Podcast appearances and mentions of maria grazia chiuri

It was announced today that Maria Grazia Chiuri, who since 2016 held the position of artistic director at Dior, will be stepping down following her resort collection held at the Villa Albani Torlonia in Rome. To discuss the designer's legacy at the maison, Nicole Phelps is joined by Vogue's Fashion News Director Mark Holgate, and Vogue's chief critic Sarah Mower.  Learn about your ad choices: dovetail.prx.org/ad-choices

La Corte federale del commercio ha annullato i dazi imposti da Trump a decine di Paesi, dichiarandoli illegittimi perché basati su un uso improprio della legge Ieepa del 1977. Stop anche alle tariffe su Canada, Messico e Cina. La decisione, nata da ricorsi di 12 Stati USA e piccole imprese tra cui l'importatore di vini VOS Selections, rappresenta la prima vera sconfitta legale della strategia commerciale trumpiana. La Casa Bianca farà appello. Interviene Marco Valsania corrispondente da New York de Il Sole 24 OreFedermeccanica, torna crescita nel trimestre ma zero-virgolaNel primo trimestre 2025 l'industria metalmeccanica italiana mostra un lieve rimbalzo congiunturale (+0,7%) dopo il -1,8% di fine 2024, ma resta in calo su base annua (-5,8%). La produzione industriale nazionale segna +0,4% congiunturale e -3,4% tendenziale. In Europa il comparto resta debole, con l'UE a -0,2%, mentre Germania e Italia crescono moderatamente (+0,4% e +0,7%). L'export metalmeccanico italiano sale dell'1,3% (extra-UE +1,6%, UE +1,1%), con un avanzo commerciale di 11,2 miliardi. Forte la crescita verso la Germania (+7,1%), calo negli USA (-1,1%). Il sentiment resta cauto: solo il 26% prevede crescita produttiva, il 14% assunzioni, il 19% tagli. Il 68% non userà il Piano Transizione 5.0. L'80% delle imprese teme gli effetti dei nuovi dazi USA, soprattutto per l'export e le forniture. Germania (65%) e USA (43%) restano i principali mercati. Il 60% punta a diversificare, ma solo pochi valutano rilocalizzazioni. La fase recessiva si attenua, ma il contesto resta instabile. Interviene a Focus Economia Diego Andreis, Vicepresidente Federmeccanica.Meloni a Samarcanda, accordi per più di 3 miliardi di euro con l'UzbekistanIn visita ufficiale a Samarcanda, la premier Giorgia Meloni e il presidente uzbeko Mirziyoyev hanno siglato una dichiarazione congiunta e 14 accordi bilaterali per un valore complessivo superiore a 3 miliardi di euro. Tra i temi: investimenti, materie prime critiche, nucleare, energia, migrazione, cooperazione culturale e accademica. Avviata anche una commissione economica mista e l'apertura di una sede dell'Università della Tuscia a Tashkent. Coinvolte aziende italiane come Danieli e Ansaldo Energia, insieme a Sace per i meccanismi di garanzia. Ne parliamo con Vincenzo Miglietta inviato per RadiocorDior, Maria Grazia Chiuri lascia la direzione creativaDopo nove anni, Maria Grazia Chiuri lascia la direzione creativa delle collezioni femminili di Dior. Prima donna in questo ruolo, ha segnato l'identità della maison con una visione femminista e coerente con l'eredità di monsieur Dior. Il suo ultimo atto è stata la sfilata Cruise 2025 a Roma. Possibile successione affidata a Jonathan Anderson, oggi già a capo di Dior Homme. Chiuri è data in avvicinamento a Fendi. L'uscita avviene in un momento di riassetto strategico per LVMH e di incertezza per il mercato globale del lusso. Ne parliamo con Giulia Crivelli, Il Sole 24 Ore

En ouverture des présentations automne-hiver 2025/2026, le défilé collectif des étudiants internationaux “engagés“ de l'Institut français de la mode répond aux interrogations actuelles. Comment une société de rupture peut-elle impacter un processus créatif qui s'imprègne forcément de l'évolution de la société ? Avec, ou sans I.A ? Victor Weinsanto défend la minorité trans, Vincent Pressiat célèbre Pierre Soulages et Maria Grazia Chiuri célèbre pour Dior la fantasmagorie de Bob Wilson.

The collective show from the international students of the Institut Français de la Mode kicks off the autumn-winter 2025/26 presentations and asks contemporary questions. How can a disruptive society impact a creative process that is seeped in societal evolutions such as artificial intelligence? Meanwhile, Victor Weinsanto defends trans people, Vincent Pressiat celebrates Pierre Soulages and Maria Grazia Chiuri celebrates Bob Wilson's phantasmagorical vision at Dior.

Dans un contexte de crises internationales multiples, les industries du luxe se questionnent. Comment atteindre des objectifs financiers toujours plus ambitieux ? Comment la création pourrait-elle encore faire rêver… plus ? La très féministe Maria Grazia Chiuri, pour Dior, convoque Alice et ses merveilles, tandis que les irrésistibles Néerlandais Viktor & Rolf se moquent de l'I.A. Le pétillant japonais Yuima Nakazato propose, lui, une tenue portable pendant environ 10 000 ans.

In 2025's uncertain climate and amid international crises, luxury industries are questioning their model: how to meet ever more ambitious financial targets? How can creativity inspire people to dream? Solutions are offered up by feminist designer Maria Grazia Chiuri's take on Alice and her wonderland, while irresistible Dutch duo Viktor & Rolf make fun of AI and the sparkling Japanese couturier Yuima Nakazato has an outfit that we'll be able to wear for 10,000 years.

Der Mode wird oft vorgeworfen, dass sie oberflächlich sei, nur dem Kommerz diene und nichts anderes hervorbringe als Kaufrausch. In unserem Mode-Podcast beschäftigen wir uns jedoch ganzheitlich mit gesellschaftlichen Fragen und Phänomenen rund um das Thema Fashion. In dieser Episode versuchen wir am Beispiel einiger Haute-Couture-Kollektionen der Frühjahr/Sommer-Saison 2025 zu ergründen, was Opulenz in der Mode bedeutet und wie sie Ausdruck findet. Opulenz – ein Begriff, der auf den ersten Blick nach Überfluss und Verschwendung klingt. Doch auch Reiz und Verführung sind mit diesem ursprünglich lateinischen Wort eng verbunden. In unserem Podcast Lost On Planet Fashion diskutieren wir in dieser Folge über die erste Haute-Couture-Kollektion von Alessandro Michele für das italienische Modehaus Valentino. Zuvor war Michele Chefdesigner bei Gucci und nun setzt er seinen maximalistischen Stil bei Valentino fort. Das Leitmotiv dieser Entwürfe: die große, opulente Robe. Doch dahinter steckt weit mehr, etwa eine detaillierte Auseinandersetzung mit der Historie und den Archiven Valentinos. Michele verbindet in seinen Kreationen Einflüsse aus dem Rokoko, der Renaissance und den frühen Jahren der italienischen Mode. Über allem liegt sein unverkennbarer Anspruch, etwas Wildes und Opulentes zu erschaffen. In dieser Folge erfährst du, was wir von seinen Entwürfen halten. Auf unseren Social-Media-Kanälen bei Instagram und TikTok kannst du die Designs bestaunen und dir eine eigene Meinung bilden. Neben witzigen Schätzfragen und Anekdoten besprechen wir auch die Haute-Couture-Kollektion von Armani Privé. Das kreative Genie hinter diesen eleganten Designs ist kein Geringerer als der 80-jährige Giorgio Armani, der in Paris seine eigene Historie zelebrierte. Diese opulente und gleichzeitig ruhige Präsentation richtet sich an gehobene Ansprüche. Fließende Kleider, Hosenanzüge und elegante Mäntel dominieren die Kollektion. Die Kleider, opulent und dennoch harmonisch mit den verwendeten Textilien, sind mit funkelnden Kristallen bestickt. Der Reichtum an Handwerkskunst im Einklang mit raffiniertem Design macht Armani Privé zu einem echten Luxus-Erlebnis. Für uns strahlt diese Kollektion Stärke und Reife aus – was meinst du dazu? Die dritte Couture-Modenschau, über die wir sprechen, stammt von Maria Grazia Chiuri für Dior. Diese prestigeträchtige Marke mit ihrer glanzvollen Geschichte wird von Chiuri seit Jahren konsequent weiterentwickelt. Auch in dieser Kollektion zeigt sich ihre Handschrift: historisch inspiriert und zugleich jugendlich frisch. Die Models liefen in bestickten, meist monochromen Kleidern über den Runway. Die aufwendig verzierten Jacken und Röcke zogen alle Blicke auf sich. Besonders bemerkenswert war die Verwendung von Reifröcken und Korsetts, die eine Verbindung zur Tradition und Moderne schaffen. Freu dich auf aufregende Unterhaltungen und vielfältige Sichtweisen. Entdecke die fantasievollen Arbeiten dieser Designer:innen, die weit mehr sind als bloßer Prunk. Und vor allem: Lass dich von unserer Begeisterung für Mode anstecken! Wir hoffen, dass dir das Hören dieser Podcast-Episode ebenso viel Freude bereitet wie uns bei der Aufnahme. Alle Bilder der Kollektionen findest du auf unseren Instagram- und TikTok-Kanälen.

Maria Grazia Chiuri na potrzeby pokazu kolekcji haute couture Diora na sezon wiosna-lato 2025 posłała na wybieg rajskie ptaki – stroszące piórka, gotowe do lotu, zamknięte w klatce. Czy to łabędzi śpiew projektantki, o której prawdopodobnym odejściu z paryskiego domu mody coraz częściej mówi się w branży? Autorka: Anna Konieczyńska Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/nagie-sukienki-przypominajace-klatki-dla-ptakow-zachwycaja-w-kolekcji-diora-haute-couture-na-sezon-wiosna-lato-2025?viewhash=4d45d5a214c4bfd99be2c9fa69ea998a4d64b1df 

Brecht van Hulten in gesprek met Madelief Hohé, conservator mode en kostuum bij Kunstmuseum Den Haag In het Kunstmuseum is momenteel de modetentoonstelling Dior – A New Look te zien. Tijdloos, baanbrekend, elegant en invloedrijk: de ontwerpen van Christian Dior (1905 -1957) zijn het allemaal. In de jaren na de Tweede Wereldoorlog richt hij zijn eigen, al snel wereldberoemde, modehuis op in Parijs en maakt een ongekend snelle opmars in de modewereld. Zijn ‘New Look' met wijde rokken, verandert de mode en zijn silhouetten worden gedragen van Parijs tot Londen, New York, Tokio en Rio de Janeiro. Hij was een visionair met lef en dat geldt ook voor zijn opvolgers: Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons en Maria Grazia Chiuri. Hun talent en grenzeloze creativiteit hebben een onuitwisbare stempel gedrukt op de unieke geschiedenis van het Huis Dior. “Het gedachtegoed van oprichter/couturier Christian Dior is nog springlevend”, zegt modeconservator Madelief Hohé. “In het Kunstmuseum gaan zijn ontwerpen een dialoog aan met die van Maria Grazia Chiuri, de huidige en eerste vrouwelijke Creative Director van Dior”. 

A celebration of the body, dance, art and sport! At Dior, Maria Grazia Chiuri installs Italian archer-artist Sagg Napoli in a long glass cage. Her collection is an ode to the Amazons, a reference to the designs created by Christian Dior in the 1950s. For his “Impro” collection, designer Alain Paul unleashes the bodies of male and female dancers on the stage of the Théâtre du Châtelet. Last but not least, Magda Butrym awakens and reveals Polish fashion in an understated presentation. FRANCE 24 takes you to Paris Fashion Week.

Célébration du corps, des arts et du sport ! Pour Dior, Maria Grazia Chiuri installe dans une longue cage de verre l'artiste archère italienne Sagg Napoli. Sa collection est une ode aux Amazones, en référence aux modèles créés par Christian Dior dans les années 1950. Pour sa collection "Impro", le designer Alain Paul libère sur la scène du Théâtre du Châtelet les corps des danseurs et des danseuses. Et dans une présentation feutrée, Magda Butrym réveille et révèle la mode… polonaise.

In this episode I go on a sartorial journey with the celebrated British Milliner Stephen Jones OBE. Jones is considered one of the most radical and important milliners of the late 20th and early 21st centuries. He is also one of the most prolific, having created hats for the catwalk shows of many leading couturiers and fashion designers, from John Galliano, Kim Jones and Maria Grazia Chiuri at Dior, Jean Paul Gaultier, Vivienne Westwood, the house of Schiaparelli to Rei Kawakubo at Commes des Garcons. His work is known for its inventiveness and high level of technical expertise.  Stephen's hats have adorned Rock Stars and Royalty and way beyond… His major retrospective exhibition opens in October at the Palais Galliera in Paris.   Stephen is chatty and has a wonderful way with words, painting pictures as he goes…We discuss jointly dressing the then Meghan Markle for her first Royal engagement when she attended the Commonwealth Service in 2018 with Prince Harry. He shares his insights on the process, the importance of the Royal Family to the world of millinery, and how people the world over use hats and headwear as style signifiers.    I ask him to explain his quote  “You wear clothes – and hats – to convince yourself and others that you're a certain way. Fashion is still a fabulous, fabulous lie.”  …needless to say his answer was both insightful and amusing.   Fashion and appearance clearly run deep in Stephen's veins and he talks with such knowledge, intuition and wisdom…and more than a little cheeky humour. I felt privileged, and entertained having this conversation with him.   Thank you Stephen for sharing your wit and wisdom.

La grande artista messicana Frida Kahlo faceva di tutto per farsi notare: indossava sgargianti abiti tradizionali messicani, lunghe gonne, fiori tra i capelli e grandi gioielli. L’immagine subito riconoscibile era in realtà studiata per sostenere delle cause ben precise. Anche la sua vita, tormentata e avventurosa, ricca di passione e dolore, ha contribuito a crearne il mito. In che modo matura il suo atteggiamento sempre controcorrente, capace di rappresentare il mondo del Ventesimo secolo stando dalla parte della modernità, ma anche delle radici e della tradizione? Questa puntata, con i contributi di Daria Bignardi, Maria Grazia Chiuri, direttrice artistica di DIOR, la storica dell’arte Francesca Alfano Miglietti e di Brunori Sas, prova a far luce su come Frida è stata in grado d’influenzare non solo il corso dell’arte, ma anche quello del costume e della moda.See omnystudio.com/listener for privacy information.

di Maria Luisa Frisa e Chiara Tagliaferri | Storielibere presenta una produzione realizzata in collaborazione con Camera Nazionale della Moda Italiana |La copertina della serie è stata realizzata da Elisa Seitzinger e la sigla originale di Sailor è un regalo di Lorenzo Cherubini (Jovanotti)Maria Grazia Chiuri e Levante sono le protagoniste di questo episodio Live di Sailor. Maria Grazia Chiuri è stata la madrina di Sailor, lei la prima intervistata, Levante è una cantautrice tra le più interessanti della scena italiana. Il rapporto moda e musica ha sempre prodotto cortocircuiti affascinanti, ma in questo episodio le due artiste si raccontano a tutto campo e parlano del loro impegno quotidiano per l''empowerment femminile. 

Circe Henestrosa es una renombrada curadora mexicana cuyo trabajo se ha centrado en la icónica artista Frida Kahlo. Su trabajo curatorial más reconocido hasta la fecha incluyen las exhibiciones "Las Apariencias Engañan: Los Vestidos de Frida Kahlo" en México, en 2012, "Frida Kahlo: Making Her Self Up" en el Museo Victoria & Albert, en 2018, y "Más allá de las Apariencias" en París, en 2023.En este episodio hablamos con la experta, quien ahora ejerce el cargo de Directora en la Escuela de Moda del Lasalle College of the Arts en Singapur, sobre la influencia perdurable de Frida Kahlo en la industria creativa y el tras bastidores de su colaboración con Maria Grazia Chiuri, Directora creativa de Dior, para el desfile Crucero 2024.Si deseas conocer más historias de creativos de Latinoamérica, visita www.latinness.com o síguenos en @latinness__.—----------Circe Henestrosa is a renowned Mexican curator whose work has centered on the iconic artist Frida Kahlo. Her most recognized curatorial work to date includes the exhibitions "Las Apariencias Engañan: Los Vestidos de Frida Kahlo" in Mexico in 2012, "Frida Kahlo: Making Her Self Up" at the Victoria & Albert Museum in 2018, and "Más allá de las Apariencias" in Paris in 2023.In this episode, we talk to the expert and Director at the School of Fashion at Lasalle College of the Arts in Singapore, who discusses the enduring allure of Frida Kahlo in the creative industry and shares behind-the-scenes anecdotes of her collaboration with Maria Grazia Chiuri, Creative Director of Dior, for the Cruise 2024 fashion show.If you're interested in exploring more narratives from talented creatives in Latin America, visit www.latinness.com or connect with us on Instagram @latinness__.

A.B.C.Dior invites you to explore – at the letter M – the universe of Mexico. A marvelous escape to discover a bewitching country, whose diverse cultures, customs and traditional savoir-faire have never ceased to inspire the House's Artistic Directors, from Christian Dior to Maria Grazia Chiuri.

"Woman is an active subject of the historical process and cannot be confined to being the object of desire of patriarchy." That was the strident slogan written in letters on the wall of Dior's recent show, where creative director Maria Grazia Chiuri leant into the historically fraught image of the witch. The feminist fight was also at the heart of the offering from Valériane Venance's young label Indépendantes de Cœur, where a cage motif was central. The model within is entirely naked, but simultaneously protected.

"La femme est un sujet actif du processus historique et ne peut se limiter à être l'objet du désir du patriarcat !" Voici la phrase choc écrite en lettres gigantesques sur les murs du défilé Dior. Sa directrice artistique Maria Grazia Chiuri s'appuie sur la figure majeure de la sorcière. Le combat féministe est également porté par la jeune griffe Indépendantes de Cœur, créée par la française Valériane Venance. Elle décline la notion de cage. La mannequin est nue, son corps est entièrement visible, mais il est inattaquable.

Por Marcella Lorenzon e Luciano Potter: No episódio 103 falamos de bruxas, witchcore, da Inquisição e de como Maria Grazia Chiuri conta a história da Dior por meio de tantas referências. Debatemos sobre feminismo, feminilidaokbnde e a hipocrisia do ativismo no mundo bilionário do luxo. E falamos de moda, muita moda. Porque moda importa. Patrocínio:  Grupo IESA @grupoiesa http://www.grupoiesa.com.br Nelly @produtos.nelly http://www.nelly.com.br KTO BRASIL @kto_brasil https://www.kto.com Dia das Crianças Iguatemi Porto Alegre @iguatemipoa Apoio: Steal the Look http://www.stealthelook.com.br @stealthelook Trilha: Sonora Trilhas @sonoratrilhas Edição de áudio e vídeo: Bárbara Saccomori @barbarasaccomori

di Maria Luisa Frisa e Chiara Tagliaferri | Storielibere presenta una produzione realizzata in collaborazione con Camera Nazionale della Moda Italiana |La copertina della serie è stata realizzata da Elisa Seitzinger e la sigla originale di Sailor è un regalo di Lorenzo Cherubini (Jovanotti) Maria Grazia Chiuri è la protagonista di questo episodio di Sailor. La prima donna nominata Direttrice Artistica delle linee Dior donna. Dovremmo essere tutti femministi è da subito il suo manifesto. Il seno è la parte del corpo che, in questa nostra mappa anatomica, le abbiamo attribuito.

Haute Couture is part of French soft power: creating thousands of jobs and huge profits, a world away from a dramatic news cycle. This season's Paris Fashion Week was no exception. Dior's show saw Maria Grazia Chiuri reinventing the pleats of ancient Greece, while Iris van Herpen experimented with new shapes to allow movement. In their new collections, the two fashion houses are creating an ode to lightness – perhaps an antidote to our turbulent times?

Née en 1945 à Paris, la haute couture est un soft power à la française qui génère des milliers d'emplois et des bénéfices colossaux. Si elle apparaît comme hors sol, rien ne l'a jamais empêché d'exister. Parmi les défilés de l'automne-hiver 2023-2024, Maria Grazia Chiuri réinvente la sobriété des plissés de l'Antiquité pour Christian Dior, tandis que la Néerlandaise Iris Van Herpen expérimente de nouvelles structures qui favorisent le mouvement. Ces deux maisons font l'éloge de la légèreté. Faut-il y voir une réponse aux vicissitudes qui ravagent notre planète ?

I don't think I have ever been as nervous about interviewing someone in my entire career as I was when my former boss and colleague Suzy Menkes agreed to speak with me for this podcast. I worked side by side with Suzy for 16 years at the International Herald Tribune, which is now known as the International New York Times. Over that period she mentored me, encouraged me and guided me. Shaping my career as I moved from her assistant to fashion writer and finally the Online Style Editor of the IHT. During our time together we experienced so many amazing fashion moments, from the John Galliano, Alexander McQueen and Marc Jacob eras at Dior, Givenchy and Louis Vuitton, respectively, to watching first-hand the rise of LVMH, Gucci Group, Kering and the whole transformation of the fashion industry from artform to billion-dollar luxury business. Not to mention witnessing the debuts of iconic designers like Nicolas Ghesquière, Alber Elbaz, Phoebe Philo, Tom Ford, Stella McCartney, Alessandro Michele, Riccardo Tisci, Maria Grazia Chiuri, Pierpaolo Piccioli and the list goes on. Suzy's career as a fashion critic spans close to 60 years, starting with her college days at Cambridge where she was the first female editor of the university newspaper. But even before that, as a teenager, she moved to Paris to study at the fashion school that is now known as ESMOD. So her love of fashion as a visual expression of self and society runs very deep indeed. She started her true calling as a fashion journalist at the age of 24. Working under the watchful eye of Charles Wintour, the father of Anna Wintour, who would be an early mentor for Suzy. But Suzy came into full bloom as one of the most respected fashion critics in the world during her 26-year tenure at the International Herald Tribune. Her words were read in the pages of the daily newspaper by hundreds of thousands of readers around the world and eventually by millions once the internet was born. An audience that only expanded with the advent of social media and her turn as Condé Nast's International Vogue Editor, which saw her words being translated into different languages and her reviews posted on all of the international Vogue websites. She also was the mastermind behind the idea of the modern luxury conference, events that are now commonplace but were brought into being at the IHT, and later continued at Vogue, under her guidance. Suzy is renowned for her honest, fair and insightful writing, and her ability to put fashion into the context of a wider global narrative. Today she runs her own very successful podcast called Creative Conversations with Suzy Menkes, where she continues to interview the leading movers and shakers within the fashion industry. She is still asking the questions every fashion lover wants to know the answers to, but now I am lucky enough to be able to turn the tables on her a bit and ask her a few questions of my own.

Today, A.B.C.Dior invites you to explore – at the letter I – a wonderful new destination: India. A country that has been a land of fascination since the beginning of the House. From Christian Dior to Maria Grazia Chiuri, the various Artistic Directors have sought to highlight the great diversity of its culture and savoir-faire. A captivating sonic journey, in the name of dreams and creativity.

At Istituto Marangoni in Mumbai, the artistic director discussed the influence of Indian craft on her collections.Background: This week, Christian Dior presented its pre-fall 2023 collection at the Gateway of India monument in Mumbai, marking the first standalone show from a European luxury megabrand in the country.It was a historic occasion for fashion in India, which is projected to soon become the world's fastest-growing major economy, according to the International Monetary Fund. With that, Dior's appearance in Mumbai could prove to be a seminal moment: When Fendi staged a show at the Great Wall of China in 2007, it helped catalyse more than a decade of growth in the Chinese luxury market. This week on The BoF Podcast, Maria Grazia Chiuri, the artistic director of women's at Christian Dior since 2016, sits down with BoF's Imran Amed at the Istituto Marangoni in Mumbai to discuss the show, her intimate relationship with India and appreciation for Indian artisanship. “India has a huge history, a 6000-year history in textile style and embroidery,” said Chiuri. “This is part of the culture.”Key Insights:For Chiuri, Dior's Mumbai show was the culmination of a long-held ambition to present a collection in India due to her love for the country's traditional artisans. “We are really happy because it's a dream that we've had for a long time. It's very personal for me … it is not a simple fashion show,” she said. More than just showing the collection in the city, Chiuri wove local artisans' creativity into the collection through an ongoing partnership with The Chanakya School of Craft, co-creating intricately embroidered clothing with references to India's rich cultural heritage. “We're creating a new kind of modern embroidery that was not done before,” she said. When Chiuri met Karishma Swali, managing director of the Mumbai-based export atelier Chanakya International and the founder of the The Chanakya School of Craft, on her first trip to India, it sparked a friendship which has spanned over two decades, as well as numerous professional collaborations. “This is an important collaboration that I've had for a long time with Karishma, with this incredible family and company … I started to work with them in 1992,” Chiuri said. “We grew up together … our creativity and our discussions were so important in my career.”Additional Resources:Dior to Show at Mumbai's ‘Gateway of India' Monument: Dior's creative director Maria Grazia Chiuri presents the brand's 2023 pre-fall collection at the historic Gateway of India monument in Mumbai. Market Analysis: Is This Luxury's Watershed Moment in India?: In this story, Arnika Thakur explores luxury spending by Indian consumers, brands investing in domestic expansion in India and market competition from Indian designers. Hosted on Acast. See acast.com/privacy for more information.

The 2023 Academy Awards just happened, so Holly is back this week to discuss Red Carpet fashions with “just a few comments and opinions,” because who would we be if your favorite personal stylist didn't give her opinion on Hollywood's biggest night?     Duh, that is why we are here! #Helloooooo    In this episode, Holly takes us through her favorite hits and misses on the 2023 Red Carpet, helping you understand what the stars are wearing, so you can learn how this type of high fashion will translate and trickle down to regular everyday folks.     In general, the Oscars do not aim for the outrageous or wacky factor like we see for the Met Gala or the Grammys. This is the absolute highest honor in the film industry. Traditionally, the Academy Awards Red Carpet is where the world's most prestigious stars present themselves in the way they'll be remembered decades from now. And, at least this year, most people understood the assignment.     But hold on a minute! Did you know that in 2023, the “Red Carpet” is not actually red anymore?(We are still calling it the “Red Carpet” for this episode, however.)    So, fun fact:   The New York Times recently quoted a big-time celebrity event planner, Mandy Weiss, and she said the color of the red carpets has changed because of fashion. It must match the dresses, and the color red just really clashes. The carpet has been red since 1961, back when it was all about a star's movie and what role they were nominated for.     Now it's all about what the stars are wearing and which designer they are wearing. The New York Times states that, in fact, event planners say trends and carpet colors now correlate with the trends on the runways. "It all goes back to fashion and style and trendsetting," says Mrs. Weiss. The carpet should reflect the fashion that's going to walk down the carpet and not fight with it.    So, this year it was called the Champagne Carpet. Alrighty then. We can roll with it.     HOLLY'S TOP PICKS:    Halle Berry   Halle wore a stunning angelic white haltered gown by Tamara Ralph with a thigh-high slit, a midsection cutout, and a flowing skirt. But the most notable aspect of the look was the shimmery pink rose appliqués placed delicately across the neck and at her hip.     Honey, that slit up the leg! We mean, we literally couldn't tell she if had underwear on. That's how high it was...and speaking of her legs, she sure does have the legs pull off this dress. She was absolute perfection.    Michelle Yeoh  Continuing with the white trend, Michelle Yeoh made history when she won the award for Best Actress at the Oscars, becoming the first Asian woman to take home the prize. It had already been a hugely successful award season for the actress, not just in terms of recognition, but also when it came to her red-carpet style.    But, when it came to deciding what to wear for the biggest night of them all, Yeoh turned to Dior and creative director Maria Grazia Chiuri, who created a beautiful feathered white gown especially for her.    This dress initially may look like just a lot of fabric, maybe even like a bridal gown. However, it was handmade by Dior Haute Couture atelier – featured waves of feathers in ivory silk organza. It had a sleeveless illusion top which made her dress look strapless from far away but wasn't. When you take a closer look, you can see the illusion part which is a netting. Added with diamond earrings, her hair style, and her diamond jewelry, she was next level! She is just stunningly, remarkably gorgeous at 60 years old. We had to look that up! She's completely fabulous.     Emily Blunt  Blunt matched a form-fitting, off-the-shoulder Valentino dress with a white clutch that was adorned with pearls and a silver appliqué to keep the outfit monochrome. She added hanging, embellished earrings to her stylish updo of backswept hair.    Blunt showed that an off-the-shoulder column dress, done right, can be perfection. The understated gown got a dollop of bling courtesy of Blunt's Judith Leiber envelope clutch and a double dose of pink perfection via a pair of Chopard chandelier earrings. DYING over the earrings.    When Holly says “off the shoulder,” it was boob level, low, low off-the-shoulder. But she is so beautiful. You can see how gorgeous her skin is. And those gorgeous earrings! She had very, very natural makeup. She was just glowing and effortlessly chic.    Mindy Kaling  One of Holly's top looks of the night in custom Vera Wang was Mindy Kaling. She was someone who made Holly fall out of her chair! Never have we seen her look so beautiful and elegant. The custom Vera Wang white dress featured off-the-shoulder sleeves and a mesh Illusion with white boning bodice. So unexpected and fashion forward! Her hair was simply slicked back and effortless. She just looked stunning, stunning, stunning. #NEXTLEVEL   Eva Longoria  Wowza. Speaking of wowza, and we mean wowza! Eva Longoria in her Zuhair Murad couture beaded deep V-neck gown just brought a level of elegance that very, very few can achieve successfully pull off. This dress was made for her - even though this dress was a disco ball. (Those were her words, not ours.) But a chic disco ball.   But it didn't look like a disco ball, and it was not too much on her, even though she is a bit “vertically challenged.” She is not tall. She is a very petite and small person, but she just looked like a supermodel and this dress.     TREND ALERT:  Longoria's dress was a very sexy dress and with the mirrors on it, which has been a trend that we've seen a for a few seasons now.  Normal people can add this trend in simple ways: on a sweater or jeans, a sweatshirt, or just on a handbag.     Instead of sequins, it's like wearing tiny, little mirrors. This look, in small doses, can easily trickle down for styles for us regular people.    Sofia Carson  Dressed in Giambattista Valli Haute Couture, what looks like a gown is actually a custom white draped silk-chiffon off-shoulder crop-top featuring a twisted cut-out bodice paired with an asymmetrical waist ball gown skirt.     Sofia styled her look with a Chopard necklace featuring seven octagonal shaped emeralds totaling 122.49-carats along with 92.57-carats of pear-shaped, marquise cut, baguette cut and round shaped diamonds set in Fairmined-certified white gold jewelry from the Haute Joaillerie Collection. www.chopard.com  O.M.G.   Everybody was talking about this necklace. It looked like something you see in a museum. This necklace...absolutely unreal! She must have had security guards around her by the 1000s. We mean, she probably couldn't pee that night by herself, right??      Tems  For the Oscars, Tems (the Grammy-winning Nigerian artist—born Temilade Openiyi— who is the first African woman to have five Billboard hits) selected a custom white sculptural gown from Ukrainian brand Lever Couture's AW22 Leleka Couture collection, a look that Tems described as "outside the box."     She wore the dreamy white gown with metallic silver eyeliner and cocoa-lined lips that complimented the overall futuristic tone of the outfit.    It had this big structure over her head that was on-theme and ahead of the fashion curve. So, it was not her fault that they sat her in the middle of a row, and no one could see around her. Fashion first, damn it! Move her to a better seat!    Michelle Williams  The actress, who was nominated in the Best Actress in a Leading Role category for her work in The Fabelmans, arrived at the 95th annual awards ceremony in an all-white Chanel couture look.     The dress was a little mature for her, and felt like somebody much, much older could have worn because it was strapless, with netting over the top of it  - like when you don't want to show your arms or shoulders.     Holly was just a little surprised, because she could have gotten away with something much more avant-garde.     Ariana DeBose   She looked stunning, arriving at the 95th Academy Awards in a white Atelier Versace gown with all-over silver embellishments, featuring a sexy deep V at the front and a thigh-high slit leg. She paired the dazzling number with silver heeled sandals, and diamond jewels.    Zoe Salanda  For Zoe Saldana, the 2023 Oscars presented an opportunity to join the sustainability discussion and incorporate practices into her life — starting with the pinnacle red carpet.    As an ambassador for Suzy Amis Cameron's RCGD Global, the Academy's official sustainability partner, and an awards presenter, the Avatar: The Way of Water star accessorized a Fall 2022 Fendi Couture mesh and lace-paneled slip-gown with vintage Cartier jewels.    It was not over the top. It was very effortlessly chic and simple. This was the perfect way to represent the sustainability movement, standing up for the re-wear, reuse and recycle effort.      Monica Barbaro  Barbaro arrived wearing an elegant Elie Saab Haute Couture gown. The California native looked stunning in the dress that featured a plunging neckline and a deep purple front-tie skirt with a velvet bow in the front. Sexy yet so incredibly classy!    When she was being interviewed, she stated how incredibly grateful she was to Elie Saab and the showroom and the team to be given this dress, because even before she even made it in the movie industry, and nobody knew who she was, they were supporting her and loaning her dresses. So good for them! Good on Elie Saab for keeping the faith!     Florence Pugh   The Don't Worry Darling star arrived on the Oscars carpet wearing Valentino. Her jaw-dropping outfit featured a black minidress with pockets shrouded by a draping off-the-shoulder cape in a creamy grayish-beige hue.     A dramatic cape ebbed out from the pleated bodice into cloudlike poof sleeves and a long train. She finished the look with black platform heels, a structural abstract diamond necklace, sparkling pink drop earrings, and a black bow in her hair.    The whole thing opened at the bust, like an empire waist. You could see her legs and it flowed like a train behind her.     Holly was just aghast and has never seen anything so daring and unexpected! She tells us she was just dying over this look! Florence is very young. And she has a very edgy, punk vibe.  One of Holly's top, top picks of the night!!!     “And I just loved every single bit of it. I want this to trickle down. So, if I have to make this trickle down myself I do not care. God I love this. Did I say that already just saying I'm gonna put this picture under my pillow at night and I'm going to manifest this look for me.” – Holly Katz        HONORABLE MENTION    Winnie Harlow  Harlow arrived in a soft yellow archival 2005 Armani Privé couture column dress. Sustainable fashion has really made a statement on the Red.. or excuse us, Champagne Carpet this year as we are seeing celebrities wanting to showcase garments that have already made a statement instead of having a designer make something brand new for them.     She is completely gorgeous in her own right. And she pulled off this look flawlessly. She doesn't need a lot of extras. The very, very light yellow color of the gown looked beautiful with her skin tone.     Elizabeth Olsen  Elizabeth Olsen was a vision as she walked the red (champagne) carpet in a long, black, Givenchy halter gown with a slicked back bun and a red lip. Completely open in the back. Stunner.    Hong Chau  Chau, who is nominated for best supporting actress for her role in “The Whale,” walked the red (champagne) carpet at the biggest event of the year in a custom pink Prada gown that featured a nod to her Vietnamese heritage.    The collar of her dress, known in English as a Mandarin collar, is a short and stiff upright collar. It's popular in both Chinese cheongsams (also known as qipao) and Vietnamese dresses known as ao dai. She added this design detail at the last minute.     Malala Yousafzai  The Pakistani female education activist and Nobel Peace Prize laureate wore a silver sequined gown by Ralph Lauren with a hood, long sleeves, and a cinched detail on one side of the waist. She accessorized only with a large silver diamond ring and a gold ring with a large emerald from Santi Jewels, and wore minimal makeup, and added a pop of color with a bright red lip. HOLLY'S TOP LOOK OF THE NIGHT!      NO SNAPS    Ruth E. Carter  Carter, who in 2019 became the first Black person to win the Oscar for costume design for her work on Marvel's “Black Panther,” was recognized for the film's sequel, “Wakanda Forever.” She is a master at costume design, but she might have had a "Sound of Music" moment, as it looks like she was wearing the drapes.  #DAMN   The dress was just a lot, and really swallowed her. It was a bright yellow strapless gown, but you couldn't see her body shape. This was a no-no for Holly.    Jennifer Connelly  Connelly arrived in a black, off-the-shoulder Louis Vuitton column gown with a beaded triangle-shaped embroidery panel that came literally all the way up to her chin. To Holly, it looked like a spaceship. This dress was probably stunning in person, but, um, no girl! No snaps. Absolute the worst dressed.      That's all for now, folks! We could go on and on and on. Did we get it right? Did we get it wrong? We want to hear your comments! We hope you enjoyed this episode, and Holly will be dreaming and scheming about her top picks! 

The latest ready-to-wear collections in Paris are proof that fashion is art in its own right: mere adornment making way for extraordinary craftsmanship, show after show. At Dior, Maria Grazia Chiuri celebrates the 1950s, specifically the feminism encapsulated by Catherine Dior, Edith Piaf and Juliette Greco. Stella McCartney, meanwhile, offers an equestrian treat, employing everything from mushroom fibres to recycled food waste in her quest for fashion that's not only beautiful, but responsible. FRANCE 24 takes you to the catwalks.

Appliqué : c'est précisément l'adjectif qui décrit le mieux les collections prêt-à-porter automne hiver 2023-2024 présentées à Paris. Exit les fanfreluches, et bonjour le travail d'une extrême qualité ! Pour Dior, Maria Grazia Chiuri célèbre les années 50, le féminisme de Catherine Dior, d'Édith Piaf, et de Juliette Gréco. De son côté, la styliste Stella McCartney poursuit son travail pour une mode non-cruelle. Elle n'utilise que des matériaux composés de champignons, de coton régénéré ou de déchets alimentaires recyclés.

Meet our latest podcast guest, Stephen Jones, who is a leading figure in the world of millinery, renowned for his innovative designs and bold approach to hat-making. In this episode, Stephen sits down with Godfrey Deeny to discuss his journey as a milliner, beginning in the late 1970s, and his behind-the-scenes experiences with fashion icons such as Vivienne Westwood, John Galliano, Jeremy Scott, Maria Grazia Chiuri, Daniel Roseberry, and more. Stephen also shares his inspiration behind several of Dior's everlasting high-profile couture shows, from designing the infamous Harris Tweed Crown for Westwood to setting up his own millinery and re-enacting archived works for Schiaparelli. Throughout the podcast, Stephen offers heartfelt advice for young talent aspiring to pursue a career in the fashion world, drawing on emotional moments from his own career to inspire and encourage. Join us for an insightful conversation with one of the most influential milliners of our time.

Meet our latest podcast guest, Stephen Jones, who is a leading figure in the world of millinery, renowned for his innovative designs and bold approach to hat-making. In this episode, Stephen sits down with Godfrey Deeny to discuss his journey as a milliner, beginning in the late 1970s, and his behind-the-scenes experiences with fashion icons such as Vivienne Westwood, John Galliano, Jeremy Scott, Maria Grazia Chiuri, Daniel Roseberry, and more. Stephen also shares his inspiration behind several of Dior's everlasting high-profile couture shows, from designing the infamous Harris Tweed Crown for Westwood to setting up his own millinery and re-enacting archived works for Schiaparelli.Throughout the podcast, Stephen offers heartfelt advice for young talent aspiring to pursue a career in the fashion world, drawing on emotional moments from his own career to inspire and encourage. Join us for an insightful conversation with one of the most influential milliners of our time.This podcast is brought to you by Luxurynsight, the pioneer and leader in providing data-driven solutions for luxury, fashion, and beauty industries, and FashionNetwork.com, the leading source of information for fashion professionals worldwide.

C'est le premier jour de la Fashion week à Paris! Loïc et Julien racontent les enjeux de cette semaine capitale pour la mode! Aujourd'hui : les essayages chez Dior par Maria Grazia Chiuri et le défilé Weinsanto!

The House of Dior turns over vast sums of money for luxury giant LVMH, but high-end fashion can never be just about the cash: it's also about world-leading artistry. In her spring-summer 2023 collection, Dior's artistic director Maria Grazia Chiuri pays homage to the elegant modernity of the Black Parisian jazz stars of the 1920s, in particular Joséphine Baker. Meanwhile, fashion historian and curator Olivier Saillard celebrates the humble wardrobe of his late mother by transforming it with haute couture techniques.

Jessica Quillin, PhD is the Co-Founder and Principal for It's A Working Title, LLC, a boutique agency and think tank focused on content strategy and research for fashion, luxury, and the experience economy. Jessica is an experienced content strategist, published author, and the former Fashion Editor for Glass Magazine. She has an extensive background in fashion, luxury, and retail, including strategy consulting and magazine editorial work with a range of brands, designers, and celebrities, including Maria Grazia Chiuri, Virgil Abloh, Sandra Choi, Tiffany & Co, and Burberry, among others. Jessica holds a PhD in English Literature and Music from the University of Cambridge and authored a book on Percy Bysshe Shelley and music. She also is an avid runner who runs marathons for fun. On this episode, she talks with Christiana Mavromatis about her career move from tech to fashion and how she's married the two while at the same time taking on not only starting her own business, but also launching a fashion tech social media site as well.

The heroin of this episode is Catherine of Medici and her inputs to the fashion of her time. Together, we will:Learn a bit more about her, not so easy, life as Queen of France and the black legend around her.Discover a bit more about the Renaissance fashion for women.Go through the main inputs of Catherine of Medici into the Renaissance fashion.See how she is inspiring modern days designers. Happy listening!CatherineFollow My Fashion Stories Box Podcast on Instagram for visual diaries going along with the episodes.

Today, A.B.C.Dior invites you to explore – at letter E – the unwavering ties uniting Dior and  España. From Christian Dior to Maria Grazia Chiuri, this country and its multiple legacies have become an immutable source of inspiration.  

The luxury sector has never been so healthy, in both financial and creative terms. At Dior, Maria-Grazia Chiuri has called on artist Eva Jospin to design a grotto made from recycled carboard to serve as a backdrop to her fashion tribute to Catherine de Médicis. Meanwhile, up-and-coming talents Victor Weinsanto and Vincent Pressiat are embracing a collective, collaborative attitude as an antidote to the hostilities and harsh realities of the current moment. We take a closer look.

Le luxe ne s'est jamais aussi bien porté qu'aujourd'hui, tant d'un point de vue financier que créatif. Chez Dior, Maria Grazia Chiuri a fait appel à l'artiste plasticienne Eva Jospin pour concevoir une grotte en carton recyclé, écrin dans lequel elle fait défiler une collection hommage à Catherine de Médicis. Quant à la jeune garde, elle apporte – avec, entre autres, Victor Weinsanto et Vincent Pressiat – une réponse groupée aux agressions contemporaines.

“Frida Kahlo“ Au-delà des apparencesau Palais Galliera, Parisdu 15 septembre 2022 au 05 mars 2023Interview de Miren Arzalluz, directrice du Palais Galliera et co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 12 septembre 2022, durée 21'57.© FranceFineArt.Commissariat :Circe Henestrosa, conceptrice et commissaire de l'exposition, directrice de l'école de mode LASALLE College of the Arts, SingapourMiren Arzalluz, directrice du Palais Galliera, assistée de Alice FreudigerGannit Ankori, conseillère curatoriale, PhD, directrice et conservateur en chef Henry and Lois Foster, Rose Art Museum, Etats-UnisLe Palais Galliera célèbre Frida Kahlo (6 juillet 1907-13 juillet 1954), l'une des artistes les plus reconnues et influentes du XXe siècle. Loin des clichés qui entourent sa personnalité, l'exposition Frida Kahlo, au-delà des apparences propose aux visiteurs d'entrer dans l'intimité de l'artiste, et de comprendre comment elle s'est construit une identité à travers la manière de se présenter et de se représenter.Pour la première fois en France et en étroite collaboration avec le Museo Frida Kahlo, l'exposition rassemble plus de 200 objets provenant de la Casa Azul, la maison où Frida est née et a grandi : vêtements, correspondances, accessoires, cosmétiques, médicaments, prothèses médicales… Ces effets personnels ont été mis sous scellés au décès de l'artiste, en 1954, par son mari le peintre muraliste mexicain Diego Rivera, et ont été redécouverts cinquante ans plus tard, en 2004. Cette précieuse collection – comprenant des robes traditionnelles Tehuana, des colliers précolombiens que Frida collectionnait, des exemplaires de corsets et de prothèses peints à la main… – est présentée, avec des films et photographies de l'artiste, pour constituer un récit visuel de sa vie hors norme.L'apparence de Frida Kahlo constitue un moyen d'exprimer ses préoccupations identitaires et politiques : c'est, en effet, à la suite d'un grave accident, survenu à l'âge de 18 ans, que Frida se consacre à la peinture et adopte le vêtement traditionnel qui lui permet d'affirmer sa mexicanité, mais aussi de composer avec son handicap. Ainsi, l'exposition Frida Kahlo, au-delà des apparences retrace la manière dont l'artiste a façonné, tel un manifeste, son image nourrie par son héritage culturel et par son expérience du genre et du handicap.Dans un parcours à la fois biographique et thématique, le Palais Galliera met en lumière le passage de l'artiste à Paris et ses relations avec le groupe des Surréalistes.La visite se prolonge avec une exposition-capsule, présentée du 15 septembre au 31 décembre 2022, qui aborde l'influence de l'artiste sur la mode contemporaine et la façon dont elle demeure, encore de nos jours, une icône et une source d'inspiration pour les designers, parmi lesquels Alexander McQueen, Jean Paul Gaultier, Karl Lagerfeld pour CHANEL, Riccardo Tisci pour Givenchy, Maria Grazia Chiuri pour Dior ou Rei Kawakubo pour Comme des Garçons.#expofridakahlo Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

No matter the state of the world, fashion's job is to keep people dreaming. By emphasising the power of artistry, fashion not only provides welcome distraction, but props up the economy – and can also be subtly political. At Dior, Maria Grazia Chiuri is working hand-in-hand with Kyiv-based artist Olesia Trofymenko. Jean-Paul Gaultier meanwhile, now managed by Spanish group Puig, has invited Balmain's Olivier Rousteing to interpret the label's sartorial DNA.

La haute couture, réservée à quelques privilégiés, est en prise directe avec le monde. Il faut continuer de faire rêver, surtout en période de crise, valoriser l'artisanat, créer des emplois, délivrer des messages politiques. Pour Dior, Maria Grazia Chiuri invite l'artiste ukrainienne Olesia Trofymenko. Jean Paul Gaultier, dont la marque est à ce jour exploitée par le groupe espagnol Puig, invite cette saison le directeur artistique de Balmain, Olivier Rousteing, à interpréter l'ADN de sa griffe.

We continue our conversation with Justine Picardie about Catherine Dior's courageous resistance efforts during WWII and the continuance of her legacy at the House of Dior to this very day. See omnystudio.com/listener for privacy information.

This episode is also available as a blog post: https://thecitylife.org/2022/03/15/the-brooklyn-museum-to-honor-maria-grazia-chiuri-saundra-williams-cornwell-and-w-don-cornwell-at-2022-brooklyn-artists-ball/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

January's summer 2022 Couture Fashion Week showcased the latest sartorial offerings from 17 labels, just over half the number included in the official calendar due to ongoing Covid restrictions. Dior's Maria-Grazia Chiuri offered an ode to embroidery at Paris's Rodin museum, Jean Paul Gaultier handed the reigns of his empire over to Belgian designer Glenn Martens, while Alexandre Vauthier embraced the Roaring Twenties as an homage to our collective resilience in the face of the Covid-19 pandemic. FRANCE 24 takes you to the catwalks.

Pour cette Haute couture de l'été 2022, seules 17 griffes ont vraiment défilé à cause de la pandémie de Covid-19, soit un peu plus de la moitié des maisons présentes au calendrier officiel. Au musée Rodin, Maria-Grazia Chiuri, pour Dior, fait la part belle aux broderies, Jean Paul Gaultier invite le styliste belge Glenn Martens à s'approprier son univers, Alexandre Vauthier lorgne du côté des Années Folles car même si la crise sanitaire persiste, il faut ressusciter l'envie… d'avoir envie.

Throughout the years, fashion designers have reflected social change. As many collections have pushed creative boundaries, they have also caused controversy. On this edition of Talk to Al Jazeera, Christian Dior's creative director, Maria Grazia Chiuri, shares her views on the role the fashion industry plays in today's world.

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Stephen is one of the world's most celebrated milliners. Over his four decade long career he has topped the heads of everyone from Princess Diana to Rihanna and Madonna. In 2009 he curated the Hats, An Anthology by Stephen Jones exhibition at London's V and A museum looking at the wild, wonderful and captivating history of Hats. Alongside his own eponymous collection he has worked with designers from Comme Des Garcons Rei Kawakubo to Marc Jacobs, Thom Browne, Matty Bovan, Jeremy Scott, Emilia Wickstead, Vivienne Westwood and most prolifically has collaborated with the House of Dior for over two decades working with John Galliano, Raf Simons, Maria Grazia Chiuri and Kim Jones. Galliano has described his work as “the frosting to any collection” Find Victoria on Instagram @missvictoriamossStephen @stephenjonesmillinery Download DREST at The App StoreFollow us on Instagram @drestTweet us @DrestStyle Email us at ideas@drest.com Hosted on Acast. See acast.com/privacy for more information.

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Episode 3: Christian Dior: Designer of Dreams at the V&A. Discussed by Laura Lennard, Caz Murray & Vikki KosmalskaThe highly anticipated Christian Dior exhibition at the V&A has already sold out! But if you haven't got a ticket yet don't despair - there are two things that you can do: 1) Keep an eye out for extended dates...2) Listen to this week's episode of The Artcast where we do our utmost to recreate it for you!Whether you like to wear your ballgown to the supermarket like our resident clothes horse Vikki, or you're more interested in the making of a garment like crafty old Caz, there is something there for everyone. If you're one of the lucky people who got a ticket to the show let us know what you thought! Email us: hellotheartcast@gmail.comDM or follow us on Instagram: @theartcast  Thank you, as always, to the incredible Nat Witts for our jingle, and to the brilliant Jonny Lennard for our editing.