Podcasts about constanze mozart

This season on Vulgar History, we're investigating the question How Do You Solve A Problem Like Marie Antoinette? To do so, we're looking at the lives of women who lived during the revolutionary era of the 18th century. This week, Kristin Franseen joins us to discuss Constanze Mozart, best known as the wife and then widow of Amadeus Mozart. -- Learn about the Grove Music Online website of the Women, Gender, and Sexuality Project -- Kristin's references: Mozart's Women: His Family, His Friends, His Music by Jane Glover 1791: Mozart's Last Year by H.C. Robbins Landon "Salieri's Cosi fan tutte" by Bruce Alan Brown and John Rice, Cambridge Opera Journal 8, no. 1 Mozart's Letters, Mozart's Life edited by Robert Spaethling A Mozart Pilgrimage by Vincent and Mary Novellos — Operation Olive Branch Operation Olive Branch Instagram Operation Olive Branch TikTok — Get 15% off all the gorgeous jewellery and accessories at common.era.com/vulgar or go to commonera.com and use code VULGAR at checkout -- Get Vulgar History merch at vulgarhistory.com/store (best for US shipping) and vulgarhistory.redbubble.com (better for international shipping) -- Support Vulgar History on Patreon  -- Vulgar History is an affiliate of Bookshop.org, which means that a small percentage of any books you click through and purchase will come back to Vulgar History as a commission. Use this link to shop there and support Vulgar History. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eine Sendung über den Beinahe-Mozart-Requiemvollender Joseph Eybler und dessen Bezug zum Stephansdom. Entfernter Cousin der Haydn-Brüder, Mozart-Freund der letzten Jahre und einer der Ersten, die von Constanze Mozart um die Vollendung des Requiems ihres verstorbenen Gatten gebeten wurde. Der geborene Schwechater Joseph Eybler war Anfang des 19. Jahrhunderts eine anerkannte Persönlichkeit in Wien - neben Salieri, Beethoven und Schubert. Doch statt einer Karriere im intriganten Opernmilieu wählte Eybler die weitaus unspektakulärere Laufbahn eines Kirchenmusikers. Hier vermochte sich der als liebenswürdig und geradlinig beschriebene Komponist einen Namen zu machen als langjähriger Regens chori des Schottenstifts, als Musiklehrer der Kaiserkinder und schließlich 1824 als Nachfolger Salieris als Hofkapellmeister. Bis heute halten sich zumindest zwei seiner Werke im Kirchenjahr: die Gradualen "Omnes de saba venient" (Dreikönig) und "Terra tremuit" (Ostern). Die Musikwissenschaftlerin Elisabeth Hilscher berichtet im Interview mit Stefan Hauser wieso ausgerechnet diese beiden Stücke so populär sind, welchen Bezug Joseph Eybler zu St. Stephan hat sowie weitere wissenswerte Details aus dem Leben jenes Mannes, der die Wertschätzung eines Albrechtsbergers, eines Joseph Haydns und eines Mozarts besaß.

Recently, I chatted with author Judith Grohmann about her book, "The Real Mozart: The Original King Of Pop". This biography dives headfirst into the psychological workings of Mozart, as he navigates the explosive times of Viennese society during the enlightenment; his romantic and familial relationships, especially with his father Leopold; as well as, balancing the mundane task of earning money versus musical experimentation and expression.If you'd like to order the book, please visit Pen & Sword Books.I will also holding a draw for a free copy of the book. Just give the podcast a rating or review on Apple Podcasts and send a screenshot to TCMMPodcast@Gmail.com and you will be entered into the draw to win. I will announce the winner at the end of July.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

In a new Australian run of Peter Shaffer's play Amadeus, Lily Balatincz and Rahel Romahn play Wolfgang Amadeus Mozart and Constanze Mozart. Amidst rehearsals, Lily and Rahel talk to Courtney about the life changing experiences that shifted their careers, how they connect with their characters, and what it means to share the stage with legendary actor Michael Sheen. For more Sydney Opera House podcasts, visit sydneyoperahouse.com/digital/podcasts or your favourite podcast platform.-- Hosted on Acast. See acast.com/privacy for more information.

We're taking a break from b-movies this week and are instead checking out a film many consider to be one of the greatest ever made. It's Amadeus, released September 19th, 1984. It tells the (very fictional) story of Mozart and a man called Salieri who wants him dead. It's a tale of jealousy, opera and mercury. Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the show! Facebook: https://fb.me/oldiebutagoodiepod Omny: https://omny.fm/shows/oldie-but-a-goodie YouTube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA Songs from 1984 Playlist: https://open.spotify.com/playlist/39v1MbWf849XD8aau0yA52 Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ Zach Adams - Instagram: https://www.instagram.com/zach4dams/ Listen to Sandro's other podcast: Nerd-Out! https://omny.fm/shows/nerdout  See omnystudio.com/policies/listener for privacy information.

On this episode, we discuss the fifty-seventh Best Picture Winner: “AMADEUS.”"Amadeus" follows Wolfgang Amadeus Mozart, a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men.  Directed by Milos Forman, the film stars F. Murray Abraham as Antonio Salieri, Tom Hulce as Wolfgang Amadeus Mozart, Elizabeth Berridge as Constanze Mozart, Roy Dotrice as Leopold Mozart, and Jeffrey Jones as Emperor Joseph II.Here on The Envelope, we discuss & review every Best Picture Winner in the Academy Awards History. You can reach anyone here at TheEnvelopePodcast.com – Just go there to email us, check our bios, and keep up with the latest episode.

The end of the Civil War opened a new era of fossil hunting in the American West -- and a bitter feud between two rival paleontologists, who spent 20 years sabotaging one another in a constant struggle for supremacy. In this week's episode of the Futility Closet podcast we'll tell the story of the Bone Wars, the greatest scientific feud of the 19th century. We'll also sympathize with Scunthorpe and puzzle over why a driver can't drive. Intro: Nepal's constitution contains instructions for drawing its flag. The tombstone of Constanze Mozart's second husband calls him "the husband of Mozart's widow." Othniel Charles Marsh and Edward Drinker Cope. Sources for our feature on the Bone Wars: David Rains Wallace, The Bonehunters' Revenge, 1999. Mark Jaffe, The Gilded Dinosaur, 2000. Elizabeth Noble Shor, The Fossil Feud, 1974. Hal Hellman, Great Feuds in Science, 1998. Tom Huntington, "The Great Feud," American History 33:3 (August 1998), 14. Richard A. Kissel, "The Sauropod Chronicles," Natural History 116:3 (April 2007), 34-38. Keith Stewart Thomson, "Marginalia: Dinosaurs as a Cultural Phenomenon," American Scientist 93:3 (May-June 2005), 212-214. Genevieve Rajewski, "Where Dinosaurs Roamed," Smithsonian 39:2 (May 2008), 20-24. James Penick Jr., "Professor Cope vs. Professor Marsh," American Heritage 22:5 (August 1971). Alfred S. Romer, "Cope versus Marsh," Systematic Zoology 13:4 (December 1964), 201-207. Renee Clary, James Wandersee, and Amy Carpinelli, "The Great Dinosaur Feud: Science Against All Odds," Science Scope 32:2 (October 2008), 34-40. Susan West, "Dinosaur Head Hunt," Science News 116:18 (Nov. 3, 1979), 314-315. P.D. Brinkman, "Edward Drinker Cope's Final Feud," Archives of Natural History 43:2 (October 2016), 305-320. Eric J. Hilton, Joseph C. Mitchell and David G. Smith, "Edward Drinker Cope (1840–1897): Naturalist, Namesake, Icon," Copeia 2014:4 (December 2014), 747-761. John Koster, "Good to the Old Bones: Dreaming of Dinosaurs, Digging for Dollars," Wild West 25:2 (August 2012), 26-27. Daniel Engber, "Bone Thugs-N-Disharmony," Slate, Aug. 7, 2013. Walter H. Wheeler, "The Uintatheres and the Cope-Marsh War," Science, New Series 131:3408 (April 22, 1960), 1171-1176. Lukas Rieppel, "Prospecting for Dinosaurs on the Mining Frontier: The Value of Information in America's Gilded Age," Social Studies of Science 45:2 (2015), 161-186. Michael J. Benton, "Naming Dinosaur Species: The Performance of Prolific Authors," Journal of Vertebrate Paleontology 30:5 (2010), 1478-1485. Cary Woodruff and John R. Foster, "The Fragile Legacy of Amphicoelias fragillimus (Dinosauria: Sauropoda; Morrison Formation-Latest Jurassic)," PeerJ PrePrints 3 (2014), e838v1. Paul Semonin, "Empire and Extinction: The Dinosaur as a Metaphor for Dominance in Prehistoric Nature," Leonardo 30:3 (1997), 171-182. Jennie Erin Smith, "When Fossil-Finding Was a Contact Sport," Wall Street Journal Asia, June 10, 2016, A.11. Adam Lusher, "The Brontosaurus Is Back After 150 Million Years... At Least in Name," Independent, April 8, 2015, 10. Will Bagley, "Rivals Fought Tooth and Nail Over Dinosaurs," Salt Lake Tribune, March 25, 2001, B1. Clive Coy, "Skeletons in the Closet," Ontario National Post, Jan. 22, 2000, 10. Rose DeWolf, "Philly Is Facile With Fossils," Philadelphia Daily News, March 27, 1998, D.6. Mark Jaffe, "Phila. and Fossils Go Way Back," Philadelphia Inquirer, March 22, 1998, 2. Malcolm W. Browne, "Dinosaurs Still Star in Many Human Dramas and Dreams," New York Times, Oct. 14, 1997. John Noble Wilford, "Horses, Mollusks and the Evolution of Bigness," New York Times, Jan. 21, 1997. Jerry E. Bishop, "Bones of Contention: Should Dr. Cope's Be The Human Model?" Wall Street Journal, Nov. 1, 1994, A1. "Dinosaur Book Has Museum Aide Losing His Head," Baltimore Sun, Oct. 17, 1994, 6A. "The Bricks of Scholarship," New York Times, Jan. 21, 1988. Dick Pothier, "Fossil Factions: Dinosaur Exhibit Points Out a Battle in Science," Philadelphia Inquirer, Feb. 9, 1986, B.14. Rose DeWolf, "Dinosaurs: Bone in the USA," Philadelphia Daily News, Jan. 24, 1986, 52. William Harper Davis, "Cope, a Master Pioneer of American Paleontology," New York Times, July 5, 1931. George Gaylord Simpson, "Mammals Were Humble When Dinosaurs Roved," New York Times, Oct. 18, 1925. "A Prehistoric Monster," Hartford Republican, Sept. 1, 1905. "The Scientists' New President," Topeka State Journal, Oct. 9, 1895. Listener mail: David Mack, "This Woman With a 'Rude' Last Name Started the Best Thread on Twitter," BuzzFeed News, Aug. 29, 2018. Natalie Weiner, Twitter, Sept. 6, 2018. Wikipedia, "Scunthorpe Problem" (accessed Sept. 6, 2018). Declan McCullagh, "Google's Chastity Belt Too Tight," CNET, April 23, 2004. Daniel Oberhaus, "Life on the Internet Is Hard When Your Last Name is 'Butts,'" Motherboard, Aug. 29, 2018. Matthew Moore, "The Clbuttic Mistake: When Obscenity Filters Go Wrong," Telegraph, Sept. 2, 2008. This week's lateral thinking puzzle was contributed by listener David Malki. You can listen using the player above, download this episode directly, or subscribe on Google Podcasts, on Apple Podcasts, or via the RSS feed at https://futilitycloset.libsyn.com/rss. Please consider becoming a patron of Futility Closet -- you can choose the amount you want to pledge, and we've set up some rewards to help thank you for your support. You can also make a one-time donation on the Support Us page of the Futility Closet website. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

Our version of Wolfgang Amadeus Mozart's Allegro in F -Mozart piano sonata 1 , 3rd movement Shiloh Worship Musicwww.shilohworshipmusic.com© 2012 Shiloh Worship Music COPY FREELY;This Recording is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted. Www.ShilohWorshipMusic.comWolfgang Amadeus MozartMozart circa 1780, detail from portrait by Johann Nepomuk della Croce.Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.),[1] baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart[2] (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers.Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, and Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."[3]From Wikipedia, the free encyclopedia

Our version of Wolfgang Amadeus Mozart's Sonata 1  Mozart K300 1st movementblessings,Shiloh Worship Musicwww.shilohworshipmusic.com© 2012 Shiloh Worship Music COPY FREELY;This Recording is copyrighted to prevent misuse, however,permission is granted for non-commercial copying-Radio play permitted. Www.ShilohWorshipMusic.comWolfgang Amadeus MozartMozart circa 1780, detail from portrait by Johann Nepomuk della Croce.Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.),[1] baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart[2] (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers.Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, and Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."[3]From Wikipedia, the free encyclopedia