Podcasts about on green dolphin street

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The Water is Wide – przepiękna, smutna i stara szkocka ballada. No właśnie przepiękna i smutna niewątpliwie, ale jak stara? Posłuchajcie mojej opowieści. Audycja zawiera utwory: “On Green Dolphin Street”  wyk. Ella Fitzgerald & Joe Pass, sł. Ned Washington, muz. Bronisław Kaper “On Green Dolphin Street”, (w tle) wyk. Keith Jarrett, Jack Dejohnette i Gary Peacock, sł. Ned Washington, muz. Bronisław Kaper “The Water is Wide” (w tle), wyk. Pete Seeger, sł. i muz. Trad. “The Water is Wide”, wyk. Barry Dransfield, sł. i muz. Trad. “The Water is Wide” (w tle), wyk. Livia Lyette, muz. Trad. “O Waly, Waly”, wyk. Peter Pears (tenor), Benjamin Britten (piano), sł. i muz. Trad. “The Water is Wide”, wyk. Pete Seeger, sł. i muz. Trad. “To Lay Down Your Weary Tune”, wyk. Bob Dylan, sł. i muz. Bob Dylan “Farewell”, wyk. Bob Dylan, sł. Bob Dylan muz. Trad. (Leaving Liverpool) “The Water is Wide”, wyk. Eva Cassidy, sł. i muz. Trad. “The Water is Wide”, wyk. Uwe Karcher, arr. Uwe Karcher muz. Trad. #folk, # szanty

Jazz in the Garden, Episode Two: “One Magic Summer” After a golden age of big names and big crowds throughout the 1960s, by the mid 1970s live jazz at MoMA had become something of an afterthought. But a magical summer of performances in 1985—including landmark concerts by the Art Ensemble of Chicago, “Butch” Morris, and the “saxophone colossus” himself, Sonny Rollins—put the music back at center stage. Join us for our second episode, and hear the story from Rollins and others who were there. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Omer Leibovitz, Peter Oleksik Music: “Now's The Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing; “Uncle.” Written and performed by the Art Ensemble of Chicago. Used by permission; courtesy credits pending; “Soloscope, Part 1.” Written and performed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Reecie Music; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG

Jazz in the Garden, Episode One: “In the Beginning” Our story begins on June 16, 1960, when George Wein and the Storyville Sextet played the first jazz concert in MoMA's Sculpture Garden—and launched more than a decade of legendary performances and recordings from some of the leading lights of jazz, including Dizzy Gillespie, Thelonious Monk, Duke Ellington, and Sonny Rollins. In this episode, you'll hear about the first era of jazz at MoMA from some of the musicians who were there. Writer/producers: Naeem Douglas, Alex Halberstadt, Jason Persse Host: Naeem Douglas Additional readings: Karen Chilton Engineer, mixer, original music: Zubin Hensler Special thanks: Prudence Peiffer, Arlette Hernandez, Ellen Levitt, Kelsey Head, Dore Murphy, Allison Knoll, Tina James, Michelle Harvey, Marc-Auguste Desert II, Peter Oleksik Music: “That's a Plenty” (Live) (2014 remaster). Written by Lew Pollack. Performed by George Wein and the Storyville Sextet. Courtesy of Bethlehem Records. By arrangement with BMG Rights Management; “Soloscope.” Written and perfrormed by Sonny Rollins. Courtesy of Concord Records. By arrangement with Kobalt obo Son Rol Music Company; “Namesake.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. Bt arrangement with Reecie Music; “September in the Rain.” Written by Al Dubin, Harry Warren. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with WC Music Corp. (ASCAP); “Undecided.” Written by Charles Shavers. Performed by George Wein and the Storyville Sextet. Courtesy of BMG. By arrangement with Universal Music Publishing; “Novamo.” Written and performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Take the A Train.” Written by Billy Strayhorn. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Reservoir Media and WISE; “Take Three Parts Jazz.” Written by Teddy Charles. Performed by the Teddy Charles New Directions Quartet. Courtesy of 43 North Broadway LLC. By arrangement with Raybird Music; “A Night in Tunisia.” Written by John Gillespie, Frank Paparelli. Performed by the Dizzy Gillespie Quintet. Courtesy of Universal Music Group; “On Green Dolphin Street.” Written by Kaper Bronislaw, Ned Washington. Performed by Sonny Rollins. Courtesy of Universal Music Group. By arrangement with Reservoir Media, BRTS, and BMG; “The Quota.” Written by Jimmy Heath. Performed by Milt Jackson. Courtesy of Universal Music Group. By arrangement with Hall Leonard; “Now's The Time.” Written by Charlie Parker. Performed by Clark Terry. Courtesy of The Orchard. By arrangement with Universal Music Publishing and Sony Music Publishing

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STANDARS SEMANAL.-.On Green Dolphin Street,JAZZANIVERSARIO.-Hank Jones-Urbanity.-JAZZACTUALIDAD.-RICARDO VALVERDE QUARTET-LUZ

STANDARS SEMANAL.-.On Green Dolphin Street,JAZZANIVERSARIO.-Hank Jones-Urbanity.-JAZZACTUALIDAD.-RICARDO VALVERDE QUARTET-LUZ

STANDARS SEMANAL.-.On Green Dolphin Street,JAZZANIVERSARIO.-Hank Jones-Urbanity.-JAZZACTUALIDAD.-ELEKTRIK JAZZ MANTRA-SILENT SONGS.-CONCIERTO DE VERANO.-JAZZCADIZ 2023

STANDARS SEMANAL.-.On Green Dolphin Street,JAZZANIVERSARIO.-Hank Jones-Urbanity.-JAZZACTUALIDAD.-ELEKTRIK JAZZ MANTRA-SILENT SONGS.-CONCIERTO DE VERANO.-JAZZCADIZ 2023

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On this episode of the Nick Finzer Audio Experience, trade along with Nick on the tune On Green Dolphin Street in the key of Eb. Play on any instrument, it doesn't need to be trombone!

RED RODNEY SUPERBOP – Los Angeles, March 26, 1974 Superbop, On Green Dolphin Street (2) Superbop Red Rodney (tp) Sam Noto (tp,flhrn-1) Jim Mulidore (sop,fl-2) Dolo Coker (p) Ray Brown (b) Shelly Manne (d) MCCOY TYNER NIGHTS OF BALLADS AND BLUES – Englewood Cliffs, N.J., March 4, 1963 Star eyes, Blue Monk McCoy Tyner (p) […]

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Hey, y'all! It's about time we slow things down for all you cool cats and get into something real hip. I'm talking jazz. Bebop. Cool tunes to make you sink into a dreamlike state. Today we will be talking about a political party from Washington that was formed by an old jazz-man, his band, his bar employees, his regulars, and his mother-in-law. Today we cover Red Kelly, the bass player who promised to run for governor, so long as he never had to take it seriously.**Side note, the song at the end of the episode is On Green Dolphin Street, featuring Ernestine Anderson on vocals, Red Kelly on bass, Jack Perciful on piano, Don "Earthquake" Ober on guitar, and Dave Coleman on drums. You can listen to it for yourself on Youtube at https://www.youtube.com/watch?v=PEQFPauXrCk&ab_channel=SeanOber

In this podcast tutorial I explore the legendary jazz tune "On Green Dolphin Street," focusing mostly on the melody. For beginning pianists, this will allow a deeper internalization of the tune in future practice sessions, rather than tackling the melody and harmony all at once.

Otmaro Ruiz; Bruno Mangueira – And Then She Smiles (Maya’s Song) – 8:51 Sérgio Mendes – On Green Dolphin Street – 2:53 Joshua Redman – Right Back Round Again (feat. Brad Mehldau, Christian McBride & Brian Blade) – 6:00 Alphonso Johnson – Follow Your Heart – 4:41 Randy Brecker; David Sanborn; Ada Rovatti; Wolfgang Haffner; […]

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STANDARS SEMANAL.-.On Green Dolphin Street,JAZZANIVERSARIO.-Hank Jones-Urbanity.-JAZZACTUALIDAD.-MARCO MEZQUIDA-TALISMAN

STANDARS SEMANAL.-.On Green Dolphin Street,JAZZANIVERSARIO.-Hank Jones-Urbanity.-JAZZACTUALIDAD.-MARCO MEZQUIDA-TALISMAN

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Otmaro Ruiz; Bruno Mangueira – And Then She Smiles (Maya’s Song) – 00:08:51 Sérgio Mendes – On Green Dolphin Street – 00:02:53 Joshua Redman; Brad Mehldau; Brian Blade; Christian McBride – Right Back Round Again (feat. Brad Mehldau, Christian McBride & Brian Blade) – 00:06:00 Alphonso Johnson – Follow Your Heart – 00:04:41 Randy Brecker; […]

"Swing dance" is a group of dances that developed with the swing style of jazz music in the 1920s-1950s, the origin of the dances predating popular "swing era" music. The most well-known of these dances is Lindy Hop, a fusion of jazz, tap, breakaway, and Charleston, which originated in Harlem in the early 1920s, but includes a number of other styles such as Balboa, Shag, West Coast Swing, and Boogie Woogie. “Sunday Swing” highlights the music of the swing era and the dances that thrived in the ballrooms and dance halls. Danny Lane guides you through a one hour swing session. Do the Lindy Hop or choose your favorite dance. Just keep swingin'. ***** Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 ***** or by email at: dannymemorylane@gmail.com ***** ***** You’ll hear: 1) Here We Go Again by Glenn Miller & His Orchestra 2) A-Tisket A-Tasket by Patti Austin (with The WDR Big Band [A German Band]) 3) On Green Dolphin Street by Chuck Sagle & His Orchestra 4) Flying Home by Lionel Hampton & His Orchestra [with Illinois Jacquet, tenor sax solo] 5) Sportsman's Mambo by Bill Elliott Swing Orchestra 6) I Can't Give You Anything But Love by Louis Armstrong 7) Oh! Lady Be Good by Count Basie & His Orchestra 8) The Dipsy Doodle by Tommy Dorsey & His Orchestra (with Edythe Wright, vocal) 9) In the Groove At the Grove by Chick Webb 10) Bluebirds in the Moonlight by Benny Goodman & His Orchestra (with Mildred Bailey, vocal) 11) Bandstand Boogie by Les Elgart And His Orchestra 12) Take The "A" Train by The Delta Rhythm Boys 13) Honeysuckle Rose by Jazz At The Philharmonic Allstars 14) Hey Pachuco! by Royal Crown Revue 15) Jazzocracy by Jimmie Lunceford 16) When I Get Low I Get High by Ella Fitzgerald & Chick Webb and His Orchestra 17) Davenport Blues by Adrian Rollini & His Orchestra 18) Rockin' In Rhythm by Duke Ellington

PODCAST INTEGRANTE DE ESFERA JAZZ: https://www.esferajazz.com "Blowin'" es, para nosotros, uno de los más grandes trabajos de nuestro protagonista de hoy, Paquito D’Rivera. Es por ello que hemos decidido seleccionarlo como el primer trabajo que vamos a analizar en esta nueva versión de Música para Gatos a la que vamos a llamar Masterpieces. Blowin’, grabado en el año 1981, contiene algunos temas inolvidables como la impresionante versión a dúo del clásico "El día que me quieras", nada más y nada menos que con el genial pianista argentino Jorge Dalto; "Song to My Son", dedicada a su hijo Franco; "Monga", una irresistible mezcla de jazz, bossanova y bolero compuesta en honor de su primera mujer; "Al Fin Amor" que incluye una feroz linea de bajo o la impresionante y latinísima "On Green Dolphin Street" en donde podemos escuchar incluso la respiración extenuada de D'Rivera al final de dos de sus complicadísimos sólos, cosa que habla a las claras de la pureza de la grabación. No hay artificio alguno, tan sólo la mano firme (y el corazón) de un grupo de músicos en auténtico estado de gracia. "Blowin'" es, para nosotros, un ejemplo de lo que debe ser un gran trabajo de jazz latino. Inteligente, innovador e irresistible. Sin duda uno de los mejores discos de jazz de todos los tiempos. FICHA Artista: Paquito D’Rivera Nombre: Blowin’ Año: 1981 TRACKS 1- Waltz for Moe (D'Rivera) 2- Basstronaut (D'Rivera) 3- Monga (D'Rivera) 4- Chucho (D'Rivera) 5- On Green Dolphin Street (Kaper) 6- Song to my son (D'Rivera) 7- Al fin amor (A. Guzmán)) 8- El dia que me quieras (Gardel-Lepera) CREDITS Paquito D'Rivera Saxo Alto, Saxo Soprano, Flauta, Fluhelhorn, Percussion. Jorge Dalto Piano (1,8), Fender Piano (3), Teclados (6) Hilton Ruiz Piano (2,4,5 y 7) Eddie Gómez Bajo acústico (1,2 y 6) Rusell Blake Bajo Fender (2,3,4,5 y 7) Ignacio Berroa Bateria, Percusión (3) Daniel Ponce Percusión (1), Congas (2, 4), Bongo (3) Mario Rivera G Flute (3) Jerry González Percusión (3)

STANDARS SEMANAL.-On Green Dolphin Street.-JAZZANIVERSARIO.-Oscar Pettiford-1953 first bass.-JAZZACTUALIDAD.-ELISABET RASPALL-I LOVE JAZZ

Playlist of the Show:1. Wynton Marsalis - St. Louis Blues2. Tony Bennett, Amy Winehouse - Body and Soul3. Thelonious Monk - Round Midnight4. Miles Davis (1958) - On Green Dolphin Street5. Miles Davis, John Cotran (1960) - On Green Dolphin Street 6. Miles Davis (1965) - On Green Dolphin Street7. Ella Fitzgerald, Joe Pass - On Green Dolphin Street8. Wes Montgomery - On Green Dolphin Street

Playlist of the Show:1. Wynton Marsalis - St. Louis Blues2. Tony Bennett, Amy Winehouse - Body and Soul3. Thelonious Monk - Round Midnight4. Miles Davis (1958) - On Green Dolphin Street5. Miles Davis, John Cotran (1960) - On Green Dolphin Street 6. Miles Davis (1965) - On Green Dolphin Street7. Ella Fitzgerald, Joe Pass - On Green Dolphin Street8. Wes Montgomery - On Green Dolphin Street

Playlist of the Show:1. Wynton Marsalis - St. Louis Blues2. Tony Bennett, Amy Winehouse - Body and Soul3. Thelonious Monk - Round Midnight4. Miles Davis (1958) - On Green Dolphin Street5. Miles Davis, John Cotran (1960) - On Green Dolphin Street 6. Miles Davis (1965) - On Green Dolphin Street7. Ella Fitzgerald, Joe Pass - On Green Dolphin Street8. Wes Montgomery - On Green Dolphin Street

En el programa de hoy os acercaremos algunos standards inmortales del jazz tradicional pero arreglados por algunos de los más importantes músicos del jazz fusion que aparecieron en el panorama musical a partir de finales de los 60s tras la publicación de un disco de Miles Davis que se llamó Bitches Brew. Escucharéis temas tan importantes como “Stella By Starlight” de Victor Young, “Since I Fell For You” de Woodrow Wilson Johnson, “On Green Dolphin Street” de Bronislau Kaper, “Bye Bye Blackbird” de Ray Henderson, “What's New?” de Bob Haggart, “Everything Happens to Me” de Matt Dennis, “Polka Dots and Moonbeans” y “Like Someone in Love” ambas de Jimmy Van Heusen pero interpretadas desde la especial perspectiva de artistas como Grover Washington Jr, Bob James y Davis Sanborn, Paquito D'Rivera, Rachel Ferrell, John Klemmer y Oscar Castro-Neves, Charlie Haden, Cassandra Wilson o Bill O'Connell.

This was the startling debut recording by Eric Dolphy. It was his first under his name. Today is the 59th anniversary of the date as it was recorded on April 1,1960. Eric was from L.A. and had settled in New York and was soon playing a variety of gigs and had joined Charles Mingus' Jazz Workshop. Prestige (New Jazz) was on the search for new talent at this time and Eric was introduced to the label and given carte blanche to pick a band and record, This album was the result. Eric was a virtuoso and a fearless improviser on all his horns, the alto saxophone, the bass clarinet and the flute. Eric picked his room mate of the time, a young Freddie Hubbard to share the front line with him. Jaki Byard was on piano and newly arrived from Boston and his concept adds greatly to this album's success. George Tucker on bass was recommended to Eric by Mingus and on drums was none other than a perennial favorite, "Mr. Snap-Crackle"....Roy Haynes. Four of the six tunes are by Eric and they show his compositional talent. Eric's version of "On Green Dolphin Street" features his bass clarinet and the ballad, the obscure "Glad To Be Unhappy" spotlights his flute. As an added treat a short blues with Eric on flute and the rhythm section is added. It was never issued on the original CD and the vinyl. All in all a major debut for an artist whose life and creativity was cut short by illness at age 36. There will never be another Eric Dolphy. Outward Bound tonight!

Sextett Wyntons Kelly flytur lögin On Green Dolphin Street, Softly As In The Morning Sunrise, Keep It Moving, Old Clothes, Willow Weep For Me og Kelly Blue. Söngkonan Helen Merrill syngur lögin Out Of This World, Sonn It's Gonna Rain, When I Grow Too Old To Dream, I'm All Smiles, A Tender Thing Is Love og Maybe. Gene Harris og Scott Hamilton kvintettinn leikur lögin The Lamp Is Low, Blues For Gene, At Last, Sittin' In The Sandtrap og Some Of These Days.

Þrjú tríó sjá um Sveifludansana. Fyrst er Tríó Bud Powell leikur lögin Over The Rainbow, There Will Never Be Another You, Jump City, Elegy, Topsy Turvy, Coscrane og Blues For Bessie. Síðan kemur Tríó Jespet Thilo og leikur lögin Midnight Sun, Just Friends, Blue Monk, Till There Was You, On Green Dolphin Street, Stardust og Thou Swell. Síðasta tríóið er íslenskt, Tríó Sunnu Gunnlaugs, sem leikur lögin Tltekt, Dry Cycle, Workaround, All Agaze, Compassion og Endastopp.

Þrjú tríó sjá um Sveifludansana. Fyrst er Tríó Bud Powell leikur lögin Over The Rainbow, There Will Never Be Another You, Jump City, Elegy, Topsy Turvy, Coscrane og Blues For Bessie. Síðan kemur Tríó Jespet Thilo og leikur lögin Midnight Sun, Just Friends, Blue Monk, Till There Was You, On Green Dolphin Street, Stardust og Thou Swell. Síðasta tríóið er íslenskt, Tríó Sunnu Gunnlaugs, sem leikur lögin Tltekt, Dry Cycle, Workaround, All Agaze, Compassion og Endastopp.

El último volumen de The Bootleg Series de Miles Davis tiene por título The Last Tour, y se publica a nombre de Miles Davis & John Coltrane. Publicado en distintos formatos, la edición en formato de CD con cuatro CD y un extenso libreto escrito por Ashley Kahn, publica oficialmente algunos de los conciertos grabados a principios de 1960 dentro de la gira europea organizada por Norman Granz. En concreto son los dos conciertos en Paris el 21 de marzo, los dos conciertos de Estocolmo al día siguiente, y un concierto en Copenhague el 24 de marzo. En HDO 405 escuchamos un concierto virtual de esta gira, en el que se incluyen temas de todos y cada uno de esos conciertos. Además de los célebres abucheos parisimos, suenan versiones de un “So What” en la que Trane miraba hacia el infinito, “All Blues”, “On Green Dolphin Street”, “Walkin'”, un “‘Round Midnight” inusual, y como podía faltar en los conciertos de Miles Davis de la época, “The Theme”. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo @ tomajazz . com.

Nous nous penchons encore une fois sur un grand classique, un standard incontournable issu du film d'un même nom : On Green Dolphin Street. La première récupération Jazz connue est celle de Miles Davis dans un EP de 1958. Mais quarante ans plus tard, on découvre que c'est en réalité le trompettiste Chet Baker qui l'a enregistré avec une formation Jazz pour la première fois en 1957. Retrouvez toutes les informations sur VersionStandard.fr

Songs include: Mountain Greenery, On Green Dolphin Street, The Green Grass Grows All Around, If The Moon Turns Green and Garbo Green. Performers include: Thomas "Fats" Waller, Jimmy Dorsey, Roger Wolfe Khan, Louis Jordan, Fletcher Henderson and Xavier Cugat.

Join another amazing episode of Brent and James balooging about baseball. We talk about the ins and outs of the Wild Card Game as a concept, the review of Stros over Yanks, and Cubbies over Buccos. We give our predictions for the Divisional Series Rounds. Some chatter about President-GM relationships. We do our predictions for the annual MLB awards. We talk about Hanley Ramirez, Jonathan Papelbon, the Eephus pitch (and podcast), and the future of football after the Kevin Kolb concussion article. Life updates: New Orleans trip by Brent, James busy as hell with grad school. Columbus Day changed to Sacco & Vanzetti Day. The Eephus Podcast http://eephuspodcast.com/ Kevin Kolb Battles the Storms, Outside and In http://mmqb.si.com/2014/10/23/kevin-kolb-concussions-mexico-hurricane Dick Miller's National Pastime Orchestra "If You Can't Make a Hit in a Ballgame, You Can't Make a Hit With Me" Miles Davis "On Green Dolphin Street" Scooter "J'adore Hardcore" AKMusique "707 Ocean Drive" Twitter: James: @jgeneric Brenton: @bwalcoff Questions/comments/concerns slidingintofirstpodcast@gmail.com Rate, review, and subscribe to us on iTunes!