Podcasts about Mariella

In this compelling and candid conversation, Julia sits down with her close friend Mariella Frostrup – renowned author, broadcaster, journalist and tireless campaigner – for a wide-ranging and deeply personal discussion on life, loss, and the pursuit of equity. Mariella reflects on her remarkable career path, from the world of music PR to becoming one of the UK's most recognisable voices in journalism and broadcasting. She opens up about the early trauma of losing her father, the resilience forged in childhood, and the enduring impact it's had on her outlook. Mariella shares what drives her advocacy for women's rights – particularly around menopause and midlife. As the UK government's menopause ambassador, she's on a mission to tackle workplace inequality and challenge long-standing stigma around women's health. This episode is a celebration of fighting spirit, friendship, and the power of using your voice – not just for yourself, but for the generations of women who follow. 00:50 Early Life and Formative Experiences 02:25 Challenges and Resilience 08:45 Fighting for Women's Rights 21:16 Menopause and Advocacy 25:10 The Norm of Curvy Career Paths 25:46 Menopause and Workplace Discrimination 26:34 Campaigning Challenges and Strategies 27:23 Personal Reflections on Campaigning 35:09 The Importance of Menopause Awareness 41:29 Personal Growth and Overcoming Adversity 45:06 Parenting and Childhood Reflections Find Mariella: Website: https://www.mariellafrostrup.com Instagram: @mfrostrup Buy her book 'Cracking the Menopause': https://amzn.eu/d/ftcAjjL  Please subscribe and leave a review—it truly makes all the difference! Follow Julia at @juliasamuelmbe for more insights, tips, and conversations on life's challenges and how to improve your mental well-being. Learn more about your ad choices. Visit podcastchoices.com/adchoices

An Hans ist einiges sonderbar, findet Mariella. Nicht nur, dass er in ihrem Kleiderschrank wohnt. Er behauptet auch, von einem Zauberer dorthin verbannt worden zu sein. Und nun? Aus der OHRENBÄR-Hörgeschichte: Mariella und Hans oder Das Geheimnis des Supermarktes (Folge 4 von 4) von Monika Pelz. Es liest: Petra Kelling. ▶ Mehr Infos unter https://www.ohrenbaer.de & ohrenbaer@rbb-online.de

Mama kann Zauberlehrling Hans nicht sehen. Das vertraut Mariella ihrer Freundin Natalie an. Die sieht ihn auch nicht im Kleiderschrank. Kaum ist sie weg, wird es richtig spannend. Aus der OHRENBÄR-Hörgeschichte: Mariella und Hans oder Das Geheimnis des Supermarktes (Folge 3 von 4) von Monika Pelz. Es liest: Petra Kelling. ▶ Mehr Infos unter https://www.ohrenbaer.de & ohrenbaer@rbb-online.de

Mariella hat Hans eine Geschichte erzählt. So soll er vom Zauberbann erlöst werden. Doch Hans ist nicht zufrieden: zu langweilig. Also nochmal von vorn. Wird es jetzt spannender? Aus der OHRENBÄR-Hörgeschichte: Mariella und Hans oder Das Geheimnis des Supermarktes (Folge 2 von 4) von Monika Pelz. Es liest: Petra Kelling. ▶ Mehr Infos unter https://www.ohrenbaer.de & ohrenbaer@rbb-online.de

An Hans ist einiges sonderbar, findet Mariella. Nicht nur, dass er in ihrem Kleiderschrank wohnt. Er behauptet auch, von einem Zauberer dorthin verbannt worden zu sein. Und nun? Aus der OHRENBÄR-Hörgeschichte: Mariella und Hans oder Das Geheimnis des Supermarktes (Folge 1 von 4) von Monika Pelz. Es liest: Petra Kelling. ▶ Mehr Infos unter https://www.ohrenbaer.de & ohrenbaer@rbb-online.de

An Hans ist einiges sonderbar, findet Mariella. Nicht nur, dass er in ihrem Kleiderschrank wohnt. Er behauptet auch, von einem Zauberer dorthin verbannt worden zu sein, damit er vor Langeweile vergehe. Da beschließt sie, ihm eine Geschichte zu erzählen, die sie erlebt hat. Wenn Hans die Langeweile vergisst, ist sein Zauberbann gelöst. Jetzt wird es spannend! Alle 4 Folgen der OHRENBÄR-Hörgeschichte: Mariella und Hans oder Das Geheimnis des Supermarktes von Monika Pelz. Es liest: Petra Kelling. ▶ Mehr Hörgeschichten empfohlen ab 6: https://www.ohrenbaer.de/podcast/empfohlen-ab-6.html ▶ Mehr Infos unter https://www.ohrenbaer.de & ohrenbaer@rbb-online.de

Zum Finale der zweiten „Ghost, Basta!“ Staffel widmen sich Mariella und Ingo wieder Euren persönlichen Spuk-Geschichten und Grusel-Episoden. Ihr habt Mariella Eure übernatürlichen Stories und Begebenheiten zugeschickt und Ingo bekommt sie am Wohnzimmertisch mit Gänsehaut serviert.

Salve, camaradas!Mariella Pittari denunciou o endividamento do povo brasileiro pelos bancos, chamando de "servidão perpétua" a situação das dívidas e criticando os consignados como "excrecência"Ouça agora

Leuchtstoffröhren, die sich selbst aus der Halterung drehen? Ein Drucker, aus dem plötzlich Säure spritzt? Ein Telefonanschluss, der selbst bis zu 50 Mal pro Tag die Zeitansage anruft? Hat's alles so gegeben: In einer Rosenheimer Anwaltskanzlei kommt es in den 60er Jahren zu diversen paranormalen Ereignissen. Mariella und Ingo besprechen in der neuen „Ghost, Basta!“ Folge einen übernatürlichen Fall, welcher seinerzeit sogar international für Aufsehen gesorgt hat.

Nicht nur in alten Burgen spukt's – auch die Weltmeere sind voller düsterer Legenden! In dieser Folge von Ghost, basta! nimmt Mariella dich mit auf eine Reise zu den unheimlichsten Geisterschiffen der Geschichte. Gemeinsam mit Ingo taucht sie in mysteriöse Seemannsgeschichten ein. Ist da draußen wirklich mehr, als wir uns erklären können? Mach's dir gemütlich und geh mit uns auf Geisterjagd – diesmal auf dem offenen Meer!

Eine alte Holzkiste, ein uralter Fluch und eine schaurige Geschichte: In einer Dibbuk-Box, einem antiken Weinschränkchen, wohnt der Folklore nach ein Dämon, der den Besitzer jener Box verflucht, heimsucht und in Alpträumen ängstigt. Doch was steckt wirklich hinter dieser Legende? Mariella und Ingo tauchen in die düstere Folklore ein und beleuchten dieses Phänomen, das seinen Weg bis nach Hollywood in den Horrorfilm The Possession gefunden hat.

MARIELLA BIGHELLIprotagonista della puntata 301 di Passione Triathlon.Segui l'intervista condotta da Dario Daddo Nardone,in prima visione il 5 febbraio 2025 dalle 21.00.#daddocè #mondotriathlon #ioTRIamo ❤️________Video puntate Passione Triathlon: https://www.mondotriathlon.it/passioneSegui il Podcast di Passione Triathlon suSpotify: https://open.spotify.com/show/7FgsIqHtPVSMWmvDk3ygM1Spreaker: https://www.spreaker.com/show/triathlonAmazon Music: https://music.amazon.com/podcasts/f7e2e6f0-3473-4b18-b2d9-f6499078b9e0/mondo-triathlon-daddo-podcastApple Podcast: https://podcasts.apple.com/it/podcast/mondo-triathlon-daddo-podcast/id1226932686Trinews: Mondotriathlon.itFacebook: @mondotriathlonInstagram: @mondotriathlon________#triathlon #trilife #fczstyle#passionetriathlon

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=ExOEpTr_0gI&t=1s La mediumnidad es un puente entre los vivos y los muertos. Desde la mirada de un médium, y con su ayuda, podemos comprender mejor el proceso de la muerte y transitar el camino hacia la sanación por la pérdida de un ser querido. Mariella Médium, terapeuta transgeneracional, consteladora, exorcista, comunicadora y médium animal, terapeuta floral, astróloga kármica y maestra de Registros Akáshicos. / mariella.alquimistaespiritual Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------INFORMACIÓN SOBRE MINDALIA----------DPM Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=ExOEpTr_0gI&t=1s La mediumnidad es un puente entre los vivos y los muertos. Desde la mirada de un médium, y con su ayuda, podemos comprender mejor el proceso de la muerte y transitar el camino hacia la sanación por la pérdida de un ser querido. Mariella Médium, terapeuta transgeneracional, consteladora, exorcista, comunicadora y médium animal, terapeuta floral, astróloga kármica y maestra de Registros Akáshicos. / mariella.alquimistaespiritual Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------INFORMACIÓN SOBRE MINDALIA----------DPM Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=kG7yqTr3FAI&t=4s En este video, Mariella, nos aclara las diferencias clave entre un psíquico y un médium. Aunque ambos tienen la capacidad de percibir más allá de los sentidos físicos, sus habilidades y formas de conexión con el mundo espiritual varían. Descubre qué es lo que distingue a un psíquico, que trabaja con energías y vibraciones del presente y futuro, de un médium, que actúa como canal entre los vivos y los espíritus del más allá. Mariella Alquimista espiritual y médium. Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------INFORMACIÓN SOBRE MINDALIA----------DPMD Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

This week's difficult women is Mariella Frostrup. A renowned broadcaster, writer, and outspoken feminist - always ready with her sharp wit and deep commitment to social issues. With a career spanning television, radio, and print, she's built a reputation as an agony aunt, offering advice with empathy and honesty. Beyond her media work, Mariella is a passionate advocate for women's rights, particularly focused on breaking the silence around menopause. Fearless in her pursuit of equality, she's made it her mission to amplify the voices of women and challenge the taboos that still hold us back.

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=kG7yqTr3FAI&t=4s En este video, Mariella, nos aclara las diferencias clave entre un psíquico y un médium. Aunque ambos tienen la capacidad de percibir más allá de los sentidos físicos, sus habilidades y formas de conexión con el mundo espiritual varían. Descubre qué es lo que distingue a un psíquico, que trabaja con energías y vibraciones del presente y futuro, de un médium, que actúa como canal entre los vivos y los espíritus del más allá. Mariella Alquimista espiritual y médium. Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------INFORMACIÓN SOBRE MINDALIA----------DPMD Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

Im Tingley der 80er Jahre ereignet sich ein mysteriöser Fall: Beim Einlaufen verschwindet ein englischer Kohlearbeiter und taucht Tage später tot auf einem Kohlehaufen in Todmorden auf – mit mysteriösen Verbrennungen und einer bis heute nicht identifizierten Salbe auf seinem Körper. Was genau ist da passiert? Mord? Außerirdische? Übernatürliche Kräfte? Mariella und Ingo spekulieren.

In dieser Episode von BeLight sprechen Mariella und Anne-Sophie über Bewusstsein, Schwesternschaft und die transformative Kraft von Wundern. Sie teilen persönliche Geschichten über ihre Reise zur Selbstentdeckung, die Bedeutung des Körpers als göttlichen Kanal und die Herausforderungen, die mit der Suche nach Intimität und Liebe verbunden sind. Die beiden Frauen betonen die Notwendigkeit, alte Muster loszulassen, um Platz für Wunder zu schaffen und die eigene Seelenmission zu erfüllen. In dieser tiefgründigen Konversation wird die transformative Kraft von Liebe, Selbstannahme und Schwesternschaft thematisiert. Ann Sophie spricht über die Wunder, die im Leben geschehen können, wenn man sich für die Liebe öffnet und die eigene Macht erkennt. Sie betont die Bedeutung von Schwesternschaft und der weiblichen Verbindung, um gemeinsam zu wachsen und sich gegenseitig zu unterstützen. Die Einladung zur Transformation und zur Veränderung wird als entscheidend für das persönliche und kollektive Wachstum hervorgehoben. Ann Sophie ist Heilerin und Aurorin. Die zelluläre und systemische Bewusstseinserweiterung ist mein Spezialgebiet. Mit energetischer Tiefenarbeit eröffnen wir wahre Lebendigkeit und stärken die Anbindung an deinen natürlichen göttlichen Kanal. Ann Sophies Instagram: Instagram Ich danke euch, dass wir gemeinsam zu dieser Zeit auf der Erde sind, um den Wandel zu kreieren! ⭐⭐⭐⭐⭐

As the past and present collide, Thomas Ashton faces the ghosts that have haunted him for decades. From the quiet streets of Philadelphia to the glittering art galleries of Miami, the truth behind The Artist's origins begins to unravel. Meanwhile, Detective Mick Reyes grapples with the case that defined—and destroyed—his career, as a new generation turns The Artist's reign of terror into binge-worthy entertainmentIn the halls of power, Senator Greg Henley and his wife Mariella make their bid for the nation's highest office, unaware of the dark forces that have shaped their path. And as the final brush strokes are laid on this twisted masterpiece, the line between artist and monster blurs like never before. Don't miss the shocking conclusion in Episode 10: 'Chiaroscuro' – where light and shadow dance in a deadly finale that will leave you questioning everything you thought you knew about The Artist."Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!We now have Merch!  FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there's free shipping? Get 10% off with code NewMerch10 Go to Caloroga.comGet more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

Today, we have the privilege of hosting Mariella Sawyer, Professional Triathlete, Dietitian and new mother, days after she took the win at the Mossel Bay Ironman 70.3, to discuss her transformative journey of returning to competition a year postpartum. Join hosts Nic and Leah in this episode of Making HER Runner, as they delve into Mariella's experiences balancing motherhood and her athletic ambitions. In this episode, Mariella opens up about the unique hormonal changes after childbirth, the realities of managing a newborn, and the pressures of bouncing back physically. She candidly shares insights into navigating breastfeeding challenges, debunking weight loss myths, and the societal expectations placed on new mothers. Mariella's story is one of flexibility and patience, emphasising the importance of a supportive training environment and adapting to the ever-changing demands of motherhood. She highlights her approach to nutrition, offering practical tips on managing energy levels while maintaining focus on performance goals. We explore the resilience and strength required to balance life as an athlete and a parent, providing encouragement and realistic perspectives to aspiring and new mothers in the world of running. This episode aims to inspire, educate, and connect with anyone navigating the journey of postpartum fitness and beyond. We hope you enjoyed this converation. Feel free to share it with your running buddies or leave a comment with your thoughts on the show.

When life feels overwhelming and our emotions are intense, many of us instinctively disconnect from play, pleasure, and presence. Yet, these very elements can be powerful tools for resilience. True pleasure isn't about escaping our pain or numbing our emotions but embracing them and finding the beauty within. In this episode, Donna and I dive deep into...Reclaiming Play and PleasureFinding Stillness in OverwhelmBalancing Emotions and PleasureListening to Your Body If you would like to connect with Kim on a complimentary discovery call and see how you can work with her, book your call here - https://calendly.com/talk-to-kim/unleash-your-unapologetic-power-now Here is a resource that you can use to access your pleasure better: The Essential Pleasure Tools PDFhttps://get-your-sexy-back.myflodesk.com/mjg7cc0pvx  About the guest ❤️Donna is a transformational embodiment coach and mentor for leaders, changemakers, and visionaries with diverse experience and training in psychology, shamanism, Buddhist meditation, tantra, and bodywork.Donna is passionate about creating safe spaces where deep intimacy with ourselves, others, and the world around us can truly unfold. Connect with Donna here…Website - https://www.donnamariella.net/ Instagram -  https://www.instagram.com/donna.anicca/ —----------------------------------------------------------------------------------------------------------------------------Follow Kim below and continue the convo! Facebook - https://www.facebook.com/profile.php?id=569755109Instagram -   https://www.instagram.com/get_your_sexy_back_coach/   Website - https://getyoursexyback.ca/Private FB Group - https://www.facebook.com/groups/2251812558445958/

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y de vez en cuando con algún invitado que canta o toca en directo.

Fe hecha canción es el programa de EWTN Radio Católica Mundial que promociona la música de los grupos y cantantes católicos del mundo hispano. Desde el Estudio 3 de Radio Católica Mundial, Douglas Archer comparte con ustedes una hora cargada de canciones, incluyendo las últimas novedades y estrenos, y de vez en cuando con algún invitado que canta o toca en directo. Episode: https://i.listen.ewtn.com/~LS/~LS20241112.mp3 Podcast: https://www.ewtn.com

Die 3 Fragen für deine Selbstermächtigung: 1. Was möchte ich? Was möchte ich in den 4 Lebensbereichen -> Finanzen, Beziehung, Gesundheit und was möchte meine Seele? Wie soll sich das Leben in diesem Bereich anfühlen? Möchte ich wirklich tun, was ich möchte, wann immer ich möchte, mit wem ich möchte? 2. Was wertschätzt du am meisten in deinem Leben? Was sind deine Werte?  3. Bist du die Fülle, die du in dein Leben ziehen möchtest? Bist du auf der Frequenz von dem? In dieser Episode von BeLight spricht Mariella Schäfer über die transformative Zeit, die uns bevorsteht, und die Bedeutung von innerer Arbeit und Selbstermächtigung. Sie ermutigt die Zuhörer, aus der Opferrolle auszutreten und ihre Wurzeln zu stärken, um ihre Visionen zu verwirklichen. Mariella thematisiert auch Selbstsabotage und die Notwendigkeit von Klarheit in verschiedenen Lebensbereichen. Der Weg zur Selbstbewusstheit wird als entscheidend angesehen, um die Kraft des Herzens und der Intuition zu nutzen. Abschließend stellt sie Fragen zur Lebensgestaltung und betont die Wichtigkeit von Entscheidungen für ein erfülltes Leben. In dieser Episode spricht Mariella Schäfer über den Weg zum spirituellen Wachstum und die Bedeutung von Selbstliebe und Werten. Sie betont, wie wichtig es ist, sich seiner eigenen Energie und der Menschen um einen herum bewusst zu sein. Entscheidungen und Klarheit sind entscheidend für die Selbstermächtigung und die Fähigkeit, das eigene Leben zu gestalten. Mariella ermutigt die Zuhörer, ihre Wahrheit zu sprechen und sich selbst an erste Stelle zu setzen, um eine positive Veränderung in ihrem Leben und in der Welt zu bewirken. ⭐⭐⭐⭐⭐ Du möchtest tiefer mit Mariella & Team zusammenarbeiten? Melde dich jetzt für den Newsletter an, um die neuesten Informationen für dich zu erhalten auf: Zur Newsletter Anmeldung Bewerbe dich für das neue Gruppen Mentoring unter: hallo@mariellaschaefer.com Mehr Infos folgen. Ich möchte euch von Herzen danken für euren Support und euer Wirken! Wenn wir euch mit Impulsen oder Vernetzungen unterstützen können, bitte meldet euch ebenso über die Social Media Kanäle oder via Email. ⭐⭐⭐⭐⭐ Ansonsten würden wir uns riesig freuen über eine 5 Sterne Bewertung auf den Podcast Kanälen und Feedback zu den Folgen. Danke danke danke und Herzumarmung Mariella

Maria Anastasi, chiamata da tutti Mariella, era nata il 5 luglio 1972 a Trapani. Aveva due sorelle minori, Loredana e Manuela, di cui si è occupata come una seconda mamma. È stata prima una bambina poi una donna creativa. Aveva scelto di lavorare come parrucchiera, riscuotendo subito un discreto successo soprattutto per la fantasia che metteva nelle acconciature. Amava tantissimo disegnare. A vent'anni ha conosciuto Salvatore Savalli e a ventiquattro hanno avuto la loro prima figlia, poi un'altra ancora, poi un maschio. Salvatore era possessivo e geloso, ha preteso che smettesse di lavorare e, piano piano, l'ha isolata dal resto del mondo, compresa la sua famiglia di origine. Era violento verbalmente, economicamente e fisicamente. Lo era anche coi figli. Inoltre, tradiva Mariella di frequente. Nel giugno 2012 hanno accolto in casa la ex del fratello di Salvatore, insieme ai suoi figli. Era l'amante dell'uomo. Quando Mariella se ne rende conto, per lei e la piccola Paola, di cui è incinta di nove mesi, è già troppo tardi. Attenzione: il podcast contiene dettagli di una vicenda criminale che potrebbero turbare le persone più sensibili. TW: femminicidio, violenza domestica, violenza su minori. Per leggere gli approfondimenti alla puntata puoi seguirci su ⁠⁠⁠⁠Substack⁠⁠⁠⁠ oppure ⁠⁠⁠⁠iscriverti alla nostra newsletter⁠⁠⁠⁠. Arriva due volte al mese ed è gratuita. Si ringrazia la professoressa Silvia Grasso per la chiacchierata sulle streghe siciliane. FONTI Féminicides, une histoire mondiale - Christelle Taraud Le “donne di fora” siciliane, chi erano in realtà le streghe perseguitate per secoli dagli inquisitori Di troppo amore, fuori dal labirinto della dipendenza affettiva - Ameya Gabriella Canovi BRANI ⁠⁠⁠Cold Mind Enigma - Crime Mysterious Detective Music - Loopable - GioeleFazzeri⁠⁠⁠ ⁠⁠⁠A sad piano - Music_For_Videos⁠⁠⁠ ⁠⁠⁠Piano Synth Ambient - Lite Saturation⁠⁠⁠ ⁠⁠⁠Moving Sad Classical Piano - Ashot-Danielyan-Composer⁠⁠⁠ ⁠⁠⁠Dramatic Tension - Ashot-Danielyan-Composer⁠⁠⁠ ⁠⁠⁠Melancholic Sad Piano - Music_For_Videos⁠⁠⁠ ⁠⁠⁠Slow Sad Epic Piano (Power Of Your Heart) - Ashot-Danielyan-Composer⁠⁠⁠ Instagram: @ricordailmionome_podcast Puoi scriverci all'indirizzo mail: ricordailmionome.podcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Auch in diesem Schocktober sollen die Comic-Verfilmungen nicht fehlen! Und darum klären Milena, Mariella und Micha einige spannende Fragen über die Adaption von Steve Niles' Comic 30 Days of Night. Wie zum Beispiel, wieviele Tage die längste Nacht am nördlichsten Punkt der USA tatsächlich dauert, wie die Stadt dort mittlerweile heißt, ob die Regeln von White Wolf's Vampire: The Masquerade auf den Horror-Thriller anwendbar sind, wer eigentlich Steve Niles ist, und nebenbei: Wie viele Tabs haben Mariella und Micha eigentlich auf ihren Handies offen?

As the past and present collide, Thomas Ashton faces the ghosts that have haunted him for decades. From the quiet streets of Philadelphia to the glittering art galleries of Miami, the truth behind The Artist's origins begins to unravel. Meanwhile, Detective Mick Reyes grapples with the case that defined—and destroyed—his career, as a new generation turns The Artist's reign of terror into binge-worthy entertainmentIn the halls of power, Senator Greg Henley and his wife Mariella make their bid for the nation's highest office, unaware of the dark forces that have shaped their path. And as the final brush strokes are laid on this twisted masterpiece, the line between artist and monster blurs like never before. Don't miss the shocking conclusion in Episode 10: 'Chiaroscuro' – where light and shadow dance in a deadly finale that will leave you questioning everything you thought you knew about The Artist."Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!We now have Merch!  FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there's free shipping? Get 10% off with code NewMerch10 Go to Caloroga.comGet more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

  The Friday Five for August 23, 2024: Ritter Insurance Marketing Summits Next Week Instagram Testing Rectangular Profile Grid FTC Ban on Noncompete Agreements Overturned "Time is Money" Initiative from Biden-Harris Administration CMS Announces First 10 Part D Negotiated Drug Prices   Contact the Agent Survival Guide Podcast! Email us ASGPodcast@Ritterim.com or call 1-717-562-7211 and leave a voicemail.   Register for Ritter Insurance Marketing Annual Summits: https://summits.ritterim.com/   Instagram Testing Rectangular Profile Grid: Hutchinson, Andrew. “Instagram Chief Flags Coming Changes to Profile Grid Displays.” Social Media Today, Social Media Today, 18 Aug. 2024, www.socialmediatoday.com/news/instagram-chief-flags-coming-changes-profile-grid-displays/724532/. Moon, Mariella. “Instagram's Experimental Profile Grid Has Rectangular Images Instead of Squares.” Engadget, Engadget, 17 Aug. 2024, www.engadget.com/social-media/instagrams-experimental-profile-grid-has-rectangular-images-instead-of-squares-160007086.html. Mishra, Prakruti. “Instagram Explores Vertical Profile Grid in Shift from Classic Squares.” Business Standard, Business Standard, 19 Aug. 2024, www.business-standard.com/technology/tech-news/instagram-explores-vertical-profile-grid-in-shift-from-classic-squares-124081900317_1.html. Peters, Jay. “Instagram Is Testing Vertical Profile Grids - and Knows That Might Mess up Layouts.” The Verge, The Verge, 16 Aug. 2024, www.theverge.com/2024/8/16/24222022/instagram-vertical-profile-grids-mess-up-layouts.   FTC Ban on Noncompete Agreements Overturned: “FTC's Bid to Ban Noncompete Agreements Rejected by Federal Judge in Texas.” Dallas News, 21 Aug. 2024, www.dallasnews.com/news/2024/08/21/ftcs-bid-to-ban-noncompete-agreements-rejected-by-federal-judge-in-texas/. Freedman, Robert. “FTC Exceeded Its Authority with Noncompete Ban, Judge Says.” Legal Dive, Legal Dive, 21 Aug. 2024, www.legaldive.com/news/ftc-exceeded-authority-noncompete-ban-judge-ada-brown/724871/. Stoddart, Michelle, and Elizabeth Schulze. “FTC Ban on Worker Noncompete Agreements Blocked by Federal Judge.” ABC News, ABC News Network, 20 Aug. 2024, abcnews.go.com/Politics/federal-trade-commissions-ban-worker-noncompete-agreements-blocked/story?id=113001832. Hsu, Andrea. “Federal Judge Throws out U.S. Ban on Noncompetes.” NPR, NPR, 21 Aug. 2024, www.npr.org/2024/08/21/g-s1-18376/federal-judge-tosses-ftc-noncompetes-ban. Weatherbed, Jess. “The FTC's Noncompete Agreements Ban Is Blocked.” The Verge, The Verge, 21 Aug. 2024, www.theverge.com/2024/8/21/24225112/ftc-noncompete-agreement-ban-blocked-judge.   “Time is Money” Initiative from Biden-Harris Administration: “Biden-Harris Administration Announces Broad New Actions to Protect Consumers from Billions in Junk Fees.” The White House, The United States Government, 11 Oct. 2023, www.whitehouse.gov/briefing-room/statements-releases/2023/10/11/biden-harris-administration-announces-broad-new-actions-to-protect-consumers-from-billions-in-junk-fees/. Haslett, Cheyenne. “Canceling Subscriptions Should Be as Easy as Signing up, Newly Proposed Federal Rule Says.” ABC News, ABC News Network, 12 Aug. 2024, abcnews.go.com/Politics/canceling-subscriptions-easy-signing-new-federal-rule/story?id=112724977. “Fact Sheet: Biden-Harris Administration Launches New Effort to Crack down on Everyday Headaches and Hassles That Waste Americans' Time and Money.” The White House, The United States Government, 13 Aug. 2024, www.whitehouse.gov/briefing-room/statements-releases/2024/08/12/fact-sheet-biden-harris-administration-launches-new-effort-to-crack-down-on-everyday-headaches-and-hassles-that-waste-americans-time-and-money/. Rosalsky, Greg. “The White House Plan to Stop Companies from Wasting Our Time.” NPR, NPR, 20 Aug. 2024, www.npr.org/sections/planet-money/2024/08/19/g-s1-17604/the-white-house-plan-to-stop-companies-from-wasting-our-time.   CMS Announces First Part D Negotiated Drug Prices: “Factsheet: Medicare Drug Price Negotiation Program.” CMS.Gov, Centers for Medicare & Medicaid Services, Aug. 2023, www.cms.gov/files/document/fact-sheet-medicare-selected-drug-negotiation-list-ipay-2026.pdf. “Fact Sheets Medicare Drug Price Negotiation Program: Negotiated Prices for Initial Price Applicability Year 2026.” CMS.Gov, Centers for Medicare & Medicaid Services, 15 Aug. 2024, www.cms.gov/newsroom/fact-sheets/medicare-drug-price-negotiation-program-negotiated-prices-initial-price-applicability-year-2026. “HHS Selects the First Drugs for Medicare Drug Price Negotiation.” HHS.Gov, Department of Health & Human Services, 8 Feb. 2024, www.hhs.gov/about/news/2023/08/29/hhs-selects-the-first-drugs-for-medicare-drug-price-negotiation.html. “Negotiating for Lower Drug Prices Works, Saves Billions.” CMS.Gov, Centers for Medicare & Medicaid Services, 15 Aug. 2024, www.cms.gov/newsroom/press-releases/negotiating-lower-drug-prices-works-saves-billions.   Resources: 2025 Maximum Broker Commissions for Medicare Advantage & Medicare Part D Update: https://link.chtbl.com/ASGN20240808 CMS Announces Part D Savings & 2026 Maximum Fair Prices for First 10 Medicare-Negotiated Drugs: https://ritterim.com/blog/cms-announces-part-d-savings-and-2026-maximum-fair-prices-for-first-10-medicare-negotiated-drugs/ How Insurance Agents Can Use Stories to Sell Insurance: https://link.chtbl.com/ASG613 LinkedIn Basics for Insurance Agents: https://link.chtbl.com/ASG612 Supreme Court Overrules Chevron Deference: https://link.chtbl.com/ASGF20240705   Follow Us on Social! Ritter on Facebook, https://www.facebook.com/RitterIM Instagram, https://www.instagram.com/ritter.insurance.marketing/ LinkedIn, https://www.linkedin.com/company/ritter-insurance-marketing TikTok, https://www.tiktok.com/@ritterim X, https://twitter.com/RitterIM and Youtube, https://www.youtube.com/user/RitterInsurance     Sarah on LinkedIn, https://www.linkedin.com/in/sjrueppel/ Instagram, https://www.instagram.com/thesarahjrueppel/ and Threads, https://www.threads.net/@thesarahjrueppel  Tina on LinkedIn, https://www.linkedin.com/in/tina-lamoreux-6384b7199/

Today I chat with Mariela DeSantiago, host of New Mom Talk, to dive into the wide range of subjects she covers in her episodes. Mariella's mission is to ensure that no woman feels alone during the transformative experience of motherhood. Join us for an honest and supportive conversation packed with practical advice and heartfelt encouragement. Discover more about Mariella and New Mom Talk at newmomtalk.com.

Get on the waitlist for journal club here: https://www.dentaldigestpodcast.com/contact-4  Follow @dental_digest_podcast Instagram Follow @dr.melissa_seibert on Instagram Connect with Melissa on Linkedin  DOT - Use the Code DENTALDIGEST for 10% off Specialty Orofacial Pain Diplomate of the American Board of Orofacial Pain Fellow of the American Academy of Orofacial Pain Practicing since 1990 Education Doctor of Dental Surgery, University of Costa Rica, 1989 Specialty Certificate in Orofacial Pain, University of California, Los Angeles, 1998 Master of Education, Latin University, 2005 Professional memberships American Academy of Orofacial Pain International Association for the Study of Pain American Headache Society American Dental Education Association Dr. Padilla's Publications  Repurposing lectures and reviews into educational blogs J Dent Educ. 2023 06; 87 Suppl 1:895-896. . View in PubMed Temporomandibular joint findings in CBCT images: A retrospective study Cranio. 2021 Dec 11; 1-6. . View in PubMed Deploying a curated glossary: An orofacial pain wiki J Dent Educ. 2021 Dec; 85 Suppl 3:2016-2017. . View in PubMed Efficacy of cannabis-based medications compared to placebo for the treatment of chronic neuropathic pain: a systematic review with meta-analysis J Dent Anesth Pain Med. 2021 Dec; 21(6):479-506. . View in PubMed Efficacy of medications in adult patients with trigeminal neuralgia compared to placebo intervention: a systematic review with meta-analyses J Dent Anesth Pain Med. 2021 Oct; 21(5):379-396. . View in PubMed Efficacy of topical interventions for temporomandibular disorders compared to placebo or control therapy: a systematic review with meta-analysis J Dent Anesth Pain Med. 2020 Dec; 20(6):337-356. . View in PubMed Trigeminal neuralgia management after microvascular decompression surgery: two case reports J Dent Anesth Pain Med. 2020 Dec; 20(6):403-408. . View in PubMed Clinical skills evaluation and examination center: From demos to competence validation J Dent Educ. 2020 Oct 02. . View in PubMed A modern web-based virtual learning environment for use in dental education J Dent Educ. 2020 Sep 11. . View in PubMed Efficacy of Antidepressants in the Treatment of Obstructive Sleep Apnea Compared to PlaceboA Systematic Review with Meta-Analyses. Sleep Breath. 2020 Jun; 24(2):443-453. . View in PubMed Effects of respiratory muscle therapy on obstructive sleep apnea: a systematic review and meta-analysis J Clin Sleep Med. 2020 05 15; 16(5):785-801. . View in PubMed Empathy Levels of Dental Faculty and Students: A Survey Study at an Academic Dental Institution in Chile J Dent Educ. 2019 Oct; 83(10):1134-1141. . View in PubMed Prevalence of trismus in patients with head and neck cancer: A systematic review with meta-analysis Head Neck. 2019 09; 41(9):3408-3421. . View in PubMed Local Anesthetic Injections for the Short-Term Treatment of Head and Neck Myofascial Pain Syndrome: A Systematic Review with Meta-Analysis J Oral Facial Pain Headache. 2019; 33(2):183–198. . View in PubMed Use of platelet-rich plasma, platelet-rich growth factor with arthrocentesis or arthroscopy to treat temporomandibular joint osteoarthritis: Systematic review with meta-analysesJ Am Dent Assoc. 2018 Nov; 149(11):940-952. e2. . View in PubMed Chilean Dentistry students, levels of empathy and empathic erosion: Necessary evaluation before a planned intervention: Levels of empathy, evaluation and intervention Saudi Dent J. 2018 Apr; 30(2):117-124. . View in PubMed Effects of CPAP and mandibular advancement device treatment in obstructive sleep apnea patients: a systematic review and meta-analysis Sleep Breath. 2018 09; 22(3):555-568. . View in PubMed Effectiveness of Intra-Articular Injections of Sodium Hyaluronate or Corticosteroids for Intracapsular Temporomandibular Disorders: A Systematic Review and Meta-Analysis J Oral Facial Pain Headache. 2018 Winter; 32(1):53–66. . View in PubMed Reconsidering the ‘Decline' of Dental Student Empathy within the Course in Latin America Acta Med Port. 2017 Nov 29; 30(11):775-782. . View in PubMed Medication Treatment Efficacy and Chronic Orofacial Pain Oral Maxillofac Surg Clin North Am. 2016 Aug; 28(3):409-21. . View in PubMed  

On this episode of The Power of Love Show we welcome special guest & friend of Dee Dee Jackson Foundation, Mariella Arroba. Mariella Arroba is the Director of Foundation and Corporate Relations at Calvary Hospital, bringing over 7 years of dedicated fundraising experience to her role. With a strong academic background, Mariella holds an MBA, which has equipped her with strategic insight and leadership skills in the philanthropic sector. Beyond her professional achievements, Mariella is passionate about giving back to the community through active volunteering. Most recently, she served as a volunteer firefighter in Rocky Point, NY, demonstrating her commitment to public service and community safety. Mariella's multifaceted expertise in fundraising, coupled with her hands-on approach to community engagement, underscores her dedication to making a positive impact both professionally and personally. Learn More About Mariella: Instagram: @CalvaryCares Facebook: Calvary Hospital YouTube: Calvary Hospital LinkedIn: Calvary Hospital Website: Fund.CalvaryHospital.org Learn More About DDJF: Website: DDJF.org Instagram: @DeeDeeJacksonFoundation Facebook: Dee Dee Jackson Foundation LinkedIn: Dee Dee Jackson Foundation X: @DDJFoundation Leave a podcast review: Apple Podcasts: https://podcasts.apple.com/us/podcast/the-power-of-love-show/id1282931846 Spotify Podcasts: https://open.spotify.com/show/6X6zGAPmdReRrlLO0NW4n6?si=koXehESfSrSwA-zWi2vf-w Can't make the live-stream? You can always watch our interviews later on YouTube or Facebook! Prefer to listen as a podcast? Click here: https://podcasts.apple.com/us/podcast/the-power-of-love-show/id1282931846 Subscribe to our YouTube channel: https://www.youtube.com/watch?v=2-Nd1HTnbaI Like Our Facebook Page: https://www.facebook.com/884355188308946/ Join our Official Facebook Page full of supportive community members: https://www.facebook.com/groups/1500933326745571/?ref=share_group_link Visit the DDJF official website: http://www.ddjf.org/ Donate to DDJF (501c3): https://www.flipcause.com/hosted_widget/hostedWidgetHome/MTIxODI3 Check Out DDJF Merch: https://my-store-10253433.creator-spring.com/?# Join the Dee Dee Jackson Facebook Group: https://www.facebook.com/groups/1500933326745571 Follow us on Instagram: @DeeDeeJacksonFoundation • https://instagram.com/deedeejacksonfoundation?utm_medium=copy_link --- Support this podcast: https://podcasters.spotify.com/pod/show/thepowerofloveshow/support

Today we have a brand new guest, Mariella, my younger sister! I asked you guys to ask us questions based on anything you might want to know about us, our relationship, and sisterhood in general. Having 2 sisters during this lifetime has been the biggest blessing and I'm so happy to get deeper into our relationship and share more of ourselves with you guys. I love you all, enjoy.Watch the episode on YouTube! Hosted on Acast. See acast.com/privacy for more information.

Pride month is here! And along with it is the bumper issue of DIVA magazine.Whooo hoooo!Join The L Word star Rachel Shelley (aka Helena Peabody) and the right royal Roxy Bourdillon, editor supreme of all DIVA-dom, as we turn the pages of this latest Pride-tastic magazine. Both gloriously head-to-toe in their Pride festive colours!Discussingcover star and phenomenal role model Adele Robertsthe DIVA Awards celebrating 30 years of your favourite LGBTQIA+ magazinecomedian Jessica Fostekewqueer speed friend-shippingEleanor Medhurst on lesbian fashionBlack queer lovePlus an exclusive Beyond Borders feature starring you, the DIVA listener.Wherever You Are In the World.This month: Mariella and Jo from The Netherlands, and their spiritual businesses.Thank you Mariella and Jo!The DIVA Debrief - one gorgeous glossy in your ear.Have you heard our top-rated ep? TheLWordGenQ with Rachel ShelleyOr listened to our 30 x 30 micro-casts? Celebrating 30 years of DIVA magazine and its community throughout the month of April 2024.Want to hear more of all things LGBTQIA? Grab your copy of DIVA's February issue here.Edited and produced by Rachel Shelley with love and support from #TeamDIVApodDIVA: Queers for your EarsDIVA - the world's leading brand for LGBTQIA plus women and non-binary peopleGet in touch: poddiva@diva-magazine.com Hosted on Acast. See acast.com/privacy for more information.

Mariella Rivera, una psicóloga y trabajadora social clínica peruana radicada en Minnesota, comparte su inspiradora historia en el último episodio de Latino Libre USA Podcast. Desde su llegada a Miami en 1994 hasta su trayectoria académica y profesional en Estados Unidos, Mariella nos lleva a través de su viaje de superación y adaptación. Descubre cómo enfrenta los retos de la salud mental y desmonta los estigmas en las comunidades inmigrantes. ¡Escucha su relato aquí! Support the Show.

A couple of weeks ago, journalist and broadcaster Mariella Frostrup stepped down from her presenting role at Times Radio so she could concentrate full-time on the women's health advocacy that has become her life's work. Seemed like a good time to look back at our episode from two and a half years ago when she discussed why she was on a mission to make menopause mainstream. Original show notes below:-------My guest this week was known for her willingness for say it like it is even before she made a TV show about the menopause. No, not THAT one. The one BEFORE. Broadcaster Mariella Frostrup was banging the menopause drum back in 2018 when her own ignorance about her symptoms at first shocked her and then prompted her to do something bout it. The resulting documentary, The Truth About Menopause, was a smash hit. And she's now followed that up with a book, Cracking The Menopause, written with her friend, journalist Alice Smellie. If you're a fan of the book of this podcast - The Shift (how I lost and found myself after 40 and you can too) - Mariella's book will be right up your street.Mariella and I talk candidly about all things menopause - from menopause ignorance to sleeplessness to “the bubble of poison bile” that surrounds the whole subject! She also has plenty to say about the insidiousness of women being “scrap heaped” at 50, why fearlessness is so much sexier than the ability to look 28 and why the time has come to just stop bloody putting up with it!• You can buy all the books mentioned in this podcast at Bookshop.org, including Cracking The Menopause by Mariella Frostrup and Alice Smellie and the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me!* And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at www.theshiftwithsambaker.substack.com• The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Emily Sandford. If you enjoyed this podcast, please rate/review/follow as it really does help other people find us. And let me know what you think on twitter @sambaker or instagram @theothersambaker. Hosted on Acast. See acast.com/privacy for more information.

THE MOMS MOM IS HERE VOICEMAIL VOICEMAIL VOICEMAIL: https://www.speakpipe.com/EachOthersMothers WATCH JOH'S SPECIAL: https://youtu.be/55XHzQ_vG04 JohannaMedranda.com Produced by Mar | Recorded at HMC Studios IG @johanna.medranda @itchysnitchy --- Support this podcast: https://podcasters.spotify.com/pod/show/eachothersmotherspodcast/support

On this week's episode, I have actress Paula Marshall (Euphoria, Walker, Gary Unmarried, and many many more) and we dive into the origins of his career. We also talk about how she dealt with being a new mom and working on a sitcom at the same time. There is so much more so make sure you tune in.Show NotesPaula Marshall on Instagram: https://www.instagram.com/thepaulamarshall/?hl=enPaula Marshall IMDB: https://www.imdb.com/name/nm0005191/Paula Marshall on Wikipedia: https://en.wikipedia.org/wiki/Paula_MarshallA Paper Orchestra on Website - https://michaeljamin.com/bookA Paper Orchestra on Audible - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads - https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptPaula Marshall:But a lot of parents, they go to jobs and then they come home or they don't work at all, and then it's just mom 100% and they're probably exhausted and happy. Some of my friends, I feel like they're like, I'm so glad. Finally I get to whatever. And either they're retiring and they get to go travel and like, no, I'm an actor. I'm looking for a gig, whatever. I don't think actors ever truly retire. I think we don't. I don't.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations and writing, art and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase. And to support me on this podcast, please visit michael jamin.com/book and now on with the show.Welcome everyone. My next guest is actress Paula Marshall. She has been, I worked with her years ago on a show called Out of Practice, I think it was like 2005. But Paul, before I let you get a word in edgewise, I got to tell everyone, your credits are crazy long, so your intro may take a long time. So I'm going to just give you some of the highlights to remind you of your incredible body of work here. Really these are just the highlights. She works a ton. So well, let's see. I guess we could start with One Life To Live. That might've been your first one. Grapevine Life goes on. Wonder Years Seinfeld. I heard of that one. Perry Mason diagnosis. Murder Wild Oats. I'm skipping here. Nash Bridges. You did a couple Chicago Suns Spin. City Cupid Snoops Sports Night, the Weber Show. It doesn't end.Just shoot Me, which I worked on. I didn't even know you were on that. Maybe I wasn't there. Hitting Hills and Out of Practice, which we did together. Veronica Mars, nip Tuck, shark ca Fornication. You did a bunch of Gary Unmarried House friends with Benefits, the exes CSI, the Mentalist, two and a Half Men Murder in the First Major Crimes. What else have we got here? Goer Gibbons, I dunno what that is. You have to tell me what that is. And then Modern Family Euphoria. You did a bunch of them. Walker. Paula, I'm exhausted and I'm going to steal your joke here. You can because I'm going to say you're Paula Marshall, but you may know me as Carla Gina. That's what used to tell me CarlaPaula Marshall:And I know Carla,Michael Jamin:But knowPaula Marshall:She's like the younger version of me. Slightly shorter,Michael Jamin:Bigger, bigger. Boop. But you have done so much. I'm going to jump, I'm going to jump into the hardest part. I'm wondering if this is the hardest part for you is being a guest star on a show because you have to jump in with the cast, you have to know the rules and everything. Is that harder?Paula Marshall:Yes, a hundred percent. It's harder when I guest star on any shows, if I haven't seen the show, I watch three or four on YouTube just so I know who's who and the vibe and the energy. When I guest star on Modern Family I their last season and some could say I canceled the show by being there. I've been called a show killerMichael Jamin:Before. I remember You don't let Right.Paula Marshall:I still have not let that go. I like to say I've just worked on so many different shows at its peak and then it died anyway. It's hard because they're all in a flow and depending on the other actors, how cool they are to kind of throw the ball at you.Michael Jamin:But do you have to identify who's the alpha dog on set? Is that what your plan is? It'sPaula Marshall:Pretty clear right away. Really? Yeah. I mean besides whoever's first on the call sheet, I remember one of the producers of Snoop's, David Kelly's first big bomb. That was me.Michael Jamin:It was a sure thing what happened?Paula Marshall:You know what? I'm not sure. Well, when it was supposed to be a comedy quickly turned into a drama, it was not great. But as one of the producers of Snoop said, you don't fuck with the first person on the call sheet. You don't fuck with him. And so you identify that person and depending, it's funny because I've worked with so many great people and so many assholes too. Like David Deney. Damn, is he cool? He's so nice. When I worked on fornication with him, he set a tone for just the set, the crew, the actors, this freedom just to try things. And I remember during my, it was like the first day naked throwing up,Michael Jamin:Wait, were you nervous? Why were you throwing up?Paula Marshall:Hello? Of course. But IMichael Jamin:Remember you're never nervous, Paul, let me tell you who you were. I'm totally nervous. No, you're the most self-assured person probably I've ever worked with. You're very confident.Paula Marshall:Thank you. I'm actingMichael Jamin:Acting.Paula Marshall:But California occasion, it was my first day onset naked, fake fucking. And I remember standing there, it was yesterday, and either tweaking you and touching you up. And I say to everyone, what's amazing, what I'll do for $2,900 when a strike is pending? It was the writer's strike way back in the day. And I remember getting this part on fornication and I'm like to all the girls in the audition room, when we used to have auditions in rooms with other people, I looked around, I'm like, we're not going to really have to be naked. We're not those type of actresses. And they're like, no, no, no. And I'm like standing there. Yeah, yeah. I was naked.Michael Jamin:Was that your first time in a show being naked? I meanPaula Marshall:ToplessMichael Jamin:ShowPaula Marshall:On a show?Michael Jamin:Yes. Because you were in a model, I'm sure as a model, you're doing wardrobe changes all the time.Paula Marshall:I used to model. I was naked a few things back in the day.Michael Jamin:So were you really nervous about it? I mean, I imagine you would be, butPaula Marshall:Standing there naked is one thing. You just kind of have to dive in the pool, in the cold, cold pool and let it go because you got to put on the confident jacket, I guess I obviously wore a lot around you, but I mean it's more uncomfortable, the fake sex scenes, it's more technical and awkward. It's just but nervous. I dunno. Yeah, you're excited. But I'm also excited when I walk on stage on a sitcom before, if I'm not already in the set, when they start rolling, I'm backstage. How's my hair? Shit, how am I doing? Okay? I get hyped up until you do it once and people laugh and you're like, oh,Michael Jamin:Okay. Are you worried about going up on your lines at all? Is that at all you're thinking about?Paula Marshall:Yes, especially now. Oh shit, my memory. It's just that prevagen, I'm going to look it up later, but yeah, you do. But if you in a sitcom situation, we run it, we rehearse it all week. StillMichael Jamin:The lines are changing all week. That's all IPaula Marshall:Know. But they're changing all week. But then you run it and you drill it on TV shows like euphoria or whatever. Yeah, you run it. But then again, they don't really change the lines at all. But yeah, you were a little bit, but then you got a great script supervisor that you're like, I'm up. And then they say it and then you go back and you do it. But yeah, always, I'm always really nervous until maybe the second takeMichael Jamin:Of any, the hardest thing it seems to me is just like, okay, you're naked and you have to forget that there's all these people there. You havePaula Marshall:ToMichael Jamin:Completely, it's almost like you're crazy to have to be able to forget that,Paula Marshall:Michael, when you paid $2,900.That's right. I was shocked. That's all you get for being naked. Yeah, you do. You are nervous. But I don't know. I was 40 then, so I looked pretty good naked, although I only had four days notice. Back then we didn't have ozempic, so I was like, okay, I can't, no salt, no bread. And I remember in that shot that the camera guy, they decided in the moment, Hey, can you walk over to David? And then bent over, he's on the bed and then kiss him. I'm like, well, that depends. What's your lens there? You got there? And I'm like, how wide is your lens? And he looked at me and I'm like, I'm a photographer. I like taking pictures. So I know. And I'm like, so I'm going to bend over with my white ass and I had four days notice on this and my ass is just going to be in the pretty much. And you're like, okay, I could do it. But you hope for body makeup. I don't know. Don't you think I had any, I should have demanded bodyMichael Jamin:Makeup. And this was probably even before there were, what do they call them now? IntimacyPaula Marshall:Coordinators?Michael Jamin:Yes. Right.Paula Marshall:I mean, here's the thing. I guess it helps when you're not a loud mouth person like me. And even then it's hard to go, Hey dude, keep your tongue in your mouth. You don't want it in your mouth. Sometimes you're like, damn. He's a great kisser. Jason Bateman, I enjoyed the tongue in my mouth. SoMichael Jamin:It kind of dependsPaula Marshall:On who's sticking in the tongue. But the intimacy coordinator, I think it's just so people know what's going to kind of happen and get it. But California case, no, we didn't have that. This movie I was naked on with Peter Weller called The New Age. No, I remember in the middle of the scene, I'm on the bed and he's looking down at me and during one take he decides to suck on my nipple. Shocking. I turned bright red, which is what I do when I get nervous. And I'm like, dude, what are you doing? He goes, I dunno, I just thought it'd be fun. I'm like, okay. And I don't think they used it, but if there was an intimacy coordinator back then, I probably would've known.Michael Jamin:Yeah. So it'sPaula Marshall:Good I guess. But it's corny and you feel silly.Michael Jamin:Oh my God, I'm glad you mentioned the photography thing. That was one of my memories from working together and out of practice. This was before people had camera phones and cell phones and you carried a camera everywhere. And I remember thinking, you're the star of a sitcom. You're the star. I mean, you're an artist doing her craft, and yet it's still not enough that you wanted to work on something. You wanted to do something else as well.Paula Marshall:Maybe it's my parents growing up, they always had these really cool black and white pictures of them. And I used to look at them and go, wow, that was your life then. And it was hard to even imagine when they were so young. And so it's like photos are life to me. And I guess I don't want to forget the moments of my life that are important. And so I always would bring a camera with me on set, on location more than sitcom stages aren't as conducive to really cool shots. But yeah, I like capturing life.Michael Jamin:And you're still doing it on 35Paula Marshall:Millimeter? I still do it, although I did give in and I have a digital now because it's easier. It's easier. Develop film.Michael Jamin:Many. You took my headshot from me and for many years I way too long. I used that as my headshot.Paula Marshall:Yeah, it was good. I rememberMichael Jamin:It was great. And I wore Danny's shirt, you go, yeah, put this on. You look terrible. Whatever I was wearing, stillPaula Marshall:Do that. People still come over my friends and I'm like, you need a headshot. Put Danny's shirt on. He has some nice shirts.Michael Jamin:It's so funny.Paula Marshall:Yeah, I do. I still like taking pictures.Michael Jamin:I got to share another memory I had from out of practice, which I cherish this one. So it was right before it was show night for some reason. I don't know why. I had to run up pages to the cast. And maybe you were in the green room or you were somewhere upstairs. I don't know what the hell dressing. I don't know what was going on. I knock on the door and all of you we're standing in a circle holding hands. And Henry goes, Michael, you're just in inside. Come on in. And then I go in time for what? And then he tapped. This blew my, I love this memory. And you guys were just like, I don't know what you would call it, but you were invoking a good show to be supportive of each other and to be brave and true. And I was like, I can't believe I felt so honored that I was included in, I was like, are you serious,Paula Marshall:Henry? I actually forgot that memory and thank you for reminding me of it. Henry's just, he's something special.Michael Jamin:He is.Paula Marshall:I know there's rumors. Oh, who's the nicest guy in Hollywood? Henry Winkler. It's because it is, is I could text him right now and he would literally text me. Within eight minutes he will text me back. Oh, Paula, it's been so, he's just a dear. And so he is, again, back to the, when you go on set and who creates that energy? Although Chris Gorham, I think was the first on the call sheet, not Henry Winkler, but Henry was our dad. I mean, he was such a pro and yeah, he just created this lovely energy there.Michael Jamin:Yeah. Oh wow. So that's not common then for other shows that you've worked on. People don't do that. That's not a theater thing. It seems like a theater thingPaula Marshall:You would think. I think, I don't know, maybe it was a happy days thing.Michael Jamin:Why don't you start it on your next show? Why don't you start doingPaula Marshall:It? I think I might. I'm going to make it now.Michael Jamin:I thought it was so interesting. I was like, wow. But it's getting back to that first point, even the first, the first person on the call sheet technically is the head cheese. But they might not be the most difficult by far at all. I mean, you don't know who's the boss. That's true, right?Paula Marshall:I mean sometimes the and character is an asshole. I mean, I think mostly people when they don't really want to be there, they kind of rebel. I've always wanted to be on a sitcom. IMichael Jamin:Remember. Did that change? Oh, go ahead, please.Paula Marshall:I just remember, I believe my first sitcom was Seinfeld. I may have done a guest spot on some other one that maybe never aired or I can't remember. Or maybe I just think it's cooler to say my first sitcom was Seinfeld. I'm not sure. But that show, I don't know. There's a magic. But they didn't do any of that either. But they kind of really invited me in and I dunno, I'm just thinking,Michael Jamin:Do you prefer to do sitcoms, multi-camera sitcoms? Yes. Yes. Because the audience.Paula Marshall:Because the audience, because it's a high, I've never gotten anywhere else in my life. Not that I need to be high, but damn. When you go out and you make people laugh with a look or a line or a physical movement, I mean it's magic. And working with the actor, knowing more like theater, which by the way, I've never doneMichael Jamin:Well, why don't you do theater then?Paula Marshall:I don't know. I don't know. I'll call my agent another thing I'll write down.Michael Jamin:Yeah, do that.Paula Marshall:But probably only if it's a comedy. But it's that magic that you don't have to go and do another take and then they turn around and then you got a close up again. I mean, it's boring. Like our television, there's no magic in itMichael Jamin:Ever.Paula Marshall:Except on euphoria. I have to say there's magic there.Michael Jamin:Why do you say that?Paula Marshall:Because the writing directing the story level of, I mean, when Marsha is my character, when Marsha actually had a couple things to say. I remember I called or I spoke with Sam Levinson and I was like, dude, it's me, right? You wrote an eight page monologue almost for Marsha to say. And he goes, yeah, I can't wait to see it. And I'm like, oh my God. I was so nervous. I studied for three weeks. There was no rewrites. And then it's me and Jacob all Lorde on set. And we get there and there's no rush, there's no limitation. There's just like, what do you want to do? And he's like, I kind of feel like you're doing this and then you're doing the cookies and a lot of movement. But we did it until it felt good, and then we knew it, and there was a magic there. No one's laughing at me. But there's something special about that show. I mean, I've heard rumors like, oh, and on set. And I'm like, ah, not for me. Not for me at all. Not for you. No, it's amazing.Michael Jamin:What do you do though? When you're on set and you have an idea how you want to play or speech, how you want to deliver speech, and your scene partner is just on doing something completely fucking different. How do you handle that?Paula Marshall:If you know, don't have a say, meaning you're a guest, darn. You do what they tell you to. How high do you want me to jump? That's what you do. But if you're working together and you're equal parties, you probably have run it before. But I would say if they're not doing something that I want, then I use it and I am frustrated in the scene, or I just use whatever they're giving me because that's all I got. And I try to put that into my character.Michael Jamin:How much training have you had though? That's very actor speak.Paula Marshall:It really did sound a little actory, and IMichael Jamin:Apologize for that. No, it's good. I like it.Paula Marshall:I mean, I don't know. I lived in New York City and I took acting class with this guy named Tony Aon and Jennifer Aniston was in my class and Oh wow.Just a bunch of young people, but not all that much. Not all that much. I think the comedy thing, I didn't even know I was funny with Seinfeld, the guest stars aren't usually funny in sitcoms. The lead, the main characters, the stars of the show are funny guest stars just kind of throw the ball and you know what I mean? But something happened after I was on Seinfeld and then I read for, I guess it was Wild Oats, which was with Paul Rudd and Jan Marie hpp. And Tim Conlin. It was a sitcom on Fox. It was the same year that another show called Friends was coming out. And I remember them. Someone was interviewing us saying, oh, there's another show that NBC is doing with a group of friends. It's kind of like yours. And we're all friends. What's that cut to?And ours was canceled after one season, but I think the first time I was like, oh shit, I can do this. I know how to deliver a joke. But I never learned that again. It just happened one year in pilot season just kind of happened. And my agents were like, oh, Paul is funny. Okay. And then one time I remember I read for a pilot, after you do so many comedies, then people go, well, she's a comedic actress, she can't do drama. And then you're like, the fuck. Of course I could do drama. I remember one time during this callback, no original, just the first audition. And I had heard the casting director doesn't think or only thinks you're funny, doesn't think you're as good. Dramatic. Wow.Michael Jamin:Obviously if you could do comedy, you could do drama.Paula Marshall:No, you would think it's the other way around. It never works. It is really hard to doMichael Jamin:Comedy.Paula Marshall:But literally, I was like, well, I'm so angry that she thinks I can't. Finally, they couldn't find this girl, the character for the pilot. And then they finally, okay, Paula, we'll see her. So I get in there, and it was Davis Guggenheim was the director. I love Davis. After I read, I think it was three scenes. And during the last scene, I broke down and I was in tears over something and I look up with, you couldn't have placed the tear better. And I look up and I ended the scene and Davis goes, my god, Paula Marshall, you are one fine actress. And I do this. I look at the casting drifter and I go, you see, I'm not just funny. And I grabbed my bag and I walked out and I go, well, I just fucked myself for any future director again. There was something that came over me and I was like, I need you to know that I am not just one thing or the other. And then Davis probably three weeks later, texts me, I've been fighting every day for you. And I'm like, what are you talking about when you get these weird texts from people? I'm like, did I get the part? I got the part and they didn't want to see me.Michael Jamin:It's so interesting. I mean, obviously you're a working actor, you work a lot. You're successful, and yet you still feel like you're placed in this box and you have to prove yourself and get out of it.Paula Marshall:But there's something I really love about, there's part of me that I want to read, and I want everyone to look at that tape and go, fuck, I wish we could hire her. I wish there weren't the limitations and we didn't have to pick Carla at you now or whatever. I wish we could pick Paula. I want them to go, fuck man. She was really good. I want to stick in their brain. I always would cancel auditions if I wasn't ready for it. If I really knew I wasn't going to kill it, I wouldn't go, or I won't put myself on tape. I don't have enough time to prepare for it because that's the last thing they see of you.Michael Jamin:IPaula Marshall:Want it to be the best thing they see of me. So I only want to leave them with that because they're not going to remember that other stuff.Michael Jamin:That's a good point though. Are you doing a lot of self tape now? Is there anything in person?Paula Marshall:I have not had any auditions in person yet. Wow. Her actress ever Carradine. I think she's had her third one, and she always posts about it. She's so cute. And I think she booked one. No, I have a room now in my house. It's the tape room. And I've got a nice beauty light and I've got the tripod again. It's kind of easy for me because I have photography stuff.Michael Jamin:But who are you acting again or does Danny help you out?Paula Marshall:Well, Danny will sometimes read with me. My daughter would read with me. And sometimes when I'm all by myself, I read with myself. I will have a tape of the other voice, which is, or sometimes I leave space and then I put the audio in later. I mean, it's crazy the stuff that happens during Covid. We've got very creative over here.Michael Jamin:But in some ways though, because this sometimes a casting director is like, yeah, yeah, there couldn't be more wooden. And so in some ways it's got to be easier for you, right?Paula Marshall:Yes and no. Yes, because I get to pick the take I want,Michael Jamin:Right?Paula Marshall:Two, because two, I didn't even say one a b, I don't get nervous, so there's no nerves to hold me back or Oh man, I should have done it. Or I mess up. I just do another take. But then there's also, there's something about going in and being vulnerable in front of all those people and showing them what you can do. And especially in a comedy, I, it was like a zoom callback for a comedy. And I live in the hills and maybe it was the wifi or that slight timing was off just enough or the reader wasn't funny and I'm trying to connect with this dot. It was hard. There was no magic in it and you couldn't feel the other person. And so I think in a way, it's good in a way. It's really not good. So I'm willing to do whatever to get anything because I pay for college.Michael Jamin:But also, there's also the fact the to drive across town, I mean, that's got to get old, right? Driving everywhere.Paula Marshall:But when you're an actor, everything stops. You get a script, everything stops. You're not making dinner, you're not going out, you're not watching that movie or the show. You drop everything and then you focus on it. And hopefully, thankfully, because of the strike and the new negotiations that they got for us, I think we don't have to do a self tape over the weekend. We need to have enough time to actually prepare for it, which is amazing. Most of the time. Gary unmarried, I think I got the audition at eight o'clock in the morning. It was to meet producers at 11 o'clock the next day. And you're like, ah, okay, here I go. It's really hard to put all that energy and to them something great. And I never understand why you're casting people or producers. Don't give us more time because we want to give you something great. We don't want to go in there and read. I don't. I want to perform for you. And it's hard to do when I don't have enough time to do it. I also have a life, so I have other things, but you kind of do. You really drop it. You drop everything for an audition.Michael Jamin:It's interesting though. I want to get touched on something you said. You said it's hard to be vulnerable on camera, but then you said comedy, and do you feel like it's harder to be vulnerable? Because when I think of vulnerable, I think drama, not comedy.Paula Marshall:Yes. But there's nothing funnier. I remember my husband in many situations will say, I'll be upset or crying and I'll say something really funny, but humor comes out of the reality, like your honest to goodness, open soul, like your heart. The funniest stuff I think comes out of me when I'm in a vulnerable position, if I'm angry, if I'm sad when I'm just feeling whatever. So I don't know. I think in many sitcoms I've cried. And how do youMichael Jamin:Get past that though? How do you get past that vulnerability thing? I mean, are you a hundred percent past it or is there any reservations?Paula Marshall:Ask that again. Sorry.Michael Jamin:Very clear saying, well, when you're vulnerable on camera or trying to be, can you go, I don't know. Is there a limit to your vulnerability, do you think on camera or are you willing to go there all the time? As much, as far as you want?Paula Marshall:I guess so most of the time it depends on how much tears you have. And I usually, if the writing is good, and that's the big if this thing that I ended up booking with Davis Guggenheim, it was with John Corbett, and I had to cry and it was maybe like a steady cam up the stairs and going, and I break down and I crumbled to my knees, and I swear to God, I did it. Maybe 17 takes. And then we come around and turn around on him and I end up crying again. And John, after we, they yelled cut, he goes, Paula, what are you doing? Why are you crying again? I go, I don't know. The words are making me cry. I'm just tapped in doing it. They wipe it away. But you got to be careful because I'm vain and you got to look like you're not crying, and I'm really crying.So I get red and my eyes get bloodshot. You look different and the snot and you got to fix the whatever, makeup. But no, but when it's great, when the writing is great, of course, usually you don't have to do it. 17 takes, it was just had a lot to do with the steady cam and whatever. But usually you do it in three takes and you nail it and it's good, and they're like, wow, that was great. Let's move on. So you don't really have to in a movie, if you nail it, you nail it and they move on.Michael Jamin:What do you do though when you're in it and you feel like you're slipping out of it?Paula Marshall:Okay, so that when I drink this, soI have at least one of those before every tape night, I've always drink a Coke. If I can't, the writing isn't talking to me. If I can't relate to it, I do that substitute thing. If I have to cry, and this is really not making me cry, the subject and the words I substitute for something else that makes me cry. I'm a freakishly emotional person. I cry a lot. I'm very sensitive. You wouldn't really think that because kind of like Danny calls me bottom line, Marshall, and I'm very tough and whatever and no nonsense. And I say it like it is, and I will always tell you if you look fat in that dress, I like to be honest, but I don't know.Michael Jamin:But is there a moment where you feel like you're okay? You're on, you're giving a speech, you're in a scene, and then you're like, oh, I'm acting now.Paula Marshall:Yeah, yeah, yeah. I mean, every once in a while, I mean, I'll finish the scene. I don't want to stop myself. They might like it and for whatever reason, but I'll always say, can I have another one? Can I please have another one? Or Oh my gosh, I really like the second take. Just can you make a note of that, that the second take was much better. They know it's obvious when you see someone telling the truth, it's obvious which one is better, but you can't just tell the truth once and then move on because you don't know. Maybe there was a sound issue on that take. No. So it's tricky. Every once in a while you think you have it. The crappy thing is when they come around to you or they start on you and then you finally figure something out. I remember Bette Midler, we were doing the scene and they were on us first.It was a movie, I guess Danny and I did the scene together and it was bet opposite on a table. And they go to her, they turn the camera on her, and then she goes, oh, I just figured it out. We're like, no, the opposite. We did her first. Forgive me. We did her first and then they came on us. And then she goes, oh, I just figured out the scene. Can I do it again? And Carl Reiner's like, no, we got to move. No, we're out of here. So sometimes it takes a while to figure it all out, and she just thought she didn't nail it. It's Bette Midler. She nails every take all the timeMichael Jamin:You are listening to, what the Hell is Michael Jamin talking about? Today's episode is brought to you by my new book, A Paper Orchestra, A collection of True Stories. John Mayer says, it's fantastic. It's multi timal. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity, and Kirks Review says, those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft, will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, check out my book, go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book. Go to michael jamin.com/book. And now back to our show.Do you have these conversations with them? Do you have conversations with actors with more experience and I don't know, are you still trying to learn from them?Paula Marshall:I just pay attention to what they're doing. I don't think I pick their brains like that, but I just watch them and I watch and I seeMichael Jamin:What are you looking for?Paula Marshall:Well, sometimes technically how they do it. I remember my first movie, Hellraiser three, I learned a lot about continuity,Which is something they don't really teach in acting class. If I'm going to play my drink up and sip it, I have to do that every single time. If I'm going to eat in the scene, I got to do it every single time, and I have to figure that out. And you have to really, if you're really going to eat, you got to really eat. Not teeny little bites, make your choice. But I learned things from different people. I remember Robert Duvall, I played his daughter in a movie and he would act and he kept going until his body knew it was over. And I remember the director had yelled cut at one point and he got really mad. He goes, I wasn't done, but he had finished talking. And he goes, I'm still acting here. It's like, I'm still walking here. But it was like, I'm still acting.I'm still doing, there's still so much more there. I observe and I see how they deal with issues and problems in their focus. ISHKA Harte guest star on that show of hers, and we auditioned a lot in the beginning. We came up at the same time and just everything was so serious to her. She really so passionate about her show and she threw away nothing. It was really kind of impressive after a hundred seasons now that she cared so much because some people after four Seasons, they're like ready to go. They're like, I got a movie down, I'm ready to go. But there's certain people like Maka who from day one till again, I think it's 25 seasons or 24 or something crazy. I remember when I worked with her and I hadn't seen her in 15 years or something, I just am like, God, how rich is she? And so instead I was like, tacky. I'm not going to say that. So again, I walk up to her and it was emotional that we hadn't seen each other in so long. I hugged her and I said, how big is your house? She goes, I can't complain.Michael Jamin:I'm like,Paula Marshall:But she's very passionate and so many actors are, and then there's some who are not and who are ready to goMichael Jamin:And who are they? Not names, but why are they there? Are they just rock stars who became actors? You don't know. It just falls into a job like that.Paula Marshall:There was one person and he just seemed really angry all the time. I don't think he was just a happy person. If you don't like doing this, I'm not sure why you're doing it. I don't know. There's just something inside you. I mean, this is the greatest thing ever to be paid to do what you love. And again, when my daughter said she wanted to be an actress, an actor, sorry, I was so happy. I was like, that's where I found joy in my life. I grew up in Rockville, Maryland, and I didn't know anybody, and I just watched the Mary Tyler Moore show, and I went, yep, that's what I want.How do I do that? I had no idea, none. And to find joy there. So when a person is coming to set and they're angry, it could be, they don't like the words actors are very particular about. If your dialogue is not great, it's really hard. It's so much easier when you have great dialogue and the scene makes sense and the relationships you buy them. It's so easy to do it. It's effortless and it's so real and it's so honest. And then when you've got this other stuff and you have to say the name of the person to remember that it's very cookie cutter network television, which you would think at this point would look at streaming and go, yeah, there's always something right over there because the quality is just beyond Well,Michael Jamin:How did you figure it out then? Okay, you're in Maryland. How did you figure out you stopped in New York first. What was that about?Paula Marshall:Did I moved to New York? I modeled in Georgetown as a local model there, doing little ads for Montgomery reward. And I didn't really want to go to college. My parents didn't make me go to college. I think I had two grand in my pocket from doing things here and there. I started doing commercials locally. And this woman by the name of Jay Sumner, who was the booker at this modeling agency called Panache, she said, we were at Champions. It was a bar called Champions. And though how I was there drinking at the bar, I don't know, I think I was 18. She said, Paula, you're so much more interesting in person than you are in a piece of paper, meaning I'm pretty, I'm good enough on paper, but you're so much more interesting in real life. And she goes, I think you should be an actress.And I'm like, okay, really? And I'm like, well, I always used to watch Mary Taylor Moore and all of that, but I'm from Maryland, how am I going to do? And she goes, I know somebody. I know someone in New York named Dian Littlefield, who's a manager, and I can set you up with a meeting. I'm like, what? So I ended up moving to New York City. Modeling was my waitressing job. I got a lot of money. It didn't take a lot of time. It was really easy. I love photography. So there was that connection that I wasn't just sitting there like an idiot with bathing suits or lingerie or junior wardrobe or whatever. So that was kind of my waitressing job to allow me to pay for rent and acting classes. And then I was like, you know what? I think I really like it. It's true. Just a piece of paper. And it's funny, I love taking pictures. I love stopping life, but there was just, I guess more to me than just the piece of paper. So I guess that's kind of how it happened.Michael Jamin:How did LA happen then?Paula Marshall:So I would audition test for a lot of things. I would fly to LA for different pilot projects. I would read in New York, and then most of the things were shooting in la, not New York at all back then. So I would fly to LA and I think it was just one of my agents said, look, Paul, if you really want to do this, you got to live in la,Michael Jamin:Right?Paula Marshall:I was like, ah, okay. So I moved to LA and yeah, and I was young and 20, I think I was 25 when I moved here, kind of old to kind of start, but I looked really young. And when you read for enough things and enough people are interested, the head of my agency said to me after a pilot, I, or I tested for something and I didn't get it. And he told me back when we didn't have computers, we had to go pick up our scripts and there would be a box outside the script, their office, after hours, he would look through and go, these are my scripts. In the middle envelopes, it says Paula Marshall on it. Anyway, I was kind of sad and I'm like, I don't know. I'm not booking anything. And he goes, but you're testing a lot. You're very close. And I'm like, what does it take? What am I lacking? What am I missing that I'm not booking the thing? He goes, I believe in you and you need to keep doing this. And then I did. I slowly would start booking things.Michael Jamin:What were you lacking? Do you know?Paula Marshall:Maybe it was the confidence, maybe I was really nervous. I remember one time, I think it was during the Flash, it was a pilot called The Flash with John Wesley ship, and Amanda pays Amanda Paynes. Anyway, ended up booking it. But I remember in the audition room, I think it was at NBC or I don't know, one of the big three, the scene, I put my hand on my knee and I was shaking so much from being nervous that I was like, oh, stop doing that. I don't want them to know. I'm nervous because they want everyone to be fearless and confident.And I get that because it takes a lot to go stand in front of a bunch of people and say stuff over and over, or stand there and be naked and do it over and over. There's got to be part of you that's kind of cocky and confident, and not that you think that you could do that over and over with someone else's words. I mean, it's kind of crazy that I do this, but I don't know what tipped me over the scale. I never gave up. And I kept doing it and trying to figure it out and asking and asking the casting directors, and they always say nice things. They never say, well, you messed this thing. No, it's just there's a magic. If I don't book something now, I don't take it personally. Someone else just had a little bit more magic that day, and they tapped into the character and the writer saw that person that they wrote down and spent so many hours writing that Blonde Girl or Carla Gino just got it better than I did. Okay. IMichael Jamin:Know. To me, one of the hardest parts of acting, aside from the acting part is the fact that you really don't, don't have agency over your, you have to wait often. You have to wait. So what do you do in that time?Paula Marshall:Well, you find hobbies. I learned very early on to save money. You live under your means. So even if you get a gig and you're the lead in a show, you're making a lot of money per week. And like me, most of the shows, they did not go more than a season. So you have to take that and live under your means, and you can't spend money and buy fancy things. I invested my money in my house, I think maybe three or four houses now. I try to invest my money and I fill my days with other things.Michael Jamin:Do you stress about it at all or no?Paula Marshall:Yeah. Yeah. I think in the beginning, early on I was very busy all the time. There wasn't a lull. And when you do have a job on, if you're a series regular on a show, you love your weekends, you love your time off. If you're working crazy hours sitcom's, not crazy hours, you know that those areMichael Jamin:Great for writers.Paula Marshall:I mean, yes, that's true, but if you're a director, Jimmy Burroughs would be like, I got a tea time at three 30. We got to get out of here. It's a dream. And maybe that's why I love the sitcom so much, because you got to to act and have a real life. When I had my daughter, I remember going, how would I be a mom and work on a single camera show? I would never see the kid. So when I was pregnant or when I read for Out of practice, I had just had my daughter a week before I went in to test for the show over at CBS. There was a script on my doorstep when I brought her up on the baby thing. And I'm like, I'm a mom and oh, right, I'm an actress and I'm 20 pounds overweight. And oh, I thought I was going to push the, I'm not going to work for a year button.That was the plan. Then I saw the script and I read it and I'm like, oh man, it's a sitcom. I'm not going to work very many hours. I'm going to work three weeks on one week off. I'm like, maybe I'll just do it. Maybe I'll just read for it and we'll see. And I really liked it. I really liked the character. And then when I got it, I was like, oh shit, I don't even have a nanny. How do I do this? So Danny went with me tape night. He was my nanny. I remember them going home because the baby, they were cool. Once we got picked up, they allowed me to have a little trailer outside for my nanny, Mariella and Maya, and I was breastfeeding at the time. She was just born. And it allowed me to do that. And I remember Henry, Henry Winkler still was like, how's Maya? And it was just a great thing. I had my baby. You couldn't ask for a better job for a mom. I was living my dream and I was having a baby when I was 40 years old.Sitcom is the greatest thing in the world, and I'm still trying to get back on one. There's just not that many of them now. It's really sad. Multicam, I've written like three of them. Speaking of writing. Yeah, go on. The writer. So I remember, I think it was when the pilot that I did with John Corbett, when I cried 17 takes in a row, when that didn't get picked up, I remember I was dropping off my daughter at elementary school and Dave Grohl, yes, that Dave Grohl sees me. And I had just found out that the pilot wasn't picked up. It's called Murder in the First, no, sorry, different thing called something different. That was another show that I did. But anyway, so Dave Girl's like Paula Marshall, what's up? You look sad. And I'm like, oh, another pilot wasn't picked up. It just sucks.And he goes, Paula, when either his studio or something, they didn't like the music or whatever, and he goes, you know what? I did put his arm around me. We're walking down that hallway. And he goes, I just did it myself. I got this set up and I just did it myself. And he goes, you should do it yourself. Why don't you write something? And I'm like, yeah, why don't I? And I'm like, well, because one, I'm not a writer, but he goes, who cares? So because of Dave Grohl, that opened the door to getting ideas out, writing something for me. One thing actually, I mean it went kind of far an idea went very far that I ended up producing with Paul Riser and Betsy Thomas wrote it. This was a little bit before, but it's an outlet for me. I'm still not great at Final Draft. I'm still like, oh, how do I get the thing and the thing and the page? I can't even figure it out half the time. So I've written a few sitcoms, mostly from my point of view, because I want the job, because I wantMichael Jamin:To. So you wrote a single camera sitcom and then you showed it to Paul, and thenPaula Marshall:What happened? The Paul and Betsy one, I met Paul's, I believe his name was Alex, but I can't really remember. I met this guy at a wedding and he was like, oh, you're really funny and blah, blah, blah. I'm a big fan. I'm like, oh, that's nice. Thank you very much. And he goes, do you have any ideas? Do you write? And I go, no, I don't write. I go, I have this idea for a show. And he goes, really? Why don't you come pitch it to me? And my partner? I'm like, great. Okay. He goes, Hollywood. I'm like, who's your partner? He goes, who's your partner? And he goes, Paul Riser. I'm like, what? Okay. So I literally got his number and I'm like, oh my God, I'm going to go meet with Paul Riser. I go meet with Paul Riser. I give him my pitch.He really liked it. And he goes, I like it. I think let's do it. Let's work together. I was like, you couldn't have given me anything that would've made me happier than the fact that Paul Riser liked an idea of mine. It's almost like when I made Diane Keaton laugh in an audition. I literally called my agents and I was like, I'm good. I could die now. So the Paul Riser thing, it was just my idea. I had a lot of say. So I got to produce, I got to make a lot of decisions. It was probably one of theMichael Jamin:Greatest. So you shot it then.Paula Marshall:So we shot it and it wasn't picked up, butMichael Jamin:You sold it to a studio.Paula Marshall:All of them wanted it. This is great. Everyone but Fox, wow.Michael Jamin:Wanted it. That's amazing.Paula Marshall:It was crazy. But you have Paul Riser, I matter your stuff, but when you have someone like a Paul Riser or someone who is respected in Hollywood and has produced before, of course people are going to give them a shot,Michael Jamin:But not necessarily. I mean, they must've really liked it. So you wrote it and you started it?Paula Marshall:I started in it. It was my idea, but I did not write it. Later on, I ended up writing things and pitching, and a lot of people like my stuff, but I really mean should go out a little more aggressively than I do. But I have one right now that we're kind of sending around me and my buddy Jeff Melnick, that he really likes this story. And it was, I won't tell you what it is,Michael Jamin:But that's not nothing. I mean, that's a big achievement, honestly,Paula Marshall:For me. Yeah, I don't write. I still am a terrible speller. I have a reading disorder. I've got this thing where reading is hard for me because the font and the text is very contrasty, so I'm a terrible speller. Thank God for spell check, because otherwise,Michael Jamin:Well, so you're working on another piece for yourself as well then? Yes. I'm impressed.Paula Marshall:I have about three scripts that I've worked on here and there, and I remember I thought, oh, well, this is when I'm going to kill it. I'm going to knock these things out. I'm What happened with Covid? We were so scared. And my daughter was home going to now, whatever, ninth grade or 10th grade. And so it became, that whole time became about helping her find joy. I always said, every day, I'm going to help her get through this. And I really pushed all my stuff back. Any good mom does let everyone eat before you eat. Maybe the way I grew up. So I took care of her and all of that stuff before I focused on me. And then she went to college this year, and you would still think I'm like, Paula, I got to finish these things, which I did. I'm back. I'm back doing it, and I like it. I really like it. There's something about the story, but no one ever taught me to write. So I'm writing from my experience, the years of reading sitcom scripts, IMichael Jamin:HavePaula Marshall:'em in my closet. I have almost every single script, especially the ones that I loved, and I go back to it and I refer back. I'm like, how did they do this? Even setting it up, I'll go back and sneak a peek.Michael Jamin:That's really smart. Was it hard for you when she left the house?Paula Marshall:Jesus. Oh, here's the thing.Michael Jamin:Yeah, make up touching upPaula Marshall:Makeup breakMichael Jamin:Last looks.Paula Marshall:I mean, because she's not in Boston,She's down the road. It feels like if something bad happened, I could be there. I don't have to get on a plane and only one direct flight. There's one school in Connecticut that she got into, and it was a great school, and there's one direct flight at 6:00 AM I'm like, this is never going to happen. And she chose, I was like, whatever you want, wherever you want to go to college, it's your decision. I mean, I'll tell you what I, but it's all up to you. And she chose and it was something that's not too far away. And it's great. I get to see her and it's worked out. It's a win.Michael Jamin:What about the emptiness of the house? I'm going to make you cry now. That's what I feel like. The house is so empty. YouPaula Marshall:Know what? And I think though, Michael, I think if she was in anywhere else, I think if I couldn't get to her, and that's a weird thing as a mom, it's about protecting your child. But yeah, I could cry when I think about certain things. Thanks, Michael. It's about protecting them. And I think that the distance, because we are close, she's still in. She's still here. I don't like cooking dinner as much. I'm sorry, Danny, because I don't really have to. The big change is just her presence, her energy, the thought about, well, what's Maya doing? Or what does she got to do? Now it's not, and one of my scripts is, well, I'll tell you one of my scripts is about what happens when your kid goes away to college? What happens to a woman?Michael Jamin:And go ahead. Can you tell me a little bit?Paula Marshall:So it started a while ago, just like my fear of who am I? What do I do? I mean, yes, I'm an actress, but then I pulled from that and I'm like, well, if I'm not an actress and I don't have a job and everything has been bombed, there's so many places to go. Okay, you've just got to, it's like reinventing yourself, which almost every mom that I know who doesn't have a job, it's very true. I was so fortunate that I could have my cake, my baby, and also work. But a lot of parents, they go to jobs and then they come home and or they don't work at all. And then it's just mom, 100%. And they're probably exhausted and happy. Some of my friends, I feel like they're like, oh, I'm so glad. Finally I get to whatever. And either they're retiring and they get to go travel, and I'm like, no, I'm an actor. I'm looking for a gig, whatever. I don't think actors ever truly retire. I think we don't do.Michael Jamin:I guess it depends on how much you love it and how much it must come on. It's got a wear on you. The downs have to be, I don't know.Paula Marshall:Well, I think probably just like a writer,You have to be able to fill your day when you're not going to be working and making money again. It's why it's smart to save your money and invest it and not buy that fricking mansion. If you got that check. Remember one time I went to the bank and I was depositing, it was before they had the picture phone deposits, a really big check. And it was the biggest check I think I've ever gotten. The first time I got that kind of money on a show and the teller, and again, I looked very young, the teller who didn't look much older than me and took the check,And he looked at the check and he looked at me and he goes, what do you do? What do you do? And I laughed. I go, I'm an actor. I go, but trust me, this thing, this isn't forever. I know it's not forever. So I have to live my life. It's not forever. Because my goal is I never want to lose my house. I always want to be able to afford things. You hear these horror stories about these, you think you got it, and then it shows canceled, and then you can't do that. I've always been kind of smart when it comes to money, but it's hard. It's really hard. WeMichael Jamin:Spoke a little about this because your daughter's interested in acting and you were, this is before we started taping, and what's your advice for her?Paula Marshall:My advice is find a way to tap in and find the truth in anything. And if you can't, then again, you substitute. If it's not connecting, you got to figure out a way to connect to it. It's about being truthful In imaginary circumstances, it's really hard to walk into a room and pretend the thing and crying. You just really have to practice going there. I remember one time, and even in my life, life situations, I will take note of them. One time I was in San Francisco drunker than I've ever been before for whatever reason. And I remember the hotel I was, I think it was during Nash Bridges, and I was like, oh, I'm so wasted. I want to remember what I look like when I'm this wasted. So I, my, I guess I did have a cell phone then. So I took my cell phone or my camera, no cell phone, and I recorded myself being drunk.And it's like that one actor, he would always, Michael, he's an English guy, Michael, I forget his name. He would be like, you can't overdo the acting, but you're trying not to be drunk. Yes. To try to make sure that the words are coming out. And so that's what I did. I literally was like, this is me talking at my, it was the craziest thing. So in life, take advantage again, back to the advice to my daughter. Live these experiences and remember them. And if you cry, if you're sensitive and emotional, fucking use it. There's plenty of people who can't cry at the drop of a hat. I can cry. You give me something to people always know Paula can cry in a scene and even if I don't connect to it again, I substitute and I find a way. I'm an emotional person and the thing I think I have trouble doing is the angry part.I'm not great at being super angry. I don't think I play a lot of those roles like I was doing, I've worked with Steven Weber on his new Chicago Med. I was going to say new show, it is like year nine, but I play his ex-wife. I think it's airing tomorrow as a matter of fact. And there was a scene where I had to come in and I'm yelling at him and I'm like, God, this is so not me. I'm not a yeller. I don't yell even in the middle of a fight. If I'm fighting, I try to get it out and then I cry because I get frustrated because I can't say, I'm not one of those bitchy women wives who are like, I'm just not. Anyway, back to the advice from my daughter, you take life's experiences and you put a little marker on them and you remember them.So when you need them, and I didn't even think I was going to have any children because I started so late and as the actress in me, I just never thought, I dunno, mom and my mom material. I don't know. I was like, you know what? I could really learn a lot as an actress by tapping into that love. I remember you'd see my friends who had kids way, way early and I'm like, God, they love these things. What did that feel like? I never knew what that was and so I took that experience and without it, I don't think I would truly ever be able to play a mom as genuinely as I am. Love because man, I love my kid and I didn't think I'd be like a great mom. I am the best mom I am and I love her and I love being a mom and all of it. So I tell my daughter to practice. Practice, learn your lines very easy and don't go in if you're not prepared. That's kind of a big one. You're not really,Michael Jamin:Just because you said mom was there, that fear the first time you decided to play mom, they say once you play mom like, oh, now she's a mom.Paula Marshall:Well, it's just an age thing, so that was never a thing for me. I'm going to play whatever I look like for sure. So I don't care. I don't care about that at all.Michael Jamin:Interesting. Paula, this has been such a great conversation, so thank you so much. You'rePaula Marshall:Welcome. I had so much fun talking with you.Michael Jamin:Yeah, I mean, I just love talking the craft with people like you. You're a pro and you're just, I don't know, so much wisdom to share, so thank you so much. You'rePaula Marshall:Welcome.Michael Jamin:Thank you.Paula Marshall:I'm enjoying your Instagram posts.Michael Jamin:Oh, we'll talk about that, but alright, well thank you. That's it. That's you're released, but don't go anywhere now we are going to talk some more here. Alright everyone, thank you so much. What a great conversation. Paul. Should they follow you somewhere? Did they do anything or just watch you on something? What do they want 'em to do?Paula Marshall:Depends on when you get this.Michael Jamin:Venmo you the most. What do you want? Venmo? MePaula Marshall:Cash is great. I mean, my Instagram is the Paula Marshall. I guess I'm not really great at all that stuff.Michael Jamin:Are you supposed to be though? Do your agents tell you?Paula Marshall:No, agents don't. But if you have so many followers, then it used to be this thing called a TV Q, which is your TV quotes, how many people know who you are? And that's just, social media has kind of taken that over, really. So people, I think people care how many followers you have. I do notMichael Jamin:Again, but Tbq is not a thing anymore, you're saying?Paula Marshall:I don't think it is. Wow. No. I mean maybe they call it something else, but I know an actress friend of mine was early on in the Instagram thing. She's like, yeah, I got to join Instagram. Yuck. I'm like, yeah, the thing. She's like, I was told I have to have it and you got to pitch. I'm not that self-promoting and I'll say things that are inappropriate and crude and get kicked off of Twitter for it, but whatever. That's who I'm,Michael Jamin:Thank you again. Really, it was such an honor to have you on. Alright everyone, more conversations coming. Thank you so much for tuning in. Until next week, keep creating. You're an actor. Tell your friends about this. You're other actor friends. Alright, everyone, thanks so much.Wow. I did it again. Another fantastic episode of What the Hell is Michael Jamon talking about? How do I do it week after week? Well, I don't do it with advertiser supported money. I tell you how I do it. I do it with my book. If you'd like to support the show, if you'd like to support me, go check out my new book, A Paper Orchestra. It asks the question, what if it's the smallest, almost forgotten moments that are the ones that shape us most. Laura Sanoma says, good storytelling also leads us to ourselves, our memories, our beliefs, personal and powerful. I loved the Journey and Max Munic, who was on my show says, as the father of daughters, I found Michael's understanding of parenting and the human condition to be spot on. This book is a fantastic read. Go check it out for yourself. Go to michael jamin.com/book. Thank you all and stay tuned. More. Great stuff coming next week.

In this episode, I speak with Mariella Franzoni, a Contemporary Art Specialist, Curator, and Consultant with over 15 years of international experience across Spain, Italy, and South Africa. Her diverse career spans academic research, teaching, and various pivotal roles in art organizations and events. Mariella dedicates herself to guiding art collectors, buyers, and brands, helping them navigate the complexities of the contemporary art scene.Celebrating the 11th edition of the fair, she shares the theme for 2024 "Inhabiting the Wild," drawing from Jack Halberstam's intriguing perspectives on human interaction with nature. 

This coaching call is about letting go of wanting to be right and healing a sister wound. As a teenager, today's caller, Mariella, idealized her older sister but didn't agree with her relationship choices. She feels her concern fell on deaf ears. She is asking for guidance on how to let go of her need to be right and to be happy with her sister.   [For show notes, go here: Christinehassler.com/episode433].   In communications with others, we need to be honest with ourselves about whether we are sharing our feelings or just sharing our opinions. If we want vulnerable, healthy, authentic connections with people, use “I” language and share feelings rather than opinions. Because other people's lives are none of our business. We can have multiple opinions about the lives of others but they don't matter.   Also, be honest with yourself about how often you want to be right. What do you get from being right? We can have a difference of opinion with others and not push the point without letting people walk all over us. An argument just to prove we are right is not worth the energetic real estate it takes to wait for our position to be validated.   We can take 100% responsibility for our lives without being in other people's business. We can either let go of our past by processing and accepting it, or we continue to live with it in our present.   Consider/Ask Yourself: Is there something that happened and you are waiting for someone to tell you that you are right? Have you been hurt or have you had an expectation hangover regarding your sister or a female friend? Are you someone who feels that you give more in relationships than you receive?   Mariella's Question: Mariella would like to feel validated by her sister and let down the wall she has up when it comes to her sister's happiness.   Mariella's Key Insights and Ahas: She felt her sister's ex wasn't good for her sister when she was young. She felt her sister chose her ex over her. She felt her sister didn't listen to her or take her views seriously. She was 13. Her sister was 18. She is waiting for her sister to tell her she was right. She finds it difficult to be happy for her sister. Her sister is going to remarry. She wants what is best for her sister. She feels a responsibility to keep the family in order. She is happily married. She feels that her feelings don't matter. She is disappointed that her sister doesn't fit into her idea of who she should be. She has difficulty coming to terms with who her sister is.   How to Get Over It and On With It: Tell her inner child what she needs to hear without expecting her sister to do it. Realize her sister's life is not her business. Accept her sister for who she is. Be happy with her sister, not for her. Grieve and accept that she will never receive validation from her sister.   Sponsor: Caraway Cookware — Caraway products are toxicity-free, beautiful, and easy to clean and use. The cookware and bakeware sets have a chemical-free slick coating. To take advantage of a limited-time offer for listeners of this podcast, go to CarawayHome.com/Overit. Get a 10% discount when you upgrade your kitchen experience.   Resources: Christine Hassler — Take a Coaching Assessment Christine Hassler Podcasts Including Coaches Corner Christine on Facebook Expectation Hangover, by Christine Hassler @ChristinHassler on Twitter @ChristineHassler on Instagram @SacredUnionCouples on Instagram Assist@ChristineHassler.com Jill@ChristineHassler.com — For information on any of my services Get on the Waitlist to be coached on the show. Get on the list to be notified about the upcoming certification program for coaches.

Matt is joined by Mariella Frostrup for a special Christmas day edition of the coffee break. They crack open a drink, exchange gifts and look back at their highlights of the year - including when they both took a DNA test which revealed Matt is more Irish than Mariella. Hosted on Acast. See acast.com/privacy for more information.

Strange Encounters is a monthly interview series hosted by Nic & No of the Quite Unusual Podcast. Each month we invite you to embark on a journey into uncharted realms along side us and our guests. Join us as we unravel the enigma of the unknown one conversation at a time. This month's Strange Encounters is with Chief Brand Officer of Harridan Vodka, Adriana Mariella! Harridan is an award winning, female founded and owned vodka distillery in NY. Harridan sets a new standard for premium vodka, its overproof strength (88 proof to be exact) is an homage to the bossy, defiant women of the past that inspired the brand's namesake. Harridan, a brand captivated by the mysterious and unexplained, annually unveils a limited edition Paranormal Reserve, aged in various haunted locations like the renowned Conjuring House or even in the presence of the real Annabelle!Where to find Harridan Vodka: Website: https://www.harridan.com/Insta: https://www.instagram.com/harridanvodka/?hl=enTwitter: https://twitter.com/HarridanVodkaManscaped Use Code: QUITEUNUSUAL for 20% off your order + free shipping!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showHit us up on social mediaFacebook: https://www.facebook.com/QuiteUnusualPod/Facebook Group: https://www.facebook.com/groups/1349829115227754Instagram: https://www.instagram.com/quiteunusualpod/Twitter: https://twitter.com/quiteunusualpodSend us your Listener Lore!Send us an email: quiteunusualpod@gmail.com Wanna send us something spooky?P.O. Box 1212Des Plaines, IL, 60017

What do your clients REALLY think of you and your business? Figuring this out is a challenge for all of us business owners, and we can't guess at it, make assumptions, or take it lightly. There is a formula to this realization, and we have the secret sauce to make it happen. In this behind-the-scenes episode, you'll learn what we discovered when we interviewed our top clients and how we implemented big changes. Join us to learn more!   I'm joined by Tap the Potential's Lead Strategist, Melissa Swire, who understands why this topic is essential to business success. We share a heart-wrenching reality that occurred two years ago when our client services had fallen off significantly. It took hard feedback from our clients to turn things around. Dramatic changes like these can happen for your business, too, and you can start with small steps taken in a consistent direction today!   Profit by Design is a Tap the Potential Production Production.   Show Highlights: A flashback to the hard truths of 2021, COVID struggles, and what our client survey revealed to us How we took action steps to improve our customer delivery, starting with the wishlist interview and quarterly action plan review meetings How we built accountability into our client coaching programs–and how our college intern, Mariella, makes it happen How Melissa has woven her business experience and background into the superior quality of service we give our clients How Melissa explains our three-tiered-system group approach and the Better Business Better Life Tracker Spreadsheet Why our business coaching program is holistic in nature Why Melissa identifies time management as THE KEY to being a successful entrepreneur How we help our clients create the wins they want, achieve work/life balance, and remain unstuck A recap of how our service delivery slipped off the rails–and the steps we took to get back on track Links and Resources: Sign up for our free workshop, Unlocking Profit Potential: The Power of A-Players and How to Attract Them for 10x Growth. It happens on Thursday, November 16; don't miss this opportunity! Master your time and profit for the 4th quarter! Give us 20 minutes of your time, take the Better Business Better Life Assessment, and receive a free paperback copy of my book, The 4 Week Vacation®️. Learn more about our courses, Coach Approach and Leadership Bootcamp at www.tapthepotential.com.   Our Better Business Better Life Jumpstart can help your profitability in every way. Sign up today! Join the Tap the Potential Community on Mighty Networks: www.tapthepotential.com/group    Let us help you and your business! Book a call with us today!  Let us help you manage your time, your most valuable resource! Get your FREE copy of the Tap the Potential Strategic Planner for 2023 at www.tapthepotential.com/planner. Download Dr. Sabrina's Introductory Training: How to Make Your Time Worth $10,000 an Hour

MausMix - Deine Musikwünsche. Heute: mit vielen Musikwünschen, mit Marie und natürlich mit der Maus und dem Elefanten. Noah wünscht sich Prinzessin Peach (00:40) Charlotte mag die Lovesick Girls (03:25) Jona freut sich auf Büchsenschuhe im Hopserlauf (07:10) Lasse und Lara wollen Wellerman hören (10:50) Mariella liebt die Hexenküche (14:10) Lotti möchte Lieder hören (16:35) Yannick hat keinen Bock (21:00) Maria und Elisa wünschen sich Shake it off (24:30) Von Marie Güttge.

Mariella LinkedInUTSA Sombrilla ArticleSAGE SA WebsiteUTSA Alumni AssociationUTSA Alumni Association Tailgate DetailsUTSA Alumni Association Tailgate Coupons

I'm often asked if it's intimidating cooking for celebrities who come to The River Cafe. My response is that the guests who really worry me are other chefs. It's a bit like that today as I'm about to interview the interviewer, Mariella Frostrup. I was once the subject with Mariella. She wrote in her introduction ‘Despite such eloquence, Ruthie is a disaster of an interviewee.' Intimidated. Why would I be? Join us on today's episode of Ruthie's Table 4. Please rate & review the podcast on Apple podcasts, Spotify, IHeart Radio app or wherever you get your podcasts. For more information, recipes, and ingredients, go to: Web: https://rivercafe.co.uk/Instagram: www.instagram.com/ruthiestable4Facebook: https://en-gb.facebook.com/therivercafelondon/ For any podcast enquires please contact: willem.olenski@atomizedstudios.tv For more podcasts from iHeartRadio, visit the iheartradio app, apple podcasts, or wherever you listen to your favourite shows.See omnystudio.com/listener for privacy information.

Alison Mariella Desir (@alisonmdesir) is an activist, marathoner, and author of Running While Black: Finding Freedom in a Sport That Wasn't Built for Us.Substack: Rage Against the AlgorithmShow notes: brendanomeara.comSupport: Patreon.com/cnfpodSponsor: Liquid IV, promo code cnfSuds: Athletic Brewing.com, promo code BRENDANO20

In this episode of “5 Questions with” Kristin Moller is joined Mariella Avino, managing director of Palazzo Avino on Italy's Amalfi Coast. Known as the Pink Palace in the heart of Ravello, Palazzo Avino was originally built in the 12th century. Mariella's family took over the property in 1997 and began the transformation of the historic buildings into a five star luxury hotel. Today, the hotel features several restaurants and bars, a spa, and a stunning beach club which just launched a partnership with the iconic Italian fashion house - Valentino. Listen in as Mariella shares secrets of Ravello, how she and her family have poured their passion into the hotel, what she thinks about White Lotus, and how her love for fashion inspired her to create a curated boutique on property.

Running saved Alison Mariella Desir's life. Now she wants to save running from itself. Alison's new book, "Running While Black: Finding Freedom in a Sport that Wasn't Built for Us," is a memoir. It simultaneously tells her personal story while uncovering the historic reasons why distance running is a predominantly white sport, tracing it to the origins of the running industry, racial discrimination and white supremacy. Alison decided to train for a marathon to fight depression. It worked. But, she quickly realized her experience as a Black female runner was drastically different from white women. She wrote an op-ed for Outside Magazine called "Ahmaud Arbery and Whiteness in the Running World" that went viral and ultimately led to her book. She is the founder of Harlem Run and Run 4 All Women movement to support women's reproductive rights. She's an advocate, a brand ambassador and most recently, the TV host and producer of "Out and Back with Alison Mariella Desir." Well + Good named her one of its "Changemakers of 2023" and Women's Running Magazine calls her one of the "Power Women of 2022." Running While Black is unlike any other book I've read. It will make you think, make you laugh, and likely make you look at a start line with different eyes. On this Dying to Ask: Who inspired Alison to start running and what she noticed instantly What happened after she started her own running club in Harlem and only one person showed up The historic reasons distance running and the running industry lack diversity Why movement is a powerful agent for social change And the unusual opportunities that have come Alison's way since her memoir came out Connect with Alison Mariella Desir: On Instagram On Twitter Harlem Run Retreat. Alaska Retreat.

THE KELLY CARDENAS PODCAST PRESENTS Frank Marino was named the head coach of the women's soccer program in 2009. In 2019, he added compliance manager to his list of duties. Frank currently serves at the West Chair for the NCAA Division III Soccer Committee, He is the all-time winningest coach in Regals Soccer history with a record of 175-57-31.   At the helm of the Regals, he led the Violet and Gold to their first NCAA Sweet Sixteen appearance, which came in 2017. Marino and his staff were also named the 2017 Southern California Intercollegiate Athletic Conference (SCIAC) Coaching Staff of the Year. In 2018, Marino led the Regals to their 13th straight SCIAC Tournament appearance. In 2019, Marino and the Regals went to the NCAA Tournament for the second time in three years. In his 12th season with the Regals, Marino ranked 46th in winning percentage for all-time winning percentage of coaches across all the 3 divisions. He is 22nd in NCAA Division III Women's Soccer Coaching Records for winningest active coaches, minimum of five years, with a win percentage of .729 and a record of 159-51-26. Among winningest coaches all-time by percentage in Div. 3, he sits 35th. This record has a minimum of 10 years as a head coach at a NCAA Division III school and includes all victories as a coach at a four-year institution.   Since Marino took over as head coach, the Regals have made the SCIAC postseason tournament every year and have won five SCIAC championships. He captured his 100th win as a head coach with a 3-0 victory over UC Santa Cruz on Sept. 1, 2015. In his seventh season, Coach Marino led the Regals to their 12th consecutive SCIAC Postseason Tournament and third straight championship appearance.   Marino earned a bachelor's degree in social science from the University of La Verne and went on to receive a master's degree in education from ULV as well. He and his wife Megan and have five children, Merric, Makensey, Mariella, Maddix and Mallorie. In his spare time Frank enjoys playing golf, tennis, fishing and traveling. DONATE TO CARES DAY FOR CAL LUTHERAN WOMEN'S SOCCER HERE THE HIDEOUT Be sure to check out my new audiobook SUCCESS LEAVES CLUES (THE 7 P'S THAT CAN SHIFT YOUR REALITY) Thank you to our sponsors PRIVATE MONEY CLUB  USE CODE - KELLY500 MONEY SCHOOL TABLE ONE HOSPITALITY RAVEN DRUM FOUNDATION THE MINA GROUP SECRET KNOCK FAMECAST Findlay Volvo Las Vegas Samaritans Feet Cardenas Law Group Squeeze Dried Agua Hedionda Lagoon Foundation BLING SHINE SERUM-The #1 seller of over 15 years and the only product to be endorsed by my MAMA! MORE KELLY “JOY IS THE ART OF FALLING IN LOVE WITH YOUR CURRENT CIRCUMSTANCES AND ALLOWING MAGIC TO HAPPEN!” EXECUTIVE PRODUCER BROOKLYN CARDENAS --- Send in a voice message: https://podcasters.spotify.com/pod/show/kelly-cardenas/message