Podcast appearances and mentions of janette beckman

Welkom bij de gecombineerde aflevering 34 & 35 Part 1 van het eerste echte seizoen van Ballet Kroket! We nemen deze keer een dubbellange aflevering op, deze week komt deel 1 en op Pinkstermaandag komt deel 2 online. We hebben het over alle dingen waarmee je het leven kunt vieren, versieren en verdiepen, kortom over alles op de lijn van ballet tot kroket. Kookboekenschrijver Sang-Ah Yoo is de kok van de week. Zij schreef De Bijbel van de Koreaanse Keuken. https://www.overamsteluitgevers.com/boek/2957/sang-ah-yoo-myung-ki-min-de-bijbel-van-de-koreaanse-keuken.html#:~:text=De%20bijbel%20van%20de%20Koreaanse,Myung%2Dki%20Min%20%2D%20Overamstel%20Uitgevers Host Francien Knorringa zag de fototentoonstelling Rebels van Janette Beckman in FOAM, Amsterdam. https://www.foam.org/nl/events/janette-beckman Host Jannekee Kuijper zag het Eurovisie Songfestival.https://npo.nl/start/serie/eurovisie-songfestival/seizoen-22/finale_82 Gids Bart Prinsen was bij de galapremière van de film Krazy House van Steffen Haars en Flip van der Kuil. https://www.filmladder.nl/film/krazy-house-2024 Gids Stieni Bosma las twee boeken. Hoe Migratie Echt Werkt van Hein de Haas. https://www.spectrumboeken.nl/producten/hoe-migratie-echt-werkt-9789000386857 En ze las het boek De Camino van Anya Niewierra. https://www.lsamsterdam.nl/boek/de-camino/. Helena Hilgerdenaar tipte bij Hein de Haas nog de aflevering van de Podcast Het Uur met Pieter van der Wielen waarin deze wetenschapper te gast was.https://www.nrc.nl/nieuws/2024/04/26/hoogleraar-sociologie-hein-de-haas-over-het-doorprikken-van-migratiemythes-a4197267?t=1715747998 Gidsen die wel aan tafel zaten maar pas volgende week te horen zijn met hun bijdragen: Annewieke Korsen en Helena Hilgerdenaar. Onze adverteerders zijn: Hermit Gin - de lekkerste gin die er is, gemaakt met Oosterscheldewater en nog een trits aan geheime ingrediënten, te koop bij Gall en Gall. www.hermitgin.com Fever Tree Mediterranean Tonic, de lekkerste tonic voor de perfect serve van een gin tonic met Hermit Gin. https://fever-tree.com/nl_NL/products/mediterranean-tonic-water De Kookhaven - te gekke locatie aan de rafelrand van Amsterdam, geschikt voor al uw culinaire uitspattingen, van private dining tot kookworkshop, van vergadering tot culinair feestje. Iedereen viert weleens een feestje dat thuis of op kantoor niet past. Bespreek de mogelijkheden met uitbater Dick Ferwerda. www.kookhaven.nl Don Ostra - oestermannen Arend Bouwmeester (de jonge) en Dick Ferwerda serveren oesters en gin op geheel eigen wijze. Voor luisteraars van Ballet Kroket geldt een 99% glimlachgarantie. www.donostra.nl Lone Poulsen, de kok die uit het noorden kwam en private dinings verzorgt in het teken van de nordic cuisine. Op 9 juni geeft ze weer een kookworkshop waar nog plaatsen beschikbaar zijn, met het thema: Bloem, blad, bes. Uiteraard in de Kookhaven. Kijk op haar website: www.shecamefromnorth.com Adverteren in Ballet Kroket? Mail alles@balletkroket.nl Ballet Kroket wordt op maandagavond opgenomen in Studio Kookhaven in Amsterdam. Wil je een opname bijwonen? Dan krijg je vooraf aan de opname ook een concert van de Ballet Kroket Huisband o.l.v. Arend Bouwmeester en Mathijs Goené, niet zelden ontvangen zij extra special guests. Mail alles@balletkroket.nl Of kijk op onze insta: https://www.instagram.com/balletkroket/ en stuur ons een DM. www.balletkroket.nl

Sole Free was recently at the Jeffrey Deitch Gallery for a special panel titled, “Element of Style” with Carlo McCormick, Janette Beckman, Eric Haze, Charlie Ahearn and KAWS' Chum. This event is was part of the Wild Style 40th anniversary celebration. “Wild Style” is a film whose influence cannot be underestimated and hailed as the most inspirational hip-hop of movie of all time, "Wild Style" immortalizes the birth of the underground hip-hop scene about to explode around the world, changing the face of music, fashion, art, and a way of life forever. follow Harlan on insta: @theofficialharlan produced by Drake Media Studios @donnadraketv

This episode of the B&H Photography Podcast was originally released on November 10, 2017. We revisit it today in honor of Hip-Hop's 50th anniversary, and the holiday of Thanksgiving.  With great thanks to Vikki Tobak and the Contact High Project, we welcome three photographers to our studio who are responsible for some of the most iconic images from the history of hip-hop. Janette Beckman, Eric Johnson, and Danny Hastings join us to tell the stories behind their photos of RUN-DMC, Wu Tang Clan, Lauryn Hill, and many others. We also speak about issues important to photographers, from on-set technique, to artistic collaboration and influence, to gear, to networking and, of course, copyright and image licensing. For us, this was a highly anticipated recording, and it did not disappoint. Whether you are a hip-hop fan interested in behind-the-scenes stories or a photographer looking for insight, join podcast host Allan Weitz, founding creative producer John Harris, and sound engineer Jason Tables for this epic chat. Above photograph © Janette Beckman Guests: Janette Beckman, Danny Hastings, Eric Johnson, and Vikki Tobak For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/a-history-of-hip-hop-photography-encore-episode-from-november-2017 Stay Connected: Janette Beckman Website: https://janettebeckman.com/ Janette Beckman Instagram: https://www.instagram.com/janettephoto/ Danny Hastings Instagram: https://www.instagram.com/dannyhastings/ Upstairs at Eric's: https://upstairsaterics.org/ Eric Johnson Instagram: https://www.instagram.com/upstairsaterics/ Vikki Tobak Instagram: https://www.instagram.com/vikkitobak/ Vikki Tobak Contact High Project: https://www.contacthighproject.com/ Contact High Exhibition: https://www.mopop.org/exhibitions-plus-events/exhibitions/contact-high/

På lördag uppträder Madonna i Stockholm. Vad betyder hon i dag? P1 Kultur djupdyker i fem olika epoker med popikonen. Dessutom: följ med på hiphoputställning om hur allt började. Lyssna på alla avsnitt i Sveriges Radio Play. Susanne Ljung, programledare för Stil i P1, och P3:s musikreporter Jonas David besöker P1 Kultur för att reda ut vad artisten som ständigt förnyat sig gjort för bestående avtryck – som stilikon och musiker.REPORTAGE: HIPHOPEN FYLLER 50 – FÖLJ MED TILL BRONX DÄR ALLT BÖRJADEDet startade med en källarfest i 1970-talets New York och har i dag blivit en mångmiljardindustri. Utställningen ”Hip-Hop: Conscious, Unconscious” på Fotografiska försöker fånga en tidsanda genom linsen på fotograferna som var där. Den tidiga hiphopens egen hovfotograf Janette Beckman minns ett New York som vibrerade av kreativitet från den nya subkulturen när hon kom dit som 19-åring. Reporter Mina Benaissa.SAMTAL: JUAN HAVANA OM PIONJÄRERNAS INFLYTANDE PÅ SVENSK HIPHOPJuan Havana, musikjournalist på P3 och medlem av hiphopgruppen Advance Patrol, minns madrasserna som drogs fram i gympasalen och skivspelarna som ställdes upp på fritidsgården, och spårar den tidiga amerikanska hiphopens inflytande på svensk hiphop i dag.INTERVJU: TOVE PILS HAR FÖLT TRE QUEERA PERSONER SOM SÄLJER SEX I NYA FILMEN ”LABOR”I bioaktuella dokumentärfilmen Labor får vi följa svenska Hanna, och amerikanska Chloe och Cyd under tio års tid. Tre personer som finner varandra i San Franciscos queer-community – och som alla är, eller blir, sexarbetare. Det är uttrycket de själva använder. Kulturredaktionens Felicia Frithiof har träffat regissören Tove Pils som arbetat med långfilmsdebuten i över ett decennium.ESSÄ: DÄRFÖR UPPFANNS RULLVÄSKAN SÅ SENTThomas Steinfeld, författare och professor i kulturvetenskap, har i dagens essä från OBS tittat på ett bekant objekts kulturhistoria. Kanske får vi se den i ett nytt ljus. Det handlar om resväskan.Programledare: Lisa WallProducent: Felicia Frithiof

Since the 70s, photographer Janette Beckman has documented youth culture in street scenes on both sides of the Atlantic, capturing musicians such as Dr Dre, Pete Townsend and Paul Weller, just before they hit the big time. Captivated by street style, her photojournalism has caught on camera everything from punks and rockers in London to the  gangs of East Los Angeles.Janette grew up in London and spent time as a youth working for some of the most preeminent music and youth culture magazines of the day, such as Melody Maker and The Face. In the 80s she moved to New York, where she still lives today, and where she made a name for herself documenting the nascent hip hop scene. A career working for major magazine titles and prestigious subjects followed. More recently, she has spent time in Paris photographing the Christian Dior collections as well as documenting Black Lives Matter demonstrations. She exhibits prolifically, has published several books, and recently took part in a talk at Fotografiska celebrating women in hip hop. Danielle Radojcin speaks to Janette about her life as an itinerant female documentary photographer, as well as what it was like going to the  Rolling Stones concert in Hyde Park after Brian Jones died; her first assignment photographing Siouxsie and the Banshees; and how it feels having her work displayed at The National Portrait Gallery. janettebeckman.comPhoto: © Janette BeckmanLogo artwork: Patrick Waugh

Janette Beckman is a photographer who's captured some of the most iconic moments in hip-hop history, from LL Cool J and his boombox, to Flavor Flav's first clock, to Run-D.M.C. on the streets of Hollis, Queens. Janette's work has been shown in galleries all over the world, and now her work is part of the permanent collections of the Smithsonian's National Museum of African American History and Culture, and currently on exhibit at The Seaport in New York City. She tells Tom Power the stories behind some of her most famous photographs. Plus, legendary graffiti artist, filmmaker and hip-hop pioneer Fab 5 Freddy joins Tom Power for a chat about the movement's early beginnings and the role he played in its evolution.

EP. 106 Janette Beckman by Kickz N Bricks

EP. 106 Janette Beckman by Kickz N Bricks

LL Cool J, NWA, LA street gangs, Fashion, underground women's fight clubs, and so much more. Photographer Janette Beckman's life journey will inspire you. She has spent decades documenting the stories of many of the world's most iconic bands, creating incredible stories at every turn. We know you're going to hang on every word from Janette, a guest we expect we'll have back on the show one day as I'm sure this conversation just scratched the surface on this super talented artist's journey.

THE INTERVIEWPhotographer Janette Beckman and artist/art director Cey Adams (who helmed the art department at the legendary hip-hop label Def Jam Records in its 1980s and '90s heyday) discuss their graffiti art and photography collaboration The Mash Up: Hip-Hop Photos Remixed by Iconic Graffiti Artists, which was staged as an exhibition at Fahey/Klein Gallery in Los Angeles a few years ago and collected in the book companion, co-published by Hat & Beard Press and Fahey/Klein Gallery, seen here. Musicby Arthur Russell*Interview Clips from Style Wars (sourced from Youtube)

On a hot summer day in Manhattan, I had a chance to kick it with Janette Beckman for a few hours. In this episode we talk about thinking on your feet, the skeleton key of politeness, giving back and the wonderful stories behind Janette's documentary portrait photography. Show Notes: https://www.newyorksaid.com/janette-beckman-talks-witnessing-history-and-capturing-it-for-future-generations  

The Museum of New York City's new exhibition New York, New Music 1980-1986 opened on June 11th, highlighting the diverse musical artists of the decade and exploring the broader music and cultural scene centered in New York City. Photographer Janette Beckman and the Museum's curator of photographs and prints Sean Corcoran join us to discuss the new exhibition.

Plus, how the strange Tissot Rock Watch made a bigger impact than you might think.Show Notes(4:00) Tissot RockWatch(9:15) Ernst Thomke And Joe Thompson In 1987(9:20) Four Revolutions: Part 1: A Concise History Of The Quartz Revolution(24:30) Melody Maker(24:45) The New York City Rap Tour(25:45) 1978 THE POLICE – Janette Beckman(28:00) 2 Live Crew(30:15) LL Cool J(30:30) Gruen Gold Nugget(31:30) LL Cool J NYC - 1985 (32:18) EPMD(34:00) Unfinished Business (EPMD album)(35:30) Run DMC(37:30) Heavy D(38:30) Rap Portraits And Lyrics Of A Generation Of Black Rockers(40:00) Flavor Flav(42:00) Salt-N-Pepa(44:30) Salt-N-Pepa - 1987(45:30) Fahey Klein Gallery(45:35) Janette Beckman Website(45:40) Janette Beckman (@janettephoto)

Janette Beckman is a British-born photographer who has made a career following her musical tastes and cultural preferences. From her punk days in London shooting the likes of Pete Townsend, The Police, Sex Pistols, The Clash and Boy George to New York City in the 80s capturing a teenage LL Cool J or Salt-N-Pepa decked out by Dapper Dan. Today she shoots campaigns for Dior and Levis and documents demonstrations for social justice. See acast.com/privacy for privacy and opt-out information.

Rockats special Smutty Smiff or Stephen Dennis Smith in conversation with David Eastaugh In 1977, Childers had just finished the Anarchy tour with Sex Pistols, The Clash, Siouxsie and the Banshees, Johnny Thunders and the Heartbreakers. After the tour was over, Levi Dexter met Childers at a rockabilly concert in London. Childers decided to start a fresh project. Dexter and Smutty Smiff decided to form a band together, even though Smiff had no musical training. One week later, Childers purchased a double bass for Smiff and a first gig was booked in Max's Kansas City. At about same time, when the band was accepted by local artists, musicians and photographers, Smiff became a model and a friend to photographers such as Andy Warhol, Mick Rock, Bob Gruen, Janette Beckman, and Robert Mapplethorpe

With great thanks to Vikki Tobak and the Contact High Project, we welcome three photographers to our studio who are responsible for some of the most iconic images from the history of hip-hop. Janette Beckman, Eric Johnson, and Danny Hastings join us to tell the stories behind their photos of RUN-DMC, Wu Tang Clan, Lauryn Hill, and many others. We also speak about issues important to photographers, from on-set technique, to artistic collaboration and influence, to gear, to networking and, of course, licensing of images. For us, this was a highly anticipated recording and it did not disappoint. Whether you are a hip-hop fan interested in behind-the-scenes stories or a photographer looking for insight, join us for this incredible conversation. Janette Beckman began her career at the dawn of punk rock in the U.K., photographing The Clash, Sex Pistols, and Boy George, as well as three Police album covers. Moving to New York in 1982, she was drawn to the underground hip-hop scene and photographed pioneers such as Run DMC, Slick Rick, Salt’n’Pepa, Grandmaster Flash, and Big Daddy Kane. She has published four books and currently has an exhibition of silkscreen prints at 212 Arts in New York. Eric Johnson has created iconic hip-hop images of Notorious B.I.G, Lauryn Hill, Dipset, Li’l Wayne, and newer artists like G Herbo and Cakes da Killa. His work stretches across music genres to include Lady Gaga, Bruno Mars, and Maxwell and, for the past decade, he has helmed Upstairs at Eric’s, a loft space in Manhattan that is equal parts studio, gallery, disco, lounge, and design studio. Danny Hastings has shot 150 album covers and directed more than 40 music videos. Listed in Complex Magazine as one of the rap photographers every rap fan should know, his most notable album covers include Enter the Wu-Tang (36 Chambers), Big Pun’s Capital Punishment, Nas’s IA, as well as album art for Raekwon, Eminem, and Jeru the Damaja. Hastings is now directing his second feature film. Vikki Tobak is a journalist, correspondent, and former CNN producer who currently writes and produces for Complex, Mass Appeal, and The FADER. She is the author of Contact High: Hip-Hop Photography + Visual Culture, an upcoming book from Penguin/Random House. Guests: Janette Beckman, Eric Johnson, Danny Hastings, Vikki Tobak

Welcome to this third episode of the new Dior Talks series ‘The Female Gaze’. With the term developed in response to the writings of feminist film theorist Laura Mulvey, this podcast series will explore how the work of the female photographers and creatives collaborating with Dior offers a radically new and progressive image of women.  In this episode, series host Charlotte Jansen, a British journalist and author, speaks with Janette Beckman, the London-born, New York-based documentary photographer who shot the autumn-winter 2019 campaign. Beckman’s remarkable career spans more than four decades, during which time she has photographed the rock and punk legends of the UK and USA, the emerging hip-hop generation in the early ’80s and numerous iconic album covers. Janette Beckman was raised in North London and attended St. Martins School of Art before studying photography at the London College of Communication. She was already working for legendary music magazines Sounds, Melody Maker and The Face in the late ’70s and early ’80s and her first assignment was for the group Siouxsie and the Banshees. On moving to New York in 1982, her gritty aesthetic ruffled feathers in the context of the air-brushed style of most album covers of the time. Her response was to focus on the new and revolutionary hip-hop scene, photographing Public Enemy, The Beastie Boys and LL Cool J amongst many others. In this week’s episode, Beckman discusses her experiences of being a young woman and a foreigner in the New York music and photography scenes at a seminal yet very different time. She ruminates on the notion of the outsider and issues of appropriation, and how her origins in London’s punk culture contributed to the curiosity that spurred her entrée into the rap scene rising in New York’s outer boroughs. She also discusses her own ‘female gaze’ and how she captured, with her direct and irreverent eye, the intimate and typically unseen moments in the creation of the spring-summer 2017 collection, Maria Grazia Chiuri’s debut at the House.   Discover a selection of works:  The Women Behind the Lens x Janette Beckman https://www.youtube.com/watch?v=7AYU2mjfIPA Janette Beckman, Dior Backstage, Spring-Summer 2017 https://www.dior.com/diormag/fr_be/article/les-photos-de-janette-beckman Janette Beckman, Dior Fall-Winter 2019 https://janettebeckman.com/new-work/dior-1/ Janette Beckman, Mods Streatham, 1976 https://janettebeckman.com/uk-youth/#2 Janette Beckman, LL Cool J, 1985 https://janettebeckman.com/hip-hop/#5 Janette Beckman, Salt ‘N Pepa, 1987 https://janettebeckman.com/hip-hop/sp/ Martha Cooper http://www.stevenkasher.com/artists/martha-cooper ‘Girl On Girl’, Charlotte Jansen https://smarturl.it/girlongirl

This episode of the Radio Juxtapoz Podcast is a Special Edition, not only because it features a distinguished panel and guest moderator, but we felt that it stood as its own podcast discussion outside of our typical programming. This past week, May 14, 2019, live from the Vault by Vans boutique at 219 Bowery in NYC, Juxtapoz hosted a special collection of three generations of NYC street photographers: Martha Cooper, Janette Beckman and Miranda Barnes, guest moderated by author, critic and cultural savant, the one-and-only, Carlo McCormick. We called the panel "Cultural Lens." This was a wide-ranging panel: the photographers not only talked about the craft of street photography and photojournalism, but finding your voice and the narratives that you want to embed your careers in. From Martha Cooper's landmark Subway Art, to Janette Beckman's legendary hip-hop portraits to Miranda Barnes's latest works as a contributor to the NY Times, we get three distinct artists talking about the intricacies and magic of photography. In this podcast you will hear Juxtapoz editor, Evan Pricco, briefly introduce the panel, and is quickly followed by Carlo McCormick and the artists. Recorded live at Vault by Vans, May 14, 2019.

We sit down with journalist, author, and producer Vikki Tobak & friends to celebrate her new book, Contact High: A Visual History of Hip-Hop, which takes readers on a chronological journey from old-school to alternative Hip Hop and from analog to digital photography. Special guests include industry legends Ernie Paniccioli, Janette Beckman, Danny Hastings and Barron Claiborne.

In this episode Claudia and Janette Beckman, both discuss Culture, Hiphop, Photography, Taking pictures in the 70's, and being a woman in male dominated industries.It takes a special type of intuition to do what Janette does, that even most normal photographers don't have, because Janette doesn't always work in studios, taking pictures with extremely controlled conditions. She goes out there into the scenes, to discover groups of people are really creating special pieces. An explorer of people and culture, she has documented some of the biggest music movements to happen in our country in the last 30 years when they were still just starting out.Janette is adventurous, so sweet, talented, courageous, powerful and simply brilliant in every way that a human can be.We hope you enjoy this interview as much as we did!You can follow Janette Beckman on Instagram - @JanettephotoAnd follow Claudia Gold -@ClawMoney See acast.com/privacy for privacy and opt-out information.

For the B&H Photography Podcast, 2017 has been a wonderful year. We published our 100th episode, surpassed one million downloads, and reached #1 on the iTunes podcast chart in the Visual Arts category. Achievements aside, we are simply pleased with the remarkable guests we have hosted on our show, the variety of subjects we have covered, and the consistently entertaining and intelligent conversations we have published. And honestly, we are proud to have maintained our production output—week in week out—and to still really enjoy what we do. With this in mind and with gratitude to our listeners, guests, co-workers, and the management at B&H, we have cobbled together a 2017 year-in-review episode in which we discuss our favorite shows from 2017 and play a few clips of the most interesting moments from these episodes. The highlights were many and hard to narrow down, but Allan Weitz chose our episode with photographer Lynn Goldsmith as his favorite, with a close second being our talk with Bellamy Hunt, aka the Japan Camera Hunter. He also mentioned our talks with Richard Drew on his photograph, referred to as “Falling Man,” and our episodes with photojournalists (and husband and wife) Ben Lowy and Marvi Lacar. As for Jason Tables, he pointed to History of Hip-Hop Photography and Night Photography—From Film into Digital, as his favorites. My list included a few of those mentioned above, as well as an episode on social documentary projects, but the clip I chose was from our serial segment, “Dispatch” with Adriane Ohanesian, in which she recounts the story of a fatal attack she endured while covering a story in Congo. We discuss several more episodes during this end-of-year extravaganza and hope that the clips pique your interest and inspire you to subscribe to our show and check out programs from our catalog, which now includes more than 100 episodes. Thank you and happy New Year from Allan, Jason, and John. Guests: Lynn Goldsmith, Bellamy Hunt, Richard Drew, Ben Lowy, Marvi Lacar, Danny Hastings, Eric Johnson, Janette Beckman, Vicky Tobak, Chris Nicholson, Lance Keimig, Adriane Ohanesian Photographs (l-r) © Janette Beckman, Robert Rodriguez Jr., Mark Maio, Christian Vizl, Jenna Martin, Adriane Ohanesian, Art Wolfe, Daniel Kordan, David Speiser, Ryan Dyar, Steve Simon, Bellamy Hunt, Leo Sang, Thomas Roma, Jide Alakija, Griselda San Martin

With great thanks to Vikki Tobak and the Contact High Project, we welcome three photographers to our studio who are responsible for some of the most iconic images from the history of hip-hop. Janette Beckman, Eric Johnson, and Danny Hastings join us to tell the stories behind their photos of Run-DMC, Wu Tang Clan, Lauryn Hill, and many others. We also speak about issues important to photographers, from on-set technique, to artistic collaboration and influence, to gear, to networking and, of course, licensing of images. For us, this was a highly anticipated recording and it did not disappoint. Whether you are a hip-hop fan interested in behind-the-scenes stories or a photographer looking for insight, join us for this incredible conversation.   Janette Beckman began her career at the dawn of punk rock in the U.K., photographing The Clash, Sex Pistols, and Boy George, as well as three Police album covers. Moving to New York in 1982, she was drawn to the underground hip-hop scene and photographed pioneers such as Run DMC, Slick Rick, Salt’n’Pepa, Grandmaster Flash, and Big Daddy Kane. She has published four books and currently has an exhibition of silkscreen prints at 212 Arts in New York. Eric Johnson has created iconic hip-hop images of Notorious B.I.G, Lauryn Hill, Dipset, Li’l Wayne, and newer artists like G Herbo and Cakes da Killa. His work stretches across music genres to include Lady Gaga, Bruno Mars, and Maxwell and, for the past decade, he has helmed Upstairs at Eric’s, a loft space in Manhattan that is equal parts studio, gallery, disco, lounge, and design studio. Danny Hastings has shot 150 album covers and directed more than 40 music videos. Listed in Complex Magazine as one of the rap photographers every rap fan should know, his most notable album covers include Enter the Wu-Tang (36 Chambers), Big Pun’s Capital Punishment,  Nas’s IA,  as well as album art for Raekwon, Eminem, and Jeru the Damaja. Hastings is now directing his second feature film. Vikki Tobak is a journalist, correspondent, and former CNN producer who currently writes and produces for Complex, Mass Appeal, and The FADER. She is the author of Contact High: Hip-Hop Photography + Visual Culture, an upcoming book from Penguin/Random House. More from the B&H Photography Podcast Guests: Janette Beckman, Eric Johnson, Danny Hastings, Vikki Tobak

I met up with Cey Adams at his studio in Brooklyn and talked about his journey as an artist in New York. We discuss his motivation to give back and inspire those who will carry the mantle of creativity forward. We also discuss his contribution to the opening of the Smithsonian National Museum of African American History and Culture and much, much, more. Thumbnail Photography Courtesy of Janette Beckman   Stay Up to Date with Cey Adams Official Website Instagram Twitter 1xRUN -- Talking Points (In No Particular Order) Early days of Graffiti Def Jam Creative Director Drawing Board Logos Hand Lettering Rush Artist Advisory Board Giving Back to Young People Paving the would for artist of today Mentors Power of Music Power of Culture The Importance of pushing Art Forward Roy Lichtenstein, Keith Haring, Jean-Michel Basquiat, Andy Warhol 20 Years: Getting Attention of Major Galleries and Museums Music and Civil Rights in the 80s Challenges and Obstacles Highs and Lows of being an Artist Paintings and Murals: One Nation, All American, Trusted Brands Smithsonian National Museum of African American History and Culture Links to the Stuff they Talked About Futura  Martha Cooper Jester Poet Duke 9 Roger Shirt King Phade Russel Simmons  Kurtis Blow Whodini Run-D.M.C. Sparky D Spider D Dynasty and Mimi Rick Rubin  Def Jam Logo Mary J Blige - What's the 411? Mary J Blige Anita Baker  Alyson Williams  Redman Hello Nasty LL Cool J  - Mama Said Knock You Out  Public Enemy - Fear of a Black Hat Chuck D Steve Carr  B.E. Johnson Spike Lee  Kenny Gravillis Quincy Jones Ray Charles  Billy Eckstine Jasper Johns Romare Bearden Jacob Lawrence Roy Lichtenstein Magic Johnson Keith Haring Nobody Beats the Wiz Commercial Zenith Meshell Ndegeocello The Roots The National Museum of African American History and Culture This episode is sponsored by Gorilla Coffee.

This week, an article in the New York Times about Richard Avedon's project “In the American West” has us discussing legacy. Who really owns your work after you've gone? Also, can you overshoot your own “creative sweet spot” only to end up in uncharted waters? We use the work of fantastic painter Andrew Salgado as an example. Plus, when do you give in to technology, even if it means changing a workflow that has worked for years? Janette Beckman is our Photographer of the Week.

This week, an article in the New York Times about Richard Avedon’s project “In the American West” has us discussing legacy. Who really owns your work after you’ve gone? Also, can you overshoot your own “creative sweet spot” only to end up in uncharted waters? We use the work of fantastic painter Andrew Salgado as an example. Plus, when do you give in to technology, even if it means changing a workflow that has worked for years? Janette Beckman is our Photographer of the Week.

Recorded November 13th, 2015 at Stockholm Studios in Bushwick, Brooklyn  In this episode, photographer Sacha Lecca (Deputy Photo Editor of Rolling Stone), joins us to discuss life working at an iconic magazine, photographing concerts, Instagram, the news business and a few stellar photobooks from his collection. We thought it would be nice to play a few tracks so Sacha reached out to the bands for us to get permission to share. Thanks to the The Heaters and Surfbort for supplying the songs! For the photobook discussion, we talked about The Geometry of Innocence by season two guest Ken Schles, Made In The UK: The Music of Attitude, 1977-1983 by Janette Beckman, Black and Blue by Martin Andersen, and Bedknobs & Broomsticks, by Trent Parke. --- Send in a voice message: https://anchor.fm/bryan-formhals/message