, Susan. 1996. “Clothing and Gender Definition: Joan of Arc,” in Journal of Medieval and Early Modern Studies 26:2 : 297-320. Crawford, Patricia & Sara Mendelson. 1995. "Sexual Identities in Early Modern England: The Marriage of Two Women in 1680" in Gender and History vol 7, no 3: 362-377. Cressy, David. 1996. “Gender Trouble and Cross-Dressing in Early Modern England” in Journal of British Studies 35/4: 438-465. Crompton, Louis. 1985. “The Myth of Lesbian Impunity: Capital Laws from 1270 to 1791” in Licata, Salvatore J. & Robert P. Petersen (eds). The Gay Past: A Collection of Historical Essays. Harrington Park Press, New York. ISBN 0-918393-11-6 (Also published as Journal of Homosexuality, Vol. 6, numbers 1/2, Fall/Winter 1980.) Dekker, Rudolf M. and van de Pol, Lotte C. 1989. The Tradition of Female Transvestism in Early Modern Europe. Macmillan, London. ISBN 0-333-41253-2 Derry, Caroline. 2020. Lesbianism and the Criminal Law: Three Centuries of Legal Regulation in England and Wales. Palgrave Macmillan. ISBN 978-3-030-35299-8 Duggan, Lisa. 1993. “The Trials of Alice Mitchell: Sensationalism, Sexology and the Lesbian Subject in Turn-of-the-Century America” in Queer Studies: An Interdisciplinary Reader, ed. Robert J. Corber and Stephen Valocchi. Oxford: Blackwell. pp.73-87 Eriksson, Brigitte. 1985. “A Lesbian Execution in Germany, 1721: The Trial Records” in Licata, Salvatore J. & Robert P. Petersen (eds). The Gay Past: A Collection of Historical Essays. Harrington Park Press, New York. ISBN 0-918393-11-6 (Also published as Journal of Homosexuality, Vol. 6, numbers 1/2, Fall/Winter 1980.) Fernandez, André. 1997. “The Repression of Sexual Behavior by the Aragonese Inquisition between 1560 and 1700” in Journal of the History of Sexuality 7:4 pp.469-501 Friedli, Lynne. 1987. “Passing Women: A Study of Gender Boundaries in the Eighteenth Century” in Rousseau, G. S. and Roy Porter (eds). Sexual Underworlds of the Enlightenment. Manchester University Press, Manchester. ISBN 0-8078-1782-1 Hindmarch-Watson, Katie. 2008. "Lois Schwich, the Female Errand Boy: Narratives of Female Cross-Dressing in Late-Victorian London" in GLQ 14:1, 69-98. History Project, The. 1998. Improper Bostonians. Beacon Press, Boston. ISBN 0-8070-7948-0 Holler, Jacqueline. 1999. “'More Sins than the Queen of England': Marina de San Miguel before the Mexican Inquisition” in Women in the Inquisition: Spain and the New World, ed. Mary E. Giles. Johns Hopkins University Press, Baltimore. ISBN 0-8018-5931-X pp.209-28 Hubbard, Thomas K. 2003. Homosexuality in Greece and Rome: A Sourcebook of Basic Documents. University of California Press, Berkeley. ISBN 978-0-520-23430-7 Hutchison, Emily & Sara McDougall. 2022. “Pardonable Sodomy: Uncovering Laurence's Sin and Recovering the Range of the Possible” in Medieval People, vol. 37, pp. 115-146. Karras, Ruth Mazo. 2005. Sexuality in Medieval Europe: Doing Unto Others. Routledge, New York. ISBN 978-0-415-28963-4 Lansing, Carol. 2005. “Donna con Donna? A 1295 Inquest into Female Sodomy” in Studies in Medieval and Renaissance History: Sexuality and Culture in Medieval and Renaissance Europe, Third Series vol. II: 109-122. Lucas, R. Valerie. 1988. “'Hic Mulier': The Female Transvestite in Early Modern England” in Renaissance and Reformation 12:1 pp.65-84 Merrick, Jeffrey & Bryant T. Ragan, Jr. 2001. Homosexuality in Early Modern France: A Documentary Collection. Oxford University Press, New York. ISBN 0-19-510257-6 Michelsen, Jakob. 1996. “Von Kaufleuten, Waisenknaben und Frauen in Männerkleidern: Sodomie im Hamburg des 18. Jahrhunderts” in Zeitschrift für Sexualforschung 9: 226-27. Monter, E. William. 1985. “Sodomy and Heresy in Early Modern Switzerland” in Licata, Salvatore J. & Robert P. Petersen (eds). The Gay Past: A Collection of Historical Essays. Harrington Park Press, New York. ISBN 0-918393-11-6 (Also published as Journal of Homosexuality, Vol. 6, numbers 1/2, Fall/Winter 1980.) Murray, Jacqueline. 1996. "Twice marginal and twice invisible: Lesbians in the Middle Ages" in Handbook of Medieval Sexuality, ed. Vern L. Bullough and James A. Brundage, Garland Publishing, pp. 191-222 Puff, Helmut. 1997. “Localizing Sodomy: The ‘Priest and sodomite' in Pre-Reformation Germany and Switzerland” in Journal of the History of Sexuality 8:2 165-195 Puff, Helmut. 2000. "Female Sodomy: The Trial of Katherina Hetzeldorfer (1477)" in Journal of Medieval and Early Modern Studies: 30:1, 41-61. Robinson, David Michael. 2001. “The Abominable Madame de Murat'” in Merrick, Jeffrey & Michael Sibalis, eds. Homosexuality in French History and Culture. Harrington Park Press, New York. ISBN 1-56023-263-3 Roelens, Jonas. 2015. “Visible Women: Female Sodomy in the Late Medieval and Early Modern Southern Netherlands (1400-1550)” in BMGN - Low Countries Historical Review vol. 130 no. 3. Sears, Clare. 2015. Arresting Dress: Cross-Dressing, Law, and Fascination in Nineteenth-Century San Francisco. Durham: Duke University Press. ISBN 978-0-8223-5758-2 Traub, Valerie. 2002. The Renaissance of Lesbianism in Early Modern England. Cambridge University Press, Cambridge. ISBN 0-521-44885-9 Van der Meer, Theo. 1991. “Tribades on Trial: Female Same-Sex Offenders in Late Eighteenth-Century Amsterdam” in Journal of the History of Sexuality 1:3 424-445. Velasco, Sherry. 2000. The Lieutenant Nun: Transgenderism, Lesbian Desire and Catalina de Erauso. University of Texas Press. ISBN 0-292-78746-4 Velasco, Sherry. 2011. Lesbians in Early Modern Spain. Vanderbilt University Press, Nashville. ISBN 978-0-8265-1750-0 Vermeil. 1765. Mémoire pour Anne Grandjean. Louis Cellot, Paris. Vicinus, Martha. 2004. Intimate Friends: Women Who Loved Women, 1778-1928. University of Chicago Press, Chicago. ISBN 0-226-85564-3 A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

In 1499, King Louis XII of France had his 22-year marriage annulled to marry Anne of Brittany, one of the most powerful women in Europe. But what drove Louis to discard his first wife, Queen Joan (Jeanne) of France, after more than two decades of marriage? This is a story of royal scheming, political marriages, and a forgotten queen who would go on to become a saint. From childhood betrothals and strategic unions to claims of witchcraft, it's a tale filled with scandal, betrayal, and resilience. Discover how this marriage changed the fate of Brittany and France forever — and what happened to the loyal queen who was cast aside. History isn't just about kings and queens—it's about the people who shaped their world. Subscribe for more tales from the dangerous world of Tudor and Renaissance Europe!  #OnThisDay #TudorHistory #AnneOfBrittany #LouisXII #RoyalScandals #HistoricalMysteries #QueenJoanOfFrance #RenaissanceHistory #RoyalIntrigue #PowerPlays #MedievalHistory

Life is hard! So I'm really glad that cozy horror movies like A Haunting in Venice exist to comfort us through times of hardship and winter frostbite. In this episode, we explore A Haunting in Venice (2024) as a shining example of cozy horror, and why cozy horror is good for our mental health. I also pull some tarot cards to try and make sense of why there is such divisive rhetoric in the horror community against cozy horror!Mental Health is Horrifying is hosted by Candis Green, Registered Psychotherapist and owner of Many Moons Therapy...............................................................Show Notes:Want to work together? I offer 1:1 psychotherapy (Ontario), along with tarot, horror, and dreamwork services, but individually and through my group program, the Final Girls Club. Send me some Ghoul Mail! I love hearing from you spooky ghouls! Want a chance to have your story read on a future episode of Mental Health is Horrifying? If you'd like to share what horror movies mean to you, how they have helped you with your mental health, or about a particular horror movie that you have thoughts and feelings about, send me some Ghoul Mail. Podcast artwork by Chloe Hurst at Contempo Mint.Instead of Arguing About This Horror Genre, Why Not Curl Up and Enjoy It? By Julia Glassman in The Mary SueOster, Emily F., Witchcraft, Weather and Economic Growth in Renaissance Europe. Journal of Economic Perspectives, Winter 2004The Witches: Salem, 1692 by Stacy Schiff About Agatha Christie Subject spotlight: Mystery & Detective By BookNet CanadaWhy Is Pandemic Fiction So Comforting Right Now? By By Kathryn VanArendonk in VultureWhat You Need To Know About Pluto in Aquarius from Chani

Thank you for listening to this track produced by the Art Gallery of South Australia. Dr Grace Waye-Harris, Lecturer, University of Adelaide discusses the importance of dress and portraiture in Tudor England and in the royal courts of Renaissance Europe. For more information visit agsa.sa.gov.au Image: after Hans Holbein The Younger, born Ausburg, Germany 1497, died London 1543, King Henry VIII, c 1540s, London, oil on wood panel, 65.0 x 57.5 cm, 89.5 x 81.5 x 9.0 cm (frame); A.M. and A. R. Ragless Bequest Funds 1965, Art Gallery of South Australia, Adelaide

Episode: 1040 Ancient Greece and Renaissance Europe: virtues and vices.  Today, an old Greek mummy tells us about the Renaissance.

Join us on a historical stroll as we explore the perilous trend of chopine shoes. Originating in Renaissance Europe, these towering platforms were the ultimate symbol of status and wealth, representing the "Height of Fashion" (pun intended) of their time! We also reminisce about our own regrettable footwear choices from our youth! Find us linktr.ee/thecousinsweirdEmail usthecousinsweird@gmail.comSupport uspatreon.com/thecousinsweirdSources:https://www.thecollector.com/wacky-trends-in-fashion-history/https://en.wikipedia.org/wiki/Chopinehttps://awomensthing.org/blog/historical-shoe-trends-chopines-crakows/ Music from Upbeat (free for Creators!):https://uppbeat.io/t/danijel-zambo/friendly-ghostLicense code: bLZ5ZUHQLWV7IN6XHBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-cousins-weird-s-podcast--5048269/support.

This week we are joined by Paul Smith. Paul runs two YouTube channels, one focusing on esoteric research and the other exploring health and wellness. Paul also owns a UK based herb and supplement company, Nutrient Nirvana. Find Paul here:  Esoteric Explorer Channel - https://www.youtube.com/@PaulSmith-esotericexplorer/featured Nutrient Nirvana Channel - https://www.youtube.com/@nutrientnirvanahistoryheal2009/featured Nutrient Nirvana Website - https://www.nutrientnirvana.co.uk/ From the web: Western esotericism, also known as esotericism or the Western mystery tradition, encompasses a diverse array of loosely related ideas and movements that emerged within Western society. Here are some key points: Origins and Development: The earliest roots of Western esotericism can be traced back to the Eastern Mediterranean during Late Antiquity. During this period, distinct schools of thought such as Hermeticism, Gnosticism, and Neoplatonism emerged, setting them apart from mainstream Christianity. Renaissance Europe witnessed a revival of interest in these older ideas. Intellectuals combined pagan philosophies with Kabbalah and Christian thought, leading to the emergence of movements like Christian Kabbalah and Christian theosophy. The 17th century saw the rise of initiatory societies like Rosicrucianism and Freemasonry, which professed esoteric knowledge. The 18th century Age of Enlightenment gave birth to new forms of esoteric thought. In the 19th century, occultism gained prominence, with groups like the Theosophical Society and the Hermetic Order of the Golden Dawn playing significant roles. Defining Esotericism: Scholars have debated various definitions of Western esotericism. Some view it as a perennial hidden inner tradition, while others see it as a category of movements embracing an “enchanted” worldview in response to increasing disenchantment. Another perspective considers it as “rejected knowledge”—ideas neither accepted by the scientific establishment nor orthodox religious authorities. Influence and Impact: Western esotericism has left its mark on various aspects of culture, including philosophy, mysticism, religion, pseudoscience, art, literature, and music. In summary, Western esotericism represents a fascinating tapestry of mystical, secret, and alternative knowledge that has shaped Western thought and culture throughout history   #esotericism #esotericresearch #mysterytradition _______________________________ Follow us here: https://allmylinks.com/the-amish-inquisition Signup for the newsletter, join the community, follow us online, and most importantly share links!  Producer Credits for Ep 324: Ben Limmer, Mathew Chinn, Matt Hiscox for keeping us caffeinated, General Lee, last weeks Super Chatters: Helen, Emma and Jonny Fogg and this weeks artist Lee _______________________________ Leave us a voicemail: 07562245894 Message us here....follow, like, subscribe and share. (comments, corrections, future topics etc). We read out iTunes reviews if you leave them. Website - http://www.theamishinquisition.com/ Join the Element server: https://matrix.to/#/%23the-amish-inquisition%3Amatrix.org Subscribe to the Newsletter: Drop us an email and let us know Get your Merch from: The Amish Loot Chest - https://teespring.com/en-GB/stores/amish-inquisition-loot-chest Email - theamishinquisition@gmail.com CashApp - £theamishinquisition https://cash.app/%C2%A3theamishinquisition Buy us a Coffee - https://www.buymeacoffee.com/theamishguys Twitch - https://www.twitch.tv/theamishinquisition Rumble - https://rumble.com/c/c-1347401 Twitter - https://twitter.com/amishinqpodcast Facebook - https://www.facebook.com/amish.inquisit.3 Instagram - https://www.instagram.com/theamishinquisition/?hl=en Bitchute - https://www.bitchute.com/channel/0fNMZAQctCme/ YouTube - https://www.youtube.com/channel/UCmv8ucrv5a2KpaRWyBWfBUA Find out how to become a Producer here - http://www.theamishinquisition.com/p/phil-1523918247/ Become a Producer! The Amish Inquisition is 100% supported by YOU.  NO Ads, NO Sponsorship, NO Paywalls. We really don't want to suckle at the teat of some faceless corporate overlord. But that is only avoidable with your help! Join your fellow producers by donating to The Amish Inquisition via the PayPal button on our website, simply donate whatever you think the show is worth to you. If you find the podcast valuable, please consider returning some value to us and help keep the show free and honest.   Assets 324: Tony Blair? https://www.instagram.com/reel/C45eSGaoYX1/?igsh=OWZxeHJsY3NxM3g3 Mole people: https://www.instagram.com/reel/C5CX-ORMUBR/?igsh=MTE1ZGd2Ym5wNmt3YQ== https://www.instagram.com/reel/C5CbcZPsjX8/?igsh=MW1odXBibHcyMHloYg== How to confuse old people at a pub: https://www.instagram.com/reel/C4lk8T1MmwO/?igsh=MjlkeXRmbGFzYnYy Tourettes barber: https://twitter.com/Britishfinest21/status/1775833456292807100?t=WCCBybXHMA9pXz2xf7Qzow&s=19 Smelling salts: https://www.instagram.com/reel/C5Mll0xo31U/?igsh=dnY4aGE2bWFoazNv Tory MP phone number leak: https://metro.co.uk/2024/04/04/tory-so-sorry-leaking-fellow-mp-phone-numbers-grindr-20590738/?ico=mosaic_tag Moon timezone: https://www.bbc.co.uk/news/science-environment-68722032

The Flemish Baroque painter Peter Paul Rubens produced around 1,500 artworks, and a new research project explores the Islamic themes in his art. Dr Adam Sammut discusses why the Ottoman Empire's influence on Rubens has been at the periphery of research, and what it reveals about the early modern understanding of cultural identity. Dr Nil Palabiyik has been researching the artist, musician and linguist Ali Bey who was taken as a war captive from Poland and placed at the palace school in Constantinople. He became a key figure at court, bridging cultural differences between east and west through his collections of Ottoman music and translation of the bible. Dr Adam Sammut is a Leverhulme Early Career Fellow in History of Art at the University of York. His current project is called ‘Rubens and Islam: Global exchange and European identity in early modern Antwerp. Dr Nil Palabiyik is Lecturer in Medieval and Early Modern Studies at Queen Mary University of London. In 2023 she was awarded the Philip Leverhulme prize and is the author of ‘Silent Teachers: Turkish Books and Oriental Learning in Renaissance Europe, 1544-1680'. Dr Sarah Jilani is a Lecturer in English at City, University of London, looking at post-colonial world literatures and film and was a New Generation Thinker on the scheme run by the BBC and Arts and Humanities Research Council to put research on the radio. This New Thinking episode of the Arts & Ideas podcast was made in partnership with the Arts and Humanities Research Council, part of UKRI. You can find more on BBC Sounds and in a collection on Radio 3's Free Thinking programme website called New Research with discussions on topics ranging from disability in music and theatre to why we talk Producer: Martha Owen

In uncertain times, people look to the stars and otherworldly influences for guidance. It has always been so, says Professor of History at Princeton University, Anthony Grafton, whose new book, Magus: The Art of Magic from Faustus to Agrippa, traces the story of the dark arts over the centuries with a focus on Renaissance Europe. The figure of the Magus — a learned magician — was common around the circles of kings and princes and could help push the limits of knowledge while unveiling the secrets of nature. Joining Grafton to discuss this influential but often misunderstood role is Dmitri Levitin, Fellow at All Souls College, Oxford, and a cultural and religious historian of early modern Europe. If you'd like to get access to all of our longer form interviews and members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events - Our member-only newsletter The Monthly Read, sent straight to your inbox ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content, early access and much more ... Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode I am joined by Katarina Falkenberg & Tommy Westlund, alchemists, practitioners of Western Esotericism, and authors of ‘Alchemy, The Divine Work'. Katarina and Tommy recount the history of Western alchemy from Egypt, through Ancient Greece, the Islamic golden age, Renaissance Europe, to today and consider critiques of alchemy as mere proto or indeed pseudo-science.. Katarina and Tommy reveal the language of the birds, the hidden language of symbol and intuition used among initiated practitioners. The detail the stages of inner transformation that the alchemist ascends in his quest for spiritual evolution and compares them to the stages of other meditative traditions. Katarina and Tommy also discuss today's changing cultural mores around masculinity and femininity and their implications for the metaphors used by the alchemical tradition to express polarity and the union of opposites. … Video versions: https://www.guruviking.com/podcast/ep238-alchemy-the-divine-work-katarina-falkenberg-tommy-westlund

 Also available on Youtube, iTunes, & Spotify – search ‘Guru Viking Podcast'. … Topics include: 00:00 - Intro 01:04 - Writing ‘Alchemy, The Divine Work' 05:56 - The language of the birds and hidden language 09:14 - Are alchemical symbols specific to certain cultures? 11:13 - Alchemy vs other esoteric traditions and religions 14:20 - Intuition vs intellectual study 19:39 - People have changed in the last 5 years 21:03 - Me too movement & the pandemic 24:42 - Are masculine-feminine paradigms of polarity still relevant? 29:47 - Polarity is essential to alchemy 30:55 - Tommy's hopes for masculinity and femininity in culture 35:32 - History of Western alchemy 41:57 - Spiritual alchemy vs metallurgical techniques 46:47 - Proto-science or pseudo-science? 49:17 - The relationship between the outer and the inner 56:56 - Who is attracted to study alchemy? 01:01:24 - The role of experimentation 01:03:44 - Collaboration with the egregore of the tradition 01:05:26 - Katarina and Tommy's collaboration 01:09:32 - Greek philosophical influence on alchemy 01:11:40 - The first element of creation 01:12:52 - Pythagoras 01:15:44 - Cosmogony and alchemical application 01:18:01 - Metaphilosophy 01:18:47 - The prima materia 01:20:48 - The principle of love 01:22:24 - Gnosticism and alchemy 01:25:04 - The gnostic revolution 01:29:26 - Religious traditions as living metaphors 01:31:00 - Alchemical stages 01:35:44 - The dark nights of the mind and soul 01:41:47 - Blissful stages and beyond … To find out more about Katarina Falkenberg & Tommy Westlund, visit: - https://www.alkemiskaakademin.se/eng/about-us/ 
For more interviews, videos, and more visit: - www.guruviking.com Music ‘Deva Dasi' by Steve James

The Dildo Episode The Lesbian Historic Motif Podcast - Episode 278 with Heather Rose Jones In this episode we talk about: The cultural dynamics of dildo use A history of dildos in western culture The social and legal consequences of dildo use Terminology and materials of construction Sources usedArvas, Abdulhamit. 2014. “From the Pervert, Back to the Beloved: Homosexuality and Ottoman Literary History, 11453-1923” in The Cambridge History of Gay and Lesbian Literature ed. E.L. McCallum & Mikko Tuhkanen. Cambridge University Press, New York. ISBN 978-1-107-03521-8 Auanger, Lisa. “Glimpses through a Window: An Approach to Roman Female Homoeroticism through Art Historical and Literary Evidence” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Benkov, Edith. “The Erased Lesbian: Sodomy and the Legal Tradition in Medieval Europe” in Same Sex Love and Desire Among Women in the Middle Ages. ed. by Francesca Canadé Sautman & Pamela Sheingorn. Palgrave, New York, 2001. Blake, Liza. 2011. “Dildos and Accessories: The Functions of Early Modern Strap-Ons” in Ornamentalism: The Art of Renaissance Accessories. University of Michigan Press. pp. 130-156 Boehringer, Sandra (trans. Anna Preger). 2021. Female Homosexuality in Ancient Greece and Rome. Routledge, New York. ISBN 978-0-367-74476-2 Bon, Ottaviano. 1587. Descrizione del serraglio del Gransignore. Translated by Robert Withers (1625) as The Grand Signiors Serraglio, published in: Hakluytus Posthumus, or Purchas his Pilgrimes edited by Samuel Purchas. Borris, Kenneth (ed). 2004. Same-Sex Desire in the English Renaissance: A Sourcebook of Texts, 1470-1650. Routledge, New York. ISBN 978-1-138-87953-9 Brantôme (Pierre de Bourdeille, seigneur de Brantôme). 1740. Vies des Dames Galantes. Garnier Frères, Libraires-Éditeurs, Paris. Burshatin, Israel. “Elena Alias Eleno: Genders, Sexualities, and ‘Race' in the Mirror of Natural History in Sixteenth-Century Spain” in Ramet, Sabrina Petra (ed). 1996. Gender Reversals and Gender Cultures: Anthropological and Historical Perspectives. Routledge, London. ISBN 0-415-11483-7 Castle, Terry (ed). 2003. The Literature of Lesbianism: A Historical Anthology from Ariosto to Stonewall. Columbia University Press, New York. ISBN 0-231-12510-0 Clark, Anna. 1996. "Anne Lister's construction of lesbian identity", Journal of the History of Sexuality, 7(1), pp. 23-50. Clarke, John R. 1998. Looking at Lovemaking: Constructions of Sexuality in Roman Art 100 B.C.-A.D. 250. University of California Press, Berkeley. ISBN 0-520-20024-1 Crompton, Louis. 1985. “The Myth of Lesbian Impunity: Capital Laws from 1270 to 1791” in Licata, Salvatore J. & Robert P. Petersen (eds). The Gay Past: A Collection of Historical Essays. Harrington Park Press, New York. ISBN 0-918393-11-6 (Also published as Journal of Homosexuality, Vol. 6, numbers 1/2, Fall/Winter 1980.) Donato, Clorinda. 2006. “Public and Private Negotiations of Gender in Eighteenth-Century England and Italy: Lady Mary Wortley Montagu and the Case of Catterina Vizzani” in British Journal for Eighteenth-Century Studies 29. pp.169-189 Donato, Clorinda. 2020. The Life and Legend of Catterina Vizzani: Sexual identity, science and sensationalism in eighteenth-century Italy and England. Voltaire Foundation, Oxford. ISBN 978-1-78962-221-8 Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Eriksson, Brigitte. 1985. “A Lesbian Execution in Germany, 1721: The Trial Records” in Licata, Salvatore J. & Robert P. Petersen (eds). The Gay Past: A Collection of Historical Essays. Harrington Park Press, New York. ISBN 0-918393-11-6 (Also published as Journal of Homosexuality, Vol. 6, numbers 1/2, Fall/Winter 1980.) Faderman, Lillian. 1981. Surpassing the Love of Men. William Morrow and Company, Inc., New York. ISBN 0-688-00396-6 Halberstam, Judith (Jack). 1997. Female Masculinity. Duke University Press, Durham. ISBN 978-1-4780-0162-1 Haley, Shelley P. “Lucian's ‘Leaena and Clonarium': Voyeurism or a Challenge to Assumptions?” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Hubbard, Thomas K. 2003. Homosexuality in Greece and Rome: A Sourcebook of Basic Documents. University of California Press, Berkeley. ISBN 978-0-520-23430-7 Karras, Ruth Mazo. 2005. Sexuality in Medieval Europe: Doing Unto Others. Routledge, New York. ISBN 978-0-415-28963-4 Klein, Ula Lukszo. 2021. Sapphic Crossings: Cross-Dressing Women in Eighteenth-Century British Literature. University of Virginia Press, Charlottesville. ISBN 978-0-8139-4551-4 Krimmer, Elisabeth. 2004. In the Company of Men: Cross-Dressed Women Around 1800. Wayne State University Press, Detroit. ISBN 0-8143-3145-9 Lansing, Carol. 2005. “Donna con Donna? A 1295 Inquest into Female Sodomy” in Studies in Medieval and Renaissance History: Sexuality and Culture in Medieval and Renaissance Europe, Third Series vol. II: 109-122. Lardinois, André. “Lesbian Sappho and Sappho of Lesbos” in Bremmer, Jan. 1989. From Sappho to de Sade: Moments in the History of Sexuality. London: Routledge. ISBN 0-415-02089-1 Linkinen, Tom. 2015. Same-sex Sexuality in Later Medieval English Culture. Amsterdam University Press, Amsterdam. ISBN 978-90-8964-629-3 Matter, E. Ann. 1989. “My Sister, My Spouse: Woman-Identified Women in Medieval Christianity” in Weaving the Visions: New Patterns in Feminist Spirituality, eds. Judith Plaskow & Carol P. Christ. Harper & Row, San Francisco. Michelsen, Jakob. 1996. “Von Kaufleuten, Waisenknaben und Frauen in Männerkleidern: Sodomie im Hamburg des 18. Jahrhunderts” in Zeitschrift für Sexualforschung 9: 226-27. Mills, Robert. 2015. Seeing Sodomy in the Middle Ages. The University of Chicago Press, Chicago. ISBN 978-0-226-16912-5 O'Driscoll, Sally. 2010. “A Crisis of Femininity: Re-Making Gender in Popular Discourse” in Lesbian Dames: Sapphism in the Long Eighteenth Century. Beynon, John C. & Caroline Gonda eds. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Phillips, Kim M. & Barry Reay. 2011. Sex Before Sexuality: A Premodern History. Polity Press, Cambridge. ISBN 978-0-7456-2522-5 Rabinowitz, Nancy Sorkin. “Excavating Women's Homoeroticism in Ancient Greece: The Evidence from Attic Vase Painting” in Rabinowitz, Nancy Sorkin & Lisa Auanger eds. 2002. Among Women: From the Homosocial to the Homoerotic in the Ancient World. University of Texas Press, Austin. ISBN 0-29-77113-4 Rowson, Everett K. 1991. “The categorization of gender and sexual irregularity in medieval Arabic vice lists” in Body guards : the cultural politics of gender ambiguity edited by Julia Epstein & Kristina Straub. Routledge, New York. ISBN 0-415-90388-2 Schleiner, Winfried. “Cross-Dressing, Gender Errors, and Sexual Taboos in Renaissance Literature” in Ramet, Sabrina Petra (ed). 1996. Gender Reversals and Gender Cultures: Anthropological and Historical Perspectives. Routledge, London. ISBN 0-415-11483-7 Traub, Valerie. 1994. “The (In)Significance of ‘Lesbian' Desire in Early Modern England” in Queering the Renaissance ed. by Jonathan Goldberg. Duke University Press, Durham and London. ISBN 0-8223-1381-2 Traub, Valerie. 2002. The Renaissance of Lesbianism in Early Modern England. Cambridge University Press, Cambridge. ISBN 0-521-44885-9 Van der Meer, Theo. 1991. “Tribades on Trial: Female Same-Sex Offenders in Late Eighteenth-Century Amsterdam” in Journal of the History of Sexuality 1:3 424-445. Velasco, Sherry. 2011. Lesbians in Early Modern Spain. Vanderbilt University Press, Nashville. ISBN 978-0-8265-1750-0 Wahl, Elizabeth Susan. 1999. Invisible Relations: Representations of Female Intimacy in the Age of Enlightenment. Stanford University Press, Stanford. ISBN 0-8047-3650-2 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 This topic is discussed in one or more entries of the Lesbian Historic Motif Project here: Dildo A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

This Episode comes from Youtube The Royal House of Habsburg, one of the most powerful dynasties of Medieval and Renaissance Europe, reigned over much of Europe for centuries. But genetic inheritance and the perils of inbreeding may explain their demise. Like many royal families their expansion and hold on power came about in part through inter-family marriages. But over time, generation after generation of inbreeding, helped contribute to some of the physical ailments that often plagued the family as well as the distinctive look with their big lower lips, long noses and the distinctive “Habsburg jaw.” Check out our sister podcast the Mystery of Everything Coffee Collab With The Lore Lodge COFFEE Travel to Peru with me here Travel to Italy With Me here Bonus episodes as well as ad-free episodes on Patreon. Find us on Instagram. Join us on Discord. Submit your relatives on our website Podcast Youtube Channel Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're handing the microphone to Penn State student Joey Picarillo for an interview about the rise and fall of early democracies and what lessons we can learn from them today. Joey is a studying political science at Penn State World Campus and has already read many of the most influential books on democracy by Robert Dahl and others. He brought this book to our attention and did a wonderful job with the interview. Historical accounts of democracy's rise tend to focus on ancient Greece and pre-Renaissance Europe. The Decline and Rise of Democracy by David Stasavage draws from global evidence to show that the story is much richer—democratic practices were present in many places, at many other times, from the Americas before European conquest, to ancient Mesopotamia, to precolonial Africa. Stasavage makes the case that understanding how and where these democracies flourished—and when and why they declined—can provide crucial information not just about the history of governance, but also about the ways modern democracies work and where they could manifest in the future. Stasavage is the Dean for the Social Sciences and the Julius Silver Professor in NYU's Department of Politics and an Affiliated Professor in NYU's School of Law. The Decline and Rise of Democracy: A Global History from Antiquity to Today

This season, I'm rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it's time for Modern Love. Today: we've re-recorded and updated our original Season 1 double-header on Frida Kahlo and Diego Rivera. Check out their story here. Part two is coming up in two weeks. Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Breaking Barriers: Women Artists of Renaissance Europe is on sale NOW through September 7! Buy it here exclusively on my website. SPONSORS: Lume Deodorant: Control Body Odor ANYWHERE with @lumedeodorant and get over 40% off your starter pack with promo code ARTCURIOUS at lumedeodorant.com/ARTCURIOUS! #lumepod Shopify: Sign up for a one-dollar-per-month trial period at shopify.com/artcurious To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/ArtCuriousPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

Official Standard of the Löwchen General Appearance: A small, bright, and lively dog that originated as a companion breed in pre-Renaissance Europe where ladies of the court groomed it in the likeness of a little lion. Breed characteristics are a compact, balanced body; a relatively short, broad topskull and muzzle; and a proud, lively gait that accentuates the lion cut with a long flowing mane. These quintessential features, combined with an outgoing and positive attitude, result in a dog of great style. Size, Proportion, Substance: Size - Ideally, mature dogs and bitches are between 11 to 13 inches at the withers. Height may vary 1 inch above or below this ideal. Only where the comparative superiority of a specimen outside this range clearly justifies it should greater latitude be taken. Absolute height at the withers should not take precedence over correct proportion and substance. Proportion - The body is just off-square when properly balanced. The distance from the prosternum to the point of buttocks is slightly greater than the distance from the withers to the ground in an 11 to 10 ratio. The distance from the ground to the elbow is slightly greater than the distance from the elbow to the withers. The Löwchen should never be low stationed. Substance - The mature Löwchen is sturdily built with strong bone and muscular hindquarters, but never coarse. Head: The head is a hallmark breed characteristic. The expression is bright, alert, and lively. The eyes are set well into the skull, round in shape, large, set well apart, and forward looking. Eyes are dark brown in color; lighter colored dogs may have lighter brown eyes but darker eyes are preferred. The ears are pendant, moderate in length, well fringed, and set on slightly above the level of the eye. The backskull is broad and relatively flat from ear to ear on an adult. The stop is moderately well defined. The length from nose to base of stop is two-thirds of the length from base of stop to occiput. The muzzle is well filled and relatively broad with moderate depth of underjaw resulting in a slightly rounded finish to the muzzle. The jaw is wide enough to accommodate all incisors in a straight row. Coloration of pigment is in accordance with coat color. Nose and eye rims are completely pigmented. The lips are tight with color the same as the nose. The bite is scissors and the teeth are large and well-spaced, with ideally complete dentition. Neck, Topline, Body: The neck is of good length with a slight arch, fitting smoothly into the shoulders and topline. The head is carried high when the dog is moving. The topline is level from withers to tailset. The body is slightly off-square when properly balanced. The loin is short and strong. The ribs are well sprung. The brisket is moderate in width and extends approximately to the elbows. The underline has a slight tuck-up at the loin. The tail is set high and carried in a well-arched cup-handle fashion with the plume touching the back when the dog is moving. A dropped tail while standing is not to be penalized. Forequarters: The shoulders are strong and well laid back with smooth musculature. The upper arm is of equal length to the shoulder blade and the two meet in a near 90 degree angle. The elbows are held close to the body. Forearms are of good length and the distance from the withers to the elbow is slightly less than the distance from the elbow to the ground. From the front the legs are perfectly parallel from the elbows to the feet. The bone is more round than oval and of medium size with only a slight decrease in size at the pasterns. The pasterns are short, parallel from the front, and very slightly bent when viewed from the side. The forefeet point straight ahead and are tight and well arched with deep pads, and the two center toes are slightly in advance of the two outer toes. Dewclaws may be removed. The nails are relatively short. Page 1 of 2 Page 2 of 2 Hindquarters: The pelvic bone projects beyond the set of the tail and is at an approximate 30 degree angle from a perfectly horizontal line. The upper and lower thighs are well muscled and of approximately equal length with medium bone. The stifles are well bent. The hocks are well let down and perpendicular to the ground from any angle. The hindfeet point straight ahead, are slightly smaller than the forefeet, and are well arched with deep pads. Coat: The Löwchen must be shown in the traditional Lion Clip. The unclipped areas of the coat are long, rather dense and moderately soft in texture. The unique Löwchen coat consists of hairs of varying diameters with a more noticeable collection of denser hair around the neck and withers. The coat may fall to either side but must never be artificially parted. It has a slightly to moderately wavy appearance. Wiry, woolly, curly, and flat coat textures are not correct and are to be penalized to the degree of severity. Puppies typically have a softer coat. Lion Clip - the coat is clipped to approximately 1⁄8 inch on the following parts of the body: from the last rib back to and including the hindquarters; the hindquarters to the hock joints; the front legs from the elbows to a point on the legs which is equal to the same distance from the ground to the hock joints leaving cuffs of hair on all four legs; the tail from the base to approximately one-half way to the tip leaving a plume at the end of the tail; and the feet are entirely clipped. The unclipped areas must be natural and untrimmed. Appearance should not be sculpted or scissored. No other trimming or sculpting of the coat is warranted and is to be severely penalized as to preclude placement. Color: All colors and color combinations are acceptable with no preference given to any. Gait: Movement at a trot is effortless with good reach in front and full extension in the rear. From the front the forelegs move in almost parallel lines converging slightly as the speed increases. From the rear the legs move in almost parallel lines and in the same line of motion as the forelegs, converging slightly as the speed increases. From the side movement is efficient and ground covering. The forelegs reach well out in front and the rear legs come well under the body and extend behind to maximize propulsion. The body remains nearly square in outline and the topline is held firm and level, with the tail being carried curved over the back and the head held above the level of the back. Temperament: The Löwchen is alert, intelligent, and affectionate with the overall qualities of a loving companion dog. It has a lively, outgoing, and inquisitive personality. Faults: The forgoing description is that of the ideal Löwchen. Any deviation from the above described dog must be penalized to the extent of the deviation. Disqualifications: Any cut/trim/pattern other than what is listed in this standard. Approved October 11, 2021 Effective January 1, 2022

We leave the Medici papacy behind and look at the life and times of Alessandro de' Medici, the first Medici de facto ruler of Florence and (possibly) a black head of state in Renaissance Europe. The theme music is "La Disperata", composed by Vincenzo Ruffo (ca. 1510-1587) and performed by Jon Sayles. Check out pictures, bibliographies, and more at http://www.medicipodcast.com. Support the podcast on Patreon and check out my blog/newsletter here.

The doctrine of the modern law of the sea is commonly believed to have developed in Renaissance Europe. The role of Islamic law of the sea and customary practices is often ignored though. In Islamic Law of the Sea: Freedom of Navigation and Passage Rights in Islamic Thought (Cambridge UP, 2019), Hassan S. Khalilieh highlights Islamic legal doctrine regarding freedom of the seas and its implementation in practice. He proves that many of the fundamental principles of the pre-modern international law governing the legal status of the high seas and the territorial sea, though originating in the Mediterranean world, are not necessarily European creations. Beginning with the commonality of the sea in the Qur'an and legal methods employed to ensure the safety, security, and freedom of movement of Muslims and aliens by land and sea, Khalilieh then goes on to examine the concepts of the territorial sea and its security premises, as well as issues surrounding piracy and its legal implications as delineated in Islamic law. Hassan S. Khalilieh is a senior lecturer in the Maritime Civilizations and Multidisciplinary Studies departments and a senior research fellow in the Leon Recanati Institute for Maritime Studies, Leon H. Charney School of Marine Sciences at the University of Haifa, Israel. His publications include Islamic Maritime Law: An Introduction (1998) and Admiralty and Maritime Laws in the Mediterranean Sea (ca.800-1050): The Kitāb Akriyat al-Sufun and the Nomos Rhodion Nautikos (2006). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The doctrine of the modern law of the sea is commonly believed to have developed in Renaissance Europe. The role of Islamic law of the sea and customary practices is often ignored though. In Islamic Law of the Sea: Freedom of Navigation and Passage Rights in Islamic Thought (Cambridge UP, 2019), Hassan S. Khalilieh highlights Islamic legal doctrine regarding freedom of the seas and its implementation in practice. He proves that many of the fundamental principles of the pre-modern international law governing the legal status of the high seas and the territorial sea, though originating in the Mediterranean world, are not necessarily European creations. Beginning with the commonality of the sea in the Qur'an and legal methods employed to ensure the safety, security, and freedom of movement of Muslims and aliens by land and sea, Khalilieh then goes on to examine the concepts of the territorial sea and its security premises, as well as issues surrounding piracy and its legal implications as delineated in Islamic law. Hassan S. Khalilieh is a senior lecturer in the Maritime Civilizations and Multidisciplinary Studies departments and a senior research fellow in the Leon Recanati Institute for Maritime Studies, Leon H. Charney School of Marine Sciences at the University of Haifa, Israel. His publications include Islamic Maritime Law: An Introduction (1998) and Admiralty and Maritime Laws in the Mediterranean Sea (ca.800-1050): The Kitāb Akriyat al-Sufun and the Nomos Rhodion Nautikos (2006). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The doctrine of the modern law of the sea is commonly believed to have developed in Renaissance Europe. The role of Islamic law of the sea and customary practices is often ignored though. In Islamic Law of the Sea: Freedom of Navigation and Passage Rights in Islamic Thought (Cambridge UP, 2019), Hassan S. Khalilieh highlights Islamic legal doctrine regarding freedom of the seas and its implementation in practice. He proves that many of the fundamental principles of the pre-modern international law governing the legal status of the high seas and the territorial sea, though originating in the Mediterranean world, are not necessarily European creations. Beginning with the commonality of the sea in the Qur'an and legal methods employed to ensure the safety, security, and freedom of movement of Muslims and aliens by land and sea, Khalilieh then goes on to examine the concepts of the territorial sea and its security premises, as well as issues surrounding piracy and its legal implications as delineated in Islamic law. Hassan S. Khalilieh is a senior lecturer in the Maritime Civilizations and Multidisciplinary Studies departments and a senior research fellow in the Leon Recanati Institute for Maritime Studies, Leon H. Charney School of Marine Sciences at the University of Haifa, Israel. His publications include Islamic Maritime Law: An Introduction (1998) and Admiralty and Maritime Laws in the Mediterranean Sea (ca.800-1050): The Kitāb Akriyat al-Sufun and the Nomos Rhodion Nautikos (2006). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The doctrine of the modern law of the sea is commonly believed to have developed in Renaissance Europe. The role of Islamic law of the sea and customary practices is often ignored though. In Islamic Law of the Sea: Freedom of Navigation and Passage Rights in Islamic Thought (Cambridge UP, 2019), Hassan S. Khalilieh highlights Islamic legal doctrine regarding freedom of the seas and its implementation in practice. He proves that many of the fundamental principles of the pre-modern international law governing the legal status of the high seas and the territorial sea, though originating in the Mediterranean world, are not necessarily European creations. Beginning with the commonality of the sea in the Qur'an and legal methods employed to ensure the safety, security, and freedom of movement of Muslims and aliens by land and sea, Khalilieh then goes on to examine the concepts of the territorial sea and its security premises, as well as issues surrounding piracy and its legal implications as delineated in Islamic law. Hassan S. Khalilieh is a senior lecturer in the Maritime Civilizations and Multidisciplinary Studies departments and a senior research fellow in the Leon Recanati Institute for Maritime Studies, Leon H. Charney School of Marine Sciences at the University of Haifa, Israel. His publications include Islamic Maritime Law: An Introduction (1998) and Admiralty and Maritime Laws in the Mediterranean Sea (ca.800-1050): The Kitāb Akriyat al-Sufun and the Nomos Rhodion Nautikos (2006). Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners' feedback, questions, and book suggestions are most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

Marrying someone based on a portrait was part of life in Renaissance Europe. An exhibition in Bath explores the politics of wedlock and painting - New Generation Thinker Christina Faraday has been to visit. Eleanor Chan has been studying the history of depicting musical notes on the page, whilst Sew What podcast host Isabella Rosner looks at needlework skills in Tudor England. John Gallagher hosts the conversation. Producer: Nick Holmes BBC Radio 3 is marking the anniversary of the Tudor composer William Byrd with episodes of Composer of the Week, concerts including one during the Proms season at Londonderry and other discussions - all available on BBC Sounds. You can also find Eleanor Chan's Essay about another Tudor composer - The discordant tale of Thomas Weelkes . Painted Love: Renaissance Marriage Portraits runs at the Holburne Museum in Bath until October 1st 2023. Christina Faraday's book Tudor Liveliness: Vivid Art in Post-Reformation England is out now from Yale University Press. You might also be interested in other Free Thinking conversations about Tudor history, including: The Tudor Mind with guests including Helen Hackett https://www.bbc.co.uk/programmes/m0017dsp Tudor Families with guests including Joanne Paul and Emma Whipday https://www.bbc.co.uk/programmes/m0017dvc What do you call a stranger with guests including Nandini Das and John Gallagher https://www.bbc.co.uk/programmes/b0b89ssp A collection of discussions about Shakespeare collected on the Free Thinking programme website

What do the Pioneer 10 plaque and communal bathhouses of Renaissance Europe have in common? Today we're stripping down the complicated concept of nudity with Dr. Ruth Barcan, honorary associate professor at the University of Sydney in Australia. We'll explore the meanings, reactions, and laws surrounding nudity, from how art influenced our perception of nudity to the complex legalities of female toplessness in the US. Oh yeah, and we're getting deep into the nudism movement, which has an origin story you'll be telling people about at parties.Pick up Ruth Barcan's book Nudity: A Cultural Anatomy right here: https://amzn.to/3p7E7EISee citations and a transcript here: https://www.tabooscience.show/s3e5-nudity/Need music for a project? Use my Epidemic Sound referral link: https://share.epidemicsound.com/kbva2hConnect with the show: Newsletter: https://www.tabooscience.show/newsletter Instagram: https://www.instagram.com/tabooscience YouTube: https://www.youtube.com/@tabooscience Twitter: https://www.twitter.com/tabooscience Website: https://www.tabooscience.show/ Loved this episode? Leave a review and rating here: https://podcasts.apple.com/us/podcast/taboo-science/id1533606473

In 1544, Titian produced the first of at least six versions of the Danaë subject for Cardinal Alessandro Farnese, nephew of Pope Paul III. Shortly thereafter, a second version was painted and sent to King Phillip II of Spain. The immense popularity of Titian's sensual painting style combined with the erotic nature of the subject made the “Danaë” one of the most famous paintings of Renaissance Europe. 

Welcome back dear listener!5 Star Tossers grudgingly presents: Shakespeare's 1596 play The Merchant of Venice! And boy do the grudges flow in this one: Marx, Jew, Woman, Lacan... even Peggy Kamuf and Beyoncé were pretty miffed by the end there. Capitalism is of course (grudgingly) on the table, since both place and time are almost unanimously hailed as the cradle of global capitalism. But Christianity too, insofar as the play deals in the lives, loves, hatreds and pains of those that lived-out these realities in the context of Renaissance Europe (that just recently discovered Protestantism). The Jew -- by a necessity not of his making -- occupies an important structural support for the entire edifice as a money lender for expensive,  trust-unto-God's-mercy Capitalist ventures that involve Europe's colonial plundering of the rest of the world. The need for usury, for someone to bear the actual burden of risk, is prevalent, but no less "spiritually" reviled for it; perhaps even more.As you can see (notwithstanding Andrew's totally phoning-in the summary) this one was less dumb than the  last one!(you should really ask yourselves who is writing these blurbs at this point)..Jake shows how Shakespeare, in his subtle brilliance, calls upon the agency of the merchant and muses about the spirit of mercy, and how -- not coincidentally, if near-obliviously -- the two words come from a single etymological source. Alicia for her part spies a pervert in Shylock's insistence on the Letter of the Law (refusing the fantasy of "mercantile mercy"). Sagi wants to ossify everything, as per usual, in Jewish Law, and foreground how Christianity is only able to sustain its fantasy through foreclosing upon it, a denial of real-world stakes (and suffering) that underwrites Shylock's insistence on the flesh. We all agreed that the flesh in this case represents the real, a remainder of the  Christian-Capitalist "mercy-fantasy" that sticks in its throat ; something irreversible, that, unlike money, cannot be redeemed or reconciled.Put your flesh where your mouth is, mothafucka'! Then you'll see how easy you had it when it was just "money"...There were many more strands that our attentive listener can pull on, like the place and role of women in the play (and in masculine structures of property and power, like Dowry and Marriage); the use of "fair" and its white-Christian "implications" (or, as Sagi puts it, an axiom), where the Jew's demand for fairness is never as "fair" (or as felicitous) as the Christian man's; or the vagaries of Christian "fraternity," as the love between Antonio and Bassanio is shown -- again with subtle brilliance -- to be the strongest love in the play (and the world it takes place in). And there's also the origin story for this podcast, and our podcast in general...So we hope you forgive the length of this one which is almost 2 hours long.Stars that were tossed include: Marx Grudge; Beast and Sovereign; Pervs 'R Us; and of course WWJD. Plus tard, Lyotard...

For this season of ArtCurious, I'm doing something a little bit different. I'm treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I'll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: Another day, another nun! But Plautilla Nelli's story is an interesting one, involving a great lost-and-found twist, and the opportunity to discuss how some artists can be “forgotten” and then rediscovered. From Breaking Barriers: Women of Renaissance Europe, please enjoy “Plautilla Nelli: Lost and Found.” Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Instagram / Facebook / YouTube SPONSORS: Brooklinen: Score $20 off plus free shipping on orders of $100+ with code ARTCURIOUS Sponsor ArtCurious for as little as $4 on Patreon! Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this season of ArtCurious, I'm doing something a little bit different. I'm treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I'll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today's subject is a major one: Properzia de' Rossi, a Renaissance sculptor who was (gasp!) female. Why was this a big deal, why was de' Rossi a rarity? We dig into the details and learn about the highly masculinized world of sculpture. From Breaking Barriers: Women of Renaissance Europe, please enjoy “Properzia de' Rossi: The “Rare Female Sculptor.” Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Instagram / Facebook / YouTube Sponsor ArtCurious for as little as $4 on Patreon SPONSORS: Honeylove: Get 20% OFF @honeylove + Free Shipping with promo code ARTCURIOUS20 at https://www.honeylove.com! #honeylovepod Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this season of ArtCurious, I'm doing something a little bit different. I'm treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I'll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: Finding a signed, confirmed work by Levina Teerlinc isn't an easy task, as we know of no surviving works with her signature. But we do know that Levina Teerlinc was almost single-handedly responsible for the popularization of the miniature portrait, and obviously she was good at it: Queen Elizabeth I commissioned her portrait from Teerlinc no less than eight times. From Breaking Barriers: Women of Renaissance Europe, please enjoy “Levina Teerlinc: Tiny Tudor Treasures.” Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Instagram / Facebook / YouTube SPONSORS: Betterhelp: Get 10% off your first month of counseling Canvasprints.com: Get 25% off of your entire order of canvas prints, canvas wall displays, metal prints, photo tiles, photo blankets and pillows, and much more when you use code ARTCURIOUS25 The Barnes Foundation: For a limited time, get 10% off your first Barnes Class when you visit our link Nutrafol: Save $15 off your first month's subscription, plus get free shipping on every order, with promo code ART Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this season of ArtCurious, I'm doing something a little bit different. I'm treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I'll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: Artist-nuns are not rare: just look at the example of the famed Hildegard von Bingen, long praised as one of the first-known female artists. Today, we're uncovering the story--and the myth--behind St. Catherine of Bologna, a mystical member of the Poor Clares whose artistic talents may (or not!) have been exaggerated. From Breaking Barriers: Women of Renaissance Europe, please enjoy “St. Catherine of Bologna: The Patron Saint of Artists.” Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Instagram / Facebook / YouTube SPONSORS: Storyworth: Save $10 off your first purchase Masterclass: Get unlimited access to EVERY class, and as an ArtCurious listener, you get 15% off an annual membership Canvasprints.com: Get 25% off of your entire order of canvas prints, canvas wall displays, metal prints, photo tiles, photo blankets and pillows, and much more when you use code ARTCURIOUS25 Honeylove: Get 20% OFF @honeylove + Free Shipping with promo code ARTCURIOUS20 at https://www.honeylove.com! #honeylovepod Paired: Connect with your partner every day using Paired. Download the app at https://www.paired.com/ARTCURIOUS Learn more about your ad choices. Visit megaphone.fm/adchoices

Sponsor ArtCurious for as little as $4 on Patreon For this season of ArtCurious, I'm doing something a little bit different. I'm treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I'll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: Lots of women artists have gotten a head-start in their careers thanks to their families. Fathers, in particular, often led their remarkable daughters to find great success in the arts, and Marietta Robusti was no exception: her dear old dad was none other than Tintoretto, a Venetian master. But did Tintoretto's adoration of his daughter hold her back from achieving greater heights? From Breaking Barriers: Women of Renaissance Europe, please enjoy “Marietta Robusti: Like Father, Like Daughter.”  Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Instagram / Facebook / YouTube SPONSORS: Betterhelp: Get 10% off your first month of counseling The Barnes Foundation: For a limited time, get 10% off your first Barnes Class when you visit our link Issuu: sign up for an annual premium account and get 50% off when you use promo code ARTCURIOUS Storyworth: Save $10 off your first purchase Nutrafol: Save $15 off your first month's subscription, plus get free shipping on every order, with promo code ART Learn more about your ad choices. Visit megaphone.fm/adchoices

For this season of ArtCurious, I'm doing something a little bit different. I'm treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I'll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: One of the earliest-known female printmakers in Europe, Diana Scultori (sometimes identified as Diana Ghisi or Diana Mantuana), Diana was a grand marketer of her own work, even requesting a particular “Papal Privilege” to sell and promote her engravings while living in Rome. Rock on, Diana! From Breaking Barriers: Women of Renaissance Europe, please enjoy “Diana Scultori (Diani Ghisi): With Papal Privilege.” Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Instagram / Facebook / YouTube SPONSORS: Indeed: Listeners get a free $75 credit to upgrade your job post Canvasprints.com: Get 25% off of your entire order of canvas prints, canvas wall displays, metal prints, photo tiles, photo blankets and pillows, and much more when you use code ARTCURIOUS25 Water and Nature Sounds Meditation for Women: listen to a relaxing podcast and learn more about meditation here Masterclass: Get unlimited access to EVERY class, and as an ArtCurious listener, you get 15% off an annual membership Learn more about your ad choices. Visit megaphone.fm/adchoices

For this season of ArtCurious, I'm doing something a little bit different. I'm treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I'll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today: She might not have had the backing of royal patrons or the fancy aristocratic connections that Levina Teerlinc and Sofonisba Anguissola had, but Fede Galizia still did well for herself with commissions. And she was an innovator, to boot, often noted as the first-known Italian artist to have completed a still life painting at a time where the genre was not yet fashionable. From Breaking Barriers: Women of Renaissance Europe, please enjoy “Fede Galizia: Early Still-Life Adopter.” Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Instagram / Facebook / YouTube SPONSORS: Betterhelp: Get 10% off your first month of counseling Indeed: only pay for quality applications from resumes in Indeed's database matching your job description. The Barnes Foundation: For a limited time, get 10% off your first Barnes Class when you visit our link Learn more about your ad choices. Visit megaphone.fm/adchoices

For this season of ArtCurious, I'm doing something a little bit different. I'm treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I'll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today, I'm sharing a story about the family of one of the most well-known female artists of the Renaissance. You might know a bit about Sofonisba Anguissola--but how much do you know about her sister, Lucia? And how about another Anguissola daughter? From Breaking Barriers: Women of Renaissance Europe, please enjoy “Lucia Anguissola (and Elena Anguissola): In Their Sister's Footsteps.” Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Instagram / Facebook / YouTube SPONSORS: Indeed: only pay for quality applications from resumes in Indeed's database matching your job description. Issuu: sign up for an annual premium account and get 50% off when you use promo code ARTCURIOUS Canvasprints.com: Get 25% off of your entire order of canvas prints, canvas wall displays, metal prints, photo tiles, photo blankets and pillows, and much more when you use code ARTCURIOUS25 Learn more about your ad choices. Visit megaphone.fm/adchoices