Podcasts about green dolphin street

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Three songs from Wayne Shorter Weather Report and three renditions of the great track Green Dolphin Street. Yeah man!

In September, Bob Hope reclaimed his Tuesday night time slot and NBC's Philip Marlowe radio adventures were over. 1947 was a good year for Van Heflin. Green Dolphin Street hit theaters in November. It co-starred Lana Turner and was that year's biggest MGM hit. On Thanksgiving he guest-starred on an episode of Radio Reader's Digest called “Why Keep Your Heart In Cold Storage?” It was well-received, but MGM would no longer allow Heflin to play Marlowe. He continued to appear on radio into the 1950s. A new Hollywood agent, Ray Stark, went to work for Chandler in 1948, and in September, a revived Philip Marlowe series began a two-year run on CBS, this time starring Gerald Mohr. Mohr played King Leopardi in the summer series' version of “The King in Yellow.” He'd done movie work, but his face was unknown to most radio listeners. Chandler preferred his voice, which he thought packed more punch. Norman Macdonnell was in charge of the production. Chandler made a list of suggestions for the show's writers: Don't always let Marlowe have the last word. Don't make him utter knee-jerk wisecracks. Don't let him gloat. For the most part, Mohr's Marlowe always got the last word, added quick-one liners, and gloated. CBS paid Chandler two-hundred fifty dollars per week, roughly 3K today. That amount was raised to four-hundred if the series found a sponsor, which it briefly did, with both Wrigley's Spearmint Gum and Ford. On CBS Marlowe took up the commercial slack with product-placement. Cars were Nash's. Gas Stations pumped Mobile. Phil reached for Johnny Walker and Lifesavers candy. As he drove around L.A. he found a handy way to keep track of addresses: Their proximity to an Arthur Murray Dance Studio. Even Chandler got a plug In “The Hairpin Turn.” On April 11th, 1950, William Conrad subbed for Gerald Mohr. Sometime around 1950, head of CBS William Paley said the network should develop a “Philip Marlowe in the Old West” – a no-nonsense, tough-as-nails frontier saga unlike any cowboy show ever heard. The show would be called Gunsmoke and debut in 1952 starring William Conrad. It was directed by Norman Macdonnell and generally considered the best radio Western of all time. The Adventures of Philip Marlowe was canceled in September of 1950, but revived the following July for a summer run. The final CBS Philip Marlowe Adventure was on September 15th, 1951.

On this episode of the Nick Finzer Audio Experience, trade along with Nick on the tune On Green Dolphin Street in the key of Eb. Play on any instrument, it doesn't need to be trombone!

Green Dolphin Street from September 19 1949

In this podcast tutorial I explore the legendary jazz tune "On Green Dolphin Street," focusing mostly on the melody. For beginning pianists, this will allow a deeper internalization of the tune in future practice sessions, rather than tackling the melody and harmony all at once.

This is a snippet from Breaking Walls Episode 97: Thanksgiving 1947—The Most Popular Season in Radio History ___________ At 10PM eastern time on Thanksgiving Day 1947, as families put their young children to bed, ABC broadcast Mr. President from its Los Angeles KECA affiliate, starring Edward Arnold and Betty Lou Gerson. Mr. President first signed on June 26th, 1947. Producers picked Arnold to star because his voice had the “aggressiveness of Teddy Roosevelt, the humility of Abraham Lincoln, and the tenacity of Andrew Jackson.” Listeners were challenged to guess the president's identity before it was revealed at the end. Fittingly the 1947 Thanksgiving episode featured a tale from the life of George Washington. Opposite Mr. President, live from Hollywood over all CBS stations Radio Reader's Digest signed on, guest-starring Van Heflin. 1947 was a good year for the thirty-eight year-old actor. That summer he co-starred with Joan Crawford in Possessed and brought Philip Marlowe to radio as a summer replacement for Bob Hope. His latest film, Green Dolphin Street, just hit theaters. It co-starred Lana Turner and was that year's biggest MGM hit. Radio Reader's Digest debuted on September 13th, 1942 on CBS. The famed magazine actually didn't sponsor the show. They provided the material. Hallmark Greeting Cards was sponsor. In 1947 Les Tremayne was the host.

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There are so many important conversations that need to happen, especially now. But not everyone is willing to truly listen. And the ones who are willing, may not be listening to you fully. How can we change that?In today's episode of The Frame of Mind Coaching™ Podcast, Kellie Green, CEO at Green Dolphin Street, an organization that provides workshops, training sessions and talks on customer service, sexual harassment, diversity and inclusion, brings her challenge to the table.Kellie's problem is that she feels she's not able to reach out to people. What she means is that she offers these courses, and most companies are not taking them because they already have in-house departments taking care of these conversations.  But Kellie feels like they're failing at it, and doesn't know how to get them to realize the benefits of her programs...From my point of view, the issue here is that Kellie is offering her company's services to people who are not actually interested. And my advice to her is to stop trying to sell cookies to people on diets! What I mean by that is that she should try looking for people and companies in need of those courses and conversations, instead of knocking on every single door hoping for success.Sit back, relax and enjoy this conversation!https://www.frameofmindcoaching.com/the-frame-of-mind-coaching-podcastRead the episode's transcript here:https://www.buzzsprout.com/1252997/episodes/9428274Have you found yourself selling cookies to people on diets? Do you have a challenge you'd like to discuss? Reach out! If there's any issue you want to talk about here on the podcast or privately, please send me an email:kim@frameofmindcoaching.com

On Wednesday October 15th, 1947 at 6:30PM over ABC's New York City flagship station WJZ (today WABC), New York Tonight signed on with emcee Allen Prescott. Prescott was born in St. Louis in 1904. By the post-war years he was an ABC panel host and radio commentator. This evening program featured news, his personal reflections, and music. It mentions Bing Crosby's Wednesday evening Philco Radio Time program and the new Lana Turner/Van Heflin film Green Dolphin Street which opened that day. This recording only features the first half of the show. It's one of the only surviving of the series.

Another blast from my past - I discovered on interviewing guitarist Chris Standring that we were undoubtedly in the same room or on the same stage in the past.His album - Wonderful World -  is out now and it's a delightful collection of jazz standards accompanied by stunning strings.  We discussed my two favourite tracks - Green Dolphin Street and Autumn in New York - and it's great to play extracts from both to accompany our conversation. I hope you enjoy listening to our chat, especially as we deviate into name dropping our mutual friends. Thanks to Chris for allowing me to play extracts from Wonderful World alongside our conversation. Follow me on instagram.com/hilaryrwriterFollow me on facebook.com/HilaryRobertsonFreelanceWriterFollow me on twitter.com/hilaryrwriterSupport the show (https://www.buymeacoffee.com/HWpodcast)

Welcome to the Digging Deeper Jazz Podcast. This podcast was originally released on February 28, 2020  on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS !In episode #142 Jeff shows us how melodies and licks in a major key can be used in minor situations and vice versa. And ALL without altering the melody. Sound crazy? More like "sounds awesome!"Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • Digging Deeper Jazz - All of the DDJ episodes include a pdf. Just write us at diggingdeeperjazz@gmail.com, and we'll offer you the pdfs in bundles of 50, or all 200 for a discount! We will also put you on the list to receive each new pdf, weekly.  Amazing practice ideas, every week, for free. What's not to love!?

STANDARS SEMANAL.-.On Green Dolphin Street,JAZZANIVERSARIO.-Hank Jones-Urbanity.-JAZZACTUALIDAD.-MARCO MEZQUIDA-TALISMAN

I am a podcast. This week, Paul and Arlo are joined by Wesley Mead to unravel the mystery of Derek DelGaudio's stage show In & Of Itself, now available on Hulu in a filmed version directed by none other than Frank Oz. Truth be told, if truth is a concept you believe in, the gang doesn't do much unraveling. No, that would be beyond the point. Instead, they discuss how the show makes them feel and what it reveals about the relationship between one human being and another. Magic, wolves, self-identity, and the communal experience all make an appearance. Plus, Wezzo tells us how the UK is faring with lockdown, and Arlo raves about Merawi Gerima's stunning feature debut Residue.   NEXT: I'll meet you in another life, when we are both cats. This month's Four-Color Flashback is all about Ronald Wimberly’s take on Romeo and Juliet, 2012's Prince of Cats. BREAKDOWN 00:00:55  -  Intro / Guest 00:23:37  -  Derek DelGaudio’s In & Of Itself 01:52:12  -  Outro / Next LINKS   How Derek DelGaudio Pulled Off the Astonishing ‘In & Of Itself’ by Matt Wilstein, The Daily Beast Here Are All the Celebrity Cameos in Derek DelGaudio’s In & of Itself by Matthew Dessem, Slate   MUSIC “Dog and Wolf” by Green Dolphin Street, Boozekilla (2017) “I Am” by AWOLNATION, Run (2015) GOBBLEDYCARES Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/ Register to vote: https://vote.gov/

Welcome to the Digging Deeper Jazz Podcast. This podcast was originally released on May 26, 2017 on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well. FOR ALL INSTRUMENTS !In video #3, we expand our "anti-scale" approach from last video (Digging Deeper #2). Yes, this is jazz heresy, but it’s also a fantastic approach to improvisation, using a melodic/ chord tone approach to tension and release. Mentioned in this podcast: • www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • Digging Deeper Jazz - All of the DDJ episodes include a free pdf. Just write us at diggingdeeperjazz@gmail.com, and we'll send you the pdf for this episode, and put you on the list to receive each new pdf, weekly. Amazing practice ideas, every week, for free. What's not to love!?

Welcome to the Digging Deeper Jazz Podcast. This podcast was originally released on May 20, 2017 on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well. FOR ALL INSTRUMENTS !In episode #2, we look at a way to improve your improvisations by a LOT, taking an "anti-scale" approach. Yes, this is jazz heresy!! We'll build this idea beginning here in episode #2, and follow through in the next podcast #3. This is a fantastic approach to improvisation, using a melodic approach to tension and release. Mentioned in this podcast: • www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • Digging Deeper Jazz - All of the DDJ episodes include a free pdf. Just write us at diggingdeeperjazz@gmail.com, and we'll send you the pdf for this episode, and put you on the list to receive each new pdf, weekly. Amazing practice ideas, every week, for free. What's not to love!?

Lux Radio Theatre, sometimes spelled Lux Radio Theater, a long-run classic radio anthology series, was broadcast on the NBC Blue Network (1934–35) (owned by the National Broadcasting Company, later predecessor of American Broadcasting Company [ABC] in 1943 /1945); CBS Radio network (Columbia Broadcasting System) (1935-54), and NBC Radio (1954–55). Initially, the series adapted Broadway plays during its first two seasons before it began adapting films. --------------------------------------------------------------------------- Sherlock Holmes Radio Station Live 24/7 Click Here to Listen https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 ---------------------------------------------------------------------------- Support this podcast at — https://redcircle.com/lux-radio-theatre/donations Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

STANDARS SEMANAL.-On Green Dolphin Street.-JAZZANIVERSARIO.-Oscar Pettiford-1953 first bass.-JAZZACTUALIDAD.-ELISABET RASPALL-I LOVE JAZZ

Playlist of the Show:1. Wynton Marsalis - St. Louis Blues2. Tony Bennett, Amy Winehouse - Body and Soul3. Thelonious Monk - Round Midnight4. Miles Davis (1958) - On Green Dolphin Street5. Miles Davis, John Cotran (1960) - On Green Dolphin Street 6. Miles Davis (1965) - On Green Dolphin Street7. Ella Fitzgerald, Joe Pass - On Green Dolphin Street8. Wes Montgomery - On Green Dolphin Street

Playlist of the Show:1. Wynton Marsalis - St. Louis Blues2. Tony Bennett, Amy Winehouse - Body and Soul3. Thelonious Monk - Round Midnight4. Miles Davis (1958) - On Green Dolphin Street5. Miles Davis, John Cotran (1960) - On Green Dolphin Street 6. Miles Davis (1965) - On Green Dolphin Street7. Ella Fitzgerald, Joe Pass - On Green Dolphin Street8. Wes Montgomery - On Green Dolphin Street

This is a snippet from Breaking Walls Episode 97: Thanksgiving 1947—The Most Popular Season in Radio History ___________ At 10PM eastern time on Thanksgiving Day 1947, as families put their young children to bed, ABC broadcast Mr. President from its Los Angeles KECA affiliate, starring Edward Arnold and Betty Lou Gerson. Mr. President first signed on June 26th, 1947. Producers picked Arnold to star because his voice had the “aggressiveness of Teddy Roosevelt, the humility of Abraham Lincoln, and the tenacity of Andrew Jackson.” Listeners were challenged to guess the president’s identity before it was revealed at the end. Fittingly the 1947 Thanksgiving episode featured a tale from the life of George Washington. Opposite Mr. President, live from Hollywood over all CBS stations Radio Reader’s Digest signed on, guest-starring Van Heflin. 1947 was a good year for the thirty-eight year-old actor. That summer he co-starred with Joan Crawford in Possessed and brought Philip Marlowe to radio as a summer replacement for Bob Hope. His latest film, Green Dolphin Street, just hit theaters. It co-starred Lana Turner and was that year’s biggest MGM hit. Radio Reader’s Digest debuted on September 13th, 1942 on CBS. The famed magazine actually didn’t sponsor the show. They provided the material. Hallmark Greeting Cards was sponsor. In 1947 Les Tremayne was the host.

On Wednesday October 15th, 1947 at 6:30PM over ABC's New York City flagship station WJZ (today WABC), New York Tonight signed on with emcee Allen Prescott. Prescott was born in St. Louis in 1904. By the post-war years he was an ABC panel host and radio commentator. This evening program featured news, his personal reflections, and music. It mentions Bing Crosby's Wednesday evening Philco Radio Time program and the new Lana Turner/Van Heflin film Green Dolphin Street which opened that day. This recording only features the first half of the show. It's one of the only surviving of the series.

This latest jazzcast features a live Quartet version of Green Dolphin Street (inspired by Lou's time playing with Herbie Hancock) along with the latest compositions written for the new album, "Before and After". Listen to studio versions of new music along with standards as Lou plays a spirited performance of a jazz standard! Hear the music used to demo the feel and groove of the latest upcoming release.  

My guest for The Happy Hour #217 is JJ Heller. JJ is a singer/songwriter committed to spreading a message of hope and peace to women in an increasingly complex, competitive and confusing world. JJ has developed an iconic and unmistakable style of her own, and her music inspires listeners to embrace the beauty and brokenness of life with a whole heart. JJ and her husband Dave reside in Nashville with their two daughters. JJ and I start off the show talking about comparison. Friends, we all do it and we all know we need to stop! God gave JJ a new perspective to consider when the internal comparison talk starts, and it's something we can all remember and use. JJ then shares how the life and dreams she had as an athlete suddenly came to a close. Feeling unsure of what was next for her, God planted the seed in her heart for music while she was singing a song washing dishes in the bush of Africa! JJ then opens up about suffering from panic attacks and anxiety. JJ speaks about how it was difficult to share her story, but God nudged her to use her voice - and in a big way! She speaks about the freedom she felt after telling her story, and you will absolutely love hearing the many ways she has seen God use her story of brokenness to bring healing to others. In the last part of the show, we hear more about JJ's music and how a conversation with Bob Goff (yes, THE Bob Goff), changed her view on what success looks like. Friends, I absolutely loved talking with JJ and could have talked with her for hours. If you are struggling with fear and anxiety, my hope is that you heard that you are not alone, and that God can bring healing and use our brokenness for good. I also hope you feel encouraged to share your story with a trusted friend and together we can support each other on our journeys. {You can listen to the show HERE, and make sure you never miss a Happy Hour, subscribe using your favorite podcast app (ie. iTunes, Google Play).  And of course, I would love if you would share with your friends!} Links from the Show JJ's Website Your Hands (song) JJ's New Album: I Dream of You (Volume II) (save this link! - it releases November 2) JJ's Blog Post "You're Not Going Crazy" I Dream of You Album What JJ is reading: Year of Yes by Shonda Rhimes, Green Dolphin Street by Elizabeth Goudge, Road Back to You by Ian Cron and Suzanne Stabile Connect with JJ Facebook // Twitter // Instagram Connect with Jamie + The Happy Hour Facebook // Twitter // Instagram // YouTube Want to stay connected to The Happy Hour? Subscribe to The Happy Hour Newsletter! If You Only Knew by Jamie Ivey Do you love The Happy Hour? If so, we'd love if you'd leave a review! Sponsors Build A Bear Workshop FabFitFun Box  - use code: IVEY to get $10 off first box! ThirdLove - 15% off First Order!

This will fit On Green Dolphin Street i.e. a 32-bar form of 8-bars of latin | 8-bars of swing | 8-bars of latin | 8-bars of swing Check out alive-drumming.org at http://alive-drumming.org/ As supplied on the "Jazz and Blues Sampler", Apple iOS App. https://itunes.apple.com/us/app/srt-jazz-and-blues-sampler/id1344104865?mt=8

This will fit On Green Dolphin Street i.e. a 32-bar form of 8-bars of latin | 8-bars of swing | 8-bars of latin | 8-bars of swing Check out alive-drumming.org at http://alive-drumming.org/ As supplied on the "Jazz and Blues Sampler", Apple iOS App. https://itunes.apple.com/us/app/srt-jazz-and-blues-sampler/id1344104865?mt=8

This will fit On Green Dolphin Street i.e. a 32-bar form of 8-bars of latin | 8-bars of swing | 8-bars of latin | 8-bars of swing Check out alive-drumming.org at http://alive-drumming.org/ As supplied on the "Jazz and Blues Sampler", Apple iOS App. https://itunes.apple.com/us/app/srt-jazz-and-blues-sampler/id1344104865?mt=8

Nous nous penchons encore une fois sur un grand classique, un standard incontournable issu du film d'un même nom : On Green Dolphin Street. La première récupération Jazz connue est celle de Miles Davis dans un EP de 1958. Mais quarante ans plus tard, on découvre que c'est en réalité le trompettiste Chet Baker qui l'a enregistré avec une formation Jazz pour la première fois en 1957. Retrouvez toutes les informations sur VersionStandard.fr

Listen to multiple guitars respond and "play off" each other in the first segment with "But Not Really For Me". Hear an arrangement written for a full orchestra, but played with different guitar sounds and tones to simulate the different instrument parts. Also featured in this episode is a little story about Lou's sessions for the great Miles Davis and "guitar sounds". And a live performance with the Quartet and Green Dolphin Street.  

Featuring Ethan O'Reilly on bass and Carl Moritz on drums

Sometimes, the genesis of a music scene can be traced back to one person who believes in a band, style or idea so thoroughly that their sheer force of will generates enough buzz to make it a reality. Los Angeles' patron saint of twang Kim Grant is just that sort of person. After cutting her music industry teeth at the famed Green Dolphin Street club in her hometown of Chicago, Grant relocated to LA and set about championing the style nearest and dearest to her heart - a genre known to adherents as Alt-Country, Americana or No Depression. In 2009 she formed a PR company called KG Music Press to help spread the word about L.A.'s underground country community in a manner honest enough to honor the genre's unpretentious forebears. But Grant's highest profile vehicle for promoting the extensive number of top-notch roots music artists in Southern California is an ongoing Sunday evening concert series at The Echo affectionately named The Grand Ole Echo. The 7th season of this weekly event runs through September 30th, 2012, is packed with excellent music and admission is free.

Sometimes, the genesis of a music scene can be traced back to one person who believes in a band, style or idea so thoroughly that their sheer force of will generates enough buzz to make it a reality. Los Angeles' patron saint of twang Kim Grant is just that sort of person. After cutting her music industry teeth at the famed Green Dolphin Street club in her hometown of Chicago, Grant relocated to LA and set about championing the style nearest and dearest to her heart - a genre known to adherents as Alt-Country, Americana or No Depression. In 2009 she formed a PR company called KG Music Press to help spread the word about L.A.'s underground country community in a manner honest enough to honor the genre's unpretentious forebears. But Grant's highest profile vehicle for promoting the extensive number of top-notch roots music artists in Southern California is an ongoing Sunday evening concert series at The Echo affectionately named The Grand Ole Echo. The 7th season of this weekly event runs through September 30th, 2012, is packed with excellent music and admission is free.

Sometimes, the genesis of a music scene can be traced back to one person who believes in a band, style or idea so thoroughly that their sheer force of will generates enough buzz to make it a reality. Los Angeles' patron saint of twang Kim Grant is just that sort of person. After cutting her music industry teeth at the famed Green Dolphin Street club in her hometown of Chicago, Grant relocated to LA and set about championing the style nearest and dearest to her heart - a genre known to adherents as Alt-Country, Americana or No Depression. In 2009 she formed a PR company called KG Music Press to help spread the word about L.A.'s underground country community in a manner honest enough to honor the genre's unpretentious forebears. But Grant's highest profile vehicle for promoting the extensive number of top-notch roots music artists in Southern California is an ongoing Sunday evening concert series at The Echo affectionately named The Grand Ole Echo. The 7th season of this weekly event runs through September 30th, 2012, is packed with excellent music and admission is free.

In this episode, Whisper Not is analysed according to the method. This song is in AABA form and is considered to have a home key of Dm since that is the only key in the song that is established and confirmed. Reference is made to Green Dolphin Street and How Deep is the Ocean that have some similar harmonic moves. Bricks used include: On; Cadence; POT; SPOT; launcher; Nowhere launcher. The only join used is the Backslider.

Back in March we held a mini benefit concert in the studio for the Rolfe Pancreatic Cancer Foundation featuring CAU alumni Wil Maring and Robert Bowlin . The guest list included musicians from CAU and board members from Rolfe. It was a wonderful afternoon of music and I hope you enjoy the show.Please consider attending the live benefit concert this Sunday, August 10, 2008 at the Green Dolphin Street 2200 N. Ashland Ave.