Podcast appearances and mentions of eugene richards

Puntata 168 – Ma chi usa il flash è meno bravo?Oggi sfatiamo un grande chlichet: i fotografi che usano solo la luce naturale non per questo sono più bravi di quelli che si avvalgono anche del flash. Vediamo perché...Torna la rubrica Quei Bravi Fotografi, oggi si parla di Eugene Richards, un fotografo particolarmente crudo, che ha trattato temi molto sensibili. I suoi riferimenti sono in coda come sempre.Aspetto le vostre domande e i vostri feedback. Buona luce a tutti!*******************************************I MIEI LINK:Cliccate qui per sostenere con un piccolo contributo economico alle spese del podcast e ottenere dei benefici esclusivi: PatreonEmail: andreageymet@gmail.com (da usare anche per un contributo con PayPal)Portfolio:https://andreageymet.myportfolio.compeopleofindia.myportfolio.comInstagram del podcastLe mie foto dei viaggi: viaggiI miei ritrattiIl mio profilo Thread: @andreageymet Il gruppo Telegram*******************************************Se volete farmi un regalo, cliccate sulla mia lista amazon*******************************************IL SITO DOVE LEGGERE LE RECENSIONI DELL'ATTREZZATURA: Juza Photo******************************************* Il mio fornitore di fiducia: Solo Digitali(chiedere di Paolo a nome mio) ******************************************* Quei Bravi FotografiEugene Richardshttps://it.wikipedia.org/wiki/Eugene_Richardshttps://www.instagram.com/eugenerichardsphotography/

Eugene Richards. Photo Credit: Jocelyn Bain Hogg. Our 100th Episode! This is the first of our Masters Episodes in which we will speak with the giants, masters of their craft, the inspirations, mentors and great ones. In celebration, our 100th episode is a conversation with the great Eugene Richards, truly a master of his craft. … Continue reading "Episode 100: Eugene Richards (Documentary Photography)" The post Episode 100: Eugene Richards (Documentary Photography) first appeared on A Photojournalism Podcast for Everyone.

On this episode, we're joined by Richard Tsong-Taatarii. Richard is in his 25th year as a staff photographer for the Minneapolis Star Tribune. He notes on his website that he enjoys covering communities within our larger society that escape the attention of the mainstream media.Richard talked about his photography origin story, the practical and philisophical reason why he calls himself a picture poet and how his being a photographer has shaped his worldview. He also went through his best-of portfolio, telling us the stories behind his most memorable shots, which include the George Floyd murder protests, being in an Arby's while it was being looted, the life of a Tibetan child on the verge of becoming a Lama and recent projects related to Native American reservations.Richard's salutes: photographer Eugene Richards; The Pulitzer Center On Crisis Reporting Richard's portfolio: https://apicturepoet.com/portfolio/Thank you as always for listening. Please send us feedback to journalismsalute@gmail.com, visit our website thejournalismsalute.org and Mark's website (MarkSimonmedia.com) or tweet us at @journalismpod. And find us on TikTok at @journalismsalute.

Photographer, writer, and filmmaker, Eugene Richards, was born in Dorchester, Massachusetts in 1944. After graduating from Northeastern University with a degree in English, he studied photography with Minor White. In 1968, he joined VISTA, Volunteers in Service to America, a government program established as an arm of the so-called” War on Poverty.”  Following a year and a half in eastern Arkansas, Eugene helped found a social service organization and a community newspaper, Many Voices, which reported on black political action as well as the Ku Klux Klan.  Photographs he made during these four years were published in his first monograph, Few Comforts or Surprises: The Arkansas Delta.Upon returning to Dorchester, Eugene began to document the changing, racially diverse neighborhood where he was born.  After being invited to join Magnum Photos in 1978, he worked increasingly as a freelance magazine photographer, undertaking assignments on such diverse topics as the American family, drug addiction, emergency medicine, pediatric AIDS, aging and death in America.  In 1992, he directed and shot Cocaine True, Cocaine Blue, the first of seven short films he would eventually make.Eugene has authored sixteen books and his photographs have been collected into three comprehensive monographs. Exploding Into Life, which chronicles his first wife Dorothea Lynch's struggle with breast cancer, received Nikon's Book of the Year award. For Below The Line: Living Poor in America, his documentation of urban and rural poverty, Eugene received an Infinity Award from the International Center of Photography. The Knife & Gun Club: Scenes from an Emergency Room received an Award of Excellence from the American College of Emergency Physicians. Cocaine True, Cocaine Blue, an extensive reportorial on the effects of hardcore drug usage, received the Kraszna-Krausz Award for Photographic Innovation in Books. That same year, Americans We was the recipient of the International Center of Photography's Infinity Award for Best Photographic Book. In 2005, Pictures of the Year International chose The Fat Baby, an anthology of fifteen photographic essays, Best Book of the year. Eugene's most recent books include The Blue Room, a study of abandoned houses in rural America; War Is Personal, an assessment in words and pictures of the human consequences of the Iraq war; and Red Ball of a Sun Slipping Down, a remembrance of life on the Arkansas Delta.Eugene has won just about every major award that exists for documentary photography including a Guggenheim Fellowship, the W. Eugene Smith Memorial Award, the Leica Medal of Excellence and the Leica Oskar Barnack Award, among many others.His new self-published book, In This Brief Life, due for release in September 2023, features over fifty years of mostly unseen photographs, from his earliest pictures of sharecropper life in the Arkansas Delta throughout his lifetime as a photographer. On episode 196, Eugene discusses, among other things:The recent political landscape in the USA.In This Brief Life - his forthcoming, Kickstarter funded book.Why he self-publishes books.His change of heart about the value of InstagramWhy going through his archive was an ‘obsessive experience'Being ‘out of touch with what journalism is'The Knife & Gun Club: Scenes from an Emergency RoomTips on getting to know people on a storyBelow The Line: Living Poor in AmericaThe Blue RoomReturning to ArkansasDocumentary project Thy Kingom ComeCemetery projectExploding Into LifeMany VoicesWhy he left MagnumReferenced:Ed BarnesPeter HoweEugene Smith AwardDorothea LynchCornell CapaJohn MorrisHoward ChapnickJim Hughes, Camera ArtsMinor WhiteRoy DeCaravaWalker EvansFSABill BrandtWilliam KleinMike NicholsTerence MalickKoudelkaLeonard FreedReni BurriMary Ellen MarkNachtweySalgado Website | Instagram| New book“You're sitting there with thirty or forty contacts books all over the floor, and you find yourself staying up late into the night thinking ‘there has to be something there' and finding nothing at all. And the people on Instagram write to you and say, ‘oh my God, I'd love to look at your contact sheets' and I tell them quite honestly, probably not, because they're gonna disappoint the shit out of you!”

Episode 75 features New York-based artist Wardell Milan. He works in mixed media, combining elements of photography, drawing, painting, and collage. Milan's practice is conceptually grounded in photography, often using photographs as initial inspiration behind composition of drawings and collages. Referencing artists such as Robert Mapplethorpe, Diane Arbus, Andres Serrano, Alec Soth, and Eugene Richards, Milan appropriates, and in some cases re-appropriates the photographs, and thus the bodies depicted. Milan also uses images and objects to establish allegorical connections between history and contemporary events. Milan's ongoing series “Death, Wine, Revolt,” which combines photography, drawing, painting, collage, and sculpture to explore themes of over-indulgence, destruction, and revolution. While earlier series such as “Parisian Landscapes” looked inward, to personal questions of freedom and desire, Milan made the works on view in response to the turmoil of the global moment. Works by the artist may be found in the collections of The Art Institute of Chicago; Museum of Contemporary Photography, Chicago; Denver Art Museum; Brooklyn Museum, New York; Hessel Museum of Art, Bard College, New York; The Museum of Modern Art, New York; The Morgan Library & Museum, New York; The Studio Museum in Harlem, New York; Whitney Museum of American Art, New York; UBS Art Collection; Daniel & Florence Guerlain Contemporary Art Foundation, Paris; Hall Art Foundation; and San Francisco Museum of Modern Art. Milan lives and works in New York. Artist website ~ https://wardellmilan.com Bronx Museum - http://www.bronxmuseum.org/exhibitions/wardell-milan-amerika-god-bless-you-if-itand39s-good-to-you Culture Type - https://www.culturetype.com/2021/07/14/on-view-wardell-milan-amerika-god-bless-you-if-its-good-to-you-at-bronx-museum-of-the-arts-in-new-york/ Musee Magazine - https://museemagazine.com/features/2020/10/22/exhibition-review-wardell-milan-at-fraenkel-gallery The Brooklyn Rail - https://brooklynrail.org/2020/02/criticspage/Pentimenti Hyperallergic - https://hyperallergic.com/502980/a-disruptor-of-race-and-sex/ ArtForum - https://www.artforum.com/picks/wardell-milan-78442 Wikipedia - https://en.wikipedia.org/wiki/Wardell_Milan

Eric Marciano is a New York based filmmaker, media designer and storyteller. He attended the School of Visual Arts in New York, where he earned a BFA in filmmaking in 1984. SVA emphasized experimentation, and it was there that Eric learned to love the creativity of editing. In 1984 he formed American Montage to engage in editing, motion picture production and storytelling to its fullest. For 30 years his production company, American Montage, has successfully completed projects for such media outlets as HBO, Discovery, ESPN, A&E, TLC, PBS, the New York Times and numerous Internet destinations. He frequently works with musicians, visual artists, performers and theater companies such as Galt MacDermot, James Moody, LeRoy Neiman, Fanny Sanin, Gilles Peress, Eugene Richards, Karen Finley, The Blind Boys of Alabama, LaMaMa ETC, New York Theater Workshop, Noche Flamenca and Mabou Mines/Lee Breuer to create films and media related to their work and lives. His body of work includes documentaries, multi-media works, corporate events, narrative films, web sites, commercials, music videos, video walls, theatre video design, documentation, video essays, museum installations and public relations media. More info about Eric https://tinyurl.com/z9v2w7ff SHOW CREDITS Host: Keko - http://twitter.com/therealkeko Guest: Eric Marciano Producer: Mac Redd Music Guest: Jojo The Gamegod Ft. Mouth Piece - Up The River Background: Bvtman Donation: https://cash.app/$folksalert Phone: 646-54-FOLKS Email: info@folksalert.com Web site: http://folksalert.com IG: http://instagram.com/onlyfolks Twitter: http://twitter.com/folksalert Twitch: http://twitch.tv/onlyfolks Onlyfans: http://onlyfans.com/folksalert

“My name is Erik Mathy, and I've been obsessed with photography since my Mom handed me her Pentax K1000 when I was 17. While I do own a digital camera or two, traditional methods are much more exciting to me from both an artistic and personal satisfaction standpoint. There is something about combining vision with hands on techniques and then being able to hold the end result up to the light that is incredibly satisfying”.   Well here is a show that didn’t go as planned, none the worse for that but it means we have to have pt 2 to discuss Eric’s “Ride Slow, Take Photos” trip and film, his passion for making lenses and other projects.   This show is a bit sweary as Simon could not find his bleeper...   For this show……. Well I’ll list as many links as I can remember.   Things we chatted about on the show:   OK so we didn’t get on to this but here is a link to the article in AF magazine (get it if you don’t already) discussing Rides Slow and Take Photos. https://www.analogforevermagazine.com/features-interviews/film-review-ride-slow-take-pictures?fbclid=IwAR2EPCPIhFtwFzulEit7Jy-D2Qd7Ws3tnGSLIb3trteOZcprh_f1sTJqjNU   Eric hinted at his passion for cycling which forms the means of transport on his “Ride Slow, Take Photos” epic journey. Check out ands subscribe to this blog which has some wonderful photo journalism by a talented team including Erik with some home made lenses.  https://element.ly/2020/04/echos-of-futures-past-part-i-nancy-chipukites-darrell-stiles/   Erik mentioned documentary photographer Eugene Richards and gave us a link (I’m sure I must have been aware of his work but couldn’t put a name to the images). https://eugenerichards.com/?fbclid=IwAR3seIJwcCtJzhWeja0vGYkNI1tzihyDKxBLs7tzYa-jLgCGfeZK3_kTXrY   And a Vimeo clip. https://vimeo.com/75177919?fbclid=IwAR2TXU2dTYLfVpRnHQbPg91kezqOkUmBNWleh4-ITJOJWM-6pWIqbqiFuCo   And a thoughtful YouTube video interviewing Eugene Richards worth a watch. https://www.youtube.com/watch?v=vAwV09XgFzo&fbclid=IwAR04xERC5BtJGT5jwlf1mpKtKU2RAwmSwmtTewQWUaVU-agpaHMwtt02EdM   Post Podcast Erik also recommended the work of James Fee. https://www.google.com/search?q=james+fee+photographs&safe=active&rlz=1C1GCEB_enGB918GB918&source=lnms&tbm=isch&sa=X&ved=2ahUKEwizqIT1io7sAhVDWxUIHeFgBwgQ_AUoAXoECBYQAw&biw=1280&bih=610   Kelly-Shane Fuller I this is interesting….. https://emulsive.org/articles/darkroom/developing-film/they-took-my-kodachrome-away-so-i-brought-it-back   And his IG. https://www.instagram.com/piratelogystudios/?hl=en   Making colour images by filtering through separate filters and recombining came up in this part of the discussion. Andrew remembered a discussion in the early days of the Homemade Camera Podcast. Cant remember the episode but if you don’t already listen its great!  http://homemadecamera.com/   Fred at SurplusShed.com can get you ANY lens element and more. He sounds amazing. https://www.surplusshed.com/   Sunny16 presents gets another mention, mainly because Simon was on the show with Steve from Chroma Camera. https://sunny16presents.podbean.com/   https://chroma.camera/ Andrew got excited when Erik gave a shout out to Glass Key Photo in SF – Heather Polley took him there a few years ago at the start of his 50th year USA road trip. http://www.glasskeyphoto.com/#glass-key-photo   And Bay Area Looking Glass Photo. https://www.lookingglassphoto.com/   Andrew mentioned former guest Ben Horne’s recent video on 8x10 focus stacking….. have your mind blown. https://www.youtube.com/watch?v=jBFHVPvnH5c   Eastman Kodak House and Rochester. https://www.eastman.org/   A great source for quality and reasonably prices LF focus screens. Look for Ebay seller in Lithuania Virgisst. https://www.ebay.co.uk/itm/4x5-Ground-Glass-Focusing-Screen-for-Large-Format-Camera/283835190541?hash=item4215e54d0d:g:d00AAOxycD9TQ~XM   Oh and Huckleberry bikes! https://www.huckleberrybikes.com/   Erik’s links A not updated website. https://www.erikmathy.com/about   IG probably best for all things including rabbits. https://www.instagram.com/erikhmathy/?hl=en     Phew   Other News   The Six Towns Darkroom is OPEN but if you want to come along please get in touch with Simon first as numbers are limited.     LFPP links -   https://largeformatphotographypodcast.podbean.com/   ko-fi.com/largeformatphotographypodcast   You can join in the fun at our Facebook Group https://www.facebook.com/groups/2296599290564807/   And now our Flikr group curated by Colin Devroe https://www.flickr.com/groups/lfpp/   Get Twitter updates for the show from Andrew – https://twitter.com/warboyssnapper   Or from Simon – https://twitter.com/simonfor   Email feedback, ideas and questions for the podcast largeformatphotographypodcast@gmail.com   Podcast Hosts Social Media presence   Simon Forster www.classiclensespodcast.com   www.simonforsterphotographic.co.uk   https://stores.ebay.co.uk/itsfozzyphotography   https://www.flickr.com/photos/125323761@N07/   https://www.facebook.com/SimonForsterPhotographic/   https://www.instagram.com/simonforsterphotographic/   https://twitter.com/SimonFor   Andrew Bartram https://anchor.fm/thelenslesspodcast   https://andrewbartram.wordpress.com   https://www.instagram.com/warboyssnapper   https://www.imstagram.com/warboyssnapper_pinholes   https://www.flickr.com/photos/warboyssnapper/   https://twitter.com/warboyssnapper  

Taken from 'UnfilterED #8: Dr. Christopher Hoyte'. “This current sars-coV-2 / COVID-19 situation should really be a wake-up call for not just a pandemic, but for a biological attack...One of the things I would like to do when we bring our attention back from COVID and get through this pandemic is to really start to prepare for disaster preparedness on the level and scale that we need to for a biological attack and get our hospitals ready, my poison center ready, state and local governments ready so that we can meet that challenge when it happens.” - Dr. Chris Hoyte   Dr. Chris Hoyte is an ED physician, toxicologist and researcher based in Denver, CO. He was featured in Bring Em’ All: Chaos. Care. Stories from Medicine’s Front Line, a book celebrating emergency physicians through personal testimonies and photography on the frontlines captured by legendary photographer, Eugene RIchards.   Photo © courtesy Eugene Richards

Dr. Chris Hoyte is an ED physician, toxicologist and researcher based in Denver, CO. He was featured in Bring Em’ All: Chaos. Care. Stories from Medicine’s Front Line, a book celebrating emergency physicians through personal testimonies and photography on the frontlines captured by legendary photographer, Eugene RIchards.    Time Stamps: 01:25 - Dr. Hoyte’s Origin Story 05:01 - What Drew Dr. Hoyte to Medical Toxicology? 08:22 - Dr. Hoyte’s Most Interesting Toxicology Cases 08:52 - King Cobra Bite 13:31 - Verapamil Overdose 16:47 - Mass Cyanide Poisoning 19:16 - The Looming Threat of Biological Warfare and the Need for Emergency Preparedness 25:07 - How COVID-19 Affected Dr. Hoyte’s Job as a Toxicologist 30:19 - How Does the Rocky Mountain Poison and Drug Center Handle Its Large Workload 35:56 - Cannabinoid Exposures 42:05 - The Future of Toxicology   Publications from Dr. Hoyte: A Characterization of Synthetic Cannabinoid Exposures Reported to the National Poison Data System in 2010 https://pubmed.ncbi.nlm.nih.gov/22575211/ An Outbreak of Exposure to a Novel Synthetic Cannabinoid https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3983965/ The Continued Impact of Marijuana Legalization on Unintentional Pediatric Exposures in Colorado https://pubmed.ncbi.nlm.nih.gov/30288992/ Pediatric Death Due to Myocarditis After Exposure to Cannabis https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5965161/ Anaphylaxis to Black Widow Spider Antivenom https://pubmed.ncbi.nlm.nih.gov/21641165/ Intro Music: Backbay Lounge Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/  

Barbara Peacock studied fine arts at Boston University College of Fine Arts, and photography and filmmaking at The School of the Museum of Fine Arts at Tufts University. She started as a street photographer and gradually became a lifestyle photographer. She has had the privilege to study with Mary Ellen Mark, Eugene Richards, and Ernesto Bazan. Her project, Hometown, has just been printed in an 80-page book, with an introduction by Ernesto Bazan. It is a 30-year photographic project of everyday life in the town she grew up in and spent most of her life, spanning from 1982 to 2015. Barbara is currently working on her project, American Bedroom. It is a cultural and anthropological study of Americans in their private dwelling: their bedroom. The nature of the project comprises portraits of individuals, couples, and families that reveal the depth of their character and spirit. Resources: Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

This week, we start with a question we missed on last week's Q&A show around balancing available light and flash using speedlights. Also, a discussion around accepting not only who, but also where you are on your creative curve. Plus, what do you look for from a podcast? Eugene Richards is our Photographer of the Week.

This week, we start with a question we missed on last week’s Q&A show around balancing available light and flash using speedlights. Also, a discussion around accepting not only who, but also where you are on your creative curve. Plus, what do you look for from a podcast? Eugene Richards is our Photographer of the Week.

This week, the amount of new post-production tools (including the newly announced Lightroom CC) inspires a discussion around workflow and the potential need for evolution in how we catalog and process our photographs. While some photographers (ourselves included) tend to prefer the “old” ways of doing things, tools seem to be making a shift, both in capability and in target audience. Also, we begin a look at whether or not you even need a website anymore. There doesn't seem to be a definitive answer either way and, in the end, it really depends on what you want to get out of your work. Eugene Richards is our Photographer of the Week.

This week, the amount of new post-production tools (including the newly announced Lightroom CC) inspires a discussion around workflow and the potential need for evolution in how we catalog and process our photographs. While some photographers (ourselves included) tend to prefer the “old” ways of doing things, tools seem to be making a shift, both in capability and in target audience. Also, we begin a look at whether or not you even need a website anymore. There doesn’t seem to be a definitive answer either way and, in the end, it really depends on what you want to get out of your work. Eugene Richards is our Photographer of the Week.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

For the past several decades, photographer Eugene Richards (American, b. 1944) has explored complicated subjects, including racism, poverty, emergency medicine, drug addiction, cancer, the American family, aging, the effects of war and terrorism, and the depopulation of rural America. His style is unflinching yet poetic, his photographs deeply rooted in the texture of lived experience. In his wide range of photographs, writings, and moving image works, he involves his audience in the lives of people in ways that are challenging, lyrical, melancholy, and beautiful. Ultimately, his works illuminate aspects of humanity that might otherwise be overlooked. For the exhibition, we asked Eugene Richards to share stories behind some of the photographs featured in his retrospective.

Guests: Harvey Wang and Todd Vorenkamp Have you ever shot film? Do you still shoot film? Does it make a difference in your work? Is your work defined by it? This episode of the B&H Photography Podcast addresses an issue that is still at the heart of photography—does the medium you choose affect the way you work and, ultimately, the images you produce? With the recent release of his book, From Darkroom to Daylight, we will talk with photographer Harvey Wang and with writer and photographer Todd Vorenkamp about the differences between shooting film and shooting digital images. From the perspectives of those who grew up shooting film and those who did not, we’ll discuss working process, technological developments, quality of images and yes—nostalgia. Wang will also recount from his book conversations on this subject with legendary photographers such as Eugene Richards, Elliott Erwitt, Sally Mann, and George Tice.

You can also download the MP3 directly and subscribe via iTunes or RSS! Call 1-206-333-9308 or use our voicemail widget for feedback/questions for the show. In this episode: If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Canon Explorer of Light Bruce Dorn opens the show. Instagram removes photos taken in the Kurdish region of Iraq and Syria citing their policy against the posting of photos take of those on "terrorist" lists. (full story) A 16-year-old boy is killed by a train while doing a one-year anniversary shoot with his girlfriend. (full story) Famed documentary photographer Eugene Richards has taken to Instagram. (full story) Virtual Supply Co. releases its VSCO Keys Lightroom shortcuts to the open source community. (full story) Can you picture photography legend Ansel Adams in baseball gear on a baseball card? Now you can. (full story) An electronically-controlled ND filter lens adapter is in the works. (full story) The Pentax full-frame K mount DSLR isn't coming out until Spring 2016. (full story) Hassleblad 500 series users looking for a 120mm f/4 Petzvar lens may have one coming up. (full story) Do you have a spare $389,000 for a beastly 200mm f/1.0 lens? (full story) A film called "The Last Sentoshi" features a superhero who kicks butt with flashes. (full story) Photographer Dustin Snipes talks about how he shot NBA star Anthony Davis dunking the sun. (fully story) A YouTube channel unearths a hilarious modeling video from the 1980s. (full story) A photographer bikes from England to Russia and back and documents "Soviet Bus Stops" in a book. (full story) A Belgian photographer documents a Japanese crime family. (full story) Photographer Jeff Cremer's camera gets infested by termites in the Amazon jungle. (full story) NASA releases stunning photos of Pluto as the New Horizon spacecraft flies by. (full story) A video points out how film stock of the past was biased toward white skin. (full story) Today’s listener question: Josh Payne with Joshua Payne Photography in Tyler, TX wants to know if he should create a website specifically for his wedding photography. In drone news: A Kickstarter projects features a drone which is meant to explores bodies of water. (full story) Thank you and connect with us: Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. Listener questions needed: Leave us an audio question through our voicemail widget or call us at 1-206-333-9308. Alternatively, you can comment below or via social media. But we’d love to play your question on the show! Cut a show opener for us to play on the show!  As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois and you’re listening to the PetaPixel Photography Podcast with Sharky James!”