Podcasts about milos forman

Our 5-star movie discussions continue with a deep-dive into the 1984 masterpiece Amadeus, directed by Milos Forman. Adapted from his stage play, Peter Shaffer’s examination of the ersatz rivalry between Mozart (Tom Hulce), a prodigious genius, and his traditional-minded admirer/covetous underminer, Salieri (F. Murray Abraham). On top of the heaps of… Continue reading

Revisitamos, analizamos y discutimos la película MAN ON THE MOON con Jim Carrey de Milos Forman (1999).Fico CangianoLuis AngeletAlexis LeonRobert García

Luego de cinco años, nuestro podcast, Los Padres del Cine, alcanza los cien episodios oficiales (sin contar en quinces, recomendaciones, domingos de drama, etc). Para celebrarlo, cada uno escogió su primer amor cinematográfico, la película que más espacio ocupa en su corazón.   Juanki seleccionó Ocho y medio de Federico Fellini, Pablo prefirió Stalker de Andrei Tarkovsky y el ex-padre del cine Robinson eligió Alguien voló sobre el nido del cuco de Milos Forman.    Timecodes: 0:00 Intro 21:49 ¿Qué es el arte? 36:49 Los orígenes de Los Padres del Cine 01:06:00 ¿Tiene sentido arrepentirse? 01:24:05 Ocho y medio 02:03:53 Alguien voló sobre el nido del cuco 02:46:56 Stalker

Are you a musical genius? Are you OBSESSED with a musical genius? Do you like pink wigs? Then AMADEUS (1984) is the movie for you! Check out this sumptuous Milos Forman directed classic with an Oscar winning turn from F. Murray Abraham and equally wonderful performances from Tom Hulce and Elizabeth Berridge. Host Sara Greenfield and her guests Stephanie Anderson and Andre Fonseca chat about all this and more on this week's episode of Talk Classic To Me.-------------------------------------------------------------------Want to become a subscriber? Use the link below to support the show!https://creators.spotify.com/pod/show/sara-greenfield/subscribe

If you would like to support the podcast and get ad free versions you can subscribe for $3 or £3 a month at https://www.patreon.com/everyscififilm You can follow the podcast on Threads, Instagram and Bluesky. Although science fiction cinema did not begin in the USA it seems that by the 1950s Hollywood had tapped into the ravenous appetite the public had for the genre. The period is now known as the Golden Age of Science Fiction with an array of films ranging in style, topic and quality. Themes of space travel, alien invasion, nuclear fears and cold war paranoia are strewn across the decade. Meanwhile in Czechoslovakia Karel Zamen was working on making some cinematic masterpieces made for children based on the works of Jules Verne and other late 19th century authors. In 1958 he made the film Invention for Destruction based on Verne's novel Facing the Flag. In 1961 this was dubbed in English and retitled The Fabulous World of Jules Verne and distributed by Warner Bros. The visual style is based on late 19th century etchings and illustrations of Verne's novels which you can take a look at on this Instagram post. The film went on not only to inspire many prominent filmmakers like Hayao Miyazaki, Tim Burton and Terry Gilliam but also a cohort of writers who cite his film as being the origin for the style of steampunk science fiction. I spoke to two wonderful guests to understand the historical context and ongoing influence of the film. Thomas Lamarre is a Professor of Film, Media, and East Asian Languages and Civilisations at the University of Chicago. He is also the author of the Steam Punk cinema chapter in the Oxford Handbook of New Science Fiction Cinemas. Mary Heimann is Professor of Modern History at Cardiff University. She is also the author of the book Czechoslovakia: The State that Failed. Chapters00:00 Introduction to the show and Karel Zamen03:51 Post War Czechoslovakia06:52 A Christmas Dream and Hermina Týrlová07:25 Global animation after World War 210:48 Journey to the Beginning of Time12:47 Why haven't I heard of this film*?15:37 Science Fiction in Czechoslovakia18:27 Steampunk!23:08 Thomas' experience of the film24:58 The Czech perspective26:12 The Czech New Wave and the Prague Spring30:58 Milos Forman and filmmakers in exile32:19 The messaging and nature of the film35:56 Legacy41:41 Recommendations for the listener44:44 Ads and subscription details NEXT EPISODE!Next episode we will be speaking about another lesser known science fiction film: The World, the Flesh and the Devil from 1959. You can find out where the film is streaming in your region on the Just Watch website and an internet search brings a few leads for the full film online. *Possibly because I am stupid. Hosted on Acast. See acast.com/privacy for more information.

Brush up your Jack Nicholson impression and get ready for group therapy, because we're diving into Milos Forman's seminal classic, ONE FLEW OVER THE CUCKOO'S NEST! Along the way, we discuss our own experiences with mental illness, the wildly sexist worldview of Ken Kesey, and the stellar performances of America's best 1970s character actors! Head to our PATREON for video episodes, bonus episodes, and more!

"Tratto da un romanzo di Ken Kesey, il film non è solo uno spietato atto di accusa contro i manicomi, ma una metafora di straordinaria incisività sull'intolleranza del Potere, sui meccanismi repressivi della società, sul condizionamento dell'uomo da parte di altri uomini. Diretto e interpretato con rara maestria, giocato su una vasta gamma di toni egregiamente fusi, animato da personaggi di toccante verità, il film ruota intorno alla figura di uno scapestrato amante della libertà."Dal regista di Hair, Amadeus, RagTime (dove tra l'altro la protagonista finisce in un manicomio criminale) Milos Forman ha diretto anche questo lungometraggio.Vincitore di 5 premi Oscar, tra cui miglior film, miglior regia e 3 oscar come miglior attore,  Il film di questo episodio è “Qualcuno volò sul nido del cuculo” Con la partecipazione di: Giulio Tiezzi (Critica), Lucia Pareti (Curiosità), Mariangela Ungaro (Colonna Sonora), Fernanda Cherubini (Cast), Bruna Iacopino (Copertine), Marco Pieroni (Voce narrante).

¡Prepárate para emocionarte, cantar y redescubrir #LaMagiaDelMusical!  En esta emocionante iniciativa, 50 pódcasts se han unido para celebrar clásicos de culto y estrenos recientes de uno de los géneros más fascinantes del séptimo arte: el cine musical. Cada día un pódcast diferente explorará la historia, canciones e impacto cultural de películas que han marcado a generaciones; toda la información de la iniciativa aquí: https://linktr.ee/IniciativasPod También lanzamos una campaña solidaria en apoyo a la Fundación Pequeño Deseo, que vela por niños y niñas con enfermedades graves; nuestro objetivo es recaudar 100 € para acercar a cada niño a su deseo. Colabora aquí, cada pequeña aportación cuenta: https://www.migranodearena.org/reto/la-magia-del-musical En este episodio especial de CronoCine hablaremos en profundidad del clásico moderno Amadeus, del gran Milos Forman. Os ofrecemos un audio lleno de información interesante y nuestro análisi personal de este film que pertenece a la categoría del cine total. Actuaciones, factura técnica, fotografía, música, todo brilla en su metraje de casi tres horas. En La Magia del Musical participan: ¡A la Velocidad Absurda!, Amity Island Podcast, Archivos Secretos Del Dr Orloff, Atalaya del Friki, Batseñales, Cafe con Podcast, Cafe de Rick, Cine Desencadenado, CineActual, Criterio Cero, Cronocine, Curioso, Destino Arrakis, Diario de Argifonte, Doble Sesión Podcast, El Acomodado, El Recuento Musical, El Rugido de mi Impala, El Secreto del Pentagrama, El sótano de Radio Belgrado, Estacion Caladan, Familia Asimétrica, FilmoteCast, Fuera de continuidad, Hablo de Cine, Just Live it, La Conversación, La Guarida del Sith, La Taberna del Irlandés, La Tardis Sobre Metropolis, La Viñeta en Disco Infierno, Maniatic Podcast, Mocking Pod, Nido de Haters Podcast, Par Impar, Perla Americana, Peskito y Medio, Pinkerton Podcast, Planeta Bob, Podcast Infinito, Policías Pelis, Psicología Plas, Puede Ser una Charla Mas, Puro Vicio, +QCine Podcast, Sagas, Sección 31, Tiempo de Culto, Torpedo Rojo, Travelcaster y Universo Enmascarado. En el apartado visual nos ha echado una mano Pike. En el apartado sonoro, las voces de las cuñas que hemos utilizado durante la promoción de la iniciativa son gracias a: Belén Ester (Filmotecast), Fercatodic (Café con Podcast), Juanan Galindo (Puro Vicio) y Nat (Cine Desencadenado). La Magia del Musical ha sido coordinada por Juan Ángel Romero (Familia Asimétrica) y Luis Millán (Just Live It).

¡Prepárate para emocionarte, cantar y redescubrir #LaMagiaDelMusical!  En esta emocionante iniciativa, 50 pódcasts se han unido para celebrar clásicos de culto y estrenos recientes de uno de los géneros más fascinantes del séptimo arte: el cine musical. Cada día un pódcast diferente explorará la historia, canciones e impacto cultural de películas que han marcado a generaciones; toda la información de la iniciativa aquí: https://linktr.ee/IniciativasPod También lanzamos una campaña solidaria en apoyo a la Fundación Pequeño Deseo, que vela por niños y niñas con enfermedades graves; nuestro objetivo es recaudar 100 € para acercar a cada niño a su deseo. Colabora aquí, cada pequeña aportación cuenta: https://www.migranodearena.org/reto/la-magia-del-musical En este episodio especial de CronoCine hablaremos en profundidad del clásico moderno Amadeus, del gran Milos Forman. Os ofrecemos un audio lleno de información interesante y nuestro análisi personal de este film que pertenece a la categoría del cine total. Actuaciones, factura técnica, fotografía, música, todo brilla en su metraje de casi tres horas. En La Magia del Musical participan: ¡A la Velocidad Absurda!, Amity Island Podcast, Archivos Secretos Del Dr Orloff, Atalaya del Friki, Batseñales, Cafe con Podcast, Cafe de Rick, Cine Desencadenado, CineActual, Criterio Cero, Cronocine, Curioso, Destino Arrakis, Diario de Argifonte, Doble Sesión Podcast, El Acomodado, El Recuento Musical, El Rugido de mi Impala, El Secreto del Pentagrama, El sótano de Radio Belgrado, Estacion Caladan, Familia Asimétrica, FilmoteCast, Fuera de continuidad, Hablo de Cine, Just Live it, La Conversación, La Guarida del Sith, La Taberna del Irlandés, La Tardis Sobre Metropolis, La Viñeta en Disco Infierno, Maniatic Podcast, Mocking Pod, Nido de Haters Podcast, Par Impar, Perla Americana, Peskito y Medio, Pinkerton Podcast, Planeta Bob, Podcast Infinito, Policías Pelis, Psicología Plas, Puede Ser una Charla Mas, Puro Vicio, +QCine Podcast, Sagas, Sección 31, Tiempo de Culto, Torpedo Rojo, Travelcaster y Universo Enmascarado. En el apartado visual nos ha echado una mano Pike. En el apartado sonoro, las voces de las cuñas que hemos utilizado durante la promoción de la iniciativa son gracias a: Belén Ester (Filmotecast), Fercatodic (Café con Podcast), Juanan Galindo (Puro Vicio) y Nat (Cine Desencadenado). La Magia del Musical ha sido coordinada por Juan Ángel Romero (Familia Asimétrica) y Luis Millán (Just Live It).

In this episode, Anna and Derek debate what people may know of Salieri's actual legacy, whether this Oscar winner needed to be trimmed up a bit, and much more during their discussion of Milos Forman's Amadeus (1984).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

durée : 00:23:33 - "Hair", le film de Milos Forman (1979) - Aucun des films de Milos Forman ne fut sans doute tant sous‑estimé à ses débuts.

This week Justin and I tackle the first movie of Musical March - HAIR, directed by Milos Forman! In New York City for the first time while on his way to enlist in the U.S. Army during the Vietnam War, Oklahoma farm hand Claude Hooper Bukowski (John Savage) meets up with a freewheeling group of Central Park hippies led by the irrepressible George Berger (Treat Williams). When the unlikely friends meet upper-middle-class debutante Sheila Franklin (Beverly D'Angelo), sparks fly between the country boy and the city girl, and Berger's troupe attempts to keep the young lovers together.Be sure to subscribe on your favorite pod platform and our YOUTUBE channel!Visit thecultworthy.comVisit https://www.themoviewire.comVideo: https://www.youtube.com/@back2thebalcony

Erik Childress and Peter Sobczynski run down titles you can get on physical media this week and, not gonna lie, there's a lot of baggage. There's the Mick Jagger film that say on the shelf for two years along with Lindsay Lohan's collaboration with Paul Schrader and William Friedkin's infamous Al Pacino murder mystery set within the gay community. Not to mention John Wayne playing Genghis Khan and the poor timing for an Eric Red horror film. But even controversy can be put aside for cinema sunshine. You can now get Milos Forman's Mozart film in its original theatrical incarnation. Maybe you don't even remember the issue parents had with one of the loveliest coming-of-age films of the ‘90s. And why would you say anything controversial about Carol Reed's masterpiece? All that plus Guillermo Del Toro's debut and the genius of poking fun at documentaries on this week's Blu-ray show. 0:00 – Intro 3:13 - Criterion (Performance 4K, Cronos 4K) 22:43 - Vinegar Syndrome (The Joy of Sex, Virtuosity 4K, The Canyons) 48:18 - Arrow (Cruising 4K) 1:05:54 - Kino (The Conqueror, Graveyard Shift 4K, Body Parts 4K) 1:24:14 - Sony (My Girl 4K) 1:37:39 - LionsGate (The Third Man 4K) 1:44:22 - Warner (Amadeus 4K) 1:55:51 – New Television on Blu-ray (Noble House, Documentary Now: The Complete Series) 2:01:01 - New Theatrical Titles On Blu-ray (Hard Truths) 2:05:13 – New Blu-ray Announcements

Wolfgang Amadeus Mozart is a remarkably talented young composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men. Michael and Eric sabotage Amadeus (1984), directed by Milos Forman.   Follow Aflixionados Podcast on social media for extended conversations, interesting tidbits, and other news! Linktree | Instagram | Facebook | YouTube | Merch

Today, I am thrilled to announce my episode with star of stage and screen Annie Golden. Tune in to hear some of the stories of her legendary career, including being discovered by Milos Forman at CBGB's, how Marc Shaiman played her HAIR audition, why LEADER OF THE PACK didn't work on Broadway, how her role in ASSASSINS was inspired by Kate Bush, learning from Colleen Dewhurst during AH, WILDERNESS!, rehearsing with Kathleen Freeman for THE FULL MONTY, recording demos for HAIRSPRAY, being directed by Howard Ashman in LITTLE SHOP OF HORRORS, workshopping BROADWAY BOUNTY HUNTER at the West Bank Cafe, performing with Veanne Cox in NATIONAL LAMPOON'S CLASS OF '86, and so much more. Don't miss this in-depth conversation with a theater veteran. 

Hey everybody! This week, we are discussing Milos Forman's adaptation of Peter Shaffer's Amadeus. Listen as we breakdown this story of jealousy, resentment, and admiration for a talent that is just out of reach. Enjoy!

The vibes are bad this week, lil onions! Today we begin our two-part coverage of Milos Forman's Amadeus (1984), a WILDLY fictionalized tale of a feud between composers Antonio Sallieri, and his much more beloved contemporary Wolfgang Amadeus Mozart. Ross has the ick about Sallieri from the beginning, and shows a paraphilic fondness of Mozart's actual hair color. Carie takes a turn doing her version of Ross' History Corner with some important asterisks about the film's liberties with musical history. And the siblings are completely OVER Sallieri being theoretically CUCKED, both by Mozart and by God Himself.  SUPPORT US ON PATREON! 

We are proud to announce our NEW Christmas Podcast The Christmas Freak Off! The podcast drops Black Friday at the Stroke of Midnight! Click this link to stay up to date on pre-order information! https://reviewinghistory.bandcamp.com/follow_me We also have limited edition Christmas merch available! https://www.reviewinghistorypod.com/merch Thank You Very Much! This week we're covering Man On The Moon and we have a special guest Jimmy The Hair Guy! This week we're watching 1999s Man On The Moon. This movie stars Jim Carrey, Danny Devito, Courtney Love and was directed by Milos Forman! Come join us as we talk all about Andy Kaufman, and his mad genius! We also introduce our brand new game JIMpressions! LIKE AND SUBSCRIBE PLEASE! Please give us a rating and a review on ApplePodcasts or Spotify. It helps potential sponsors find the show! Sign up for @Riversidefm: www.riverside.fm/?via=reviewi... Sign up for @BetterHelp: betterhelp.com/reviewinghistory Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #standupcomedy #andykaufman #wrestling #wwe #jimcarrey #film #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #rlm #historybuff #tellemstevedave #tesd

In this Film Ireland podcast, Paul Farren talks to Assistant Director David McGiffert about the film industry and his book Best Seat in the House – An Assistant Director Behind the Scenes of Feature Films. Shooting a feature film is a fascinating and complex process. With his uniquely personal insight and experience, David McGiffert offers a captivating and entertaining view of moviemaking from the Best Seat in the House. Drawing from over three decades as an assistant director, McGiffert charts a revealing and informative journey through the making of many major studio productions working with noted directors such as Robert Zemeckis, Tim Burton, Cameron Crowe, Sydney Pollack, Milos Forman, Peter Weir, Steve Zaillian, Jon Avnet, and Terry Gilliam, and top actors like Tom Cruise, Michael Fox, Robert Redford, Dustin Hoffman, Michelle Pfeiffer, Paul Newman, Natalie Wood, Christopher Walken, and Robin Williams. Illustrated with photographs from across the author's cinematic career, this behind-the-scenes book is a must-read for casual moviegoers and committed film lovers alike. Best Seat in the House – An Assistant Director Behind the Scenes of Feature Films Buy the Book https://www.davidmcgiffert.com/available-at Buy on Audible https://www.audible.co.uk/pd/Best-Seat-in-the-House-Audiobook/B0CW6KB74J

¡Vótame en los Premios iVoox 2024! En el programa de hoy os presentamos dos títulos en absoluto opuestos, pero sin duda muy dispares entre sí. En la primera parte de la edición, en nuestra sección Videoteca Lode, destriparemos del derecho y del revés la película AMADEUS, donde se nos contaba una ficción cuasi ucrónica acerca del asesinato sutil y magistralmente orquestado por el maestro Salieri del insigne e irrepetible genio Mozart. Un drama con tintes de thriller que fue llevado a la pantalla hace ahora 30 años de la mano de Milos Forman, donde debemos rendirnos ante la magnífica interpretación de F. Murray Abraham, entre otros. La batuta de dirección correrá a cargo de Antonio Runa, Coronel Nathan Kurtz y Elia Martell. En la segunda parte del programa, en la sección de cómics Entre Viñetas, se analizará la reciente pero espectacular colección SUPERIOR SPIDERMAN, donde Raúl Martín y Rafa Pajis nos hablarán de cómo el Dr Octopues hará algo más que tomar la vida de Peter Parker, en una etapa que los lectores de cómics Marvel recordarán largamente por la alta calidad mostrada en sus páginas. Un programa de La Órbita de Endor que pretende conseguir que paséis unas horas de entretenimiento sin demasiadas pretensiones, con una música, la del Maestro Mozart, que ya es Patrimonio de la Humanidad, y en el segundo bloque de programa, dentro del marco Creative Commons, los temas de Gregoire Lourme. Gracias por habernos elegido y disfrutad del audio. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Erin and Paul review two films about low-class media provocateurs who become unlikely free-speech champions: Milos Forman's 1996 porn-king biopic THE PEOPLE VS. LARRY FLYNT, and Betty Thomas' 1997 retelling of the legend of Howard Stern, PRIVATE PARTS.

Min 4: EL FILTRO DE LAS MIL ESTRELLAS Después del fiasco, la polémica, el debate y la polvareda que han provocado títulos tan potentes y esperados como “Megalópolis” o “Joker 2”, casi de puntillas, llega una de las mejores remesas de estrenos de los últimos años: ROBOT SALVAJE, LA INFILTRADA Y LA SUBSTANCIA Min 5: “ROBOT SALVAJE”: directa al Olimpo de la Animación Dreamworks vuelve a lo grande y nos regala una película impecable y redonda para todos los públicos que se postula ya como favorita al Oscar en su categoría y como una de las mejores propuestas animadas de los últimos años. Min 13: LA INFILTRADA: thriller ejemplar sobre ETA Arantxa Echevarría, una de las directoras más prolíficas y versátiles de nuestro cine, sorprende con un impecable viraje al género del thriller para convertir a Carolina Yuste en una infiltrada real en el entorno de ETA en los 90. La directora de Carmen y Lola o Chinas consigue cerrar una de las mejores aproximaciones que ha ofrecido el cine sobre el mundo del terrorismo etarra. Min 20: LA SUBSTANCIA ¿la mejor peli del año? Alberto Luchini lo tiene claro: “La substancia”, la rompedora propuesta dirigida por Coralie Fargeat y protagonizada por Demi Moore y Margaret Qualley es la mejor película del año. Un golpe en el estómago que mezcla gore, sofisticación, ciencia ficción y terror para criticar la monstruosa frivolidad de los actuales cánones de belleza. ¿Estará de acuerdo Raquel Hernández con el sobresaliente de Luchini? Min 28: LA HISTORIA DE TRUMP Es otra de las propuestas potentes de la semana y ofrece un crudo y afilado retrato del joven empresario aspirante a líder político que se puso en manos del poderoso abogado Roy Cohn. La película de Ali Abbasi llega a recordar a capítulos de la aclamada serie “Succession” pero, según nuestros críticos, a Abbasi le ha quedado un retrato demasiado oscuro. Min 34: LA PELÍCULA DE TU VIDA En este nuevo capítulo de “Estamos de Cine”, el invitado especial que nos va a desvelar cuál es “la película de su vida” es el director de la Filmoteca de Albacete. Jesús López Torres nos confiesa porqué “Amadeus”, de Milos Forman, es la película que le cambió su forma de ver y sentir el Cine. Min 41: BSO JOKER 2: TALENTO A 2 BANDAS ¿Es realmente “Joker 2” un musical? ¿Es un musical fallido? ¿Pesa más Lady Gaga que Hildur Guonadottir en la rompedora y polémica propuesta de Todd Phillips? Ángel Luque y Roberto Lancha sientan al Joker más Sinatra y desafinado en el diván de la música de cine para intenta dar respuesta al intenso debate que ha provocado el cambio de registro de esta segunda parte. Y atención porque puede haber sorpresa en sus argumentos y conclusiones.

Arianne Phillips is an American costume designer. Phillips was recognized for her work on the Broadway musical Hedwig and the Angry Inch, starring Neil Patrick Harris, earning her a Tony award nomination for Best Costume Design. Phillips has a long-standing relationship with Madonna, with collaborations including photo shoots, music videos and designing tour costumes for six world tours over the past two decades. She has been nominated for the Academy Award for Best Costume Design three times, for James Mangold's Walk the Line (2005), Madonna's directorial debut, W.E. (2011), and for Quentin Tarantino's Once Upon a Time in Hollywood (2019). Phillips has also received a two BAFTA Award nominations for Tom Ford's A Single Man (2009) and Quentin Tarantino's Once Upon a Time in Hollywood. Her film career also includes Tom Ford's Nocturnal Animals (2016), Matthew Vaughn's Kingsman: The Secret Service (2014) and Kingsman: The Golden Circle (2017), James Mangold's Girl, Interrupted (1999) and 3:10 to Yuma (2007), John Cameron Mitchell's Hedwig And the Angry Inch (2001), Mark Romanek's One Hour Photo(2002), and Milos Forman's The People Vs. Larry Flynt (1996). In between film and music projects, Phillips works as a freelance fashion editor and stylist, collaborating with photographers for publications such as Italian Vogue, V Magazine, Harper's Bazaar, German & Spanish Vogueand W Magazine. She continuously challenges herself by taking on projects that explore new expressions of her creativity. In 2018, she made her New York City Metropolitan opera debut, designing Nico Muhly's opera, Marnie. Miuccia Prada selected Phillips for her Iconoclasts project; to curate installations for the brands flagship stores in London and Beijing which included a short fashion film for the brand, which Phillips wrote and directed, called Passages. Her friend Alessandro Michele, Creative Director of GUCCI commissioned her to create content for a special issue of A Magazine he guest edited and to style a brand film directed by Gia Coppola. She has also collaborated on special projects with Van Cleef and Arpels, Cartier, Valentino and Swarovski. Phillips was an inaugural member of the TIMES UP coalition and was asked by Reese Witherspoon to design its logo. Lawrence Sher, ASC,is an American cinematographer and film director, best known for comedy films such as Garden State, The Dictator, and The Hangover series, frequently collaborating with directors Todd Phillips and Zach Braff.[ He made his directorial debut with Father Figures, which began a wide theatrical release on December 22, 2017, by Warner Bros. Pictures. He was nominated for an Academy Award and BAFTA Award for Best Cinematography for the 2019 film Joker, directed by Phillips. As cinematographer of the 2009 film The Hangover, Sher described how a scene early in the movie shows the main characters on the roof of their hotel overlooking a stereotypical shot of the Las Vegas Strip; Sher indicated that he had tried to evoke the behind-the-scenes Vegas—after the characters wake up the following morning—by shooting a scene behind the hotels where the real action takes place. Actor Bradley Cooper credited Sher's visual style with enhancing the film's comedy, noting how Sher has "a great eye, a lot of energy and he just knows what's funny" and that "Some guys just can't shoot comedies, but Larry knows exactly what he's doing." With the success of Zach Braff's Kickstarter, Sher worked on Braff's 2014 feature, Wish I Was Here. In January 2020, Sher was nominated for the Academy Award for Best Cinematography for his work on the movie Joker, but lost to Roger Deakins for 1917.

Movie of the Year: 1996The People Vs Larry FlyntIn this episode of the Movie of the Year podcast, the hosts dive into one of the most controversial films of the 1990s: The People vs. Larry Flynt. Directed by Milos Forman and starring Woody Harrelson and Courtney Love, this 1996 biographical drama tells the story of Larry Flynt, the notorious publisher of Hustler magazine. It's more than just a courtroom drama, though—it's a deep exploration of free speech, censorship, and morality, wrapped up in a real-life story that's as outrageous as it is thought-provoking.The People vs. the Real Larry Flynt: Champion of Free Speech or Just Provocateur?The conversation kicks off with a look at the real Larry Flynt, the man who built an empire by pushing the boundaries of taste and legality. Flynt was no stranger to controversy, and the film dives headfirst into his most famous battle—his 1988 Supreme Court case, Hustler Magazine v. Falwell, which became a landmark ruling in favor of free speech.The hosts break down how the film portrays Flynt as both a larger-than-life personality and a defender of First Amendment rights. But they don't shy away from discussing Flynt's contradictions. Was he truly fighting for free speech, or was he using the legal system to justify his often offensive content? This debate adds depth to the discussion and helps paint a fuller picture of Flynt as both a cultural disruptor and a complicated figure.Woody and Courtney: A Surprising Dynamic DuoThe hosts then turn their attention to the film's two central performances: Woody Harrelson as Larry Flynt and Courtney Love as his wife, Althea Leasure. Woody Harrelson delivers a career-defining performance, bringing a surprising amount of nuance and vulnerability to a character who could have easily been portrayed as just a crude provocateur. His portrayal of Flynt showcases both the man's relentless pursuit of personal freedom and his inner turmoil.But it's Courtney Love who really grabs the spotlight in this episode's discussion. Known more for her rock star persona than her acting, Love shocked critics and audiences alike with her emotionally raw performance as Althea. The hosts explore how Love's portrayal of Althea added a layer of tragedy to the film, grounding Flynt's often chaotic life with real human emotion. The chemistry between Harrelson and Love is another highlight, bringing a sense of authenticity to their relationship and adding emotional depth to the movie.The People vs Larry Flynt's Milos Forman: Master of MavericksOf course, none of this would have worked without the direction of Milos Forman, a master of telling stories about rebellious, complex characters. The hosts dive into how The People vs. Larry Flynt fits into Forman's body of work, particularly his fascination with figures who challenge authority, like in One Flew Over the Cuckoo's Nest and Amadeus.Forman's direction is both restrained and provocative, allowing the larger themes of free speech and censorship to play out naturally through the story without hitting the audience over the head. His unique background, having lived through censorship in his native Czechoslovakia, gives him a particular sensitivity to these issues. The hosts discuss how this outsider perspective allowed Forman to bring a balanced approach to the story, making it not just a tale about a controversial publisher but a broader commentary on American freedoms.Why The People vs. Larry Flynt Still MattersAs the episode wraps up, the hosts reflect on why The People vs. Larry Flynt remains relevant today. Free speech debates haven't gone anywhere, and in many ways, they've only become more heated. The film's portrayal of the tension between personal freedom and societal standards still...

GGACP celebrates the 30th anniversary of the classic comedy-drama "Ed Wood" (released September 28, 1994) with this ENCORE of an interview with the film's screenwriters Scott Alexander and Larry Karaszewski. In this episode, Scott and Larry talk about the Ed Wood-Bela Lugosi relationship, the exuberance of Milos Forman, the bizarro cinema of Rudy Ray Moore and their Eddie Murphy vehicle, “Dolemite is My Name.” Also, Jim Carrey pranks Danny DeVito, Tim Burton befriends Vincent Price, Ray Walston “replaces” Peter Sellers and Scott and Larry remember the late, great Martin Landau. PLUS: Appreciating Robert Morse! The legacy of William Goldman! Mae West seduces 007! The Marx Brothers meet the Master of Disaster! And the boys pick their favorite big-screen biopics! Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1999, director Milos Forman reunited with his People Vs. Larry Flynt screenwriters Scott Alexander and Larry Karaszewski for another biopic of an iconoclast, Man on the Moon. Rebounding from the Oscar snub for The Truman Show, Jim Carrey took on the role of Andy Kaufman and according to history, took it a bit too seriously. The film received … Continue reading "310 – Man on the Moon"

This week, we watch one of the three films to ever win the five top oscars in a given year (Picture, Director, Best Actor, Best Actress, Best Screenplay). The craft in this film is undeniable, but the impact of the film through its popularity is potentially not as great. One Flew Over the Cuckoo's Nest (1975), directed by the Milos Forman.

90 años acaba de cumplir Sophia Loren, probablemente la actriz italiana más importante de la historia y nosotros vamos a celebrar su cumpleaños repasando su vida y su carrera. El aniversario que recoge esta semana “Lo que el cine nos dejó” son los 40 años del estreno de “Amadeus” la película sobre Mozart dirigida por Milos Forman. Charlamos con el director Luis Pietro, un realizador español que tiene una curiosa trayectoria internacional. Y en “Diligencia hacia el Oeste” tenemos esta semana una de las películas más atípicas del western: “Johnny Guitar”, un film lleno de romanticismo que rompe además con los roles de género típicos de las películas del Oeste.

(Deep Dive begins at 31:30) We speak for all mediocrities, for we are their patron saint. Join your ragtag fellowship of TransAtlantic podcasters, Ian, Liam, and Georgia (Megs and Kev are in Salzburg) as we're heading back to the last 18th century watch the rise of Wolfgang Mozart and the downfall of Antonio Salieri in the Milos Forman film Amadeus.  We're complaining about too many notes in our 243rd episode as we discuss: Our own knowledge bases of Mozart Do you have to know the story of Mozart to appreciate the film We've got a bit of a therapy session this week as Ian and Liam lock horns Is it possible to overcome a negative first impression of a film?  What is the price of excellence and why is there only room for one great artist of each time Georgia totally misses a friend of the podcast showing up in the 3rd act We talk about whether the film does Costanze fair in the overall narrative Whether or not Amadeus is the Best Film Ever Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Andy Dickson Ensign Ian Davies Chris Pedersen  Duane Smith (Duane Smith!) Randal Silva The Yeetmeister Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Shai Bergerfroind Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot AJ from Nova Scotia Timmy Tim Tim Catch so much more of Hermes on his podcast, The Scuttlebutt Podcast at . https://podcasts.apple.com/us/podcast/the-scuttlebutt-podcast/id1503504933 (Apple) or https://open.spotify.com/show/2n9CNB9X6QXnmvn78HBEoJ?si=ca1784afd4874ff3 (Spotify) Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/ Massive thanks to Lex Van Den Berghe for the use of 'Mistake' by Luckydog.  Catch more from Lex's new band, The Maids of Honor at https://soundcloud.com/themaidsofhonor Also massive thanks to Moonlight Social for our age game theme song.  You can catch more from them at https://www.moonlightsocialmusic.com/ Join Hermes in his revolution; he is trying so very hard.

Movie of the Year: 1984Amadeus (with Katie Walsh!)The Movie of the Year podcast recently turned its attention to the iconic film Amadeus, offering listeners an in-depth analysis of this classic through an engaging conversation with guest critic Katie Walsh. Amadeus, directed by Milos Forman, is not just a retelling of Mozart's life; it's a rich exploration of genius, jealousy, and the complexities of talent. In this episode, the hosts and Walsh delve into the film's themes, focusing on what it means to have talent, the unique approach Milos Forman took to the musician biopic, and the unforgettable performances by Tom Hulce and F. Murray Abraham.Exploring Amadeus: The Nature of TalentThe discussion begins with one of Amadeus's central themes: the nature of talent. The hosts and Walsh explore how the film juxtaposes the extraordinary, almost divine talent of Wolfgang Amadeus Mozart with the more modest abilities of Antonio Salieri. The podcast highlights how Amadeus portrays talent as both a gift and a curse, examining Salieri's agony as he recognizes Mozart's genius, something he can admire but never replicate.Katie Walsh brings an insightful perspective on how the film's portrayal of talent transcends the musical realm and touches on broader human experiences. She notes that Amadeus raises questions about the fairness of life's gifts and the torment that can arise from recognizing one's limitations in the face of someone else's brilliance. The conversation underscores how Amadeus resonates with anyone who has ever felt overshadowed by a more gifted peer, making it a timeless study of human emotion and ambition.Milos Forman's Amadeus: A Revolutionary Musician BiopicMilos Forman's direction of Amadeus is another focal point of the episode. The podcast examines how Forman, already renowned for his work on One Flew Over the Cuckoo's Nest, revolutionized the musician biopic genre with this film. Instead of crafting a straightforward biography, Forman created a lush, operatic drama that blends historical accuracy with artistic license, bringing Mozart's world to life in a way that feels both authentic and larger-than-life.The hosts and Walsh discuss how Forman's approach to Amadeus differs from other musician biopics, particularly focusing on the rivalry between Mozart and Salieri. The film does not merely celebrate Mozart's genius; it also delves into the darker aspects of his life and the intense envy it provokes in Salieri. This choice elevates Amadeus beyond a simple retelling of Mozart's life, making it a profound exploration of human nature, power, and legacy.Katie Walsh praises Forman for his ability to balance the film's grand, operatic scale with intimate character studies, allowing audiences to connect with both the historical figures and the universal themes they represent. She points out that Forman's direction ensures that Amadeus remains accessible and engaging, even for those who might not be familiar with classical music or Mozart's life.Tom Hulce and F. Murray Abraham in Amadeus: A Study in ContrastsNo discussion of Amadeus would be complete without acknowledging the outstanding performances of its lead actors, Tom Hulce and F. Murray Abraham. The podcast dedicates a significant portion of the episode to analyzing how these two actors brought Mozart and Salieri to life with such depth and nuance.Tom Hulce's portrayal of Mozart is described as both electrifying and tragic. The hosts and Walsh discuss how Hulce captures Mozart's childlike exuberance, as well as his...

MAILBAG HERE Challenge Week is back for the first time in quite a while. We have an excellent selection this week, with Bringing Up Baby (1938) d. Howard Hawks and Amadeus (1984) d. Milos Forman. Two excellent pictures directed by two of our best boys. Intro (00:00) Mailbag and etc (4:54) Bringing Up Baby (18:54) Amadeus (37:12) The Fireman's Ball was featured in ep 84 What's Coming Up (51:07) Album recs (52:40) Thanks for listening !

Welcome to Jim-ly! We kick off our Carrey focused month with a film Michelle has been dying to see, Man on the Moon! We discuss Tony Clifton, the Jim & Andy doc, how this movie changed Seth's preteen life for the worse, Michelle's recent deep dive into the Kaufman world, Pop-Up Video, and the films insane connection to a country music superstar. Check it out! Register for our upcoming FREE live show  For all of our bonus episodes check out our Patreon   Patreon supporters help pick episodes, monthly themes and get access to all of our additional shows and our Patron exclusive Discord. It's only the price of a single cup of coffee ($5 a month!) Visit our website and send us an email! Follow Movie Friends on Twitter and Instagram

After a month of American ninjas, the maestros at Film Seizure decided to class the place up a bit with a discussion of the 1984 Academy Award-winning Best Picture Amadeus from Milos Forman. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

The 70s Spectacular comes to a close this week with actress Natalie Walker joining us to discuss 1979 and Milos Forman's adaptation of Hair. The brainchild of Galt MacDermot, Gerome Ragni, and James Redo, Hair took Broadway by storm in the late 1960s for its narrative and political audacity, presenting the free-love and anti-war hippie movement of the … Continue reading "293 – Hair (with Natalie Walker) (70s Spectacular – 1979)"

Alexandre e Fred recebem um dos "founding fathers" do PFC, Marcelo Rennó, para discutir um dos grande filmes de Milos Forman, "Amadeus" (Amadeus, 1984). O clássico baseado na peça de Peter Schaffer, relata boa parte da vida de Mozart (Tom Hulce) através do ponto de vista de seu colega Antonio Salieri, interpretado por F. Murray Abraham, que acabou por levar um dos 8 Oscars conquistados pelo longa, que entre outros, ganhou melhor filme e diretor naquela noite. ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Écoutez la journaliste Lauren Bastide en conversation avec Alice Renard, autrice d'un premier roman, « La Colère et l'Envie », publié par les éditions Héloïse D'Ormesson en 2023, dans lequel elle explore la complexité des relations de l'héroïne, une adolescente neuroatypique, et son ouverture progressive au monde. Au fil de la conversation, Lauren Bastide et Alice Renard évoquent le sentiment de frustration à l'origine du roman et de son titre, le désir de l'autrice de célébrer la beauté du monde ainsi que le pouvoir émancipateur de l'écriture. Ensemble, elles reviennent également sur son goût pour la littérature du Moyen Âge et pour les différentes formes d'écriture, du théâtre à la poésie. En marge des Rendez-vous littéraires rue Cambon, le podcast « les Rencontres » met en lumière l'acte de naissance d'une écrivaine dans une série imaginée par CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison.Alice Renard, La Colère et l'Envie, © Éditions Héloïse d'Ormesson, 2023. Chrétien de Troyes, Lancelot ou le chevalier de la charrette, XIIème siècle.Albert Camus, Noces, © Éditions Gallimard, 1950.Marguerite Duras, Le ravissement de Lol V. Stein, © Éditions Gallimard, 1964.Alice Renard, Peaux vives © Alice RenardLaurent Bénégui, Les étoiles doubles, © Julliard, 2023.© Le Monde.© Le Prix Méduse.© Fondation Marcel Bleustein-Blanchet de la Vocation© Radio France - France Inter.Milos Forman, Amadeus, © The Saul Zaentz Company, 1984

Step into the majestic world of classical music and jealousy-fueled rivalry with Movie Mistrial as we unravel the captivating drama of "Amadeus."Milos Forman's masterful direction, coupled with brilliant performances by Tom Hulce and F. Murray Abraham, brings to life the tumultuous relationship between Mozart and Salieri, offering a rich and immersive portrayal of genius, obsession, and the pursuit of artistic excellence.While "Amadeus" is hailed as a cinematic triumph, some critics argue that certain historical inaccuracies and fictionalized elements may distort viewers' perception of the real-life figures and events depicted in the film.Join us for a riveting discussion as we explore the depths of "Amadeus" and its enduring impact on both cinema and classical music.Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitterFacebook: http://tiny.cc/MistrialFBInstagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

Supporter Stephen had picked The Conversation last time around and we're going back to the 70's again with One Flew Over the Cuckoo's Nest this week. One Flew Over the Cuckoo's Nest (1975), directed by Milos Forman, was a landmark production that brought Ken Kesey's celebrated novel to the screen. The film's production was marked by numerous challenges, including securing the rights to Kesey's novel, which had been previously adapted into a successful stage play. Forman collaborated closely with screenwriters Lawrence Hauben and Bo Goldman to adapt the complex narrative into a compelling screenplay. Additionally, casting the lead role of Randle McMurphy was a significant task, with Jack Nicholson ultimately chosen for his charismatic and dynamic portrayal of the rebellious anti-hero. The film also featured a talented ensemble cast, including Louise Fletcher as Nurse Ratched and Danny DeVito, who contributed to the film's authenticity and emotional depth. Filming took place primarily at the Oregon State Hospital, lending an authentic and immersive backdrop to the story's psychiatric setting. Forman's meticulous attention to detail and his ability to balance the film's darkly comedic elements with its underlying social commentary contributed to its critical and commercial success. "One Flew Over the Cuckoo's Nest" became a cultural phenomenon, earning widespread acclaim, including five Academy Awards, including Best Picture, Best Director, and Best Actor for Nicholson. Its enduring legacy as a cinematic masterpiece continues to resonate with audiences, cementing its place in film history as one of the greatest achievements in American cinema. If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary: Randle McMurphy is a rebellious and charismatic inmate who feigns mental illness to avoid hard labor in prison. McMurphy is transferred to a psychiatric hospital where he clashes with the tyrannical Nurse Ratched and befriends his fellow patients, including the meek Billy Bibbit and the silent Chief Bromden. McMurphy's defiance and unorthodox behavior inspire the patients to rebel against Nurse Ratched's oppressive rule, leading to a dramatic confrontation that exposes the power dynamics and injustices within the institution. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support

"And the Academy Award for Best Picture goes to..." ONE FLEW OVER THE CUCKOO'S NEST (1975) Directed by Milos Forman

Phoef Sutton and Mark Jordan Legan, your Film Freaks have the honor of sitting down and interviewing the terrific writing team of Scott Alexander and Larry Karaszewski (“Ed Wood,” “The People v. Larry Flynt,” “Man on the Moon,” “1408,” “The People v. O.J. Simpson,” “Dolemite Is My Name,” etc.). Scott and Larry are also true Film Freaks and we hope you enjoy this free-wheeling, fun, fascinating discussion where they discuss how they met as college freshmen at USC. The four of us share weird and wild cinema and pop culture trivia—everyone from Mel Brooks to Dom DeLuise to Kaypro computers to Anthony Quinn to Frank Sinatra to John Wayne to Dabney Coleman to Milos Forman to Midnight Spook Shows to regional filmmakers like Charles B. Pierce to Billy Jack are discussed and debated. Give it a listen and please subscribe and give us a five-star rating. Thanks, fellow Film Freaks! This episode is sponsored by: Libro.fm (FILMFREAKSFOREVER) | 2 audiobooks for the price of 1 when you start your membership The Writer's Bone Podcast Network

Erin and Paul review two films about firefighters: Milos Forman's 1967 anti-Communist satire THE FIREMEN'S BALL, and Ron Howard's high-temperature 1991 thriller BACKDRAFT.

Comedian Nick Kelley joins the show to discuss the classic Milos Forman film One Flew Over the Cuckoo's Nest. Follow Nick Kelley on Instagram: @nickkelleyyy Listen to the Burt Selleck podcast: https://open.spotify.com/show/63POEDrLtq6IRToSvgpZp7 Get tickets to Uncalled For: A Roast Battle Show at the Independent Comedy Club: https://www.eventbrite.com/e/standup-uncalled-for-a-roast-battle-show-hosted-by-nick-kelley-tickets-853153143017?aff=ebdsoporgprofile Follow Johnny on Instagram and Tik Tok: @JohnnyMocnyComedy Follow Johnny on Letterboxd: @JohnnyMocny See Johnny at Louie's Trophy Lodge in Kalamazoo on 3/8. See Johnny at The Lincoln Lodge in Chicago on 3/14. --- Support this podcast: https://podcasters.spotify.com/pod/show/we-are-movies/support

Amy & Paul hum along to 1984's classical fantasia Amadeus! They learn how closely this unusual biopic matches the true history of Mozart, discover a Marvel reference to Salieri, and praise director Milos Forman for highlighting what made Mozart's compositions endure. Plus: The phenomenon that inspired a smash novelty single. Next week, Paul & Amy are talking about American Beauty! You can join the conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6. Check out this week's spotlight episode from the Unspooled archives, One Flew Over The Cuckoo's Nest: https://www.earwolf.com/episode/one-flew-over-the-cuckoos-nest/ Paul's book Joyful Recollections of Trauma is on presale now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Learn more about the show at unspooledpod.com, follow us on Twitter @unspooled and Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts.

Para celebrar os quarenta anos da obra-prima Amadeus, Brunão e Baconzitos convidam para o QueIssoAssim, a amiga Andreia do podcast irmão Livros em Cartaz. Neste episódio contamos todos os detalhes e curiosidades desse filme vencedor de 8 Oscar. Dirigido por Milos Forman, o filme conta a biografia ficcionalizada do compositor Wolfgang Amadeus Mozart e sobre a sua rusga com Antonio Salieri, outro compositor contemporâneo e que, supostamente teria sido o causador de sua morte. Se você nunca assistiu o filme e tem curiosidade, ele está disponível para compra ou aluguel aqui. Links mencionados no episódio: A Modista do Desterro: Canal do Youtube sobre moda de outras épocas. SEJA NOSSO PATRÃO Tivemos que fazer uma mudança em nosso sistema de financiamento coletivo e agora vamos migrar todo o serviço para o apoia.se/portalrefil. Pedimos encarecidamente que se você já ajuda no Pic Pay ou no Padrim, que migre para o apoia.se. E para você que ainda não ajuda, temos novos planos de patronato, com possibilidades de escolher até mesmo o filme que vamos falar. Que tal escolher uma opção e ajudar a gente a crescer?

Continuing our podcasts centering on biopics, we turn our attention to one of the best of the 1980s, Amadeus, directed by Milos Forman and adapted by Peter Schaffer from his play of the same name. It's a look at the life of Wolfgang Amadeus Mozart (Tom Hulce), through the lens of his rival, Antonio Salieri (F. Murray Abraham). We discuss Schaffer's play, which turned into the film, including all the well-known actors who starred in both the UK and Broadway. We look at the plot of the film, discuss some of the historical liberties taken in play and film, including the question of “did Salieri really kill Mozart?” We discuss the rest of the cast, including some well-known character actors and one young actress who would go on to star in one of the biggest US TV shows of this century. If that wasn't enough, we talk about Rock Me Amadeus, the 1985 song by Austrian singer Falco and marvel at not only how many versions of the song there were (over 20) but just how amazingly successful it was around the world. We might be having a new comics podcast coming soon. Still working on logistics. So be on the lookout for that, maybe, along with some big name guests coming to the main show (fingers crossed).

This week, the kids discuss the Czech new wave film The Cremator from 1969. From wiki: “The Cremator (Czech: Spalovač mrtvol) is a 1969 Czechoslovak dark comedy horror film directed by Juraj Herz, based on a novel by Ladislav Fuks. The screenplay was written by Herz and Fuks. The film was selected as the Czechoslovakian entry for the Best Foreign Language Film at the 42nd Academy Awards, but was not accepted as a nominee.[1] In 1972, it won the Festival de Cine de Sitges Best Film award, where it also received awards for its star Rudolf Hrušínský and cinematographer Stanislav Milota.” Plus, some tv talk: USA Networks, Ellery Queen, Columbo, Murder She Wrote, Six Feet Under, etc. Drusilla watched the obscure Barbara Hershey/Jill Clayburgh film, Shy People (1987). Also mentioned: Eve's Bayou, Tangerine Dream, Josh is thinking about death a lot and he re-watched Friday the 13th Part 5: A New Beginning. He goes on a rant and the two discuss franchises: A Nightmare on Elm Street, Halloween, The Texas Chainsaw, Scream, etc. They discuss the Czech new wave: Valerie and her Week of Wonders and Daisies, the Polish film Ashes and Diamonds, Cat People, Buddhism, Milos Forman, Rob Zombie, Rachel Sennott, and more! NEXT WEEK: Henry: Portrait of a Serial Killer (1986) Website: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/ Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Bluesky: https://bsky.app/profile/joshuaconkel.bsky.socialInstagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel   

Cinematographer Anastas Michos ASC, GSC humbly calls himself a journeyman cinematographer. However, after 25 years and multiple awards, Anastas possesses expert skill and versatility that can be seen across all genres. Most recently, Anastas was nominated for an Emmy for “The Autopsy,” an episode of Guillermo del Toro's Cabinet of Curiosities anthology TV series on Netflix. Del Toro selected the directors for each episode of Cabinet of Curiosities, and he chose idiosyncratic directors who brought their own sensibilities to each piece. Anastas had worked with “The Autopsy” director David Prior before on a horror film called The Empty Man, and they enjoyed collaborating together again. Anastas enjoyed working on Cabinet of Curiosities because it felt like making a short film rather than a TV show, with each piece a crafted short story rather than a serialization. For a consistent look, each episode used the same production designer, Tamara Deverell,  who also did the production design for del Toro's Nightmare Alley. While shooting the episode, Anastas was always conscious that “The Autopsy” should fall under the look of del Toro's brand. Anastas has always enjoyed shooting horror films because they explore the human condition in a very specific way. The cinematographer can creatively stretch the imagination and the image in a way that can't be done as much in dramas, comedies or romances, since they're usually based in our day to day reality. But Anastas likes to switch around among genres- after working on an intense horror film such as Texas Chainsaw 3D, a light rom com might sound really good. He's interested in any project that has a great story, script, director and crew. Before finding his way behind a camera, Anastas thought he'd go into the music business since he grew up in a musical family. Instead, he became a news cameraperson, learning visual storytelling on the job. He's found that his music background has actually served him well as a cinematographer- he feels musicality is very much a part of camera movement. One memorable time early in his career, Anastas was working Steadicam for Born on the Fourth of July. Director Oliver Stone pulled him aside and had Anastas put on a walkman so that he could move the camera to the pace of the music Stone wanted. After working as a camera and Steadicam operator for several years, Anastas got to shoot his first feature as a DP for Man on the Moon. Anastas found director Milos Forman to be simultaneously generous and demanding, with the capability of recognizing someone's potential and holding them to it. Guillermo del Toro's Cabinet of Curiosities anthology TV series is on Netflix. Find Anastas Michos: http://anastasmichos.com/ Instagram: @anastasmichos_asc_gsc IT'S A BOOK GIVEAWAY! WIN an autographed copy of Junk Film: Why Bad Movies Matter by Katharine Coldiron. Follow us on Instagram @thecinepod, Threads @thecinepod Facebook @cinepod or Twitter @ShortEndz and comment on our post about the book giveaway! Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

GGACP celebrates the life and career of our friend, the late actor, writer and cinephile Treat Williams by revisiting this interview from 2019. In this memorable episode, Treat looks back at his 45 years in film, his admiration for Frank Capra and William Wyler, his love of old movie theaters and his memories of working with legendary directors Milos Forman, Sergio Leone and Steven Spielberg. Also, Vincent Price disses Alan Thicke, John Belushi auditions for "Hair," Gilbert hangs with Katharine Hepburn and Treat cameos in "The Empire Strikes Back"! PLUS: "The Phantom"! Praising Bob Balaban! The mastery of Sidney Lumet! Gene Hackman cuts to the check! And Treat remembers James Cagney, Martin Landau and Orson Welles! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP continues its support of striking film and television writers by revisiting this 2019 interview with Emmy-winning screenwriters Scott Alexander and Larry Karaszewski. In this episode, Scott and Larry talk about the 25th anniversary of "Ed Wood," the exuberance of Milos Forman, the bizarro cinema of Rudy Ray Moore and their Eddie Murphy vehicle, "Dolemite is My Name." Also, Jim Carrey pranks Danny DeVito, Tim Burton befriends Vincent Price, Ray Walston "replaces" Peter Sellers and Scott and Larry remember the late, great Martin Landau. PLUS: Appreciating Robert Morse! The legacy of William Goldman! Mae West seduces 007! The Marx Brothers meet the Master of Disaster! And the boys pick their favorite big-screen biopics! Learn more about your ad choices. Visit megaphone.fm/adchoices