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Have you ever lost the joy in your creative work — that sense of fun you had when you were starting out, before the admin and the algorithms drained it away? How do mid-career creatives get it back, and what can a four-year-old teach us about play? Austin Kleon talks about productive procrastination, silly rituals, the case for paper reference books in an AI world, and how his newsletter went from a marketing cost to the day job that keeps the lights on. In the intro, Does social media still sell books? [Self-Publishing with ALLi]; Trial by algorithm [The Bookseller]; Publishing's AI Hypocrisy Problem [The New Publishing Standard]; ALLi AI survey for authors; Brave New Bookshelf Podcast, and Pics from signing at BookVault. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Austin Kleon is the New York Times and international bestselling author of nonfiction books, including Steal Like an Artist, Show Your Work!, and Keep Going, as well as an artist, professional speaker, and poet. His latest book is Don't Call It Art: 10 Ways to Create Like a Kid Again. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why Austin wrote Don't Call It Art now, and what his kids taught him about creative joy Productive procrastination, silly rituals, and treating writing like Lego Comedy as a philosophical position, and giving yourself permission to be bad in private Sharing process in the algorithm era, and why your whole life is the process Bibliomancy, paper reference books, and what AI can't give you that a dictionary can Style, the Taco Bell distinctiveness rule, and how Austin's newsletter became his day job You can find Austin at AustinKleon.com. Transcript of the interview with Austin Kleon Jo: Austin Kleon is the New York Times and international bestselling author of nonfiction books, including Steal Like an Artist, Show Your Work!, and Keep Going, as well as an artist, professional speaker, and poet. His latest book is Don't Call It Art: 10 Ways to Create Like a Kid Again. So welcome back to the show, Austin. Austin: Thank you for having me back. It's nice to talk to you again. Jo: You were on the show in March 2020, and at the time, your book was Keep Going, which was prescient considering the pandemic and politics. So I wondered, why this book, Don't Call It Art, now? Was this something you see in the creative community or your own life that made you want to write this book? Austin: Keep Going is a book about what happens when the world goes crazy around you and you're still trying to do your creative work. This is a book about what happens when inside has bottomed out. Keep Going is a book about the world bottoming out, and you're worried that your own creative work is going to bottom out too. How do you keep pushing through and keep making stuff? This book, to me, is about what happens when you bottom out inside—when you've lost that love and feeling for the thing that you wanted to do, and you're just not connecting with it in the way that you used to or the way that you want to. How do you get back? How do you return to that sense of joy and wonder and fun that we have when we're starting out? And for me, it was being around my little kids that taught me how to tap into that. My kids were natural—they didn't have any creative hangups. I would spend all day talking to people who had creative hangups, and then I'd get back in the house, and I'd just be around these beings who didn't have any of them. It was really instructive. I felt like, if I could bottle the energy of my kids when they were about four years old and try to put it in a book, I think it could really help a lot of the people that I run into, and the people with the kinds of problems I hear from. Jo: You mentioned bottoming out. How do people know when they've hit that point? Austin: You just don't want to do it anymore. You're kind of like, “This just isn't giving me back what it used to.” When we start with our creative work, that's the thing that juices us. We come away from it feeling full up. I think you hit a certain point where you start to feel drained after it. Or maybe you don't feel drained by the thing itself that you're doing—maybe it's all the stuff around it, which is more often the case. For example, if you're a mid-career writer like me, who's been publishing books for 16 years now, I still really like writing. I still really like drawing. I still really like cutting and pasting and putting things together. It's the admin around the work—the emails, the meetings, the running-a-business part of it—that's super draining for me, and that stuff can start to bleed over into the creative work. So it's really important for me to make sure that I'm having some playtime, some R&D, some research and development time, to make sure it's not just all business. When you take the thing that you love and you turn it into the thing that you make a living from, you can really run into a lot of problems. Jo: I'm at 20 years, so I know exactly what you're saying, and a lot of listeners are the same. We love writing books, but it's all the stuff that goes around it. So for those of us who do this for money as well as passion, what are some practical ways to have more fun with our creativity? Austin: Something I learned from my kids is that you really are your most creative when you're supposed to be doing something else. So one of the things I use a lot in the studio is productive procrastination. Whatever I'm supposed to be working on, I start another little project, and that's my little naughty fun time. When I first come into the studio, I try to do something that I'm not supposed to be doing—something that I won't have much to show for. That could be making one of my blackout poems. That could be making a collage in my notebook. It could also be sitting here. I have a bass in the studio now, so I can practise my bass guitar. Sometimes I'll do that for the first 15 minutes just to get in that headspace of, “Hey, what's it like to do something just for yourself? Just because you want to do it?” The juice that you get from that little naughty “I'm going to do what I'm not supposed to be doing right now” thing, that carries into the rest of the day. It's like a nice start to things. Jo: Do you think that play could be something different to what we make our money with? For me, writing novels and stories is great fun in one way, but it's also what I then publish and make money on. So writing stories is more serious, I guess, than playing with Lego or something. Austin: Right. So the trick is, how can you make writing your stories like playing with Lego? That's kind of been my whole career. I hate staring at Microsoft Word and that blinking cursor, taunting you like, “Come on, what have you got?” A lot of my creative life has been about trying to make it more playful, trying to make it feel more like a game. That's how I came up with my blackout poems. I take an article from The New York Times and I black it out until it only has a few words left behind. It sort of looks like if the CIA did haiku, for some people listening. That was one little exercise. Then weirdly, that side thing that I thought was just play, just fun—that turned into my first book. So then it's, okay, what else can I mess around with and play with? I do a lot of collage work in the studio, and I rarely actually use that for any of the books. Sometimes I use it for my newsletter to illustrate the newsletter. But it's always about trying to figure out, how can I make writing a game? How can I make it more playful? There are different things that I do to make it feel more playful. One of them's really stupid. I really believe in silly rituals because I think silliness is really powerful. People talk about their daily rituals—Mason Currey has that great book, Daily Rituals: How Artists Work. When I was reading that book, I realised it was really the silly stuff that I really liked. There was, I think it was Balzac counting out coffee beans or something before he got to write. Or Steinbeck sharpening 12 pencils or something goofy like that. So one of the things I like to do before I write is that I have these cigarette pencils. They're pencils that look like cigarettes in the studio. I put one in my mouth before I start writing, and I pretend to be some old '40s writer on a typewriter. I like doing goofy stuff in the studio because I think when you do goofy stuff—stuff that you'd be embarrassed if anyone else saw it—it gets you in that playful state. Jo: It's interesting. In your book, you have a section that says, “Don't take things too seriously.” For many of us, we write memoir for example, and that is very close to us. It's like the deepest expression of what we want to say in the world. It feels very serious. So how can we hold things more lightly and not take things so seriously? Austin: For me, comedy is actually a philosophical position. What I mean by that is, I think a lot of people set out with a tragic model of creative work. They think, “Oh, I have this special gift,” or, “I have this thing that I really need to do, and I need to put it out into the world, and I need to make the world look more like I want it to look.” They have this idea that, “Through blood and sweat and tears, I'm going to see this thing through, and I'm going to push it into the world, and I'm going to have my way.” I think there's another way of working where it's more like, “I'm just a normal person trying to play with my environment, and take my experiences and put them into something interesting. So I'm going to play and use my wits, and we're going to see what we come up with.” Those really are two modes of life. The pandemic taught me that it was really when we were keeping our sense of humour, when we were having a laugh and keeping our egos in check around the house and just acknowledging how goofy we all were and how ridiculous the situation was, that seemed to be when we were really thriving. Versus, “Well, we're in this tough situation. We've got to make it into what we want it to be.” That felt really bad. But when we cruised along and we were just improvisational, when we went at things with a kind of lightness, that worked. There's a great Italo Calvino essay about lightness in Six Memos for the Next Millennium. Lightness is really underrated. Even when we're going about heavy work, having a sense of lightness and play with it just makes the work better. That's a philosophical position of mine. I aspire to comedy. I aspire to a comic outlook on life. I'm just a creature with a body who's going to die, and I'm fundamentally ridiculous. Life is pretty absurd. You just make the best of it. Jo: There's certainly some truth there. Staying on a similar theme, you have a chapter in the book on permission to be bad. Many of the listeners also have your book Show Your Work, and it shaped many of us into sharing our work in progress. It feels quite dangerous now, in a world where judgment is much louder than it maybe was when you wrote Show Your Work. So tell us a bit about permission to be bad versus should we keep some of this private? Austin: Permission to be bad is about the making part of things. It's the private part. It's permission to be bad when you're in private, when you're actually doing the work. Show Your Work is a book about what you do after you've done the work, or while you're doing the work. It was never about putting up a webcam and running a 24/7 feed. It was more like, hey, what are the ways that I can connect with the kind of audience I can build while I'm making the work itself? So the way I see permission to be bad is, you really have to give yourself permission when you're not sharing, when you're off screen, to really be as bad as you want to be. It doesn't necessarily mean quality-wise. I think it also means letting yourself write stuff that you would never say on social media. Letting yourself read stuff that you wouldn't admit you were reading on social media. Letting yourself listen to stuff. Letting yourself really be that unfiltered, unhinged, private person that you want to be. Then when it comes to sharing, you put some time in between that input time, that making time, and the sharing time, and then you share what you think is going to be useful or helpful or interesting to other people. Jo: I think you wrote that book before TikTok, and how fast people are moving. Do you think people need to slow down a bit in what they share, maybe? Austin: I don't know. I obviously had a lot more faith in social media back then. I use all the principles from Show Your Work in my newsletter. Newsletters are very much the new kind of great thing. They're doing a lot of the work that social media used to do, in that you're still able to have this direct connection with the people that you're trying to reach. The big problem with social media now is that it's all algorithmically tuned, where the people that are following you don't see the stuff that you're doing most of the time. What you have to do now, if you want the people who are following you to see your stuff on social media, is you have to make stuff that the algorithm likes. That's a whole different thing. As far as the Show Your Work principle—which is share your process as much as your product—that carries over to any platform. In my newsletter every Friday, I share a list of 10 things that were going on behind the scenes here. It might have been what I was watching on TV, what I listened to, a new pen I was trying out, or something like that. The Friday newsletter is almost always process stuff. When I talk about process, my definition is actually very broad. For a lot of people, it's drafting, editing, whatever. For me, the process is the whole life. The process is almost everything except the finished thing. A writer's life is 24/7. My friends who have real jobs really are like, “What do you do all day?” And I'm like, “Well, what do you mean?” They're like, “Well, I see you out on your bike ride.” I'm like, “Yes, when you see me out on a bike ride, I'm thinking through something half the time.” If I'm watching TV, I'm thinking, “Hey, would this be good in the newsletter?” I'm never off. My whole life—everything is copy, as Nora Ephron said. That's part of the job. It's very hard to turn off. So I see the whole life as process, and the question becomes, what little bits and pieces of that life and that process can you share with people while you're making the things that you hope to sell them later? Right now, I'm in a cycle where I'm selling this book, but all these people have showed up because I've shared my process every week for the past seven years since I put out a book. Jo: It's funny you say that. I was at the dentist yesterday, and— My dentist literally asked me, “So where do you get all your ideas?” This is a common question for all of us, right? And it just becomes so hard to explain that to people who don't walk around in the world just constantly getting ideas. Austin: I can't believe I'm going to tell this story. I was getting my vasectomy after my second kid, and I was talking to this doctor just before the operation. He said, “So what do you do for a living?” I said, “I'm a writer.” He said, “Oh, that must be cool. You get to use your brain.” And I said, “That's everything that you want your doctor to say.” I was going to say, “Please use your brain,” before he's about to cut into you. He said, “Oh, no, no. What I mean is, I know what I'm going to do every day for the next 10 years.” He knew exactly what his day was going to look like. He said, “You have to use your brain. You've got to figure out new stuff.” I was like, “Oh, that's really interesting.” That's the trade-off, right? He's got the job security. He knows what he's going to do. Every writer has a moment where they have to talk to a normal person about what you do. Jo: I was going to say, I'm married to one. Austin: Now, my wife, on the other hand, grew up the daughter of a writer, so she knows exactly what it's like. Nothing ever phases her. She's totally used to it. She's used to me staring off into space, completely checking out of a conversation. She's used to me using lines on her that I'm going to put in a piece later. She's used to the whole rigmarole. It's very handy. I've been very lucky in that sense. Jo: Coming back to the book, you talk about your use of bibliomancy for inspiration. Since we're talking about that, tell us about it. I think all the book people listening will be happy. Austin: I'm a person who still keeps a dictionary nearby—a paper dictionary. I keep a big old American Heritage. It's just a big, thick book. When I really don't have any ideas, I will turn at random to the dictionary, close my eyes, stick my finger down the page, open my eyes, and just see what I come up with. Sometimes just that act will give me an idea. I also do that with books. I'll go around the studio, pick up a book, flip to a random page, and just see what it says there, or read an old piece of marginalia that I've left in a book. I believe deeply in the power of bibliomancy, and I think it's a case for paper books. I'm one of those people that still really believes in reference books. I've started collecting more and more of them. I have an old, big dictionary that's always open on my desk, and I look up words. I learned from John McPhee, the writer, that you should look up words that you think you know. That was the first time I'd ever heard anyone say that. So I look up words that I think I know. Instead of reaching for a thesaurus when I need a different word, I actually just look up the definition of the word that I already have. That's another McPhee tip. The other thing that happened that I thought was really interesting is, I got a Roget's for the first time—a thesaurus. I don't think most people know what an actual thesaurus is. Most people think of a thesaurus as a synonym finder, and that's not actually what a thesaurus is at all. A thesaurus is more like an encyclopaedia, weirdly. You look up things based on big concepts, and then it gives you a bunch of words to look up later. It's a very strange thing. It's not what most people think it is. I have a couple of editions of Roget's in here. I like the really old Roget's from the 1900s because they actually have opposing ideas facing each other on the page. Do you have an old-school Roget's? Have you ever looked through one? Jo: I don't have one now, but I certainly grew up with them. I was literally just thinking, I wonder if there are ones for Americans and ones for British people, because so often we say different things and mean different things. I always hear Americans say, “Oh, that's a doozy,” or something, and it means the complete opposite thing here. Austin: Like if you say “fanny pack” over there. That means something very different than it means here, right? Chips or fries, that kind of stuff. So I wonder if there are different ones for different cultural references. Jo: I don't know. Austin: As people, with ChatGPT and all these LLMs and stuff, people are like, “Why would you ever pick up a paper reference book?” And I'm like, “I actually like the friction.” I like having to move in space and go over to my dictionary. I like flipping the pages. I like having to scan a page for the word I'm looking for, because— This marvellous thing happens when you're looking for the word, where you bump into all these other words. If you're a word nerd, you get to start thinking about the root of the word—oh, why is this word next to this word? Well, it's because they share the same root. Then you're going down all these fun rabbit holes. The thing that I'm trying to do as a writer and a creative person is, I'm trying to get to the thing that I didn't know I was looking for. The thing that people misunderstand about AI, I think personally, is that it's a great tool if you know what you're looking for. If you're like, “Find me this thing. I want exactly this. I want to see a picture of a dog wearing a king's costume,” or some crap like that, then it can spit that picture out for you. Or, “I want to know what happened on this day,” and whatever. It can do that. But that's not actually what I'm doing most of the time when I'm writing or making something. I start with an idea, but what really happens—the magic of writing and the magic of making stuff in general—is when you discover something that you didn't even know you were headed for. That's the real magic for me. Sometimes I have an idea and I want to articulate it for people, but more often than not, there's something that bothers me or something that I want to talk about, and I sit down and write, and I figure out what it is that I actually have to say and what I actually think. Every writer really knows this, and that's why the dictionary, stuff like that, those are ways of training you to get in that discovery mode. “Well, let me—oh, I bumped into this. I went looking for this one thing and then I ran into this other thing.” That's why I love the library. I don't know what system you use over there, but you look for one book in the Dewey Decimal System over here, and then, okay, here's all these other weird books next to it. Then you end up with three other books other than the one that you were looking for. That's the magic. To me, that's the magic of creative work, discovering what you didn't know you were looking for. That was particularly important for me when I was writing this book because we discovered that my wife has a condition called aphantasia. It's very rare in the population, about 2 to 3% of people. There's probably some people listening to this right now who are like, “What is this? Tell me.” Jo: Aphantasia actually more common in the creative industries. Austin: Yes. What it is, is that you don't see—when I say close your eyes and picture an apple, you don't actually see the apple in your head. You can think about an apple and the qualities of an apple, but you don't actually see it. Some people, and it's a matter of degree—some people like me, I can close my eyes, I can tell you what the apple looks like, I can tell you what colour it is, I can tell you where the shading is. Someone like my wife doesn't see the apple. She can tell you what an apple is. It's really interesting because she has a degree in architecture, which is known as a very visual field. But the thing you discover about aphantasia is, it doesn't keep people from becoming artists. In fact, it's the opposite. Someone like Ed Catmull, who co-founded Pixar, writes about it in his book, and so many of the great animators at Pixar are actually aphantasics. The reason is that they learned that they had to draw in order to see things. When you don't have a picture in your head of what you want something to look like, things appear in the drawing, and you find things that you couldn't even picture. A lot of writers actually are aphantasics. John Green discovered recently that he has aphantasia. It turns out that it's a superpower for writers, because if you don't have a picture in your head, then you don't have to translate that picture into words. A lot of writers talk about thinking in radio, like they have a constant narrator. My wife—she's probably going to kill me for talking about her this much—when she describes it to me, she's like, “Oh, it's like a radio in my head. I'm constantly hearing a voice, and it's a narrator.” I was like, “Holy shit, that would be really helpful to me.” I don't have anything like that in my head. I read Mrs Dalloway for the first time, and I gave it to her and I said, “You've got to read this book. I think this must be what it's like in your head.” And she said, “Oh my God, it is.” Part of the thing that I took away from that experience—this is a long-winded way of getting here—is that I take a lot of inspiration from people with this condition. Most of the people I know in the arts or the creative fields, they set out with this grand vision, and then they start working on the thing and it's nothing like what they had in their head, and they get really depressed: “This isn't what I had in mind.” Whereas if you set out without a picture in your head, and you just start manipulating things and you see what appears, that's more of the comic mode I was talking about earlier. What would happen if we just sat down with our materials and we started playing and we saw what appeared on the page? What if we started typing and saw what appeared, and then we played with that? That's the kind of joy. That's more like how kids operate. Kids are better at that. They're better at reacting to what's actually in front of them, instead of having these grandiose visions about what they're trying to achieve. Jo: Just coming back on the longevity of a creative career. Your books are very distinctive. You have a very distinctive visual style, your handwriting and the way the books are done. I wondered if another part of the ennui, perhaps, or the draining of the later career is that we get trapped into doing something that feels like it looks the same. Or we have a voice, and we're happy in that voice, but sometimes we want to do something completely different. For authors, we have different names. I write under two different names, and that helps. But equally— How do you define author voice, and do you ever feel like doing something completely different to your normal style? Austin: Style, in a lot of ways, is self-plagiarism. Style is the repeated things that we notice in people's work. Hitchcock talked about this in films. Wes Anderson is someone like that—Wes Anderson has a style. I'm sure that he gets really sick of it too sometimes, but you also can't help it in some ways. I thought a lot about this because people worry about style so much. A lot of the time, what we call style is what Adrian Tomine one time said: “Style is just the distance between what's in my head and what comes out of my hand.” I really like that definition. With this book, I was trying to think, “Okay, if I do another book in this series, how can I push things a little bit?” And then I was reading this article about Taco Bell. You guys have Taco Bell over there, don't you? Do you have Taco Bell? Jo: No. Austin: So Taco Bell, for people who don't know, is this American Mexican chain, and they have tacos and burritos and stuff like that. They're well known for making these really insane… it's so American, this company. They make a taco with a Doritos as a shell. Doritos are crisps, I guess. Jo: Yes, we have Doritos. Austin: Okay. I spent time in England, I just don't remember if I ate Doritos when I was in England. Anyway, I was reading this article about Taco Bell. It was really funny. They have an innovation kitchen at Taco Bell, and they have a rule about new products. The rule is called the distinctiveness rule, and the rule is: you can change the flavour or you can change the taste, or you can change the form, but you can't change both at the same time. I got really obsessed with this concept because I thought, “Well, this could be kind of interesting.” If you're someone who's had success and you're known for something, this presents an interesting thing. You could do a complete break and do something completely new, or you could try the distinctiveness rule. Okay, well, what if I play with this idea of taste versus form? What if I change the taste and keep the form? So the idea for Don't Call It Art was, what if I do another one of these books, but the taste is more like if my kids made it? It had the texture of kids' art, it had lots of scribbles in it, it was loose and messy. That was kind of the idea. The actual book ended up being more like the other books. It ended up looking like an Austin Kleon book, because I just can't help that. The thing you said about having multiple names that you write under, that's kind of what I do with the newsletter. I think of the newsletter as very different from the books. The newsletter is this twice-weekly thing where I can be a little bit more of myself. In the books, I'm this very helpful, happy version of myself. It's me, but it's me on my best day. I'm really helpful and interesting for you. The newsletter is still a highlight reel in a sense, but it's a little bit more of my weird everything-I'm-into. It's more of the unclipped version of me. The newsletter becomes a place where I can do a lot of the weird stuff that's much different from the books. I have these little projects going all the time. Sometimes I'll make a bunch of prints and put them online. Sometimes I'll make a bunch of zines on a topic I haven't covered in the book. Sometimes I'll do a mixtape. As someone who's interested in a lot of different forms and genres and just different modes of output, having something like a newsletter has been really creatively fruitful for me. It's kept me from getting too bottomed out with the books because the books do a certain thing for the reader, and as much as I'd love to do a book that was radically different, I also think I've been given a real gift with the form of my books, in that I kind of own the way that they feel and look. There aren't a lot of books that look like those books and feel like those books, and so I like playing with that form. It would be hard to get rid of it now. The pseudonym for me is kind of like the newsletter in a sense. The newsletter is a little bit more of where I get to be wild and wacky. Then the books are a little bit more of a chiselled thing. Jo: The books are perfect examples of the form, as you say, but it's interesting about the newsletter. You mentioned at the beginning that we can be drained by the admin around the work. For many people listening, a newsletter becomes admin. So how does the newsletter fit into your business? The books are traditionally published, they're very professional. How do you have your independent side, and how does all of that work together in your business? Austin: Thank you for asking that question. I run the whole show at the newsletter. The newsletter is just me, and then my wife edits it, and no one else is involved. I don't have an assistant. I don't have a team. It is just me, and that's why I love it. I control everything. I pick who gets in there. I pick everything. I love that. I grew up watching David Letterman over here, and Letterman had a nightly show, and I always thought that was killer. I thought, “Man, what a fun job. You have a show every night where you have a new guest, and you have all these wacky things going on.” It was like a variety show. I always thought that would be really fun, so the newsletter is my version of that. I started the newsletter in 2013, and it was just a Friday newsletter. It quickly became a list of 10 things I thought were worth sharing. I had a friend, Hugh MacLeod, who was like, “Hey, I have a newsletter. It's bigger than any conference you've ever gone to.” He was talking about South by Southwest here in Austin. He's like, “I have a newsletter now, and it's bigger than South by Southwest.” Jo: Oh, I remember him. Austin: He would say, “Every time I have a new print, I put it out, and there's a button, and then they buy it.” He was like, “You've got to get it. This newsletter thing is killer.” This was in 2011 or something. Jo: Yes, I still have his books. Blogging in Your Underwear or something. Austin: Totally. So Hugh's a whole different story, but I was just like, “Oh, I should really get a newsletter.” Letterman always had a top 10 list on his show. I just always thought a 10 list was really fun. And of course the books are lists of 10 too. So it just worked to have a weekly list of 10. It felt good, and it felt like an infinitely repeatable format. What I'm looking for as a creative person is an infinitely repeatable format that can go on and on and on and be new every time. So the list of 10 is something that people know the form of. It goes back to the Taco Bell thing. They know the form, but they're not sure what's going to go inside. They know it's going to be a burrito, but they don't know what's going to be in the burrito, and that's the exciting part. The newsletter, business-wise, was always a marketing cost for about the first eight years of its existence. I paid MailChimp to send it out. Then in about 2021, when I hadn't done a book for a while, my agent said, “You know, you should really think about doing a paid tier of your newsletter.” And this is to his credit, because he doesn't make anything off the newsletter. He said, “There's this thing called Substack now that makes that really easy.” So we moved to Substack in 2021 in October, and I started doing a Tuesday edition of the newsletter that was just for paid people. That grew enough that it's gone from a marketing cost to something that's almost—it's not quite as much as I make on my books, but it's close. And to be candid, my books sell pretty well. So suddenly the newsletter has become this really healthy income stream. The newsletter to me is actually the day job now. The newsletter is what really keeps the lights on. It's also the perfect mix. It's the day job, it's the thing that keeps income coming in on a regular basis, but it's also the thing I like to do the most. I'm not like a traditional writer who likes to just get lost in their book and take years and years and go away. I'm someone who loves to be doing a lot of different things. The newsletter is a perfect format for me. I'm talking myself into not quitting, actually. It's funny. It's gone from this thing that was a marketing cost to now it's a significant part of our income. That journey—such a bad word, journey—that trip has been very interesting. It's been really cool. But I'm also just lucky. I've been really lucky, and I think part of my thing is, I'm always just trying not to squander my luck. Jo: Well, the book is fantastic, and I know people are going to love it. And the newsletter, of course. So tell us— Where can people find you and your books and newsletter online? Austin: The easiest thing to do is to just go to AustinKleon.com, and that has links to everything—the books, the newsletter. I do actually keep an old-school blog still. I'm one of the few people that still maintains their blog and keeps it up to date. I'm hedging my bets because I think in the end everything will come back to a self-hosted website. I think in the end everyone's going to just go back to their little websites, or at least I hope so. Jo: Well, that was great, Austin. Thanks so much. Austin: Oh, thank you. The post Don't Call It Art: Rediscovering Creative Joy With Austin Kleon first appeared on The Creative Penn.

The Republican-controlled Florida House of Representatives designated February as Muslim American Heritage Month. Its adoption is credited to the Council on American Islamic Relations (CAIR), a Muslim Brotherhood front designated last year by Governor Ron DeSantis as a terrorist organization.  The resolution even extolled the public service of three Democratic sharia-supremacists: Minnesota Attorney General Keith Ellison and Representatives Ilan Omar and Rashida Tlaib. While there are Muslims who have contributed laudably to our country, these three aren't among them. A BanSharia.com webinar today will examine a particularly odious Muslim “contribution” to America's heritage: Sharia's brutal repression of women. From dressing them in bags to mutilating their genitals to marrying them off as pre-pubescent girls to allowing their husbands to beat them, Muslim misogyny has brought here the worst of Mohammed's behavior.  It must be prohibited, not extolled. BanSharia.com   This is Frank Gaffney.

Poems about Jewish American Identity, from Dennis Lee, Wilderness Sarchild, and Fran Markover.Support the show

On today's episode of Uncommon Sense with Ginny Robinson, we discuss the political attacks surrounding Thomas Massie, growing concerns over foreign lobbying influence in American politics, and why millions of Americans feel their government no longer represents them.We also discuss the continued secrecy surrounding the Epstein case and why the American people are demanding full transparency, the complete unredacted Epstein files, and lawful accountability for every individual involved regardless of status or political connections.As corruption, manipulation, and moral decay continue spreading through powerful institutions, Americans must hold tightly to their God-given Constitutional rights, speak truth boldly, and refuse to surrender their freedoms out of fear.Truth matters. Justice matters. And no one should be above the law.--https://www.bible.com/

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I am very excited to launch a very special series for Jake's Take with Jacob Elyachar Podcast. May is Jewish American Heritage Month (JAHM), which annually celebrates the history, culture, and contributions of Jewish Americans to the United States.  It is a privilege to welcome Margarita Lyadova as the fourth guest on my JAHM special series. Margarita hosts the People Jew Wanna Know Podcast. The podcast features thoughtful, engaging conversations with remarkable Jewish voices, ranging from celebrity chefs and major Israeli tech leaders to Netflix personalities and post-October 7 communal voices. Previous guests include Andrew Zimmern, Ari Axelrod, Dara Horn, Kosha Dillz, Modi Rosenfeld and Leo Veiga, Rachelle Unreich, and Zach Sage Fox.  At a moment when Jewish stories, Jewish pride, and Jewish community-building matter more than ever, People Jew Wanna Know offers a thoughtful space for those who shape the conversation, challenge assumptions, and bring depth, humor, and humanity to Jewish life. Born in the Ukraine and a recovering child star, Margarita is a sought-after keynote speaker, including engagements with American Jewish Committee (AJC), JDC, MyTechTribe, and MoCo Teens Against Antisemitism Fellowship.  On this edition of The Jake's Take with Jacob Elyachar Podcast, Margarita Lyadova spoke about how her family accepted asylum in the United States, being the first Jewish podcast to speak to Shai Davidai, and some of her most memorable conversations with our mutual friend, Culture Quota founder Beatrice Levine, Jeremy Jacobowitz, and Shabbos Kestenbaum. Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

The physical component of the tour is delayed, expected to open by end of year.

I am very excited to launch a very special series for Jake's Take with Jacob Elyachar. May is Jewish American Heritage Month (JAHM), which annually celebrates the history, culture, and contributions of Jewish Americans to the United States.  I am honored to welcome my dear friend and mentor, Joanne J-Bird Phillips, to the podcast. I first met J-Bird in New York City through our mutual friend and former guest, Beatrice Kimmel. She and I instantly bonded and became fast friends. I love her zest for life, and it was Beshert (Yiddish for “destiny”) that the stars finally aligned for her to come on the show for our third JAHM special.  Born in The Bronx and raised on Long Island, NY, Joanne Phillips grew up in a family of professional drummers and band leaders. Having a natural rhythm since childhood, Joanne's father taught her to play drums with brushes when she was seven, and her first song was "Come Fly with Me" by Frank Sinatra. She grew up listening to Swing, Motown, Bossa Nova, and Rock 'n' Roll, and honed her drum skills on a full orange sparkle drum kit that her family bought for her. At age sixteen, Joanne was asked to join a local garage band of teenage boys who needed someone to play their cover of "Wipeout" by The Surfaris correctly. She stepped in and nailed it.     Hence began Joanne's lifelong love of music and live performance.  Fast forward to the late 70's, after Joanne had moved to Long Beach, NY, and raised two children of her own in the arts -- her son, an alumnus of Upright Citizens Brigade Theatre in NYC, and one of the metro area's popular freelance Improv coaches, and her daughter, a SAG-AFTRA TV actress and comedian/comedy writer working in LA.Over the years, Joanne witnessed how many music and arts programs were evaporating and eventually terminated, due to a lack of funding and/or support from the government, as well as certain folks with no interest in keeping arts programs alive, resulting in the arts being put on the back burner in the education system. Joanne remained an avid supporter of an arts education platform for children. She saw how it created positive experiences for her own kids (and many other youths) and witnessed how even a basic arts education enriched lives of youths on many levels for years into their adulthood.   In 2012, Joanne founded J-Bird Music for the Arts, Inc., with the vision of reviving arts programs by providing much-needed equipment, instruments, and resources to enrich the lives of youth through arts education. She wanted to bring that same joy, excitement, and creativity to youth everywhere, especially in underserved or underfunded areas.    Through J-Bird Music for the Arts, Joanne brings her vision alive. From her tireless efforts as a brain tumor survivor with a second chance to live and continue on this mission, she has provided much-needed equipment and support to music and arts programs throughout New York State, including Still Waters In A Storm in Brooklyn, Long Beach High School in Long Island, and Goshen Central High School in Orange County, NY.   On this edition of The Jake's Take with Jacob Elyachar Podcast, Joanne spoke about her tenth anniversary of being associated with the US Press Association and revealed some of the J-Bird Music for the Arts' top accomplishments.Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

I am very excited to launch a very special series for Jake's Take with Jacob Elyachar Podcast. May is Jewish American Heritage Month (JAHM), which annually celebrates the history, culture, and contributions of Jewish Americans to the United States.  There are no words to describe how ecstatic I am to welcome back Ethan Zohn for a third time! Ethan became a household name when he first appeared on Survivor: Africa, the third season of the legendary US reality TV competition. He won seven challenges and the title of “Sole Survivor.” He appeared on Survivor: All-Stars, where he won four challenges but lasted only 21 days, and returned to compete in the milestone season Survivor: Winners at War, where he only won one challenge and lasted 35 days.  Since Survivor, Ethan has become an influential social entrepreneur. With a portion of his Survivor: Africa winnings, he co-founded Grassroot Soccer (GRS). GRS is an adolescent health organization that harnesses the power of soccer to provide young people with the essential information, services, and mentorship they need to lead healthier lives. Since its inception, GRS has expanded to 60 countries in Africa and worldwide, has graduated 13 million youth, and has worked with scores of public—and private-sector partners.  He also raised his voice to fight cancer.  Cancer-free since 2012, Ethan Zohn has been a voice for fighters, survivors, and caregivers of all ages, even chronicling the gritty details of his entire cancer experience for People Magazine. While undergoing treatment, he ran and finished the New York City and Boston marathons to help spread messages of hope and resilience to the world.  Ethan is a champion for investment in new medical research and technology. He is an advisor to numerous hospitals and foundations, such as Cancer Buddy, the Leukemia and Lymphoma Society, and Memorial Sloan Kettering.  As demonstrated by his charitable work, tzedakah, and community involvement, Ethan believes that Jewish values can achieve a better and healthier world. His inspiration to help heal the world stems from being taught at an early age the importance of community, a connection to the Jewish faith, and the preservation of Israel.  Ethan shares his deep bond to Judaism, his connection to the Jewish community, and his relationship with Israel by partnering with Jewish organizations that do critical work worldwide, such as BBYO, the Jewish National Fund, and Maccabi USA.  On this edition of The Jake's Take with Jacob Elyachar Podcast, Ethan Zohn gave his take on Survivor 50, previews Grassroot Soccer's 25th anniversary, and how Grassroot Soccer is going to play a role with the World Cup coming to North America.Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

In the second segment of the first hour of The Charlie James Show on Friday, May 1, 2026, the discussion centered on Governor Henry McMaster's recent official proclamation declaring April 2026 as Arab-American Heritage Month in South Carolina.

Jon Harris discusses the Supreme Court's major Voting Rights Act ruling that limits racial gerrymandering and could deliver Republicans additional congressional seats, the latest Trump assassination attempt and the shooter's manifesto, and why Christians must reject conspiracy-driven narratives that blame Jews or Israel for everything. He also covers the state of the American church, encouraging signs in Bible reading and attendance, Southern Baptist controversies including women pastors and the Will McRaney case, Virginia redistricting battles, cultural issues like marriage intimacy and demographics, and more. A call for truth, discernment, and faithfulness in a chaotic time.00:00 - Welcome & Supreme Court Voting Rights Act Ruling 05:45 - Redistricting Wars, Virginia & Truth Conference 11:30 - Trump Assassination Attempt & Shooter's Manifesto 18:20 - Epstein Files, Media Discernment & Christian Responsibility 25:10 - The anti-Jewish Question 32:45 - Joel Webbon, Jewish Supremacy Narrative & Historical Facts 1:06:00 - Israel, Lebanon & Equal Weights and Measures 1:23:00 - Southern Baptist Controversies & Will McRaney Case 1:35:00 - Virginia Redistricting, Abortion & Cultural Issues 1:45:00 - American Heritage, King Charles & Closing Encouragement To Support the Podcast: https://www.jonharrismedia.com/support/Become a Patronhttps://www.patreon.com/jonharrispodcastSubstack: https://substack.com/@jonharris Follow Jon on Twitter: https://twitter.com/jonharris1989Follow Jon on Facebook: https://www.facebook.com/jonharris1989/Our Sponsors:* Check out Mars Men: https://mengotomars.comSupport this podcast at — https://redcircle.com/conversations-that-matter8971/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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A Palestinian folk dance group is bringing their people's story to the big stage. Blending the old and the new into one struggle for freedom. And, a first generation immigrant from the Palestinian and Lebanese diaspora shares poetry. Plus, how the wrongful conviction of two Filipino-immigrant nurses inspires a dance production in San Francisco.

A. Scott Woods and Kirstin Gomez share their insights into the development and execution of an artistic experience that recognizes the African American Heritage and Culture in Arlington County, Virginia. Their free concert is on Sunday, April 19th at the Bennett Park Arts Atrium at Marymount University. The podcast interview is inspiring as they spotlight the great local artists who have contributed to Black excellence!  

Two dozen Republican state attorneys general are backing gun manufacturers in legal battles in New York, including in one case directly challenging New York Attorney General Letitia James' efforts to expand liability against the manufacturers. Montana Attorney General Austin Knudsen led the states in filing amicus briefs Monday in lawsuits brought by Buffalo and Rochester, as well as one brought against James' office, all of which center on New York's effort to hold gun makers and sellers accountable for gun violence under a state public nuisance law. The AGs argued New York was infringing on a federal law that protects the firearms industry from liability and that the cases carry national implications. Andy Ross, Country and Patriotic Rock Artist, Former TV Host, founder and CEO of American Rebel (a leading manufacturer of gun safes, beer, and patriotic apparel), is scheduled to join me to discuss the issue.On this Good Friday, Richard V. Battle, award-winning, best-selling author, generational influencing Keynote speaker and trainer for more than 30 years on topics including leadership, motivation, sales, and faith, and a media commentator frequently appearing on radio and television, joins me to discuss the latest in Iran, Birthright Citizenship, and Easter and the Founding of America on Judeo-Christian principles, plus more if time allows.Andy RossAmerican Rebel BeerRichard V. BattleAmeriCANS Who Made America ‐ 19th Century: Growth, Division, and ReunificationBecome a supporter of Tapp into the Truth: https://www.spreaker.com/podcast/tapp-into-the-truth--556114/support Tapp into the Truth on Rumble. Follow, watch the older shows, and join the live streams.Aimee's Audios Subliminal Acoustic Fingerprinting“Remember Pop Rocks? Now, imagine they gave you superpowers.” Please let me introduce you to Energy Rocks! Born from the grit and ambition of a competitive athlete who wanted a better, cleaner way to fuel the body and mind, without the hassle of mixing powders, messy bottles, or caffeine crashes. Energy Rocks is a reimagining of energy into something fun, functional, and fantastically effective. A delicious popping candy energy supplement that delivers a rapid boost of clean energy and focus — anytime, anywhere. No water. No mixing. No bulky bottles. Just open, pop it in your mouth, and get ready to rock. Making any time the right time to “Get in the Zone, One Pop at a Time.”Take This Free Quiz To Find Out The Best & Worst Foods To Avoid For Joint Pain!Do you wake up in the morning with stiff joints or pain in your hips, back, knees, or elbows? Then, chances are you're feeling the effects of chronic inflammation taking its toll on your body. The good news is that it is NEVER too late to help get this under control. And the best part is certain foods help you do this naturally, without the need for prescription medications.If recent events have proven anything, you need to be as prepared as possible for when things go sideways. You certainly can't count on the government for help. True liberty requires self-reliance. My Patriot SupplySupport American jobs! Support the show! Get great products at great prices! Go to My Pillow and use promo code TAPP to save! Visit Patriot Mobile or Call (817) 380-9081 to take advantage of a FREE Month of service when you switch using promo code TAPP! Morning Kick is a revolutionary new daily drink from Roundhouse Provisions that combines ultra-potent greens like spirulina and kale with probiotics, prebiotics, collagen, and even ashwagandha. Just mix with water, stir, and enjoy!Follow Tapp into the Truth on Locals Follow Tapp into the Truth on SubstackHero SoapPatriot DepotBlue CoolersKoa CoffeeBrainMDDiamond CBDSauce Bae2nd SkullEinstokBeanstoxBelle IsleHoneyFund"Homegrown" Boone's BourbonBlackout Coffee Co.Full Circle Brewing Co.Pasmosa Sangria  

The trail will start at Harris Bottom near the city's municipal building and stretch two miles through downtown, passing a dozen spots that were important in Williamsburg's Black community's history.

4 time champion Coach Cindy Marcial, Head Girls' Soccer Coach at Plantation American Heritage talks to Larry Blustein.

Today's Lake Effect show is all about local food and drink.

Aiden Hartnett is a junior Offensive lineman at Plantation American Heritage as he talks about the recent camps he was doing a combine for the offensive line. He talks about why he likes to compete with the best and get more exposure, and also working out 3 times a day. When watching games, especially on Sundays, he strives to be like former Dallas Cowboys OL Larry Allen and Zach Martin.

Florida Gators head coach Jon Sumrall discusses the importance of retaining key players like Myles Graham, VB3, Dallas Wilson, Jadan Baugh, and Jayden Woods, emphasizing the legacy angle that convinced them to stay. He also addresses the QB competition between Aaron Philo and Tramell Jones. Plus, breaking down Florida's first 2027 commitment from 4-star cornerback Amare Nugent from American Heritage, who chose the Gators over Indiana, Miami, and FSU. #FloridaGators #GatorsFootball #SECFootball #CollegeFootball #GatorsBreakdown #GoGators #CFB #FloridaGatorsFootball JOIN Gators Breakdown Plus: https://gatorsbreakdownplus.com Gators Breakdown Merch: https://gatorsbreakdown.printful.me Get Florida Gators merch at Fanatics: https://fanatics.93n6tx.net/DVYxja Questions or comments? Send them to gatorsbreakdown@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Mike Smith is in San Antonio, Texas as he's the head coach for the East Quad for the Navy All American Bowl. He talks about what he's learning from all the other coaches there.

Andre Fernandez joins Larry Blustein to talk about the South Florida high school football state games this past weekend and this upcoming weekend as well, and go through all the games. Linebacker Dylan Bennett of American Heritage of Plantation joins Larry Blustein to discuss the season they're having. He also talks about how it's a team effort, not just individual effort. Uryah McCartney of West Broward joins Larry Blustein as they talk about the season they're having and what it's like to be the son of a coach and so much more. Alex Donno joins Larry Blustein to talk about the Miami Hurricanes making the CFP. They talk about the CFP Committee and why they're full of phonies. They also preview the Texas A&M game. Phillip Goodrich of St Thomas Aquinas, who's committed to Army Football, talks about playing football with his brother. They talk about the rematch of last year's state championship game and his last high school football game coming this Thursday. Miami Hurricanes signing Javian Mallory joins Larry Blustein as they talk about all why he chose to go to West Boca and why he was committed to the school and the coaches

Linebacker Dylan Bennett of American Heritage of Plantation joins Larry Blustein to discuss the season they're having. He also talks about how it's a team effort, not just individual effort.

As debates over what it means to be a "heritage American" enter mainstream political discourse, Jon is joined by University of Florida Professor Allen C. Guelzo and Yale historian Joanne Freeman, host of "History Matters" podcast. Together, they examine what this loaded term actually means, explore how American identity has been defined and contested throughout the nation's history, and discuss the central role immigrants have always played in shaping who we are. Plus, Jon talks about the “enemy of the people” and presidential pardons! This podcast episode is brought to you by: GROUND NEWS - http://groundnews.com/stewart. Subscribe for 40% off the unlimited access Vantage subscription for yourself or if you send it as a gift. AURA FRAMES - Exclusive $35 off Carver Mat at https://on.auraframes.com/TWS. Promo Code TWS. INCOGNI - Use code stewart at https://incogni.com/stewart to get an exclusive 60% off. HELLO FRESH - http://hellofresh.com/TWS10FM Follow The Weekly Show with Jon Stewart on social media for more:  > YouTube: https://www.youtube.com/@weeklyshowpodcast > Instagram: https://www.instagram.com/weeklyshowpodcast> TikTok: https://tiktok.com/@weeklyshowpodcast  > X: https://x.com/weeklyshowpod   > BlueSky: https://bsky.app/profile/theweeklyshowpodcast.com Host/Executive Producer – Jon Stewart Executive Producer – James Dixon Executive Producer – Chris McShane Executive Producer – Caity Gray Lead Producer – Lauren Walker Producer – Brittany Mehmedovic  Producer – Gillian Spear Video Editor & Engineer – Rob Vitolo Audio Editor & Engineer – Nicole Boyce Music by Hansdle Hsu Learn more about your ad choices. Visit podcastchoices.com/adchoices

Larry Blustein breaks down the biggest matchups and storylines in high school football as the playoffs heat up. Including Central putting up 70 points in a win last night, and taking a look at the weekend ahead ArchBishop McCarthy, American Heritage, Plantation, McArthur vs Atlantic. Monarch vs West Broward.

Mike Smith joins Larry Blustein to talk about the adversity they had this current season on they made it to round 2 of the State championship in Florida High school football

The Mark Moses Show is joined by Head Coach Jake Owens of Space Coast High School Football to preview their playoff game coming up later this week on the road against American Heritage.  Mark & Coach Owens also recap how both of them attended the Bears-Bengals game two weekends ago in Cincinnati.  Mark broadcasts from The Law Offices of Anidjar & Levine Studios. #melbourneflorida #orlando #florida #podcast #sports #highschoolfootball #football

Suhaila Salimpour, of Sicilian-Greek and Kurdish-American heritage, is a second-generation belly dancer and a pioneering figure in the global dance community. A former house dancer at the legendary Byblos nightclub in Beverly Hills, she toured internationally for over a decade, performing across the Middle East, Europe, Asia, and North America. As the visionary creator of the first codified pedagogy and certification system in belly dance, she transformed both performance and teaching, building a worldwide network rooted in discipline, anatomy, and cultural respect. Now directing the Salimpour School of Dance, she continues her mother's legacy through global online education, choreography, and community leadership. A recipient of the Gerbode Foundation's 2024 dance award and the Isadora Duncan Special Award (2023/24), she also serves on multiple dance boards and is completing her MFA in Dance at Saint Mary's College of California.In this episode you will learn about:- Suhaila's decision to pursue an MFA in Dance after decades on stage- The need for Arab and immigrant voices in academia- Her research on how colonization codified cultural dance forms, and the idea of “outside and inside colonization”- The growth of the Salimpour School into a full online institute- Three generations of Salimpour women carrying the dance forward.Show Notes to this episode:Find Suhaila Salimpour on Instagram, FB, YouTube, TikTok, and website.Previous interview with Suhaila Salimpour: Ep 156. Suhaila Salimpour: Renegotiating Your Dance IdentityDetails and training materials for the BDE castings are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

In this inspiring episode of Develop This!, host Joi Cuartero Austin sits down with her sister, Christine Cuartero, Co-Director of the Filipino School of Chicago, to explore how cultural heritage can shape stronger communities and local economies.  October marks Filipino American History Month, a time to honor the resilience, creativity, and contributions of Filipino Americans across generations. Joi and Christine discuss how celebrating heritage is more than preserving tradition; it's an act of community-building, identity, and empowerment.  From the diverse neighborhood of Albany Park in Chicago, Christine shares the story of how a group of Pinay mothers in education came together to found a school rooted in bayanihan (collective spirit), kapwa (shared humanity), and cultural pride.  Together, they discuss how cultural education fosters belonging, how immigrant stories shape the economic and social fabric of neighborhoods, and how investing in heritage is a powerful strategy for local revitalization.  In this episode:  The significance of Filipino American History Month and why representation matters.  The story behind the Filipino School of Chicago, founded by a group of Pinay educators to preserve culture, language, and pride for the next generation.  How Albany Park's diversity is both a cultural and economic asset.  How cultural spaces foster belonging and retention, key factors in economic development.  The role of heritage-based entrepreneurship and cultural businesses in driving local vitality.  Why bayanihan, the Filipino spirit of collective effort, mirrors the principles of successful community and economic development.  Practical ways economic developers can partner with immigrant-led and cultural organizations to strengthen inclusivity and representation in local economies. Daughter of immigrants from Orani, Bataan and Quezon City, Christine C is an educator and community organizer with over a decade of service across public school settings and neighborhoods in Chicago and New York City. Committed to equity and civic engagement, she's worked with organizations like El Puente (NYC) and the National Center for Urban Education of Illinois State University (Chicago) to connect community based organizations with schools, lead service-learning initiatives, and mentor future educators. Christine is a Chicago Public Schools leader and parent, and co-founder of the Filipino School of Chicago. She currently works as a case manager at a CPS elementary school.          

You're listening to American Ground Radio with Stephen Parr and Louis R. Avallone. This is the full show for October 29, 2025. 0:30 We unpack revelations that dozens of Biden’s executive actions — even some presidential pardons — may have been signed not by the president himself, but by an auto-pen. We trace the implications of this puppet presidency, where unelected handlers allegedly assumed the powers of the Oval Office. From Alexander Haig’s infamous “I’m in charge” moment to Mike Johnson’s firsthand account of Biden denying his own executive order, the discussion exposes a constitutional crisis — one that raises the chilling question: If Biden wasn’t governing, who was? 9:30 Plus, we cover the Top 3 Things You Need to Know. The House oversight committee said this week that at least some of Joe Biden's autopen signatures are not valid, which would undo many pardons and executive orders which were signed with the autopen. President Trump met with the new Conservative Prime Minister of Japan, Sanae Takaichi yesterday.At their meeting, they signed a trade deal lowering bilateral tariffs to 15% and pledging more cooperation in rare-earth minerals. Democrats in the US Senate have blocked the reopening of the Federal Government again.For the 13th Time, Democrats led by Senator Chuck Schumer voted in almost complete unison against the clean continuing resolution bill that would have funded the military, paid government employees and fund SNAP benefits. 12:30 Get NSorb from Victory Nutrition International for 20% off. Go to vni.life/agr and use the promo code AGR20. 13:30 It’s not just about microchips — it’s about America. We break down Nvidia’s blockbuster announcement: seven new supercomputers for the U.S. Department of Energy, powered by 100,000 chips made in America. We connect the dots between Donald Trump’s promise to restore American manufacturing and a long-overdue comeback for U.S. industry. 16:00 We ask our American Mamas about a Halloween trend that has crossed the line. Teri Netterville and Kimberly Burleson react to reports of people dressing up as the assassinated Charlie Kirk — complete with fake blood and mock “Freedom” shirts — and their asking what has happened to empathy and decency in our culture? We unpack the grotesque mockery, the social media applause fueling it, and the deeper spiritual sickness it reveals. Yet amid the outrage, we find a glimmer of hope — that what was meant for evil might still awaken hearts, spark conviction, and remind parents to teach their children compassion, not cruelty. If you'd like to ask our American Mamas a question, go to our website, AmericanGroundRadio.com/mamas and click on the Ask the Mamas button. 23:00 When Alexandria Ocasio-Cortez told NCAA champion Riley Gaines to “get a real job,” the backlash was swift — and heartfelt. We take a look at AOC’s dismissive comment and the deeper cultural divide it exposes about work and motherhood. 26:30 Nearly half of America’s state attorneys general are asking the U.S. Supreme Court to take up the birthright citizenship case — and they’re standing behind President Trump’s executive order to end automatic citizenship for children born to parents in the country illegally. We Dig Deep into the legal, historical, and moral arguments behind the 14th Amendment, tracing its roots back to the Civil Rights Act of 1866 and the congressional debates that shaped it. From “birth tourism” to constitutional intent, this discussion dives into what citizenship truly means — and why it should never be a reward for breaking the law. 32:30 Get Prodovite from Victory Nutrition International for 20% off. Go to vni.life/agr and use the promo code AGR20. 33:30 Something’s stirring in the heart of America — a renewed openness about faith. We reflect on a surprising and uplifting trend: more public figures, from commentators to professional athletes, are unapologetically sharing their belief in God. When New York Jets quarterback Justin Fields says he’s “low key addicted to reading [his] Bible every day,” it’s more than a soundbite — it’s a sign of cultural momentum. We unpack what this growing revival says about America’s roots, our hunger for truth, and the timeless reminder that our rights come from God, not government. 36:30 There’s a new bill in Ohio that’s sparking national attention, and it's a Bright Spot. The Charlie Kirk American Heritage Act would allow teachers from kindergarten through college to discuss Christianity’s influence on American history and culture. We break down how faith shaped the nation’s founding ideals — from the Declaration of Independence to the first schoolhouses that taught children to read from the Bible. Removing this history has left America divided and adrift, while restoring it could help heal the nation’s soul. Named in honor of Charlie Kirk, the bill is described as both a tribute to his legacy and a blueprint for renewal in classrooms across the country. 40:30 New York Assemblyman Zoran Mamdani is under fire for fabricating a personal story about his so-called “aunt” to bolster his image as a victim of post-9/11 prejudice. The incident fits a troubling pattern of misinformation and moral grandstanding on the left. And we're left wondering how any New Yorker could continue to support a candidate who’s been caught bending the truth for sympathy and power. It's time to say, "whoa!" 42:30 And we finish off with Natalie Gravile, a woman who finish the Ironman Traithlon in Hawaii at 80-years-old. Follow us: americangroundradio.com Facebook: facebook.com / AmericanGroundRadio Instagram: instagram.com/americangroundradio Links: House Oversight Committee deems some of Biden’s autopen orders ‘invalid,’ asks DOJ to investigate Comer calls for Biden autopen actions to be held 'null and void' in House Oversight Committee report Texas suing makers of Tylenol over alleged autism link Nearly Half Of State AGs Ask SCOTUS To End ‘Birthright Citizenship’ New Bill in Ohio Could Help Charlie Kirk’s Legacy Live OnSee omnystudio.com/listener for privacy information.

Maria and Frankie Imbergamo explore Boston's North End's history, while Matthew Restal explore the history of Columbus! Enter, "The Maria Liberati Show," based on her travels, as well as her Gourmand World Award-winning book series, "The Basic Art of Italian Cooking," and "The Basic Art of..." Find out more on https://www.marialiberati.com

HS Football Insider Larry Blustein joins and breaks down Northwestern's quarterback transferring to American Heritage midseason. Blu previews the entire south Florida area with the biggest matchups, storylines, and teams to watch. Blu's top 5 schools might surprise you.

America is at a crossroads. Caleb Collier joins Richard Harris on the Truth & Liberty Show to reveal how a biblical worldview can restore our nation's foundation, defend life, and spark revival. Don't miss this call to action for the Church!Subscribe to our newsletter: https://www.truthandliberty.net/subscribe  Get "Faith for America" here: https://store.awmi.net/purchase/tal102Donate here: https://www.truthandliberty.net/donate  

Gerry Hamilton breaks down Dia Bell and American Heritage's MASSIVE comeback, other 2026 commitments season openers and we hear from John Turtine who discusses trusting the process, improving blocking and more!  

WILL STARMER AND REEVES SELL THE FALKLANDS TO ANSWER THE BUDGET HOLES?  4/4: Left for Dead: Shipwreck, Treachery, and Survival at the Edge of the World  by  Eric Jay Dolin  (Author) https://www.amazon.com/Left-Dead-Shipwreck-Treachery-Survival/dp/1324093080 In Left for Dead, Eric Jay Dolin―“one of today's finest writers about ships and the sea” (American Heritage)―tells the true story of a wild and fateful encounter between an American sealing vessel, a shipwrecked British brig, and a British warship in the Falkland archipelago during the War of 1812. Fraught with misunderstandings and mistrust, the incident left three British sailors and two Americans, including the captain of the sealer, Charles H. Barnard, abandoned in the barren, windswept, and inhospitable Falklands for a year and a half. With deft narrative skill and unequaled knowledge of the very pith of the seafaring life, Dolin describes in vivid and harrowing detail the increasingly desperate existence of the castaways during their eighteen-month ordeal―an all-too-common fate in the Great Age of Sail. 1982

WILL STARMER AND REEVES SELL THE FALKLANDS TO ANSWER THE BUDGET HOLES?  3/4: Left for Dead: Shipwreck, Treachery, and Survival at the Edge of the World  by  Eric Jay Dolin  (Author) https://www.amazon.com/Left-Dead-Shipwreck-Treachery-Survival/dp/1324093080 In Left for Dead, Eric Jay Dolin―“one of today's finest writers about ships and the sea” (American Heritage)―tells the true story of a wild and fateful encounter between an American sealing vessel, a shipwrecked British brig, and a British warship in the Falkland archipelago during the War of 1812. Fraught with misunderstandings and mistrust, the incident left three British sailors and two Americans, including the captain of the sealer, Charles H. Barnard, abandoned in the barren, windswept, and inhospitable Falklands for a year and a half. With deft narrative skill and unequaled knowledge of the very pith of the seafaring life, Dolin describes in vivid and harrowing detail the increasingly desperate existence of the castaways during their eighteen-month ordeal―an all-too-common fate in the Great Age of Sail.

WILL STARMER AND REEVES SELL THE FALKLANDS TO ANSWER THE BUDGET HOLES?  2/4: Left for Dead: Shipwreck, Treachery, and Survival at the Edge of the World  by  Eric Jay Dolin  (Author) https://www.amazon.com/Left-Dead-Shipwreck-Treachery-Survival/dp/1324093080 In Left for Dead, Eric Jay Dolin―“one of today's finest writers about ships and the sea” (American Heritage)―tells the true story of a wild and fateful encounter between an American sealing vessel, a shipwrecked British brig, and a British warship in the Falkland archipelago during the War of 1812. Fraught with misunderstandings and mistrust, the incident left three British sailors and two Americans, including the captain of the sealer, Charles H. Barnard, abandoned in the barren, windswept, and inhospitable Falklands for a year and a half. With deft narrative skill and unequaled knowledge of the very pith of the seafaring life, Dolin describes in vivid and harrowing detail the increasingly desperate existence of the castaways during their eighteen-month ordeal―an all-too-common fate in the Great Age of Sail.

WILL STARMER AND REEVES SELL THE FALKLANDS TO ANSWER THE BUDGET HOLES?  1/4: Left for Dead: Shipwreck, Treachery, and Survival at the Edge of the World  by  Eric Jay Dolin  (Author) https://www.amazon.com/Left-Dead-Shipwreck-Treachery-Survival/dp/1324093080 In Left for Dead, Eric Jay Dolin―“one of today's finest writers about ships and the sea” (American Heritage)―tells the true story of a wild and fateful encounter between an American sealing vessel, a shipwrecked British brig, and a British warship in the Falkland archipelago during the War of 1812. Fraught with misunderstandings and mistrust, the incident left three British sailors and two Americans, including the captain of the sealer, Charles H. Barnard, abandoned in the barren, windswept, and inhospitable Falklands for a year and a half. With deft narrative skill and unequaled knowledge of the very pith of the seafaring life, Dolin describes in vivid and harrowing detail the increasingly desperate existence of the castaways during their eighteen-month ordeal―an all-too-common fate in the Great Age of Sail. 1914

Before the ballpoint pen, people used their hands, reeds, bamboo, brushes, quills, and eventually nibs to write or draw. But how did things evolve from there to get to things like the fountain pen, and eventually, a ballpoint? Research: "pen." Britannica Library, Encyclopædia Britannica, 26 Jul. 2021. libraries.state.ma.us/login?eburl=https%3A%2F%2Flibrary.eb.com&ebtarget=%2Flevels%2Freferencecenter%2Farticle%2Fpen%2F59036&ebboatid=9265652. Accessed 13 Jun. 2025. "Pen." UXL Science, UXL, 2008. Gale In Context: Science, link.gale.com/apps/doc/CV2646000736/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=52ede570. Accessed 27 May 2025 “Patent of Mr. Frederick Bartholomew Folsch, of Oxford street, for improvements on instruments, and pens, to facilitate writing.” https://archive.org/details/jstor-30072521/mode/2up Bayley, Stephen. “Obituary: Baron Marcel Bich.” The Independent. 6/1/1994. https://www.independent.co.uk/news/people/obituary-baron-marcel-bich-1419867.html Bourque, Joseph. “The Waterman Pen.” American Heritage. Jul/Aug92, Vol. 43 Issue 4, p30. Brachmann, Steve. “The Evolution of Modern Ballpoint Pen: A Patent History.” IP Watchdog. 12/10/2014. https://ipwatchdog.com/2014/12/10/the-evolution-of-modern-ballpoint-pen-a-patent-history/id=52550/ Cross, Alonzo T. “Stylographic Pen.” U.S. Patent 232804. 10/5/1880. Daniels, Maygene. “The Ingenious Pen: American Writing Implements from the Eighteenth Century to the Twentieth.” The American Archivist , Summer, 1980, Vol. 43, No. 3 (Summer, 1980). Via JSTOR. https://www.jstor.org/stable/40292316 Di Nardo, Sam. “When was the Fountain Pen Invented: A Brief History.” Dayspring Pens. 1/2/2023. https://www.dayspringpens.com/blogs/the-jotted-line/when-was-the-fountain-pen-invented-a-brief-history-1 Di Nardo, Sam. “Who Invented the Ballpoint Pen?: A Brief History.” Sayspring Pens. s1/2/2023. https://www.dayspringpens.com/blogs/the-jotted-line/who-invented-the-ballpoint-pen-history?srsltid=AfmBOopQR061KHIKpgm_a0a0IHiTSiY_V-ahwIFQxU5MYzLLQ5vpHjXv Dowling, Stephen. “The cheap pen that changed writing forever.” BBC. 10/29/2020. https://www.bbc.com/future/article/20201028-history-of-the-ballpoint-pen German Patent and Trademark Office. “László Biró´s 125th birthday.” https://www.dpma.de/english/our_office/publications/milestones/inventionsthatmadehistory/kugelschreiber/index.html Laszlo, Josef Biro. “Writing Instrument.” U.S. patent 2390636. 12/11/1945. Loud, J.J. “Pen.” U.S. Patent 392046. 10/30/1888. National inventors Hall of Fame. “Laszlo Josef Biro.” https://www.invent.org/inductees/laszlo-josef-biro Riesberg, Van Vechton. “Fountain Pen.” U.S. Patent 1171652. 2/15/1916. Rothman, Lily. “Why the Invention of the Ballpoint Pen Was Such a Big Deal.” Time. 10/29/2015. https://time.com/4083274/ballpoint-pen/ The American Society of Mechanical Engineers. “#236 Birome Ballpoint Pen Collection.” https://www.asme.org/about-asme/engineering-history/landmarks/236-birome-ballpoint-pen-collection Waterman, L.E. “Fountain Pen.” U.S. Patent 293545. 2/12/1884. See omnystudio.com/listener for privacy information.

This special 4th of July Progrum features the fellas reminiscing about their favorite American moments and traditions. They share personal anecdotes and iconic historical clips, from the Wright Brothers' first flight to the Miracle on Ice, discussing moments that embody American ingenuity, resilience, and patriotism.    Join the fellas as they count down the greatest moments on film, and watch their analysis of unforgettable scenes, like Trump's assassination attempt.    PLUS your comments and a fond farewell to the beloved Spaghetts. Good luck, Nick!   00:00 - Happy 4th of July & Patriotic Beginnings 08:00 - Iconic American Moments: NASCAR & Creed 12:15 - The Great "First in Flight" Debate 18:15 - Defining Moments: Miracle on Ice & Bin Laden 29:57 - Trump's "Fight, Fight, Fight" & American Resilience 36:00 - Iwo Jima, Moon Landing 45:30 - Your Comments from YouTube 54:30 - A Fond Farewell to Spaghetts   Our Sponsors: -Help Trump get his big, beautiful, bill. Go to https://protectprosperity.com/ -Find out the true power of America's oil and natural gas. Go to https://lightsonenergy.org/

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Stacey Allen. The founder and artistic director of Nia’s Daughters Movement Collective. This episode blends art, activism, education, and cultural preservation through the lens of Black history and dance. Here are the key highlights:

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Stacey Allen. The founder and artistic director of Nia’s Daughters Movement Collective. This episode blends art, activism, education, and cultural preservation through the lens of Black history and dance. Here are the key highlights:

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Stacey Allen. Founder and artistic director of Nia’s Daughters Movement Collective. The conversation centers around the power of dance as activism, preserving Black history, and honoring sacred spaces tied to African-American heritage. Stacey also shares details about her Juneteenth performance in Galveston and the deep cultural research driving her work.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Stacey Allen. Founder and artistic director of Nia’s Daughters Movement Collective. The conversation centers around the power of dance as activism, preserving Black history, and honoring sacred spaces tied to African-American heritage. Stacey also shares details about her Juneteenth performance in Galveston and the deep cultural research driving her work.

FRST TIME THE FALKLANDS ENTERED AMERICAN HISTORY: 1/4: Left for Dead: Shipwreck, Treachery, and Survival at the Edge of the World  by  Eric Jay Dolin  (Author) https://www.amazon.com/Left-Dead-Shipwreck-Treachery-Survival/dp/1324093080 In Left for Dead, Eric Jay Dolin―“one of today's finest writers about ships and the sea” (American Heritage)―tells the true story of a wild and fateful encounter between an American sealing vessel, a shipwrecked British brig, and a British warship in the Falkland archipelago during the War of 1812. Fraught with misunderstandings and mistrust, the incident left three British sailors and two Americans, including the captain of the sealer, Charles H. Barnard, abandoned in the barren, windswept, and inhospitable Falklands for a year and a half. With deft narrative skill and unequaled knowledge of the very pith of the seafaring life, Dolin describes in vivid and harrowing detail the increasingly desperate existence of the castaways during their eighteen-month ordeal―an all-too-common fate in the Great Age of Sail. 1839

FRST TIME THE FALKLANDS ENTERED AMERICAN HISTORY: 2/4: Left for Dead: Shipwreck, Treachery, and Survival at the Edge of the World  by  Eric Jay Dolin  (Author) https://www.amazon.com/Left-Dead-Shipwreck-Treachery-Survival/dp/1324093080 In Left for Dead, Eric Jay Dolin―“one of today's finest writers about ships and the sea” (American Heritage)―tells the true story of a wild and fateful encounter between an American sealing vessel, a shipwrecked British brig, and a British warship in the Falkland archipelago during the War of 1812. Fraught with misunderstandings and mistrust, the incident left three British sailors and two Americans, including the captain of the sealer, Charles H. Barnard, abandoned in the barren, windswept, and inhospitable Falklands for a year and a half. With deft narrative skill and unequaled knowledge of the very pith of the seafaring life, Dolin describes in vivid and harrowing detail the increasingly desperate existence of the castaways during their eighteen-month ordeal―an all-too-common fate in the Great Age of Sail. `849

FRST TIME THE FALKLANDS ENTERED AMERICAN HISTORY: 3/4: Left for Dead: Shipwreck, Treachery, and Survival at the Edge of the World  by  Eric Jay Dolin  (Author) https://www.amazon.com/Left-Dead-Shipwreck-Treachery-Survival/dp/1324093080 In Left for Dead, Eric Jay Dolin―“one of today's finest writers about ships and the sea” (American Heritage)―tells the true story of a wild and fateful encounter between an American sealing vessel, a shipwrecked British brig, and a British warship in the Falkland archipelago during the War of 1812. Fraught with misunderstandings and mistrust, the incident left three British sailors and two Americans, including the captain of the sealer, Charles H. Barnard, abandoned in the barren, windswept, and inhospitable Falklands for a year and a half. With deft narrative skill and unequaled knowledge of the very pith of the seafaring life, Dolin describes in vivid and harrowing detail the increasingly desperate existence of the castaways during their eighteen-month ordeal―an all-too-common fate in the Great Age of Sail. 1890

FRST TIME THE FALKLANDS ENTERED AMERICAN HISTORY: 4/4: Left for Dead: Shipwreck, Treachery, and Survival at the Edge of the World  by  Eric Jay Dolin  (Author) https://www.amazon.com/Left-Dead-Shipwreck-Treachery-Survival/dp/1324093080 In Left for Dead, Eric Jay Dolin―“one of today's finest writers about ships and the sea” (American Heritage)―tells the true story of a wild and fateful encounter between an American sealing vessel, a shipwrecked British brig, and a British warship in the Falkland archipelago during the War of 1812. Fraught with misunderstandings and mistrust, the incident left three British sailors and two Americans, including the captain of the sealer, Charles H. Barnard, abandoned in the barren, windswept, and inhospitable Falklands for a year and a half. With deft narrative skill and unequaled knowledge of the very pith of the seafaring life, Dolin describes in vivid and harrowing detail the increasingly desperate existence of the castaways during their eighteen-month ordeal―an all-too-common fate in the Great Age of Sail. 1914  BATTLE

This episode on the pellagra epidemic focuses on its prevalence in the U.S. in the early 20th century. Some of the scientific work done to understand it involves self-experimentation, and some of it is ethically problematic by today’s standards. Research: Akst, Daniel. “Pellagra: The Forgotten Plague.” American Heritage. December 2000. https://www.americanheritage.com/pellagra-forgotten-plague Baird Rattini, Kristin. “A Deadly Diet.” Discover. Mar2018, Vol. 39 Issue 2, p70-72. Bridges, Kenneth. “Pellagra.” Encyclopedia of Arkansas. https://encyclopediaofarkansas.net/entries/pellagra-2230/ Clay, Karen et al. “The Rise and Fall of Pellagra in the American South.” National Bureau of Economic Research Working Paper 23730. 2018. http://www.nber.org/papers/w23730 Cleveland Clinic. “Pellagra.” 07/18/2022. https://my.clevelandclinic.org/health/diseases/23905-pellagra Crabb, Mary Katherine. “An Epidemic of Pride: Pellagra and the Culture of the American South.” Anthropologica , 1992, Vol. 34, No. 1 (1992), pp. 89-103. Via JSTOR. https://www.jstor.org/stable/25605634 Flannery, Michael A. “’Frauds,’ ‘Filth Parties,’ ‘Yeast Fads,’ and ‘Black Boxes’: Pellagra and Southern Pride, 1906-2003.” The Southern Quarterly. Vol. 53, no.3/4 (Spring/Summer 2016). Gentilcore, David and Egidio Priani. “Pellagra and Pellagrous Insanity During the Long Nineteenth Century.” Mental Health in Historical Perspective. Palgrave Macmillan. 2023. Ginnaio, Monica. “Pellagra in Late Nineteenth Century Italy: Effects of a Deficiency Disease.” Population-E, 66 (3-4), 2011, 583-610. Hung, Putzer J. “Pellagra: A medical whodunit.” Hektoen International: A Journal of Medical Humanities. https://hekint.org/2018/09/18/pellagra-a-medical-whodunit/ Jaworek, Andrzej K. et al. “The history of pellagra.” Dermatol Rev/Przegl Dermatol 2021, 108, 554–566 DOI: https://doi.org/10.5114/dr.2021.114610 Kean, Sam. “Joseph Goldberger’s Filth Parties.” Science History Institute Museum and Library. https://www.sciencehistory.org/stories/magazine/joseph-goldbergers-filth-parties/ Kiple, Kenneth F. and Virginia H. “Black Tongue and Black Men: Pellagra and Slavery in the Antebellum South.” The Journal of Southern History , Aug., 1977, Vol. 43, No. 3. https://www.jstor.org/stable/2207649 Kraut, Alan. “Dr. Joseph Goldberger & the War on Pellagra.” National Institutes of Health Office of NIH History and Stetten Museum. https://history.nih.gov/pages/viewpage.action?pageId=8883184 Marks, Harry M. “Epidemiologists Explain Pellagra: Gender, Race and Political Economy in the Work of Edgar Sydenstricker.” Journal of the History of Medicine and Allied Sciences , JANUARY 2003. https://www.jstor.org/stable/24623836 Morabia, Alfredo. “Joseph Goldberger’s research on the prevention of pellagra.” J R Soc Med 2008: 101: 566–568. DOI 10.1258/jrsm.2008.08k010. Park, Youngmee K. et al. “Effectiveness of Food Fortification in the United States: The Case of Pellagra.” American Journal of Public Health. May 2U(H). Vol. 90. No. 5. Peres, Tanya M. “Malnourished.” Gravy. Southern Foodways Alliance. Fall 2016. https://www.southernfoodways.org/malnourished-cultural-ignorance-paved-the-way-for-pellagra/ Pinheiro, Hugo et al. “Hidden Hunger: A Pellagra Case Report.” Cureus vol. 13,4 e14682. 25 Apr. 2021, doi:10.7759/cureus.14682 A. C. Wollenberg. “Pellagra in Italy.” Public Health Reports (1896-1970), vol. 24, no. 30, 1909, pp. 1051–54. JSTOR, https://doi.org/10.2307/4563397. Accessed 13 Feb. 2025. Rajakumar, Kumaravel. “Pellagra in the United States: A Historical Perspective.” SOUTHERN MEDICAL JOURNAL • Vol. 93, No. 3. March 2020. Savvidou, Savvoula. “Pellagra: a non-eradicated old disease.” Clinics and practice vol. 4,1 637. 28 Apr. 2014, doi:10.4081/cp.2014.637 SEARCY GH. AN EPIDEMIC OF ACUTE PELLAGRA. JAMA. 1907;XLIX(1):37–38. doi:10.1001/jama.1907.25320010037002j Skelton, John. “Poverty or Privies? The Pellagra Controversy in America.” Fairmount Folio: Journal of History. Vol. 15 (2014). https://journals.wichita.edu/index.php/ff/article/view/151 Tharian, Bindu. "Pellagra." New Georgia Encyclopedia, 20 September 2004, https://www.georgiaencyclopedia.org/articles/science-medicine/pellagra/. University Libraries, University of South Carolina. “A Gospel of Health: Hilla Sheriff's Crusade Against Malnutrition in South Carolina.” https://digital.library.sc.edu/exhibits/hillasheriff/history-of-pellagra/ University of Alabama at Birmingham. “Pellagra in Alabama.” https://library.uab.edu/locations/reynolds/collections/regional-history/pellagra Wheeler, G.A. “A Note on the History of Pellagra in the United States.” Public Health Reports (1896-1970) , Sep. 18, 1931, Vol. 46, No. 38. Via JSTOR. https://www.jstor.org/stable/4580180 See omnystudio.com/listener for privacy information.

The pellagra epidemic of the early 20th century may have been the deadliest epidemic of a specific nutrient deficiency in U.S. history. Part one covers what it is, its appearance in 19th-century Italy, and the first reports of it in the U.S. Research: Akst, Daniel. “Pellagra: The Forgotten Plague.” American Heritage. December 2000. https://www.americanheritage.com/pellagra-forgotten-plague Baird Rattini, Kristin. “A Deadly Diet.” Discover. Mar2018, Vol. 39 Issue 2, p70-72. Bridges, Kenneth. “Pellagra.” Encyclopedia of Arkansas. https://encyclopediaofarkansas.net/entries/pellagra-2230/ Clay, Karen et al. “The Rise and Fall of Pellagra in the American South.” National Bureau of Economic Research Working Paper 23730. 2018. http://www.nber.org/papers/w23730 Cleveland Clinic. “Pellagra.” 07/18/2022. https://my.clevelandclinic.org/health/diseases/23905-pellagra Crabb, Mary Katherine. “An Epidemic of Pride: Pellagra and the Culture of the American South.” Anthropologica , 1992, Vol. 34, No. 1 (1992), pp. 89-103. Via JSTOR. https://www.jstor.org/stable/25605634 Flannery, Michael A. “’Frauds,’ ‘Filth Parties,’ ‘Yeast Fads,’ and ‘Black Boxes’: Pellagra and Southern Pride, 1906-2003.” The Southern Quarterly. Vol. 53, no.3/4 (Spring/Summer 2016). Gentilcore, David and Egidio Priani. “Pellagra and Pellagrous Insanity During the Long Nineteenth Century.” Mental Health in Historical Perspective. Palgrave Macmillan. 2023. Ginnaio, Monica. “Pellagra in Late Nineteenth Century Italy: Effects of a Deficiency Disease.” Population-E, 66 (3-4), 2011, 583-610. Hung, Putzer J. “Pellagra: A medical whodunit.” Hektoen International: A Journal of Medical Humanities. https://hekint.org/2018/09/18/pellagra-a-medical-whodunit/ Jaworek, Andrzej K. et al. “The history of pellagra.” Dermatol Rev/Przegl Dermatol 2021, 108, 554–566 DOI: https://doi.org/10.5114/dr.2021.114610 Kean, Sam. “Joseph Goldberger’s Filth Parties.” Science History Institute Museum and Library. https://www.sciencehistory.org/stories/magazine/joseph-goldbergers-filth-parties/ Kiple, Kenneth F. and Virginia H. “Black Tongue and Black Men: Pellagra and Slavery in the Antebellum South.” The Journal of Southern History , Aug., 1977, Vol. 43, No. 3. https://www.jstor.org/stable/2207649 Kraut, Alan. “Dr. Joseph Goldberger & the War on Pellagra.” National Institutes of Health Office of NIH History and Stetten Museum. https://history.nih.gov/pages/viewpage.action?pageId=8883184 Marks, Harry M. “Epidemiologists Explain Pellagra: Gender, Race and Political Economy in the Work of Edgar Sydenstricker.” Journal of the History of Medicine and Allied Sciences , JANUARY 2003. https://www.jstor.org/stable/24623836 Morabia, Alfredo. “Joseph Goldberger’s research on the prevention of pellagra.” J R Soc Med 2008: 101: 566–568. DOI 10.1258/jrsm.2008.08k010. Park, Youngmee K. et al. “Effectiveness of Food Fortification in the United States: The Case of Pellagra.” American Journal of Public Health. May 2U(H). Vol. 90. No. 5. Peres, Tanya M. “Malnourished.” Gravy. Southern Foodways Alliance. Fall 2016. https://www.southernfoodways.org/malnourished-cultural-ignorance-paved-the-way-for-pellagra/ Pinheiro, Hugo et al. “Hidden Hunger: A Pellagra Case Report.” Cureus vol. 13,4 e14682. 25 Apr. 2021, doi:10.7759/cureus.14682 A. C. Wollenberg. “Pellagra in Italy.” Public Health Reports (1896-1970), vol. 24, no. 30, 1909, pp. 1051–54. JSTOR, https://doi.org/10.2307/4563397. Accessed 13 Feb. 2025. Rajakumar, Kumaravel. “Pellagra in the United States: A Historical Perspective.” SOUTHERN MEDICAL JOURNAL • Vol. 93, No. 3. March 2020. Savvidou, Savvoula. “Pellagra: a non-eradicated old disease.” Clinics and practice vol. 4,1 637. 28 Apr. 2014, doi:10.4081/cp.2014.637 SEARCY GH. AN EPIDEMIC OF ACUTE PELLAGRA. JAMA. 1907;XLIX(1):37–38. doi:10.1001/jama.1907.25320010037002j Skelton, John. “Poverty or Privies? The Pellagra Controversy in America.” Fairmount Folio: Journal of History. Vol. 15 (2014). https://journals.wichita.edu/index.php/ff/article/view/151 Tharian, Bindu. "Pellagra." New Georgia Encyclopedia, 20 September 2004, https://www.georgiaencyclopedia.org/articles/science-medicine/pellagra/. University Libraries, University of South Carolina. “A Gospel of Health: Hilla Sheriff's Crusade Against Malnutrition in South Carolina.” https://digital.library.sc.edu/exhibits/hillasheriff/history-of-pellagra/ University of Alabama at Birmingham. “Pellagra in Alabama.” https://library.uab.edu/locations/reynolds/collections/regional-history/pellagra Wheeler, G.A. “A Note on the History of Pellagra in the United States.” Public Health Reports (1896-1970) , Sep. 18, 1931, Vol. 46, No. 38. Via JSTOR. https://www.jstor.org/stable/4580180 See omnystudio.com/listener for privacy information.