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In this episode, award-nominated author Ciel Pierlot joins me in the Toolshed for a fascinating chat about writing fantasy and writing queer fiction. Ciel's new book, The Hunter's Gambit, was published by Angry Robot earlier this year. We chat all about the writing of the story, Ciel's writing process as a whole, and crafting characters who are interesting and engaging. Ciel also discusses her experience of the query trenches and how she found a literary agent. As always, you're bound to learn something new! JOIN OUR DISCORD COMMUNITY https://mailchi.mp/395aa89d6ec0/join-richie-billings-community-of-writers ABOUT CIEL PIERLOT https://cielpierlot.com/ GET THE HUNTER'S GAMBIT https://angryrobotbooks.com/books/the-hunters-gambit/ GET IN TOUCH thefantasywriterstoolshed@gmail.com https://richiebilling.com/ RESOURCES Discover more writing tips and guides here - https://richiebilling.com/writing-tips/ And learn more about writing fantasy here - https://richiebilling.com/fantasy-writing/
For this episode of Season 3 I was blessed with interviewing Angry Robot's S.T. Gibson. We discussed her new urban fantasy romance series. Evocation kicks off the Summoner's Circle series and follows David, a psychic medium and hotshot lawyer, who must team up with his sorcerer ex-boyfriend and the ex's witch wife to break a family curse. Forced proximity, magic lessons, and polyamory ensure, all against the moody backdrop of Boston. Artist Eleonor Piteira does an amazing job with the cover so please make sure you check out Gibson's social links in the space below!Author Social Links:https://stgibson.com/https://www.amazon.com/stores/author/B07G2QNL7Fhttps://www.instagram.com/stgibsonauthor/?hl=enhttps://x.com/s_t_gibson?lang=enhttps://www.goodreads.com/author/show/15721114.S_T_GibsonPodcast Social Links:Website:https://thefantasyandscififanaticspod.com/Youtube Channel Subscription:https://youtube.com/@thefantasyandsci-fifanatic2328RSS.com:https://media.rss.com/thefantasyandsci-fifanaticspodcast/feed.xmlSpotify:https://open.spotify.com/show/2aCCUhora9GdLAduLaaqiu?si=cl-8VWgaSrOGDwJg-cKONQFacebook Group join link:https://www.facebook.com/groups/402724958101648/?ref=share
In this episode, I'm joined by fantasy author Gabriela Houston for an honest chat about writing and publishing. Gabriela has developed a reputation for writing brilliant, Slavic-inspired tales. The Bone Roots, published by Angry Robot, is her latest book. We talk all about it, as well as Gabriela's journey through writing, what it's like to be traditionally published versus self-publishing, and more than a few honest assessments about the publishing process as a whole. Join Our Discord Community Join our writing community on Discord and get involved in the conversation - https://mailchi.mp/395aa89d6ec0/join-richie-billings-community-of-writers Resources Creative Writing Tips For Beginners - https://richiebilling.com/writing-tips/ Advice On Writing Fantasy - https://richiebilling.com/fantasy-writing About The Guest Gabriela Houston - https://www.gabrielahouston.com/ Buy The Bone Roots - https://angryrobotbooks.com/books/the-bone-roots/ Richie Billing: https://richiebilling.com
The Friends interview fantasy author Gabriela Houston in anticipation of her upcoming release, The Bone Roots. Available October 10th 2023, The Bone Roots is a salvic-folklore inspired fantasy book that explores how far a mother will go to protect her child. Pre-order The Bone Roots: https://www.amazon.com/gp/product/1915202582?tag=randohouseinc7986-20 Support Gabriela Houston: https://www.gabrielahouston.com/ Visit our website: https://www.theftfpodcast.com/ Advanced copies of The Bone Roots were provided by Angry Robot.
Against the odds, Wesley Chu's small-press debut novel became a break-out success. In the ten years since, he has published a dozen other titles, written for large IPs, signed deals with the Big 5, and even dabbled in self publishing. Today, he sits down to chat about unexpected wins, getting blacklisted by publicists, learning to write sex scenes with Diana Galbadon, industry trends for SFF, and many other things. #### SHOW NOTES ####Got through the Angry Robot slush pile, unagentedLives of Tau was a stellar breakout successCowriting with Cassandra Clare, and being tutored by Diana GalbadonWatching yaoi, learning to write sex scenesPublishing experience with the big 5; getting blacklisted by a publicistRecovering and moving on with your careerThe shocking number of people who quit the industryFilm options (navigating them, making good choices)The “churner” model of publishing and why AI will kill it offChanging market trends in the USA and UKBook 2 promotion and a listener question
This week on The Corner of Story and Game, I am thrilled to welcome British author and editor Marc Gascoigne to the show. With over fifty books and gaming-related titles under his belt, Marc is a true veteran in the industry. Best known for his work on the Fighting Fantasy series, Marc has also contributed to some of the biggest names in gaming, including Shadowrun, Earthdawn, Judge Dredd, and Call of Cthulhu. I'm honoured to have him join me for the first half of a two-part conversation. Join us as we sit by the fire and discuss Marc's impressive career, his experience bringing us Games Workshop's Black Library, the Angry Robot sci-fi imprint, Asmodee's Aconyte fiction imprint, the Fighting Fantasy series of books, and much more. We dig into, amongst other things: Marc's origin story, including what it was like growing up as a gamer in Britain, Coming up as a freelancer in the industry, The various companies he has worked with, The differences between American fantasy and European fantasy, Finding the freshness and avoiding repetition, Making balance in your life while working as an ambitious creative, and The challenges and nuances around creating fiction based on game worlds. Give it a listen! As I mentioned, this is the first half of a two-part interview, so be sure to return next week. Marc's Links: -> Facebook -> Twitter -> LinkedIn Aconyte Books: -> Facebook -> Twitter -> LinkedIn -> Website Find The Corner of Story and Game: -> Facebook -> Instagram -> Twitter -> TikTok -> Threads -> Bluesky -> LinkedIn -> Email: gerald@storyandgame.com If you have any questions or comments on this, or any other, episode, please let me know. Be sure to subscribe to the podcast to hear more conversations with professionals in the video game, tabletop game, and fiction industries. #MarcGascoigne #Writer #Editor #GameDesigner #FightingFantasy #GamesWorkshop #AconyteBooks #Novelization #GameWorlds #Worldbuilding #WritingAdvice #CreativeLiving #Storytelling #Storycraft #TheCornerOfStoryAndGame
Spoiler Free! The Friends are joined by Stephen Aryan, author of the Age of Darkness and Age of Dread trilogies. His first novel, Battlemage, was a finalist for the David Gemmell Morningstar Award for best debut fantasy novel. It also won the inaugural Hellfest Inferno Award in France. Stephen's latest book, The Judas Blossom, is out July 11. This Fantasy epic is an imaginative and sprawling epic fantasy reimagining of the Mongol Empire's invasion of Persia, following the lives and treacherous journeys of four key figures in the heart of war. Get The Judas Blossom: https://angryrobotbooks.com/books/judas-blossom/ Support Stephen Aryan: https://stephen-aryan.com/ Thank you Angry Robot for advanced copies of The Judas Blossom. Visit our website: https://www.theftfpodcast.com/
Award-winning literary fantasy author Karen Heuler stops by the Toolshed to talk about pantsing and writing in the literary style. Karen's new book, The Splendid City, published by Angry Robot, offers a fantastic example of the style and approach, and we dive into it to understand how to write literary fantasy fiction. Karen is also a massive pantser and we discuss the benefits of taking this approach and how you can give pantsing a go yourself. If you have any questions or requests, please write to us at thefantasywriterstoolshed@gmail.comJOIN OUR WRITING COMMUNITYhttps://mailchi.mp/395aa89d6ec0/join-richie-billings-community-of-writersLEARN MORE ABOUT FANTASY WRITINGTo join our writing community and access our Panels feature, as well as join a weekly writing group, access exclusive interviews, discussions, fantasy writing classes, books and more head over to our Patreon page - https://www.patreon.com/TheFantasyWritersToolshed OUR GUESTSKaren Heuler - The Splendid City - https://angryrobotbooks.com/books/the-splendid-city/ | More about Karen - https://www.karenheuler.com/Sounds and editing by 3D Sound Studio - https://www.youtube.com/@3DSoundStudio Hosted on Acast. See acast.com/privacy for more information.
Author Stories - Author Interviews, Writing Advice, Book Reviews
Stephen Aryan was born in Iran in 1977 and raised in Whitley Bay, on the north east coast of the UK. He has been reading fantasy since a very young age. It started with books by David Eddings, Tolkien, C.S Lewis, Terry Brooks, Ursula le Guin, Margaret Weis and Tracy Hickman and later David Gemmell, who had a huge influence on his work. After graduating university in 1999 he started working in marketing. Around this time he also started submitting his first fantasy novel to agents. In 2013, he submitted his latest novel, Battlemage, to Juliet Mushens. It took Stephen a long time and many struggles to get this far. You can read the full story on a two part blog he wrote called How I Found an Agent Part 1, and How I Found an Agent Part 2. In 2014, Battlemage, was snatched up by Orbit books and subsequently published in 2015. It went on to be published in France, Germany and Russia and was a finalist for the David Gemmell Morningstar Award for best debut fantasy novel. Battlemage went on to win the inaugural Hellfest Inferno Award in France after a public vote. The sequels, Bloodmage, and Chaosmage were both published in 2016, completing the Age of Darkness trilogy. In 2017 he published Mageborn, the first in a new trilogy, the Age of Dread, with Orbit books. This followed on from his first trilogy, with the return of fan-favourite characters and many new faces. The sequels, Magefall and Magebane were published in 2018 and 2019 respectively, wrapping up his second trilogy. In 2018 he also published Of Gods and Men with Orbit, a digital and audio novella which served as a prequel to Battlemage. In 2020 Stephen was picked up for a new duology by Angry Robot Books. The story is set in a brand new world. The first novel, The Coward, was published in June 2021 and it received a Starred Review from Publishers Weekly. The sequel, The Warrior, was published in August 2022. In 2022, Angry Robot signed The Judas Blossom, the first instalment in a Persian inspired fantasy trilogy, from Stephen. The first book will be published on 11th July 2023. The Judas Blossom has been described as an “imaginative and sprawling reimagining of the Mongol Empire's invasion of Persia” following the lives of four characters at the centre of the war. It is an examination of Persian culture, family and war in a stunning, immersive world. Stephen lives in the West Midlands with his partner and two cats. When he's not writing novels or podcasting, he can be found drinking real ale, reading books or watching TV. Stephen is represented by Juliet Mushens of the Mushens Entertainment agency. You can find him on Twitter, Facebook, Instagram. https://twitter.com/SteveAryan
The Judas Blossom: Book I of The Nightingale and the Falcon Stephen Aryan was born in Iran in 1977 and raised in Whitley Bay, on the north east coast of the UK. He has been reading fantasy since a very young age. It started with books by David Eddings, Tolkien, C.S Lewis, Terry Brooks, Ursula le Guin, Margaret Weis and Tracy Hickman and later David Gemmell, who had a huge influence on his work. After graduating university in 1999 he started working in marketing. Around this time he also started submitting his first fantasy novel to agents. In 2013, he submitted his latest novel, Battlemage, to Juliet Mushens. It took Stephen a long time and many struggles to get this far. You can read the full story on a two part blog he wrote called How I Found an Agent Part 1, and How I Found an Agent Part 2. In 2014, Battlemage, was snatched up by Orbit books and subsequently published in 2015. It went on to be published in France, Germany and Russia and was a finalist for the David Gemmell Morningstar Award for best debut fantasy novel. Battlemage went on to win the inaugural Hellfest Inferno Award in France after a public vote. The sequels, Bloodmage, and Chaosmage were both published in 2016, completing the Age of Darkness trilogy. In 2017 he published Mageborn, the first in a new trilogy, the Age of Dread, with Orbit books. This followed on from his first trilogy, with the return of fan-favourite characters and many new faces. The sequels, Magefall and Magebane were published in 2018 and 2019 respectively, wrapping up his second trilogy. In 2018 he also published Of Gods and Men with Orbit, a digital and audio novella which served as a prequel to Battlemage. In 2020 Stephen was picked up for a new duology by Angry Robot Books. The story is set in a brand new world. The first novel, The Coward, was published in June 2021 and it received a Starred Review from Publishers Weekly. The sequel, The Warrior, was published in August 2022. In 2022, Angry Robot signed The Judas Blossom, the first instalment in a Persian inspired fantasy trilogy, from Stephen. The first book will be published on 11th July 2023. The Judas Blossom has been described as an “imaginative and sprawling reimagining of the Mongol Empire's invasion of Persia” following the lives of four characters at the centre of the war. It is an examination of Persian culture, family and war in a stunning, immersive world. Stephen lives in the West Midlands with his partner and two cats. When he's not writing novels or podcasting, he can be found drinking real ale, reading books or watching TV. Stephen is represented by Juliet Mushens of the Mushens Entertainment agency. You can find him on Twitter, Facebook, Instagram. https://twitter.com/SteveAryan When you click a link on our site, it might just be a magical portal (aka an affiliate link). We're passionate about only sharing the treasures we truly believe in. Every purchase made from our links not only supports Dabble but also the marvelous authors and creators we showcase, at no additional cost to you.
Denise Crittendon's debut science fiction novel,Where it Rains in Color (Angry Robot, 2022), is set far in the future, long after the Earth has been destroyed, on the planet of Swazembi. Swazembi is a color-rich utopia and famous vacation center of the Milky Way. No one is used to serious trouble in this idyllic, peace-loving world, least of all the Rare Indigo. But Lileala's perfect, pampered lifestyle is about to be shattered. Published on the cusp of Crittendon's 70th birthday, the novel's creation was decades in the making. Ideas were jotted down and relegated to a drawer while her work as a journalist and ghostwriter took front seat. Inspiration was gathered from her time in Zimbabwe and a recurring dream she had over many years. “The dream influenced the novel a great deal,” says Crittendon. “The novel was kind of built around the dream. When I finally started writing it again, then the dreams came back. And then I stopped and the dreams went away. When I finally got a chance to do that final push, I never had a dream again.” That experience layers an almost metaphysical presence to a story that already includes a different kind of worldbuilding from what we normally see in science fiction. From Swazembi's galaxy-renowned wind-force public transit system and nuanced cultural greeting of “waves of joy” to the noted lack of violence throughout, the novel offers a fresh perspective on what sci fi can be. Before making the big leap into the world of sci-fi & fantasy, Denise Crittendon held a string of journalism jobs. In addition to being a staff writer for The Detroit News and The Kansas City Star, she was editor-in-chief of the NAACP's national magazine, The Crisis. Later, she became founding editor of a Michigan-based lifestyle publication for black families. After self-publishing two manuals that empower youth, “Girl in the Mirror, A Teen's Guide to Self-Awareness” and “Life is a Party That Comes with Exams,” she entered the new-age healing movement as a motivational speaker for teens. These days, she fulfills ghostwriting assignments for clients and writes speculative fiction on the side. She divides her time between Spring Valley, Nevada and her hometown, Detroit, Mich. Brenda Noiseux and Rob Wolf are co-hosts of New Books in Science Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Denise Crittendon's debut science fiction novel,Where it Rains in Color (Angry Robot, 2022), is set far in the future, long after the Earth has been destroyed, on the planet of Swazembi. Swazembi is a color-rich utopia and famous vacation center of the Milky Way. No one is used to serious trouble in this idyllic, peace-loving world, least of all the Rare Indigo. But Lileala's perfect, pampered lifestyle is about to be shattered. Published on the cusp of Crittendon's 70th birthday, the novel's creation was decades in the making. Ideas were jotted down and relegated to a drawer while her work as a journalist and ghostwriter took front seat. Inspiration was gathered from her time in Zimbabwe and a recurring dream she had over many years. “The dream influenced the novel a great deal,” says Crittendon. “The novel was kind of built around the dream. When I finally started writing it again, then the dreams came back. And then I stopped and the dreams went away. When I finally got a chance to do that final push, I never had a dream again.” That experience layers an almost metaphysical presence to a story that already includes a different kind of worldbuilding from what we normally see in science fiction. From Swazembi's galaxy-renowned wind-force public transit system and nuanced cultural greeting of “waves of joy” to the noted lack of violence throughout, the novel offers a fresh perspective on what sci fi can be. Before making the big leap into the world of sci-fi & fantasy, Denise Crittendon held a string of journalism jobs. In addition to being a staff writer for The Detroit News and The Kansas City Star, she was editor-in-chief of the NAACP's national magazine, The Crisis. Later, she became founding editor of a Michigan-based lifestyle publication for black families. After self-publishing two manuals that empower youth, “Girl in the Mirror, A Teen's Guide to Self-Awareness” and “Life is a Party That Comes with Exams,” she entered the new-age healing movement as a motivational speaker for teens. These days, she fulfills ghostwriting assignments for clients and writes speculative fiction on the side. She divides her time between Spring Valley, Nevada and her hometown, Detroit, Mich. Brenda Noiseux and Rob Wolf are co-hosts of New Books in Science Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Denise Crittendon's debut science fiction novel,Where it Rains in Color (Angry Robot, 2022), is set far in the future, long after the Earth has been destroyed, on the planet of Swazembi. Swazembi is a color-rich utopia and famous vacation center of the Milky Way. No one is used to serious trouble in this idyllic, peace-loving world, least of all the Rare Indigo. But Lileala's perfect, pampered lifestyle is about to be shattered. Published on the cusp of Crittendon's 70th birthday, the novel's creation was decades in the making. Ideas were jotted down and relegated to a drawer while her work as a journalist and ghostwriter took front seat. Inspiration was gathered from her time in Zimbabwe and a recurring dream she had over many years. “The dream influenced the novel a great deal,” says Crittendon. “The novel was kind of built around the dream. When I finally started writing it again, then the dreams came back. And then I stopped and the dreams went away. When I finally got a chance to do that final push, I never had a dream again.” That experience layers an almost metaphysical presence to a story that already includes a different kind of worldbuilding from what we normally see in science fiction. From Swazembi's galaxy-renowned wind-force public transit system and nuanced cultural greeting of “waves of joy” to the noted lack of violence throughout, the novel offers a fresh perspective on what sci fi can be. Before making the big leap into the world of sci-fi & fantasy, Denise Crittendon held a string of journalism jobs. In addition to being a staff writer for The Detroit News and The Kansas City Star, she was editor-in-chief of the NAACP's national magazine, The Crisis. Later, she became founding editor of a Michigan-based lifestyle publication for black families. After self-publishing two manuals that empower youth, “Girl in the Mirror, A Teen's Guide to Self-Awareness” and “Life is a Party That Comes with Exams,” she entered the new-age healing movement as a motivational speaker for teens. These days, she fulfills ghostwriting assignments for clients and writes speculative fiction on the side. She divides her time between Spring Valley, Nevada and her hometown, Detroit, Mich. Brenda Noiseux and Rob Wolf are co-hosts of New Books in Science Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
We're delighted to welcome to the Writers' Toolshed bestselling fantasy author, Stephen Aryan.Stephen has published eight novels to date with both Orbit and Angry Robot. This year sees the release of the first in a new trilogy: The Judas Blossom. He's an author at the top of the game and has some wonderful insights to share. We have a grand old natter about writing, editing, the publishing industry, working with agents, and ways to improve your writing.It's a very open and honest interview packed with insights and advice on specific topics ranging from creating memorable characters to building immersive fantasy worlds. You're guaranteed to learn something new.If you have any questions or requests, please write to us at thefantasywriterstoolshed@gmail.comABOUT ANGRY ROBOT BOOKSThis episode is sponsored by the award-winning publisher, Angry Robot Books. You can learn more about them by clicking the link below:https://angryrobotbooks.com/THE JUDAS BLOSSOMhttps://angryrobotbooks.com/books/judas-blossom/OUR GUESTSStephen Aryan - https://stephen-aryan.com/ | Stephen's YouTube channel - https://www.youtube.com/channel/UCZlaVQ9rks4GaN-x3Jkos0ASounds and editing by Odysy - https://www.youtube.com/c/OdysyxJOIN OUR WRITING COMMUNITYTo join our writing group as well as access exclusive interviews, discussions, fantasy writing classes, books and more head over to our Patreon page - https://www.patreon.com/TheFantasyWritersToolshed OTHER RESOURCESHow to write a villainHow to write a battle scene in a bookThe many races found in the fantasy genreWhat is a creative writing class? Hosted on Acast. See acast.com/privacy for more information.
In this podcast, Gemma Amor talks about Angry Robot, artificial intelligence, Dear Laura adaptations, and much more. About Gemma Amor Gemma Amor is the Bram Stoker Award-nominated author of Dear Laura, Full Immersion, White Pines, and many other books. She is also a podcaster, illustrator, and voice actor, and is based in Bristol, in the … Continue reading
#DanKoboldt #Interviews #BooktubeDan Koboldt joins the podcast. We talk about his latest release with Silver Queendom. It's a really cool sounding novel and we go a little in depth about it. We then shift to the brands of publishers. Ever wonder why you know a Baen book from a bookshelf? We talk about it here. But the big thing we talk about is franchising your intellectual property. We talk the power of video games, board games and the other ways you can tell stories. All in all this was a fun chat. I enjoyed having Dan on the show, and hopefully I'll get another chance. Dan KoboldtDan's websiteMailing ListSilver Queendom page:Silver Queendom UBLDeploying Dragons pageDeploying Dragons UBLServicesAdvertising Services - Let me create your advertising for your next book or campaign. If you're a creative wondering how to create your advertising for your next project, I can create video, audio, written and graphics. Let me help you get your story, and your best story, out there.Available Now:Alice Won? - Available now. Alice escaped the asylum and pursues the Queen of Hearts to the Greek Labyrinth in the underworld, there she must engage in a game of croquet unlike any other, against Jason of the Argonauts. Illustrated by Kenzie Carr, written by yours truly, come to wonderland Dec. 1st, where the real games begin.Support And Subscribe:Buy my MerchBuy Me A CoffeeNewsletterPatreonTwitchYoutube
Your characters and the relationships they have -- romantic, sexual, friendly, familial, professional -- will drive much of what readers connect to in your stories. So what sort of relationship dynamics do you want to build into your world's cultures? Foz Meadows joins us to discuss all the things that make up the space between two or more hearts. From power structures and politics to financial inheritance and gender roles, there's a lot to consider. What kinds of relationships are possible in your world? Is marriage even a thing? If so, how many people can be in a marriage? Is your world totally queernorm, not at all, or somewhere on the spectrum in-between? And how about sex positivity? Who embraces free love, and who prefers chastity? These considerations can help you build a world that feels emotionally real, even if it challenges a reader's preconceptions of what a "relationship" means. Transcript for Episode 78 (with thanks to our scribes! Want to join the team? Email us at worldbuildcast at gmail dot com) Our Guest: Foz Meadows is a genderqueer fantasy author, essayist, reviewer, blogger and poet. She has most recently published An Accident of Stars and A Tyranny of Queens with Angry Robot, and Coral Bones with Rebellion; a full list of her publications can be found here. Foz is a reviewer for Strange Horizons, and has been a contributing writer for The Book Smugglers, Black Gate and The Huffington Post, as well as a repeat contributor to the podcast Geek Girl Riot. Her essays have appeared in various venues online, including The Mary Sue, A Dribble Of Ink and Uncanny Magzine. She is a four-time Hugo Award nominee for Best Fan Writer, which she won in 2019; she also won the 2017 Ditmar Award for Best Fan Writer, for which she has been nominated three times. In 2017, An Accident of Stars was a finalist for the Bisexual Book Awards, and in 2018, ‘Coral Bones' won the Norma K. Hemming Award in the short fiction category. An itinerant Australian, Foz currently lives in California with not enough books, her very own philosopher and their voluble spawn. Surprisingly, this is a good thing.
Visit Anne Corlett's website to learn more about The Author's Toolbox. Check out Modest Coffee's podcast, No Bad Reviews to learn the real story of coffee in space, as well as a whole lot more about coffee.I love most of the interviews I have on my show, but not many go to the level of my talk with RWW Greene, who's latest work, Mercury Rising, is out now from Angry Robot. It's a great alt-history book with threat of alien invasion, space battles, and social upheaval. I think you'll enjoy our talk about the characters and the journey in this story.You can learn more about RWW Greene's work at his website HERE. He is also active on Twitter, where you can connect with him or ask questions about his stories. I cannot stress enough just how much I think you'll enjoy Mercury Rising. Get a copy. You'll thank me later. Like the podcast episode? You can support the show by buying me a coffee! Once you click the link, you can learn more about how the show got started, where I keep the episodes, and more. I would appreciate any support you can give. Thank you!Finally, please consider subscribing to the Coffee in Space newsletter so you can stay up to date on all podcast episodes and news about the interviews! * Links in these show notes may be affiliate links. I may make a small percentage from your purchase. I would always want you to buy from a local, independent store, but if you are looking to use Amazon, I would appreciate you considering my links. Thank you!
Few writers are as qualified to set their book in a circus as Khan Wong, who has not only performed in a circus but is an internationally recognized hula hoop virtuoso. While Wong's descriptions of acrobats, clowns and fortunetellers are grounded in real life, the pleasure moon that is the setting of his debut novel, The Circus Infinite (Angry Robot, 2022) arises entirely from his formidable imagination. Persephone-9 is a Las Vegas-like destination for members of the 9-Star Congress of Conscious Worlds, an alliance of nine species that includes humans. Into this diverse and raucous setting comes Jes, a young man with the unique power to manipulate gravity. A self-described asexual panromantic, Jes is on the run from a sadistic researcher who has tortured him in the name of science. And yet just as Jes starts to find love and acceptance in the circus, he confronts a new nemesis: a blackmailing crime boss who seeks to exploit his psionic abilities. Writing an asexual character “was liberating,” Wong says. “I myself have come to realize my own identity as being on the asexual spectrum later in life. When I was younger, I didn't have the vocabulary. And certainly there was no Internet to find community about it growing up. ... But I always found myself kind of uncomfortable in hypersexualized spaces and never really understood why.” “Also, I was fascinated by the idea of an asexual empath in a hypersexualized location like a pleasure moon. A lot of people are there to party and to get laid and to indulge their kinks and whatever. The book doesn't go super into explicit detail on that front—it's not erotica. But I was fascinated by a character who had empathic abilities, who could sense these feelings from other people but didn't really experience them naturally himself.” As an internationally known hula hoop teacher and performer, Khan Wong has toured with a circus, taught workshops all over the world, and produced circus arts shows in San Francisco. He's worked in the nonprofit arts for many years, most recently as an arts funder for a public sector grantmaking agency. The Circus Infinite is his first novel. Rob Wolf is a writer and co-host of New Books in Science Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Few writers are as qualified to set their book in a circus as Khan Wong, who has not only performed in a circus but is an internationally recognized hula hoop virtuoso. While Wong's descriptions of acrobats, clowns and fortunetellers are grounded in real life, the pleasure moon that is the setting of his debut novel, The Circus Infinite (Angry Robot, 2022) arises entirely from his formidable imagination. Persephone-9 is a Las Vegas-like destination for members of the 9-Star Congress of Conscious Worlds, an alliance of nine species that includes humans. Into this diverse and raucous setting comes Jes, a young man with the unique power to manipulate gravity. A self-described asexual panromantic, Jes is on the run from a sadistic researcher who has tortured him in the name of science. And yet just as Jes starts to find love and acceptance in the circus, he confronts a new nemesis: a blackmailing crime boss who seeks to exploit his psionic abilities. Writing an asexual character “was liberating,” Wong says. “I myself have come to realize my own identity as being on the asexual spectrum later in life. When I was younger, I didn't have the vocabulary. And certainly there was no Internet to find community about it growing up. ... But I always found myself kind of uncomfortable in hypersexualized spaces and never really understood why.” “Also, I was fascinated by the idea of an asexual empath in a hypersexualized location like a pleasure moon. A lot of people are there to party and to get laid and to indulge their kinks and whatever. The book doesn't go super into explicit detail on that front—it's not erotica. But I was fascinated by a character who had empathic abilities, who could sense these feelings from other people but didn't really experience them naturally himself.” As an internationally known hula hoop teacher and performer, Khan Wong has toured with a circus, taught workshops all over the world, and produced circus arts shows in San Francisco. He's worked in the nonprofit arts for many years, most recently as an arts funder for a public sector grantmaking agency. The Circus Infinite is his first novel. Rob Wolf is a writer and co-host of New Books in Science Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Few writers are as qualified to set their book in a circus as Khan Wong, who has not only performed in a circus but is an internationally recognized hula hoop virtuoso. While Wong's descriptions of acrobats, clowns and fortunetellers are grounded in real life, the pleasure moon that is the setting of his debut novel, The Circus Infinite (Angry Robot, 2022) arises entirely from his formidable imagination. Persephone-9 is a Las Vegas-like destination for members of the 9-Star Congress of Conscious Worlds, an alliance of nine species that includes humans. Into this diverse and raucous setting comes Jes, a young man with the unique power to manipulate gravity. A self-described asexual panromantic, Jes is on the run from a sadistic researcher who has tortured him in the name of science. And yet just as Jes starts to find love and acceptance in the circus, he confronts a new nemesis: a blackmailing crime boss who seeks to exploit his psionic abilities. Writing an asexual character “was liberating,” Wong says. “I myself have come to realize my own identity as being on the asexual spectrum later in life. When I was younger, I didn't have the vocabulary. And certainly there was no Internet to find community about it growing up. ... But I always found myself kind of uncomfortable in hypersexualized spaces and never really understood why.” “Also, I was fascinated by the idea of an asexual empath in a hypersexualized location like a pleasure moon. A lot of people are there to party and to get laid and to indulge their kinks and whatever. The book doesn't go super into explicit detail on that front—it's not erotica. But I was fascinated by a character who had empathic abilities, who could sense these feelings from other people but didn't really experience them naturally himself.” As an internationally known hula hoop teacher and performer, Khan Wong has toured with a circus, taught workshops all over the world, and produced circus arts shows in San Francisco. He's worked in the nonprofit arts for many years, most recently as an arts funder for a public sector grantmaking agency. The Circus Infinite is his first novel. Rob Wolf is a writer and co-host of New Books in Science Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Join host Adrian M. Gibson and author Chris Panatier for a chat about his new novel Stringers, his first novel The Phlebotomist, the biology of blood, string theory and quantum entanglement, research wormholes, humor and effective uses of footnotes in fiction, bug sex, art, tattoos, metal bands and much more. Also, thank you to Angry Robot for including SFF Addicts in the Online Tour for Stringers. #ImWithPatton ABOUT THE AUTHOR: Chris Panatier is an artist and author of short stories and novels. His debut novel, The Phlebotomist, was released in 2020, and his sophomore novel, Stringers, is out today, April 12th, through Angry Robot Books. Chris has also been a trial attorney for almost two decades, representing people who have been injured, poisoned, or killed due to the conduct of others. Find Chris on Twitter, Amazon, his personal website and his artist website. FIND US ONLINE: FanFiAddict Blog Discord Twitter Instagram MUSIC: Intro: "FanFiAddict Theme (Short Version)" by Astronoz Interlude 1 & 2: “Crescendo” by Astronoz Outro: “Cloudy Sunset” by Astronoz SFF Addicts is part of FanFiAddict, so check us out at https://fanfiaddict.com for the latest in book reviews, essays and all things sci-fi and fantasy, as well as the full episode archive for the podcast and the blog post accompanying this episode. Follow us on Instagram or Twitter @SFFAddictsPod. You can also email us directly at sffaddictspod@gmail.com with queries, comments or whatever comes to mind. Also, please subscribe, rate and review us on your platform of choice, and share us with your friends. It helps a lot, and we greatly appreciate it.
Take an average-to-below-average man, his loyal best friend, a jar of pickles, and some bug sex facts, and what do you have? The answer to that is Stringers, the new novel by Chris Panatier (Angry Robot, April 2022), which is already garnering fantastic reviews. In this riotous, laugh-out-loud science fiction epic, Ben Sullivan has lived a life full of questions relating to the strange facts in his brain and now faces abduction by aliens who want the answers he doesn't have. It's part buddy movie, part space adventure, with lots of heart and charm. It's also ridiculously funny. “I wasn't thinking about a space comedy even when I first conceived of [STRINGERS],” Chris says. “What I first conceived of was ‘what if someone was born with a bunch of crazy knowledge in their head'. Of course, because of my affinity for potty humour, that went to bugs f***ing themselves in the head, which you'll find on page 3.” From its stunning cover to the formatting quirks that make it unlike anything you've read before—plus, yes, those bug facts—Stringers is sure to delight fans who enjoy Hitchhiker's Guide and Red Dwarf and who might be in need of a laugh-out-loud escape from reality. Chris Panatier lives in Dallas, Texas, with his wife, daughter, and a fluctuating herd of animals resembling dogs (one is almost certainly a goat). He writes short stories and novels, "plays" the drums, and draws album covers for metal bands. Plays himself on twitter @chrisjpanatier. Dan Hanks is the co-host of New Books in Science Fiction and the author of Captain Moxley and the Embers of the Empire and Swashbucklers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Take an average-to-below-average man, his loyal best friend, a jar of pickles, and some bug sex facts, and what do you have? The answer to that is Stringers, the new novel by Chris Panatier (Angry Robot, April 2022), which is already garnering fantastic reviews. In this riotous, laugh-out-loud science fiction epic, Ben Sullivan has lived a life full of questions relating to the strange facts in his brain and now faces abduction by aliens who want the answers he doesn't have. It's part buddy movie, part space adventure, with lots of heart and charm. It's also ridiculously funny. “I wasn't thinking about a space comedy even when I first conceived of [STRINGERS],” Chris says. “What I first conceived of was ‘what if someone was born with a bunch of crazy knowledge in their head'. Of course, because of my affinity for potty humour, that went to bugs f***ing themselves in the head, which you'll find on page 3.” From its stunning cover to the formatting quirks that make it unlike anything you've read before—plus, yes, those bug facts—Stringers is sure to delight fans who enjoy Hitchhiker's Guide and Red Dwarf and who might be in need of a laugh-out-loud escape from reality. Chris Panatier lives in Dallas, Texas, with his wife, daughter, and a fluctuating herd of animals resembling dogs (one is almost certainly a goat). He writes short stories and novels, "plays" the drums, and draws album covers for metal bands. Plays himself on twitter @chrisjpanatier. Dan Hanks is the co-host of New Books in Science Fiction and the author of Captain Moxley and the Embers of the Empire and Swashbucklers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Take an average-to-below-average man, his loyal best friend, a jar of pickles, and some bug sex facts, and what do you have? The answer to that is Stringers, the new novel by Chris Panatier (Angry Robot, April 2022), which is already garnering fantastic reviews. In this riotous, laugh-out-loud science fiction epic, Ben Sullivan has lived a life full of questions relating to the strange facts in his brain and now faces abduction by aliens who want the answers he doesn't have. It's part buddy movie, part space adventure, with lots of heart and charm. It's also ridiculously funny. “I wasn't thinking about a space comedy even when I first conceived of [STRINGERS],” Chris says. “What I first conceived of was ‘what if someone was born with a bunch of crazy knowledge in their head'. Of course, because of my affinity for potty humour, that went to bugs f***ing themselves in the head, which you'll find on page 3.” From its stunning cover to the formatting quirks that make it unlike anything you've read before—plus, yes, those bug facts—Stringers is sure to delight fans who enjoy Hitchhiker's Guide and Red Dwarf and who might be in need of a laugh-out-loud escape from reality. Chris Panatier lives in Dallas, Texas, with his wife, daughter, and a fluctuating herd of animals resembling dogs (one is almost certainly a goat). He writes short stories and novels, "plays" the drums, and draws album covers for metal bands. Plays himself on twitter @chrisjpanatier. Dan Hanks is the co-host of New Books in Science Fiction and the author of Captain Moxley and the Embers of the Empire and Swashbucklers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
“Why not just torture this main character and make his children completely disappear?” That's the terrifying premise behind Deep Dive (Angry Robot, 2022), the debut novel by author Ron Walters, which sets a videogame developer on a thrilling virtual reality adventure which is equal parts Inception and Matrix, and perhaps a little Parenthood too. Creating a story that is a relentlessly thrilling and page-turning science fiction story is one challenge. But Deep Dive also has a strong emotional core, that of a parent whose worst fear has come true. And so aside from nefarious government organizations doing shady things, we're also treated to some modern parenting issues. Such as regrets over trying to figure out that all-important work-life balance—and what happens when you can't and one side of it almost completely vanishes? This emotional pull within a fascinating VR-centric plot will undoubtedly resonate with all readers, but it will especially speak to those with children who face similar struggles. “A lot of people I know who read science fiction and fantasy are parents. It goes back to the whole idea of wanting to see yourself reflected in fiction. And so seeing parents ‘on page' is hugely important—and nice when it happens.” Ron Walters is a former journalist, college registrar, and stay-at-home dad who writes science fiction and fantasy for all ages. A native of Savannah, GA, he currently lives in Germany with his wife, two daughters, and two rescue dogs. Dan Hanks is the co-host of New Books in Science Fiction and the author of Captain Moxley and the Embers of the Empire and Swashbucklers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
“Why not just torture this main character and make his children completely disappear?” That's the terrifying premise behind Deep Dive (Angry Robot, 2022), the debut novel by author Ron Walters, which sets a videogame developer on a thrilling virtual reality adventure which is equal parts Inception and Matrix, and perhaps a little Parenthood too. Creating a story that is a relentlessly thrilling and page-turning science fiction story is one challenge. But Deep Dive also has a strong emotional core, that of a parent whose worst fear has come true. And so aside from nefarious government organizations doing shady things, we're also treated to some modern parenting issues. Such as regrets over trying to figure out that all-important work-life balance—and what happens when you can't and one side of it almost completely vanishes? This emotional pull within a fascinating VR-centric plot will undoubtedly resonate with all readers, but it will especially speak to those with children who face similar struggles. “A lot of people I know who read science fiction and fantasy are parents. It goes back to the whole idea of wanting to see yourself reflected in fiction. And so seeing parents ‘on page' is hugely important—and nice when it happens.” Ron Walters is a former journalist, college registrar, and stay-at-home dad who writes science fiction and fantasy for all ages. A native of Savannah, GA, he currently lives in Germany with his wife, two daughters, and two rescue dogs. Dan Hanks is the co-host of New Books in Science Fiction and the author of Captain Moxley and the Embers of the Empire and Swashbucklers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
“Why not just torture this main character and make his children completely disappear?” That's the terrifying premise behind Deep Dive (Angry Robot, 2022), the debut novel by author Ron Walters, which sets a videogame developer on a thrilling virtual reality adventure which is equal parts Inception and Matrix, and perhaps a little Parenthood too. Creating a story that is a relentlessly thrilling and page-turning science fiction story is one challenge. But Deep Dive also has a strong emotional core, that of a parent whose worst fear has come true. And so aside from nefarious government organizations doing shady things, we're also treated to some modern parenting issues. Such as regrets over trying to figure out that all-important work-life balance—and what happens when you can't and one side of it almost completely vanishes? This emotional pull within a fascinating VR-centric plot will undoubtedly resonate with all readers, but it will especially speak to those with children who face similar struggles. “A lot of people I know who read science fiction and fantasy are parents. It goes back to the whole idea of wanting to see yourself reflected in fiction. And so seeing parents ‘on page' is hugely important—and nice when it happens.” Ron Walters is a former journalist, college registrar, and stay-at-home dad who writes science fiction and fantasy for all ages. A native of Savannah, GA, he currently lives in Germany with his wife, two daughters, and two rescue dogs. Dan Hanks is the co-host of New Books in Science Fiction and the author of Captain Moxley and the Embers of the Empire and Swashbucklers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Most people believe that when they grow up, they need to “put away childish things”—a wise strategy for holding a job, paying the rent and raising a family. But what if you need to fight a malevolent pirate who threatens to destroy the universe? In that case, a toy War Wizard blaster might come in handy. In British author Dan Hanks's second novel, Swashbucklers (Angry Robot, 2021), the four lead characters arm themselves with War Wizards and other toys retrofitted to inflict maximum damage as they try to stop an evil that threatens their town and the world. “The idea originally was to do a Ghostbusters thing, but then it became about ‘How would the Ghostbusters do their jobs as parents?'” Hanks says. “How would the Ghostbusters have dealt with fighting ghosts while also trying to find babysitters and go to nativity plays and things like that? What if the Goonies had all grown up and they had their own kids?” The story addresses the power and limits of nostalgia while remaining firmly rooted in the contemporary world, juxtaposing the surrealness of events like Brexit and the pandemic with the absurdity of a giant inflatable Santa Claus stomping on shoppers in the heart of Manchester. The heroes hail from a town based on Hanks' home. “I used my local bookstore, the local café that is a big favorite of mine. I got everyone's permission before I threw them into the book,” Hanks says. “It's such a beautiful part of the world, and I kind of wanted to just trash it a bit with some supernatural crap. And I did.” Hanks lives in England's Peak District. He is the author of Captain Moxley and the Embers of the Empire. He also writes screenplays and comics. Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Most people believe that when they grow up, they need to “put away childish things”—a wise strategy for holding a job, paying the rent and raising a family. But what if you need to fight a malevolent pirate who threatens to destroy the universe? In that case, a toy War Wizard blaster might come in handy. In British author Dan Hanks's second novel, Swashbucklers (Angry Robot, 2021), the four lead characters arm themselves with War Wizards and other toys retrofitted to inflict maximum damage as they try to stop an evil that threatens their town and the world. “The idea originally was to do a Ghostbusters thing, but then it became about ‘How would the Ghostbusters do their jobs as parents?'” Hanks says. “How would the Ghostbusters have dealt with fighting ghosts while also trying to find babysitters and go to nativity plays and things like that? What if the Goonies had all grown up and they had their own kids?” The story addresses the power and limits of nostalgia while remaining firmly rooted in the contemporary world, juxtaposing the surrealness of events like Brexit and the pandemic with the absurdity of a giant inflatable Santa Claus stomping on shoppers in the heart of Manchester. The heroes hail from a town based on Hanks' home. “I used my local bookstore, the local café that is a big favorite of mine. I got everyone's permission before I threw them into the book,” Hanks says. “It's such a beautiful part of the world, and I kind of wanted to just trash it a bit with some supernatural crap. And I did.” Hanks lives in England's Peak District. He is the author of Captain Moxley and the Embers of the Empire. He also writes screenplays and comics. Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Most people believe that when they grow up, they need to “put away childish things”—a wise strategy for holding a job, paying the rent and raising a family. But what if you need to fight a malevolent pirate who threatens to destroy the universe? In that case, a toy War Wizard blaster might come in handy. In British author Dan Hanks's second novel, Swashbucklers (Angry Robot, 2021), the four lead characters arm themselves with War Wizards and other toys retrofitted to inflict maximum damage as they try to stop an evil that threatens their town and the world. “The idea originally was to do a Ghostbusters thing, but then it became about ‘How would the Ghostbusters do their jobs as parents?'” Hanks says. “How would the Ghostbusters have dealt with fighting ghosts while also trying to find babysitters and go to nativity plays and things like that? What if the Goonies had all grown up and they had their own kids?” The story addresses the power and limits of nostalgia while remaining firmly rooted in the contemporary world, juxtaposing the surrealness of events like Brexit and the pandemic with the absurdity of a giant inflatable Santa Claus stomping on shoppers in the heart of Manchester. The heroes hail from a town based on Hanks' home. “I used my local bookstore, the local café that is a big favorite of mine. I got everyone's permission before I threw them into the book,” Hanks says. “It's such a beautiful part of the world, and I kind of wanted to just trash it a bit with some supernatural crap. And I did.” Hanks lives in England's Peak District. He is the author of Captain Moxley and the Embers of the Empire. He also writes screenplays and comics. Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
So you've got lore galore, complex sociopolitical tangles, and a history that reaches back through the ages. How do you show that on the page without infodumping? Marie Brennan and Alyc Helms, who together make up M. A. Carrick, help us explore building a world with deep historical roots while communicating that history in a way that feels natural and exciting for a reader. How do your characters think of their world's history? What different perspectives are there on historical events, and how have those perspectives shaped the present? Transcript for Episode 66 (with thanks to our scribes!) Our Guests: Alyc Helms prefers tea over all other beverages. They sometimes refer to their work as “critical theory fanfic,” which is a fancy way to say that they are obsessed with liminality, gender identity, and foxes (and tea!). They are the author of the Adventures of Mr. Mystic novels from Angry Robot and, as M.A. Carrick, the co-author (with Marie Brennan) of The Mask of Mirrors, first in the Rook & Rose trilogy from Orbit Books. Marie Brennan is a former anthropologist and folklorist who shamelessly pillages her academic fields for inspiration. She recently misapplied her professors' hard work to The Night Parade of 100 Demons and the short novel Driftwood. She is the author of the Hugo Award-nominated Victorian adventure series The Memoirs of Lady Trent along with several other series, over sixty short stories, and the New Worlds series of worldbuilding guides; as half of M.A. Carrick, she has written The Mask of Mirrors, first in the epic Rook and Rose trilogy.
Patricia A. Jackson's debut novel Forging a Nightmare immerses the reader in a world of menace-—fallen angels and demigods whose history of alliances and resentments stretch to the beginning of time. Jackson puts a fresh spin on biblical characters like Gabriel and Lucifer by turning them into FBI agents, a parish priest, a homeless preacher and other seemingly ordinary folks who pursue ancient vendettas in modern day New York City. On the surface, the story is about a series of grisly murders. But underneath, it is about much more: a son grappling with his father's abandonment, the persecution of “the other” and the revelation that maybe Hell isn't the unremittingly evil place we thought it was. The hero is Michael Childs, a Black FBI agent who competes in jousts (at the opening of the book, he shows up at the scene of a grisly murder clad in medieval armor) and who (unbeknownst to him) descends from divinity. His sidekick is Anaba Raines, a Black former Marine and the eponymous Nightmare, whose transformation into a fierce and hellish horse makes her a formidable foe to angels seeking to do Michael harm. Like Childs, Jackson is an experienced equestrian. “I think every character is an extension of the author, and I am Michael Childs,” Jackson says. “I would go to horse shows and I would be in my boots and my breaches and my show jacket, and I would go to the mall or I would go to the bank, or I would go to the jewelry store dressed in my duds, sometimes with odor of horse upon me. And people would just kind of look around. And it wasn't just because you were dressed in horse gear. You are a Black girl dressed in horse gear, and they had never seen that before.” Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Patricia A. Jackson's debut novel Forging a Nightmare immerses the reader in a world of menace-—fallen angels and demigods whose history of alliances and resentments stretch to the beginning of time. Jackson puts a fresh spin on biblical characters like Gabriel and Lucifer by turning them into FBI agents, a parish priest, a homeless preacher and other seemingly ordinary folks who pursue ancient vendettas in modern day New York City. On the surface, the story is about a series of grisly murders. But underneath, it is about much more: a son grappling with his father's abandonment, the persecution of “the other” and the revelation that maybe Hell isn't the unremittingly evil place we thought it was. The hero is Michael Childs, a Black FBI agent who competes in jousts (at the opening of the book, he shows up at the scene of a grisly murder clad in medieval armor) and who (unbeknownst to him) descends from divinity. His sidekick is Anaba Raines, a Black former Marine and the eponymous Nightmare, whose transformation into a fierce and hellish horse makes her a formidable foe to angels seeking to do Michael harm. Like Childs, Jackson is an experienced equestrian. “I think every character is an extension of the author, and I am Michael Childs,” Jackson says. “I would go to horse shows and I would be in my boots and my breaches and my show jacket, and I would go to the mall or I would go to the bank, or I would go to the jewelry store dressed in my duds, sometimes with odor of horse upon me. And people would just kind of look around. And it wasn't just because you were dressed in horse gear. You are a Black girl dressed in horse gear, and they had never seen that before.” Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Patricia A. Jackson's debut novel Forging a Nightmare immerses the reader in a world of menace-—fallen angels and demigods whose history of alliances and resentments stretch to the beginning of time. Jackson puts a fresh spin on biblical characters like Gabriel and Lucifer by turning them into FBI agents, a parish priest, a homeless preacher and other seemingly ordinary folks who pursue ancient vendettas in modern day New York City. On the surface, the story is about a series of grisly murders. But underneath, it is about much more: a son grappling with his father's abandonment, the persecution of “the other” and the revelation that maybe Hell isn't the unremittingly evil place we thought it was. The hero is Michael Childs, a Black FBI agent who competes in jousts (at the opening of the book, he shows up at the scene of a grisly murder clad in medieval armor) and who (unbeknownst to him) descends from divinity. His sidekick is Anaba Raines, a Black former Marine and the eponymous Nightmare, whose transformation into a fierce and hellish horse makes her a formidable foe to angels seeking to do Michael harm. Like Childs, Jackson is an experienced equestrian. “I think every character is an extension of the author, and I am Michael Childs,” Jackson says. “I would go to horse shows and I would be in my boots and my breaches and my show jacket, and I would go to the mall or I would go to the bank, or I would go to the jewelry store dressed in my duds, sometimes with odor of horse upon me. And people would just kind of look around. And it wasn't just because you were dressed in horse gear. You are a Black girl dressed in horse gear, and they had never seen that before.” Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
This week Alice was joined by Dan Hanks, author of Captain Moxley and the Embers of the Empire, a historical fantasy about a very tired woman getting forced to do archaeology. We talked about Egypt, treasure hunting, pulp, repatriation, punching nazis, and why it's more fun to be creatively anachronistic. Dan's latest book, Swashbucklers, is out now via Angry Robot. You can find him on twitter @dan_hanks or on his website. Historical Friction is a podcast about storytelling, pop culture, the past, and why we reenact it. Support the show on Patreon at patreon.com/historicalfriction Follow the show on Twitter @historyfriction Follow Alice on Twitter @aaprocter
This week I chat with Associate Publisher for Angry Robot, Eleanor Teasdale, all about her comfort reads, what books she chooses for the Angry Robot list, how she rereads outside of the genre she works in for a solid mind reset, and Angry Robot's passion and promotion of diverse fiction. We also talk about how she named her cat (and how I named mine!).Eleanor's TwitterAngry Robot's websiteAngry Robot's TwitterThings mentioned in the episode:A Little Life by Hanya YanagiharaOld Kingdom series (Sabriel & Lirael mentioned) by Garth NixBroken Harbour by Tana FrenchJust William AudiobooksThe Hobbit by JRR TolkienThe Lord of the Rings by JRR TolkienMarc GascoigneMidsommar (film)Get Out (film)Gemma AmorThe Cabinet by Un-Su KimTower by Bae Myung-hoon published by Honford Star Howl's Moving Castle by Diana Wynne JonesThe Secret History by Donna TarttComposite Creatures by Caroline HardakerIn Other Lands by Sarah Rees BrennanEducated by Tara Westover
Travis interviews author Cameron Johnston about his latest fantasy novel, The Maleficent Seven. This standalone fantasy from Angry Robot features a team up of seven deadly villains and shows that when you're all out of heroes, all that's left are the villains. Cameron and Travis discuss blacksmithing, the impact of writing groups, and the art and joy of writing villains. Meet Our Sponsor: Fenrir by Eyes Shut Studio - Free epic fantasy fiction podcast. Imagine a story where the main character is halfway between Geralt of Rivia and Drizzt Do'Urden and you'll have an idea of what to expect. Want your message featured on the podcast? Find out more here. About Cameron Johnston: Cameron Johnston is the British Fantasy Award and Dragon Awards nominated author of dark fantasy novels The Traitor God and God of Broken Things. He is a swordsman, a gamer, and an enthusiast of archaeology, history and mythology. He loves exploring ancient sites and camping out under the stars by a roaring fire. Find Cameron Johnston on Twitter or at his website, cameronjohnston.net. Find Us Online: Blog Discord Twitter Instagram Support Us: Become a Patron Buy Us a Coffee Music: Intro: "The Legend of Iya" courtesy of https://philter.no Outro: "A Quest Unfolds" courtesy of https://philter.no This episode of The Fantasy Inn podcast was recorded in the unceded territory of the S'atsoyaha (Yuchi) and ᏣᎳᎫᏪᏘᏱ Tsalaguwetiyi (Eastern Cherokee Band) peoples. Some of the links included in these show notes are affiliate links and support the podcast at no additional cost to you. If it's an option for you, we encourage you to support your local bookstores! The blog post accompanying this episode can be found at https://thefantasyinn.com, along with fantasy book reviews, author interviews, and more fantasy content.
In the autumn of 1952, a group of children and one chaperone had an encounter that would come to define not only their lives, but an entire West Virginia town. This relatively brief encounter has managed to establish the Flatwoods Monster as one of the most iconic and beloved Fortean encounters ever reported. Alien? Cryptid? Angry Robot? Tourist Trap? At least two of those things. NOT YOUR AVERAGE HOUSEWIFE!Campfire: Tales of the Strange and Unsettling is created for adult audiences only. The content and discussion in this show will necessarily engage with various accounts that include violence, anxiety, fear, and occasional body horror. Much of it will be emotionally and intellectually challenging to engage with. We will flag especially graphic or intense content so as to never put you in an uninformed or unprepared position. We will do our best to make this a space where we can engage bravely, empathetically, and thoughtfully with difficult content every week.This week's episode includes the following sensitive content:Child endangermentAnimal crueltyJoin the conversation on social media atcampfirepodcastnetwork.comFacebook:facebook.com/campfire.tales.podcastInstagram:instagram.com/campfire.tales.podcastTwitter:twitter.com/campfiretotsauSpecial Thanks:Gregg Martin for music contributions! Go follow him on Instagram at Instagram.com/reverentmusicElias Armao for graphic design! Go follow him on Instagram at instagram.com/doggedlinedesignsupply
Join David as he chats with author Caroline Hardaker about her debut novel, Composite Creatures, which was released by Angry Robot on April 13th. Get your signed copy @ The Broken Binding: https://www.thebrokenbinding.co.uk/pr... Bookish Take: https://www.youtube.com/channel/UC9Vr... https://carolinehardakerwrites.com/ https://twitter.com/carolinehwrites https://www.instagram.com/caroluna_wr... https://www.goodreads.com/author/show... Amazon: https://amzn.to/3yMErb0
Space operas take readers far from Earth with stories about alien cultures and battles between good and evil. But while usually set in distant galaxies in the far flung future or past, they inevitably tell us, like any good science fiction, about our lives today. Ginger Smith’s debut The Rush's Edge (Angry Robot, 2020) takes place when humanity is spread across the galaxy and soldiers are born in labs, but it touches on subjects we grapple with now: blind loyalty to authority, the ethics of genetic science, and the prejudices that divide humans. Halvor Cullen is a VAT—a member of the genetically engineered Vanguard Assault Troops who are programmed to be loyal to their commander and addicted to the rush of battle. VATs are released from duty after seven years of service, but their bodies burn out quickly, and they die young. But it’s when they’re released from duty that things get interesting. How does a person programmed to be a soldier find purpose or meaningful relationships when they’re no longer a soldier? “VATs don’t get the chance to have a family or friends or the kinds of experiences we all take for granted,” Smith says. “Hal is learning a lot about what it means to be a human during this story. He knows about fighting but he doesn’t understand love, he doesn’t understand the difference between blind loyalty and the loyalty that people earn.” Smith wrote The Rush’s Edge in a response to a challenge from her husband. “I’d played around in fanfic, and my husband said, ‘you’ve got to write something original.’ I said, ‘Fine, I’ll write you a book.’” Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Space operas take readers far from Earth with stories about alien cultures and battles between good and evil. But while usually set in distant galaxies in the far flung future or past, they inevitably tell us, like any good science fiction, about our lives today. Ginger Smith’s debut The Rush's Edge (Angry Robot, 2020) takes place when humanity is spread across the galaxy and soldiers are born in labs, but it touches on subjects we grapple with now: blind loyalty to authority, the ethics of genetic science, and the prejudices that divide humans. Halvor Cullen is a VAT—a member of the genetically engineered Vanguard Assault Troops who are programmed to be loyal to their commander and addicted to the rush of battle. VATs are released from duty after seven years of service, but their bodies burn out quickly, and they die young. But it’s when they’re released from duty that things get interesting. How does a person programmed to be a soldier find purpose or meaningful relationships when they’re no longer a soldier? “VATs don’t get the chance to have a family or friends or the kinds of experiences we all take for granted,” Smith says. “Hal is learning a lot about what it means to be a human during this story. He knows about fighting but he doesn’t understand love, he doesn’t understand the difference between blind loyalty and the loyalty that people earn.” Smith wrote The Rush’s Edge in a response to a challenge from her husband. “I’d played around in fanfic, and my husband said, ‘you’ve got to write something original.’ I said, ‘Fine, I’ll write you a book.’” Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Space operas take readers far from Earth with stories about alien cultures and battles between good and evil. But while usually set in distant galaxies in the far flung future or past, they inevitably tell us, like any good science fiction, about our lives today. Ginger Smith’s debut The Rush's Edge (Angry Robot, 2020) takes place when humanity is spread across the galaxy and soldiers are born in labs, but it touches on subjects we grapple with now: blind loyalty to authority, the ethics of genetic science, and the prejudices that divide humans. Halvor Cullen is a VAT—a member of the genetically engineered Vanguard Assault Troops who are programmed to be loyal to their commander and addicted to the rush of battle. VATs are released from duty after seven years of service, but their bodies burn out quickly, and they die young. But it’s when they’re released from duty that things get interesting. How does a person programmed to be a soldier find purpose or meaningful relationships when they’re no longer a soldier? “VATs don’t get the chance to have a family or friends or the kinds of experiences we all take for granted,” Smith says. “Hal is learning a lot about what it means to be a human during this story. He knows about fighting but he doesn’t understand love, he doesn’t understand the difference between blind loyalty and the loyalty that people earn.” Smith wrote The Rush’s Edge in a response to a challenge from her husband. “I’d played around in fanfic, and my husband said, ‘you’ve got to write something original.’ I said, ‘Fine, I’ll write you a book.’” Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Travis interviews author Gabriela Houston about her debut novel, The Second Bell. This standalone fantasy novel from Angry Robot follows a young striga fighting to harness the power of her second heart, while her mother sacrifices everything to stop her. Gabriela and Travis discuss Slavic folklore, the portrayal of women in fantasy, and how to make time for writing when time for yourself is hard to come by. Want us to read your message on the podcast? Find out more here. About Gabriela Houston: Gabriela was born and raised in Poland, brought up on a diet of mythologies and fairy tales. She spent her summers exploring the woods, foraging and animal tracking with her family. At 19, Gabriela moved to London to study English Literature and obtained a Masters degree in Literatures of Modernity. She has worked as an assistant editor and as a freelance writer. Gabriela's short stories have been selected for the Editor's Choice Review by Bewildering Stories and have been featured on the Ladies of Horror Fiction podcast. She lives in London with her husband and two children. Find Gabriela on Twitter, YouTube, or at her website gabrielahouston.com. Find Us Online: Blog Discord Twitter Instagram Support Us: Become a Patron Buy Us a Coffee Music: Intro: "The Legend of Iya" courtesy of https://philter.no Outro: "A Quest Unfolds" courtesy of https://philter.no This episode of The Fantasy Inn podcast was recorded in the unceded territory of the S'atsoyaha (Yuchi) and ᏣᎳᎫᏪᏘᏱ Tsalaguwetiyi (Eastern Cherokee Band) peoples. The blog post accompanying this episode can be found at https://thefantasyinn.com, along with fantasy book reviews, author interviews, and more fantasy content.
Humans have found many ways to divide and stratify—by skin color, ancestry, ethnicity, gender, sexual orientation, age, disability, health status, body type or size, and so on. The list is so long that it’s hard to imagine it getting longer, and yet debut author Chris Panatier has found a way. In The Phlebotomist (Angry Robot, 2020)t, society is divided (as the title suggests) by something invisible to the naked eye: blood type. Universal donors—those with Type O negative—are the most valued. Universal recipients—those who are AB positive—are the least valued. With incomes based on the market value of their blood, universal donors end up at the top of the socio-economic hierarchy and universal recipients at the bottom. Meanwhile, those running the show—executives of the company Patriot—are the richest of all, living in exclusive enclaves. It is vampiric capitalism in more ways than one. The name of the company is a reference to the Patriot Act—a real-life example of creeping authoritarianism that parallels the world of The Phlebotomist (Angry Robot, 2020) “This ubiquitous contractor, Patriot, has slowly crept into the realm of individual rights and privacy until one day, everyone wakes up, and there's a mandatory blood draw, and they have to give blood every day and are under surveillance and tracked everywhere,” Panatier explains. “All of that started as a patriotic thing to do. There was a war, people were asked to give blood, and so they proudly did it. And then slowly … people were under the boot of the government and this enigmatic contractor. ... It's a bit of an allegory for sure. … because these are things I see in our everyday lives.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
Humans have found many ways to divide and stratify—by skin color, ancestry, ethnicity, gender, sexual orientation, age, disability, health status, body type or size, and so on. The list is so long that it’s hard to imagine it getting longer, and yet debut author Chris Panatier has found a way. In The Phlebotomist (Angry Robot, 2020)t, society is divided (as the title suggests) by something invisible to the naked eye: blood type. Universal donors—those with Type O negative—are the most valued. Universal recipients—those who are AB positive—are the least valued. With incomes based on the market value of their blood, universal donors end up at the top of the socio-economic hierarchy and universal recipients at the bottom. Meanwhile, those running the show—executives of the company Patriot—are the richest of all, living in exclusive enclaves. It is vampiric capitalism in more ways than one. The name of the company is a reference to the Patriot Act—a real-life example of creeping authoritarianism that parallels the world of The Phlebotomist (Angry Robot, 2020) “This ubiquitous contractor, Patriot, has slowly crept into the realm of individual rights and privacy until one day, everyone wakes up, and there's a mandatory blood draw, and they have to give blood every day and are under surveillance and tracked everywhere,” Panatier explains. “All of that started as a patriotic thing to do. There was a war, people were asked to give blood, and so they proudly did it. And then slowly … people were under the boot of the government and this enigmatic contractor. ... It's a bit of an allegory for sure. … because these are things I see in our everyday lives.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
Humans have found many ways to divide and stratify—by skin color, ancestry, ethnicity, gender, sexual orientation, age, disability, health status, body type or size, and so on. The list is so long that it’s hard to imagine it getting longer, and yet debut author Chris Panatier has found a way. In The Phlebotomist (Angry Robot, 2020)t, society is divided (as the title suggests) by something invisible to the naked eye: blood type. Universal donors—those with Type O negative—are the most valued. Universal recipients—those who are AB positive—are the least valued. With incomes based on the market value of their blood, universal donors end up at the top of the socio-economic hierarchy and universal recipients at the bottom. Meanwhile, those running the show—executives of the company Patriot—are the richest of all, living in exclusive enclaves. It is vampiric capitalism in more ways than one. The name of the company is a reference to the Patriot Act—a real-life example of creeping authoritarianism that parallels the world of The Phlebotomist (Angry Robot, 2020) “This ubiquitous contractor, Patriot, has slowly crept into the realm of individual rights and privacy until one day, everyone wakes up, and there's a mandatory blood draw, and they have to give blood every day and are under surveillance and tracked everywhere,” Panatier explains. “All of that started as a patriotic thing to do. There was a war, people were asked to give blood, and so they proudly did it. And then slowly … people were under the boot of the government and this enigmatic contractor. ... It's a bit of an allegory for sure. … because these are things I see in our everyday lives.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
Arranged marriages have been around for centuries, and in The Light Years (Angry Robot, 2020), R.W.W. Greene imagines they’ll be around for centuries more. With the addition of speed-of-light travel, Greene’s character Adem Saddiq can sign a contract with the parents of his wife-to-be before she’s even born, take to space on his family’s freighter and return several months later to find his 26-year-old bride, Hisako Sasaki, waiting for him. Because time dilation allows him to jump 26 years into the future, he can have his bride made-to-order, specifying what degrees and skills she’ll need to play a productive part in the family business. He can even require that she receive genetic modifications to make her a genius. Greene imagines that the same considerations that shaped arranged marriages in the past will shape them in the future. Hisako’s “parents are very poor. They’re refugees,” he explains. “Their only way to get out of this situation is to sign the contract. It's going to allow Adem and his family to pay for Hisako’s schooling, which she wouldn't otherwise have gotten. It’s going to pay for a family apartment, which they wouldn't otherwise have had. And it's going to make sure that she has a life that's going to be far better than her parents’.” Understandably, Hisako sees the situation differently. “If you're the mom and the dad, then you see [the arranged marriage] as something that would be good for your kid. If you’re the kid, your whole life has been stolen from you and preordained and pre-contracted. Like Hisako, you'd be a little pissed about it.” The Light Years is Greene’s first novel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
Arranged marriages have been around for centuries, and in The Light Years (Angry Robot, 2020), R.W.W. Greene imagines they’ll be around for centuries more. With the addition of speed-of-light travel, Greene’s character Adem Saddiq can sign a contract with the parents of his wife-to-be before she’s even born, take to space on his family’s freighter and return several months later to find his 26-year-old bride, Hisako Sasaki, waiting for him. Because time dilation allows him to jump 26 years into the future, he can have his bride made-to-order, specifying what degrees and skills she’ll need to play a productive part in the family business. He can even require that she receive genetic modifications to make her a genius. Greene imagines that the same considerations that shaped arranged marriages in the past will shape them in the future. Hisako’s “parents are very poor. They’re refugees,” he explains. “Their only way to get out of this situation is to sign the contract. It's going to allow Adem and his family to pay for Hisako’s schooling, which she wouldn't otherwise have gotten. It’s going to pay for a family apartment, which they wouldn't otherwise have had. And it's going to make sure that she has a life that's going to be far better than her parents’.” Understandably, Hisako sees the situation differently. “If you're the mom and the dad, then you see [the arranged marriage] as something that would be good for your kid. If you’re the kid, your whole life has been stolen from you and preordained and pre-contracted. Like Hisako, you'd be a little pissed about it.” The Light Years is Greene’s first novel. Learn more about your ad choices. Visit megaphone.fm/adchoices
Arranged marriages have been around for centuries, and in The Light Years (Angry Robot, 2020), R.W.W. Greene imagines they’ll be around for centuries more. With the addition of speed-of-light travel, Greene’s character Adem Saddiq can sign a contract with the parents of his wife-to-be before she’s even born, take to space on his family’s freighter and return several months later to find his 26-year-old bride, Hisako Sasaki, waiting for him. Because time dilation allows him to jump 26 years into the future, he can have his bride made-to-order, specifying what degrees and skills she’ll need to play a productive part in the family business. He can even require that she receive genetic modifications to make her a genius. Greene imagines that the same considerations that shaped arranged marriages in the past will shape them in the future. Hisako’s “parents are very poor. They’re refugees,” he explains. “Their only way to get out of this situation is to sign the contract. It's going to allow Adem and his family to pay for Hisako’s schooling, which she wouldn't otherwise have gotten. It’s going to pay for a family apartment, which they wouldn't otherwise have had. And it's going to make sure that she has a life that's going to be far better than her parents’.” Understandably, Hisako sees the situation differently. “If you're the mom and the dad, then you see [the arranged marriage] as something that would be good for your kid. If you’re the kid, your whole life has been stolen from you and preordained and pre-contracted. Like Hisako, you'd be a little pissed about it.” The Light Years is Greene’s first novel. Learn more about your ad choices. Visit megaphone.fm/adchoices