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5 episodes with Leopold Mozart
6 episodes with Leopold Mozart
3 episodes with Leopold Mozart
2 episodes with Leopold Mozart
4 episodes with Leopold Mozart
2 episodes with Leopold Mozart
2 episodes with Leopold Mozart
2 episodes with Leopold Mozart
2 episodes with Leopold Mozart
Con Mario Mora | El título de este episodio también podría haber sido "la leyenda que creó Leopold Mozart que nos hace creer que Wolfgang copió de oído el Miserere de Allegri, algo totalmente prohibido, tras escucharlo dos veces en la Capilla Sixtina pero que no está demostrada y cada vez hay más investigaciones en contra", pero era demasiado largo. En todo caso, esconde una historia curiosa y nos ayuda a descubrir una obra muy poco conocida: el Miserere en La menor de Mozart.
This week on The Sound Kitchen we'll celebrate International Women's Day. You'll hear the answer to the question about the French Socialist party and the no-confidence vote, “The Listener's Corner” with Paul Myers, and Erwan Rome's “Music from Erwan” – all that, as well as the new quiz and bonus questions, so click the “Play” button above and enjoy! Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Spotlight on France, Spotlight on Africa, The International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!This week's quiz: On 8 February, I asked you a question about our article “French PM pushes through budget, faces second no-confidence vote”. That's because French Prime Minister François Bayrou used Article 49.3 – a special executive power - to push the budget through. The Parliament does not take kindly to Article 49.3, because the executive branch can use it to bypass their votes.After it went through, a no-confidence motion was immediately brought forward by the hard-left France Unbowed party. At that time, it was not thought the no-confidence motion would pass, because the Socialists said they would vote against it. My question to you was: Why did France's Socialist party say they would vote against the no-confidence motion brought by the France Unbowed party? The answer is, to quote our article: “The Socialist Party said in a press release that it did not want to see France in an extended period of financial limbo and would therefore, ‘in a spirit of responsibility', not back the no-confidence vote.”They held to their word: The Socialist party did not back the no-confidence vote - France has a budget now, and the same prime minister, François Bayrou. In addition to the quiz question, there was the bonus question: “Is the favorite child the worst child?”Do you have a bonus question idea? Send it to us! The winners are: RFI English Listeners Club member Nasyr Muhammad from Katsina State, Nigeria. Nasyr is also this week's bonus question winner. Congratulations, Nasyr, on your double win !Also on the winner's list this week are: Reepa Bain, the secretary of the RFI Pariwer Bandhu SWL Club in Chhattisgarh, India; Mukta Banu, a member of the Shetu RFI Listeners Club in Naogaon, Bangladesh; RFI English Listeners Club member Dipita Chakrabarty from New Delhi, India, and last but not least, RFI English listener Murshida Parvin Lata, the vice - president of the Sonali Badhan Female Listeners Club in Bogura, Bangladesh.Congratulations, winners!Here's the music you heard on this week's programme: “One Woman” by Beth Blatt, Graham Lyle, and Fahan Hassan, performed by the United Nation Women Singers; “Toy Symphony” by Leopold Mozart; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Nubian Lady” by Kenny Barron, performed by Bobbi Humphrey and her orchestra. Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, take another listen to the first story on Alison Hird and Sarah Elzas' Spotlight on France podcast number 124, which will help you with the answer.You have until 31 March to enter this week's quiz; the winners will be announced on the 5 April podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceClick here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club.
Interpreten: Quatuor TchalikLabel: alkonostEAN: 3760288803591Sie haben in den vergangenen Jahren CDs mit Werken von Camille Saint-Saëns, Reynaldo Hahn, Boris Tishchenko oder Maurice Ravel aufgenommen, doch mit ihrer neuen CD kehren die Mitglieder des Quatuor Tchalik quasi zurück zu ihren Wurzeln, nämlich den Wurzeln des internationalen Erfolges. Mozart spielt dabei eine große Rolle, wie Michael Gmasz im heutigen Beitrag verrät.Bei den Hagens waren es zur Gründungszeit bis 1981 auch vier Geschwister, beim Schumann Quartett sind es immerhin drei Brüder und auch dem Mandelring Quartett gehören neben Andreas Willwohl die drei Geschwister Schmidt an. Dass sich ein professionelles Streichquartett, wie das französische Quatuor Tchalik, wirklich aus vier Schwestern und Brüdern zusammensetzt, ist jedoch eher eine seltene Fügung. Wie so viele andere junge Streichquartette auch, haben Louise, Sarah, Gabriel und Marc Tchalik ihre Ausbildung und ihren letzten Schliff u.a. beim legendären Günther Pichler vom Alban Berg Quartett an der Escuela Superior de Música Reina Sofia in Madrid genossen. Nach dem Gewinn einiger kleinerer Wettbewerbe, ist der Stern des Tchalik Quartetts 2018 mit dem ersten Preis beim 13. Internationalen Mozartwettbewerb in Salzburg und dem Sonderpreis für die beste Interpretation eines Quartetts von W.A. Mozart aufgegangen. Auf CD kehren die Tchaliks erst jetzt, Jahre später, wieder zurück zu Mozart. „Es ist ein wahres Glück, als Familie Mozart zu spielen; wenig Komponisten haben in dem Maße Hausmusik im Kreise der Familie praktiziert“ erinnern die Tchalik Geschwister im Beiheft ihrer neuen CD an das familiäre Hausmusizieren bei Wolfgang, Nannerl und zumindest Leopold Mozart. Dass hier blindes Verständnis zwischen den jeweiligen Musikerinnen und Musikern herrscht, spürt und hört man von den ersten Takten des eröffnenden Jagd Quartetts KV 458. Gemeinsames Atmen, eine gemeinsame Idee vom Ganzen und ein Gespür für Übergänge ist hier wie in den anderen Quartetten gegeben. Pausen dauern keinen Moment zu kurz oder zu lange, kleine, unerwartete Akzente beleben vor allem die langsamen Sätze, über die auch große Bögen gespannt sind. Ob beim Proben und bei Konzertvorbereitungen alles immer eitel Wonne ist, daran mögen vielleicht alle, die auch Geschwister haben, zweifeln – aber wenn Louise, Sarah, Gabriel und Marc Tchalik dann auf der Bühne oder im Studio sitzen, ergibt sich ein Miteinander, das ohne familiäre Bande nur sehr wenigen gelingt. Mit Dania Tchalik gibt es übrigens auch einen hochbegabten Pianisten Bruder, der für Klavierquintette zur Verfügung steht und die CDs erscheinen im hauseigenen Label Alkonost, vor mehr als zehn Jahren vom Vater Mikhail Tchalik ins Leben gerufen. Mehr Familie geht nicht. (mg)
Seit dem 15. Jahrhundert ist der Name Mozart in Augsburg nachweisbar. Einen zog es trotzdem weg aus der schwäbischen Stadt: Leopold Mozart. Seinen berühmten Sohn bekommt er in Salzburg. Dennoch hat die Familie Mozart Spuren in Bayern hinterlassen.
Föstudagsgesturinn okkar í þetta sinn var Sigrún Eðvaldsdóttir fiðluleikari og konsertmeistari Sinfóníuhljómsveitar Íslands. Sigrún hóf fiðlunám 5 ára gömul hjá Gígju Jóhannsdóttur en lauk einleikaraprófi frá Tónlistarskólanum í Reykjavík árið 1984 undir handleiðslu Guðnýjar Guðmundsdóttur og lauk bakkalárprófi frá Curtis tónlistarháskólanum í Philadelphiu í Bandaríkjunum 1988. Hún hefur tekið þátt í fjölda alþjóðlegra fiðlukeppna; varð í öðru sæti í Leopold Mozart keppninni árið 1987, hlaut bronsverðlaun í Síbelíusar-keppninni árið 1990 og önnur verðlaun í Carl Flesch keppninni árið 1992. Sama ár hlaut hún bjartsýnisverðlaun Brøste. Hennar er getið sem eins af áhugaverðustu fiðluleikurum framtíðarinnar í bók Henry Roth og hún hefur gegnt stöðu 1. konsertmeistara Sinfóníuhljómsveitar Íslands frá árinu 1998 og sama ár var hún sæmd Riddarakrossi hinnar íslensku Fálkaorðu fyrir störf sín á sviði tónlistar. Við fórum með Sigrúnu aftur í tímann á æskuslóðirnar í Garðabæ og hún sagði okkur hvenær fiðlan kom inn í hennar líf, hún talaði um námið og keppnisskapið og frá erfiðri reynslu þegar hún handleggsbrotnaði í Svíþjóð árið 2022. Í matarspjalli dagsins með Sigurlaugu Margréti töluðum við aðeins meira um færeysku matreiðslubókina og þær athugasemdir sem komu frá glöggum hlustendum í kjölfarið og svo töluðum við um kjötbollur og kalkúnahakk. Tónlist í þættinum Óvissan / Guðmundur Rafnkell Gíslason (Björn Hafþór Guðmundsson) Minning / Sigrún Eðvaldsdóttir og Selma Guðmundsdóttir (Þórarinn Guðmundsson) Schindler's List meginstef / Sinfóníuhljómsveit Íslands, Sigrún Eðvaldsdóttir (John Williams höfundur, stjórnandi Daníel Bjarnason) UMSJÓN GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON
DescriptionLeopold Mozart: The Ultimate 18th-Century Stage Dad in 60 Seconds. Take a minute to get the scoop!Fun FactLeopold Mozart's "Trumpet Concerto in D major" is one of his most celebrated works, composed around 1762. It highlights the Baroque influence on his music, featuring bright, majestic trumpet lines and intricate orchestration. The piece is a fine example of Leopold's skill in composing for wind instruments.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
Liz shares a recent encounter where the Lord showed her there is nothing mundane in our lives when lived as worship to the King. She was taken by surprise as this encounter happened while listening to a classical rendition of Agnus Dei by Leopold Mozart. When asking the Lord what was happening and what it was about this song, Holy Spirit told her He loves the song of the heart! When we live with the intention of loving Him, bringing Him joy, everything becomes an encounter with Him. Whether it's washing the dishes, caring for someone, cutting the grass, it is all worship when done with your heart towards Him. This is the stewardship of His Presence and in return, it brings us such joy to live with this awareness! It blesses His heart but it also blesses ours! Step into this invitation to live this way today.Related Materials:Join the International Mentoring Community IMC, to facilitate a safe environment where like-minded people at any stage of their walk can enter into a deeper experience of Jesus. Liz Wright will mentor you each week through revelatory teaching, powerful testimonies and the grace to step into life-changing encounters with Jesus. https://www.jointheimc.com/
Cada día un pequeño apunte de Alberto Mayol por YouTube en http://apuntes.cl
This Day in Legal History: Beatles Sign 10 Year Partnership AgreementOn this day in legal history, April 19, 1967, The Beatles, comprising John Lennon, Paul McCartney, George Harrison, and Ringo Starr, entered into a significant legal agreement that aimed to bind them together as a group for another decade. The partnership deed they signed not only reflected their intent to continue collaborating but also legally formalized the business side of their operations amid their skyrocketing fame.However, the unity that this agreement sought to solidify began to unravel just a few years later. Despite their intentions in 1967, The Beatles faced increasing personal and creative differences which led to their disbandment in 1970, a full seven years short of the agreement's term. The disintegration of their partnership led to one of the most famous legal cases in music history.Paul McCartney took the lead in legally challenging the partnership. In December 1970, he filed a suit against the other members to dissolve The Beatles' contractual partnership. McCartney's move was a response to managerial disputes, particularly concerning Allen Klein, whom John, George, and Ringo favored to manage their business affairs, a decision Paul vehemently opposed.The legal battle that ensued was fraught with emotional and financial tension, highlighting the complexities of music rights, personal relationships, and business interests intertwined within the band. McCartney sought the appointment of a receiver to manage the group's finances, effectively protecting his earnings from decisions made by Klein, whom he distrusted.The court ultimately ruled in McCartney's favor in 1971, leading to the official legal dissolution of The Beatles' partnership. This case not only marked the end of one of the most successful musical collaborations in history but also set a precedent in how legal disputes within bands were viewed and handled in the future.The dissolution of The Beatles not only reshaped their personal and professional lives but also impacted the music industry, emphasizing the importance of legal agreements in artistic collaborations. While their music continues to influence generations, the legal battles they endured serve as a cautionary tale about the potential complexities of combining creative endeavors with business interests.Troutman Pepper Hamilton Sanders and Locke Lord, two prominent law firms, are currently in discussions about a potential merger that would significantly elevate their market position. If successful, the merger would create a powerhouse legal firm with over 1,600 lawyers and revenues surpassing $1.5 billion, positioning it among the top 30 largest firms by revenue. This strategic alignment is driven by complementary strengths in corporate, litigation, and real estate practices, with both firms having a robust presence in these areas.The merger would also expand Troutman Pepper's geographic footprint into Texas, a key market due to its burgeoning energy sector, where Locke Lord already has established offices in Houston, Dallas, and Austin. This move reflects a broader trend of consolidation within the legal industry, where smaller firms merge to compete more effectively against larger rivals, enhancing their scope, talent pool, and profitability.This discussion is part of an ongoing wave of mergers in the legal sector, highlighting a competitive push among firms outside the Am Law 200 to scale up operations and extend their market influence. Both firms have a history of mergers, with Troutman Pepper emerging from a 2020 merger and Locke Lord from several mergers, the most recent in 2015. These consolidations have historically aided in growth and market presence, as seen in their revenue and lawyer count increases over the years. The potential merger aims to leverage these synergies to create a more formidable competitor in the legal market.Troutman Pepper, Locke Lord Discuss a New $1.5 Billion Firm (2)The legal battle between Jones Day and Soverain Software, which began over two decades ago, continues to unravel in the courts. Initially, Jones Day helped Soverain secure a $40 million settlement from Amazon in a patent infringement suit in 2005. However, tensions arose when Soverain only paid Jones Day $22 million of the fees before their relationship deteriorated in 2010 during a lawsuit against Newegg, where Soverain won significantly less than the $34 million it sought.The dispute escalated when Jones Day claimed that Soverain had not paid all the fees owed, leading to a $1.5 million arbitration award in favor of Jones Day in 2015. Jones Day accuses Soverain of creating a complex scheme to avoid payment, including fraudulent transfers of funds involving Soverain's founder and former chief legal officer.Soverain, known for its aggressive patent litigation over online shopping cart technology, faced a major setback when key patents were invalidated in 2013, diminishing its revenue potential. Despite this, Jones Day alleges that Soverain and its executives engaged in financial maneuvers to siphon funds, complicating the firm's efforts to collect its fees.Currently, the legal wrangling involves attempts by Jones Day to enforce the arbitration award, while Soverain challenges the validity of the claim, arguing it was filed too late. The saga highlights ongoing issues in the legal industry related to client relationships, fee disputes, and the challenges of enforcing legal payments.Jones Day's Messy Split From Client Fuels Long-Running Fee FightIn a significant legal development, lawyers have completed the selection of 12 jurors for the landmark criminal trial of former U.S. President Donald Trump in New York. This trial, notable for being the first in which a former president stands as a defendant, involves allegations that Trump falsified business records to conceal a hush-money payment to porn star Stormy Daniels ahead of the 2016 election. The selection process was marked by challenges, including the dismissal of potential jurors who felt they could not remain impartial, reflecting Trump's polarizing influence.The trial has already seen its share of drama, with the early dismissal of jurors—one due to intimidation concerns after her personal information was inadvertently revealed, and another for failing to disclose previous legal issues. These incidents underscore the heightened tensions surrounding the trial. The jury's task is complicated by the intense public and media scrutiny, as well as Trump's frequent critiques of the legal process and those involved, which has led to concerns about juror safety and the integrity of the trial process.Justice Juan Merchan, overseeing the trial, has implemented measures to protect jurors' anonymity and limit media coverage of certain details to prevent potential harassment. As the trial moves forward, with opening statements expected soon, the world watches closely. This case not only holds significant legal ramifications for Trump, who faces multiple criminal cases, but also carries substantial political implications, especially with Trump's ongoing presidential campaign. The outcome could influence public perception and the political landscape significantly.Lawyers select 12 jurors to serve in Trump hush-money case | ReutersMore than one-third of U.S. law school deans have expressed opposition to a new proposal by the American Bar Association (ABA) aimed at enforcing greater uniformity across law school courses. The proposal has sparked concerns about the ABA's increasing control over academic freedom and the curriculum design within law schools. Seventy-six deans from ABA-accredited schools, including prominent institutions like New York University, Georgetown, and the University of Michigan, have publicly criticized the initiative.Proponents of the proposal argue that establishing more uniform required classes and specific learning goals for each course would ensure that students possess a consistent foundational knowledge, which would support their overall education and benefit faculty teaching advanced courses. This group includes influential figures such as former ABA legal education administrator Barry Currier and several law professors actively involved in student outcomes and assessment.The ABA has outlined that the revised standards would clarify expectations and requirements, moving away from the current broad standards. This adjustment is intended to help law schools more clearly understand and meet accreditation requirements, with the proposal necessitating that law schools regularly review and revise their academic programs every five years.Critics, however, argue that the proposal infringes on the academic freedom of professors and imposes significant administrative burdens on schools. They contend that it unnecessarily dictates specific learning outcomes and course alignments that could stifle educational innovation and diversity in teaching methods.The proposed changes also include new requirements for first-year classes, such as early assessments to provide students with feedback before final exams and mandated academic support for students who underperform. With the comment period now closed, the ABA's legal education council is expected to consider the feedback and make a decision on the proposal at its next meeting on May 17. The ongoing debate highlights a broader tension between regulatory oversight and academic independence in legal education.Law deans balk at course uniformity proposed by American Bar Association | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart.Wolfgang Amadeus Mozart, born on January 27, 1756, in Salzburg, Austria, is one of the most prolific and influential composers of the Classical era. His father, Leopold Mozart, a noted violinist and composer in his own right, was instrumental in nurturing his son's prodigious talent. Mozart showed early signs of genius, mastering keyboard and violin by the age of five and composing by the age of five and a half. His extensive tours of Europe as a child wunderkind brought him into contact with a wide array of musical styles and influential composers, which shaped his own unique compositional voice.Mozart's works encompass all genres of his time, including symphonies, operas, solo concertos, chamber music, and choral music, showcasing his remarkable versatility and creativity. His music is celebrated for its melodic beauty, formal elegance, and rich harmonic and instrumental textures. Despite his profound musical output, Mozart's life was marked by financial instability and he died prematurely at the age of 35 on December 5, 1791, in Vienna, leaving behind an enduring legacy.One of Mozart's lighter, yet deeply admired works is the "Serenade in G Major," also known as "Eine kleine Nachtmusik" (A Little Night Music). Composed in 1787, the same year as his opera "Don Giovanni," this piece exemplifies Mozart's ability to infuse charm and sophistication into his compositions. The second movement, "Romance," is particularly notable for its lyrical and tender qualities. It begins with a gentle, soothing melody that exudes calmness and reflective poise, then transitions into a minor mode that adds a touch of drama before returning to the tranquil themes of the opening. This movement, like the rest of the serenade, is a wonderful example of Mozart's genius in creating music that is both accessible and complex, embodying the elegance and grace of the Classical style. Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe
Leopold Mozart erkannte das Genie seines Sohnes Wolfgang Amadeus und förderte ihn wo immer er konnte. Auch Julius Korngold, der gestrenge Wiener Kritiker ahnte was in seinem Sohn Erich Wolfgang steckte, und wenn der Rest der Familie zum Baden ging, hatte der Filius am Schreibtisch zu komponieren. Und im folgenden ZOOM kommt es zu einem Jurastudium, denn der Vater, ein rechter Dickschädel ist nicht bereit Talent und Leidenschaften seines Sohnes ernst zu nehmen.
Donald Macleod delves into the world of Venetian composer, Maddalena SirmenMaddalena Sirmen was born in Venice in 1745 and christened Maddalena Laura Lombardini. Her poverty-stricken family were unable to support her and by the age of seven she was admitted to one of Venice's ‘Ospedali'. The Ospedali were hospitals and orphanages set up to help the needy but also celebrated for the musical education they provided to their residents . Sirmen soon excelled in her training. By the age of fourteen she was accepted for additional music lessons in Padua with the famed violinist, Tartini, and became one of his favourite students. In 1767 she married fellow composer, Lodovico Sirmen, and was able to leave the Ospedale, at last. There followed many successful years of travelling and performing as a virtuoso violinist, often presenting her own works. Sirmen's music was published in many leading European cities, and Leopold Mozart said of one of her works, that it was “beautifully written”. When visiting London for a third time, Sirmen decided to present herself as a singer, rather than a violinist. This proved to be a mistake and she was greatly criticised in the press. From this point onwards her reputation diminished despite further concerts, as a violinist, in Paris, Dresden and St Petersburg. Sirmen eventually settled back in Venice, where she died in 1818.Music Featured: Violin Concerto No 3 in A major, Op 3 No 3 (excerpt) Trio Sonata No 5 in G, Op 1 No 5 (Allegro Moderato) Ferdinando Bertoni: Veni Creator (excerpt) Trio Sonata No 5 in G, Op 1 No 5 (Rondo Allegro) Ferdinando Bertoni: Orfeo (excerpt) String Quartet No 5 in F major Violin Concerto No 3 in A major, Op 3 No 3 Giuseppe Tartini: Violin Sonata in G minor, “Devils Trill” (excerpt) String Quartet No 1 in E flat major (Andante) String Quartet No 1 in E flat major (Allegretto) Giuseppe Tartini: Stabat Mater Violin Concerto No 2 in E major, Op 3 No 2 String Quartet No 4 in B flat major String Quartet No 2 in E flat major (excerpt) Duet in C major, Op 4 No 6 Ludovico Sirmen: Sonata in A major (Moderato) Violin Concerto No 5 in B flat major, Op 3 No 5 Ludovico Sirmen: Sonata in A major (Lento) String Quartet No 2 in E flat major Violin Concerto No 1 in B flat major, Op 3 No 1 (Allegro) J. C. Bach: Gioas, re di Giuda (Fe giuriamo) Maddalena Sirmen: Violin Concerto No 1 in B flat major, Op 3 No 1 (excerpt) J. C. Bach: Sonata in G, Op 10 No 3, W. B4 (Rondeaux) String Quartet No 3 in G minor Violin Concerto No 6 in C major, Op 3 No 6 Violin Concerto No 4 in C major, Op 3 No 4 (excerpt) String Quartet No 6 in E major (Andantino) Thomas Linley Junior: The Song of Moses (Chorus: Praise be to God, and God alone) String Quartet No 6 in E major (Con brio) Ludovico Sirmen: Sonata in A major (Adagio cantabile) Violin Concerto No 4 in C major, Op 3 No 4 String Quartet No 5 in F minorPresented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Maddalena Sirmen and her World https://www.bbc.co.uk/programmes/m001w8gxAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
DescriptionA Brief History of the Piano. Take a minute to get the scoop!Fun FactWolfgang Amadeus Mozart's love for the piano began in early childhood under the guidance of his father, Leopold Mozart, who recognized his son's prodigious talent. At the age of three, Mozart showed an innate affinity for the instrument, demonstrating remarkable dexterity and an exceptional ear for melody. His fascination with the piano deepened as he grew, leading him to become a virtuoso performer and a prolific composer for the instrument, contributing significantly to the classical piano repertoire.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
Georg Friedrich Händel (1685-1759) - Zadok the Priest HWV 258 Choir of Westminster AbbeyMartin Baker, direttore*****Leopold Mozart (1719 - 1787) - Missa Solemnis in Do MaggioreI. KyrieII. GloriaIII. CredoIV. SanctusV. BenedictusVI. Agnus DeiArleen Augér, sopranoGabriele Schrecknbach, altoHorst Laubenthal, tenorBarry McDaniel, baritoneChor der St.Hedwigs - Kathedrale BerlinDomKapelle - BerlinRoland Bader, direttore
Mozart. The very name reminds us of soaring arias, evocative melodies, and musical mastery. In this episode we explore Mozart's life and the Freemason influence. Vancouver Opera presents The Magic Flute - October 21st to 29th, at the Queen Elizabeth Theatre. For tickets and more information visit VancouverOpera.ca Credits: Jane Potter - Writer and Narrator David Bloom - Voice of Goethe, Leopold Mozart, and Wolfgang Amadeus Mozart Ashley Daniel Foot - Voice of Voltaire Kent Wilson - Voice of George Washington Mack McGillivray - Audio Producer
SynopsisOn today's date in 1785, Wolfgang Amadeus Mozart dedicated six of his string quartets to his friend and older colleague, Joseph Haydn. Earlier that year, Haydn heard some of them performed in Vienna. Leopold Mozart, Wolfgang's father, was also present, and must have been elated when Haydn said, “Before God and as an honest man I tell you that your son is the greatest composer known to me either in person or by name.”Mozart's quartets were published by the Viennese firm Artaria and generated some much-needed income for Wolfgang. Whether they made money for their publisher as well is another matter. Three years later, one of Mozart's lesser contemporaries, Karl Ditters von Dittersdorf, offered Artaria six of HIS string quartets at the same price they paid Mozart, with a note that read, “I am certain you will do better with MY quartets than you did with Mozart's, which deserve the highest praise, but which, because of their overwhelming and unrelenting artfulness, are not to EVERYONE's taste.”Apparently Mozart's quartets were deemed too “brainy” for public taste. Well, Dittersdorf may have sold better in the 1780's, but these days performers and audiences find Mozart's “unrelenting artfulness” more to their taste than Dittersdorf's sugary confections.Music Played in Today's ProgramWolfgang Amadeus Mozart (1756 - 1791) String Quartet in G, K.387 Emerson String Quartet DG 439 861Carl Ditters von Dittersdorf (1739 - 1799) String Quartet No. 4 in C Gewandhaus Quartet Berlin Classics 9261
I am so pleased to announce the winner of our draw to receive a copy of "The Real Mozart: The Original King Of Pop". If you didn't catch my interview with author Judith Grohmann, please check it out HERE.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
Hoy entrevistamos a Ramón Morales Valverde, científico titular del CSIC, que ha trabajado en el Real Jardín Botánico de Madrid hasta su jubilación en 2020, aunque sigue activo publicando interesantes escritos sobre botánica. Leonardo Daimiel Pérez de Madrid presenta la carta de Leopold Mozart sobre la copia de su hijo Wolfgang Amadeus del Miserere secreto de Roma en la sección "Pensar y sentir". El profesor Ignacio del Villar presenta la figura del científico Nicolas Steno, santo, en la sección de la Sociedad de Científicos Católicos. Luis Antequera presenta la sección de historia "Hoy no es un día cualquiera". El profesor José Manuel Amaya presentará la sección de curiosidades científicas.
Recently, I chatted with author Judith Grohmann about her book, "The Real Mozart: The Original King Of Pop". This biography dives headfirst into the psychological workings of Mozart, as he navigates the explosive times of Viennese society during the enlightenment; his romantic and familial relationships, especially with his father Leopold; as well as, balancing the mundane task of earning money versus musical experimentation and expression.If you'd like to order the book, please visit Pen & Sword Books.I will also holding a draw for a free copy of the book. Just give the podcast a rating or review on Apple Podcasts and send a screenshot to TCMMPodcast@Gmail.com and you will be entered into the draw to win. I will announce the winner at the end of July.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
Leopold Mozart - Trombone Concerto: Allegro Alain Trudel, trombone Northern Sinfonia Alain Trudel, conductor More info about today's track: Naxos 8.553831 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon
Join me as I chat with author Patrick Mackie about his book, “Mozart In Motion: His Work And His World In Pieces”. This biography is a fabulous deep-dive into Mozart—his inner psychology as both performer and composer and how he interacts with external forces such as society and family. To order a copy of the book please visit the publisher.Patrick Mackie is a poet whose work has appeared in The White Review, New Statesman, and The Paris Review. A former visiting fellow at Harvard, he is the author of Excerpts from the Memoirs of a Fool.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
Un día como hoy, 28 de mayo: Nace: 1641: Janez Vajkard Valvasor, polímata esloveno (f. 1693). 1779: Thomas Moore, escritor y músico irlandés (f. 1852). 1908: Ian Fleming, escritor y actor británico, creador de James Bond (f. 1964). 1925: Dietrich Fischer-Dieskau, barítono, director de orquesta y musicólogo alemán. Fallece: 1787: Leopold Mozart, músico y compositor austríaco, padre de Wolfgang Amadeus Mozart (n. 1719). 1805: Luigi Boccherini, compositor italiano (n. 1743). 1884: Juan Cordero, pintor mexicano (n. 1824). 1893: Felipe Villanueva, compositor mexicano (n. 1862). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023
Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘Mozart in Utrecht, 1766' Over het niveau van de musici liet Leopold Mozart heel expliciet uit: ‘Ezels!' Wat zijn zoontje er van vond…? Op 21 april 1766 verzorgde Wolfgang Amadeus een concert in Utrecht. Kaarten waren oa verkrijgbaar bij het hotel in de Minnebroederstraat waar de Mozarts verbleven. Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/001b2297-b70e-40d8-b38d-ed0b29ac3b19/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-16-17-t-m-21-april) Wolfgang Amadeus Mozart Symfonie nr.5, KV.22 Il Fondamento olv Paul Dombrecht (album: Mozart Early Symphonies) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.
Georg Friedrich Händel (1685-1759) - Zadok the Priest HWV 258Choir of Westminster AbbeyMartin Baker, direttore*****Leopold Mozart (1719 - 1787) - Missa Solemnis in Do MaggioreI. KyrieII. GloriaIII. CredoIV. SanctusV. BenedictusVI. Agnus DeiArleen Augér, sopranoGabriele Schrecknbach, altoHorst Laubenthal, tenorBarry McDaniel, baritoneChor der St.Hedwigs - Kathedrale BerlinDomKapelle - BerlinRoland Bader, direttore
Leopold Mozart (1719 - 1787) - Missa Solemnis in Do maggiore00:05 I. Kyrie04:35 II. Gloria21:45 III. Credo38:27 IV. Sanctus40:23 V. Benedictus45:38 VI. Agnus DeiArleen Augér, sopranoGabriele Schrecknbach, altoHorst Laubenthal, tenorBarry McDaniel, baritoneChor der St.Hedwigs - Kathedrale BerlinDomKapelle - BerlinRoland Bader, conductor
Mozart's 'Dissonance' Quartet is the last of a set of six famously dedicated by Mozart to his 'very dear friend' Joseph Haydn. Soon after he arrived in Vienna in 1781, Mozart came to know Haydn's recently published Op. 33 set of innovatory string quartets which, said Haydn, had been composed in ‘a new and special way'. It was no idle boast. Not only more concentrated and sophisticated than any previous string quartet, the Op. 33s also employed all four instruments in a more equal, conversational style than ever before. For Mozart, responding to the Op. 33s with his own set of quartets became a longer and more arduous compositional challenge than any other he ever undertook. The 'Dissonance' got its nickname in the 19th-century, well after Mozart's death, on account of its mysterious slow introduction, with its complex and unsettling harmonies. It caps the set of six which impressed its dedicatee so much that, shortly after the 1785 premiere, Haydn declared to Leopold Mozart that 'Before God and as an honest man, I tell you that your son is the greatest composer known to me either in person or by name.'
Per secoli, alcuni abitanti delle Alpi svizzere hanno utilizzato uno strumento unico per la comunicazione: l'Alpenhorn, ovvero il corno delle Alpi. Potrebbe non sembrare utile: alcuni corni sono due volte più alti dei loro suonatori. Eppure, il corno può essere trasportato a mano. Alcune versioni si separano anche in più pezzi che si adattano a una comoda custodia. Il corno delle Alpi può essere ascoltato fino a 10 km di distanza, in modo facilmente udibile, attraverso le alte valli alpine! Fare un corno delle Alpi Tradizionalmente realizzato con abete rosso di montagna, il corno delle Alpi è di casa nelle splendide Alpi svizzere. Le forze naturali fanno sì che gli abeti rossi che crescono su ripide colline sviluppino una curvatura alla base. Dopo aver selezionato un albero, il produttore di corni fa una divisione accurata del legno e, usando speciali scalpelli, ne ricava le 2 metà. Questo passaggio da solo può richiedere fino a 80 ore! L'artigiano, quindi, lima e leviga l'interno dell'albero. Incolla e avvolge le 2 metà insieme, strettamente, con il midollino o il vimine. Attacca anche un piedistallo di legno, che sosterrà il corno quando verrà suonato. Infine, dopo aver montato un bocchino adatto allo strumento e decorato la campana con un disegno dipinto o intagliato a mano, l'artigiano ricopre il corno delle Alpi con una vernice resistente alle intemperie. Usi tradizionali Per generazioni, pastori e mandriani hanno suonato il corno delle Alpi dall'alto del prato per segnalare un confortante “tutto va bene” alle loro famiglie nella valle sottostante. Però, lo usavano principalmente per richiamare le loro mucche alla mungitura. I casari svizzeri hanno a lungo creduto che il dolce suono del corno delle Alpi aiutasse a mantenere tranquille le mucche durante la mungitura. In inverno, quando le mucche tornavano nelle loro stalle nella valle, molti pastori portavano i propri corni in città per suonare e intrattenere, integrando così le loro entrate. Storicamente, il corno delle Alpi è stato persino usato per chiamare gli uomini alla guerra. Come si suona? A prima vista, si potrebbe pensare che suonare il corno delle Alpi sia facile. Dopo tutto, non ha fori, chiavi, tasti o pistoni. La sfida sta nel regolare il passaggio dell'aria nel tubo in modo che il tono desiderato esca piacevole. I corni delle Alpi producono solo 12 toni naturali. Sebbene non tutti i brani possano essere suonati sullo strumento, si scrivono apposite melodie per esso, e un musicista esperto può dimostrare un virtuosismo elettrizzante. Compositori famosi hanno incluso il suono del corno delle Alpi nelle loro partiture orchestrali. Ad esempio, Leopold Mozart, il padre di Wolfgang Amadeus Mozart, scrisse la sua “Sinfonia Pastorella” per orchestra e corno pastoritio, una specie di corno delle Alpi. Brahms cercò di simulare il tono di un corno svizzero usando flauti e corni, e Beethoven, nella sua sinfonia Pastorale, imitò il corno delle Alpi per evocare l'atmosfera della vita pastorale. Il corno delle Alpi è stato menzionato per la prima volta in un uno scritto in Svizzera nell'anno 1527. Il nome era riportato in un libro contabile appartenente al monastero di Sant'Urbano. Ora, quasi 500 anni dopo, la voce gentile del corno delle Alpi può ancora essere ascoltata mentre echeggia sui maestosi prati alpini della Svizzera. Fonte: Awake 1/12 Tipeee – Keration – Il corno delle Alpi --- Send in a voice message: https://podcasters.spotify.com/pod/show/corgiov/message
Arcangelo Corelli (1653-1713) - Concerto grosso in sol minore, op. 6, n. 8 “fatto per la notte di Natale”I. Vivace - GraveII. AllegroIII. Adagio - Allegro - AdagioIV. VivaceV. AllegroVI. Pastorale. LargoAccademia degli AstrusiFederico Ferri, direttore Starts at 12'47”Giuseppe Torelli (1658-1709) - Concerto in forma di Pastorale per il S. Natale op. 8 n. 6I. Grave, vivace II. Largo III. AllegroSt James BaroqueIvor Bolton, direttore Starts at 18'09”Francesco Manfredini (1684 - 1762) - Concerto Grosso per il Santissimo NataleI. Largo (Pastorale per il Santissimo Natale)II. LargoIII. AllegroLucerne Festival Strings Rudolf Baumgartner, direttore Starts at 27'29”Leopold Mozart (?) (1719-1787) - Cassation in G Major “Toy Symphony”I. Allegro II. MenuettoIII. FinaleKammerorchester BerlinHelmut Koch, direttore
Georg Friedrich Händel (1685-1759) - Zadok the Priest HWV 258Choir of Westminster AbbeyMartin Baker, direttore*****Leopold Mozart (1719 - 1787) - Missa Solemnis in Do MaggioreI. KyrieII. GloriaIII. CredoIV. SanctusV. BenedictusVI. Agnus DeiArleen Augér, sopranoGabriele Schrecknbach, altoHorst Laubenthal, tenorBarry McDaniel, baritoneChor der St.Hedwigs - Kathedrale BerlinDomKapelle - BerlinRoland Bader, direttore
If you explore the history of psychotherapy, you'll come upon the name Franz Anton Mesmer. In 1767 Mesmer moved to a magnificent estate in Vienna, and among the guests he entertained there were Leopold Mozart and his family. When Leopold's 12-year-old son Wolfgang wrote an opera called Bastien und Bastienne, the premiere took place in Dr. Mesmer's private theater.
Trumpet virtuoso (and principal of the Montreal Symphony Orchestra) Paul Merkelo has a new recording out on Sony Classical, which features stand-out performances of four popular concertos – all composed during The Age of Enlightenment in Europe (as Paul explains in this interview, the trumpet and its music was itself going through some changes during this period). Paul brings three different trumpets (including one of them custom made) for fresh and fantastic performances of works by Haydn, Telemann, Leopold Mozart, and Hummel.
Georg Friedrich Händel (1685-1759) - Zadok the Priest HWV 258Choir of Westminster AbbeyMartin Baker, direttore *****Leopold Mozart (1719 - 1787) - Missa Solemnis in Do MaggioreI. KyrieII. GloriaIII. CredoIV. SanctusV. BenedictusVI. Agnus DeiArleen Augér, sopranoGabriele Schrecknbach, altoHorst Laubenthal, tenorBarry McDaniel, baritone Chor der St.Hedwigs - Kathedrale BerlinDomKapelle - BerlinRoland Bader, direttore
Que Franz Joseph Haydn es un compositor completamente único lo sabemos todos. Sin embargo, poco o muy poco conocemos sobre Michael Haydn, hermano menor de éste y que también consiguió llevar una carrera más que decente en el mundo de la música. En este volumen de Una Cosa Rara, viajamos al Salzburgo del siglo XVIII para descubrir a un excelente compositor de música sacra, amigo de Wolfgang pero enemigo de Leopold Mozart, personajes históricos con los que Michael Haydn tuvo más de una anécdota divertida en común.
有的時候溝通不需要靠文字，能讓人心領神會的瞬間也許只需要大家都認同的一種默契或暗號。 而音樂主題就是這樣的一個暗號，使用一些特殊的音樂片段或是某種特定的樂器，使聽眾能快速的將音樂連結到生活中的特定場景。 更多資訊可以參考 那個音樂史 the-music-history.com [bgm (opening)] Fanfare to The National Anthem (2015 UK) [bgm (clip)] Leopold Mozart, Sinfonia di Caccia [bgm (clip)] Haydn, Symphony No. 100 "Military", 2nd movement [bgm (clip)] Beethoven, Symphony No.6 "Pastoral", 1st movement [bgm] Satie, Gymnopedies No.1, 2, 3 Support this show: https://pay.firstory.me/user/the-music-history Leave a comment and share your thoughts: https://open.firstory.me/story/cl0g28gnf4nhm0a86ynjqq99p?m=comment Powered by Firstory Hosting
Leopold Mozart (1719 - 1787) - Missa Solemnis in Do maggiore00:05 I. Kyrie04:35 II. Gloria21:45 III. Credo38:27 IV. Sanctus40:23 V. Benedictus45:38 VI. Agnus DeiArleen Augér, sopranoGabriele Schrecknbach, altoHorst Laubenthal, tenorBarry McDaniel, baritoneChor der St.Hedwigs - Kathedrale BerlinDomKapelle - BerlinRoland Bader, conductor
Leopold Mozart als berühmtester Studienabbrecher, kulinarische Vorlieben der Fürsterzbischöfe und die ersten Frauen in den Hörsälen – all das begegnet Christoph Brandhuber tagtäglich bei seiner Arbeit. Passend zum aktuellen Jubiläum der Paris Lodron Universität Salzburg erzählt der Leiter des Uni-Archivs Anekdoten aus vier Jahrhunderten Geschichte der altehrwürdigen Lehranstalt. Folge direkt herunterladen
Concierto/Viernes Temáticos: Mozart a través de sus cartas (IV). Viena, 1785. Diálogos con Haydn. . Presentación a cargo de Cibrán Sierra: "Haydn y Mozart: amistad y admiración entre notas". Haydn fue el compositor más admirado de su tiempo y, a mediados de los años ochenta, Mozart reconocería su magisterio dedicándole seis de sus cuartetos. Tras escuchar estas obras, Haydn exclamaría ante un orgulloso Leopold Mozart: “vuestro hijo es el compositor más grande que he conocido”. Explore en canal.march.es el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.
By Sebastian Baczkiewicz. It's 1770 and Leopold Mozart is taking his 14-year-old son on a much-anticipated trip to Italy to perform for the great and the good. They hit trouble in Rome when young Wolfgang is found to have written down the closely guarded and hitherto unpublished music for Allegri's sacred 'Miserere'. And Cardinal Ucelli sees a chance to make a name for himself. Leopold Mozart ..... Paul Higgins, Cardinal Ucelli ..... Craige Els Liana ..... Claire-Louise Cordwell Donna Maria ..... Ayesha Antoine Lucius ..... Justice Ritchie Anna Mozart ..... Jasmine Hyde Violinist ..... Natalie Purton Singer ..... Dominic Mattos Composer/musical director ..... John Chambers Directed by Toby Swift This drama was originally aired on Radio 3.
Arcangelo Corelli (1653-1713) - Concerto grosso in sol minore, op. 6, n. 8 “fatto per la notte di Natale”I.Vivace - GraveII.AllegroIII.Adagio - Allegro - AdagioIV.VivaceV.AllegroVI.Pastorale. LargoAccademia degli AstrusiFederico Ferri, direttoreStarts at 12'47”Giuseppe Torelli (1658-1709) - Concerto in forma di Pastorale per il S. Natale op. 8 n. 6I. Grave, vivace II. Largo III. AllegroSt James BaroqueIvor Bolton, direttoreStarts at 18'09”Francesco Manfredini (1684 - 1762) - Concerto Grosso per il Santissimo NataleI.Largo (Pastorale per il Santissimo Natale)II.LargoIII.AllegroLucerne Festival Strings Rudolf Baumgartner, direttoreStarts at 27'29”Leopold Mozart (?) (1719-1787) - Cassation in G Major “Toy Symphony”I.Allegro II.MenuettoIII.FinaleKammerorchester BerlinHelmut Koch, direttore
18th-21st Centuries This week we hear works by Leopold Mozart, John Field, Joseph Joachim, Dmitri Shostakovich, and Charlotte Bray. 138 Minutes – Weeks of November 08 and November 15, 2021
Neste programa, o maestro João Mauricio Galindo responde perguntas sobre composições vocais de Wolfgang Amadeus Mozart e as trocas de cartas do compositor com o pai, Leopold Mozart; a importância da musicologia para o estudo histórico das composições; Chopin e a Marcha Fúnebre; Boston Pops e o maestro Arthur Fiedler; Beethoven e a ópera Fidelio.
Georg Friedrich Händel (1685-1759) - Zadok the Priest HWV 258Choir of Westminster AbbeyMartin Baker, direttore*****Leopold Mozart (1719 - 1787) - Missa Solemnis in Do MaggioreI. KyrieII. GloriaIII. CredoIV. SanctusV. BenedictusVI. Agnus DeiArleen Augér, sopranoGabriele Schrecknbach, altoHorst Laubenthal, tenorBarry McDaniel, baritoneChor der St.Hedwigs - Kathedrale BerlinDomKapelle - BerlinRoland Bader, direttore
Der Geiger Linus Roth ist der künstlerische Leiter des Leopold-Mozart-Violinwettbewerbs in Ausgburg. Doch diesen Wettbewerb wird es nun nicht mehr geben. BR-KLASSIK-Moderatorin Kathrin Hasselbeck hat mit Linus Roth über die Gründe gesprochen.
Un día como hoy, 28 de mayo: Nace: 1641: Janez Vajkard Valvasor, polímata esloveno (f. 1693). 1779: Thomas Moore, escritor y músico irlandés (f. 1852). 1908: Ian Fleming, escritor y actor británico, creador de James Bond (f. 1964). 1925: Dietrich Fischer-Dieskau, barítono, director de orquesta y musicólogo alemán. Fallece: 1787: Leopold Mozart, músico y compositor austríaco, padre de Wolfgang Amadeus Mozart (n. 1719). 1805: Luigi Boccherini, compositor italiano (n. 1743). 1884: Juan Cordero, pintor mexicano (n. 1824). 1893: Felipe Villanueva, compositor mexicano (n. 1862). Una producción de Sala Prisma Podcast. 2021
A cura di Massimiliano Samsa Georg Friedrich Händel (1685-1759) - Zadok the Priest HWV 258Choir of Westminster AbbeyMartin Baker, direttore*****Leopold Mozart (1719 - 1787) - Missa Solemnis in Do MaggioreI. KyrieII. GloriaIII. CredoIV. SanctusV. BenedictusVI. Agnus DeiArleen Augér, sopranoGabriele Schrecknbach, altoHorst Laubenthal, tenorBarry McDaniel, baritoneChor der St.Hedwigs - Kathedrale BerlinDomKapelle - BerlinRoland Bader, direttore
Kalm met Klassiek is jouw dagelijkse dosis klassieke rust. Vrijdag: hoog tijd om lekker te ontspannen na een drukke werkweek! De familieweek is bijna op z'n eind, maar natuurlijk niet zonder de volgende familie in de spotlights te zetten: de Mozart. Dat muzikale DNA van Wolfgang Amadeus en Maria Anna kwam rechtstreeks van vader Leopold. Geniet van zijn 'Symfonie' en ga relaxed het weekend in.
Symphony No. 11 in D major, K. 84/73q, was at one time considered unquestionably to be the work of Wolfgang Amadeus Mozart. Its status has, however, been challenged, and (as of 2008) remains uncertain. It is believed to date from 1770 and may have been written in Milan or Bologna if it is a genuine Mozart work. An early manuscript from Vienna attributes the work to Wolfgang, but nineteenth-century copies of the score attribute it respectively to Leopold Mozart and to Carl Dittersdorf. Neal Zaslaw writes: "A comparison of the results of two stylistic analyses of the work's first movement with analyses of unquestionably genuine first movements of the period by the three composers suggests that Wolfgang is the most likely of the three to have been the composer of K73q". Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p1131/Mozart%3A_The_4_Symphonies_in_D.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com
The Symphony B♭ major, K. 319?, was written by Wolfgang Amadeus Mozart, and dated on 9 July 1779. The Symphony No. 8 in D major, (K. 48), by Wolfgang Amadeus Mozart is dated December 13, 1768. It was written in Vienna, at a time when the family were already due to have returned home to Salzburg. In a letter to his friend in Salzburg, Lorenz Hagenauer, Leopold Mozart says of the delay that "we could not bring our affairs to a conclusion earlier, even though I endeavored strenuously to do so." The autograph of the Symphony No. 8 is today preserved in the Staatsbibliothek Preusischer Kulturbesitz in Berlin. Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p1126/Mozart%3A_Symphonies_in_B-flat_and_8.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com
Cataloging the Mozart Symphonies and determining the difference between a symphony by Amadeus and his father Leopold can lead to some unusual investigations by modern musicologists. Here we offer our listeners a case worthy of the best detectives found in any mystery novel. So, put on you sleuthing hat and let’s see what thoughts you may have on this specific case, which we will call “The Lambach Mystery.” The date is January 1769 and the Mozart family began their journey between Salzburg and Vienna. As was customary, they stopped at the Lambach Abbey in Upper Austria for room and meals. Monasteries, at this time, offered rooms and meals for travelers and maintained a chapel for the liturgy and entertainment. This stop over is not mentioned in the correspondence of the Mozart family and is only known through two manuscripts left in the monastery as a gift, or as payment, for room and board for the night. These two manuscripts were found at the beginning of the 20th century in the archives in the Lambach Abbey. One manuscript, the Old Lambach Symphony, was shown to be composed by Amadeus. The other manuscript, the New Lambach Symphony, was shown to be composed by Leopold. For many years, this was naturally assumed to be correct and was entered into the Mozart catalog as such. However, in 1964 Anna Abert published a new hypothesis that the title pages of the two Lambach Symphonies were either accidentally or purposefully reversed. She noted that the “New Lambach Symhony” was rather archaic in style and thus “less good” than the “Old Lambach Symphony” which was full of multiple themes and youthful inventiveness. So, dear listener, we put it to you. Do you think Leopold may have switched the title pages in order to take claim for a much better symphony? Perhaps while at the monastery, Leopold did his usual amount of bragging and couldn’t let the monks think that the lesser of the two symphonies was his. Or maybe the title switch was purely accidental during the coming years? Maybe the two manuscripts were dropped and pages became mixed by an unknowing monk only trying to rectify a brief mistake? Or maybe the confusion of trying to save the manuscripts during the Nazi occupation of Austria was to blame? We will let our listeners decide on which symphony belongs to which composer. Is the “New Lambach Symphony” really Leopold’s or does it belong to Amadeus? First, we will listen to the “Old Lambach Symphony” which was originally attributed to Amadeus. Now, we will listen to the “New Lambach Symphony” which is attributed to Leopold Mozart. After you have heard both symphonies, please leave a comment about this broadcast letting us know your thoughts as to who wrote which symphony. We will give the results in a later broadcast. Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p134/13113_The_Lambach_Mystery.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com
Un día como hoy, 14 de noviembre: 1719, nace Leopold Mozart. 1805, nace Fanny Mendelssohn. 1840, nace Claude Monet. 1885, nace Sonia Delaunay. 1900, nace Aaron Copland. 1716, fallece Gottfried Leibniz. 1831, fallece Georg Hegel. 1844, fallece Flora Tristan. 1946, fallece Manuel de Falla. Una producción de Sala Prisma Podcast. 2020
We're taking a break from b-movies this week and are instead checking out a film many consider to be one of the greatest ever made. It's Amadeus, released September 19th, 1984. It tells the (very fictional) story of Mozart and a man called Salieri who wants him dead. It's a tale of jealousy, opera and mercury. Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the show! Facebook: https://fb.me/oldiebutagoodiepod Omny: https://omny.fm/shows/oldie-but-a-goodie YouTube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA Songs from 1984 Playlist: https://open.spotify.com/playlist/39v1MbWf849XD8aau0yA52 Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ Zach Adams - Instagram: https://www.instagram.com/zach4dams/ Listen to Sandro's other podcast: Nerd-Out! https://omny.fm/shows/nerdout See omnystudio.com/policies/listener for privacy information.
On today’s date in 1785, Wolfgang Amadeus Mozart dedicated six of his string quartets to his friend and older colleague, Joseph Haydn. Earlier that year, Haydn heard some of them performed in Vienna. Leopold Mozart, Wolfgang’s father, was also present, and must have been elated when Haydn said, “Before God and as an honest man I tell you that your son is the greatest composer known to me either in person or by name.” Mozart’s quartets were published by the Viennese firm Artaria and generated some much-needed income for Wolfgang. Whether they made money for their publisher as well is another matter. Three years later, one of Mozart’s lesser contemporaries, Karl Ditters von Dittersdorf, offered Artaria six of HIS string quartets at the same price they paid Mozart, with a note that read, “I am certain you will do better with MY quartets than you did with Mozart’s, which deserve the highest praise, but which, because of their overwhelming and unrelenting artfulness, are not to EVERYONE’s taste.” Apparently Mozart’s quartets were deemed too “brainy” for public taste. Well, Dittersdorf may have sold better in the 1780’s, but these days performers and audiences find Mozart’s “unrelenting artfulness” more to their taste than Dittersdorf’s sugary confections.
On today’s date in 1785, Wolfgang Amadeus Mozart dedicated six of his string quartets to his friend and older colleague, Joseph Haydn. Earlier that year, Haydn heard some of them performed in Vienna. Leopold Mozart, Wolfgang’s father, was also present, and must have been elated when Haydn said, “Before God and as an honest man I tell you that your son is the greatest composer known to me either in person or by name.” Mozart’s quartets were published by the Viennese firm Artaria and generated some much-needed income for Wolfgang. Whether they made money for their publisher as well is another matter. Three years later, one of Mozart’s lesser contemporaries, Karl Ditters von Dittersdorf, offered Artaria six of HIS string quartets at the same price they paid Mozart, with a note that read, “I am certain you will do better with MY quartets than you did with Mozart’s, which deserve the highest praise, but which, because of their overwhelming and unrelenting artfulness, are not to EVERYONE’s taste.” Apparently Mozart’s quartets were deemed too “brainy” for public taste. Well, Dittersdorf may have sold better in the 1780’s, but these days performers and audiences find Mozart’s “unrelenting artfulness” more to their taste than Dittersdorf’s sugary confections.
On this episode, we discuss the fifty-seventh Best Picture Winner: “AMADEUS.”"Amadeus" follows Wolfgang Amadeus Mozart, a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men. Directed by Milos Forman, the film stars F. Murray Abraham as Antonio Salieri, Tom Hulce as Wolfgang Amadeus Mozart, Elizabeth Berridge as Constanze Mozart, Roy Dotrice as Leopold Mozart, and Jeffrey Jones as Emperor Joseph II.Here on The Envelope, we discuss & review every Best Picture Winner in the Academy Awards History. You can reach anyone here at TheEnvelopePodcast.com – Just go there to email us, check our bios, and keep up with the latest episode.
Eine neue Dauerausstellung gibt es im Geburtshaus von Leopold Mozart in Augsburg zu besichtigen. Hier werden Mozarts Vater und seine Welt neu erlebbar. Julika Jahnke hat das Haus vor der Eröffnung besichtigt.
Paul Merkelo, principal trumpet of the Montreal Symphony, chats with WQED-FM’s Jim Cunningham about his new album, The Enlightened Trumpet. Recorded on the Sony Classical label and featuring the Oxford Philharmonic Orchestra, the album includes compositions by Haydn, Telemann, Leopold Mozart, and Hummel. Paul is no stranger to Pittsburgh, having spent time as guest trumpet with the Pittsburgh Symphony Orchestra.
Es ist das Schicksal von Leopold Mozart, für immer im Schatten seines Sohnes Wolfgang Amadeus Mozart zu stehen. Dabei war der gebürtige Augsburger selbst Komponist - und Pädagoge. Anlässlich seines 300. Geburtstags sollen dies nun Grundschulkinder in ganz Schwaben erfahren - und so selbst zur Musik finden.
On this edition of the Classiclectic Connection , we speak with Trumpeter Paul Merkelo, all about his newest project The Enlightened Trumpet , which is his first release on Sony Classical. Paul is Principal Trumpet with the Montreal Symphonic Orchestra, and on this album, releases music of Haydn, Telemann, Leopold Mozart and Hummel; all music from the Age of Enlightenment, and all music featuring different kinds of trumpets throughout the instrument's development. He's joined on this recording with the Oxford Philharmonic and Marius Papadopoulos. Classiclectic host Kurt Hauswirth spoke with Paul by phone, and discussed the trumpet's evolution throughout time, Paul's influences and trumpet heroes, and what it was like working with a different orchestra than his own:
Wolfgang Amadeus Mozart's life was kind of complicated. His childhood as a musical prodigy was filled with practicing, writing music, and performing for royalty throughout Europe. He later struggled at times finding suitable employment and wanted to find his own path. It was a life lived under the watchful eye of his father, Leopold Mozart, and cut short at the age of 35.
Het is de geboortedag van ‘Wolfje’, de koosnaam die vader Leopold Mozart aan zijn zoon gaf. Wolfgang Amadeus kwam al vroeg in aanraking met de muziek van J.S. Bach – de bewondering voor en de studie van de Thomascantor is terug te horen in de muziek van Mozart. Johann Sebastian Bach, Fuga BWV.874 (WTCII), Andras Schiff (piano) Wolfgang Amadeus Mozart, Fuga K.405/5 (naar Bach, BWV.874), Akademie fur Alte Musik Berlin
Trumpet virtuoso (and principal of the Montreal Symphony Orchestra) Paul Merkelo has a new recording out on Sony Classical, which features stand-out performances of four popular concertos – all composed during The Age of Enlightenment in Europe (as Paul explains in this interview, the trumpet and its music was itself going through some changes during this period). Paul brings three different trumpets (including one of them custom made) for fresh and fantastic performances of works by Haydn, Telemann, Leopold Mozart, and Hummel.
Trumpet virtuoso (and principal of the Montreal Symphony Orchestra) Paul Merkelo has a new recording out on Sony Classical, which features stand-out performances of four popular concertos – all composed during The Age of Enlightenment in Europe (as Paul explains in this interview, the trumpet and its music was itself going through some changes during this period). Paul brings three different trumpets (including one of them custom made) for fresh and fantastic performances of works by Haydn, Telemann, Leopold Mozart, and Hummel.
Con Carlos Iribarren | Los 3 Reyes Magos se marchan a sus casas tras hacer felices a los niños del mundo con muchos regalos llenos de ilusión. Para homenajear a estos hombres tan maravillosos, Hoy Toca les dedica este programa en el que Carlos y Ana Laura Iglesias reciben la visita de Celia y Quique, 2 niños que dicen haberse portado muy bien. ¿Será verdad? ¿Acertarán los juegos que les hemos preparado? El arte de Saint-Saëns, Prokofiev, Leroy Anderson, Tchaikovsky y Leopold Mozart nos acompaña en un programa muy especial en el que podemos volver a ser niños gracias a la magia de la música que escucharemos en tan buena compañía. Esperamos que os guste este regalo de reyes que tenéis a un sólo clic en Clásica FM, la emisora con la mejor música del mundo.
Con Carlos Iribarren | Los 3 Reyes Magos se marchan a sus casas tras hacer felices a los niños del mundo con muchos regalos llenos de ilusión. Para homenajear a estos hombres tan maravillosos, Hoy Toca les dedica este programa en el que Carlos y Ana Laura Iglesias reciben la visita de Celia y Quique, 2 niños que dicen haberse portado muy bien. ¿Será verdad? ¿Acertarán los juegos que les hemos preparado? El arte de Saint-Saëns, Prokofiev, Leroy Anderson, Tchaikovsky y Leopold Mozart nos acompaña en un programa muy especial en el que podemos volver a ser niños gracias a la magia de la música que escucharemos en tan buena compañía. Esperamos que os guste este regalo de reyes que tenéis a un sólo clic en Clásica FM, la emisora con la mejor música del mundo.
Was wüssten wir heute über Leopold Mozart, wenn er nicht der Vater von Wolfgang Amadeus Mozart gewesen wäre? Die Frage lässt sich allerdings auch umkehren: Wäre W. A. Mozart ein noch heute ausserordentlich berühmter Komponist, wenn er nicht als Vater und Lehrmeister Leopold Mozart gehabt hätte? Bevor Leopold Mozart Vater wurde, komponiert er, unterrichtet, dichtet, und veröffentlicht 1756 sein bis heute bekanntestes Werk: «Versuch einer gründlichen Violinschule» – eine schon zu seinen Lebzeiten sehr erfolgreiches Lehrbuch mit mehreren Auflagen und Übersetzungen. Im gleichen Jahr kommt sein jüngstes Kind zur Welt: Wolfgang Amadeus Mozart. Leopold Mozart fördert die enorme musikalische Begabung seines Sohnes nach Leibeskräften und schreibt sich als Lehrmeister eines der bis heute beliebtesten Komponisten in die Annalen der Musikgeschichte ein.
"Ich bin kein Pedant, kein Betbruder, noch weniger ein Scheinheiliger." So beschrieb sich der Musiker und Komponist Leopold Mozart, der schon zu Lebzeiten im Schatten seines Sohnes stand. Bis heute ist er vor allem als dessen Musik-Erzieher und "Manager" bekannt. Autor: Christian Kosfeld
Il 14 novembre 1719 nasce ad Augusta Leopold Mozart. Sandro Cappelletto lo racconta a WikiMusic
Leopold Mozarts Briefe sind eine Fundgrube nicht nur für Informationen über seinen Sohn, sondern auch über das Denken in der Mitte des 18. Jahrhunderts.
Op 9 juni 1763 kocht Leopold Mozart een koets, hij huurt paarden en vertrekt met vrouw, beide wonderkinderen én zijn bediende naar Parijs. Wolfgang is dan 7 en zijn zusje Nannerl bijna 12 jaar oud. Als volleerd impresario organiseert Leopold concerten en bewerkt hij met vele brieven het thuisfront en zijn sponsors. Hij schept op over hun avonturen en Leopold vergaapt zich aan die eigenaardige Fransen en Engelsen, om over de Hollanders maar te zwijgen… Luister naar de reisavonturen van de familie Mozart.
Vom 31. Mai bis zum 8. Juni 2019 findet der 10. Internationale Violinwettbewerb Leopold Mozart statt. Der Wettbewerb ehrt Leopold Mozart, der in Augsburg geboren wurde und dort im Geburtsjahr seines Sohnes Wolfgang Amadeus seine bedeutende Violinschule veröffentlicht hat. Torsten Thierbach berichtet vom Wetbewerb.
300 Jahre Leopold Mozart - unter diesem Motto steht das diesjährige Deutsche Mozartfest Augsburg. Doch was war der Mozart-Vater für ein Mensch? Cellist Maximilian Hornung und Geigerin Sarah Christian über Leopold Mozart und ihr gemeinsames Konzert beim Mozartfest.
Being the father of the world's most famous composer can't have been easy, and nowadays Leopold Mozart is one of the long list of composers perennially eclipsed by the virtuoso great. In this episode, we celebrate the life and works of a fine late Baroque/early Classical composer in his own right.
Con Isabel Roch | Esta semana en Música en Familia, el espacio de Clásica FM para disfrutar junto a los más pequeños, conocemos a fondo la Sinfonía de los Juguetes es una divertida pieza con algunos secretos por descubrir escrita por Leopold Mozart, el padre del gran W. A. Mozart. Una obra compuesta para niños, con instrumentos insólitos y jugeuetes que disfrutamos en este nuevo capítulo de Música en Familia.
Con Isabel Roch | Esta semana en Música en Familia, el espacio de Clásica FM para disfrutar junto a los más pequeños, conocemos a fondo la Sinfonía de los Juguetes es una divertida pieza con algunos secretos por descubrir escrita por Leopold Mozart, el padre del gran W. A. Mozart. Una obra compuesta para niños, con instrumentos insólitos y jugeuetes que disfrutamos en este nuevo capítulo de Música en Familia.
Augsburg ist Mozart-Stadt, feiert heuer den 300. Geburtstag von Leopold Mozart. Und: Augsburg ist Textil-Stadt, zumindest war sie es lange. Und diese beiden Fäden nimmt Augsburg jetzt auf - mit einer Ausstellung im "tim", dem Textil- und Industriemuseum. Erstaunlich: Für die Mozarts, Vater Leopold wie Sohn Wolfgang Amadeus, war längst nicht nur die Musik wichtig, sondern auch schöne Kleidung!
con Luca Damiani
Idag den 27 januari för 263 år sedan föddes Wolfgang Amadé Mozart. Mycket har sagts om hans dominante pappa, men vad betydde hans mamma för honom? Lyssna på alla avsnitt i Sveriges Radio Play. Ja, mycket har sagts om Mozarts far, violinisten och kompositören Leopold Mozart - som förresten föddes för 300 år sedan i år - men desto mindre om hans mor Anna Maria Pertl. Under några år från det att han var i sexårsåldern åkte Mozarts far runt med sitt underbarn till son, men vad betydde det för den unge Mozart att vara skild från sin mor under långa perioder? Fick han ens vara barn? Det är frågan i det här programmet. I programmet medverkar psykologen Egil Linge och genushistorikern Audur Magnusdottir. Uppläsare som Mozarts pappa är Tommy Johansson och som Mozarts mamma Annelie Malmborg Cooper. Programmet är en repris från "Musikmagasinet" i P2 den 15 augusti 2011 där det ingick i serien "Tonsättare och deras mammor". En P2 Dokumentär av Katarina A Karlsson. Tekniker Karin Blomqvist.
Idag den 27 januari för 263 år sedan föddes Wolfgang Amadé Mozart. Mycket har sagts om hans dominante pappa, men vad betydde hans mamma för honom? Ja, mycket har sagts om Mozarts far, violinisten och kompositören Leopold Mozart - som förresten föddes för 300 år sedan i år - men desto mindre om hans mor Anna Maria Pertl. Under några år från det att han var i sexårsåldern åkte Mozarts far runt med sitt underbarn till son, men vad betydde det för den unge Mozart att vara skild från sin mor under långa perioder? Fick han ens vara barn? Det är frågan i det här programmet. I programmet medverkar psykologen Egil Linge och genushistorikern Audur Magnusdottir. Uppläsare som Mozarts pappa är Tommy Johansson och som Mozarts mamma Annelie Malmborg Cooper. Programmet är en repris från "Musikmagasinet" i P2 den 15 augusti 2011 där det ingick i serien "Tonsättare och deras mammor". En P2 Dokumentär av Katarina A Karlsson. Tekniker Karin Blomqvist.
Hijo del violinista y compositor Leopold Mozart, Wolfgang Amadeus fue un niño prodigio que a los tres años lograba distinguir sucesiones armónicas y crear melodías. Tras sus últimas composiciones en 1791, Mozart cayó enfermo y durante dos meses padeció de fuertes dolores y alucinaciones que lo llevaron a la muerte el 5 de diciembre del mismo año. Hasta el día de hoy se desconoce la verdadera causa de su muerte.
Hijo del violinista y compositor Leopold Mozart, Wolfgang Amadeus fue un niño prodigio que a los tres años lograba distinguir sucesiones armónicas y crear melodías. Tras sus últimas composiciones en 1791, Mozart cayó enfermo y durante dos meses padeció de fuertes dolores y alucinaciones que lo llevaron a la muerte el 5 de diciembre del mismo año. Hasta el día de hoy se desconoce la verdadera causa de su muerte.
Ohne Leopold kein Wolfgang, ohne Johann kein Ludwig - viele Komponisten wären ohne ihre Väter nicht berühmt geworden. Den berühmtesten dieser Väter, Leopold Mozart, spüren wir in Augsburg auf. Und wir sprechen mit euch über eure Papas!
Wir sind mittendrin in Augsburg, beim Mozartfeschtle. Leopold Mozart ist in Augsburg aufgewachsen und sein Sohn, Wolfgang Amadeus, war auch mehrmals dort. Wo und warum, davon erzählen wir Euch.
Echo-Klassik-Preisträger Linus Roth wird neuer Künstlerischer Leiter des Internationalen Violinwettbewerbs Leopold Mozart Augsburg. Damit tritt er sein Amt pünktlich zum 300. Geburtstag von Leopold Mozart im Jahr 2019 an. Im Interview mit Kathrin Hasselbeck plaudert der deutsche Geiger aus dem Nähkästchen und erzählt unter anderem, welche Neuerungen es nun geben wird.
Wynton Marsalis joined us for Behind The Note Podcast today! We talked many things including leadership, building a team, and turning vision into reality. Rate Behind The Note Podcast on the platform you're using right now to read this script and to listen to the show. Press Play. Enjoy. Share. ---------------------------------------------------------------------------- Here is Wynton's Bio straight from his website: Wynton Marsalis is an internationally acclaimed musician, composer, bandleader, educator and a leading advocate of American culture. He is the world’s first jazz artist to perform and compose across the full jazz spectrum from its New Orleans roots to bebop to modern jazz. By creating and performing an expansive range of brilliant new music for quartets to big bands, chamber music ensembles to symphony orchestras, tap dance to ballet, Wynton has expanded the vocabulary for jazz and created a vital body of work that places him among the world’s finest musicians and composers. The Early Years Wynton was born in New Orleans, Louisiana, on October 18, 1961, to Ellis and Dolores Marsalis, the second of six sons. At an early age he exhibited a superior aptitude for music and a desire to participate in American culture. At age eight Wynton performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist Danny Barker, and at 14 he performed with the New Orleans Philharmonic. During high school Wynton performed with the New Orleans Symphony Brass Quintet, New Orleans Community Concert Band, New Orleans Youth Orchestra, New Orleans Symphony, various jazz bands and with the popular local funk band, the Creators. At age 17 Wynton became the youngest musician ever to be admitted to Tanglewood’s Berkshire Music Center. Despite his youth, he was awarded the school’s prestigious Harvey Shapiro Award for outstanding brass student. Wynton moved to New York City to attend Juilliard in 1979. When he began to pick up gigs around town, the grapevine began to buzz. In 1980 Wynton seized the opportunity to join the Jazz Messengers to study under master drummer and bandleader Art Blakey. It was from Blakey that Wynton acquired his concept for bandleading and for bringing intensity to each and every performance. In the years to follow Wynton performed with Sarah Vaughan, Dizzy Gillespie, Sweets Edison, Clark Terry, John Lewis, Sonny Rollins, Ron Carter, Herbie Hancock, Tony Williams and countless other jazz legends. Wynton assembled his own band in 1981 and hit the road, performing over 120 concerts every year for 15 consecutive years. With the power of his superior musicianship, the infectious sound of his swinging bands and an exhaustive series of performances and music workshops, Marsalis rekindled widespread interest in jazz throughout the world. Wynton embraced the jazz lineage to garner recognition for the older generation of overlooked jazz musicians and prompted the re-issue of jazz catalog by record companies worldwide. He also inspired a renaissance that attracted a new generation of fine young talent to jazz. A look at the more distinguished jazz musicians of today reveals numerous students of Marsalis’ workshops: James Carter, Christian McBride, Roy Hargrove, Harry Connick Jr., Nicholas Payton, Eric Reed and Eric Lewis, to name a few. Classical Career Wynton’s love of the music of Bach, Beethoven, Mozart and others drove him to pursue a career in classical music as well. He recorded the Haydn, Hummel and Leopold Mozart trumpet concertos at age 20. His debut recording received glorious reviews and won the Grammy Award® for “Best Classical Soloist with an Orchestra.” Marsalis went on to record 10 additional classical records, all to critical acclaim. Wynton performed with leading orchestras including the New York Philharmonic, Los Angeles Philharmonic, Boston Pops, The Cleveland Orchestra, Saint Louis Symphony Orchestra, English Chamber Orchestra, Toronto Symphony Orchestra and London’s Royal Philharmonic, working with an eminent group of conductors including: Leppard, Dutoit, Maazel, Slatkin, Salonen and Tilson-Thomas. A timeless highlight of Wynton’s classical career is his collaboration with soprano Kathleen Battle on their recording Baroque Duet. Famed classical trumpeter Maurice André praised Wynton as “potentially the greatest trumpeter of all time.” Record Production To date Wynton has produced over 80 records which have sold over seven million copies worldwide including three Gold Records. His recordings consistently incorporate a heavy emphasis on the blues, an inclusive approach to all forms of jazz from New Orleans to modern jazz, persistent use of swing as the primary rhythm, an embrace of the American popular song, individual and collective improvisation, and a panoramic vision of compositional styles from dittys to dynamic call and response patterns (both within the rhythm section and between the rhythm section and horn players). Always swinging, Marsalis blows his trumpet with a clear tone and a unique, virtuosic style derived from an encyclopedic range of trumpet techniques. The Composer Wynton Marsalis is a prolific and inventive composer. The dance community embraced Wynton’s inventiveness by awarding him with commissions to create new music for Garth Fagan (Citi Movement-Griot New York & Lighthouse/Lightening Rod), Peter Martins at the New York City Ballet (Jazz: Six Syncopated Movements and Them Twos), Twyla Tharp with the American Ballet Theatre (Jump Start), Judith Jamison at the Alvin Ailey American Dance Theatre (Sweet Release and Here…Now), and Savion Glover (Petite Suite and Spaces). Marsalis collaborated with the Lincoln Center Chamber Music Society in 1995 to compose the string quartet At The Octoroon Balls, and again in 1998 to create a response to Stravinsky’s A Soldier’s Tale with his composition A Fiddler’s Tale. With his collection of standards arrangements, Wynton reconnected audiences with the beauty of the American popular song (Standard Time Volumes I-VI). He re-introduced the joy in New Orleans jazz with his recording The Majesty Of The Blues. He extended the jazz musician’s interplay with the blues in Levee Low Moan, Thick In The South and other blues recordings. With Citi Movement, In This House On This Morning and Blood On The Fields, Wynton invented a fresh conception for extended form compositions. His inventive interplay with melody, harmony and rhythm, along with his lyrical voicing and tonal coloring assert new possibilities for the jazz ensemble. In his dramatic oratorio Blood On The Fields, Wynton draws upon the blues, work songs, chants, call and response, spirituals, New Orleans jazz, Ellingtonesque orchestral arrangements and Afro-Caribbean rhythms; and he uses Greek chorus-style recitations to move the work along. The New York Times Magazine said the work “marked the symbolic moment when the full heritage of the line, Ellington through Mingus, was extended into the present.” The San Francisco Examiner stated, “Marsalis’ orchestral arrangements are magnificent. Duke Ellington’s shadings and themes come and go but Marsalis’ free use of dissonance, counter rhythms and polyphonics is way ahead of Ellington’s mid-century era.” Wynton extended his achievements in Blood On The Fields with All Rise, an epic composition for big band, gospel choir, and symphony orchestra – a classic work of high art – which was performed by the New York Philharmonic under the baton of Kurt Masur along with the Morgan State University Choir and the Lincoln Center Jazz Orchestra (December 1999). Marsalis collaborated with Ghanaian master drummer Yacub Addy to create Congo Square, a groundbreaking composition combining elegant harmonies from America’s jazz tradition with fundamental rituals in African percussion and vocals (2006). For the anniversary of the Abyssinian Baptist Church’s 200th year of service, Marsalis blended Baptist church choir cadences with blues accents and big band swing rhythms to compose Abyssinian 200: A Celebration, which was performed by the Jazz at Lincoln Center Orchestra and Abyssinian’s 100 voice choir before packed houses in New York City (May 2008). In the fall of 2009 the Atlanta Symphony Orchestra premiered Marsalis’ composition Blues Symphony. By infusing blues and ragtime rhythms with symphonic orchestrations Wynton creates a fresh type of enjoyment of classical repertoire. Employing complex layers of collective improvisation, Marsalis further expanded his repertoire for symphony orchestra with Swing Symphony, premiered by the renowned Berlin Philharmonic in June 2010, creating new possibilities for audiences to experience a symphony orchestra swing. Marsalis’ rich and expansive body of music for the ages places him among the world’s most significant composers. Television, Radio & Literary In the fall of 1995 Wynton launched two major broadcast events. In October PBS premiered Marsalis On Music, an educational television series on jazz and classical music. The series was written and hosted by Marsalis and was enjoyed by millions of parents and children. Writers distinguished Marsalis On Music with comparisons to Leonard Bernstein’s celebrated Young People’s Concerts of the 50s and 60s. That same month National Public Radio aired the first of Marsalis’ 26-week series entitled Making the Music. These entertaining and insightful radio shows were the first full exposition of jazz music in American broadcast history. Wynton’s radio and television series were awarded the most prestigious distinction in broadcast journalism, the George Foster Peabody Award. The Spirit of New Orleans, Wynton’s poetic tribute to the New Orleans Saints’ first Super Bowl victory (Super Bowl XLIV) received an Emmy Award for Outstanding Short Feature (2011). From 2012 to 2014 Wynton served as cultural correspondent for CBS News, writing and presenting features for CBS This Morning on an array topics from Martin Luther King, Nelson Mandela and Louis Armstrong to Juke Joints, BBQ, the Quarterback & Conducting and Thankfulness. Marsalis has written six books: Sweet Swing Blues on the Road, Jazz in the Bittersweet Blues of Life, To a Young Musician: Letters from the Road, Jazz ABZ (an A to Z collection of poems celebrating jazz greats), Moving to Higher Ground: How Jazz Can Change Your Life and Squeak, Rumble, Whomp! Whomp! Whomp! a sonic adventure for kids. Awards and Accolades Wynton Marsalis has won nine Grammy Awards® in grand style. In 1983 he became the only artist ever to win Grammy Awards® for both jazz and classical records; and he repeated the distinction by winning jazz and classical Grammys® again in 1984. Today Wynton is the only artist ever to win Grammy Awards® in five consecutive years (1983-1987). Honorary degrees have been conferred upon Wynton by over 25 of America’s leading academic institutions including Columbia, Harvard, Howard, Princeton and Yale (see Exhibit A). Elsewhere Wynton was honored with the Louis Armstrong Memorial Medal and the Algur H. Meadows Award for Excellence in the Arts. He was inducted into the American Academy of Achievement and was dubbed an Honorary Dreamer by the “I Have a Dream Foundation.” The New York Urban League awarded Wynton with the Frederick Douglass Medallion for distinguished leadership and the American Arts Council presented him with the Arts Education Award. Time magazine selected Wynton as one of America’s most promising leaders under age 40 in 1995, and in 1996 Time celebrated Marsalis again as one of America’s 25 most influential people. In November 2005 Wynton Marsalis received The National Medal of Arts, the highest award given to artists by the United States Government. United Nations Secretary-General Kofi Annan proclaimed Wynton Marsalis an international ambassador of goodwill for the Unites States by appointing him a UN Messenger of Peace (2001). In 1997 Wynton Marsalis became the first jazz musician ever to win the Pulitzer Prize for Music for his epic oratorio Blood On The Fields. During the five preceding decades the Pulitzer Prize jury refused to recognize jazz musicians and their improvisational music, reserving this distinction for classical composers. In the years following Marsalis’ award, the Pulitzer Prize for Music has been awarded posthumously to Duke Ellington, George Gershwin, Thelonious Monk and John Coltrane. In a personal note to Wynton, Zarin Mehta wrote: “I was not surprised at your winning the Pulitzer Prize for Blood On The Fields. It is a broad, beautifully painted canvas that impresses and inspires. It speaks to us all … I’m sure that, somewhere in the firmament, Buddy Bolden, Louis Armstrong and legions of others are smiling down on you.” Wynton’s creativity has been celebrated throughout the world. He won the Netherlands’ Edison Award and the Grand Prix Du Disque of France. The Mayor of Vitoria, Spain, awarded Wynton with the city’s Gold Medal – its most coveted distinction. Britain’s senior conservatoire, the Royal Academy of Music, granted Mr. Marsalis Honorary Membership, the Academy’s highest decoration for a non-British citizen (1996). The city of Marciac, France, erected a bronze statue in his honor. The French Ministry of Culture appointed Wynton the rank of Knight in the Order of Arts and Literature and in the fall of 2009 Wynton received France’s highest distinction, the insignia Chevalier of the Legion of Honor, an honor that was first awarded by Napoleon Bonaparte. French Ambassador, His Excellency Pierre Vimont, captured the evening best with his introduction: “We are gathered here tonight to express the French government’s recognition of one of the most influential figures in American music, an outstanding artist, in one word: a visionary… I want to stress how important your work has been for both the American and the French. I want to put the emphasis on the main values and concerns that we all share: the importance of education and transmission of culture from one generation to the other, and a true commitment to the profoundly democratic idea that lies in jazz music. I strongly believe that, for you, jazz is more than just a musical form. It is tradition, it is part of American history and culture and life. To you, jazz is the sound of democracy. And from this democratic nature of jazz derives openness, generosity, and universality.” Jazz at Lincoln Center In 1987 Wynton Marsalis co-founded a jazz program at Lincoln Center. In July 1996, due to its significant success, Jazz at Lincoln Center was installed as new constituent of Lincoln Center, equal in stature with the New York Philharmonic, Metropolitan Opera, and New York City Ballet – a historic moment for jazz as an art form and for Lincoln Center as a cultural institution. In October 2004, with the assistance of a dedicated Board and staff, Marsalis opened Frederick P. Rose Hall, the world’s first institution for jazz. The complex contains three state-of-the-art performance spaces (including the first concert hall designed specifically for jazz) along with recording, broadcast, rehearsal and educational facilities. Jazz at Lincoln Center has become a preferred venue for New York jazz fans and a destination for travelers from throughout the world. Wynton presently serves as Managing and Artistic Director for Jazz at Lincoln Center. Under Wynton’s leadership, Jazz at Lincoln Center has developed an international agenda presenting rich and diverse programming that includes concerts, debates, film forums, dances, television and radio broadcasts, and educational activities. Jazz at Lincoln Center is a mecca for learning as well as a hub for performance. Their comprehensive educational programming includes a Band Director’s Academy, a hugely popular concert series for kids called Jazz for Young People, Jazz in the Schools, a Middle School Jazz Academy, WeBop! (for kids ages 8 months to 5 years), an annual High School Jazz Band Competition & Festival that reaches over 2000 bands in 50 states and Canada. In 2010 the Jazz at Lincoln Center Orchestra established its first residency in Cuba with a rich cultural exchange of performances with Cuban musicians including Chucho Valdes and Omara Portuondo and education programs for kids. Education In 2011 Harvard University President Drew Faust invited Wynton to enrich the cultural life of the University community. Wynton responded by creating a 6 lecture series which he delivered over the ensuing 3 years entitled Hidden In Plain View: Meanings in American Music, with the goal of fostering a stronger appreciation for the arts and a higher level of cultural literacy in academia. From 2015 to 2021 Wynton will serve as an A.D. White Professor at Cornell University. A.D. White Professors are charged with the mandate to enliven the intellectual and cultural lives of university students. Giving Back Wynton Marsalis has devoted his life to uplifting populations worldwide with the egalitarian spirit of jazz. And while his body of work is enough to fill two lifetimes, Wynton continues to work tirelessly to contribute even more to our world’s cultural landscape. It has been said that he is an artist for whom greatness is not just possible, but inevitable. The most extraordinary dimension of Wynton Marsalis, however, is not his accomplishments but his character. It is the lesser-known part of this man who finds endless ways to give of himself. It is the person who waited in an empty parking lot for one full hour after a concert in Baltimore, waiting for a single student to return from home with his horn for a trumpet lesson. It is the citizen who personally funds scholarships for students and covers medical expenses for those in need. Immediately following Hurricane Katrina, Wynton organized the Higher Ground Hurricane Relief Concert and raised over $3 million for musicians and cultural organizations impacted by the hurricane. At the same time, he assumed a leadership role on the Bring Back New Orleans Cultural Commission where he was instrumental in shaping a master plan that would revitalize the city’s cultural base. Wynton Marsalis has selflessly donated his time and talent to non-profit organizations throughout the country to raise money to meet the many needs within our society. From My Sister’s Place (a shelter for battered women) to Graham Windham (a shelter for homeless children), the Children’s Defense Fund, Amnesty International, the Sloan Kettering Cancer Institute, Food For All Seasons (a food bank for the elderly and disadvantaged), Very Special Arts (an organization that provides experiences in dance, drama, literature, and music for individuals with physical and mental disabilities) to the Newark Boys Chorus School (a full-time academic music school for disadvantaged youths) and many, many more – Wynton responded enthusiastically to the call for service. It is Wynton Marsalis’ commitment to the improvement of life for all people that portrays the best of his character and humanity. In 2011 Wynton joined with Harvard University President, Drew Faust to present a series of 6 lectures to the student body over 3 years. The series entitles Hidden In Plain View: Hidden Meanings in American Music was developed to foster a stronger appreciation of the arts and a higher level of cultural literacy amount college students.
"När vinden vänder" handlar om sex människor som lyckades förverkliga sig och sina musikaliska drömmar mot alla odds. I första delen berättas om Constance Mozart, grovt förtalad hustru till Mozart. Medverkar gör svenska musikvetaren Viveca Servatius, författare till biografin Constance Mozart och brittiska dirigenten Jane Glover, som skrev Mozart's Women.Ordet Constance betyder trogen, trofast, noggrann, beständig. Det här programmet kommer att visa att Constance Mozart var just så. Dessutom var hon mycket musikalisk en god pianist och en ypperlig sångerska. I motsats till hur hon har skildrats av musikhistorikerna, nämligen som ointelligent, omusikalisk och som en försumlig och ovärdig hustru till Mozart.Constance Weber föds i Tyskland 1762 och gifter sig som 20-åring med Wolfgang Amadeus Mozart i Stephansdomen i Wien.De är gifta under drygt nio år och Constance föder i äktenskapet sex barn, varav fyra barn dör i späd ålder. Två söner överlever.Constance lever under en tid när kvinnornas rörelse- och yttrandefrihet alltmer inskränktes, men trots detta kan hon betraktas som musikhistoriens mest nedvärderade kvinna, skriver musikforskaren Viveca Servatius i sin biografi Constance Mozart.-Min bild av Constance Mozart hade formats negativt genom Mozartbiografier och annan kurslitteratur på Musikvetenskapliga institutionen, berättar musikvetaren Viveca Servatius i programmet.-I den ena Mozartbiografin efter den andra framställdes Constance som den grå askungen, som genom Mozarts naiva kärlek långsamt växer in i rollen som den bortskämda fru Mozart.Enligt dessa är Constance en konstig, lat, otrogen kvinna som inte förstår Mozarts storhet. Men så läser Viveca Servatius biografin 1791: Mozart's Last Year av Robbins Landon och hennes bild av Mozarts hustru förändras totalt.Dirigenten Jane Glover har dirigerat i operahusen över hela västvärlden, inte minst Mozartoperor. Under en period var hon konstnärlig ledare för London Mozart Players.-Den briljanta pjäsen Amadeus av Peter Schaffer blev den förfärliga filmen Amadeus av Milo Forman. Filmen låtsas vara en sann historia. Personen som överlever moraliskt är Mozart, medan Constance skildras som ett blåst, vulgärt fnask, menar dirigenten Jane Glover.-Den person som startade förtalet av Constance, och som var den negativa mytens upphov, var Mozarts far Leopold Mozart, som i det längsta försökte hindra sonen att gifta sig med Constance Weber. Musikhistorikerna svalde Leopolds obarmhärtiga lögner, förklarar Jane Glover. Constance är i verkligheten en bra tjej med en stark känsla för ekonomi. Hon är festlig och älskar livet, och mellan Constance och Wolfgang brinner en stark passion.Leopold Mozart avskyr Constances familj Weber. Hos dem musiceras det ständigt och två av Constances tre systrar, Josepha och Aloisia, är skickliga sångerskor, ja, Aloisia hyllas som sin tids viktigaste sopran.Äldsta systern Josepha blir den allra första Nattens Drottning i Mozarts opera Trollflöjten. Constance själv sjunger bl a sopransolot Et incarnatus est vid uruppförandet 1783, av den då ofullbordade Mozarts stora C-mollmässa, i Benediktinerkyrkan i Salzburg. En mycket svårsjungen mässa.Under åren med Constance skapar Wolfgang sina bästa verk. Vinden vänder 1791 när den blott 29-åriga Constance blir änka. Mozart avlider endast 35 år gammal. Constance överlever honom med mer än 50 år!För Constance vänder vinden återigen när hon efter Mozarts död möter den danske diplomaten Georg Nissen, som är utstationerad i Wien. 1809 gifter de sig och skapar ett harmoniskt, lyckligt äktenskap. De bosätter sig mellan 1810 och 1820 i hans hemstad Köpenhamn. Nissen skriver en biografi över Mozart och Constance ser till att biografin trycks efter Nissens död 1826.Constance ägnar största delen av sitt liv åt att promovera Mozarts musik och bevara hans musikaliska kvarlåtenskap. Det är bland annat hennes förtjänst att Mozarteum finns i Salzburg.Människor från hela världen vallfärdar till Salzburg för att se Mozarts änka Constance som, under sina sista år, spenderar somrarna i ett litet hus utanför stadens centrum.-Constance var en älsklig, modest kvinna. Hon njöt av att visa upp sin välskötta trädgård med alla blommor och hon visade känslosamt fram Mozarts kvarlåtenskap med stolthed och glädje, berättar Jane Glover.Constance dör i Salzburg 1842, 80 år gammal.Låtlista:12:03 Rudy Stevenson, Lisle Atkinson, Bobby Hamilton, Nina Simone - Wild Is The Wind Album: Four Women Kompositör: Dimitri Tiomkin Bolag: VERVE 12:05 Jimmy Scott, Ray Charles - If I Should Lose You Album: Falling In Love Is Wonderful Kompositör: Ralph Rainger, Leo Robin Bolag: RHINO RECORDS 12:06 Ronald Brautigam - Rondo In D, K 485 Kompositör: WOLFGANG AMADEUS MOZART Bolag: Bis 12:10 Mitsuko Uchida - Sonat För Piano Nr 12 F-Dur Kv 332: Sats 2, Adagio Album: Sonat För Piano Nr 12 F-Dur Kv 332 Adagio Kompositör: Wolfgang Amadeus Mozart Bolag: UNIVERSAL MUSIC 12:12 Edita Gruberova, Nikolaus Harnoncourt, Zürich-Operans Orkester - Die Zauberflöte: Nr 14 Album: Die Zauberflöte Kompositör: Wolfgang Amadeus Mozart Bolag: TELDEC 12:14 Renée Fleming, Charles Mackerras, Orchestra Of Saint Luke's (New York) - Die Entführung Aus Dem Serail: Nr 6, Akt 1, "Ach Ich Liebte" Album: Mozart Arias Kompositör: Wolfgang Amadeus Mozart Bolag: DECCA 12:18 Jane Glover, London Mozart Players - Serenad Kv 361 B-Dur För 12 Blåsare & Kontrabas Album: Serenad Kv 361 B-Dur - Gran Partita Kompositör: Wolfgang Amadeus Mozart Bolag: NOVELLO 12:22 Jane Glover, London Mozart Players - Serenad Kv 361 B-Dur För 12 Blåsare & Kontrabas Album: Serenad Kv 361 B-Dur - Gran Partita Kompositör: Wolfgang Amadeus Mozart Bolag: NOVELLO 12:26 Kurt Sanderling, Bbc Northern Symphony Orchestra (Manchester) - Don Giovanni: Uvertyr Album: Don Giovanni Overture Kompositör: Wolfgang Amadeus Mozart Bolag: BBC RECORDS 12:29 Frederica Von Stade, Edo De Waart, Rotterdams Filharmoniska Orkester - Le Nozze Di Figaro: Nr 6 Kompositör: Wolfgang Amadeus Mozart Bolag: PHILIPS 12:32 Kathleen Battle, André Previn, Royal Philharmonic Orchestra (London) - Vorrei Spiegarvi Oh Dio...Ah Conte (Kv 418) Album: Arior Kompositör: Wolfgang Amadeus Mozart Bolag: EMI 12:37 Kathleen Battle, André Previn, Royal Philharmonic Orchestra (London) - Vorrei Spiegarvi Oh Dio...Ah Conte (Kv 418) Album: Arior Kompositör: Wolfgang Amadeus Mozart Bolag: EMI 12:40 Barbara Hendricks, Neville Marriner, Academy Of Saint Martin-In-The-Fields (London), Justin Sillman - Mässa Nr 18 C-Moll Kv 427: Nr 14, Et Incarnatus Est Album: Airs Sacrés Kompositör: Wolfgang Amadeus Mozart Bolag: EMI 12:46 Barbara Hendricks, Neville Marriner, Academy Of Saint Martin-In-The-Fields (London), Justin Sillman - Mässa Nr 18 C-Moll Kv 427: Nr 14, Et Incarnatus Est Album: Airs Sacrés Kompositör: Wolfgang Amadeus Mozart Bolag: EMI 12:49 Hans Pålsson - Fantasi För Piano Kv 396 C-Moll Album: Sonatas And Fantasias Kompositör: Wolfgang Amadeus Mozart Bolag: CHAMBER SOUND 12:55 Hans Pålsson - Fantasi För Piano Kv 396 C-Moll Album: Sonatas And Fantasias Kompositör: Wolfgang Amadeus Mozart Bolag: CHAMBER SOUND 12:58 Cheryl Studer, Neville Marriner, Academy Of Saint Martin-In-The-Fields (London) - La Clemenza Di Tito: Nr 23, Akt 2, "Non Piu Di Fiori" Album: Queen Of The Night Kompositör: Wolfgang Amadeus Mozart Bolag: PHILIPS
Om Constance Mozart, förtalad hustru till kände tonsättaren. Musikvetaren Viveca Servatius och dirigenten Jane Glover. Del 1 av 5 av Birgitta Tollan. Birgitta Tollans nya serie "När vinden vänder" handlar om sex människor som lyckades förverkliga sig och sina musikaliska drömmar ”mot alla odds”. Medverkar gör svenska musikvetaren Viveca Servatius, författare till biografin Constance Mozart och brittiska dirigenten Jane Glover, som skrev Mozart's Women. Ordet Constance betyder trogen, trofast, noggrann, beständig. Det här programmet kommer att visa att Constance Mozart var just så. Dessutom mycket musikalisk – en god pianist och en ypperlig sångerska. I motsats till hur hon har skildrats av musikhistorikerna, nämligen som ointelligent, omusikalisk och som en försumlig och ovärdig hustru till Mozart. Constance Weber föds i Tyskland 1762 och gifter sig som 20-åring med Wolfgang Amadeus Mozart i Stephansdomen i Wien. De är gifta under drygt nio år och Constance föder i äktenskapet sex barn, varav fyra barn dör i späd ålder. Två söner överlever. ”Constance lever under en tid när kvinnornas rörelse- och yttrandefrihet alltmer inskränktes, men trots detta kan hon betraktas som musikhistoriens mest nedvärderade kvinna”, skriver musikforskaren Viveca Servatius i sin biografi Constance Mozart. -Min bild av Constance Mozart hade formats negativt genom Mozartbiografier och annan kurslitteratur på Musikvetenskapliga institutionen, berättar musikvetaren Viveca Servatius i programmet. -I den ena Mozartbiografin efter den andra framställdes Constance som den grå askungen, som genom Mozarts naiva kärlek långsamt växer in i rollen som ’den bortskämda fru Mozart’. Enligt dessa är Constance en konstig, lat, otrogen kvinna som inte förstår Mozarts storhet. Men så läser Viveca Servatius biografin 1791: Mozart's Last Year av Robbins Landon och hennes bild av Mozarts hustru förändras totalt. Dirigenten Jane Glover har dirigerat i operahusen över hela västvärlden, inte minst Mozartoperor. Under en period var hon konstnärlig ledare för London Mozart Players. -Den briljanta pjäsen Amadeus av Peter Schaffer blev den förfärliga filmen Amadeus av Miloš Forman. Filmen låtsas vara en sann historia. Personen som överlever moraliskt är Mozart, medan Constance skildras som ett blåst, vulgärt fnask, menar dirigenten Jane Glover. -Den person som startade förtalet av Constance, och som var den negativa mytens upphov, var Mozarts far Leopold Mozart, som i det längsta försökte hindra sonen att gifta sig med Constance Weber. Och musikhistorikerna svalde Leopolds obarmhärtiga lögner, förklarar Jane Glover. Constance är i verkligheten en bra tjej med en stark känsla för ekonomi. Hon är festlig och älskar livet, och mellan Constance och Wolfgang brinner en stark passion. Leopold Mozart avskyr Constances familj Weber. Hos dem musiceras det ständigt och två av Constances tre systrar, Josepha och Aloisia, är skickliga sångerskor, ja, Aloisia hyllas som sin tids viktigaste sopran. Äldsta systern Josepha blir den allra första Nattens Drottning i Mozarts opera Trollflöjten. Constance själv sjunger bl a sopransolot Et incarnatus est vid uruppförandet 1783, av den då ofullbordade Mozarts stora C-mollmässa, i Benediktinerkyrkan i Salzburg. En mycket svårsjungen mässa. Under åren med Constance skapar Wolfgang sina bästa verk. Vinden vänder 1791 när Constance, 29 år gammal, blir änka. Mozart avlider endast 35 år gammal. Constance överlever honom med mer än 50 år! För Constance vänder vinden återigen när hon efter Mozarts död möter den danske diplomaten Georg Nissen, som är utstationerad i Wien. 1809 gifter de sig och skapar ett harmoniskt, lyckligt äktenskap. De bosätter sig mellan 1810 och 1820 i hans hemstad Köpenhamn. Nissen skriver en biografi över Mozart och Constance ser till att biografin trycks efter Nissens död 1826. Constance ägnar största delen av sitt liv åt att promovera Mozarts musik och bevara hans musikaliska kvarlåtenskap. Det är bland annat hennes förtjänst att Mozarteum finns i Salzburg. Människor från hela världen vallfärdar till Salzburg för att se Mozarts änka Constance som, under sina sista år, spenderar somrarna i ett litet hus utanför stadens centrum. -Constance var en älsklig, modest kvinna. Hon njöt av att visa upp sin välskötta trädgård med alla blommor och hon visade känslosamt fram Mozarts kvarlåtenskap med stolthed och glädje, berättar Jane Glover. Constance dör i Salzburg 1842, 80 år gammal. Manus, regi och produktion: Birgitta Tollan.
Lucie Skeaping takes a look at some of the composers who lived and worked in Salzburg, before it became the Mozartean shrine we know it as today! The city itself is the fourth largest in modern-day Austria, and sits neatly on the banks of the river Salzach, at the northern boundary of the Alps. The name Salzburg - literally "Salt Castle" - comes from the salt mines in the area that helped start the regeneration of the city in the 7th century. It was a holy man - Saint Rupert - who saw its potential - and founded the city on what was the ruined Roman settlement of Iuvavum. A hundred or so years later, barges carrying salt along the river, were subject to a toll, and as a result, the city began to flourish. Rupert was also the founder of Christianity in the region, and the cathedral which was begun there during his lifetime, now bears both his name, and his relics - although there has been a lot of building and rebuilding over the 13-hundred or so years since his demise! In the 17th & 18th centuries, Salzburg was also an important seat in the Holy Roman Empire, and for a time was even an independent state within it. The cathedral and its surroundings naturally attracted all sorts of people, including craftsmen, artists and musicians such as Heinrich Finck, Paul Hofhaimer, Johann Stadlmayr, Abraham Megerle, Heinrich Biber, Georg Muffat, Michael Haydn and Leopold Mozart.
Donald Macleod is joined by Prof Cliff Eisen to explore the life and work of Wolfgang Mozart's father, Leopold. He was at the forefront of early symphonic writing and composed music across many forms
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