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Send us a textI'm speaking today with M. A. McLaughlin, author of The Lost Dresses of Italy listed in the Textile Arts category on Art In Fiction.View the video on YouTube: https://youtu.be/rDe_rXrLC2kOverview of the story of The Lost Dresses of Italy as a dual time novel taking place in 1947 and 1864 and inspired by a three-week trip to Italy taken by Victorian poet Christina RossettiPoetry of Christina Rossetti and why it has enduredChristina's sonnet sequence Monna Innominata as inspiration for the plotCombining a costume history and design with the story of Christina's time in ItalyReasons for setting the modern story in post-war VeronaResearching costume design and preservationThe role of pre-Raphaelite Dante Gabriel Rossetti in the novelSome of the challenges of fictionalizing real peopleWhat is it about the Romantics and Victorians that Marty is attracted to?Reading from The Lost Dresses of ItalyThings that Marty learned from writing her novel - the complicated nature of Italy's participation in World War II and its aftermath.Read more about M. A. McLaughlin on her website: https://martyambrose.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2300+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
For the 37th episode of “Reading the Art World,” host Megan Fox Kelly speaks with Ian Wardropper, author and former director of The Frick Collection, about his illuminating new book “The Fricks Collect: An American Family and the Evolution of Taste in the Gilded Age,” published by The Frick Collection in association with Rizzoli Electa.Wardropper shares the fascinating story of Henry Clay Frick's evolution from a rough Pittsburgh businessman to one of America's most discerning collectors. Through careful research into the Frick archives, Wardropper shows how Frick spent his first twenty years collecting contemporary American art — learning to develop his eye and work with dealers — before making the leap to Old Master paintings at the highest level of the market.Our conversation reveals Frick's distinctive approach to collecting: his relentless focus on quality over quantity, his willingness to edit and refine his holdings, and his vision for creating harmonious environments where great paintings lived alongside exceptional decorative arts. Wardropper also brings to light the crucial role of Helen Clay Frick, whose strong opinions and different tastes shaped the collection's growth after her father's death, including her establishment of the world-renowned Frick Art Research Library.This episode provides essential insights for collectors, museum professionals, and anyone interested in how great collections are built and sustained across generations. Wardropper's deep understanding of both the Frick family's story and the institution's transformation offers a compelling look at American collecting at its finest.ABOUT THE AUTHOR Ian Wardropper served as the Anna-Maria and Stephen Kellen Director of The Frick Collection for 14 years, leading the institution through its most transformative period, including the first comprehensive renovation in nearly 90 years and the innovative Frick Madison project. Previously, he held curatorial positions at the Metropolitan Museum of Art as Chairman of European Sculpture and Decorative Arts and at the Art Institute of Chicago for twenty years. A specialist in European decorative arts and sculpture, Wardropper oversaw ambitious exhibitions, a major capital campaign that raised $242 million, and pioneering digital initiatives including the acclaimed "Cocktails with a Curator" series. He holds a Ph.D. in art history from NYU and was named a Chevalier de l'Ordre des Arts et Lettres by the French Minister of Culture.PURCHASE THE BOOK https://shop.frick.org/the-fricks-collect-an-american-family-and-the-evolution-of-taste-the-gilded-age-softcoverSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden
We meet Alev Ebüzziya Siesbye (b. 1938, Istanbul, TR) is a ceramic artist known for her refined, monochrome stoneware bowls, which she has been producing for nearly sixty years. Working with the ancient coiling technique and a traditional wooden kick wheel, Ebüzziya Siesbye creates vessels that bear the intimate marks of her hand, balancing density and spaciousness, firmness and fragility. Fired at high temperatures, her bowls possess a stone-like solidity, while their sharp-edged lips and small, recessed bases lend them an impression of levitation. Though often unadorned, some pieces feature delicate horizontal lines along the rim to, as the artist describes, “prevent them from lifting off the ground.”Ebüzziya Siesbye studied sculpture at the Istanbul State Academy of Fine Arts before working at ceramic studios in Höhr-Grenzhausen, DE, and Istanbul. In 1963, she moved to Denmark to join the Royal Copenhagen Porcelain Manufactory, later founding her first independent studio in Copenhagen in 1969. She has lived and worked in Paris since 1987. She has been awarded many honors, including the 2022 Danmarks Nationalbank's Anniversary Foundation Honor Award and the Aydın Doğan Award, and her work has been the subject of retrospective exhibitions at the Museum of Turkish and Islamic Arts, Istanbul (TR), and the Museum of Decorative Arts, Copenhagen (DK).Ebüzziya Siesbye's ceramics are held in numerous museum collections, including the Cooper-Hewitt Museum, New-York (NY); the Victoria and Albert Museum, London (UK); the Los Angeles County Museum of Art (CA); Musée des Arts Décoratifs, Paris (FR); Museum Boijmans Van Beuningen, Rotterdam (NL); the Museum of Decorative Arts, Copenhagen (DK); the Nationalmuseum, Stockholm (SE); the Royal Scottish Museum, Edinburgh, (SCT); and the Museum of Fine Arts, Houston (TX), among others.Follow @Salon94 on Instagram.Alev's current solo show ‘Vibrations' which runs in New York at Salon 94 until 8th August 2025, address 3 East 89th Street: https://salon94.com/exhibitions/alev-ebuzziya-siesbye-vibrations Hosted on Acast. See acast.com/privacy for more information.
Telescope domes are designed to keep the telescopes inside safe and on-target. But just because they’re practical doesn’t mean they can’t be beautiful. That’s especially true of some built in the 1930s. They were influenced by the design style that was all the rage – known today as art deco. The event that popularized art deco began 100 years ago this week – the International Exhibition of Decorative Arts and Modern Industries, in Paris. It was a showcase for French design in architecture, art, furniture, clothing, and other fields. Most countries participated. The only restriction: Everything had to be modern. The exhibition inspired a design wave across the United States. Popular examples include the Empire State Building and Chrysler Building in New York, along with trains, airplanes, cars, consumer goods, and more. Astronomy got into the act as well. The best-known example is Griffith Observatory, in Hollywood. Its domes and grounds have been featured in dozens of movies and TV shows. The domes of Palomar Observatory feature art-deco design as well, including the one that houses the 200-inch telescope – the largest in the world for decades. And no list is complete without our own McDonald Observatory. Its original dome was dedicated in 1939. It housed not only the observatory’s 82-inch telescope, but also labs, offices, and living space for the astronomers – all executed in beautiful art deco style. Script by Damond Benningfield
In this episode of The Photo Detective, host Maureen Taylor welcomes Emily Banas, Associate Curator of Decorative Arts and Design at the RISD Museum, to explore the captivating world of French wallpaper. Their discussion centers on The Art of French Wallpaper Design exhibition, diving into the artistry, craftsmanship, and cultural legacy behind these historical wall coverings.The RISD Museum's collection of 18th and 19th-century French wallpaper—originally acquired in 1934—is showcased for the first time in decades, highlighting woodblock-printed designs from 1770–1840.The collection was assembled by French artist Charles Ard and American author Francis Wilson Ard, who sourced wallpapers for famed interior decorator Nancy McClelland.Visitors learn about the intricate woodblock printing method, with some designs requiring up to 20 blocks. A reproduction project by Delphi Paper Hangings brings these methods to life.Related Episodes:Episode 255: The Power of Knitting: History, Healing, and Resilience in Loretta Napoleoni's BookEpisode 241: The Threads of Life: Unraveling the Rich Tapestry of Sewing with Author Clare HunterLinks:The Art of French Wallpaper DesignSign up for my newsletter.Watch my YouTube Channel.Need help identifying family photos? Check out The Family Photo Detective ebookHave a photo you need help identifying? Sign up for photo consultation.About My Guest:Emily Banas is the Associate Curator of Decorative Arts and Design at the RISD Museum in Providence, Rhode Island where she has been working since 2015. Her recent exhibitions span from design works on paper and contemporary enamelwork to historic wallpaper, reflecting a broad, interdisciplinary approach examining form, style, material, and use across 18th to 21st century decorative arts, craft, and design. She earned an MA in decorative arts, design history and material culture from the Bard Graduate Center in 2015, and an MA in art history and museum studies, with a concentration in decorative arts and design, from Georgetown University in 2012.About Maureen Taylor:Maureen Taylor, The Photo Detective® helps clients with photo related genealogical problems. Her pioneering work in historic photo research has earned her the title “the nation's foremost historical photo detective” by The Wall Street Journal and appearances on The View, The Today Show, Pawn Stars, and others. Learn more at Maureentaylor.com I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Support the show
Thank you for listening to this talk produced by the Art Gallery of South Australia. Did you know the Art Gallery of South Australia has a significant historic dress collection? Ingrid Goetz, Vernon-Roberts Assistant Curator of Decorative Arts & Design, will discuss this tartan dress from 1860-65, currently on display in Gallery 2, and talk about the ongoing project to research and photograph the historic dress collection. For more information visit agsa.sa.gov.au Image: Tartan dress, worn by Mrs Josephine Geyer 1860-65, cotton, silk, wood, metal, 83.0 cm (diam) (bust), 60.0 cm (diam) (waist), 55.5 cm (diam) (front length), 10.0 cm (depth); Gift of Miss G.J. Madigan 1937, Art Gallery of South Australia, Adelaide
Thank you for listening to this talk produced by the Art Gallery of South Australia. Hear from Rebecca Evans, Exhibition Curator and Curator of Decorative Arts, as she discusses fashion in Radical Textiles. For more information visit agsa.sa.gov.au Image: installation view: Radical Textiles, Art Gallery of South Australia, Adelaide; photo: Saul Steed.
Episode: 2075 Rudolph Ackerman and his amazing chronicles of 19th-century art and technology. Today, architectural historian Margaret Culbertson tells us about a great chronicler of technology and art.
self-described loner, Joel Philip Myers developed his skills in relative isolation from the Studio Glass movement. With works inspired by a vast array of topics ranging from his deep love of the Danish countryside to Dr. Zharkov, the artist avoided elaborate sculpture in favor of substantial vessels that are simple yet powerful. States Myers: “In 1964, on the occasion of an exhibition titled Designed for Production: The Craftsman's Approach, I wrote in an essay in Craft Horizons magazine: ‘My approach to glass, as it is to clay, is to allow the material an expression of its own. Press the material to the utmost, and it will suggest ideas and creative avenues to the responsive artist.' The statement was sincere and enthusiastic, but decidedly naïf. I never thought when I wrote it that it would be the one statement of mine that would continue to be repeatedly quoted, throughout my 46- year-long career, as my defining philosophy. I have no defining philosophy. I am a visual artist, not a philosopher. Thoughts and ideas and opinions do not constitute a philosophy, and my thoughts and ideas and opinions have evolved and matured and changed in the time that has passed since 1964.” He continues: “As an artist I like to think of myself as a visitor in a maze, trying to find a solution to a dizzying puzzle. As in a maze, I have, through blunders and exploration, arrived at solutions, and embraced the manifold possibilities that the material offers: plasticity, transparency, opacity, translucency. I am sensitive to the wonders of the visual world and inspired by the forms and colors of the natural world. My training as a designer has enabled me to understand and exploit organization and structure, adding a rational perspective to my intuitive, emotional self.” Myers earned his degree in advertising design from Parsons School of Design in 1954. He studied in Copenhagen, Denmark, before earning a B.F.A. and M.F.A. in ceramics from the New York State College of Ceramics at Alfred University in the early 1960s. In 1963, he was hired as design director at Blenko Glass Company in Milton, West Virginia. Captivated by the drama of this thriving glass factory, he learned glassblowing through observation and practice. In 1970, Myers established the nascent glass department at Illinois State University in Normal, Illinois, where he served as Distinguished Professor of Art for 30 years until he retired from teaching in 1997. He is an Honorary Lifetime Member, 2012 Lifetime Achievement Award Winner and past President of the Glass Art Society, a Fellow of the American Crafts Council, and the recipient of a National Endowment for the Arts Fellowship. His work is represented in prominent museum collections around the world, including The Corning Museum of Glass, Corning, NY; The Art Institute of Chicago, Chicago, IL; the National Museum of American History, Smithsonian Institution, Washington, DC; the Smithsonian American Art Museum, Washington, D.C; The Museum of Decorative Arts, Prague; Hokkaido Museum of Modern Art, Japan; Musee des Arts Decoratifs, Palais du Louvre, Paris, France; and Musee de Design et d'Arts Appliques Contemporains, Lausanne, Switzerland, amongst others. Of his sculpture, Myers states: “My work is concerned with drawing, painting, playing with color and imagery on glass. I work with simple forms and concentrate on the surface enrichment. I prefer the spherical, three-dimensional surface to a flat one, because as I paint and draw on the glass, the glass form receives the drawing, adapts to its shape, distorts and expands it as it clothes and envelops itself in my drawing. I feel a communication with the material, and a reciprocation from my subconscious, as I continually search for new insights into my unknown self.” Enjoy this enlightening conversation with Myers, who at 91 has a near photographic memory of the events and developments that spurred the Studio Glass movement forward in its early days, as well as the ideas and processes of his personal work in glass – some of the most successful and collected of its day.
Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies
Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life
Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices
Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening!
Join me as I chat with Ana Veciana-Suarez, author of Dulcinea listed in the Literature category on Art In Fiction.View the video on YouTube: https://youtu.be/BKX2HsA43_cOverview of the story of Dulciana as being about a wealthy Barcelona woman called Dolça who is cast as the fictional muse of Miguel Cervantes.Use of the dual timeline narrative in the novelAna's family background in Barcelona and its influence on her novelWhy Cervantes? How the idea for the novel percolated for fifty yearsResearch for Dulciana and the benefits of visiting the areas where the novel takes placeSpain in the 16th century--the constraints on women, the role of the Church, and the tremendous civic power of the InquisitionUse of primary sources while researching Dulcinea Why Dolça is an artist and the existence of female artists during the periodHow Dolça's relationship to her painting evolves in the novel as a result of her relationship with CervantesThe theme of DulcianaReading from DulcianaThings that Ana learned from writing her novel that she didn't know beforeWhat Ana is working on now Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
HT2152 - So-called Decorative Arts I don't often hear people use the term "decorative arts" anymore. Is photography a decorative art? Or, is photography a medium for more personal artistic expressions? Or is it both, thereby confusing both producers and consumers?
In this episode, I'm chatting with Mark Baker, author of The Needle of Avocation listed in the Textile Arts category on Art In Fiction.View the video on YouTube: https://youtu.be/BKX2HsA43_cThe genesis of The Needle of Avocation as the third book in the Cuthbert seriesCreation of the "It" girl of the eighth century, the heroine of the first two novels in the series, led to the creation of her sister Hilda in The Needle of AvocationWhy embroidery as a basis for the novel and how it became both Hilda's shield and her refugeThe development of HIlda's character and the choices she must make to find balanceDiscussion of why Mark chooses to write about the Anglo-Saxon period in EnglandThe status of women in Anglo-Saxon period and how it changed for the worse under the NormansWhat we know (and don't know) about textile arts in the 8th and 9th centuries, and its purpose (and the purpose of art in general historically)Reading from The Needle of AvocationOne thing Mark learned from writing his novels that he didn't know beforeHow Mark researches his novelsWhat Mark is working on nowPress Play now & be sure to check out The Needle of Avocation on Art In Fiction: https://www.artinfiction.com/novels/the-needle-of-avocationMark Baker's website: https://gmbaker.net/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
‘When you make a painting, you want to make a good painting. You are more interested in the composition of the things, than in the precise description of the things.' – Nathalie Du Pasquier In the seventh and final episode of Series 3 of the Frieze Masters Podcast, artist Nathalie Du Pasquier, architect Annabelle Selldorf and Curator Abraham Thomas discuss the plasticity of the creative environment, and the collisions and contrasts between the visions of artists, architects and curators. Nathalie du Pasquier is an artist and co-founder of the Memphis design group in the 1980s; Annabelle Selldorf of Selldorf Architects has a global practice with expertise in complex cultural projects, including museums and temporary structures such as Frieze Masters; and Abraham Thomas is the Daniel Brodsky Curator of Modern Architecture, Design and Decorative Arts at the Metropolitan Museum of Art in New York. Full transcript available at frieze.com About Frieze Masters Podcast The Frieze Masters Podcast in collaboration with dunhill is back for 2024, bringing you the annual Frieze Masters Talks programme recorded during this year's fair. The series of seven discussions was curated by Sheena Wagstaff and Shanay Jhaveri, with the title ‘The Creative Mind', and features 21 intergenerational and international speakers exploring how the art of the past can help make sense of the present. The series includes topics ‘The State We're In', ‘The Faces of Community' and ‘The Power of Painting', with speakers ranging from artists – NairyBaghramian, Jeremy Deller, Nathalie Du Pasquier, Shirazeh Houshiary, Mark Leckey, Glenn Ligon, Ming Smith – to curators such as Gabriele Finaldi, Glenn Lowry and Victoria Siddall, plus writers, thinkers, architects and politicians. About Frieze Frieze is the world's leading platform for modern and contemporary art, dedicated to artists, galleries, collectors and art lovers alike. Frieze comprises three magazines –
Author Christine Coulson spent twenty-five years writing for the Metropolitan Museum of Art. Her final project was to write wall labels for the museum's new British Galleries. During that time, she dreamt of using The Met's strict label format to describe people as intricate works of art. The result is this "jewel box of a novel" (Kirkus Reviews) that imagines a privileged 20th-century woman as an artifact--an object prized, collected, and critiqued. One Woman Show (Avid Reader Press, 2023) revolves around the life of Kitty Whitaker as she is defined by her potential for display and moved from collection to collection through multiple marriages. Coulson precisely distills each stage of this sprawling life, every brief snapshot in time a wry reflection on womanhood, ownership, value, and power. "A moving story of privilege, womanhood, and the sweep of the 20th century told through a single American life" (Rumaan Alam, author of Leave the World Behind), Kitty is an eccentric heroine who disrupts her porcelain life with both major force and minor transgressions. Described with poignancy and humor, Coulson's playful reversal on our interaction with art ultimately questions who really gets to tell our stories. Christine Coulson spent 25 years writing for The Metropolitan Museum of Art and left the museum as Senior Writer in 2019. She started at The Met in 1991 as a summer intern in the European Paintings Department and returned in 1994 to start her first job at the museum after graduate school. During her tenure, she rose through the ranks of the museum, working in the Development Office, the Director's Office, and the Department of European Sculpture and Decorative Arts. In 2017, The Met gave Coulson a yearlong sabbatical to write Metropolitan Stories, her bestselling 2019 novel about the museum. Recommended Books: Katheryn Scanlan, Kick the Latch J.L. Carr, A Month in the Country Myra Coleman, Women Holding Things Learn more about your ad choices. Visit megaphone.fm/adchoices
Author Christine Coulson spent twenty-five years writing for the Metropolitan Museum of Art. Her final project was to write wall labels for the museum's new British Galleries. During that time, she dreamt of using The Met's strict label format to describe people as intricate works of art. The result is this "jewel box of a novel" (Kirkus Reviews) that imagines a privileged 20th-century woman as an artifact--an object prized, collected, and critiqued. One Woman Show (Avid Reader Press, 2023) revolves around the life of Kitty Whitaker as she is defined by her potential for display and moved from collection to collection through multiple marriages. Coulson precisely distills each stage of this sprawling life, every brief snapshot in time a wry reflection on womanhood, ownership, value, and power. "A moving story of privilege, womanhood, and the sweep of the 20th century told through a single American life" (Rumaan Alam, author of Leave the World Behind), Kitty is an eccentric heroine who disrupts her porcelain life with both major force and minor transgressions. Described with poignancy and humor, Coulson's playful reversal on our interaction with art ultimately questions who really gets to tell our stories. Christine Coulson spent 25 years writing for The Metropolitan Museum of Art and left the museum as Senior Writer in 2019. She started at The Met in 1991 as a summer intern in the European Paintings Department and returned in 1994 to start her first job at the museum after graduate school. During her tenure, she rose through the ranks of the museum, working in the Development Office, the Director's Office, and the Department of European Sculpture and Decorative Arts. In 2017, The Met gave Coulson a yearlong sabbatical to write Metropolitan Stories, her bestselling 2019 novel about the museum. Recommended Books: Katheryn Scanlan, Kick the Latch J.L. Carr, A Month in the Country Myra Coleman, Women Holding Things Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Author Christine Coulson spent twenty-five years writing for the Metropolitan Museum of Art. Her final project was to write wall labels for the museum's new British Galleries. During that time, she dreamt of using The Met's strict label format to describe people as intricate works of art. The result is this "jewel box of a novel" (Kirkus Reviews) that imagines a privileged 20th-century woman as an artifact--an object prized, collected, and critiqued. One Woman Show (Avid Reader Press, 2023) revolves around the life of Kitty Whitaker as she is defined by her potential for display and moved from collection to collection through multiple marriages. Coulson precisely distills each stage of this sprawling life, every brief snapshot in time a wry reflection on womanhood, ownership, value, and power. "A moving story of privilege, womanhood, and the sweep of the 20th century told through a single American life" (Rumaan Alam, author of Leave the World Behind), Kitty is an eccentric heroine who disrupts her porcelain life with both major force and minor transgressions. Described with poignancy and humor, Coulson's playful reversal on our interaction with art ultimately questions who really gets to tell our stories. Christine Coulson spent 25 years writing for The Metropolitan Museum of Art and left the museum as Senior Writer in 2019. She started at The Met in 1991 as a summer intern in the European Paintings Department and returned in 1994 to start her first job at the museum after graduate school. During her tenure, she rose through the ranks of the museum, working in the Development Office, the Director's Office, and the Department of European Sculpture and Decorative Arts. In 2017, The Met gave Coulson a yearlong sabbatical to write Metropolitan Stories, her bestselling 2019 novel about the museum. Recommended Books: Katheryn Scanlan, Kick the Latch J.L. Carr, A Month in the Country Myra Coleman, Women Holding Things Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Author Christine Coulson spent twenty-five years writing for the Metropolitan Museum of Art. Her final project was to write wall labels for the museum's new British Galleries. During that time, she dreamt of using The Met's strict label format to describe people as intricate works of art. The result is this "jewel box of a novel" (Kirkus Reviews) that imagines a privileged 20th-century woman as an artifact--an object prized, collected, and critiqued. One Woman Show (Avid Reader Press, 2023) revolves around the life of Kitty Whitaker as she is defined by her potential for display and moved from collection to collection through multiple marriages. Coulson precisely distills each stage of this sprawling life, every brief snapshot in time a wry reflection on womanhood, ownership, value, and power. "A moving story of privilege, womanhood, and the sweep of the 20th century told through a single American life" (Rumaan Alam, author of Leave the World Behind), Kitty is an eccentric heroine who disrupts her porcelain life with both major force and minor transgressions. Described with poignancy and humor, Coulson's playful reversal on our interaction with art ultimately questions who really gets to tell our stories. Christine Coulson spent 25 years writing for The Metropolitan Museum of Art and left the museum as Senior Writer in 2019. She started at The Met in 1991 as a summer intern in the European Paintings Department and returned in 1994 to start her first job at the museum after graduate school. During her tenure, she rose through the ranks of the museum, working in the Development Office, the Director's Office, and the Department of European Sculpture and Decorative Arts. In 2017, The Met gave Coulson a yearlong sabbatical to write Metropolitan Stories, her bestselling 2019 novel about the museum. Recommended Books: Katheryn Scanlan, Kick the Latch J.L. Carr, A Month in the Country Myra Coleman, Women Holding Things Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
In this episode, I'm chatting with Crystal King, author of In the Garden of Monsters listed in the Visual Arts category on Art In Fiction.View the video on YouTube: https://youtu.be/WElAb9vxuAIThe genesis of In the Garden of Monsters and the decision to write a novel that incorporated elements of fantasy and the Gothic.Inspired by the sacro bosco (sacred wood) at Bomarzo in Italy and its relationship to the Surrealist artist Salvador Dalí in the 1950s and to the Hades and Persephone myth.Video of Salvador Dalí in Bomarzo made in 1954 - view it on Crystal's website at https://www.crystalking.com/.Deep dive into the life and work of Salvador Dalí and his problemmatical opinions - he'd be cancelled in two seconds today! But also, he was a brilliant artist.Role of pomegranates in the role and their relationship to the retelling of the Hades and Persephone myth.Summary of the original myth - Demeter, Hades, Persephone.The role of food in the novel; a downloadable cookbook is available from Crystal's website.Reading from In the Garden of Monsters.Role played by memory (or lack of) in the novel.Women artists and Dalí's opinions of them and his problemmatical relationship to women in general.One thing Crystal learned from writing this novel that she didn't know before.What Crystal is working on now.Press Play now & be sure to check out In the Garden of Monsters on Art In Fiction: https://www.artinfiction.com/novels/in-the-garden-of-monstersCrystal King's website: https://www.crystalking.com/Music CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links.Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
Hundreds of years ago, wallpaper looked very different than the simple repeating patterns we often see today. Originally done on wood blocks, early designs were extremely decorative, colorful, and labor-intensive. “The Art of French Wallpaper Design” is the latest exhibit at the RISD Museum, featuring samples of salvaged wallpapers, fragments and drawings of designs from the 18th and 19th centuries. Morning host Luis Hernandez visited the exhibit to talk with Emily Banas, the museum's Associate Curator of Decorative Arts and Design. “The Art of French Wallpaper Design” is on now at the RISD Museum through May 11.
Join me as I chat with bestselling novelist Alex Connor, author of several art thrillers listed in the Visual Arts category on Art In Fiction including Rembrandt's Secret, The Caravaggio Conspiracy, and The Incubus Tapes.View the video on YouTube: https://youtu.be/Fbi3aA7gPl8Why Alexandra has chosen to center her novels--mostly art thrillers--around art.Seeing Caravaggio's Supper at Emmaus in the National Gallery when she was six.What led Alexandra to "follow her bright light" and focus on her dual careers as a writer and a painter.How Alexandra decides which artists to base a novel aroundl she's written novels related to Caravaggio, Rembrandt, Klimt, Fuseli, Bosch, and many more.Story behind the story of Rembrandt's Secret and how Alexandra likes to go behind the scenes to find interesting and often little known stories connected with an artist.Inspiration for The Incubus Tapes.The story behind Fuseli's famous painting The Nightmare and how it forms the basis of the dual time narrative in The Incubus Tapes.Pacing when writing a thriler.Reading from The Incubus Tapes.Some of the challenges related to writing ar art-based thriller.Why a writer should keep writing and not let other people dampen their passion.What Alexandra is working on now.Press Play now & be sure to check out Alex Connor's novels on Art In Fiction: https://www.artinfiction.com/novels?q=alex+connor Alex Connor's website: https://www.alexandra-connor.co.uk/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
In this episode, I'm chatting with Judith Lindbergh, author of Akmaral listed in the Other category on Art In Fiction.View the video on YouTube: https://youtu.be/gGdvLEpGrZwThe genesis of Akmaral from two points of reference in Judith's personal life: her obession with archeology and her young son's obsession with pretending to be a knight in shining armor.How Akmaral explores one woman's journey as a warrior, spiritual leader and priestess and her drive to protect her people and her family.Setting of Akamaral in 500 BC on the Russian steppes.History of the Amazons from Herodotus and their relationship to the characters and culture in Akmaral.Fascinating exploration of a culture where, seemingly, a woman was permitted to both warrior and mother.Use of weaponry and craftsmanship in Akmaral.The study of artifacts as a way into the lives of ancient peoples.Animals and their importance to the nomadic culture portrayed in Akmaral.How Judith is a little famous in Kazakhstan!Shamanism in Akmaral and parallels to the practices of nomadic cultures today.How long it took to write and then publish Akmaral.Judith's lush, poetic writing in Akmaral.Reading from Akmaral.How Judith's background in the arts led to her becoming a novelist.The founding of the Writer's Circle in New Jersey with courses now available worldwide online.One thing Judith learned from writing this novel that she didn't know beforeWhat Judith is working on now.Press Play now & be sure to check out Akmaral on Art In Fiction: https://www.artinfiction.com/novels/akmaralJudith Lindbergh's website: https://judithlindbergh.com/Music CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links.Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
Join me as chat with Alyson Richman, author of 9 novels listed on Art In Fiction, including The Time Keepers listed in the Other category and The Thread Collectors listed in the Textile Arts category.View the video on YouTube: https://youtu.be/vrYzy7mORwcWhy Alyson likes to write novels inspired by the arts and the role the arts have played in her lifeHow her novels answer questions such as "Can the creative spirit be extinguished in very difficult and dark times?" and "Can creativity be a form of resistance?"Genesis of The Time KeepersThe use of watchmaking in The Time Keepers as a metaphor for how we process time, particularly after suffering traumaResearch into watchmakingWhy she decided to set her novel during the Vietnam warParallels between events in the novel and current eventsResearching The Time Keepers, particularly talking with people who experienced the Vietnam warPrediction that more novels will start to be written around the Vietnam war now that it's 50 years in the pastThe theme of friendship in The Time KeepersReading from The Time KeepersCollaborating with Shaunna Edwards to write The Thread CollectorsThe role Alyson's and Shaunna's ancestors played in creating characters for The Thread CollectorsParallels between the Civil War setting for The Thread Collectors and civil unrest and racism in our own timeRepurposing cloth and thread in the Black community as inspiration for The Thread CollectorsOne thing Alyson learned from writing this novel that she didn't know beforeAlyson's new novel, due out in October 2025.Press Play now & be sure to check out all Alyson's novels on Art In Fiction: https://www.artinfiction.com/novels?q=alyson+richmanAlyson Richman's website: https://www.alysonrichman.comMusic CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links.Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
Join me as chat with Ferdia Lennon, author of Glorious Exploits, a wonderful debut novel listed in the Theater category on Art In Fiction.View the video on YouTube: https://youtu.be/3ZFFQ4rg4DUGenesis for Glorious ExploitsBased on true events that occurred in Syracuse, Sicily during the Peloponnesian war.The theme of friendship in Glorious ExploitsTheater and research of ancient Greek theater in the writing of Glorious ExploitsTraveling to Greece and Syracuse as part of the research processWhy Euripedes? Discussion of Medea and The Trojan Women, the two Euripedes plays put on by the Athenian soldiers in the quarryThe voice of Lampo and why he sounds IrishThe similarities between Ireland as an island nature separate from and yet related to England, and Sicily also an island separate from and yet related to the culture of GreeceThe size and breadth of the ancient world and its many influencesDiscussion of Ferdia's compelling writing styleHow Lampo's character changes and grows in the novelThe making of the audiobook that Ferdia narratedParallels between Glorious Exploits and our own timeReading from Glorious ExploitsPublication journey of Glorious ExploitsOne thing Ferdia learned from writing his novel that he didn't know beforePress Play now & be sure to check out Glorious Exploits by Ferdia Lennon on Art In Fiction: https://www.artinfiction.com/novels/glorious-exploitsFerdia Lennon's website: https://www.ferdialennon.com/Music CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links. If you use these links to make a purchase, I may earn a commission. As an Amazon Associate, I earn from qualifying purchases. Thank you. Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
Join me as chat with Laura Morelli, author of six novels listed on Art In FIction: The Gondola Maker in the Other category, and five novels in the Visual Arts category, including The Painter's Apprentice, The Giant, The Night Portrait, The Stolen Lady, and The Last Masterpiece, that we will be chatting about in this episode. View the video on YouTube: https://youtu.be/K1Zru2kCdtQGenesis for The Last MasterpieceA tale of two heroines--one American and one Austrian on opposite sides of the warFascination with how different stories were constructed around a series of historical events related to works of artWhy Florence? Its role as a mecca for art historians and the WWII experienceHow the blowing up of Florence's bridges in WWII forms the lynchpin in the novelThe remains of medieval houses in Florence--what we can still see todayHow Laura discovered a real person very much like her fictional Ava, a German photographer named Hilda Lotz BauerThe experiences of a WAC in Italy in WWII and the role they played in the war effortShades of grey in how art was handled both by the Allied and the Axis sides in WWIIMedia and misinformation in WWIIWhat is the appeal of Art In Fiction? Laura answers!Reading from The Last MasterpieceOne thing Laura learned from writing her novels that she didn't know beforePress Play now & be sure to check out Laura Morelli's novels on Art In Fiction: https://www.artinfiction.com/novels?q=laura+morelliLaura Morelli's website: https://lauramorelli.com/Music CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links. If you use these links to make a purchase, I may earn a commission. As an Amazon Associate, I earn from qualifying purchases. Thank you. Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
Join me as chat with Laurie Lico Albanese, author of three novels listed on Art In FIction, including Hester listed in the Textile Arts category and Stolen Beauty and The Miracles of Prato (co-written with Laura Morowitz) listed in the Visual Arts category on Art In Fiction.View the video on YouTube: https://youtu.be/vUuYVDmYdDQInspiration for HesterHawthorne's The Scarlet Letter and its relationship to Hester: who was the real Hester Prynne?Why the novel is not about a love affair between Nathaniel Hawthorne and Margaret FullerHow Isobel Gamble's story is similar to Hester Prynne's, and how it is differentSynthesthesia in Hester and how it informs the gorgeous descriptive writingWhy the category for Hester changed from Literature to Textile ArtsEmbroidery as a feminist actHow women and men view the futureThe hero's journey vs. the heroine's journeyNathaniel Hawthorne had his issuesReading from HesterWitchcraft and slavery in HesterThe theme of HesterOne thing Laurie learned from writing her novels that she didn't know beforePress Play now & be sure to check out Laurie Lico Albanese's novels on Art In Fiction: https://www.artinfiction.com/novels?q=albaneseLaurie Lico Albanese's website: https://www.laurielicoalbanese.com/Music CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links. If you use these links to make a purchase, I may earn a commission. As an Amazon Associate, I earn from qualifying purchases. Thank you. Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
Join me as I chat with Margaret Philbrick, author of two novels listed on Art In FIction, including House of Honor listed in the Visual Arts category and A Minor listed in the Music category on Art In Fiction.View the video on YouTube: https://youtu.be/vUuYVDmYdDQGenesis of House of Honor.Obession with the life and work of Caravaggio.Heist of Caravaggio's Nativity (still unsolved) as inspiration for the novelUse of color plates of Caravaggio's work in the print and ebook editions of the novelWhat is it about Caravaggio's work that makes it so compelling?Writing in Caravaggio's voice in House of HonorResearching the mafia and the Catholic church for House of HonorThe character of Orazio Bordoni - redemption and the prodigal sonReading from House of Honor.Travels in Italy and Orazio's neighborhood in Rome in the 1960s.Music and Alzheimer's in A Minor.Why Margaret doesn't have a SmartPhone!One thing Margaret Philbrick learned from writing her novels that she didn't know before.Press Play now & be sure to check out Margaret Philbrick's novels on Art In Fiction: https://www.artinfiction.com/novels?q=philbrickMargaret Philbrick's website: https://margaretphilbrick.com/Music CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links. If you use these links to make a purchase, I may earn a commission. As an Amazon Associate, I earn from qualifying purchases. Thank you. Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
Join me as I chat with Margaret Porter, author of four novels listed on Art In FIction, including A Change of Location, The Limits of Limelight, and Beautiful Invention: A Novel of Hedy Lamarr listed in the Film category and The Myrtle Wand listed in the Dance category on Art In Fiction.View the video on YouTube: https://youtu.be/ijPu_SVzY1cWhy switch to a new genre: "romcom" from historical fiction?Writing fiction as a "palette cleanser".Inspiration for A Change of Location.Summary of A Change of Location.Why set the novel in Somerset?The concept of a "smart" love story and how A Change of Location fits the bill.Challenges of writing contemporary fiction as opposed to historical fiction.Reading from A Change of Location.Discussion of Beautiful Invention: A Novel of Hedy Lamarr, and why write a novel about Heddy Lamarr?Hedy Lamarr's eventful life - myth-busting and research.What was Hedy Lamarr like as a person? What motivated her?Hedy's inventions.Inspiration forThe Limits of Limelight.Women reinventing themselves.The Myrtle Wand and the re-telling of the Giselle ballet.One thing Margaret Porter learned from writing her novels that she didn't know before.Write what you're passionate about!Press Play now & be sure to check out Margaret Porter's novels on Art In Fiction: https://www.artinfiction.com/novels?q=margaret+porterMargaret Porter's website: https://www.margaretporter.com/ Music CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links. If you use these links to make a purchase, I may earn a commission. As an Amazon Associate, I earn from qualifying purchases. Thank you. Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.
Join me as I chat with Zoe Disigny, author of The Art of Traveling Strangers, listed in the Visual Arts category on Art In Fiction.View the video on YouTube: https://youtu.be/dYPEJThuFqkInspiration for The Art of Traveling Strangers, based on an experience Zoe had while hosting art tours of Europe in the 1980s.How her background as an art history professor helped her write her novelMaking art accessible in The Art of Traveling StrangersThe four Davids in The Art of Traveling Strangers: Donatello, Michelangelo, Verrocchio, and Bernini.A favorite David?Intertwining the art travelogue with the story of Claire's journey to self-realization.The long process of turning the novel from a 22,000-word travelogue into a novel.Reading from The Art of Traveling Strangers.The work of Niki de Sant Phalle, who is mentioned at the beginning of the novel.The work of James Tyrell at Count Panza's Villa in Italy.The theme of The Art of Traveling Strangers.One thing Zoe Disigny learned from writing her novel that she didn't know before.Advice for authors starting their writing careers later in life.What Zoe is working on now.Press Play now & be sure to check out The Art of Traveling Strangers on Art In Fiction: https://www.artinfiction.com/novels/the-art-of-traveling-strangersZoe Disigny's website: https://zoedisigny.com/Places mentioned in the podcast:Tarot Garden (Il Giardino dei Tarocchi) in Tuscany: https://ilgiardinodeitarocchi.it/en/Queen Califia's Magic Garden in Escondido: https://visitescondido.com/queen-califias-magical-circle-escondido/Villa Panza in Varese: https://fondoambiente.it/villa-e-collezione-panza-ingleseAre you enjoying The Art In Fiction Podcast? Consider helping us keep the lights on so we can continue bringing you interviews with your favorite arts-inspired novelists. Just $3 buys us a coffee (and we really like coffee) at Ko-Fi. Just click this link: https://ko-fi.com/artinfictionAlso, check out the Art In Fiction website at https://www.artinfiction.com where you'll find over 2100 novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, and Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out...
Join me as I chat with Barbara Quick, author of Vivaldi's Virgins and What Disappears, both listed in the Visual Arts category on Art In Fiction.View the video on YouTube: https://youtu.be/nYq1nLL4xv4Inspiration for What Disappears going back several decades to when Barbara was just 22 years old.Revisiting old work after it's "ripened."The role of idential twins in What Disappears.Writing a great villain in fashion designer Paul Poiret. Researching the fashion components in What Disappears.What it was like to be a dancer in Belle Epoque Paris.Barbara's love of dance.Debut of Stravinsky's Rite of Spring in Paris and the Riot at the Rite.The role played by anti-semitism in both Tsarist Russia and Paris in the novel.The theme of healing in What Disappears.Reading from What Disappears.Writing poetry and prose: two sides of the same coin?One thing Barbara Quick learned from writing novels that she didn't know before.What Barbara is working on now.Press Play now & be sure to check out Vivaldi's Virgins and What Disappears on Art In Fiction: https://www.artinfiction.com/novels?q=barbara+quickBarbara Quick's website: https://www.barbaraquick.com/ Are you enjoying The Art In Fiction Podcast? Consider helping us keep the lights on so we can continue bringing you interviews with your favorite arts-inspired novelists. Just $3 buys us a coffee (and we really like coffee) at Ko-Fi. Just click this link: https://ko-fi.com/artinfictionAlso, check out the Art In Fiction website at https://www.artinfiction.com where you'll find over 1800 novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, and Other.
Join me as I chat with Linda Moore, author of Attribution and Five Days in Bogotá, both listed in the Visual Arts category on Art In Fiction.View the video on YouTube: https://youtu.be/X33FE57ZDk4 How Linda's background as the owner of an art gallery and her experience at an art fair in Colombia in the 1990s helped inspire her to write Five Days in Bogotá.The political situation in Colombia and how it's changed over the decades.Colombia as a significant economic force in South America.The role Nobel laureate and author of 100 Years of Solitude Gabriel García Márquez plays in the novel.A short reading from Five Days in Bogotá featuring a scene with Gabriel García Márquez that actually happened.The role auctions and inflating art prices plays in the art world and the novel.Why Linda starting writing novels later in life.Five Days in Bogotá - a thriller or a thriller light?Genesis of Attribution, which is set in Spain and revolves around Baroque art.Fascinating world of authenticating old paintings.One thing Linda Moore learned from writing novels that she didn't know before.Press Play now & be sure to check out Attribution and Five Days in Bogotá on Art In Fiction: https://www.artinfiction.com/novels?q=linda+mooreLinda Moore's website: https://lindamooreauthor.com/Are you enjoying The Art In Fiction Podcast? Consider helping us keep the lights on so we can continue bringing you interviews with your favorite arts-inspired novelists. Just $3 buys us a coffee (and we really like coffee) at Ko-Fi. Just click this link: https://ko-fi.com/artinfictionAlso, check out the Art In Fiction website at https://www.artinfiction.com where you'll find over 1800 novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, and Other.
On this episode, The American Art Collective get a special look into the Baltimore Museum of Art's exhibition: Art/Work Women Print Makers of the WPA. We talk with Virginia Anderson, BMA's Curator of American Art and Department Head of American Painting & Sculpture and Decorative Arts, as well as the curator of Art/Work Women Printmakers of the WPA. Virigina tells us about the inspiration for the show and describes some of her favorite pieces. We talks about the important legacy these female artists leave and the importance of continuing to celebrate their work.
A feather from a huia has broken the record for the most expensive feather ever sold at auction when it sold for $46,521 on Monday night. Head of Decorative Arts for Webb's auction house Leah Morris spoke to Corin Dann.
Listen in as I chat with Denny S. Bryce and Eliza Knight, co-authors of Can't We Be Friends: A Novel of Ella Fitzgerald and Marilyn Monroe listed in the Music category on Art In Fiction.View the Video on YouTube: https://www.youtube.com/watch?v=83F2k2cCnR8&t=1sHow Denny & Eliza decided to write their novel about Ella Fitzgerald and Marilyn MonroeResearch tidbits that led them into the storyHow both Ella Fitzgerald and Marilyn Monroe changed the face of entertainment--Ella in jazz and Marilyn in filmMarilyn Monroe as one of the first female producersElla Fitzgerald's influence on jazz and how she made sure she was in the mix for each change in music trends within jazzWhat the friendship meant from each woman's point of view The power of female friendship; quote from Michele ObamaElla and Marilyn, and their relationships with the men in their livesHow Can't We Be Friends is a novel about striving to be the best, about excellence even more than fameHow Ella Fitzgerald was "dangerous"Challenges that Eliza & Denny faced writing a novel about two real peopleReading by Denny Bryce from Can't We Be FriendsReading by Eliza Knight from Can't We Be FriendsThe collaboration process--how Denny & Eliza wrote the novel togetherWhat both Eliza & Denny learned from writing Can't We Be FriendsUse of first and third person in Can't We Be FriendsThe power of spreadsheets!What Denny is working on nowWhat Eliza is working on nowPress Play now & be sure to check out Can't We Be Friends on Art In Fiction: https://www.artinfiction.com/novels/can-t-we-be-friendsDenny S. Bryce's Website: https://dennysbryce.com/Eliza Knight's Website: https://elizaknight.com/Are you enjoying The Art In Fiction Podcast? Consider helping us keep the lights on so we can continue bringing you interviews with your favorite arts-inspired novelists. Just $3 buys us a coffee (and we really like coffee) at Ko-Fi. Just click this link: https://ko-fi.com/artinfictionAlso, check out the Art In Fiction website at https://www.artinfiction.com where you'll find over 1800 novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, and Other.
Join me as I chat with Daisy Goodwin, author of Diva listed in the Music category on Art In Fiction.View the Video on YouTube: https://youtu.be/dYCDxSyXwAUHighlights include:Why Daisy chose to write a novel about Maria Callas, the great opera singerThe nature of the female geniusWhat's a Diva?Writing about a real person -- getting into their headMaria Callas's difficult relationship with her motherMaria and her relationship with OnassisDaisy Goodwin's favorite operaThe theme of DivaReading from DivaChallenges of writing a novel that are different from writing screenplays and other forms of writingWhy historical fiction?What Daisy has learned from writing historical fictionResearch advice when writing historical fictionDaisy's new novel about the later years of Queen Victoria Press Play now & be sure to check out Diva on Art In Fiction: https://www.artinfiction.com/novels/divaDaisy Goodwin's Website: https://www.daisygoodwin.co.uk/Paganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonAre you enjoying The Art In Fiction Podcast? Consider helping us keep the lights on so we can continue bringing you interviews with your favorite arts-inspired novelists. Just $3 buys us a coffee (and we really like coffee) at Ko-Fi. Just click this link: https://ko-fi.com/artinfictionAlso, check out the Art In Fiction website at https://www.artinfiction.com where you'll find over 1800 novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, and Other.
During the Georgian era, gender differences in domestic goods became increasingly common. For example, a gentleman's writing desk was a sturdy, substantial piece of furniture, while a lady's desk was a small, delicate writing table. In this episode we sit down with art historian and museum curator Kristen Miller Zohn to discuss gender and the decorative arts in general, and how Austen's references to consumer goods in her novels—from furniture and wallpaper to breakfast sets, muslin gowns, and toothpick cases—reveal important information about her characters. Read the transcript, show notes, and guest bio: https://jasna.org/austen/podcast/ep10Visit our website: www.jasna.orgFollow us on Instagram and FacebookEmail: podcast@jasna.org
Join us this week as we dive into design history with Emily Evans Eerdmans. Emily is the founder of Eerdmans, a fine and decorative arts gallery and consultancy in New York City. Her most recent book, Mario Buatta: Anatomy of a Decorator, is now available. A close friend of Mario's, Emily oversaw the dispersal of his estate, including the blockbuster auction of the Prince of Chintz's prized possessions at Sotheby's. Emily's book presents the key learnings and decorative history of Buatta, one of America's most famous interior decorators.Along with Anatomy of a Decorator, Emily has also authored a long list of books, including monographs on Madeleine Castaing and Henri Samuel. With a Master's degree in Fine and Decorative Arts from Sotheby's Institute of Art in London, Emily has taught design history at the Fashion Institute of Technology and the New York School of Interior Design. -- Pick up your own copy of Emily's recent book, “Mario Buatta: Anatomy of a Decorator”: https://www.amazon.com/Mario-Buatta-Emily-Evans-Eerdmans/dp/0847873579 And learn more about the gallery and upcoming exhibitions: https://www.eerdmansnewyork.com/
Join me as I chat with Nancy Bilyeau, author of several arts-inspired novels on Art In Fiction, including The Orchid Hour about a speakeasy in 1923 Jazz Age New York and listed in the Theater category on Art In Fiction.View the Video on YouTube: https://youtu.be/CvIYJYb-PfQHighlights include:Why Nancy set her latest novel in Prohibition-era New YorkThe role played by the Italian American immigrant community in the novelResearching organized crime in Jazz Age New York CityReal speakeasies and the fictional Orchid Hour speakeasy Liberation of women in the 1920sGreenwich Village as the setting for The Orchid Hour speakeasyProhibition in Jazz Age New York City - did the cops really care?Why orchids?Themes in The Orchid HourReading from The Orchid HourDiscussion of The Fugitive Colours, the follow-up novel to The BlueJourney of a female artist/spy in 18th century LondonOpportunities for female painters in the 18th centuryWhat Nancy has learned from writing historical fictionNancy's new novel: The Versailles Formula Press Play now & be sure to check out The Orchid Hour and Nancy's other novels on Art In Fiction: https://www.artinfiction.com/novels?q=nancy+bilyeauNancy Bilyeau's Website: https://nancybilyeau.com/Paganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonAre you enjoying The Art In Fiction Podcast? Consider helping us keep the lights on so we can continue bringing you interviews with your favorite arts-inspired novelists. Just $3 buys us a coffee (and we really like coffee) at Ko-Fi. Just click this link: https://ko-fi.com/artinfictionAlso, check out the Art In Fiction website at https://www.artinfiction.com where you'll find over 1800 novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, and Other.
Listen in as I chat with ReShonda Tate, the best-selling author of dozens of novels including The Queen of Sugar Hill, ReShonda's first historical novel. It's listed in the Film category on Art In Fiction.View the Video on YouTube: https://youtu.be/aIofW073t_UHighlights include:Why write a novel about Hattie McDaniel, famous for playing Mammy in Gone with the Wind and being the first Black person to win an Academy Award for Best Supporting Actress in 1939.Hattie's famous line about how she'd rather play a maid than be a maid.The novel as a story about a career woman before her time.Hattie's troubled love life.Hattie's relationship with Clark Gable.Researching The Queen of Sugar HillFact vs. fiction - an example of a fictionalized event in The Queen of Sugar HillHattie's activism during and after the war and her successful challenge of the restrictive covenant that kept the Sugar Hill neighborhood for "whites only" that led to a landmark Supreme Court case.Theme of The Queen of Sugar HillReading from The Queen of Sugar HillReShonda's focus on writing historical fiction What ReShonda is working on nowPress Play now & be sure to check out The Queen of Sugar Hill on Art In Fiction: https://www.artinfiction.com/novels?q=reshonda+tateReShonda Tate's Website: https://www.reshondatate.comPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonAre you enjoying The Art In Fiction Podcast? Consider helping us keep the lights on so we can continue bringing you interviews with your favorite arts-inspired novelists. Just $3 buys us a coffee (and we really like coffee) at Ko-Fi. Just click this link: https://ko-fi.com/artinfictionAlso, check out the Art In Fiction website at https://www.artinfiction.com where you'll find over 1800 novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, and Other.
Yuliia Lobodiuchenko is a transportation illustrator, an artist, and designer with experience in exterior automotive design, car design history, and cultural research. She has long held a fascination for the automotive industry and discovered that passion when, at 16, she joined the Faculty Industrial Design at the Kyiv State Academy of Decorative Arts and Design in Ukraine. In 2017 Yullia earned a scholarship to pursue a master's degree in Car Design at the SPD Scuola Politecnica de Design in Milan, Italy. During her studies she collaborated with manufacturers including Lamborghini, Audi, and Volkswagen. After graduating she joined the exterior design team at JAC Italy Design Center. Today her focus is on illustration and research of various car production models. Yullia produced a 10-hour video course on the history of automotive design for Projector Institute, a Ukrainian educational institution. Today she runs a YouTube channel about the history of cars titled Transportii Istorii which translates to Transportation Stories.
Natasha Lester, the New York Times best-selling author of nine novels. joins me on the Art In Fiction Podcast to chat about her latest novel, The Disappearance of Astrid Bricard, listed in the Textile Arts category.NEW on The Art In Fiction Podcast: Watch my interview on YouTube!Highlights include:Summary of The Disappearance of Astrid Bricard - role played by the Battle of Verseilles in November 1973Challenges of writing three points of view in three timeframesFashion in the 1970s as inspiration for the novelMizza Bricard, known to history as "Christian Dior's Muse", as the catalyst for the novel, and debunking the focus on "woman as muse"Combining fictional and real characters in the novel: Mizza Bricard with her two fictional descendantsWomen in fashion over the decades: has anything changed?Role of the Bayeux Tapestry in the novel as a metaphor for gender imbalanceNatasha's use of language and imageryReading from The Disappearance of Astrid BricardAdvice about research methodsWhat Natasha is working on nowCheck out The Disappearance of Astrid Bricard and all of Natasha's other novels on Art In Fiction: https://www.artinfiction.com/novels?q=natasha+lesterNatasha Lester's Website: https://natashalester.com.au/Paganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links. If you use these links to make a purchase, I may earn a commission. As an Amazon Associate, I earn from qualifying purchases.ProWriting Aid is a grammar checker, style editor, and writing mentor in one package. Get 20% off: https://prowritingaid.com/?afid=7030Are you enjoying The Art In Fiction Podcast? Consider helping us keep the lights on so we can continue bringing you interviews with your favorite arts-inspired novelists. Just $3 buys us a coffee (and we really like coffee) at Ko-Fi. Just click this link: https://ko-fi.com/artinfictionAlso, check out the Art In Fiction website at https://www.artinfiction.com where you'll find over 1800 novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, and Other.
Ever walk into an art museum and find yourself just as mesmerized and transported by the color of the exhibition walls as you were by the art? Well, that wouldn't have been the ultimate goal of the exhibit designers but it does speak to the power of wall paint color, even in a museum setting. My guest in this episode is Kathleen Morris, the Director of Collections and Exhibitions at The Clark Art Institute in Williamstown, MA and the Curator of Decorative Arts there, as well. Kathy shares her decades of experience helming a team of staff and freelance professionals whose jobs it is to create the ultimate museum experience. One of her most powerful tools is wall color. Learn what factors they consider when choosing wall colors for an exihibit, what colors often work well with which kind of art and hear how the public reacts to their choices. It's a fascinating conversation and one which should send you high tailing it to the Sterling and Francine Clark Art Institute.
Ever walk into an art museum and find yourself just as mesmerized and transported by the color of the exhibition walls as you were by the art? Well, that wouldn't have been the ultimate goal of the exhibit designers but it does speak to the power of wall paint color, even in a museum setting. My guest in this episode is Kathleen Morris, the Director of Collections and Exhibitions at The Clark Art Institute in Williamstown, MA and the Curator of Decorative Arts there, as well. Kathy shares her decades of experience helming a team of staff and freelance professionals whose jobs it is to create the ultimate museum experience. One of her most powerful tools is wall color. Learn what factors they consider when choosing wall colors for an exihibit, what colors often work well with which kind of art and hear how the public reacts to their choices. It's a fascinating conversation and one which should send you high tailing it to the Sterling and Francine Clark Art Institute.
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