Podcast appearances and mentions of ian seabrook

In this episode, we welcome Ian Seabrook. Ian is a leading Underwater Director of Photography who has worked on films including Mission: Impossible - Ghost Protocol, The Cabin in the Woods, Man of Steel, Aliens vs. Predator: Requiem, Godzilla, Batman v Superman: Dawn of Justice, Pirates of the Carribean: Dead Men Tell No Tales, Deadpool 2, Glass, It Chapter Two, Indiana Jones and the Dial of Destiny, The Rescue, and Last Breath. In our chat, he shares about his roots, education, and early days in filmmaking on through working on many of the biggest Hollywood productions today. He also speaks at length about camera technology — and offers recommendations for emerging filmmakers.“The Making Of” is presented by AJA:How Cromorama solves HDR production challenges with AJA ColorBoxCromorama is transforming HDR workflows for live production across the globe, using AJA ColorBox and its integrated ORION-CONVERT pipeline to power SDR/HDR transforms, quality control checks, and more for high-stakes productions like the UEFA EURO 2024 Championship. Find out how in this interview with Cromorama CEO and CTO Pablo Garcia hereIgelkott Studios: Redefining Driving PlatesSay goodbye to the limitations of array rig plates. Igelkott's precision-crafted single-lens driving plates deliver perfect parallax, seamless stitching, and true-to-life depth—no mismatched angles or post headaches. The choice of top filmmakers for flawless in-camera realism. Experience the future of driving plates at www.igelkottplates.comOscars Night Puts OWC Jellyfish in the Middle of the ActionOWC Jellyfish was front and center on Oscars night, supporting the behind-the-scenes editing and post workflows that brought the evening to life. From pre-show prep to real-time content delivery, discover how OWC's high-performance shared storage powered the Academy's digital team. See how professionals rely on Jellyfish when the pressure's on—and the world is watching.Read the full story »A Special Offer on Avid Media Composer:Save 20% on Avid Media Composer Ultimate 1-Year Subscription! Whether you're a seasoned video editor or just starting your career, get unmatched speed and creative freedom to tell more inspired stories. Do your best work with Media Composer's award-winning toolset, the go-to choice of professional editors. Hurry though, this offer expires on 3/31/2025 and is available at Videoguys.comLearn more hereZEISS Introduces the Otus ML:The ZEISS Otus ML lenses are crafted for photographers who live to tell stories. Inspired by the legendary ZEISS Otus family, the new lenses bring ZEISS' renowned optical excellence combined with precise mechanics to mirrorless system cameras. Thanks to the distinctive ZEISS Look of true color, outstanding sharpness and the iconic “3D-Pop” of micro-contrast, your story will come to life exactly like you envisioned. A wide f1.4 aperture provides outstanding depth of field directing attention to your focus area, providing a soft bokeh that elegantly separates subjects from the background. The aspherical design effectively minimizes distortion and chromatic aberrations. Coupled with ZEISS T* coating that reduce reflections within a lens, minimizing lens flare and enhancing image contrast, and color fidelity.Learn more herePodcast Rewind:March 2025 - Ep. 72…“The Making Of” is published by Michael Valinsky.To advertise your products or services to 145K filmmakers, video pros, TV, broadcast, live event production pros, & photographers reading this newsletter, email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Ian Seabrook is a highly acclaimed Director of Photography, celebrated for his mastery of underwater cinematography. His recent work includes lensing both underwater and main unit photography for the upcoming thriller LAST BREATH starring Woody Harrelson, Simu Liu, and Finn Cole. Seabrook's extensive filmography features blockbuster hits like INDIANA JONES AND THE DIAL OF DESTINY and DEADPOOL 2. His television credits include WEDNESDAY, SHOGUN, LOST IN SPACE, and SEE. In his latest work, LAST BREATH, we follow seasoned deep-sea divers as they battle the raging elements to rescue their crew mate trapped hundreds of feet below the ocean's surface. In this interview, we talk about his decision to pursue film and the lack of formal education in underwater cinematography at the time, the complexities of underwater filming, the cinematography in Last Breath, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

“I thought I saw a specter at your shoulder.”Ian Seabrook, acclaimed underwater cinematographer behind upcoming Last Breath and next year's live-action Moana, joins us to dive deep into the 1965 James Bond classic Thunderball. With decades of experience filming beneath the waves, including recent work on Indiana Jones and the Dial of Destiny, Old, and Jungle Cruise, Seabrook shares fascinating insights about his journey from amateur underwater photographer to Hollywood cinematographer, and why Thunderball remains such an influential film in his career.From the groundbreaking 10-minute underwater battle sequence to the technological innovations that made filming underwater possible in the 1960s, we explore how Thunderball pushed the boundaries of what could be achieved on camera beneath the waves. Seabrook offers unique perspective on how underwater filming has evolved from the days of pure practical effects to modern CGI, while discussing his work on recent films like Last Breath and the vital importance of creating safe, comfortable environments for actors working underwater. The conversation spans everything from early influences like National Geographic magazines to legendary underwater filmmaker Ricou Browning (who directed Thunderball's underwater sequences and famously played the Creature in Creature from the Black Lagoon) to the challenges of directing actors underwater and building trust with performers who may be facing their fears in an unfamiliar environment.Whether you're a James Bond fan or simply interested in the craft of filmmaking, this discussion illuminates why Thunderball remains a landmark achievement in underwater cinematography. Ian's passion for his craft and deep knowledge of both the technical and artistic aspects of underwater filming made for an engaging conversation about this classic film that helped establish underwater action sequences in modern cinema.LinksFind Ian on his website, on IMDb, or on InstagramWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal Material and on AudibleLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardThe Next Reel Film PodcastSitting in the DarkJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Welcome to a special episode of Following Films! Today, we're excited to welcome Ian Seabrook, an incredible cinematographer specializing in underwater camera work. Ian's skill behind the lens has taken us into some breathtaking and often dangerous environments, capturing stunning visuals that enhance the storytelling of films like Last Breath, Jungle Cruise, and Indiana Jones and the Dial of Destiny. In this conversation, we'll dive into Ian's unique approach to cinematography, the challenges of shooting underwater, and his experiences working on some of the biggest adventure films of recent years. So, let's jump in and explore the world through Ian Seabrook's eyes!

This podcast originally aired in October 2022 but recent texts with Ian about music and dogs and life reminded me of how good this is and that it merits re-release. Since the original broadcast Ian, who is an underwater cinematographer, has worked on "Indiana Jones and the Dial of Destiny", "Shogun", "Wednesday" (a Tim Burton offering) and "Last Breath", which premiers in February 2025. Ian and I have spent a good amount of time working on a documentary together and perhaps in the next chapter, the one titled "Whatever Comes Next", we might see if a logical conclusion exists and can push it to the finish line. ___________Ian Seabrook returns to the podcast after a three-year hiatus. Ian is an award winning Underwater Director of Photography in the motion picture and television industry who first appeared on Episode 55. At that time he was in Utah to document the production and release of REFUGE, the first large book produced by NonProphet. This year Ian's return coincided with the printing of POISON so we strong-armed him into making a short film about that.Ian's underwater credits include “Batman v Superman”, “Deadpool 2” and “Jungle Cruise”, five episodes of the TV series, "See", and he was also the second unit cinematographer for Zack Snyder's "Army Of The Dead". More recently his work on "The Rescue" earned several cinematography awards, which we discuss intensively in this current episode.We start this talk with an in-depth review of the underwater shots in "Man of Steel", and simple behind-the-scenes things like how to keep personnel safe in the tank while the SFX crew sets the water on fire. Ian also discusses about the necessity of appropriate clothing, nutrition and fitness for long shooting days in water that is constantly extracting heat from one's body. The conversation shifts towards the current state of filmmaking and how it feels like cinema is a disposable medium these days (very different than in the 70s) and the sheer volume of output is shocking ... quantity vs quality diluted by frequency. We do a drive-by on the unreality of Reality TV and the difference between true documentary film and docu-drama or docu-fiction projects that are "dramatized" to "improve" the story. In an unusual twist, Michael brings up some of the positive aspects of new and social media but don't blink or you'll miss them.In review, Ian's descriptions of shooting underwater sequences for "The Rescue" are riveting, and easily worth the price of a listen.Ian's website:https://www.dorsalfin.net/

Erin Blevins is the Co-founder of Alqemis, owner of shutupEAT and a private, special project gym in Salt Lake City, Utah. Through her research and practice nutrition, she authored a book about the importance of sustainable, nutrient dense food in The Essential Carnivore Diet Cookbook.  Her humble beginnings into food started in her youth as a reoccurring assistant to her highly decorated, chef-father. She found a natural way to blend her love of outdoor sports, training, coaching and traveling with baking, cooking, and sharing her delicious meals with her community. Her skill as a personal chef have been used at the highest level, including the transformation of actor, Henry Cavill into Superman in DC Film's blockbuster film, Justice League and Zach Snyder's Cut where she was also introduced on the big screen as an Amazon Warrior. Erin has cheffed for intensive team building retreats for professional baseball team, The Atlanta Braves, competed and won in a cooking series against one of the world's best known Archers, written multiple articles in Men's Health, Men's Fitness and various fitness magazines world wide. She has presented at Keto and Paleo Conference's, aired cooking classes and provided nutrition coaching and cooking for the world's best female downhill racers of Redbull's Rampage and Formation. Erin's personal nutrition clients include: actors such as Gina Carano, Craig McKinley, Jesse Garcia, cast members of Netflix's Rebel Moon, movie producer Ian Seabrook, VFX specialist Paul Becker, elite ultra-marathoners, professional downhill skiers, Professional Climbers, CrossFit athletes, MLB players, MBA players, stuntmen, national weightlifters, Navy SEALs and other SOF members. As well, she has worked with clients suffering from eating disorders, undergoing cancer treatments, autoimmune disorders and other degenerate maladies and those just looking to improve overall health and well-being.  Erin is now designing nutrition, lifestyle and wellness plans based off diagnostic testing at her Concierge Service, Alqemis.  @shutup_eat 

“It's about leaving the planet in a better condition than it is currently. What you're witnessing is years of neglect. It's the humans who have screwed it all up, and the warming of the earth is no different. The oceans are changing. The topography is changing. Mussels are being fried when the tides recede. This is all unnatural. Or maybe it's natural. I think it's Mother Nature just being pissed off and saying, “This is what you get.” And so it's up to everyone to change their ways. Their shopping habits, their eating habits, how much gas they use. All that stuff which people think “that can't affect anything.” Well, you're seeing the result of it now.”Ian Seabrook is an Underwater Director of Photography in the Motion Picture and Television Industry, working on a number of feature productions, such as Batman v Superman, Deadpool 2 and Jungle Cruise, along with documentary films such as The Rescue. Seabrook is also the winner of Double Gold & Silver Medals for Cinematography at the 2019 Telly Awards. A full member of the Society of Camera Operators, and the CSC, Seabrook holds both commercial and recreational dive certifications.· www.ianseabrook.net · www.creativeprocess.info · www.oneplanetpodcast.org

Ian Seabrook is an Underwater Director of Photography in the Motion Picture and Television Industry, working on a number of feature productions, such as Batman v Superman, Deadpool 2 and Jungle Cruise, along with documentary films such as The Rescue. Seabrook is also the winner of Double Gold & Silver Medals for Cinematography at the 2019 Telly Awards. A full member of the Society of Camera Operators, and the CSC, Seabrook holds both commercial and recreational dive certifications.· www.ianseabrook.net · www.creativeprocess.info · www.oneplanetpodcast.org

Ian Seabrook returns to the podcast after a three-year hiatus. Ian is an award winning Underwater Director of Photography in the motion picture and television industry who first appeared on Episode 55. At that time he was in Utah to document the production and release of REFUGE, the first large book produced by NonProphet. This year Ian's return coincided with the printing of POISON so we strong-armed him into making a short film about that.Ian's underwater credits include “Batman v Superman”, “Deadpool 2” and “Jungle Cruise”, five episodes of the TV series, "See", and he was also the second unit cinematographer for Zack Snyder's "Army Of The Dead". More recently his work on "The Rescue" earned several cinematography awards, which we discuss intensively in this current episode. We start this talk with an in-depth review of the underwater shots in "Man of Steel", and simple behind-the-scenes things like how to keep personnel safe in the tank while the SFX crew sets the water on fire. Ian also discusses the necessity of appropriate clothing, nutrition and fitness for long shooting days in water that is constantly extracting heat from one's body. The conversation shifts towards the current state of film making and how it feels like cinema is a disposable medium these days (very different than in the 70s) and the sheer volume of output is shocking ... quantity vs quality diluted by frequency. We do a drive-by on the unreality of Reality TV and the difference between true documentary film and docu-drama or docu-fiction projects that are "dramatized" to "improve" the story. In an unusual twist, Michael brings up some of the positive aspects of new and social media but don't blink or you'll miss them.In review, Ian's descriptions of shooting underwater sequences for "The Rescue" are riveting, and easily worth the price of a listen. Ian's website:https://www.dorsalfin.net

FOLLOW UP: VW LOSES APPEAL IN SUPREME COURTVolkswagen has lost their appeal, in the US Supreme Court, to have claims for damages brought by individual states thrown out. VW felt that the rules only allowed the federal government to make claims for damages under the Clean Air Act. This means the potential for further financial penalties is very real, with Ohio along with counties in Florida and Utah prosecuting Volkswagen and Bosch. To read more, click the Reuters article here. FOLLOW UP: TOWING RULES CHANGE POSTPONED The change in rules, to allow more people to tow larger trailers, has been quietly postponed, with no date yet given as when they will come into force. To see more, click the tweet from @thelorryist who shared the screenshot of the official site amendment, by clicking the link here. FOLLOW UP: “WINNER” OF UK EV CHARGER COMPETITION SHOWNThe Government has revealed the “iconic” charger, for the UK, following work from Royal School of Art and PA Consulting. The design is meant to put ‘ease of use and accessibility' at the heart of the final product. To read more, about this underwhelming concept, click here for the Autocar article. STRIKE ACTION NOT VOTED THROUGH AT DVLAStrike action will not be taking place at DVLA's headquarters, in Swansea, as there wasn't enough votes registered. There has been a long running dispute over the safety of staff, from Covid issues, which prompted this latest move by the unions. To read more, click here for the YesAuto article. COP 26 SOME OEMS SIGN SOME DO NOTAt the recent COP 26 global gathering, to discuss and plan our way out of the climate crisis we have, some manufacturers pledged to aim for deadlines well in the future to stop selling internal combustion engined vehicles, in some markets. On the surface it looks like hitting the targets already stated by many Governments. Not every company agreed to this but as Alan argues, does it matter if a piece of paper is signed if they are actually doing it? To find out more, click the Autocar article here. UK BATTERY INDUSTRY LOSES CHEMICAL FIRMS INVOLVEMENTJohnson Matthey, who were partners for a number of battery production firms, in the UK, has announced they are pulling out of the market and will now focus on decarbonising chemicals in the supply chain and hydrogen technologies. This is a blow to the UK industry. For more information, click here to read the Autocar article. TVR IN JOINT VENTURE WITH MINING COMPANYTVR has announced a joint venture with Ensorcia Metals, a lithium mining company, who will bring cash to help develop the V8 Griffiths and EV technology for future models. To read more and make up your own mind on whether we will actually see any Griffiths on the road, click the Auotcar article here. BRITISH BUILT EV BUSES IN TRIAL Electric double deckers buses, with a range in the region of 300 miles, will begin trials next year. Norfolk based Equipmake, Spanish coachbuilder Beulas and London's largest bus operator are partnering up to investigate the viability of such vehicles. To find out more, click here for the Autocar article. ——————————————————————————-If you like what we do, on this show, and think it is worth a £1.00, please consider supporting us via Patreon. Here is the link to that CLICK HERE TO SUPPORT THE PODCAST——————————————————————————-NEW NEW CAR NEWSVolkswagen TiagoThe VW Tiago, is known as the Nivus in South America, has been tweaked and brought to Europe next year. Starting at £21,960 and based on the same platform as the Polo and T-Cross, it is a B segment coupe SUV. For more information, click here for the Autocar article. Subaru SolterraSubaru will be revealing their new EV SUV, the Solterra, at the LA Motor Show. You will be unsurprised to hear that due to co-developing this with Toyota (who call their version the bZ4X, if you remember) that it looks almost identical to Toyota's version. More details are due when they pull the covers off at LA. To find out more now though, click the Autocar article here. LUNCHTIME WATCH: NEC CLASSIC CAR SHOW 2021 Alan went to an event last weekend, the NEC Classic Car Show. He met lots of lovely people, some of whom he even remembers their name (as well as actually meeting them!). You can hear him tell Andrew what a fab time he had and also, watch Ian Seabrook's two ace videos from the show here. For Video 1, click this link. After that has whetted your appetite, click here for Video 2. LIST OF THE WEEK: GOOD, BAD OR UGLY? THE BIGGEST AUTOMOTIVE FADSYou can run through the Autocar sideshow of some of the more memorable fads to have struck the motoring world. Once you've been through, don't forget to tell the chaps which is your favourite one and why. To have a look, click this link here. AND FINALLY: UK P1800 GASSER WINS HOT WHEELS LEGEND STATUSThe UK based Volvo P1800 gasser that was the UK's entry into the global finals for the next Hot Wheels Legend car has been picked as the overall winner! The car screams Hot Wheels and we are delighted for Lee Johnstone. To find out more, click the Elan PR post here.

My guest for this episode is the aptly named Underwater Cinematographer, Ian Seabrook, who has worked on Hollywood's biggest films including Batman vs Superman, Mission Impossible 4, Jungle Cruise & X Men 3. We chat through how he found his craft and the lessons he learnt along the way. He tells us about how 'underwater cinematography' actually works, and how bubbles are key! He gives us a case study of the underwater car crash in Mission Impossible Ghost Protocol too! Hope you enjoy! @dorsalfinprod @goodbadmad

Hello everybody! Today on the show we are venturing into the world of underwater cinematography with Ian Seabrook SOC.   Ian has worked at the highest levels and on the podcast he shares his path into the world of underwater photography, how he likes to work, and offers some important tips to making an underwater shoot as […] The post The Wandering DP Podcast: Episode #298 – Ian Seabrook appeared first on Cinematography Podcast & Tutorials.

“It's about leaving the planet in a better condition than it is currently. What you're witnessing is years of neglect. It's the humans who have screwed it all up, and the warming of the earth is no different. The oceans are changing. The topography is changing. Mussels are being fried when the tides recede. This is all unnatural. Or maybe it's natural. I think it's Mother Nature just being pissed off and saying, “This is what you get.” And so it's up to everyone to change their ways. Their shopping habits, their eating habits, how much gas they use. All that stuff which people think “that can't affect anything.” Well, you're seeing the result of it now.”Ian Seabrook is an Underwater Director of Photography in the Motion Picture and Television Industry, working on a number of feature productions, such as Batman v Superman, Deadpool 2 and Jungle Cruise, along with documentary films such as The Rescue. Seabrook is also the winner of Double Gold & Silver Medals for Cinematography at the 2019 Telly Awards. A full member of the Society of Camera Operators, and the CSC, Seabrook holds both commercial and recreational dive certifications.· www.ianseabrook.net · www.creativeprocess.info · www.oneplanetpodcast.org

Ian Seabrook is an Underwater Director of Photography in the Motion Picture and Television Industry, working on a number of feature productions, such as Batman v Superman, Deadpool 2 and Jungle Cruise, along with documentary films such as The Rescue. Seabrook is also the winner of Double Gold & Silver Medals for Cinematography at the 2019 Telly Awards. A full member of the Society of Camera Operators, and the CSC, Seabrook holds both commercial and recreational dive certifications.· www.ianseabrook.net · www.creativeprocess.info · www.oneplanetpodcast.org

“It's about leaving the planet in a better condition than it is currently. What you're witnessing is years of neglect. It's the humans who have screwed it all up, and the warming of the earth is no different. The oceans are changing. The topography is changing. Mussels are being fried when the tides recede. This is all unnatural. Or maybe it's natural. I think it's Mother Nature just being pissed off and saying, “This is what you get.” And so it's up to everyone to change their ways. Their shopping habits, their eating habits, how much gas they use. All that stuff which people think “that can't affect anything.” Well, you're seeing the result of it now.”Ian Seabrook is an Underwater Director of Photography in the Motion Picture and Television Industry, working on a number of feature productions, such as Batman v Superman, Deadpool 2 and Jungle Cruise, along with documentary films such as The Rescue. Seabrook is also the winner of Double Gold & Silver Medals for Cinematography at the 2019 Telly Awards. A full member of the Society of Camera Operators, and the CSC, Seabrook holds both commercial and recreational dive certifications.· www.ianseabrook.net · www.creativeprocess.info · www.oneplanetpodcast.org

Ian Seabrook is an Underwater Director of Photography in the Motion Picture and Television Industry, working on a number of feature productions, such as Batman v Superman, Deadpool 2 and Jungle Cruise, along with documentary films such as The Rescue. Seabrook is also the winner of Double Gold & Silver Medals for Cinematography at the 2019 Telly Awards. A full member of the Society of Camera Operators, and the CSC, Seabrook holds both commercial and recreational dive certifications.· www.ianseabrook.net · www.creativeprocess.info · www.oneplanetpodcast.org

“It's about leaving the planet in a better condition than it is currently. What you're witnessing is years of neglect. It's the humans who have screwed it all up, and the warming of the earth is no different. The oceans are changing. The topography is changing. Mussels are being fried when the tides recede. This is all unnatural. Or maybe it's natural. I think it's Mother Nature just being pissed off and saying, “This is what you get.” And so it's up to everyone to change their ways. Their shopping habits, their eating habits, how much gas they use. All that stuff which people think “that can't affect anything.” Well, you're seeing the result of it now.”Ian Seabrook is an Underwater Director of Photography in the Motion Picture and Television Industry, working on a number of feature productions, such as Batman v Superman, Deadpool 2 and Jungle Cruise, along with documentary films such as The Rescue. Seabrook is also the winner of Double Gold & Silver Medals for Cinematography at the 2019 Telly Awards. A full member of the Society of Camera Operators, and the CSC, Seabrook holds both commercial and recreational dive certifications.· www.ianseabrook.net · www.creativeprocess.info · www.oneplanetpodcast.org

“It's about leaving the planet in a better condition than it is currently. What you're witnessing is years of neglect. It's the humans who have screwed it all up, and the warming of the earth is no different. The oceans are changing. The topography is changing. Mussels are being fried when the tides recede. This is all unnatural. Or maybe it's natural. I think it's Mother Nature just being pissed off and saying, “This is what you get.” And so it's up to everyone to change their ways. Their shopping habits, their eating habits, how much gas they use. All that stuff which people think “that can't affect anything.” Well, you're seeing the result of it now.”Ian Seabrook is an Underwater Director of Photography in the Motion Picture and Television Industry, working on a number of feature productions, such as Batman v Superman, Deadpool 2 and Jungle Cruise, along with documentary films such as The Rescue. Seabrook is also the winner of Double Gold & Silver Medals for Cinematography at the 2019 Telly Awards. A full member of the Society of Camera Operators, and the CSC, Seabrook holds both commercial and recreational dive certifications.· www.ianseabrook.net · www.creativeprocess.info · www.oneplanetpodcast.org

Ian Seabrook is an Underwater Director of Photography in the Motion Picture and Television Industry, working on a number of feature productions, such as Batman v Superman, Deadpool 2 and Jungle Cruise, along with documentary films such as The Rescue. Seabrook is also the winner of Double Gold & Silver Medals for Cinematography at the 2019 Telly Awards. A full member of the Society of Camera Operators, and the CSC, Seabrook holds both commercial and recreational dive certifications.· www.ianseabrook.net · www.creativeprocess.info · www.oneplanetpodcast.org

From working with the likes of Charlize Theron, Christopher Nolan, Zack Snyder, Tom Hanks, Emily Blunt, Tom Cruise, and M. Knight Shyamalan – cinematographer Ian Seabrook has continued to establish a body of work that is as memorable as it is fascinating. His specialty of underwater camera work has established Seabrook as the go-to H20 photo guru. On this episode of Open Dialogue with Noel T. Manning II, Seabrook talks about life in cinema and where the love for the oceans and the worlds beneath it began. Seabrook's work is available in just some of the following films: Jungle Cruise, Old, Army of the Dead, Mission Impossible: Ghost Protocol, Insomnia, Glass, Batman v Superman: Dawn of Justice, Pirates of the Caribbean: Dead Men Tell No Tales, Deadpool 2, Finch, and The Rescue.

On today's show we are joined by underwater cinematographer Ian Seabrook. Ian was the underwater director of photography for the Disney blockbuster film Jungle Cruise. He also worked on M. Night Shyamalan's Old, and as of this posting you can still see it in theaters. Check out his IMDB page to see what other projects he has worked on - I was completely blown away by the scope of his work. It was great speaking with him about his incredible career and I have a new appreciation for underwater photography. Thanks for listening!

Shooting a scene underwater is not the same as shooting it on set. The directors have to consider variables such as the light, the camera's weight, how to manage it in the water, and other factors to pull off an extraordinary sequence. Ian Seabrook, an Underwater Director of Photography in the Motion Picture and Television Industry, explains the difficulties of filming under these conditions and accomplishing amazing results and an unbelievable scene. He tells how they handle these sequences with the rest of the production team and how they prepare the actors for this kind of shooting. He worked on productions such as Batman v Superman, Deadpool 2, and Jungle Cruise. He also contributed his underwater skills to high-profile documentary films, television, commercial, music videos, and Imax productions and was awarded Double Gold Medals for Cinematography at the 2019 Telly Awards.Here's what you'll learn:The journey of Ian Seabrook, from diver to a professional underwater director of photography. Some tactics he used in different movies to achieve the right shots in challenging takes underwater. He tells his experience working on Batman v. Superman, iRobot, Jungle Cruise, and so much more.  The skills needed for the job.The difference between working underwater and onset.How they prepare for an underwater take. Advice for anyone who aspires to become a filmmaker. If you want to learn more about Ian´s work, visit his Dorsalfin Productions Underwater Cinema website or his social media.  Instagram: @dorsalfinprodLinkedIn: Ian SeabrookInterested in knowing more about the show?Follow:Instagram: @kino_societyFacebook: @KinoSocietyWebsite: https://www.kinosociety.com/

“It's about leaving the planet in a better condition than it is currently. What you're witnessing is years of neglect. It's the humans who have screwed it all up, and the warming of the earth is no different. The oceans are changing. The topography is changing. Mussels are being fried when the tides recede. This is all unnatural. Or maybe it's natural. I think it's Mother Nature just being pissed off and saying, “This is what you get.” And so it's up to everyone to change their ways. Their shopping habits, their eating habits, how much gas they use. All that stuff which people think “that can't affect anything.” Well, you're seeing the result of it now.”Ian Seabrook is an Underwater Director of Photography in the Motion Picture and Television Industry, working on a number of feature productions, such as Batman v Superman, Deadpool 2 and Jungle Cruise, along with documentary films such as The Rescue. Seabrook is also the winner of Double Gold & Silver Medals for Cinematography at the 2019 Telly Awards. A full member of the Society of Camera Operators, and the CSC, Seabrook holds both commercial and recreational dive certifications.· www.ianseabrook.net · www.creativeprocess.info · www.oneplanetpodcast.org

Ian Seabrook is an Underwater Director of Photography in the Motion Picture and Television Industry, working on a number of feature productions, such as Batman v Superman, Deadpool 2 and Jungle Cruise, along with documentary films such as The Rescue. Seabrook is also the winner of Double Gold & Silver Medals for Cinematography at the 2019 Telly Awards. A full member of the Society of Camera Operators, and the CSC, Seabrook holds both commercial and recreational dive certifications.· www.ianseabrook.net · www.creativeprocess.info · www.oneplanetpodcast.org

Today we're talking to a man who celebrates the average, Mr. Hubnut himself, Ian Seabrook. A long time friend of Retro Rides our conversation meanders through how he got started doing Hubnut, cars that have surprised him in both good and bad ways, the decline of the British car industry, the misunderstood gem that is the Honda Prelude, as well as road trips, those average and not so average cars. Hopefully you'll enjoy the conversation as much as I did. His channel (if you don't know already) is  @HubNut  on Youtube. If you fancy some more old car chat drop by https://forum.retro-rides.org

In episode fifteen, host Brett Stanley is chatting with Ian Seabrook, a Canadian underwater Camera Operator and Director of Photography who spends most of his time working between Canada, America, and the UK. His work includes underwater scenes in features like Deadpool 2, Batman vs Superman, Lost in Space, and Pirates of the Caribbean.They talk about learning underwater photography from National Geographic legend David Doubilet, the importance of an open and sharing film community, how a great assistant can make life easier, and nearly being crushed by logs and rolling icebergs in the arctic.Keep an ear out for Ian's crack at an Aussie accent – it's pretty good!Discuss the episode in our facebook group.Visit our YouTube for livestreamsFollow Ian: Website, Instagram, IMDBSupport the show (https://www.buymeacoffee.com/brettstanley)

Luke and Matthew are joined by two special guests, Ian Seabrook and Russell D'Urso, to discuss their passion for the game and share some special footballing memories.

Our conversation with Ian Seabrook continues where we left off, with Deadpool 2! Underwater director of photography Ian Seabrook’s trailblazing work complements and enhances a story’s imagery to create cutting-edge visuals. Seabrook recently completed underwater unit photography on M. Night Shyamalan’s Glass; director Albert Hughes’ survival drama Alpha; and the pilot for TNT’s Snowpiercer. His previous underwater photography includes Deadpool 2 for director David Leitch; Jason Reitman’s motherhood comedy Tully, starting Charlize Theron; Walt Disney’s Pirate of the Caribbean: Dad Men All No Tales; and director Dan Israelite’s Power Rangers starring Elizabeth Banks and Bryan Cranston.

In this week's show, Alan and Andrew chat about what went wrong at the Porsche Type 64 auction, how expensive is the most expensive McLaren F1, what went wrong for the world's first solar road, good news that Highways England is removing 480 miles of roadworks for the upcoming weekend, how Supercabs helped to reduce collisions on the M1 for a week, how not to give Transport for London £26 million, research shows that cycling is quicker than driving in a city, the results from the National Travel Survey 2018 are out, an article about why visiting the old Reims Grand Prix track is still worth our time, a Lunchtime Read that helps us with a pronunciation and learning more about a tuners, a List of the Week that stretches what can be done to the front of cars and a wonderful And Finally from Ian Seabrook. As ever, we really hope you enjoy the show and feel free to get in touch with news items and feedback!

Michael and Mark speak with Ian Seabrook about Mark's book titled REFUGE, the production of which Ian documented in real time for the Reality Bath film. Ian is an Underwater Director of Photography in the Motion Picture and Television Industry. He worked on "Man of Steel" and “Batman v Superman” with us, as well as “Cabin in the Woods", and the box office titan, “Deadpool 2”. He has invested 18 months in a documentary about Mark hence it was important to be here for the printing of REFUGE. The conversation covers a lot of ground, from most and least favorite film and directors, to commitment, investment, belief in Self, and what such belief or doubt or confidence can create.

The chaps have a chat with Ian Seabrook, the Founder and Creative Director of HubNut a website celebrating the average. Listen as the idea behind the show is explained, what sort of things could be spotted and Ian's crazy journey to and from the event.

This week the chaps will discuss a startling turn of events with #Dieselgate, Vauxhall ditching the Zafira and GTC, Jaguar Land Rover entering the subscription market, the excellent Zap-Map releases a new route finder, Toyota wins Le Mans 24hr, roadwork permits seem to work, List of the Week, And Finally we see how crazy Ian Seabrook really is!

Underwater director of photography Ian Seabrook’s trailblazing work complements and enhances a story’s imagery to create cutting-edge visuals. Seabrook recently completed underwater unit photography on It Chapter 2, M. Night Shyamalan’s Glass; director Albert Hughes’ survival drama Alpha; and the pilot for TNT’s Snowpiercer. His previous underwater photography includes Deadpool 2 for director David Leitch; Jason Reitman’s motherhood comedy Tully, starting Charlize Theron; Walt Disney’s Pirate of the Caribbean: Dad Men All No Tales; and director Dan Israelite’s Power Rangers starring Elizabeth Banks and Bryan Cranston. https://www.imdb.com/name/nm0780414/